0:00:02 > 0:00:07This programme contains some strong language and some scenes which some viewers may find upsetting
0:00:10 > 0:00:12From the chill down your neck, to the stain in your pants,
0:00:12 > 0:00:15fear can do many things.
0:00:15 > 0:00:16It can chill...
0:00:16 > 0:00:17THEY SCREAM
0:00:17 > 0:00:19..thrill, and entertain.
0:00:19 > 0:00:20Oh, my God!
0:00:20 > 0:00:23..which is precisely why we're here.
0:00:23 > 0:00:27We've asked amateur film-makers to send us their creepiest,
0:00:27 > 0:00:32goriest, and freakiest short horror films for your viewing pleasure.
0:00:33 > 0:00:37Movies such as SAW and Evil Dead both started out
0:00:37 > 0:00:41as shorts before becoming multimillion dollar franchises.
0:00:41 > 0:00:43So, we're hoping to find the next horror master
0:00:43 > 0:00:46worthy of a bloodcurdling blockbuster.
0:00:48 > 0:00:49This...
0:00:49 > 0:00:51..is The Fear
0:00:51 > 0:00:54where who scares...wins.
0:00:54 > 0:00:55Oh, my God!
0:00:55 > 0:00:58HE LAUGHS
0:00:59 > 0:01:03EERIE MUSIC
0:01:07 > 0:01:10Welcome to the screaming room!
0:01:10 > 0:01:13Over the last few weeks, we've been spooking an audience of horror fans
0:01:13 > 0:01:16whilst catching their every jump, scream and cry.
0:01:18 > 0:01:22Tonight, as the competition culminates, we've gone all la-di-da
0:01:22 > 0:01:26and invited along Blair Witch co-director, Eduardo Sanchez,
0:01:26 > 0:01:29to decide which of our audience's favourite is the ultimate
0:01:29 > 0:01:33winner and worthy of a 20-grand prize.
0:01:33 > 0:01:37But it's not over until the decomposing lady eviscerates you
0:01:37 > 0:01:41as tonight we have two final shorts both vying for a place
0:01:41 > 0:01:43on our coveted leader board.
0:01:43 > 0:01:47And, as always, voting for their scariest is this lot!
0:01:50 > 0:01:53Among them scaredy cats, and genius free thinkers,
0:01:53 > 0:01:54Amelia and Grace.
0:01:54 > 0:01:57I think if we were going to make a short film ourselves that's scary
0:01:57 > 0:02:00it would definitely include me biting off my arm.
0:02:00 > 0:02:04We have the inseparable buds with reputable bants.
0:02:04 > 0:02:05It's Antoine, Nick and Daniel.
0:02:05 > 0:02:08- No trick or treating this Halloween? - No.
0:02:08 > 0:02:11No, it's overrated, mate. No tricks, no treats.
0:02:11 > 0:02:13Just you and your right hand, mate!
0:02:13 > 0:02:14Lovebirds Poppy and Joe.
0:02:14 > 0:02:16I want to tell my high score again.
0:02:18 > 0:02:19What? Six.
0:02:19 > 0:02:21No, my high score so far was seven.
0:02:21 > 0:02:23- No, it was six.- No, seven.
0:02:23 > 0:02:24Trouble in paradise?
0:02:24 > 0:02:27And best of all the besties, Aaron and Michelle.
0:02:27 > 0:02:29I could be classed as like a horror professional now.
0:02:29 > 0:02:32- I've nothing to say on that matter, Michelle.- No!
0:02:32 > 0:02:34And bickering film buffs, Brad and Ash.
0:02:34 > 0:02:38You jumped during the conjuring. What was that about?
0:02:38 > 0:02:42That's one incident that you can think of where I've jumped.
0:02:43 > 0:02:45Ah, I love those guys.
0:02:45 > 0:02:49So, with two final films on tonight's menu, it's time for our first
0:02:49 > 0:02:51offering from Sam Hartshorn.
0:02:52 > 0:02:55Teenager Sam writes, directs and stars in his own films,
0:02:55 > 0:02:58makes animation, plays in a band, does back flips,
0:02:58 > 0:03:02runs and is only 16.
0:03:02 > 0:03:03God, I wasted my life!
0:03:03 > 0:03:06Here's his childhood nightmare come true, Itcher.
0:03:12 > 0:03:16Gaw! You do your lips more than any woman I know!
0:03:20 > 0:03:21Itcher.
0:03:21 > 0:03:22CREAKING
0:03:22 > 0:03:23That's a horrible sound.
0:03:52 > 0:03:55SCRATCHING
0:03:57 > 0:04:01SCRATCHING INTENSIFIES
0:04:08 > 0:04:12SCRATCHING
0:04:15 > 0:04:18BEATING
0:04:18 > 0:04:21DOOR CREAKS OPEN
0:04:32 > 0:04:33HE BREATHES OUT
0:04:37 > 0:04:40'The Itcher dwells behind the walls
0:04:41 > 0:04:44'In bedrooms, schools and bathroom stalls
0:04:44 > 0:04:47'In moonlight, hear the Itcher's call
0:04:47 > 0:04:51'Out from the shadows, the Itcher crawls
0:04:54 > 0:04:56'Its face no man has ever seen
0:04:56 > 0:04:59'For its grisly smile is too obscene
0:05:01 > 0:05:03'Mortal eyes won't trigger shouts
0:05:05 > 0:05:07'For Itcher's nails will gouge them out.'
0:05:30 > 0:05:33SCRATCHING
0:05:51 > 0:05:54'In dead of night the Itcher wakes
0:05:54 > 0:05:56'From body and mind the Itcher takes.'
0:06:03 > 0:06:06SCRATCHING CONTINUES
0:06:11 > 0:06:13BEATING
0:06:25 > 0:06:27'If you block the Itcher's path
0:06:28 > 0:06:30'Prepare to watch the Itcher laugh.'
0:06:44 > 0:06:45SHE SCREAMS
0:06:46 > 0:06:47Oh, my God!
0:06:47 > 0:06:51LAUGHTER
0:06:51 > 0:06:53- FROM BEHIND POPCORN:- I like that!
0:06:53 > 0:06:54HE CHUCKLES
0:06:54 > 0:06:57SINISTER LAUGHTER
0:06:57 > 0:07:00Nice to see a film-maker proving nothing's more horrifying
0:07:00 > 0:07:02than a nasty itch.
0:07:02 > 0:07:06But did it live up to its name and get under our audience's skin?
0:07:06 > 0:07:11Well, it certainly seemed to flicker something in Poppy's psyche.
0:07:11 > 0:07:13I hate flashing lights so much
0:07:13 > 0:07:15and I said, "I can't do it."
0:07:15 > 0:07:16Stop it! That's not OK.
0:07:18 > 0:07:19No, no, no.
0:07:19 > 0:07:20And then it popped out.
0:07:20 > 0:07:21SHE SCREAMS
0:07:21 > 0:07:22Oh, my God!
0:07:23 > 0:07:26- I literally went into self-defence mode.- You did!
0:07:26 > 0:07:28- I jumped out of my seat. - Oh, my God!
0:07:28 > 0:07:32It built to eight with scare, which unfortunately I bang on counted.
0:07:32 > 0:07:33One... Bang on!
0:07:35 > 0:07:38I wasn't really scared until the end when the thing jumped out
0:07:38 > 0:07:41- and I spilled my drink on Anton. - You didn't.
0:07:41 > 0:07:44You spat your drink out of your mouth on me, you were so terrified.
0:07:47 > 0:07:50THEY LAUGH
0:07:50 > 0:07:52I quite like the way that Itcher looked.
0:07:52 > 0:07:56It was kind of like if someone set a Kermit the frog puppet on fire
0:07:56 > 0:07:58and then made it do the "Ah" thing...
0:07:58 > 0:08:02He's a terrifying little chap and there's no doubt about that.
0:08:02 > 0:08:04But what about that God-awful noise?
0:08:04 > 0:08:06Put your teeth right on edge, didn't it?
0:08:06 > 0:08:08SCRATCHING
0:08:08 > 0:08:11I didn't like the itching noise. The "ur-ugh".
0:08:11 > 0:08:15- I used to get that. - It makes you go all funny.
0:08:15 > 0:08:16SCRATCHING
0:08:16 > 0:08:18I used to have a starling's nest in my loft above my bed
0:08:18 > 0:08:21so I used to hear it all the time so it didn't bother me at all.
0:08:21 > 0:08:24But a starling's not going to kill you, is it?
0:08:24 > 0:08:26At worst it will poo on your washing.
0:08:26 > 0:08:30As for Itcher, will it be dropping onto our final leader board?
0:08:30 > 0:08:33We'll be finding out how the audience scored it after one more film.
0:08:40 > 0:08:42My fear is being buried alive.
0:08:42 > 0:08:46- That's mine, that's why I'd rather get burnt.- Cremated.
0:08:46 > 0:08:49Yeah, I mean cremated, to say it in a better way.
0:08:50 > 0:08:52You're scared you'll jump, yeah?
0:08:52 > 0:08:55Don't worry, I won't tell no-one.
0:08:55 > 0:08:58Oh, look! Whoopsy!
0:08:58 > 0:09:01- Oh, God! Did you have tit out? - No, I didn't have tit out.
0:09:01 > 0:09:04So, ladies and gentleman, time now for our final movie,
0:09:04 > 0:09:06made by Mike Tack...
0:09:06 > 0:09:10..who's excellent with calculators, not so great at typing,
0:09:10 > 0:09:12and judging by that mug, lonely.
0:09:12 > 0:09:15This is his ode to Gok Wan. It's Makeover.
0:09:17 > 0:09:21- I'm ready for this.- Everything ready for this.- I am.
0:09:27 > 0:09:32MUSIC PLAYS
0:09:37 > 0:09:43VEHICLE REVERSING BEEP
0:09:50 > 0:09:55MUSIC PLAYS
0:10:07 > 0:10:09GROWLING
0:10:24 > 0:10:31GROWLING AND SCREAMING
0:10:36 > 0:10:39HEART MONITOR BEEPS
0:10:52 > 0:10:54ROARING
0:11:27 > 0:11:28GUNSHOT
0:11:50 > 0:11:52Tell them it's done.
0:12:12 > 0:12:14BIG BEN TOLLS
0:12:14 > 0:12:17Welcome to the House, Minister of Defence.
0:12:17 > 0:12:20Minister? One for the papers?
0:12:34 > 0:12:36Oh!
0:12:36 > 0:12:38- I like that idea.- That was good.
0:12:41 > 0:12:43Makeover there, proving what we already knew.
0:12:43 > 0:12:45Politicians are all horny, yellow-eyed demons.
0:12:45 > 0:12:49That is a cold hard fact, my friends, a cold hard fact.
0:12:49 > 0:12:51But how did our audience deal with this conspiracy?
0:12:53 > 0:12:57That's like that theory that they have with the Royal family,
0:12:57 > 0:12:59that they're lizards.
0:12:59 > 0:13:02He must get a lot of money for being a reptile.
0:13:04 > 0:13:07I thought Makeover was a really, really good film.
0:13:07 > 0:13:10It was really well shot. You could tell they had a bit more money.
0:13:10 > 0:13:11The costumes were amazing.
0:13:11 > 0:13:14The creature effects were really, really good.
0:13:14 > 0:13:15There was a bit of splatter.
0:13:15 > 0:13:18The monster did kill one of the people operating on him.
0:13:21 > 0:13:24And he just stood there and I did think about these two.
0:13:24 > 0:13:27If I'd got trouble, would they just stand there and watch?
0:13:28 > 0:13:31But hang on a second. Who's really the bad guy, here?
0:13:31 > 0:13:34The crazy, yellow-eyed murdering monster,
0:13:34 > 0:13:36or its human puppet masters?
0:13:36 > 0:13:38It's a philosophical one.
0:13:38 > 0:13:41I felt sorry for the monster alien, rather than the humans.
0:13:41 > 0:13:43Oh, my God!
0:13:43 > 0:13:47They're the actual monsters in this. They're just taking it apart.
0:13:47 > 0:13:50Whilst Makeover's subtext resonated with Grace and Amelia,
0:13:50 > 0:13:55our little ray of sunshine, Aaron, experienced things a bit differently.
0:13:55 > 0:13:57- I thought it was really boring.- Oh!
0:13:57 > 0:13:59I was so bored as soon as it came on.
0:13:59 > 0:14:01Tell us what you really think.
0:14:01 > 0:14:03I thought it was a pile of pony.
0:14:03 > 0:14:05It's not because I don't believe in aliens, that I don't like
0:14:05 > 0:14:08alien films. It's purely because I find them very boring.
0:14:08 > 0:14:10They've all got the same stupid plot.
0:14:10 > 0:14:13I don't like Men In Black, anything like that. It's all boring.
0:14:13 > 0:14:17- I like the Men In Black.- I don't like it.- I like Men In Black.
0:14:17 > 0:14:19Honestly, who doesn't like Men In Black?
0:14:20 > 0:14:22So, that's it from all our submissions,
0:14:22 > 0:14:25but have either of tonight's video nasties done enough
0:14:25 > 0:14:27to grab a place on our leader board?
0:14:33 > 0:14:37Tonight's second offering was Mike Tack's gruesome Makeover!
0:14:37 > 0:14:40Strong concept, but sadly the reptilian politician
0:14:40 > 0:14:45only mustered up 2.9 in the opinion polls from our hardy bunch.
0:14:45 > 0:14:49- I thought Makeover was a really good film.- It just wasn't a scary film.
0:14:49 > 0:14:52Which means that scaring the shitcher out of our audience tonight,
0:14:52 > 0:14:54was Sam Hartshorne's terrifying Itcher.
0:14:57 > 0:14:59- Oh, my God! - It built to a good scare.
0:14:59 > 0:15:02The poem really did help him building that mythology.
0:15:02 > 0:15:04It does a really good job.
0:15:04 > 0:15:07A sterling effort from one of our youngest film-makers,
0:15:07 > 0:15:11but only the top three films voted scariest by our audience, can make
0:15:11 > 0:15:14it onto the final leader board, and despite a valiant attempt,
0:15:14 > 0:15:16it misses out.
0:15:18 > 0:15:21Still, our audience's job is done, and it delights me to say the three
0:15:21 > 0:15:28films that have reached the final stage are Paranoia, Capture and 3AM.
0:15:30 > 0:15:32That means it's time to get serious.
0:15:32 > 0:15:36To help us decide which film-maker will be winning the competition,
0:15:36 > 0:15:40and with that, £20,000 worth of support towards their next
0:15:40 > 0:15:44project, we've enlisted the help of a horror legend.
0:15:46 > 0:15:47Meet Eduardo Sanchez.
0:15:47 > 0:15:52In 1999, whilst only in his late 20s, he and his friend, Daniel Myrick,
0:15:52 > 0:15:56wrote, directed and edited a small film that changed the landscape
0:15:56 > 0:15:57of horror cinema.
0:15:58 > 0:16:01From a budget of around just 20,000,
0:16:01 > 0:16:04The Blair Witch Project grossed nearly 250 million,
0:16:04 > 0:16:09making it one of the most successful independent movies of all time.
0:16:09 > 0:16:13- Hurry up!- I'm coming. My boots aren't laced.
0:16:13 > 0:16:15Oh, my God, what the fuck is that?
0:16:15 > 0:16:18What the fuck is that?!
0:16:18 > 0:16:22Its fake documentary style, with hand-held camera and shaky footage,
0:16:22 > 0:16:24put viewers in the heart of the action.
0:16:24 > 0:16:28With first person and found footage movies still popular today,
0:16:28 > 0:16:30there's no denying its influence.
0:16:30 > 0:16:33If anyone's got the scare skills to pick out the next big thing
0:16:33 > 0:16:35in horror, it's Eduardo.
0:16:40 > 0:16:43Being, like, a horror film-maker, you see everything,
0:16:43 > 0:16:48so, my judging criteria is basically just how scared does it make me?
0:16:48 > 0:16:50I'm looking forward to watching them in a dark theatre
0:16:50 > 0:16:54and actually just see what it does to me in just four minutes.
0:17:00 > 0:17:03So our audience have selected their scariest,
0:17:03 > 0:17:06but it all rests on Eduardo's shoulders to pick the best.
0:17:06 > 0:17:10Let's get him started with our early morning chiller, 3AM.
0:17:13 > 0:17:18In a suburban street, one man wakes...
0:17:20 > 0:17:25..to discover he's not alone.
0:17:28 > 0:17:31- Oh!- Oh!
0:17:33 > 0:17:36EERIE MUSIC PLAYS
0:17:37 > 0:17:39SCREAMS
0:17:39 > 0:17:41Oh!
0:17:41 > 0:17:43Critically acclaimed by our audience...
0:17:47 > 0:17:51..and written, starring and directed by 27-year-old Frederick Wolf.
0:17:51 > 0:17:52Yes!
0:17:52 > 0:17:58Being one of the final three films is really, really amazing for me.
0:17:58 > 0:18:01It gives me a lot of joy knowing that the film worked,
0:18:01 > 0:18:03that people got scared,
0:18:03 > 0:18:07seeing the reactions of the people after having watched the film.
0:18:07 > 0:18:09It's nice. It gives me a lot of joy.
0:18:15 > 0:18:18Having reviewed the first finalist, what did Hollywood's
0:18:18 > 0:18:21master scare-mongerer make of it?
0:18:21 > 0:18:253AM was fantastic. I loved the atmosphere created.
0:18:25 > 0:18:30Those long shots at the beginning and the acting was great.
0:18:31 > 0:18:35It's very difficult to act realistically scared.
0:18:35 > 0:18:36He did it really well.
0:18:36 > 0:18:39A little bit more darkness in that room would've been better
0:18:39 > 0:18:44and then the sound was impeccable, a really great atmosphere,
0:18:44 > 0:18:45especially at the end.
0:18:45 > 0:18:50They brought it up and then they had a release of the tension and
0:18:50 > 0:18:54then that thing at the end, whatever it was,
0:18:54 > 0:18:56it definitely made me jump.
0:18:56 > 0:18:59I thought it was just perfect timing and it was really effective.
0:19:01 > 0:19:03A strong start from our first film-maker,
0:19:03 > 0:19:07props for getting a jump out of Eduardo Sanchez - impressive stuff!
0:19:07 > 0:19:10But how will the other finalists compare?
0:19:10 > 0:19:11Next up, it's Capture.
0:19:19 > 0:19:21Stephen, it's perfect.
0:19:25 > 0:19:28I love it. We're finally home.
0:19:33 > 0:19:36SCREAMS
0:19:36 > 0:19:38Oh, my God!
0:19:38 > 0:19:40Hailed by our audience...
0:19:47 > 0:19:50..and directed by 25-year-old Irish couple
0:19:50 > 0:19:52Kiefer McGinn and Rachel Hegarty.
0:19:52 > 0:19:55We would love to win The Fear competition.
0:19:55 > 0:19:58It will be an amazing achievement for people like us.
0:19:58 > 0:20:00- We're only...- Starting out.
0:20:00 > 0:20:04..starting out and making films, so, this would just give us
0:20:04 > 0:20:07an extra push to create bigger and better things.
0:20:14 > 0:20:17This terrifying short certainly captured our audience,
0:20:17 > 0:20:19but did it grab Eduardo?
0:20:19 > 0:20:22Capture was great. Great little horror film.
0:20:22 > 0:20:24I loved the set-up at the beginning.
0:20:24 > 0:20:28You had a little bit of story which is very difficult to
0:20:28 > 0:20:32do in a short film and I think it was one of the best jump scares.
0:20:32 > 0:20:35I thought it was really, really effective
0:20:35 > 0:20:36and I loved the build-up to that,
0:20:36 > 0:20:40like you knew something was going to happen, but it was very unexpected.
0:20:40 > 0:20:41Who's there?
0:20:43 > 0:20:46I thought that the performance of the woman at the end could
0:20:46 > 0:20:48have been a little bit higher.
0:20:48 > 0:20:52You really want to end the film with something that the audience
0:20:52 > 0:20:55remembers and you don't want them remembering something
0:20:55 > 0:20:56that is a bit too underplayed.
0:20:56 > 0:20:59But it's hard to, kind of, surprise somebody like me
0:20:59 > 0:21:01who watches a lot of horror films...
0:21:01 > 0:21:03SCREAMING
0:21:03 > 0:21:06..with something new, I thought it was just really effective.
0:21:06 > 0:21:07It was a really great film.
0:21:09 > 0:21:11Eduardo there, bemoaning the importance
0:21:11 > 0:21:12of putting in a strong performance.
0:21:12 > 0:21:14He should speak to my girlfriend.
0:21:14 > 0:21:16They'd get on like a bloody house on fire.
0:21:16 > 0:21:20But how will Capture perform against our last movie?
0:21:20 > 0:21:23It's time for his remaining finalist, it's Paranoia.
0:21:27 > 0:21:32What evil lurks beneath this house?
0:21:32 > 0:21:34Things that go bump in the night.
0:21:37 > 0:21:39Nominated by our cinemagoers!
0:21:48 > 0:21:50Argh!
0:21:50 > 0:21:54This psychological spine chiller was directed by 17-year-olds,
0:21:54 > 0:21:57Harry Courtney and Matt Traszko.
0:21:57 > 0:21:59We put a lot of hard work and effort into this.
0:21:59 > 0:22:01It would be really good to see it amount to something,
0:22:01 > 0:22:03something more than just a hobby.
0:22:03 > 0:22:06Winning this competition would mean a lot,
0:22:06 > 0:22:08as far as starting careers are concerned.
0:22:15 > 0:22:18Paranoia was, you know, just left me really uneasy, you know?
0:22:19 > 0:22:23It was one of these films that you don't know what's going to happen.
0:22:23 > 0:22:26You don't know what tricks the film-makers are going to do
0:22:26 > 0:22:29and I love the false scare at the beginning where the friend
0:22:29 > 0:22:31scares the other guy.
0:22:31 > 0:22:32- Argh!- Oh, my God!
0:22:34 > 0:22:36And then I really loved how they had
0:22:36 > 0:22:40that figure, the man, or whatever, in a couple of shots behind them.
0:22:40 > 0:22:44It's probably the least technically savvy of the films,
0:22:44 > 0:22:47but there was something about it that kind of really spoke to me.
0:22:49 > 0:22:51The atmosphere in that film was really great.
0:22:51 > 0:22:53From the very beginning to the very end.
0:22:53 > 0:22:55So as the curtain closes for the last time
0:22:55 > 0:22:59in the screaming room, it's time to bring up Eduardo
0:22:59 > 0:23:02and find out which film will win the competition.
0:23:02 > 0:23:03So here's Eduardo,
0:23:03 > 0:23:06welcome to the projection room!
0:23:06 > 0:23:08- How are you? - Thanks for having me here.
0:23:08 > 0:23:10Pleasure to have you.
0:23:10 > 0:23:12You've seen the three finalists.
0:23:12 > 0:23:13What did you think?
0:23:13 > 0:23:15I saw them, I thought they were great.
0:23:15 > 0:23:19The decision to pick the winner, really tough.
0:23:19 > 0:23:21Three very strong films.
0:23:21 > 0:23:25Strong in different ways too, and they all creeped me out pretty good.
0:23:25 > 0:23:28Right, so I think the only thing we need to find out now
0:23:28 > 0:23:30is ultimately who our winner is.
0:23:30 > 0:23:31So this is it, folks.
0:23:31 > 0:23:34We are moments away from Eduardo revealing
0:23:34 > 0:23:37to us who is the winner of this competition.
0:23:37 > 0:23:41He will take his position at the projector, press play,
0:23:41 > 0:23:44and we will be able to enjoy the winner in all its glory.
0:23:44 > 0:23:47Eduardo, will you take your position, please?
0:23:47 > 0:23:49- Let's do it!- Let's do this.
0:23:49 > 0:23:52Before all that, though, a massive thank you to all our film-makers.
0:23:52 > 0:23:55Hopefully they've given you some sleepless nights
0:23:55 > 0:23:58and a big thank you to our esteemed judge, Eduardo.
0:23:58 > 0:24:01Only one thing left to do. Hit it, baby!
0:24:01 > 0:24:04So, will it be Capture,
0:24:04 > 0:24:06Paranoia
0:24:06 > 0:24:08or 3am?
0:24:09 > 0:24:11The winner is...
0:24:11 > 0:24:13Paranoia!
0:24:14 > 0:24:16Mm-hmm.
0:24:16 > 0:24:17Yeah.
0:24:17 > 0:24:19No.
0:24:19 > 0:24:21No, Mum, I'll be fine....
0:24:21 > 0:24:23It's not like I haven't lived away from home before.
0:24:23 > 0:24:25Just, please, stop worrying.
0:24:25 > 0:24:28OK. Yes, it's all done. Yes. OK.
0:24:28 > 0:24:31I'm going now. Bye. Bye, love you, bye, bye.
0:24:36 > 0:24:38CLATTERING
0:24:44 > 0:24:46DOOR CREAKS
0:24:48 > 0:24:50SWITCH CLICKS
0:25:21 > 0:25:22HE SCREAMS
0:25:22 > 0:25:24Oh, my God.
0:25:24 > 0:25:27Should have seen your face.
0:25:27 > 0:25:29What the hell, man, that's not cool.
0:25:29 > 0:25:31Didn't tell me you had a basement.
0:25:31 > 0:25:33- I know, it's spooky, right! - Whatever, mate.
0:25:56 > 0:25:58DOOR BELL RINGS
0:25:58 > 0:25:59Was that the door bell?
0:25:59 > 0:26:02- DOOR BELL RINGS - I think so. You expecting someone?
0:26:02 > 0:26:05- No, you?- I don't think so.
0:26:07 > 0:26:09- New neighbours?- Maybe.
0:26:17 > 0:26:20Matt, you left the door open! Anyone could've got in!
0:26:20 > 0:26:22What do you mean? You were the last one in.
0:26:22 > 0:26:24Whatever.
0:26:25 > 0:26:29- I didn't leave the door open.- Yeah, whatever, mate. I'm going to bed.
0:26:29 > 0:26:31- Your turn to turn the lights off! - Mate, you can't...
0:26:31 > 0:26:33Seriously! I turned them off last night.
0:26:42 > 0:26:44What the hell...?
0:27:23 > 0:27:25PHONE RINGS
0:27:30 > 0:27:32DOOR CLICKS OPEN
0:27:32 > 0:27:34Very funny, Harry.
0:27:36 > 0:27:38I can hear your phone, you idiot.
0:27:40 > 0:27:43Matt, who are you talking to?
0:27:43 > 0:27:45- Huh?- Who are you talking to?
0:27:52 > 0:27:55I never thought, from the moment I found out about the competition,
0:27:55 > 0:27:58- that we'd win.- I was shocked when we got into the top three.
0:27:58 > 0:28:00- Waiting for everyone to go, "Ha! We're joking!"- "It's a joke!"
0:28:00 > 0:28:04We're just two dudes with a camera and some spare time on the weekend
0:28:04 > 0:28:07and we like to try and make people laugh or make people scream,
0:28:07 > 0:28:10- and it worked!- We'd also like to thank Matt and Eduardo.
0:28:10 > 0:28:13And we'd like to thank the cinema audience, because without you guys
0:28:13 > 0:28:16- me and Matthew wouldn't be standing here.- Onwards and upwards from this.