Two Hearts

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0:00:02 > 0:00:04NESSA: 'Who do you trust? How do you know?'

0:00:04 > 0:00:07Stop looking for him. Let the police do it.

0:00:07 > 0:00:09GUN COCKS, GUNSHOT

0:00:09 > 0:00:11'By how they appear?

0:00:11 > 0:00:14'Or what they say?

0:00:14 > 0:00:15'What they do?'

0:00:15 > 0:00:18# Mazel tov, mazel tov u'siman tov... #

0:00:18 > 0:00:20The seeds of our educational investment programme

0:00:20 > 0:00:22are finally beginning to flourish,

0:00:22 > 0:00:24whilst our dear friend Shlomo Zahary

0:00:24 > 0:00:28is about to roll out phase one of our telecommunications network

0:00:28 > 0:00:30which will link it all together.

0:00:30 > 0:00:31'We all have secrets.'

0:00:33 > 0:00:351.5 million dollars,

0:00:35 > 0:00:38channelled through Ephra Stein's education charity.

0:00:38 > 0:00:40To secure the release of an Israeli soldier.

0:00:40 > 0:00:42'But mostly we tell lies.'

0:00:42 > 0:00:44We cannot be compromised.

0:00:44 > 0:00:47Don't be so naive.

0:00:47 > 0:00:49'We hide our secrets from each other...'

0:00:52 > 0:00:54Is Kasim mine? No.

0:00:54 > 0:00:57It's hers. It's Nessa's.

0:00:57 > 0:00:58'From ourselves.

0:01:00 > 0:01:03'So, when you think about it like that...'

0:01:03 > 0:01:06God may forgive you for what you've done.

0:01:06 > 0:01:08But Israel won't.

0:01:12 > 0:01:14If you kill the child, they kill me.

0:01:14 > 0:01:17HE SPEAKS ARABIC

0:01:17 > 0:01:20But if you have it, they're going to let you go home.

0:01:20 > 0:01:22'..it's a wonder we trust anyone at all.'

0:01:31 > 0:01:33SHE SIGHS

0:01:40 > 0:01:41Where will I have it?

0:01:47 > 0:01:48Here.

0:01:51 > 0:01:52SHE CHORTLES

0:01:56 > 0:01:58Your mother died in childbirth.

0:02:00 > 0:02:01You won't.

0:02:02 > 0:02:03I promise.

0:02:05 > 0:02:07What if I don't?

0:02:14 > 0:02:16It's not...it's...

0:02:20 > 0:02:23It's what it means.

0:02:26 > 0:02:28SHE INHALES

0:02:31 > 0:02:34You know, I go home and I tell the world...

0:02:35 > 0:02:39..and every single decision I ever make will be judged against it.

0:02:42 > 0:02:43Do I hate them?

0:02:44 > 0:02:49Do I love them? Do I want revenge? Am I secretly in their thrall?

0:02:49 > 0:02:51Every single thing I do, that's what people will wonder.

0:03:09 > 0:03:11I can give birth to a child.

0:03:13 > 0:03:16That's not me. That's just biology.

0:03:23 > 0:03:26What would I say or...

0:03:28 > 0:03:29..do, or...

0:03:31 > 0:03:32..think?

0:03:32 > 0:03:34What I want...

0:03:35 > 0:03:37..this company to achieve...

0:03:40 > 0:03:41..that's me.

0:03:48 > 0:03:49So, I can...

0:03:49 > 0:03:52I can have this baby and I might live.

0:03:52 > 0:03:55But whatever happens, I'm going to lose my life.

0:04:00 > 0:04:01Give it to me.

0:04:06 > 0:04:07Give it to me.

0:04:09 > 0:04:11I owe it to you.

0:04:13 > 0:04:14SHE LAUGHS

0:04:14 > 0:04:17And...when we leave...

0:04:20 > 0:04:22..let it always have been mine.

0:04:23 > 0:04:24Hm?

0:04:28 > 0:04:30(Give it to me.)

0:04:40 > 0:04:43EPHRA: Modeh ani lefanecha.

0:04:55 > 0:04:56ATIKA: Don't be afraid.

0:04:59 > 0:05:01KASIM: I'm safe.

0:05:01 > 0:05:04NESSA: I can't do this.

0:05:11 > 0:05:14ATIKA: If it's the price for a nation.

0:05:19 > 0:05:21MAN SPEAKS ARABIC

0:05:36 > 0:05:38SHLOMO: What the fuck's going on here?

0:05:40 > 0:05:43Sorry, Shlomo, but with Nessa away travelling...

0:05:43 > 0:05:46Nessa? What's she got to do with it?

0:05:46 > 0:05:50You're the one makes the decisions round here.

0:05:51 > 0:05:53Maybe you could get someone else to pick it up.

0:05:53 > 0:05:55Someone else?

0:05:55 > 0:05:59I have over half a million drums of backbone cabling sitting in my factories.

0:05:59 > 0:06:03There's no-one else to pick it up. There's no-one else wants to do this.

0:06:03 > 0:06:07I'm about to dig up half of the fucking West Bank here. What the fuck's the...

0:06:07 > 0:06:09Well, then, take it!

0:06:09 > 0:06:11Take it all!

0:06:14 > 0:06:16HE CRIES Just take it.

0:06:21 > 0:06:23CONVERSATION OUTSIDE

0:06:39 > 0:06:41What is it, boy?

0:06:42 > 0:06:44What is it you're not telling me?

0:06:49 > 0:06:50It's over, Shlomo.

0:06:50 > 0:06:53Fuck you, "this is over".

0:06:53 > 0:06:56We've only just begun.

0:06:56 > 0:06:59HE SOBS Hey, come here, come here, come here.

0:06:59 > 0:07:02Give old Shlabala a hug. Come here. Ah!

0:07:26 > 0:07:28CROWS CAW

0:07:45 > 0:07:46Lay the cabling.

0:07:48 > 0:07:51Why? Just do it.

0:07:53 > 0:07:55Will it get her back?

0:07:58 > 0:08:01Will it get her back?

0:08:02 > 0:08:04Lay the cable.

0:08:06 > 0:08:10And when they're down, there's something else we want you to do.

0:08:12 > 0:08:13THUNDER RUMBLES

0:08:15 > 0:08:16Move.

0:08:26 > 0:08:28RACHEL: What are you doing out here?

0:08:29 > 0:08:31We're laying the cabling. It's what Nessa would want.

0:08:33 > 0:08:35Where is she, Ephra? It's all good.

0:09:49 > 0:09:53Modeh ani lefanecha melech chai vekayam...

0:09:55 > 0:09:58..shehechezarta bi nishmati b'chemla,

0:09:58 > 0:10:00raba emunatecha.

0:10:06 > 0:10:08HE SIGHS

0:10:30 > 0:10:32SHE SIGHS

0:10:47 > 0:10:49SHE LAUGHS

0:11:10 > 0:11:12OK, another one's coming.

0:11:12 > 0:11:14It's OK.

0:11:14 > 0:11:16Oh. Oh.

0:11:16 > 0:11:18Oh-h.

0:11:18 > 0:11:19Oh.

0:11:19 > 0:11:21Oh!

0:11:21 > 0:11:23Oh.

0:11:23 > 0:11:26SHE SCREAMS

0:11:26 > 0:11:28Oh!

0:11:28 > 0:11:31SHE MOANS

0:11:31 > 0:11:33Oh! Oh! Now push. Push.

0:11:33 > 0:11:35Oh! Push, Nessa, push!

0:11:35 > 0:11:37BABY CRIES Oh!

0:11:37 > 0:11:38Push! Oh!

0:11:38 > 0:11:40Oh! Oh!

0:11:42 > 0:11:44BABY CRIES

0:11:47 > 0:11:49BABY CRIES

0:11:49 > 0:11:51THEY LAUGH

0:11:53 > 0:11:55Oh, yeah.

0:11:55 > 0:11:59Let's see you. Let's see you.

0:12:01 > 0:12:03BABY CRIES Let's see you.

0:12:04 > 0:12:07There you are.

0:12:10 > 0:12:12BABY SNEEZES Oh!

0:12:12 > 0:12:15He sneezed. BOTH CHUCKLE

0:12:24 > 0:12:26BIRDSONG

0:12:29 > 0:12:31It's so slow, isn't it?

0:12:33 > 0:12:35MONICA: What is?

0:12:36 > 0:12:38Time.

0:12:39 > 0:12:41I think I can help speed it up.

0:12:43 > 0:12:46There's someone I can ask owes me a further favour.

0:12:46 > 0:12:49Who? But if it works,

0:12:49 > 0:12:53if it gets your sister out, there are things you have to do.

0:12:53 > 0:12:54Anything.

0:12:54 > 0:12:56You'll have to step down as head of the company.

0:12:56 > 0:12:59You think I care about that? I'd get rid of the lot.

0:12:59 > 0:13:01Everything. No, I don't want you to do that.

0:13:01 > 0:13:06Then you'll have to get rid of any - all - evidence of what's happened.

0:13:06 > 0:13:08In here.

0:13:08 > 0:13:10And in here.

0:13:12 > 0:13:14And then you have to put Nessa in your place.

0:13:17 > 0:13:19Unaware and uncompromised.

0:13:21 > 0:13:22Can you do that?

0:13:24 > 0:13:25Easily.

0:13:28 > 0:13:30Oh, and there's one last thing.

0:13:30 > 0:13:36You have to tell me why the Israelis have allowed you to carry on laying that cable.

0:13:44 > 0:13:46You said you'd do anything to get your sister out.

0:13:46 > 0:13:47Mm.

0:13:47 > 0:13:51So, if I do, that's what you'll tell me.

0:13:59 > 0:14:02We applaud your altruism, Daniel.

0:14:02 > 0:14:06Given recent events, we expected you to shut the Stein Group down.

0:14:06 > 0:14:09It's a private company. Which needs your cooperation.

0:14:09 > 0:14:12In every negotiation, there's always give as well as take.

0:14:12 > 0:14:15Well, you're certainly giving the PLO an awful lot with these cables.

0:14:15 > 0:14:19Not us. Ah, course.

0:14:19 > 0:14:20The Stein Group.

0:14:22 > 0:14:25Though I do wonder just how long that's going to continue.

0:14:26 > 0:14:29It's not up to us to decide.

0:14:29 > 0:14:31Have you seen Ephra Stein recently?

0:14:31 > 0:14:34Carries on, pretty soon that company is going to collapse,

0:14:34 > 0:14:37and I cannot think that's what you want,

0:14:37 > 0:14:39whatever it is you want it for.

0:14:39 > 0:14:42However, there is an alternative.

0:14:42 > 0:14:45With all these bombs Hamas keep throwing into your country,

0:14:45 > 0:14:48I suspect your forces are about to re-enter Gaza.

0:14:49 > 0:14:52If they can't settle it for themselves, we'll do it for them.

0:14:52 > 0:14:54That's an unfortunate reality.

0:14:54 > 0:14:55Hm.

0:14:55 > 0:14:59But it does offer one tiny, little silver lining.

0:15:00 > 0:15:02Nessa Stein.

0:15:03 > 0:15:05Are you trying to play us, Julia?

0:15:07 > 0:15:09Daniel.

0:15:11 > 0:15:15As her brother's dramatic weight-loss programme has clearly taught me,

0:15:15 > 0:15:19when it comes to the Middle East, you never, ever try to play the Israelis.

0:15:24 > 0:15:26LABOURED BREATHING

0:15:55 > 0:15:57DOG BARKS

0:15:57 > 0:15:59HELICOPTER BLADES WHIR

0:16:02 > 0:16:04DOG BARKS

0:16:06 > 0:16:09BABY FUSSES

0:16:09 > 0:16:11DOG BARKS Atika?

0:16:16 > 0:16:19RATTLING

0:16:19 > 0:16:20HELICOPTER APPROACHES

0:16:28 > 0:16:30GUNFIRE

0:16:30 > 0:16:32SHOUTING

0:16:34 > 0:16:36Nessa Stein? Yes.

0:16:36 > 0:16:38Out! Harness. 20 seconds. You also.

0:16:38 > 0:16:42Harness. 15 seconds. BABY CRIES

0:16:42 > 0:16:44What's that? Baby.

0:16:44 > 0:16:46What baby? Mine! Ten seconds!

0:16:46 > 0:16:49Give him to me. Give me the baby!

0:16:51 > 0:16:53Go! Go now!

0:17:39 > 0:17:40WINGS FLUTTER

0:17:40 > 0:17:43BIRDSONG

0:17:43 > 0:17:44Who told you?

0:17:50 > 0:17:52Ephra, who told you?

0:17:52 > 0:17:55What, that his father's a Palestinian terrorist and his mother's...

0:17:56 > 0:17:58..you?

0:18:02 > 0:18:03Atika?

0:18:10 > 0:18:12Why did she tell you?

0:18:16 > 0:18:19I'm a little loose with my...affections.

0:18:21 > 0:18:22Oh.

0:18:22 > 0:18:24Hm. How?

0:18:26 > 0:18:28Well, what do you expect me to say to that?

0:18:28 > 0:18:30But in your own house or...?

0:18:30 > 0:18:32The easy bit's because I'm a bastard,

0:18:32 > 0:18:35but the more difficult bit I got from my therapist.

0:18:35 > 0:18:38You're seeing a therapist? Yeah. Why? Why are you seeing a therapist?

0:18:38 > 0:18:41I don't know, Nessa. Maybe it's cos I'm fucking my housekeeper.

0:18:41 > 0:18:43And what did he say? She.

0:18:43 > 0:18:46Well, I've gone way beyond guilt, but...

0:18:46 > 0:18:48actually, where I've ended up,

0:18:48 > 0:18:51I don't think you're going to like that either. It, um...

0:18:54 > 0:18:55It makes me feel better.

0:18:58 > 0:19:00Cheating on your wife? Having a secret.

0:19:01 > 0:19:03One that I can call my own.

0:19:06 > 0:19:09What if Atika tells Rachel? No, she won't. She can't.

0:19:09 > 0:19:12Secrets are weird. People think you share them.

0:19:12 > 0:19:14But you don't.

0:19:16 > 0:19:19They have two sides. Either you own them or they own you.

0:19:20 > 0:19:22And this secret, it owns her.

0:19:22 > 0:19:25Why? Because she has so much more to lose.

0:19:25 > 0:19:26Think about it.

0:19:28 > 0:19:31So, the truth is, whatever I ask her to do, she has to do it,

0:19:31 > 0:19:33because that's the way our secret works.

0:19:34 > 0:19:36So, what about yours...

0:19:37 > 0:19:39..Nessa?

0:19:40 > 0:19:43Kasim's kidnappers. Have they made contact with you?

0:19:46 > 0:19:48What do they want?

0:19:52 > 0:19:54I don't know.

0:19:54 > 0:19:55Why not?

0:19:57 > 0:20:00SHE SIGHS I keep thinking about something...

0:20:02 > 0:20:05..something that he said.

0:20:05 > 0:20:07What do they know?

0:20:08 > 0:20:09That they know everything.

0:20:11 > 0:20:12Well, what's everything?

0:20:19 > 0:20:21How did you think you were going to keep that one?

0:20:23 > 0:20:26Ephra, how are we going to keep any of this, if I didn't?

0:20:33 > 0:20:35Oh, boy, we're in trouble.

0:20:39 > 0:20:41SHE LAUGHS

0:20:41 > 0:20:43HE LAUGHS

0:20:45 > 0:20:49So, when they tell you what they want, what are you going to do?

0:20:50 > 0:20:54You're going to do exactly what they say, that's what.

0:20:54 > 0:20:57Not until I know. No, no, we know already.

0:20:58 > 0:21:01And believe me, speaking as someone who really knows about this shit,

0:21:01 > 0:21:04you don't have the choice, not any more.

0:21:04 > 0:21:06We don't know that. Yes, we do.

0:21:09 > 0:21:11Because that's the side you're on, Nessa.

0:21:13 > 0:21:16You don't own this secret. It owns you.

0:21:19 > 0:21:22ATIKA: It's empty. HANNA: I know.

0:21:22 > 0:21:24Now go to look along the water.

0:21:32 > 0:21:34GENTLE TAPPING

0:21:47 > 0:21:49MUFFLED CONVERSATION

0:21:54 > 0:21:57My father bought this for my mother...

0:21:58 > 0:22:01..so she'd have somewhere to escape to.

0:22:02 > 0:22:04I think Rachel feels the same.

0:22:06 > 0:22:07And you?

0:22:08 > 0:22:10It's not for me to choose.

0:22:12 > 0:22:14Where would you go if you could?

0:22:15 > 0:22:17I don't know.

0:22:17 > 0:22:19It doesn't exist, not yet.

0:22:20 > 0:22:22So, now you're the wandering Arab

0:22:22 > 0:22:25who'll do anything she has to, just to survive?

0:22:34 > 0:22:35You feel betrayed.

0:22:35 > 0:22:37Are you surprised?

0:22:40 > 0:22:41No.

0:22:44 > 0:22:46You know everything about me.

0:22:48 > 0:22:51I couldn't tell you. Yes, you could.

0:22:51 > 0:22:53It wasn't mine to say.

0:22:53 > 0:22:56Was it Ephra and his fucking secrets?

0:22:56 > 0:22:58SHE LAUGHS He's so full of shit.

0:23:02 > 0:23:04I didn't think you'd ever have to know.

0:23:07 > 0:23:09Well, just don't say you didn't have a choice.

0:23:09 > 0:23:11I didn't, Nessa.

0:23:11 > 0:23:14You did. You could have chosen me.

0:23:14 > 0:23:15I couldn't.

0:23:15 > 0:23:17CHILDREN LAUGH

0:23:23 > 0:23:27What happened between us, no-one else can ever understand.

0:23:29 > 0:23:31That's what we have.

0:23:31 > 0:23:34NESSA SOBS And that's what you're feeling.

0:23:34 > 0:23:37I wouldn't have survived without you!

0:23:37 > 0:23:40We did it together. NESSA CRIES

0:23:40 > 0:23:43But you don't love the rock that saves you from the sea.

0:23:43 > 0:23:46I do. No. Don't tell me how I am. Don't.

0:23:46 > 0:23:49No. I know how I am. I know.

0:23:49 > 0:23:52I've known from the first moment I saw you at that fucking checkpoint.

0:23:52 > 0:23:53I know how I am.

0:24:02 > 0:24:05Then I'm telling you how you must be.

0:24:06 > 0:24:09For Kasim. You love him?

0:24:11 > 0:24:13For your son.

0:24:19 > 0:24:20You're right.

0:24:20 > 0:24:23I am a wandering Arab.

0:24:24 > 0:24:26It's what the world has made me.

0:24:29 > 0:24:30(I'm sorry.)

0:24:42 > 0:24:44Judah, are you going to help me out here?

0:24:44 > 0:24:50As I remember, if I were you, I'd consider moving your knight from C3 to D5.

0:24:53 > 0:24:55The child of one of your most celebrated patriots

0:24:55 > 0:24:58gets kidnapped in Gaza seven years ago.

0:24:58 > 0:25:00For 11 months, stalemate,

0:25:00 > 0:25:03then in goes your Unit 13, and, bang,

0:25:03 > 0:25:05she and her translator are out in a trice.

0:25:05 > 0:25:09Now, I would have thought that was cause for huge national celebration,

0:25:09 > 0:25:14but you're telling me that until I just told you, you'd never even heard of it?

0:25:14 > 0:25:17No, I'm not saying that.

0:25:17 > 0:25:19Ah.

0:25:19 > 0:25:22I'm saying, even now, after you told me...

0:25:23 > 0:25:25..I still haven't heard of it.

0:25:27 > 0:25:29Then I think you should listen.

0:25:30 > 0:25:32You know, apparently,

0:25:32 > 0:25:35there are as many possibilities in chess

0:25:35 > 0:25:38as there are atoms in the universe.

0:25:39 > 0:25:42But I think they must have excluded the Middle East.

0:25:44 > 0:25:45PHONE RINGS

0:25:50 > 0:25:53PHONE BEEPS

0:25:53 > 0:25:57SALEH AL-ZAHID: 'Is your secret safe?' Yes, it is.

0:25:58 > 0:26:00'Someone will come to you.'

0:26:02 > 0:26:03PHONE BEEPS

0:26:41 > 0:26:44Jalal El-Amin. To what do I owe this honour?

0:26:46 > 0:26:50Your third-phase cabling contract into the West Bank.

0:26:52 > 0:26:54We're now in a position to bid for this.

0:26:57 > 0:26:59A very good position.

0:27:03 > 0:27:04I'll look into it.

0:27:05 > 0:27:07Where is Mr Bloom?

0:27:10 > 0:27:11I don't know.

0:27:11 > 0:27:13He is no longer in your employ?

0:27:13 > 0:27:15No.

0:27:15 > 0:27:16Is he connectable?

0:27:18 > 0:27:20I don't believe he is, no.

0:27:20 > 0:27:22This is a shame.

0:27:22 > 0:27:24I...I have something else to show you.

0:27:26 > 0:27:28HE UNZIPS CASE

0:27:31 > 0:27:36Three months ago, Mr Bloom, he is receiving a call from a strange number.

0:27:36 > 0:27:39Whose? Wait, please.

0:27:39 > 0:27:41This is a story with an order.

0:27:42 > 0:27:47After this call, Mr Bloom, he is going somewhere.

0:27:47 > 0:27:49Here.

0:27:49 > 0:27:52Ten minutes later, we are seeing...

0:27:52 > 0:27:53this.

0:27:54 > 0:27:56SHE BREATHES DEEPLY

0:27:56 > 0:27:58Monica Chatwin.

0:27:58 > 0:28:03So, two coffees, one savoury, and 19 minutes later, she is leaving.

0:28:03 > 0:28:05Bye-bye, pecan pie.

0:28:05 > 0:28:08Four minutes after, he is the same.

0:28:08 > 0:28:10But this time,

0:28:10 > 0:28:12you see what he is carrying?

0:28:16 > 0:28:20This is the report Mr Bloom gave to you

0:28:20 > 0:28:22saying Shlomo Zahary

0:28:22 > 0:28:24has links with Hezbollah.

0:28:24 > 0:28:28Because of this, you did not give him your contract.

0:28:28 > 0:28:31And this is the one Zahary gave

0:28:31 > 0:28:34to you to be proving his innocence.

0:28:36 > 0:28:38We are being carefully analysing both.

0:28:39 > 0:28:42Very good, each, excepting

0:28:42 > 0:28:45one tiny error on this one.

0:28:47 > 0:28:48There is a date

0:28:48 > 0:28:52on this financial transfer here,

0:28:52 > 0:28:54which is being impossible.

0:28:54 > 0:28:59This date is a Lebanese banking holiday.

0:28:59 > 0:29:01This day, the banks shutting.

0:29:01 > 0:29:03SHE LAUGHS

0:29:03 > 0:29:06This transfer was not happening.

0:29:08 > 0:29:12This report is being a liar.

0:29:12 > 0:29:15This report is being truthfulness.

0:29:15 > 0:29:16Mr Bloom, I think,

0:29:16 > 0:29:18is making the big mistake.

0:29:21 > 0:29:24And do you think that's what it is, or...

0:29:24 > 0:29:28do you think he's complicit in some way?

0:29:30 > 0:29:32This is for him to say

0:29:32 > 0:29:34and for you to feel.

0:29:39 > 0:29:40But Shlomo's innocent.

0:29:43 > 0:29:44This I can be saying.

0:29:45 > 0:29:47I could have given him the contract.

0:29:48 > 0:29:51This you can be saying also.

0:29:53 > 0:29:55SHE LAUGHS

0:29:57 > 0:30:01Rarrrgh! Rarrrgh!

0:30:01 > 0:30:03Rarrrgh! Whoo!

0:30:03 > 0:30:05GIRLS SQUEAL AND LAUGH

0:30:05 > 0:30:08Rarrrgh! Rarrrgh! Ha-ha!

0:30:08 > 0:30:10SQUEALING AND LAUGHTER

0:30:10 > 0:30:12Rarrrgh! Ha-ha!

0:30:15 > 0:30:17HE LAUGHS

0:30:18 > 0:30:20Phew!

0:30:27 > 0:30:29You were right.

0:30:29 > 0:30:31GIRLS SQUEAL AND LAUGH

0:30:32 > 0:30:34Does that mean I get the contract?

0:30:36 > 0:30:38It means you get my apology.

0:30:39 > 0:30:41But not the contract.

0:30:46 > 0:30:49You know how much my company's worth?

0:30:50 > 0:30:53Three billion dollars.

0:30:54 > 0:30:56I provide billing, directory services,

0:30:56 > 0:31:01credit checks for 53 of the world's leading telephone companies.

0:31:01 > 0:31:06In America, in the UK, Europe, Hotzenplotz.

0:31:06 > 0:31:08I suck it all from all over the world.

0:31:10 > 0:31:13They all come to me.

0:31:14 > 0:31:18And how much is your contract worth?

0:31:18 > 0:31:20About 75 million.

0:31:21 > 0:31:22Gross.

0:31:24 > 0:31:27So, you might as well pay me loose change.

0:31:29 > 0:31:32But do you know why I want to do it?

0:31:36 > 0:31:37Because I love you.

0:31:38 > 0:31:42And I love what you're trying to do.

0:31:42 > 0:31:44It's that simple.

0:31:45 > 0:31:47Don't make it any harder.

0:31:49 > 0:31:52Grandpa! Grandpa!

0:31:52 > 0:31:55The monster is coming back!

0:31:55 > 0:31:58Rarrrgh!

0:31:58 > 0:32:00Rarrrgh! Rarrrgh! GIRLS SQUEAL

0:32:14 > 0:32:17You want to help me? I do.

0:32:17 > 0:32:22So, what is this? And this? And this? That's what you call help?

0:32:26 > 0:32:28Why did Nathaniel listen to you?

0:32:28 > 0:32:30Because it's true. I do want to help.

0:32:31 > 0:32:33You shouldn't be working with Shlomo Zahary.

0:32:35 > 0:32:35Why?

0:32:38 > 0:32:39SHE SIGHS

0:32:39 > 0:32:42Because he will compromise you.

0:32:42 > 0:32:44He doesn't have a Hezbollah connection.

0:32:44 > 0:32:45No, he doesn't. You lied.

0:32:45 > 0:32:47Yes, I did. Why?

0:32:48 > 0:32:51Because what he's actually done is far, far worse.

0:32:56 > 0:33:00You have to think very carefully now about what I'm about to tell you,

0:33:00 > 0:33:04because if you decide to tell everyone else what I'm about to say,

0:33:04 > 0:33:07there won't be a phase three, there won't be anything.

0:33:08 > 0:33:12Cos if the world finds out what Shlomo Zahary has done...

0:33:14 > 0:33:15..you'll be ruined.

0:33:20 > 0:33:23CAMERA SHUTTER CLICKS RAPIDLY

0:33:25 > 0:33:27CAMERA SHUTTER CLICKS RAPIDLY

0:33:37 > 0:33:38INTERCOM BEEPS

0:33:39 > 0:33:42I need to speak to Aron Yavin.

0:33:46 > 0:33:48PHONE RINGS

0:33:49 > 0:33:52'Aron Yavin.

0:33:52 > 0:33:54'Hold, please, for Nessa Stein.'

0:34:01 > 0:34:02You're losing weight.

0:34:02 > 0:34:04It's the worry.

0:34:05 > 0:34:09I thought I was the one supposed to be sniffing round Nessa Stein.

0:34:09 > 0:34:10You are.

0:34:10 > 0:34:12So, how come she's got in front of the trail?

0:34:13 > 0:34:15Like the gorgeous Americans,

0:34:15 > 0:34:18she believes that Nessa Stein deserves our unconditional support.

0:34:18 > 0:34:22She's worried that what you are doing may undermine that.

0:34:22 > 0:34:25So, you're running two dogs after the same ball.

0:34:25 > 0:34:26Exactly.

0:34:26 > 0:34:28What does she want Nessa Stein to achieve?

0:34:28 > 0:34:32What the noble Baroness has always said she wanted -

0:34:32 > 0:34:35equality of opportunity between Palestine and Israel.

0:34:35 > 0:34:39And Chatwin thinks laying a few cables is going to do that?

0:34:41 > 0:34:43I agree.

0:34:44 > 0:34:47There must be something more to it than that. Such as?

0:34:48 > 0:34:51I don't know, Hugh. The ball is still out there.

0:34:51 > 0:34:54I'm just waiting to see which one of you brings it back.

0:34:54 > 0:34:55The young pup...

0:34:55 > 0:34:57Or the old dog.

0:34:59 > 0:35:00HE PANTS

0:35:00 > 0:35:01SHE CHUCKLES

0:35:06 > 0:35:09Try not to piss it all up against the wall.

0:35:17 > 0:35:21Thank you for flying in so promptly and thank you for your discretion.

0:35:21 > 0:35:24What's so important it can't be said on the phone?

0:35:25 > 0:35:27These are permissions for you

0:35:27 > 0:35:31to enter every telephone exchange on the Israeli/West Bank border,

0:35:31 > 0:35:34although I suggest you focus on the main exchange.

0:35:34 > 0:35:35Why those?

0:35:35 > 0:35:38We own the cables. Shlomo Zahary owns the buildings.

0:35:38 > 0:35:41Then forgive me, but why not just ask him?

0:35:41 > 0:35:43We don't want to raise suspicions.

0:35:45 > 0:35:46For routine maintenance?

0:35:46 > 0:35:50What I want you to do is not routine.

0:37:49 > 0:37:51HE SIGHS

0:40:15 > 0:40:17Samir Altif.

0:40:28 > 0:40:29Hm.

0:40:32 > 0:40:34DOOR CREAKS

0:40:35 > 0:40:37DOOR CLOSES

0:40:55 > 0:40:56FOOTSTEPS

0:41:14 > 0:41:16DOOR CREAKS

0:41:19 > 0:41:21DOOR CREAKS

0:41:30 > 0:41:32FAINT RATTLING

0:41:42 > 0:41:45CONVERSATION ON HEADPHONES

0:42:39 > 0:42:41CONVERSATION ON HEADPHONES

0:43:20 > 0:43:21HE EXHALES

0:43:36 > 0:43:38The Stein Foundation is paying my wages.

0:43:38 > 0:43:41That's why I came here, to get away from this sort of bullshit.

0:43:42 > 0:43:44And how do you think Nessa Stein is going to react

0:43:44 > 0:43:47when she finds out that even here - even here! - we are covered in it?

0:44:23 > 0:44:26Oh, I wish he would have spoken to me first.

0:44:26 > 0:44:28Or you.

0:44:28 > 0:44:31Went straight in on the press. Didn't give us a chance.

0:44:31 > 0:44:33So, is he right?

0:44:33 > 0:44:35There does appear to have been a mistake.

0:44:35 > 0:44:37From what I'm hearing, that's all it is.

0:44:37 > 0:44:42If we take a step back, it's just two kids and an administrative error.

0:44:42 > 0:44:44That's all it is. It's not so unusual.

0:44:44 > 0:44:46Except one's an Israeli and the other's an Arab.

0:44:46 > 0:44:51Exactly. That's what lit it up. It doesn't mean it's really the cause.

0:44:51 > 0:44:54So, are there other examples? I don't know. Not yet. But...

0:44:55 > 0:44:59We've got to recognise that thousands of these exams are taken every year.

0:44:59 > 0:45:02There are bound to be a few...discrepancies, you know.

0:45:02 > 0:45:05It's a mathematical certainty.

0:45:05 > 0:45:07He does appear to have jumped the gun.

0:45:07 > 0:45:10Why would he do that? He's been struggling with his job.

0:45:10 > 0:45:13His graduates' grades have been...consistently low.

0:45:13 > 0:45:16So, you think he's looking for an excuse? Yes, it's possible.

0:45:16 > 0:45:18Although he could also be telling the truth,

0:45:18 > 0:45:20and that's why his department's struggling.

0:45:20 > 0:45:23Yes, but...but we don't know.

0:45:28 > 0:45:30SHE SIGHS

0:45:32 > 0:45:34OK, for the moment, we make no public comment.

0:45:34 > 0:45:37None, Ephra. Clear?

0:45:37 > 0:45:39Why do you feel you even have to say that?

0:45:39 > 0:45:43OK. Frances, I want you to go over there and talk to him.

0:45:43 > 0:45:46Find out why he went straight to the press.

0:45:46 > 0:45:49Yes, find out why he didn't come to us.

0:45:50 > 0:45:54BEN REUVEN ON RADIO:

0:45:59 > 0:46:03FOOTSTEPS APPROACH

0:46:21 > 0:46:25BEN REUVEN: 'What I discovered, it seems that the, er...Kidma Academy,

0:46:25 > 0:46:28'funded by the Stein Foundation,

0:46:28 > 0:46:30'is running a discriminatory selection process

0:46:30 > 0:46:32'against Israeli Arabs and in favour...

0:46:32 > 0:46:35PHONE RINGS '..of Israeli military veterans.

0:46:35 > 0:46:38'And where's your evidence?

0:46:39 > 0:46:43'Education is a meritocracy by function.

0:46:43 > 0:46:45'As soon as you use it as a tool

0:46:45 > 0:46:48'for social engineering on race grounds,

0:46:48 > 0:46:50'you're simply creating an apartheid system.'

0:47:02 > 0:47:04Thank you.

0:47:10 > 0:47:12BIRDSONG

0:47:16 > 0:47:18How nice of you to let me in the front door.

0:47:18 > 0:47:21Is that some sort of vampire thing?

0:47:21 > 0:47:24Ah, the dark arts.

0:47:27 > 0:47:29Did you strike a deal with the Israelis?

0:47:31 > 0:47:34Which one? The secret one.

0:47:34 > 0:47:36No, we don't carry secrets. We can't afford them.

0:47:36 > 0:47:38Maybe not now, but seven years ago.

0:47:38 > 0:47:41What was the price on your sister, to get her out of Gaza?

0:47:41 > 0:47:43Nothing, because she wasn't there.

0:47:46 > 0:47:50I know how important it is to get a story straight.

0:47:51 > 0:47:55But to save you having to wash down your front door twice,

0:47:55 > 0:47:56why don't you just tell me

0:47:56 > 0:47:59whether this positive prejudice for military veterans

0:47:59 > 0:48:01is what it cost you to get her out?

0:48:01 > 0:48:06A - that never happened, and, B - if it had,

0:48:06 > 0:48:10do you really think that knocking around a few exam marks is all they'd ask for?

0:48:11 > 0:48:14So, what did they ask for? They didn't.

0:48:15 > 0:48:18I'm just saying if they did, it wouldn't be for that.

0:48:25 > 0:48:27HE SIGHS

0:48:29 > 0:48:31You see, I think it's all connected -

0:48:31 > 0:48:36your sister's kidnapping, the child's kidnapping, your academy.

0:48:38 > 0:48:43I even think Samir Meshal's suicide is in there somewhere.

0:48:47 > 0:48:52You should set the Times crossword. I hear there's a vacancy coming up.

0:48:55 > 0:48:58You know what "clue" is in Ancient Greek?

0:48:59 > 0:49:00It's "thread".

0:49:02 > 0:49:03That educational enough for you?

0:49:03 > 0:49:06No, wait, I'll get a pen.

0:49:06 > 0:49:09One thread to pull it all together.

0:49:10 > 0:49:12And all I have to do is find it.

0:49:12 > 0:49:16Does that include an overnight stay on the Orient Express, Mr Poirot(?)

0:49:18 > 0:49:19Wow, you're confident.

0:49:21 > 0:49:24So, how it must have hurt to have your sister steal your job...

0:49:27 > 0:49:31..or was it simply because you weren't up to it in the first place?

0:49:37 > 0:49:39I'll use the door.

0:49:40 > 0:49:44But just to let you know, I can climb the walls.

0:50:17 > 0:50:20LOCKS RATTLE

0:50:43 > 0:50:45(OK.)

0:50:45 > 0:50:48FAINT WHIRRING

0:50:58 > 0:51:00WHIRRING AND BEEPING

0:51:07 > 0:51:10WHIRRING AND BEEPING

0:51:14 > 0:51:15DOOR SHUTS

0:51:19 > 0:51:21So?

0:51:21 > 0:51:22YAVIN: You were right.

0:51:24 > 0:51:25We have a problem.

0:51:28 > 0:51:30They never come alone.

0:51:35 > 0:51:36Thank you.

0:51:39 > 0:51:41PROJECTOR WHIRS

0:51:47 > 0:51:50CLICKS TONGUE What now?

0:51:54 > 0:51:57YAVIN: So, you want to know about switches and nodes and shit like that

0:51:57 > 0:51:59or you just want me to keep it simple?

0:52:01 > 0:52:03HE CLEARS HIS THROAT

0:52:03 > 0:52:07OK, so, ten years ago, we start with phase one,

0:52:07 > 0:52:10laying future-proofed fibre-optic telecommunication cabling

0:52:10 > 0:52:12throughout the West Bank. It took three years to complete.

0:52:12 > 0:52:15Now, any telecommunication in the region,

0:52:15 > 0:52:18it doesn't matter where it starts from, even if it's a cellphone,

0:52:18 > 0:52:23everything eventually enters our fibre-optic system.

0:52:23 > 0:52:26Now, the critical point of our interest here is that,

0:52:26 > 0:52:30except into Egypt, all traffic on that system has to cross over

0:52:30 > 0:52:33from the Palestinian territories into Israel.

0:52:33 > 0:52:37Now this is because, historically, the main cable, the Neptune Optical cable,

0:52:37 > 0:52:40carries all the international traffic

0:52:40 > 0:52:44underneath the Mediterranean from Israel to Italy,

0:52:44 > 0:52:46and then into the international grid.

0:52:46 > 0:52:48Everything.

0:52:48 > 0:52:52It's 95% of the traffic going to Western Europe and to the United States,

0:52:52 > 0:52:54excluding satellite.

0:52:54 > 0:52:56Then, eight years ago,

0:52:56 > 0:52:59when the Israeli government opened up competition,

0:52:59 > 0:53:03your company, Z Com, bought up a 30% stake

0:53:03 > 0:53:05in the Israeli exchange network,

0:53:05 > 0:53:09including the Last Point main exchange

0:53:09 > 0:53:13that carries the Palestinian system onto the Neptune cable.

0:53:13 > 0:53:16And to think I didn't even graduate from high school.

0:53:16 > 0:53:19And it's at this point...

0:53:19 > 0:53:22that we found this.

0:53:23 > 0:53:25What's that? You don't know?

0:53:25 > 0:53:28I want to change a plug, I call an electrician.

0:53:28 > 0:53:30It's a form of sniffer.

0:53:30 > 0:53:33Well, now I know. What the fuck's a sniffer?

0:53:34 > 0:53:38It's a wiretap, Mr Zahary, a big one.

0:53:38 > 0:53:43Capable of listening to international calls that emanate from the West Bank.

0:53:46 > 0:53:49HE TUTS Oh, balls.

0:53:49 > 0:53:53But we always knew the Israelis might try to do that.

0:53:54 > 0:53:56So we've had our cables regularly swept.

0:53:56 > 0:53:58Well, so did we.

0:53:59 > 0:54:02So, how come no-one looked there? I don't know.

0:54:05 > 0:54:08Who put it there? Not me.

0:54:08 > 0:54:10It's seven years old.

0:54:12 > 0:54:14And you've been there for eight years.

0:54:14 > 0:54:16So? Mossad?

0:54:16 > 0:54:18I don't know.

0:54:18 > 0:54:20Shin Bet? I don't know. You want to go through

0:54:20 > 0:54:23the whole fucking list? Because I still won't know.

0:54:23 > 0:54:26Did you do this for my father? Once in the Irgun...

0:54:26 > 0:54:28I'm not a military man, Nessa.

0:54:28 > 0:54:31But you could always smell a deal, couldn't you?

0:54:32 > 0:54:35You always knew how to do that.

0:54:35 > 0:54:37I don't know anything.

0:54:37 > 0:54:40This is the Middle East, Shlomo. You've got to know it all.

0:54:40 > 0:54:42But I didn't know this!

0:54:42 > 0:54:45It's on your fucking... It's on your fucking site!

0:54:45 > 0:54:48But I didn't put it there! You asked me to trust you!

0:54:48 > 0:54:51And you should! You should!

0:54:52 > 0:54:55Not this time. For Christ's sakes, Nessa, come on.

0:54:56 > 0:54:58DOOR SLAMS

0:55:02 > 0:55:03DOOR SHUTS

0:55:08 > 0:55:10PHONE RINGS

0:55:16 > 0:55:17PHONE BEEPS

0:55:18 > 0:55:19Hello?

0:55:24 > 0:55:26HE SIGHS

0:56:07 > 0:56:09Bye-bye. PHONE BEEPS

0:56:11 > 0:56:13PHONE BEEPS

0:56:32 > 0:56:34Open this fucking gate!

0:56:34 > 0:56:36GATE BEEPS

0:56:48 > 0:56:50Nessa Stein's leaving her house...

0:56:50 > 0:56:52alone.

0:57:11 > 0:57:12HE GASPS

0:57:14 > 0:57:16Ssh!

0:57:34 > 0:57:36DISTANT THUD

0:57:55 > 0:57:57CONVERSATION ON HEADPHONES

0:58:09 > 0:58:11SWITCH CLICKS

0:58:42 > 0:58:44I am Charles Edward Montague.

0:58:44 > 0:58:46I, Sarah Macnaughtan, am Scottish.

0:58:46 > 0:58:49My name is Elfriede Kuhr. I have begun to write a war diary.

0:58:49 > 0:58:51Today, I see men so broken

0:58:51 > 0:58:53that their own mothers would hardly recognise them.

0:58:53 > 0:58:56I just wanted to fight, like the rest of the country.

0:58:56 > 0:59:00We women are desperately needed to work in the factories.

0:59:00 > 0:59:01I am Yves Congar.

0:59:01 > 0:59:02I am Kaethe Kollwitz.

0:59:02 > 0:59:04I am Marina Yurlova.

0:59:04 > 0:59:07Together, they are the humans behind the history.