Episode 5

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0:00:02 > 0:00:05This programme contains some strong language.

0:00:05 > 0:00:09This programme contains scenes which some viewers may find upsetting

0:00:09 > 0:00:12From the chill down your neck, to the stain in your pants,

0:00:12 > 0:00:15fear can do many things...

0:00:15 > 0:00:18It can chill, thrill...

0:00:18 > 0:00:21and entertain.

0:00:21 > 0:00:23Which is precisely why we're here.

0:00:23 > 0:00:27We've asked amateur film-makers to send us their creepiest...

0:00:27 > 0:00:28goriest...

0:00:28 > 0:00:32and freakiest short horror films for your viewing pleasure.

0:00:33 > 0:00:36Movies such as Saw and Evil Dead both started out

0:00:36 > 0:00:41as shorts before becoming multi-million-dollar franchises.

0:00:41 > 0:00:43So we're hoping to find the next horror master

0:00:43 > 0:00:46worthy of a blood-curdling blockbuster.

0:00:49 > 0:00:51This is The Fear,

0:00:51 > 0:00:53where who scares...wins.

0:00:55 > 0:00:57Oh, my God!

0:01:11 > 0:01:13Welcome to the screaming room!

0:01:13 > 0:01:16Here we'll be spooking an audience of horror fans with

0:01:16 > 0:01:19a host of terrifying short films.

0:01:19 > 0:01:22They'll vote for their scariest in this special cinema

0:01:22 > 0:01:27rigged with cameras to catch their every jump, scream and cry.

0:01:27 > 0:01:28Oh, my God!

0:01:28 > 0:01:33So, let's welcome back the horror fans tasked with rating our films.

0:01:33 > 0:01:34Call 911 now!

0:01:34 > 0:01:39Included in our audience are London lads Antoine, Nick and Daniel,

0:01:39 > 0:01:41who like their horror like...

0:01:41 > 0:01:42they like their steaks.

0:01:42 > 0:01:46I prefer it, like, when it's, like, when it's proper bloody.

0:01:46 > 0:01:48- And gory.- Yeah, man.

0:01:48 > 0:01:51Perky young things Poppy and Joe.

0:01:51 > 0:01:54My top keeps coming down, you can see my bra.

0:01:54 > 0:01:57I think my hair covers it, but I don't know.

0:01:57 > 0:01:59Eyes front, Joe!

0:01:59 > 0:02:02And medical...er...professionals Aaron and Michelle.

0:02:02 > 0:02:03- What are they?- Panadol.

0:02:03 > 0:02:05HE SHUDDERS

0:02:05 > 0:02:06I've got meningitis.

0:02:07 > 0:02:11Developing a taste for the gruesome, it's sisters Amelia and Grace.

0:02:11 > 0:02:13This popcorn tastes like banana.

0:02:13 > 0:02:16- No, it doesn't.- Yeah. - It definitely does not.

0:02:16 > 0:02:19And terrified of everything except horror movies,

0:02:19 > 0:02:20film buffs Brad and Ash.

0:02:20 > 0:02:22You know what scares me?

0:02:22 > 0:02:25- Sharks.- Earthquakes and sharks. - World hunger.

0:02:28 > 0:02:31Remember, these guys will be scoring each film out of 10

0:02:31 > 0:02:33on scariness alone.

0:02:33 > 0:02:36So a 1 would be a kitten being put into a watering can.

0:02:36 > 0:02:40A 10 would be a watering can put into a kitten.

0:02:40 > 0:02:43The only rules are that each film must be under four minutes

0:02:43 > 0:02:46and made by non-professional film-makers.

0:02:46 > 0:02:48Got that? Let's put on a film, then.

0:02:50 > 0:02:53The first offering comes from 18-year-old George Moore,

0:02:53 > 0:02:55a student at the University of the Arts, London,

0:02:55 > 0:02:57and I'm guessing not a real blonde.

0:02:57 > 0:02:58George likes to touch pianos,

0:02:58 > 0:03:01stand near pictures that may or may not be relevant to

0:03:01 > 0:03:04the upcoming movie, and be really good at drawing.

0:03:04 > 0:03:08So, make yourself comfortable for something really uncomfortable.

0:03:08 > 0:03:10This is The Portrait.

0:03:15 > 0:03:21GOTHIC HORROR MUSIC

0:03:26 > 0:03:28CLOCK TICKS

0:03:28 > 0:03:31CLATTERING

0:03:34 > 0:03:38WHISPERING VOICES

0:03:38 > 0:03:41CREAKING

0:03:46 > 0:03:53DISTANT FEMALE SINGING

0:04:00 > 0:04:04WHISPERING AND SINGING CONTINUE

0:04:07 > 0:04:08TAPPING

0:04:13 > 0:04:17WHISPERING VOICES

0:04:19 > 0:04:23EERIE VIOLINS PLUCK

0:04:39 > 0:04:43VIOLINS SCREECH

0:04:56 > 0:04:59CHILD'S LAUGHTER IN THE DISTANCE

0:04:59 > 0:05:02TAPPING

0:05:02 > 0:05:04LAUGHTER AND SINGING

0:05:04 > 0:05:09FOOTSTEPS

0:05:20 > 0:05:23FLOORBOARDS CREAK

0:05:23 > 0:05:28SHE PANTS

0:05:30 > 0:05:34CREAKING

0:05:59 > 0:06:01Oh, my God, I'm, like, shaking.

0:06:01 > 0:06:04- Why did she buy that painting in the first place? She's a weirdo!- I know.

0:06:06 > 0:06:09Good God, I hope that doesn't happen to the full-sized portrait

0:06:09 > 0:06:12I've got of Robin Thicke in my bathroom.

0:06:12 > 0:06:15Remember that these films are being marked on scariness alone.

0:06:15 > 0:06:18The three with the highest score at the end of the series will be

0:06:18 > 0:06:21put before Blair Witch Project co-director Eduardo Sanchez,

0:06:21 > 0:06:23who will pick the ultimate winner.

0:06:23 > 0:06:27So, did The Portrait scare the Picasso out of our audience?

0:06:29 > 0:06:33- Nick jumped! It wasn't scary. - It got you, it got you.

0:06:33 > 0:06:37THEY SCREAM AND LAUGH

0:06:37 > 0:06:39I'm not going to front, that got me there, yeah.

0:06:39 > 0:06:41GASPS

0:06:42 > 0:06:45I think The Portrait could've been scarier, in my opinion.

0:06:45 > 0:06:49- I found it really scary. I had little heart palpitations. - But it doesn't take a lot for you.

0:06:49 > 0:06:53SHE SCREAMS

0:06:53 > 0:06:54It was scary, it was scary.

0:06:56 > 0:06:57Oh, my God!

0:06:57 > 0:07:00I thought it was one of the better ones we've seen so far.

0:07:03 > 0:07:05Of course, we all express fear in different ways,

0:07:05 > 0:07:08but it seems the star of The Portrait is

0:07:08 > 0:07:10a fan of the traditional method.

0:07:12 > 0:07:14CREAKING

0:07:14 > 0:07:16Did she fart?

0:07:16 > 0:07:19She just farted. I'm not going to lie.

0:07:19 > 0:07:22Still, let's be honest, though, she brought it all on herself, right?

0:07:23 > 0:07:25SHE SCREAMS

0:07:25 > 0:07:27I feel like she deserved what she got.

0:07:27 > 0:07:29If you have something like that on your wall...

0:07:29 > 0:07:33I bet she bought it from one of them old scary little antique shops.

0:07:33 > 0:07:35Exactly. You just wouldn't do it.

0:07:35 > 0:07:38You'd get something like flowers or unicorns or a portrait of yourself.

0:07:38 > 0:07:41I've just realised it looks like a dirty juggalo.

0:07:41 > 0:07:43THEY LAUGH

0:07:43 > 0:07:48In fairness, if a juggalo turned up in my bedroom, I'd be terrified.

0:07:48 > 0:07:53So, it seems The Portrait creeped a few people out, but will it

0:07:53 > 0:07:56be enough to take a place on the competition leaderboard?

0:07:56 > 0:07:57Hang around,

0:07:57 > 0:08:00because we'll be revealing all the scores at the end of the show.

0:08:05 > 0:08:10Creeping creepily on, our next film comes from 36-year-old Rob Nevitt,

0:08:10 > 0:08:12who, judging by this empty cinema,

0:08:12 > 0:08:15has pretty severe personal hygiene issues. I'm kidding!

0:08:15 > 0:08:18He runs a horror festival and I'm sure he smells like candyfloss.

0:08:18 > 0:08:22This is his uber-unsettling offering, Metamorphosis.

0:08:29 > 0:08:33Hello, I'm Dr Carter, you are Mr...?

0:08:33 > 0:08:36- Frost.- Mr Frost, yes. How are you feeling?

0:08:36 > 0:08:41- I feel a bit sick.- Just a side effect of the treatment, it'll pass.

0:08:42 > 0:08:46Hopefully it comes as a comfort that your participation in this programme

0:08:46 > 0:08:50brings us that bit closer to finding a possible cure.

0:08:51 > 0:08:53So when do I get paid?

0:08:53 > 0:08:57- All in good time. - 'Dr Carter to security, please.

0:08:57 > 0:08:59'Immediately.'

0:08:59 > 0:09:01What's the problem?

0:09:03 > 0:09:06Nothing to worry about. Excuse me a minute.

0:09:10 > 0:09:13HE HUMS

0:09:13 > 0:09:16- BANGING - What the f...?

0:09:20 > 0:09:22'Security to level three...'

0:09:25 > 0:09:26Er...hello?

0:09:26 > 0:09:29'All patients please return to your rooms,

0:09:29 > 0:09:31'there is no cause for alarm.'

0:09:34 > 0:09:36What the f...?

0:09:37 > 0:09:40HE PANTS

0:09:59 > 0:10:01(Shit, shit, shit!)

0:10:04 > 0:10:06Fuck!

0:10:13 > 0:10:17SIRENS

0:10:18 > 0:10:20LIQUID SPRAY

0:10:20 > 0:10:23HE GROANS

0:10:23 > 0:10:26SIRENS BLARE

0:10:48 > 0:10:52GUNSHOTS

0:10:57 > 0:10:59Subject 87...

0:11:01 > 0:11:02..unsuccessful.

0:11:04 > 0:11:07Please, can somebody clear Mr Frost away?

0:11:21 > 0:11:24I like it. I like that.

0:11:24 > 0:11:28I didn't like how he turned into some big, winged guy. But I liked it.

0:11:28 > 0:11:30- That was my favourite film so far.- Really?

0:11:31 > 0:11:35Personally, I'd thoroughly recommend experimenting with your body.

0:11:35 > 0:11:37I mean, how else are you going to discover that

0:11:37 > 0:11:40a moustache like this can make you look so good?

0:11:40 > 0:11:43But what about our hospital drama, Metamorphosis?

0:11:43 > 0:11:46Did it give our audience a decent dose of shock therapy?

0:11:48 > 0:11:50I liked Metamorphosis.

0:11:50 > 0:11:53It was the first first-person genre one that we saw.

0:11:53 > 0:11:56It's the huge thing in horror right now.

0:11:56 > 0:11:59When you only see what the character sees, you put yourself

0:11:59 > 0:12:01in their shoes and it makes it a lot more real to me.

0:12:01 > 0:12:04It felt like a video game, when you're watching it.

0:12:04 > 0:12:07I felt like I was in the video game and I was directing this character

0:12:07 > 0:12:08to try and survive.

0:12:08 > 0:12:11- And then at the end, we lost.- Yeah.

0:12:14 > 0:12:17So what exactly had those barkingly berserk boffins done

0:12:17 > 0:12:19to our protagonist?

0:12:19 > 0:12:22I think he turned into some sort of alien dragon.

0:12:22 > 0:12:24Something like you'd see in Harry Potter.

0:12:24 > 0:12:27I think he turned into a weird bat.

0:12:27 > 0:12:29He's a butterfly!

0:12:29 > 0:12:31He wasn't feathered wings - I don't think so -

0:12:31 > 0:12:33and then the title was called Metamorphosis.

0:12:33 > 0:12:36- (Am I saying that right?)- (Yeah.)

0:12:38 > 0:12:40I think you'd be a moth.

0:12:40 > 0:12:43You're irritating, you're attracted to light.

0:12:43 > 0:12:46No-one really wants to go to sleep with you in the room.

0:12:46 > 0:12:50If you had wings, you'd be a bat

0:12:50 > 0:12:54because you suck the life out of people and it rhymes with twat.

0:12:57 > 0:13:00So, obviously, it's really worked out for me,

0:13:00 > 0:13:04but how would our audience feel about a bit of experimentation?

0:13:04 > 0:13:06You don't want to mess with your body like that!

0:13:06 > 0:13:08I've dropped him to the clinic a few times.

0:13:08 > 0:13:10Dropped who, who?

0:13:10 > 0:13:11When you, um, took that pill.

0:13:11 > 0:13:15I don't know what you're talking about, mate.

0:13:17 > 0:13:20Well, if you're going to play, then play safe.

0:13:20 > 0:13:23So, Metamorphosis is a wonderfully unusual addition to the

0:13:23 > 0:13:26competition, but how did it score?

0:13:26 > 0:13:27Find out at the end of the show.

0:13:33 > 0:13:36Our next film is about those tricky date interactions -

0:13:36 > 0:13:39the early nerves, the awkward silences.

0:13:39 > 0:13:43Dinner Date comes from 24-year-old Sam Hoggarth

0:13:43 > 0:13:45and 29-year-old Danny Cotton from Norwich.

0:13:45 > 0:13:49Sam has a huge imaginary girlfriend and Danny likes bowling.

0:13:49 > 0:13:51Hey, cool!

0:13:51 > 0:13:54They hope their film, Dinner Date, whets the audience's appetite

0:13:54 > 0:13:57and is still around for breakfast in the morning.

0:14:07 > 0:14:09I'm so glad you could come over.

0:14:09 > 0:14:13I find it a bit difficult to go out

0:14:13 > 0:14:16and meet people sometimes. My, uh, friends tell me

0:14:16 > 0:14:20that my...habits can put people off a little.

0:14:20 > 0:14:23Even just now, my friend, she was on the telephone,

0:14:23 > 0:14:25lecturing me about it all.

0:14:25 > 0:14:29Oh, gosh, look at me, I'm just rabbiting on.

0:14:29 > 0:14:30Shall we eat?

0:14:34 > 0:14:35Oh...

0:14:38 > 0:14:40I've done it again, haven't I?

0:14:44 > 0:14:45Oh, well.

0:14:57 > 0:15:00- That's a "gutsy" performance. - Wahey!

0:15:01 > 0:15:05Well, they say the best way to man's heart is through his stomach,

0:15:05 > 0:15:09but it also turns out to be the best way to his gall bladder,

0:15:09 > 0:15:10kidneys and lungs.

0:15:10 > 0:15:12I actually quite liked Dinner Date.

0:15:12 > 0:15:16It kind of blends the line between surrealist comedy horror.

0:15:16 > 0:15:18It's very short, sharp and punchy.

0:15:18 > 0:15:21It got my attention when I saw fishnet dress, to be fair.

0:15:21 > 0:15:23I'm so glad you could come over.

0:15:23 > 0:15:25Yeah, it was nice.

0:15:25 > 0:15:27THEY LAUGH

0:15:28 > 0:15:30Whilst it's clear where Antoine's mind is,

0:15:30 > 0:15:34Dinner Date put the human anatomy at the forefront of everyone's brain.

0:15:34 > 0:15:38Horror doesn't usually get much of a squirm out of me but, yeah, she was

0:15:38 > 0:15:39really tearing at them guts.

0:15:39 > 0:15:42If you go on a dinner date, normally you're expecting at least

0:15:42 > 0:15:45a decent meal or a little bit of laughter or something like that.

0:15:45 > 0:15:48Yeah, you don't expect to have your intestines eaten.

0:15:48 > 0:15:50Yeah, and pulled out across the table in front of you.

0:15:50 > 0:15:53- Yeah, I kind of hope that never happens to me.- Yes.

0:15:55 > 0:15:57Well, if Poppy and Joe need any tips,

0:15:57 > 0:16:00the rest of the audience are on hand with their dating expertise.

0:16:00 > 0:16:03For a good dinner date you need to be a good eater.

0:16:03 > 0:16:06- You've had loads of bad dates. - I've had lots of bad dates.

0:16:06 > 0:16:08- What happened last night? - I don't want to talk about it,

0:16:08 > 0:16:10that doesn't matter. Um...

0:16:10 > 0:16:13You kind of need a connection. I really don't think there was

0:16:13 > 0:16:16a connection going between them in that film. Definitely not.

0:16:16 > 0:16:19I haven't tried to eat my date at the dinner table!

0:16:19 > 0:16:21HE LAUGHS

0:16:21 > 0:16:22Oh...

0:16:24 > 0:16:26Table manners, Michelle!

0:16:26 > 0:16:30Dinner Date certainly gave our judges their fill of gory guts,

0:16:30 > 0:16:33but did it have the stomach to make it onto our leaderboard

0:16:33 > 0:16:35or is it just "offal"?

0:16:40 > 0:16:43And so onto our next film, which is a nocturnal nightmare

0:16:43 > 0:16:46by insurance underwriter Amy Freeman.

0:16:46 > 0:16:50When she's not begging passing shoppers for funds for her next feature,

0:16:50 > 0:16:53she's "insuring" you soil yourself in front of this one.

0:16:53 > 0:16:55Amy's called her film...

0:16:57 > 0:16:58..Waiting.

0:17:02 > 0:17:05- It's my arm... You get your own armrest.- You get two.

0:18:57 > 0:18:58PHONE CLATTERS

0:19:28 > 0:19:32LINE RINGS

0:19:40 > 0:19:42SHE GASPS

0:20:36 > 0:20:40- The jump-scares are good, right? - Yeah, that was really good.

0:20:40 > 0:20:44- I got a little bit of a...- It had, like, a good atmosphere to it.- Yeah.

0:20:45 > 0:20:49Ah, the night bus, a magical place of nocturnal activity.

0:20:49 > 0:20:53Let's see what our audience made of...

0:20:53 > 0:20:54Waiting.

0:20:54 > 0:20:57Never gets old, that!

0:20:57 > 0:21:00I thought it was quite a good set-up, actually.

0:21:00 > 0:21:01SHE MOANS

0:21:01 > 0:21:02SHE GASPS

0:21:02 > 0:21:03Oh!

0:21:04 > 0:21:06HE CHUCKLES

0:21:06 > 0:21:08Plenty of nervy moments but nothing as unsettling as what was

0:21:08 > 0:21:10going through Amelia's mind.

0:21:10 > 0:21:12I first thought it was, like,

0:21:12 > 0:21:14"Aw, they're going to get together, this is so cute."

0:21:14 > 0:21:16BOTH: Aww.

0:21:16 > 0:21:18I kind of liked him at the beginning.

0:21:18 > 0:21:20He kind of had that little, sweet smile.

0:21:20 > 0:21:24# I go ahead and smile... #

0:21:24 > 0:21:26So you're attracted to murderers?

0:21:26 > 0:21:30You can't fault the logic but there were no such romantic thoughts

0:21:30 > 0:21:33from Poppy. She could only see the practical side of things.

0:21:35 > 0:21:38Guess it's just a really easy place to target someone - a bus stop.

0:21:38 > 0:21:41If you see someone there on their own and it's late at night,

0:21:41 > 0:21:42there's not many people around,

0:21:42 > 0:21:46that's where you can find your victim.

0:21:46 > 0:21:49Er, maybe you should get a taxi home, Joe.

0:21:53 > 0:21:56So how did our audience score our bus stop stalker scarer?

0:21:56 > 0:22:00No need to wait much longer - all the scores coming up very soon.

0:22:06 > 0:22:08It's time for the final film of the night, people,

0:22:08 > 0:22:12so settle down and get into the dead zone.

0:22:12 > 0:22:16Don't Open is written by and stars 25-year-old Alex Blackwood,

0:22:16 > 0:22:20who works the night shift at his local supermarket, stacking shelves

0:22:20 > 0:22:22and putting cameras in trolleys.

0:22:22 > 0:22:25Bet he can't wait for you to "checkout" his film.

0:22:26 > 0:22:30INDISTINCT CHATTER

0:24:03 > 0:24:06- Cheeky!- Oh, hello.- Cheeky.

0:24:06 > 0:24:12- That made me jump.- You jumped! Yeah! The last one, you jumped!

0:24:15 > 0:24:17Bloody hell, internet dating

0:24:17 > 0:24:19is a bit more interactive these days, isn't it?

0:24:19 > 0:24:22But what did our audience make of Don't Open

0:24:22 > 0:24:25and its devastatingly stupid leading man?

0:24:27 > 0:24:30Frustrating. It's one of those films where the person does everything

0:24:30 > 0:24:33you don't want them to do and that they shouldn't do.

0:24:33 > 0:24:34Don't open.

0:24:34 > 0:24:36If it says "don't open", don't open.

0:24:36 > 0:24:38I would probably think, like, they've sent it to me

0:24:38 > 0:24:41by accident and there's a bit of naughty stuff in it, like...

0:24:41 > 0:24:42So you'd want to open it?

0:24:42 > 0:24:45Yeah, you'd want to have a look and see what they've been up to.

0:24:45 > 0:24:47I would open it. I'm curious, I'm nosy, I'd be like,

0:24:47 > 0:24:49"Ooh, what's this? Am I going to find out secrets?"

0:24:49 > 0:24:52- Well, you'd die and I wouldn't. - Yeah.

0:24:52 > 0:24:55Ah, sisterly love there. Heart-warming(!)

0:24:57 > 0:25:01I think this one worked really well in terms of photos coming up

0:25:01 > 0:25:03and up and up. It kind of ramped up the tension.

0:25:03 > 0:25:06Yeah, instead of someone ringing you saying, "I'm in the house.

0:25:06 > 0:25:08"Oh, I'm behind you. Oh, I'm nearly there."

0:25:08 > 0:25:11They're pulling everything down from the Cloud and it was just

0:25:11 > 0:25:15a very intelligent, well-planned, well thought-out thriller.

0:25:15 > 0:25:18I was on edge watching it. Why is he opening the folder?

0:25:18 > 0:25:21And he's seeing the pictures of someone stalking him.

0:25:21 > 0:25:22That was good, the build-up.

0:25:22 > 0:25:25I was expecting a jump-scare of some kind.

0:25:25 > 0:25:28I was expecting something bad to happen. But not the way it did.

0:25:28 > 0:25:29SHE GASPS

0:25:29 > 0:25:32SHE LAUGHS

0:25:32 > 0:25:34- That was scary.- Yeah, that was clever. I enjoyed that.

0:25:34 > 0:25:35It was really good.

0:25:37 > 0:25:41I did still jump at the end even though the arm wasn't that scary,

0:25:41 > 0:25:44because I jump at absolutely everything.

0:25:44 > 0:25:48Shock, horror - man at computer involved in dodgy hand job!

0:25:48 > 0:25:51We're almost at our own happy ending. Time for one final thought.

0:25:51 > 0:25:53If I had to stalk anyone...

0:25:55 > 0:25:58..I would stalk you, the viewer.

0:26:00 > 0:26:04Rude! I know we're on late, Brad, but we've got more than one viewer!

0:26:04 > 0:26:06- Sorry! - THEY LAUGH

0:26:06 > 0:26:09So with the final votes now in for all of tonight's films,

0:26:09 > 0:26:13it's time to take a look back at them to see how they've scored.

0:26:16 > 0:26:21So, in fifth place with 2.3, it's the lady with the red fishnet dress,

0:26:21 > 0:26:23it's Dinner Date.

0:26:23 > 0:26:25I thought it was a really fun little ride they took us on but...

0:26:25 > 0:26:27it's not scary.

0:26:28 > 0:26:31In fourth place, it will make you think next time a stranger sidles up

0:26:31 > 0:26:34to you at a bus stop, it's Waiting.

0:26:36 > 0:26:39- We could feel the vibes from the stuff.- There was a scary vibe given.

0:26:40 > 0:26:45Next up in third place it's clinical trials gone wrong, Metamorphosis.

0:26:47 > 0:26:50I thought this film was really different compared to everything

0:26:50 > 0:26:53else we've seen cos it was the point of view, so all you're seeing is

0:26:53 > 0:26:54what that person's seeing.

0:26:54 > 0:26:59And in joint first place with a score of 5.5, it's The Portrait...

0:27:01 > 0:27:04It was creepy and it was kind of frightening.

0:27:04 > 0:27:06I really liked the nods to classic horror cinema - there was

0:27:06 > 0:27:08the Nosferatu nod...

0:27:08 > 0:27:10..and Don't Open.

0:27:10 > 0:27:12Loved the element of it, loved the suspense, loved the build-up.

0:27:12 > 0:27:15Really, really good and really quite interesting.

0:27:15 > 0:27:17So, going into the final week of the competition

0:27:17 > 0:27:20our top three remain unchanged,

0:27:20 > 0:27:24but with more terrifying treats to come, it's all up for grabs.

0:27:26 > 0:27:29Next time, our final fright fests...

0:27:29 > 0:27:30SHE SCREAMS

0:27:32 > 0:27:34- Oh, my God! - That was a really good job.

0:27:34 > 0:27:37..and Hollywood scaremonger Eduardo Sanchez

0:27:37 > 0:27:39is here to pick the ultimate winner.

0:27:39 > 0:27:43My judging criteria is just how scared does it make me?

0:27:43 > 0:27:46Until then, nighty-night.

0:27:53 > 0:27:57# When you're alone and life is making you lonely

0:27:57 > 0:28:00# You can always go

0:28:00 > 0:28:01# Downtown

0:28:01 > 0:28:05# When you've got worries, all the noise and the hurry

0:28:05 > 0:28:08# Seems to help, I know

0:28:08 > 0:28:10# Downtown

0:28:10 > 0:28:13# Just listen to the music of the traffic in the city

0:28:13 > 0:28:16# Linger on the sidewalk... #