0:00:02 > 0:00:04- The military are in central Alexandria.- Are we going to war?
0:00:04 > 0:00:06Egyptian forces are swarming the Canal!
0:00:06 > 0:00:09And what is the truth, Mr Hafiz?
0:00:09 > 0:00:10If you come onto our programme,
0:00:10 > 0:00:13perhaps you'd have the chance to tell the country.
0:00:13 > 0:00:15If I'm interviewed by a gentleman.
0:00:15 > 0:00:17One young woman in particular
0:00:17 > 0:00:19has caught the eye of a certain leading man,
0:00:19 > 0:00:20actor Adam Le Ray.
0:00:20 > 0:00:24So without further ado I ask you to raise your glasses to my beautiful fiance.
0:00:24 > 0:00:26They will kill me
0:00:26 > 0:00:29'if they know I'm talking to you.'
0:00:29 > 0:00:31This is Mr...?
0:00:31 > 0:00:33Kish. Thomas Kish.
0:00:42 > 0:00:43This is for Bel...
0:00:44 > 0:00:45..not for you.
0:00:45 > 0:00:47You're still an arse.
0:00:47 > 0:00:49Don't be frightened.
0:00:49 > 0:00:50Gravity.
0:00:50 > 0:00:53You have a natural gravity.
0:01:36 > 0:01:39FOOTSTEPS
0:01:39 > 0:01:41DOOR BURSTS OPEN
0:01:45 > 0:01:47Who sent you? Did they send you?
0:01:59 > 0:02:01MEGAPHONE: Come out quietly, you are surrounded.
0:02:01 > 0:02:03Hey, Johnny!
0:02:05 > 0:02:08You didn't think I'd give up that easily, did you?
0:02:11 > 0:02:13Oh, please, no!
0:02:13 > 0:02:15FAKED FOOTSTEPS
0:02:15 > 0:02:16He's going to jump!
0:02:16 > 0:02:18FOOTSTEPS QUICKEN
0:02:20 > 0:02:23Don't shoot! Please don't shoot!
0:02:23 > 0:02:24GUNSHOT
0:02:24 > 0:02:27THUD OF A BODY Argh!
0:02:27 > 0:02:29FOOTSTEPS EXIT
0:02:29 > 0:02:31He's gone.
0:02:31 > 0:02:33The man who knew,
0:02:33 > 0:02:34he's gone.
0:02:35 > 0:02:39APPLAUSE
0:02:43 > 0:02:46Smoke around these lights again and you won't be back next week.
0:03:02 > 0:03:03Three o'clock.
0:03:25 > 0:03:28And how are you enjoying playing the part, Mr Le Ray?
0:03:28 > 0:03:30Well, it's very exciting. Terrific.
0:03:30 > 0:03:32One does one's best with the script.
0:03:34 > 0:03:35You're staring.
0:03:35 > 0:03:38He was surprisingly good.
0:03:38 > 0:03:40For a man in mourning.
0:03:40 > 0:03:43- Great show, Ron.- Bloody actors.
0:03:43 > 0:03:44Ron.
0:03:44 > 0:03:46What are we doing here?
0:03:46 > 0:03:47- The drinks are free.- Oh, good.
0:03:47 > 0:03:49- She's coming over.- Hector's awful.
0:03:49 > 0:03:52He says you've declined, but I refuse to believe it.
0:03:52 > 0:03:54Tell me you will come this weekend?
0:03:54 > 0:03:57She's very persistent. I did try.
0:03:57 > 0:03:59Wasn't my husband simply brilliant last night?
0:03:59 > 0:04:02- You dropped that second question. - Talk to Lix.- I did.
0:04:03 > 0:04:05So, what did you think of our Man Who Knew?
0:04:06 > 0:04:07Wasn't it ridiculous?
0:04:07 > 0:04:12- I knew who'd done it five minutes in, didn't I, Hector? I said.- Yes.
0:04:12 > 0:04:15Don't tell Adam. He's one of my brother's bestest friends
0:04:15 > 0:04:17and he's had a terrible time.
0:04:17 > 0:04:19It's all tres, tres tragique.
0:04:19 > 0:04:21Tell me more. I'm going to grab that.
0:04:25 > 0:04:27Oh, here comes our shadow again.
0:04:27 > 0:04:30And even when we are not working, you are always near.
0:04:30 > 0:04:32We just cannot shake you, Mr McCain.
0:04:32 > 0:04:33Remaining vigilant.
0:04:33 > 0:04:36Miss Rowley's worried you have no life outside of work.
0:04:36 > 0:04:39None as captivating as Miss Rowley and The Hour.
0:04:39 > 0:04:40Damn fine programme last night,
0:04:40 > 0:04:43I must say.
0:04:43 > 0:04:47Transatlantic telephone cable systems have never seemed so interesting.
0:04:47 > 0:04:50No, I thought the live call was a stroke of genius.
0:04:50 > 0:04:53Thank you. It was Miss Rowley's idea.
0:04:54 > 0:04:56Wallace, there you are. Do excuse me.
0:04:56 > 0:04:59Wallace, I hear you're shooting this weekend.
0:04:59 > 0:05:01Wave and smile.
0:05:01 > 0:05:02I hate that man.
0:05:02 > 0:05:06On the contrary, it's a mark of how well you are doing
0:05:06 > 0:05:08that you've rattled McCain's cage.
0:05:08 > 0:05:10Please come this weekend.
0:05:10 > 0:05:11The people are awful
0:05:11 > 0:05:14and you'll be screaming to go home by Sunday, but...
0:05:14 > 0:05:16Darling, this man is brilliant.
0:05:16 > 0:05:18You didn't tell me they were all so interesting.
0:05:18 > 0:05:22Did you know a python could swallow a baby whole if it had a mind to?
0:05:22 > 0:05:23No.
0:05:23 > 0:05:25Well, she won't be persuaded.
0:05:25 > 0:05:29- A Town Like Alice is opening at The Coronet.- We could go next weekend.
0:05:29 > 0:05:31I'm driving down with Daddy tonight,
0:05:31 > 0:05:33but Hector's bringing the car first thing.
0:05:33 > 0:05:35I know he'd like the company.
0:05:35 > 0:05:38- And you must come, too, Mr Lyon. - I must.
0:05:39 > 0:05:41You might find it quicker on the train.
0:05:41 > 0:05:43Surely not.
0:05:45 > 0:05:47Come on, darling.
0:05:49 > 0:05:51- You hate the country.- I lied.
0:05:53 > 0:05:54Excuse me.
0:05:59 > 0:06:00Mr Kish?
0:06:01 > 0:06:02We've missed you.
0:06:02 > 0:06:04You're surprisingly elusive.
0:06:04 > 0:06:06And yet you are here tonight.
0:06:06 > 0:06:07Yes.
0:06:08 > 0:06:11Everyone says how hard you work at the World Service, yet whenever
0:06:11 > 0:06:14I try to get hold of you you're never at your desk.
0:06:14 > 0:06:17I hope they pay you overtime, whoever they are.
0:06:17 > 0:06:18Were you following me yesterday?
0:06:20 > 0:06:21Coming out of Embankment station?
0:06:22 > 0:06:24Why would I do that?
0:06:24 > 0:06:26You knew Ruth Elms.
0:06:28 > 0:06:30I have you on film with her
0:06:30 > 0:06:31with her and Peter Darrall.
0:06:33 > 0:06:36It looks like it was a sunny day.
0:06:37 > 0:06:40You sat at my desk with her obituary stuck on the wall.
0:06:40 > 0:06:42You said, "What a pretty girl".
0:06:42 > 0:06:44She was.
0:06:45 > 0:06:46Both are now dead.
0:06:48 > 0:06:50That might unsettle some people.
0:06:52 > 0:06:53Did you kill him?
0:06:55 > 0:06:56Peter Darrall?
0:06:56 > 0:06:57Yes.
0:07:01 > 0:07:03Every time we played at cards.
0:07:05 > 0:07:08The holiday I presume you are referring to was more of a weekend.
0:07:08 > 0:07:10I don't recall anyone making a film.
0:07:13 > 0:07:18Perhaps, Mr Lyon, we might have a drink sometime.
0:07:20 > 0:07:22Steady. Steady!
0:07:39 > 0:07:41Ladies was blocked.
0:07:41 > 0:07:43Is he good looking, do you think?
0:07:43 > 0:07:45Do you classify that as a good-looking face?
0:07:45 > 0:07:47It's all to do with symmetry.
0:07:47 > 0:07:49The balance of the left and right of your face.
0:07:49 > 0:07:52The more even you are, the more beautiful you are.
0:07:52 > 0:07:53You see this eyebrow?
0:07:53 > 0:07:55It's wider than me other one.
0:07:55 > 0:07:57And my nose, I've got a dip right here.
0:07:57 > 0:08:00But a good looking person, it would all be the same. Equal.
0:08:04 > 0:08:05Hmmm.
0:08:07 > 0:08:10He doesn't really do much for me, but...
0:08:10 > 0:08:12Isaac! Just the man.
0:08:12 > 0:08:13Tomorrow, I want you in.
0:08:13 > 0:08:15It's Saturday.
0:08:15 > 0:08:17Your commitment has been duly noted,
0:08:17 > 0:08:20Mr Albert has had a film of mine for weeks, I gave it to him
0:08:20 > 0:08:24to look over. Pick it up first thing. Don't let it out of your sight.
0:08:34 > 0:08:36- Magpie!- Damn.
0:08:36 > 0:08:38Six to your two.
0:08:41 > 0:08:42What are you scribbling, Freddie?
0:08:42 > 0:08:46I'm surprised we can lure you away from your desk.
0:08:46 > 0:08:49"What is he writing?" I often ask myself.
0:08:49 > 0:08:52Mainly the words that will come out of your mouth.
0:08:54 > 0:09:00Whenever Sissy thrusts those hot little sheets of paper into my hand, I wonder if at last I'll find out
0:09:00 > 0:09:04why Mr Lyon is so intrigued by a debutante's suicide.
0:09:06 > 0:09:09My first girlfriend was a debutante.
0:09:10 > 0:09:13I wrote her pages of God-awful poetry to her during the war.
0:09:13 > 0:09:15Line?
0:09:16 > 0:09:17Line?
0:09:17 > 0:09:19Happily forgotten.
0:09:21 > 0:09:23I don't think I've ever been sent love poetry.
0:09:23 > 0:09:24Yes, you have.
0:09:26 > 0:09:28I do not know what it is about you
0:09:28 > 0:09:30That closes and opens
0:09:30 > 0:09:32Only something in the...
0:09:34 > 0:09:36No, can't remember the rest.
0:09:40 > 0:09:44- NEWSREADER:- 'British and French governments are in close discussion
0:09:44 > 0:09:49'in an attempt to resolve the crisis in Egypt. The Suez Canal Company has constructed...
0:09:49 > 0:09:52'But the power remains in Colonel Nasser's hands
0:09:52 > 0:09:57'and there is growing unease as to which direction he will take.'
0:10:02 > 0:10:04You're late. Daddy's furious.
0:10:06 > 0:10:07Leave the bags.
0:10:16 > 0:10:17Jemima!
0:10:17 > 0:10:18Darling!
0:10:18 > 0:10:21Ooh, you're freezing! You're all freezing.
0:10:21 > 0:10:23You've missed the morning's drive.
0:10:23 > 0:10:25Sorry, darling.
0:10:25 > 0:10:26Come, come.
0:10:27 > 0:10:32The pictures, I know. Daddy thinks they're awfully creepy, but they're all Mummy's relatives.
0:10:32 > 0:10:34Thieves and liars every one of them.
0:10:41 > 0:10:42Each room is a different decor.
0:10:42 > 0:10:44Not entirely to modern taste,
0:10:44 > 0:10:47but poor Mummy has very little imagination.
0:10:47 > 0:10:50Miss Rowley, this is you,
0:10:50 > 0:10:51and you're in the green one.
0:10:54 > 0:10:57I wasn't sure if you were together, but Hector thought not.
0:10:57 > 0:11:00Even so, I've put you close. We're tres liberal here.
0:11:00 > 0:11:03Er, thank you, but there was really no need.
0:11:03 > 0:11:06- One never can tell how things will work out. - DOOR OPENS AND SLAMS
0:11:06 > 0:11:08Bugger!
0:11:08 > 0:11:10How the hell did Hector get out of it?
0:11:10 > 0:11:12He hasn't. I've sent him off to change.
0:11:12 > 0:11:14Ralphie, meet our guests. This is my brother.
0:11:14 > 0:11:16- He's a monster.- Hello.
0:11:16 > 0:11:18- Nice to meet you.- Hello.
0:11:18 > 0:11:20I've been sent back. Wrong socks.
0:11:20 > 0:11:23Did you tell Mother Adam was coming down?
0:11:23 > 0:11:24Ralphie, don't be boring.
0:11:24 > 0:11:27She's invited those appalling Roedean girls again.
0:11:27 > 0:11:30Good! We're a little short of girls. You did bring a dress?
0:11:30 > 0:11:32Mummy!
0:11:32 > 0:11:35Ralphie, don't be mean. She's lying down. Lunch is at one,
0:11:35 > 0:11:37then we always have a big walk afterwards.
0:11:37 > 0:11:39C'est magnifique!
0:11:39 > 0:11:41Shut up and go and change, please.
0:11:45 > 0:11:46Swot!
0:11:47 > 0:11:49It's Saturday. Leave immediately.
0:11:49 > 0:11:51Mr Lyon wanted me in.
0:11:51 > 0:11:53Curiouser and curiouser.
0:11:53 > 0:11:56And I had some work to do on my Jackson Pollock piece.
0:11:56 > 0:11:57Hmm...
0:11:57 > 0:11:58LIFT BELL RINGS
0:11:58 > 0:12:03Mr Kish. Almost a full house. No-one told me to expect you in.
0:12:03 > 0:12:04Didn't they?
0:12:06 > 0:12:11I rather enjoy the place to myself at the weekend.
0:12:12 > 0:12:17- I've got the most horrible wallpaper. What's yours like? - Remind me to lock that.
0:12:19 > 0:12:22And your bed's softer than mine.
0:12:25 > 0:12:27What are we doing here?
0:12:27 > 0:12:29I don't know.
0:12:30 > 0:12:34I've missed a gripping Saturday of Scrabble with mon papa...
0:12:35 > 0:12:39Then sardines on toast for afters in front of the TV. What's your excuse?
0:12:39 > 0:12:40GUNSHOT
0:12:42 > 0:12:43Oh, Christ!
0:12:43 > 0:12:46I won't actually have to hold a gun, will I?
0:12:46 > 0:12:48THEY LAUGH
0:12:48 > 0:12:50KNOCK AT DOOR
0:12:51 > 0:12:53Settling in?
0:12:53 > 0:12:55Oh, yes, very well, thank you.
0:12:55 > 0:12:59- You'll need boots. It gets pretty muddy this time of the year. - Thank you.
0:12:59 > 0:13:03Well, see you later, at lunch.
0:13:05 > 0:13:07Oh, what?
0:13:07 > 0:13:08He's being kind.
0:13:18 > 0:13:19The Man Who Knew...
0:13:21 > 0:13:22..shoots for real.
0:13:24 > 0:13:26And I didn't even bring a dress.
0:13:26 > 0:13:27You can have mine.
0:13:29 > 0:13:31Oh, hell!
0:13:32 > 0:13:34I'm surprised hell can spare him.
0:13:38 > 0:13:39It was shot on 8mm.
0:13:39 > 0:13:44Mr Albert said it was professionally developed, but he doesn't think over here.
0:13:44 > 0:13:48The scratches on the lens could be sand.
0:13:48 > 0:13:50And the pot looks eastern.
0:13:50 > 0:13:51What else?
0:13:51 > 0:13:55I don't know. I've left the rest of the notes on your desk.
0:13:55 > 0:13:56Then go and get them.
0:13:58 > 0:14:00I can't. He's sitting at it.
0:14:00 > 0:14:01Who?
0:14:01 > 0:14:03Mr Kish.
0:14:05 > 0:14:08He's in? What's he doing?
0:14:08 > 0:14:09Eating a sandwich.
0:14:09 > 0:14:12If it's of any interest, I think he's been drinking.
0:14:13 > 0:14:15It takes one to know one, sweetheart.
0:14:15 > 0:14:17What do I do?
0:14:17 > 0:14:21Just watch him, and don't let that film out of your sight.
0:14:21 > 0:14:23Away! Away!
0:14:33 > 0:14:34May I?
0:14:34 > 0:14:35Yes, please.
0:14:39 > 0:14:42We saw your show last night.
0:14:42 > 0:14:44You do that news programme.
0:14:44 > 0:14:47The odd outside broadcast.
0:14:47 > 0:14:50Did you like it, The Man Who Knew?
0:14:51 > 0:14:53Ingenious title.
0:14:54 > 0:14:57We're still waiting on the reviews. You haven't got today's paper?
0:14:57 > 0:15:00- No.- Have we met before?
0:15:00 > 0:15:04I covered your engagement party. Frederick Lyon.
0:15:04 > 0:15:06Adam Le Ray.
0:15:10 > 0:15:13My condolences on your loss.
0:15:13 > 0:15:16Ralph, whose idea was it to sit me next to a journalist?
0:15:16 > 0:15:18Marnie arranged the seating.
0:15:18 > 0:15:20We're all friends here.
0:15:22 > 0:15:25You've known each another a long time.
0:15:25 > 0:15:26No, not long.
0:15:28 > 0:15:29It was all a bit of a whirlwind.
0:15:29 > 0:15:31Still...
0:15:31 > 0:15:32Leave the boy alone, Mr Lyon.
0:15:32 > 0:15:35It's the weekend. And he's an awfully good shot.
0:15:35 > 0:15:38You wouldn't want to get on the wrong side of him.
0:15:40 > 0:15:45Gold reserves have taken a tumble. Down £800,000 since July.
0:15:45 > 0:15:47Does Eden know what he's going to do about it?
0:15:47 > 0:15:50Let's solve this problem in Egypt, shall we, Wallace?
0:15:50 > 0:15:52Then I will talk to you about gold.
0:15:52 > 0:15:53When are you going to solve it?
0:15:55 > 0:15:58The Soviets have just sent in "volunteers"
0:15:58 > 0:16:00to help Nasser run the Canal.
0:16:00 > 0:16:04- That's very worrying, darling. - Please do not worry yourself, dear Mrs Sherman.
0:16:04 > 0:16:07I can assure you there is a solution in hand and our Prime Minister
0:16:07 > 0:16:09will guide us through this crisis.
0:16:09 > 0:16:13You and your boys at Westminster have been feeding us that line for weeks.
0:16:13 > 0:16:15It's grown a little tired.
0:16:15 > 0:16:18We've offered Nasser Egyptian representation
0:16:18 > 0:16:21on the Suez Canal Company board with a share in its profits.
0:16:21 > 0:16:24And any pact is seen by Nasser as veiled colonialism.
0:16:24 > 0:16:28The truth is you don't know what to do. He's doing too little to provoke a war,
0:16:28 > 0:16:30but just enough to provoke our Prime Minister.
0:16:30 > 0:16:33And why you think it is a good idea to let him on air
0:16:33 > 0:16:35exposing his frailty is...
0:16:35 > 0:16:36I'm sure Angus
0:16:36 > 0:16:39would dutifully pass on your good thoughts to the Prime Minister.
0:16:41 > 0:16:45Well, someone ought to, otherwise he may not take the country with him.
0:16:47 > 0:16:50Marilyn Monroe has been sick with gastritis.
0:16:51 > 0:16:55They've delayed the shooting of The Sleeping Prince for four days.
0:16:55 > 0:16:57Olivier is apparently livid.
0:16:57 > 0:17:00I'd have gastritis if I was married to that Mr Miller.
0:17:00 > 0:17:05And his plays! Hector and I went to see one last week. What was it called again?
0:17:07 > 0:17:08It escapes me now.
0:17:20 > 0:17:22GUNSHOTS
0:17:23 > 0:17:25GUNSHOTS
0:17:29 > 0:17:31GUNSHOTS
0:17:32 > 0:17:33GUNSHOT
0:17:33 > 0:17:35Oh, damn!
0:17:35 > 0:17:36Bad luck!
0:17:36 > 0:17:39Yes, wrong weight. I prefer something lighter.
0:17:39 > 0:17:42Stop fussing, Angus.
0:17:42 > 0:17:44You're a little liverish today.
0:17:46 > 0:17:48I've never understood the point of shooting.
0:17:48 > 0:17:50That's cos you live in London.
0:17:50 > 0:17:53The only thing they shoot in London is films or each other.
0:17:54 > 0:17:55It grows on you.
0:17:57 > 0:17:58Especially if you manage to...
0:17:58 > 0:18:00GUNSHOTS
0:18:03 > 0:18:04When you actually hit something.
0:18:09 > 0:18:11Did you get a chance to talk to him?
0:18:11 > 0:18:13I thought you'd be interested.
0:18:14 > 0:18:15I'm not an idiot.
0:18:15 > 0:18:18- I know you think you're on to something with Ruth Elms.- I am.
0:18:18 > 0:18:21Well, you won't have much luck with Adam.
0:18:21 > 0:18:23It's obvious as hell he wasn't in love with her.
0:18:23 > 0:18:26Well, then he's a fool.
0:18:27 > 0:18:29Girls like Ruth Elms are a rare breed.
0:18:31 > 0:18:33You don't get it, do you?
0:18:35 > 0:18:36You'll see.
0:18:36 > 0:18:38He comes alive after dinner.
0:18:41 > 0:18:42GUNSHOT
0:18:50 > 0:18:53Marnie's got us all dancing in the dining room.
0:18:53 > 0:18:56You shoot, we jive. How many did you miss?
0:18:56 > 0:18:58As many as I could. I don't like shooting things.
0:18:58 > 0:19:01How do you think they killed that beef you had for lunch?
0:19:01 > 0:19:03With boredom.
0:19:07 > 0:19:10Are you going to help me pluck them?
0:19:11 > 0:19:13No, sorry.
0:19:13 > 0:19:14I have to jive.
0:19:23 > 0:19:28Isaac, you've been slurping that coffee for nearly an hour.
0:19:28 > 0:19:30Surely, it's gone cold by now?
0:19:30 > 0:19:31Mr Fendley.
0:19:31 > 0:19:33Working the weekend? Very good.
0:19:33 > 0:19:35Mr Lyon wanted me to cover a couple of things.
0:19:35 > 0:19:37Oh? And what might those be?
0:19:40 > 0:19:41What's he paying you?
0:19:41 > 0:19:43A pint and a bag of chips.
0:19:43 > 0:19:44You've been had.
0:19:45 > 0:19:48He's not sure about Mr Kish.
0:19:51 > 0:19:54Then he's just one on Mr Lyon's very long list.
0:20:03 > 0:20:05You are the definition of enigma, Mr Lyon.
0:20:05 > 0:20:09You clean a gun as if you've done it before.
0:20:11 > 0:20:12Your father?
0:20:12 > 0:20:14A poacher, I bet.
0:20:15 > 0:20:17Tell me your secret, do.
0:20:17 > 0:20:22Did you put pressure on Clarence to drop my interview with Lord Elms?
0:20:22 > 0:20:24It was you, wasn't it?
0:20:24 > 0:20:28The buck stops with your producer, I'd say.
0:20:43 > 0:20:47You will encourage Miss Rowley and her team to work WITH us, Hector?
0:20:48 > 0:20:51That's a little presumptuous, isn't it? What do you mean, "will"?
0:20:51 > 0:20:53It is to be advised.
0:20:54 > 0:20:56Things in Suez will only get worse
0:20:56 > 0:20:57and the BBC may find itself
0:20:57 > 0:21:01coming under increasing pressure in the coming weeks if they don't.
0:21:01 > 0:21:04You are a guest in my family's house, Angus.
0:21:06 > 0:21:07Don't outstay your welcome.
0:21:10 > 0:21:11Angus?
0:21:14 > 0:21:15Got a light?
0:21:32 > 0:21:34The Lord Elms film didn't blow.
0:21:37 > 0:21:38Did it?
0:21:41 > 0:21:45I'm starving, so you'll have to wait until after dinner if you want a fight.
0:21:50 > 0:21:52I couldn't run them both.
0:21:53 > 0:21:56I couldn't risk Hafiz and Lord Elm speaking out of turn.
0:21:58 > 0:21:59It's censorship.
0:21:59 > 0:22:01It is political sabotage...
0:22:01 > 0:22:04- Hafiz was the better story. You would have done the same thing.- No.
0:22:04 > 0:22:06Yes.
0:22:06 > 0:22:09But I can't even get near him now.
0:22:10 > 0:22:12He refuses even to take my calls.
0:22:12 > 0:22:15Can you let it go just for one weekend?
0:22:15 > 0:22:16Gist.
0:22:18 > 0:22:19Bright, tree,
0:22:21 > 0:22:22rest,
0:22:22 > 0:22:23tribe, tone.
0:22:24 > 0:22:26Stone, rover.
0:22:27 > 0:22:30How the hell do you bloody decode it?
0:22:30 > 0:22:32I don't know because I'm not a spy.
0:22:32 > 0:22:34Well, it can't be that difficult.
0:22:37 > 0:22:38Are you all right?
0:22:40 > 0:22:41Bloody dog hair.
0:22:49 > 0:22:50What's he doing now?
0:22:50 > 0:22:53Translating Nasser's rejection of Menzies' proposals.
0:22:53 > 0:22:55Clarence is in, talking to Lix.
0:22:55 > 0:22:57'Have you told him anything?'
0:22:57 > 0:22:58No.
0:22:58 > 0:23:00Er, yes, not much.
0:23:00 > 0:23:01Not good, Mr Wengrow.
0:23:01 > 0:23:05Not good. Please, will you not just...
0:23:05 > 0:23:06Oh, I've seen it all before.
0:23:06 > 0:23:08Not on me.
0:23:08 > 0:23:11- Who are you talking to?- Isaac. - Ask what he's working on?- Pollock.
0:23:12 > 0:23:14- He's getting up.- To do what?
0:23:16 > 0:23:18To put his wrapper in the bin.
0:23:18 > 0:23:19Isaac, anything else in?
0:23:20 > 0:23:24A Swedish ship scuttled in King George Dock, Hull.
0:23:24 > 0:23:26Mine's squished over everything in my bag.
0:23:26 > 0:23:29Apparently, it's on fire.
0:23:29 > 0:23:31'Tell him that Pollock'
0:23:31 > 0:23:33only runs if he can get an interview.
0:23:33 > 0:23:38He died four weeks ago. It's all right, Isaac.
0:23:38 > 0:23:40Oh.
0:23:41 > 0:23:44I was worried you might not have towels.
0:23:46 > 0:23:47I forgot toothpaste.
0:23:49 > 0:23:50Careful not to get any on your silk.
0:23:50 > 0:23:52Is it, silk?
0:23:52 > 0:23:53One can't tell any more,
0:23:53 > 0:23:57what with all the marvellous new cheap synthetics.
0:24:01 > 0:24:04- Damn, he's leaving.- Follow him.
0:24:04 > 0:24:06'How the hell does Lix know what you're doing as well?'
0:24:06 > 0:24:08Obvious, darling. He's hardly Poirot.
0:24:08 > 0:24:11'Don't let him follow him with the film.'
0:24:11 > 0:24:13Tell him to lock it in my desk drawer.
0:24:13 > 0:24:15'Lix, do you hear?'
0:24:30 > 0:24:34God! Marnie just saw me coming out of you bathroom.
0:24:35 > 0:24:36And?
0:24:37 > 0:24:39I think Marnie's fun.
0:24:42 > 0:24:43I'm sorry.
0:24:47 > 0:24:49I should have told you the truth about the Lord Elms film.
0:24:51 > 0:24:52Yes.
0:24:54 > 0:24:56Just because you're one of them,
0:24:56 > 0:24:58don't act like them.
0:24:59 > 0:25:00I won't.
0:25:02 > 0:25:03I promise.
0:25:14 > 0:25:15What if I've got it wrong?
0:25:15 > 0:25:19What if there's nothing in this bloody crossword and I'm bored and...
0:25:19 > 0:25:20Avoiding a grown-up life?
0:25:20 > 0:25:22You?
0:25:25 > 0:25:28You're right.
0:25:28 > 0:25:29A momentary lapse.
0:25:44 > 0:25:46They're very even.
0:25:49 > 0:25:50Your ears.
0:25:50 > 0:25:54CLOCK CHIMES
0:25:54 > 0:25:56Dinner.
0:25:58 > 0:26:00Darling?
0:26:05 > 0:26:07- I knew it.- What?
0:26:08 > 0:26:09Miss Rowley and Mr Lyon.
0:26:09 > 0:26:12I've just seen her coming out of his bathroom.
0:26:14 > 0:26:15Really?
0:26:17 > 0:26:18Didn't I say?
0:26:22 > 0:26:23What's wrong?
0:26:25 > 0:26:27Don't put me near McCain at dinner.
0:26:45 > 0:26:47What?
0:26:48 > 0:26:50Nothing.
0:26:50 > 0:26:52Freddie...
0:26:53 > 0:26:55You can't possibly wear that jacket.
0:26:56 > 0:26:58And those shoes.
0:27:01 > 0:27:03It's a little long in the leg but you should make up for it
0:27:03 > 0:27:04with the shoes
0:27:04 > 0:27:06The jacket would be...
0:27:11 > 0:27:13Here's one of my old ones.
0:27:13 > 0:27:15I was a little trimmer then.
0:27:17 > 0:27:20I mean, no-one gives a monkey's what you wear. It's bloody ridiculous.
0:27:20 > 0:27:21We're just sitting down to eat.
0:27:21 > 0:27:25No-one's getting married or buried or anything but we just do it.
0:27:25 > 0:27:28We just obey these ridiculous rules, because Christ help us if we don't.
0:27:30 > 0:27:31It's only a suit.
0:27:34 > 0:27:35You need cufflinks.
0:27:41 > 0:27:43- Here.- Thank you.
0:27:43 > 0:27:44CLOCK CHIMES
0:27:47 > 0:27:49She's a wonderful woman...
0:27:49 > 0:27:50Bel.
0:27:55 > 0:27:56Yes.
0:27:59 > 0:28:02Well, don't be late. There's never enough soup.
0:28:03 > 0:28:09'And now for news from abroad. Talks between the Five Nations Suez Committee and Colonel Nasser
0:28:09 > 0:28:10'failed dramatically last night
0:28:10 > 0:28:14'when the Egyptian President rejected the proposals put to him
0:28:14 > 0:28:16'by Australian Prime Minister Robert Menzies.
0:28:16 > 0:28:17'On flying back to London...'
0:28:17 > 0:28:20Looks likes he's turned down your proposal.
0:28:20 > 0:28:22May I use your telephone?
0:28:22 > 0:28:24Of course. In the hall.
0:28:25 > 0:28:27'Australia will have nothing to do...'
0:28:27 > 0:28:33The only reason they sent Menzies is because America won't help. And now look. Complete farce.
0:28:33 > 0:28:36If Eisenhower wasn't running for re-election the Americans
0:28:36 > 0:28:41would have stood by us more instead of hiding behind the United Nations and opening the door to Russia.
0:28:41 > 0:28:45Perhaps the President knows something we don't.
0:28:45 > 0:28:47Like how to win an election.
0:28:51 > 0:28:54That was a very good point you made earlier, though.
0:28:55 > 0:28:58Can you inform the Prime Minister I'm trying to get hold of him?
0:28:58 > 0:29:03This country's become far too entrenched in what it thinks it's entitled to.
0:29:05 > 0:29:08Perhaps it needs the likes of you and I to shake things up a bit.
0:29:12 > 0:29:13I'm off.
0:29:13 > 0:29:16- All quiet?- Israel is becoming increasingly jumpy.
0:29:16 > 0:29:19They don't like the Soviets in their back yard.
0:29:19 > 0:29:22They'll be in Suez before us at this rate.
0:29:22 > 0:29:24I saw.
0:29:24 > 0:29:25Does Edith ever see you?
0:29:25 > 0:29:28I pity that poor woman, Clarence, I really do.
0:29:28 > 0:29:30And who should I pity, Lix?
0:29:31 > 0:29:33No-one. That's the way I like it.
0:29:33 > 0:29:36- Has Mr Kish gone?- No, not yet.
0:29:39 > 0:29:41World Service speak very highly of him.
0:29:41 > 0:29:43Well, his Arabic's brilliant.
0:29:43 > 0:29:46Though I haven't found a single programme he's worked on
0:29:46 > 0:29:48in the eight years he's been at the BBC.
0:29:51 > 0:29:52Night-night.
0:30:01 > 0:30:03Mr Kish.
0:30:03 > 0:30:04Still here?
0:30:04 > 0:30:06I'm just making final amendments
0:30:06 > 0:30:09to Nasser's rejection of Menzies' proposals.
0:30:09 > 0:30:10Lix wanted it all down.
0:30:12 > 0:30:15What we have ever to do with ease, we must first do with diligence.
0:30:17 > 0:30:19So beautiful on the page.
0:30:19 > 0:30:22There are 28 basic letters.
0:30:22 > 0:30:24It's the style that varies the form.
0:30:26 > 0:30:27It's remarkable.
0:30:27 > 0:30:29I think so. Yes.
0:30:29 > 0:30:31Kish? Hungarian?
0:30:31 > 0:30:34Russian. On my father's side.
0:30:36 > 0:30:37Don't work too late.
0:31:26 > 0:31:27I'll be off then.
0:31:29 > 0:31:31Good night, Mr Wengrow.
0:31:31 > 0:31:33Night.
0:31:46 > 0:31:49- You don't dance, Angus?- No.
0:31:49 > 0:31:51Don't dance. Can't shoot.
0:31:52 > 0:31:54What are you doing here?
0:31:54 > 0:31:57Eden's called an emergency meeting. I may have to leave early.
0:31:57 > 0:32:00Well, we'll try not to miss you too much.
0:32:00 > 0:32:02They're insisting everyone attends.
0:32:02 > 0:32:03They again?
0:32:03 > 0:32:06The mysterious they.
0:32:06 > 0:32:10THEY don't want you to know who THEY are, do they, Angus?
0:32:10 > 0:32:13Have you read it? Middle section.
0:32:14 > 0:32:17Adam Le Ray has all the charisma and threat of a carpetbagger.
0:32:17 > 0:32:20One can forgive Mr Le Ray most things
0:32:20 > 0:32:22but a basic lack of talent
0:32:22 > 0:32:25is suspect in a man so devoid of anything else.
0:32:27 > 0:32:29Well, I just did what you said.
0:32:31 > 0:32:33And now the papers crucify me.
0:32:34 > 0:32:36You need to go to bed. Hector, take him up.
0:32:36 > 0:32:38Yes, I think sleep would do him good.
0:32:38 > 0:32:42You said marry her and everything would be all right.
0:32:42 > 0:32:44- Now she's dead!- Get him out.
0:32:44 > 0:32:47Freddie, could you?
0:32:47 > 0:32:50I'm all right. I remember you now.
0:32:52 > 0:32:54Get him out!
0:32:54 > 0:32:56I DID WHAT YOU SAID!
0:33:05 > 0:33:06I'm going to be sick.
0:33:06 > 0:33:08What was he talking about?
0:33:08 > 0:33:09God knows.
0:33:09 > 0:33:11What do you mean?
0:33:11 > 0:33:14- Slap him.- Really?
0:33:15 > 0:33:17Ow!
0:33:17 > 0:33:18HE LAUGHS
0:33:18 > 0:33:20Ow! Bastard!
0:33:20 > 0:33:24What the hell did you mean? You did what he said? Who?
0:33:24 > 0:33:25Was it McCain?
0:33:25 > 0:33:27What did McCain tell you to do?
0:33:27 > 0:33:29Marry her. Marry her.
0:33:29 > 0:33:30Ruth?
0:33:30 > 0:33:32Shh, shh!
0:33:34 > 0:33:37Well, you didn't think it was for love, did you?
0:33:39 > 0:33:41A girl in trouble and me.
0:33:41 > 0:33:43What?!
0:33:50 > 0:33:53If I married her then no-one would know what I am.
0:33:59 > 0:34:01You should have bloody cared.
0:34:01 > 0:34:04You should have bloody loved her!
0:34:04 > 0:34:06Let him sleep it off.
0:34:16 > 0:34:18Is he all right?
0:34:18 > 0:34:21Why do you let him get drunk like that? Every time, Ralph!
0:34:21 > 0:34:22We were just having a bit of fun.
0:34:22 > 0:34:25Oh, yes, of course. Always fun. No. Leave him.
0:34:32 > 0:34:33Did you hear what he said?
0:34:37 > 0:34:40- These silent deals are struck all the time, Freddie.- No.
0:34:40 > 0:34:42Then consider yourself fortunate.
0:34:44 > 0:34:46One learns to recognise it.
0:34:46 > 0:34:49A slow deadening in the eyes.
0:34:49 > 0:34:51An acceptance of defeat.
0:34:53 > 0:34:55I lived with the Elms family.
0:34:55 > 0:34:57During the war.
0:34:58 > 0:34:59On and off.
0:35:01 > 0:35:04My mother, she worked as a secretary for Lord Elms
0:35:04 > 0:35:07before she met my father.
0:35:08 > 0:35:10They took me in during the Blitz.
0:35:10 > 0:35:12The odd summer. Christmas.
0:35:13 > 0:35:14I hated shooting then.
0:35:15 > 0:35:17I don't understand this world.
0:35:17 > 0:35:19I've never understood it.
0:35:21 > 0:35:23How any of you live.
0:35:23 > 0:35:24There lies the rub.
0:35:24 > 0:35:27GIGGLING
0:35:27 > 0:35:28Have you seen them?
0:35:28 > 0:35:30- Who?- Any of them.
0:35:30 > 0:35:33LAUGHTER AND CHATTER
0:35:41 > 0:35:4567, 68, 69...
0:35:45 > 0:35:47FOOTSTEPS
0:35:47 > 0:35:49Sardines.
0:35:49 > 0:35:51Oh, God. I'm so sorry.
0:35:55 > 0:35:58Why do grown-ups insist on playing party games?
0:35:58 > 0:36:01Didn't we do enough of that as children?
0:36:01 > 0:36:03I never had parties as a child.
0:36:03 > 0:36:06- Everyone had birthday parties. - Not me.
0:36:06 > 0:36:10- Well, not until I met Marnie. - Oh, you're in it for the cake.
0:36:13 > 0:36:1597!
0:36:17 > 0:36:1998...
0:36:19 > 0:36:2199...
0:36:23 > 0:36:24Coming!
0:37:32 > 0:37:33Not here!
0:37:34 > 0:37:36GIGGLING
0:37:36 > 0:37:37Shh!
0:38:45 > 0:38:46Sardines!
0:38:55 > 0:38:58DOOR BANGS Bel?
0:39:03 > 0:39:05Precautionary measure.
0:39:12 > 0:39:13Revert...
0:39:15 > 0:39:16to Brightstone.
0:39:21 > 0:39:22"Better rovers tonight."
0:39:22 > 0:39:24"Sherbet, invert, grotto."
0:39:24 > 0:39:26"Brighteners veto tort."
0:39:26 > 0:39:31It's a fair point, but... it just jumps out at you.
0:39:31 > 0:39:33Mm. Like "observe trotenite".
0:39:37 > 0:39:40Why would you marry someone you didn't love?
0:39:41 > 0:39:43Are you asking?
0:39:46 > 0:39:47Because you were lonely.
0:39:47 > 0:39:49Because you had to.
0:39:50 > 0:39:53- Because you were in trouble. - Pregnant.
0:39:53 > 0:39:58Is that... That is what trouble means?
0:39:58 > 0:40:00Poor innocent boy.
0:40:08 > 0:40:10Because you had something to hide.
0:40:10 > 0:40:13Because there was a promise of a career at the end of it.
0:40:16 > 0:40:22Because the person that you loved... was doing something they shouldn't.
0:40:22 > 0:40:26Because the person that you loved... was a spy passing secrets.
0:40:26 > 0:40:28Freddie, it's one o'clock in the morning.
0:40:28 > 0:40:32He knows. He knows.
0:40:32 > 0:40:33Revert to Brightstone.
0:40:33 > 0:40:35You need to sleep.
0:40:38 > 0:40:40Good idea.
0:40:42 > 0:40:44Not with me.
0:40:44 > 0:40:47Boring Moneypenny!
0:40:47 > 0:40:49And stop calling me that!
0:40:52 > 0:40:55I don't know what it is about you
0:40:55 > 0:40:57That closes and opens
0:40:58 > 0:41:01Only something in me understands the voice of your eyes
0:41:01 > 0:41:03Is deeper than all roses
0:41:05 > 0:41:07Nobody, not even the rain
0:41:07 > 0:41:11Has such small hands.
0:41:12 > 0:41:14EE Cummings.
0:41:15 > 0:41:16That's the one.
0:41:22 > 0:41:24Hector,
0:41:24 > 0:41:27you've just missed a wonderful game of Sardines.
0:41:27 > 0:41:28Where were you?
0:41:30 > 0:41:32Nowhere.
0:41:45 > 0:41:47I'm awfully tired. Aren't you?
0:41:52 > 0:41:54Yes.
0:41:58 > 0:42:01PHONE RINGS
0:42:06 > 0:42:07Hello.
0:42:07 > 0:42:08Frederick?
0:42:10 > 0:42:11Sorry?
0:42:11 > 0:42:13Frederick?
0:42:15 > 0:42:18Everyone is still asleep here.
0:42:18 > 0:42:20HE WHIMPERS
0:42:34 > 0:42:35Let me come with you.
0:42:35 > 0:42:38It's fine. Stay. He's all right.
0:42:38 > 0:42:41Someone broke in last night and he's just a bit shaken up.
0:42:41 > 0:42:44- Mrs B went over straight away.- Ready?
0:42:51 > 0:42:52Really.
0:43:10 > 0:43:11Can you slow down a bit?
0:43:11 > 0:43:14You're very interesting to me, Mr Lyon.
0:43:14 > 0:43:16I'd be more interesting alive than dead.
0:43:16 > 0:43:18For all your socialist principles,
0:43:18 > 0:43:20no-one does as well as you without help.
0:43:21 > 0:43:24Please just... Let me out here. I'll take the train.
0:43:24 > 0:43:28Don't be ridiculous. There's only one. It won't get you to London until next week.
0:43:28 > 0:43:32You think you heard something last night?
0:43:32 > 0:43:34Hmmm.
0:43:34 > 0:43:37What you actually heard were the drunk ramblings of an actor
0:43:37 > 0:43:40whose career is faltering at the starting gate.
0:43:41 > 0:43:44- I give The Man Who Knew a week. - I think you're wrong.
0:43:44 > 0:43:48I think Adam Le Ray's a very interesting man with a lot to say for himself
0:43:48 > 0:43:51and I plan to listen and find out as much as I can.
0:43:51 > 0:43:54I'm a big supporter of the spirit of inquiry.
0:43:54 > 0:43:57A different time, I may well have offered you a job.
0:43:57 > 0:43:59Work with us, Freddie.
0:43:59 > 0:44:02I'd rather not. The hours are appalling and the people are tedious.
0:44:02 > 0:44:04HE LAUGHS
0:44:04 > 0:44:07I don't think it's privilege you dislike.
0:44:07 > 0:44:11I think it's fear that in spite of it, you still won't be let in.
0:44:25 > 0:44:29- Drive carefully, won't you, darling?- We will.
0:44:29 > 0:44:33- Safe journey. Bye, my dears. - Bye, Mummy.
0:44:33 > 0:44:34KNOCK ON DOOR
0:44:37 > 0:44:38Shall I take these?
0:44:38 > 0:44:41You really don't have to drive me.
0:44:41 > 0:44:43I insist.
0:45:00 > 0:45:03Look after him. Precious cargo.
0:45:08 > 0:45:09Drive carefully.
0:45:11 > 0:45:13Yes. Do be careful, Hector.
0:46:04 > 0:46:06Let's get you a cup of tea.
0:46:50 > 0:46:51What are you doing here?
0:46:51 > 0:46:52There was a break-in.
0:46:54 > 0:46:55At my father's.
0:46:55 > 0:46:57Good grief! I'm so sorry. Is he all right?
0:46:57 > 0:46:59He's sleeping. I just needed to get out.
0:46:59 > 0:47:01- Was anything taken?- Nothing.
0:47:01 > 0:47:04Except a photo of me with my mother.
0:47:04 > 0:47:06What's your excuse?
0:47:06 > 0:47:08Oh, dinner with a dreadful great aunt.
0:47:08 > 0:47:11I'm stalling for as long as I can, but...
0:47:11 > 0:47:14- The Egyptians have issued a new set of proposals.- Is Isaac in?
0:47:14 > 0:47:17Somewhere, knee-deep in Pollock.
0:47:22 > 0:47:26No, I can't put it off any longer. She gets rather spiteful if I'm not there by the entree.
0:47:26 > 0:47:28Did he give you the film?
0:47:28 > 0:47:29No, he didn't.
0:47:37 > 0:47:40He hasn't been seen all day, our Mr Kish.
0:47:40 > 0:47:42Be careful, Freddie.
0:47:43 > 0:47:44It's Sunday. Look sad.
0:47:46 > 0:47:48Go home or people will talk.
0:48:05 > 0:48:06Are you going to say anything?
0:48:06 > 0:48:09You haven't spoken the whole journey.
0:48:15 > 0:48:16Bel...
0:48:19 > 0:48:21..just say if you want this.
0:49:14 > 0:49:17DOOR OPENS
0:49:21 > 0:49:22I left my raincoat.
0:49:27 > 0:49:30Perhaps we could go for that drink now?
0:49:32 > 0:49:34Coffee. I want coffee.
0:49:34 > 0:49:37They really, really do the best.
0:49:39 > 0:49:41Shall we?
0:50:52 > 0:50:53Good night!
0:51:15 > 0:51:18Did you break into my house last night, Mr Kish?
0:51:19 > 0:51:22Of course I didn't, Mr Lyon.
0:51:22 > 0:51:24You're lying.
0:51:25 > 0:51:28You came into my house
0:51:28 > 0:51:29and you frightened my father.
0:51:31 > 0:51:32Is that what you do?
0:51:34 > 0:51:35Frighten people?
0:51:35 > 0:51:37You've got a very active imagination, Mr Lyon.
0:51:37 > 0:51:39I don't think so.
0:51:41 > 0:51:43Who do you work for?
0:51:44 > 0:51:46The same people you do, Mr Lyon.
0:51:46 > 0:51:48Then why are you spying on me?
0:51:52 > 0:51:54You look like you were very good friends.
0:51:56 > 0:51:58With Ruth and Peter.
0:52:03 > 0:52:04You must miss him.
0:52:07 > 0:52:08I do.
0:52:08 > 0:52:10Then why aren't you helping me?
0:52:10 > 0:52:13I know you know something. Something you're not telling me. Why?
0:52:18 > 0:52:19I could help you.
0:52:22 > 0:52:23You can't help me.
0:52:25 > 0:52:28You are an amateur, Mr Lyon.
0:52:30 > 0:52:33You know nothing about me. I know everything about you.
0:52:34 > 0:52:36I know that you live with your father.
0:52:36 > 0:52:39That you go to the launderette on Wednesdays.
0:52:39 > 0:52:42That you have no luck with girls. You work too much.
0:52:42 > 0:52:45You don't know what you've got yourself into,
0:52:45 > 0:52:47and now you know too much.
0:52:50 > 0:52:53You're in the middle of a very dangerous world
0:52:53 > 0:52:56but you have convinced yourself that you are somehow immune.
0:52:58 > 0:52:59You're not.
0:53:03 > 0:53:06We can do this one of two ways.
0:53:07 > 0:53:11You can stop playing games with me and tell me everything you know...
0:53:16 > 0:53:17Or?
0:53:48 > 0:53:51You don't have to do this, Mr Kish.
0:53:53 > 0:53:55Mr Kish?
0:54:16 > 0:54:20It is the confession, not the priest that gives us absolution.
0:54:20 > 0:54:22My mother always said that to me. It always worked.
0:54:22 > 0:54:24Stolen cake.
0:54:24 > 0:54:26"Bum" scrawled on a piece of paper.
0:54:28 > 0:54:32If you kill me you might not meet someone so interested in the truth!
0:54:33 > 0:54:36I don't want to die in the bloody office!
0:54:37 > 0:54:38Mr Kish.
0:54:39 > 0:54:41He knows.
0:54:41 > 0:54:43It's you, isn't it? What do you know?
0:54:43 > 0:54:45Huh?
0:54:45 > 0:54:46Better rovers tonight.
0:54:46 > 0:54:48Brighteners veto tort.
0:54:48 > 0:54:50Sherbet invert grotto!
0:54:51 > 0:54:53Revert to Brightstone.
0:54:56 > 0:54:57It's Brightstone, isn't it?
0:54:57 > 0:55:00What is BRIGHTSTONE?
0:55:02 > 0:55:03Who.
0:55:06 > 0:55:08The question is who?
0:55:24 > 0:55:26BODY THUDS
0:56:41 > 0:56:45PHONE RINGS
0:56:50 > 0:56:52Hello?
0:56:52 > 0:56:53'Can I come over?'
0:56:53 > 0:56:56Freddie, it's nearly midnight.
0:56:57 > 0:56:59Is it?
0:56:59 > 0:57:00'Go to bed.'
0:57:00 > 0:57:02I can't.
0:57:02 > 0:57:04I can't sleep.
0:57:04 > 0:57:06Are you all right?
0:57:07 > 0:57:08Yes.
0:57:08 > 0:57:09'Night.'
0:57:17 > 0:57:20DIALLING TONE
0:57:39 > 0:57:41Tom never mentioned you.
0:57:41 > 0:57:44No, he wouldn't have. We'd only recently met.
0:57:44 > 0:57:47You went to see his wife?! Are you insane?
0:57:47 > 0:57:49I was delivering my condolences.
0:57:53 > 0:57:56You know, I didn't think she'd last as long as she has.
0:57:56 > 0:58:00Douglas said you thought a lady would be easier to steer.
0:58:00 > 0:58:04Yesterday and again this morning. Blue car, black interior.
0:58:04 > 0:58:05- What?!- Why am I being followed?
0:58:06 > 0:58:07Miss Rowley?
0:58:07 > 0:58:09- Audacious.- Papers are in.
0:58:11 > 0:58:13At worst, it was an accident.
0:58:13 > 0:58:16There are no accidents...
0:58:16 > 0:58:18apparently.
0:58:26 > 0:58:28Subtitles by Red Bee Media Ltd
0:58:28 > 0:58:31E-mail subtitling@bbc.co.uk