0:00:02 > 0:00:07This programme contains some strong language and some scenes which some viewers may find upsetting.
0:00:09 > 0:00:12From the chill down your neck, to the stain in your pants,
0:00:12 > 0:00:15fear can do many things.
0:00:15 > 0:00:17It can chill... SHE GASPS
0:00:17 > 0:00:19..thrill... and entertain.
0:00:19 > 0:00:20Oh, my God!
0:00:20 > 0:00:23Which is precisely why we're here.
0:00:23 > 0:00:25We've asked amateur film-makers
0:00:25 > 0:00:30to send us their creepiest, goriest and freakiest short horror films
0:00:30 > 0:00:32for your viewing pleasure.
0:00:32 > 0:00:37Movies such as SAW and Evil Dead both started out as shorts
0:00:37 > 0:00:40before becoming multimillion dollar franchises.
0:00:40 > 0:00:43So we're hoping to find next horror master
0:00:43 > 0:00:46worthy of a of a bloodcurdling blockbuster.
0:00:46 > 0:00:48SHOUTING ON SCREEN
0:00:48 > 0:00:50This is The Fear,
0:00:50 > 0:00:52where who scares...
0:00:52 > 0:00:53wins.
0:00:53 > 0:00:55- Oh, my God! - HE LAUGHS
0:01:09 > 0:01:12Welcome to The Screaming Room.
0:01:12 > 0:01:15Here, we'll be spooking an audience of horror fans
0:01:15 > 0:01:18with a host of terrifying short films.
0:01:18 > 0:01:21They'll vote for their scariest in this special cinema,
0:01:21 > 0:01:23rigged with cameras to catch their every jump...
0:01:23 > 0:01:24SHE SCREAMS ..scream...
0:01:24 > 0:01:27SHE CRIES OUT ..and cry.
0:01:27 > 0:01:31So let's welcome back the horror fans tasked with rating our films.
0:01:33 > 0:01:36They include London lads Antoine, Nick and Daniel,
0:01:36 > 0:01:38who can already smell the fear...
0:01:38 > 0:01:41- FARTING SOUND - You little stinker!
0:01:43 > 0:01:45Plus, newly dating Poppy and Joe,
0:01:45 > 0:01:48on whom the amateur film-making is starting to rub off.
0:01:48 > 0:01:51- Do you reckon me and you could make a film?- I think we could.
0:01:51 > 0:01:54But I have a feeling it probably wouldn't be made public.
0:01:54 > 0:01:56SHE LAUGHS
0:01:58 > 0:02:01Cinema aficionados Brad and Ash.
0:02:02 > 0:02:05When I want to go and see a film that is specifically aimed at kids,
0:02:05 > 0:02:09but I want to see it and there are kids there, like little schmucks.
0:02:09 > 0:02:13See, mine's the whole... chair kickers.
0:02:13 > 0:02:16Fear not, it's very much a 18 certificate tonight and, relax,
0:02:16 > 0:02:20we've checked the IDs of these two - it's sisters Amelia and Grace.
0:02:20 > 0:02:23- I bet you £250 you'll scream. - Jesus.
0:02:23 > 0:02:26- Jesus!- I don't have that money. OK?
0:02:26 > 0:02:29And, finally, Aaron and Michelle, our Essex scare fans...
0:02:29 > 0:02:31- SHE SCREAMS - What you fucking doing?
0:02:31 > 0:02:34..and all-around pop culture analysts.
0:02:34 > 0:02:35It's about a titwank.
0:02:35 > 0:02:37# My milkshake brings all the boys to the yard
0:02:37 > 0:02:39# And they're like, it's better than yours. #
0:02:39 > 0:02:40Well, it is. It's like that.
0:02:40 > 0:02:41# Damn right, it's better than yours. #
0:02:41 > 0:02:43Because it's milk, shake.
0:02:43 > 0:02:44My milkshake.
0:02:44 > 0:02:47- SHE GASPS - Oh, my God!
0:02:48 > 0:02:51Could we have booked a better bunch to judge a horror competition?
0:02:51 > 0:02:55Well, yes, frankly, but this ragtag crowd was all that was available.
0:02:55 > 0:02:57All the films will be under four minutes,
0:02:57 > 0:02:59made by amateur film-makers
0:02:59 > 0:03:03and will be scored by our audience, solely on scariness.
0:03:03 > 0:03:05So switch off the lights, turn off your phones
0:03:05 > 0:03:08and clasp a neighbouring hand for comfort,
0:03:08 > 0:03:11because it's time to begin.
0:03:11 > 0:03:14Our first film of the night comes from 24-year-old Nathan Seedhouse,
0:03:14 > 0:03:15who is a master baker.
0:03:15 > 0:03:17No, not that.
0:03:17 > 0:03:19Yeah, there you go.
0:03:19 > 0:03:22But there's more to this than caterer than cobs, cookies and cats.
0:03:22 > 0:03:26Nathan also likes ignoring girls and scaring folk.
0:03:26 > 0:03:28Like with this, tonight's first frightful flick.
0:03:28 > 0:03:30It's called Anomaly.
0:03:35 > 0:03:37- Oh, no.- Here we go.
0:03:44 > 0:03:46BEEPING
0:04:04 > 0:04:06EERIE MUSIC
0:04:10 > 0:04:12MUSIC BUILDS
0:04:18 > 0:04:19MUSIC STOPS
0:04:19 > 0:04:22EERIE SINGING
0:04:24 > 0:04:25SINGING FADES
0:04:25 > 0:04:27BEEPING STARTS
0:04:56 > 0:04:57HEAVY BREATHING
0:05:25 > 0:05:28RAPID THUDDING
0:05:36 > 0:05:38LIGHT SWITCH CLICKS
0:05:47 > 0:05:48LIGHT SWITCH CLICKS
0:05:55 > 0:05:56Shit, that's scary.
0:06:02 > 0:06:04HEARTBEAT
0:06:14 > 0:06:15HEARTBEAT
0:06:20 > 0:06:21THUDDING
0:06:25 > 0:06:26HEARTBEAT QUICKENS
0:06:31 > 0:06:34HEARTBEAT QUICKENS
0:06:37 > 0:06:39HEARTBEAT STOPS
0:06:43 > 0:06:44SLOW HEARTBEAT
0:06:49 > 0:06:50DRAMATIC MUSIC
0:07:02 > 0:07:04HEARTBEAT
0:07:08 > 0:07:09DRAMATIC MUSIC
0:07:09 > 0:07:11SHE GASPS
0:07:11 > 0:07:12ALL TALK
0:07:12 > 0:07:13Ooh, I like that.
0:07:13 > 0:07:14Oh, it's done.
0:07:14 > 0:07:16HE SIGHS HEAVILY
0:07:16 > 0:07:17That was wicked.
0:07:17 > 0:07:20That heartbeat was so good. That ruined you.
0:07:20 > 0:07:23Oh, my God.
0:07:23 > 0:07:24That was Anomaly.
0:07:24 > 0:07:27That was jumpier than a particularly skittish nervous wreck on a bronco.
0:07:27 > 0:07:31That could work in its favour, as our cinemagoers will be scoring
0:07:31 > 0:07:34all shorts between 1 and 10 for scariness,
0:07:34 > 0:07:37with the three most frightening films at the end of the competition
0:07:37 > 0:07:42going before Blair Witch Project co-director Eduardo Sanchez.
0:07:42 > 0:07:43He'll pick the ultimate winner,
0:07:43 > 0:07:46who'll receive £20,000 worth of support
0:07:46 > 0:07:47towards their next project.
0:07:47 > 0:07:51With that in mind, let's see how many pairs of pants Anomaly's ruined.
0:07:51 > 0:07:52Fear.
0:07:54 > 0:07:55SHE GASPS
0:07:55 > 0:07:56SHE SCREAMS
0:07:56 > 0:07:59- SHE GASPS - Oh!
0:07:59 > 0:08:00That film was so scary.
0:08:00 > 0:08:03Like, some of the big blockbuster Hollywood films I've seen.
0:08:03 > 0:08:05It really, really had me freaked out.
0:08:05 > 0:08:08- DRAMATIC MUSIC - Ooh! Oh, God.
0:08:08 > 0:08:12Even our usually unshakeable resident tough guys were spooked.
0:08:12 > 0:08:14I'm not going to lie, I was on edge for a very long time,
0:08:14 > 0:08:17but at the end little thing...
0:08:17 > 0:08:18If we go to a Halloween party after this
0:08:18 > 0:08:20and we see a girl in a white gown...
0:08:20 > 0:08:22- I'm out of that, like...- I'm not...
0:08:22 > 0:08:24- I'm not going in there, mate.- Out of that.
0:08:24 > 0:08:27I actually made a bet with Amelia that she would scream.
0:08:27 > 0:08:29- And what did you do, Amelia? - I did a little scream.
0:08:29 > 0:08:31It was more of a gasp, I would say.
0:08:31 > 0:08:33SHE MIMICS GASP
0:08:33 > 0:08:34A very high-pitched, loud gasp.
0:08:34 > 0:08:36SHE GASPS
0:08:36 > 0:08:38I won the bet.
0:08:38 > 0:08:40Amelia will have to cough up for that,
0:08:40 > 0:08:43but at least Grace should have some kind words to soften the blow.
0:08:43 > 0:08:45The girl in the film reminded me of...
0:08:45 > 0:08:47- this beautiful person.- What?
0:08:47 > 0:08:49All these girls have really long, dark hair
0:08:49 > 0:08:50and, like, some form of...
0:08:50 > 0:08:53I don't know, this face going on.
0:08:54 > 0:08:57What are sisters for, if not to compare your face
0:08:57 > 0:09:00to that of the pallid, decrepit undead?
0:09:00 > 0:09:03Now, explain to me why this fella's seasoning his home...
0:09:07 > 0:09:10I think the salt was, like, a preventer. To, like...
0:09:10 > 0:09:13- To not let whatever it is...- Ward off bad spirits and stuff like that.
0:09:13 > 0:09:15Yeah. Not let this anon...
0:09:15 > 0:09:17- BOTH:- ..anonononomally...
0:09:17 > 0:09:18Whatever it is, in.
0:09:18 > 0:09:20I thought he was warding off slugs.
0:09:20 > 0:09:23Being someone that's stood on a slug barefoot,
0:09:23 > 0:09:25I know the horror of what that could be.
0:09:25 > 0:09:28- ASH LAUGHS - So I was all onboard for an awkward slug movie.
0:09:28 > 0:09:30I hadn't even thought of slugs until you mentioned it to me
0:09:30 > 0:09:32and then I was actually kind of bummed out
0:09:32 > 0:09:35that it wasn't a giant slug movie.
0:09:35 > 0:09:38So Anomaly looks to have set our moviewatchers' hearts racing,
0:09:38 > 0:09:42but did they score it highly enough to make the competition leaderboard?
0:09:42 > 0:09:46We'll be revealing all of tonight's scores at the end of the show.
0:09:46 > 0:09:49EERIE SINGING
0:09:49 > 0:09:51Fear.
0:09:51 > 0:09:57Next up on our macabre menu is this tasty morsel from Stanislava Buevich.
0:09:57 > 0:10:01When she's not wearing other people's faces like a hipster Hannibal Lecter,
0:10:01 > 0:10:03being brutally attacked by tiny humans,
0:10:03 > 0:10:07or struggling to get to grips with this whole selfie lark...
0:10:07 > 0:10:09she's trying to get your adrenaline pumping
0:10:09 > 0:10:11with her short, Geoffrey's Heart.
0:10:13 > 0:10:15Ssh.
0:10:18 > 0:10:21DOOR OPENS
0:10:21 > 0:10:23DOOR SHUTS
0:10:23 > 0:10:25KEYS JANGLE
0:10:25 > 0:10:26There you are.
0:10:27 > 0:10:30Hasn't changed, I think, just as you remember.
0:10:31 > 0:10:32We're home, Geoffrey.
0:10:35 > 0:10:36FOOTSTEPS
0:10:40 > 0:10:43What would you like to do?
0:10:43 > 0:10:45I bought you some new comics and movies.
0:10:45 > 0:10:47- They're in your room, if you want to...- I'm hungry.
0:10:49 > 0:10:52You say that and...and you don't eat anything.
0:10:54 > 0:10:56What would you like, Geoffrey?
0:11:00 > 0:11:02I'll...I'll make you something.
0:11:52 > 0:11:53EERIE HUMMING
0:11:54 > 0:11:56DOOR CREAKS
0:11:58 > 0:12:00SHE HUMS
0:12:06 > 0:12:08SHE STOPS HUMMING
0:12:08 > 0:12:09Geoff, you're back.
0:12:14 > 0:12:15DULL THUD
0:12:20 > 0:12:23Geoffrey?
0:12:23 > 0:12:24FOOTSTEPS
0:12:29 > 0:12:32EERIE MUSIC
0:12:33 > 0:12:34MUSIC BUILDS
0:12:46 > 0:12:48CREAKING
0:12:59 > 0:13:00HEAVY BREATHING
0:13:10 > 0:13:12PEOPLE MURMUR
0:13:12 > 0:13:14That's not normal.
0:13:14 > 0:13:17- But he was hungry, in fairness.- Yeah.
0:13:17 > 0:13:18EERIE SINGING
0:13:22 > 0:13:24Well, that got messy quickly, but...
0:13:24 > 0:13:27what did our cinemagoers make of the peckish patient
0:13:27 > 0:13:30with the tricky ticker?
0:13:30 > 0:13:33It was a great bit of casting, because he was a creepy-looking kid.
0:13:33 > 0:13:36And it's something... You got that vibe straight away.
0:13:36 > 0:13:39I'm not actually quite sure what Geoffrey is. I know he's...
0:13:39 > 0:13:42a person who eats a person, but I can't remember the word.
0:13:42 > 0:13:43What word was it you said, Amelia?
0:13:43 > 0:13:46I think it was carnivore or a herb...
0:13:46 > 0:13:48It's something vore, or canavore?
0:13:48 > 0:13:50- Apparently, it's a herbivore. - Cannival?
0:13:50 > 0:13:55Don't fret it. I'm sure our resident nurses can offer a more accurate diagnosis.
0:13:55 > 0:13:56Oh, my God.
0:13:56 > 0:13:58- Geoffrey? I thought he was a bit... - Weird.
0:13:58 > 0:14:02Looked a bit disturbed. He's just, like, "I'm hungry."
0:14:02 > 0:14:05# Everybody's got a hungry heart... #
0:14:05 > 0:14:07I'm hungry.
0:14:07 > 0:14:09# Everybody's got a hungry heart... #
0:14:09 > 0:14:11'If I spoke to my mum like that...'
0:14:11 > 0:14:14Oh, mate. All hell would break loose.
0:14:14 > 0:14:17Our lot obviously expect their cannibals to be courteous.
0:14:17 > 0:14:20Geoffrey doesn't really seem to play by the rules though, does he?
0:14:20 > 0:14:21Oh, whoop.
0:14:21 > 0:14:24- Oh, my God. What a benefit fraud. - THEY LAUGH
0:14:24 > 0:14:27While Geoffrey's cleaning up on the welfare, his mum's...
0:14:27 > 0:14:30well, not cleaning at all, much to Aaron's disgust.
0:14:30 > 0:14:33Then she goes out and gets a big bit of meat and slaps it on the side.
0:14:33 > 0:14:35- Exactly!- And don't wash her hands afterwards.
0:14:35 > 0:14:38- Walks all round the house, smearing all meat up the walls.- Oh!
0:14:38 > 0:14:41To be honest, I don't think the fella scoffing raw entrails
0:14:41 > 0:14:45straight from a carcass is that fussed about food hygiene standards!
0:14:45 > 0:14:47But what was to blame for this gnarly noshing?
0:14:47 > 0:14:49Geoffrey had had a heart transplant.
0:14:49 > 0:14:52- Now he's, like, a heartless person! - Yeah.
0:14:52 > 0:14:54And that's why she got the devil card and then death,
0:14:54 > 0:14:57- cos the devil was going to make her die.- The devil's heart!
0:14:57 > 0:14:58Yeah, she got the devil's heart.
0:14:58 > 0:15:01It's true. Something bad was definitely on the cards
0:15:01 > 0:15:05for that young lady and it certainly came with a big reveal at the end.
0:15:05 > 0:15:08As soon as I saw Geoffrey on the bed eating the girl, I thought,
0:15:08 > 0:15:11- that was zero to 100 real quick, like.- Yeah.
0:15:11 > 0:15:13He just ate his sister.
0:15:13 > 0:15:14SHE LAUGHS QUIETLY
0:15:14 > 0:15:18I didn't, at first, clock that they may have been siblings, so...
0:15:18 > 0:15:19SHE SNORTS
0:15:19 > 0:15:20I may have thought that
0:15:20 > 0:15:23their foreplay got a little bit out of hand.
0:15:23 > 0:15:26Do we need to have a little chat about the birds and the bees, Joe?
0:15:26 > 0:15:29I don't know what you do, but doesn't go like that.
0:15:29 > 0:15:30Jesus!
0:15:30 > 0:15:33God knows if you'll get another date now, mate.
0:15:33 > 0:15:34But, if you do, just be sure to ignore
0:15:34 > 0:15:37Geoffrey's interpretation of eating out.
0:15:38 > 0:15:40We'll be finding out later whether Geoffrey's Heart
0:15:40 > 0:15:43set enough pulses racing to be in with a chance of winning
0:15:43 > 0:15:46that cool £20,000 worth of support
0:15:46 > 0:15:49toward its director's next film.
0:15:49 > 0:15:50EERIE SINGING
0:15:54 > 0:15:58Our next film comes from 26-year-old fitness fanatic Cal Thomson.
0:15:58 > 0:16:00When he's not pointlessly running around
0:16:00 > 0:16:01and pulling off poses like this...
0:16:01 > 0:16:03(Nice!)
0:16:03 > 0:16:06..he gets his heart racing by subjecting folk to his chilling take
0:16:06 > 0:16:08on a roadside safety film.
0:16:08 > 0:16:10So buckle up, kids! This is Drive Safe.
0:16:14 > 0:16:17- Oh, here we go. - Here we go, mate.
0:16:20 > 0:16:22EERIE MUSIC
0:16:24 > 0:16:26Bye, hon. I'll text you later.
0:16:27 > 0:16:28CAR BEEPS
0:16:41 > 0:16:42CAR STARTS
0:16:56 > 0:16:58DRAMATIC MUSIC
0:17:10 > 0:17:11DRAMATIC MUSIC
0:17:11 > 0:17:13TYRES SCREECH
0:17:13 > 0:17:14SHE PANTS
0:17:24 > 0:17:26BEEPING
0:17:28 > 0:17:31- Oh! - SHE RATTLES KEYS
0:17:31 > 0:17:32Come on!
0:17:34 > 0:17:36- SHE WHISPERS:- Come on.
0:17:36 > 0:17:37SHE PANTS
0:17:39 > 0:17:42- Oh! - MOBILE PHONE GLITCHES
0:17:49 > 0:17:51- No!- No!
0:17:52 > 0:17:53EERIE MUSIC
0:18:06 > 0:18:07BONNET CREAKS
0:18:14 > 0:18:15CREAKING
0:18:21 > 0:18:23BONNET SHUTS
0:18:25 > 0:18:26Hello?
0:18:29 > 0:18:30Hello?
0:18:41 > 0:18:43SHE PANTS
0:18:49 > 0:18:50MOBILE PHONE GLITCHES
0:18:54 > 0:18:56- AMELIA SCREAMS - Oh, God! Oh!
0:18:56 > 0:18:57HE SNIGGERS
0:18:59 > 0:19:02Car breakdowns are a nightmare for sure,
0:19:02 > 0:19:04but if there's a shadowy phantom tormenting you -
0:19:04 > 0:19:06roadside assistance or not -
0:19:06 > 0:19:07you are screwed!
0:19:07 > 0:19:11What other handy safety tips did our back-seat drivers pick up?
0:19:11 > 0:19:12TYRES SCREECH
0:19:12 > 0:19:15This is why I don't drive.
0:19:15 > 0:19:17Because it can be a creepy experience, right?
0:19:17 > 0:19:20If your car stops working and your phone's dead,
0:19:20 > 0:19:22you're going to get killed, basically.
0:19:22 > 0:19:24Would I stay in the car, would I get out? I would have stayed.
0:19:24 > 0:19:27Don't get out the car! Like, it's dark.
0:19:27 > 0:19:31Oh, yeah. The old "lift up the hood and pretend you know what you're doing" trick.
0:19:31 > 0:19:33Just shined a light.
0:19:33 > 0:19:37You never know, she could have been a mechanic or anything, but, obviously... You never know!
0:19:37 > 0:19:40I think maybe our trusty film buffs could do with borrowing that light.
0:19:40 > 0:19:43I was looking at something different every time
0:19:43 > 0:19:44the big scare supposedly happened.
0:19:44 > 0:19:46DRAMATIC MUSIC
0:19:46 > 0:19:48- BOTH:- What am I looking at?
0:19:48 > 0:19:51Guys! It's right there. For goodness' sake, put your specs on!
0:19:51 > 0:19:54- Oh. - And then, when it did appear,
0:19:54 > 0:19:56I was fine with that, it was in front of the car.
0:19:56 > 0:19:57I've got it, I've got it.
0:19:57 > 0:20:00I bet you're rubbish at Where's Wally, Ash.
0:20:00 > 0:20:03There was no missing the final scare, though.
0:20:03 > 0:20:05- SHE SCREAMS - Oh, my...
0:20:05 > 0:20:07The ending did get me, which was really good.
0:20:07 > 0:20:10This is too much of a build-up. This is too much, this is too much.
0:20:10 > 0:20:11AMELIA SCREAMS
0:20:11 > 0:20:13- Oh! Oh, God! - HE SNIGGERS
0:20:13 > 0:20:17So the back seat of the car provided a satisfying jump for Poppy.
0:20:17 > 0:20:18Oh, God!
0:20:18 > 0:20:21But how did she and the rest of our moviegoers score Drive Safe?
0:20:21 > 0:20:23Find out at the end of the show.
0:20:30 > 0:20:33- You're such a mess, you know that? Look at you.- Oh, shut up.
0:20:33 > 0:20:35- Look at you.- Look at you. - You're shaking.
0:20:35 > 0:20:36Shaking and dropping your food.
0:20:36 > 0:20:38One time, I was watching Frozen on me own
0:20:38 > 0:20:40- in the cinema... - THEY LAUGH
0:20:40 > 0:20:42That's all right. I did it too.
0:20:42 > 0:20:44All right. But this woman, right,
0:20:44 > 0:20:47not only did her phone ring, but she answered it!
0:20:47 > 0:20:50I stood up and shouted, "Get off your fucking phone!"
0:20:51 > 0:20:52I do love a horror, me.
0:20:57 > 0:20:59The last of tonight's tiny terrors
0:20:59 > 0:21:01comes from that well-known fiery hellmouth...
0:21:01 > 0:21:03Cornwall.
0:21:03 > 0:21:05Living room photographer Stephen Oxborrow
0:21:05 > 0:21:07and pals, Mark Guthrie and Ben Fullman -
0:21:07 > 0:21:09seen here invading France -
0:21:09 > 0:21:10met as film extras.
0:21:10 > 0:21:14They also appear to be highly flammable.
0:21:14 > 0:21:16Together, they're looking to set your world on fire
0:21:16 > 0:21:17with their film, 999.
0:21:22 > 0:21:25- IN EERIE VOICE: - Prepare to meet your destiny.
0:21:25 > 0:21:26THEY LAUGH
0:21:27 > 0:21:29DRAMATIC MUSIC
0:21:33 > 0:21:34THUDDING
0:21:34 > 0:21:36BREATHING
0:21:36 > 0:21:39Hello, fire department!
0:21:39 > 0:21:41Fire's out. We've got reports of somebody inside.
0:21:41 > 0:21:44Let's check these rooms and get out. I don't want to be here all night.
0:21:44 > 0:21:46HEAVY BREATHING
0:21:46 > 0:21:47Let's do this.
0:21:49 > 0:21:51Man, don't these places give you the creeps?
0:21:51 > 0:21:55Back home, you only ever go into a place like this on Halloween.
0:21:55 > 0:21:56Just try and concentrate, Jay.
0:21:56 > 0:21:58I'm just saying, I'm...
0:21:58 > 0:22:00Places like this, you never know
0:22:00 > 0:22:02when something is going to jump out at you.
0:22:02 > 0:22:03DRAMATIC MUSIC, JAY SHOUTS
0:22:03 > 0:22:05OTHER LAUGHS
0:22:06 > 0:22:07Come on.
0:22:07 > 0:22:09That is some messed-up shit.
0:22:09 > 0:22:10HEAVY BREATHING
0:22:18 > 0:22:20Right, Jay, we've got three rooms remaining.
0:22:20 > 0:22:23- I'm going to have to radio down to Jack.- All right.
0:22:23 > 0:22:24Jack, you're receiving?
0:22:24 > 0:22:26HEAVY BREATHING
0:22:26 > 0:22:27ENGINE RUNS
0:22:27 > 0:22:29- RADIO:- Jack, you're receiving?
0:22:29 > 0:22:30Yeah, go ahead, Mark.
0:22:30 > 0:22:32We've got three rooms remaining.
0:22:32 > 0:22:34Haven't seen anything unusual so far.
0:22:34 > 0:22:36Only a cat hung up by a chain.
0:22:36 > 0:22:40No real indication of how the fire actually started.
0:22:40 > 0:22:43OK, it's 2:55 and you have 28 minutes of air remaining.
0:22:45 > 0:22:47Jay, we got 28 minutes remaining.
0:22:47 > 0:22:50Oh, jeez. So much for finishing early.
0:22:50 > 0:22:52Roger that, Jack. We'll be down in ten.
0:22:52 > 0:22:55- Come on, you bitch! - JAY BANGS DOOR
0:22:55 > 0:22:59Mark? Mark, get your ass over here! We got movement!
0:22:59 > 0:23:00- HE SHOUTS:- Hello?
0:23:00 > 0:23:03- THEY STRUGGLE - Hey, fire department!
0:23:03 > 0:23:05BANGING, DOOR CREAKS
0:23:07 > 0:23:08HEAVY BREATHING
0:23:08 > 0:23:10There's our body.
0:23:11 > 0:23:13I'm calling it in.
0:23:13 > 0:23:16Jack? We have a body.
0:23:16 > 0:23:18Jack?
0:23:18 > 0:23:20Jack? Are you there? Come in.
0:23:20 > 0:23:21JAY BREATHES
0:23:21 > 0:23:23- MARK SHOUTS:- Jack? Jack?
0:23:23 > 0:23:24MARK MUTTERS
0:23:24 > 0:23:26- MARK SHOUTS:- Jack?
0:23:27 > 0:23:29I'm not getting anything here.
0:23:29 > 0:23:31JAY BREATHES
0:23:31 > 0:23:33Do you think I should give her CPR?
0:23:33 > 0:23:35SHE SHRIEKS
0:23:35 > 0:23:36- JAY SHOUTS - Jay!
0:23:36 > 0:23:39- BANGING - Jay! Where the fuck are you?
0:23:39 > 0:23:41JAY PANTS
0:23:46 > 0:23:47DRAMATIC MUSIC, JAY YELPS
0:23:47 > 0:23:48HEAVY PANTING
0:23:52 > 0:23:54HE SCREAMS
0:23:54 > 0:23:55HE COUGHS
0:23:56 > 0:23:57HE PANTS
0:23:59 > 0:24:00What the fuck?
0:24:01 > 0:24:03EERIE MUSIC
0:24:10 > 0:24:14DRAMATIC MUSIC
0:24:15 > 0:24:16Shall we stop holding hands now?
0:24:16 > 0:24:19Yeah! It's a bit much, Michelle. It's like you're all over me.
0:24:19 > 0:24:22- Fear. - MENACING LAUGH
0:24:22 > 0:24:25Barbecued baddies and frightened firefighters abound,
0:24:25 > 0:24:29but did 999 hold a candle to tonight's other shorts
0:24:29 > 0:24:31in our filmgoers' eyes?
0:24:31 > 0:24:33WOMAN SHRIEKS
0:24:33 > 0:24:35- SHOUTING - Jay!
0:24:35 > 0:24:37It really reminded me of the Spanish film Rec.
0:24:37 > 0:24:41It's a very similar situation, with the firemen going into the building.
0:24:41 > 0:24:44The twist being that the reason why the building went up in flames
0:24:44 > 0:24:48was as a result of a demonic ritual. That was really cool.
0:24:48 > 0:24:52- See, kids. Pyromania and Satanic rituals- are- cool.
0:24:52 > 0:24:56It was a lot more professional. You could tell that immediately and that made me feel like,
0:24:56 > 0:24:58instantly, I was watching a real horror film.
0:24:58 > 0:24:59Yeah, it was really well put together.
0:24:59 > 0:25:02I thought the film had a really high production value,
0:25:02 > 0:25:04it almost seemed like a Hollywood picture.
0:25:04 > 0:25:05BANGING AND CREAKING
0:25:05 > 0:25:08Well, they certainly had a Hollywood cast.
0:25:08 > 0:25:11# Liking this American boy. #
0:25:11 > 0:25:13I swear the guy's accent changed during the film.
0:25:13 > 0:25:16Let's get out of here. I don't want to be here all night.
0:25:16 > 0:25:19"We gotta get in here, we gotta get the people out."
0:25:19 > 0:25:23Places like this, you never know when something is going to jump out at you.
0:25:23 > 0:25:25- He kept wavering...- Into, like...
0:25:25 > 0:25:28- IRISH ACCENT:- "We've got to get out of here, you bugger!"
0:25:28 > 0:25:30"You got 28 minutes of oxygen left."
0:25:30 > 0:25:33- So much for finishing early. - They sound like Dark Vader.- Yeah.
0:25:33 > 0:25:35THEY MIMIC BREATHING
0:25:35 > 0:25:37Who's Dark Vader?
0:25:37 > 0:25:39HEAVY BREATHING
0:25:39 > 0:25:42You think I should give her CPR?
0:25:42 > 0:25:44# This girl is on fire. #
0:25:44 > 0:25:48She was crawled into a little ball, shaking, like this.
0:25:48 > 0:25:50And he said, shall I resuscitate her?
0:25:50 > 0:25:53- Or give her RSPC...? No, RS...- No, RS...
0:25:53 > 0:25:56Oh! RS... Did you just say RSPCA?
0:25:56 > 0:25:58The other one. The...
0:25:58 > 0:26:00Probably best not to rely on our audience
0:26:00 > 0:26:02in a medical emergency!
0:26:02 > 0:26:04We can rely on them to score films for scares, though.
0:26:04 > 0:26:08And the burning question for 999 and all of tonight's shorts,
0:26:08 > 0:26:12is whether they've done enough to make the series' top three.
0:26:12 > 0:26:13With the final votes in,
0:26:13 > 0:26:16let's take a look back to see how they rated.
0:26:16 > 0:26:18- Fear. - MENACING LAUGH
0:26:19 > 0:26:20In fourth place,
0:26:20 > 0:26:23it's creepy transplant tale Geoffrey's Heart,
0:26:23 > 0:26:27which our cinemagoers rated as 3.4 on the scare-scale.
0:26:27 > 0:26:30I really enjoyed it, but it just wasn't scary.
0:26:31 > 0:26:35Tense motoring 'mare Drive Safe has stalled in third with 4.6.
0:26:35 > 0:26:39I was so tense that I turned round to Joe and I was like,
0:26:39 > 0:26:42"I think I'm about to go into cardiac arrest." I was right on the edge of my seat.
0:26:42 > 0:26:44Just falling short of tonight's top spot
0:26:44 > 0:26:50is firefighter film 999, in second place with 6.4.
0:26:50 > 0:26:51Hello, fire department!
0:26:51 > 0:26:53I was very impressed with 999.
0:26:53 > 0:26:57- Very good budget, very good acting. - Mm.- Even the costume outfits.
0:26:57 > 0:26:58- Yeah, yeah, yeah.- Good.
0:26:58 > 0:27:02Meaning Anomaly takes first place as tonight's most frightening film,
0:27:02 > 0:27:05with a scare-score of 6.7.
0:27:05 > 0:27:07I was really impressed with Anomaly.
0:27:07 > 0:27:10I thought it was really, really quite a taut little movie.
0:27:10 > 0:27:14Remember that only the top three shorts across the series
0:27:14 > 0:27:17will make it to Blair Witch co-director Eduardo Sanchez
0:27:17 > 0:27:19to ultimately pick the winner.
0:27:19 > 0:27:22And, unfortunately, Anomaly just misses a place
0:27:22 > 0:27:25on our overall leaderboard by an anomaly of 0.1!
0:27:27 > 0:27:29Fear.
0:27:29 > 0:27:31But will those same films still be there next week,
0:27:31 > 0:27:36after another whole host of horrors hope to sicken and scare?
0:27:36 > 0:27:38Coming soon... HE SHOUTS AND LAUGHS
0:27:38 > 0:27:42- I'm not going to front. That got me. - Absolutely terrified.
0:27:42 > 0:27:44SHE SCREAMS, THEY SNIGGER
0:27:44 > 0:27:46And there's a bit of, like, naughty stuff in it.
0:27:46 > 0:27:50- You don't want to mess with your body like that. - THEY SCREAM
0:27:50 > 0:27:52Oh, my God. I'm, like, shaking.
0:27:52 > 0:27:54- SHE SHOUTS - Freaky.
0:27:54 > 0:27:57Until then... sleep tight.
0:28:00 > 0:28:03# Sunshine, lollipops and rainbows
0:28:03 > 0:28:06# Everything that's wonderful is what I feel when
0:28:06 > 0:28:08# We're together
0:28:08 > 0:28:11# Brighter than a lucky penny
0:28:11 > 0:28:14# When you're near, the rain cloud disappears, dear
0:28:14 > 0:28:16# And I feel so fine
0:28:16 > 0:28:19# Just to know that you are mine
0:28:19 > 0:28:23# My life is sunshine, lollipops and rainbows
0:28:23 > 0:28:25# That's how this refrain goes, so come on... #