0:00:02 > 0:00:05'The last nine months have been an exercise in maintaining
0:00:05 > 0:00:07'the direction and morale of The Hour.'
0:00:07 > 0:00:11Ten minutes, ladies and gentlemen. We have a new Head of News to impress.
0:00:11 > 0:00:15- Uncovered are snapping at your heels.- Mr Kendall, Uncovered. ITV.
0:00:15 > 0:00:18- Thank you Mr, McCain. - Tighter. Newer. Fresher.
0:00:18 > 0:00:22And also, I presume, with a presenter who's on time.
0:00:22 > 0:00:23- Shut it down and board it up. - Let's go!
0:00:23 > 0:00:27May I introduce Commander Stern, soon to be Deputy Commissioner.
0:00:27 > 0:00:29Last night confirmed that Mr Madden needs backup.
0:00:29 > 0:00:33- Mr Lyon!- As new co-host? - You didn't know.
0:00:33 > 0:00:37When you're away, you long for the things you left behind.
0:00:37 > 0:00:40I will not apologise and I will not talk about the past. Is that clear?
0:00:40 > 0:00:44- So, what is your name? - Miss Delaine. Kiki Delaine.
0:00:44 > 0:00:46- I'm an actress.- Oh, a performer!
0:00:46 > 0:00:49So delighted to meet you. Freddie has spoken so much of you.
0:00:49 > 0:00:52And this is my wife.
0:01:26 > 0:01:28JAUNTY MUSIC PLAYS
0:01:37 > 0:01:38Must you?
0:01:41 > 0:01:43The guests haven't even arrived.
0:01:43 > 0:01:45DOORBELL RINGS
0:01:58 > 0:02:00One, two,
0:02:00 > 0:02:02three, four,
0:02:02 > 0:02:06five, six, seven, eight.
0:02:06 > 0:02:10One, two, three, four...
0:02:10 > 0:02:12- Miss Delaine in yet?- No.
0:02:16 > 0:02:18Miss Ramirez, be ready.
0:02:18 > 0:02:20You might need to go on if Kiki's late.
0:02:20 > 0:02:22Yes, Mr Cilenti.
0:02:22 > 0:02:24Where are you from?
0:02:24 > 0:02:26Costa Rica.
0:02:26 > 0:02:27Seven, eight.
0:02:27 > 0:02:29One, two...
0:02:29 > 0:02:31BIG BAND MUSIC PLAYS
0:02:31 > 0:02:32ANIMATED CHATTER
0:02:32 > 0:02:34Thank you again for tonight.
0:02:34 > 0:02:36- You're welcome.- Thank you.
0:02:36 > 0:02:39- Sissy?- No, he's too shy.
0:02:39 > 0:02:41I work late every night.
0:02:41 > 0:02:44Come into the studio tomorrow, during the day,
0:02:44 > 0:02:46let me tele-record you. You're a coloured doctor.
0:02:46 > 0:02:49Don't tell me you haven't had a white patient reluctant to be treated by you.
0:02:49 > 0:02:52You stick to your job, I'll stick to mine.
0:02:52 > 0:02:55- Sissy, persuade him, please. - I can't. I've tried.
0:02:55 > 0:02:56Hell! We're late. Come on.
0:03:05 > 0:03:06Oi!
0:03:06 > 0:03:08Be careful.
0:03:08 > 0:03:09Yeah, go on. Go home.
0:03:20 > 0:03:22Got a cigarette?
0:03:26 > 0:03:28SMOOTH MUSIC PLAYS
0:03:28 > 0:03:30ANIMATED CHATTER
0:03:31 > 0:03:33How was the Chameleon Club?
0:03:33 > 0:03:35- Fine.- Amazing!
0:03:35 > 0:03:39We got so many beautiful interviews.
0:03:41 > 0:03:43Beautiful is not always interesting.
0:03:43 > 0:03:46Oh, clubs like these offer a positive view of immigration.
0:03:46 > 0:03:48Part of a brilliant anti-fascist initiative.
0:03:48 > 0:03:53But it's not a story if we don't also direct the camera at the other side.
0:03:53 > 0:03:56Show the hatred, the fury towards these visitors.
0:03:56 > 0:04:01Two days back, I come down, there's graffiti on our front door
0:04:01 > 0:04:03because a young black man's moved in downstairs.
0:04:03 > 0:04:06They're just boys. I see them on the street every day.
0:04:06 > 0:04:09- Ripe for Mr Mosley's cause. - Or The Hour.- No.
0:04:09 > 0:04:10We'd be playing into Mosley's hands.
0:04:10 > 0:04:13If we let them join the debate on immigration...
0:04:13 > 0:04:16We'll be giving Mosley's offensive views the airtime he dearly wants.
0:04:16 > 0:04:19Give him the rope to hang himself, if he wants.
0:04:19 > 0:04:22The BBC never broadcasts those views and they won't start now.
0:04:22 > 0:04:23Hatred festers if ignored.
0:04:23 > 0:04:25Don't patronise the public. Let them decide.
0:04:25 > 0:04:27We're recording in front of the board tomorrow.
0:04:27 > 0:04:30I'll certainly be curious to see what they have say.
0:04:30 > 0:04:34- Well, I for one, shall boycott it. - Never! And let me take centre stage?
0:04:34 > 0:04:37- Boys!- Don't worry. They do this all the time.
0:04:37 > 0:04:39Let me show you notre maison.
0:04:39 > 0:04:41God!
0:04:49 > 0:04:51Miss Delaine.
0:04:51 > 0:04:53This way.
0:04:55 > 0:04:59It was the first night. Mother Courage. Have you ever seen it?
0:04:59 > 0:05:02- No.- Brecht makes me want to cut my throat.
0:05:02 > 0:05:05But I imagine in French, it's much improved.
0:05:05 > 0:05:07- I thought you didn't like theatre. - I do a bit.
0:05:07 > 0:05:12We stayed up until dawn and then ate breakfast on the bank of the...
0:05:12 > 0:05:14- The Seine?- Oui.
0:05:14 > 0:05:18Then I read him one of my poems and when I look at him, he is crying.
0:05:18 > 0:05:21It's very polluted, apparently, the Seine.
0:05:22 > 0:05:24So, how are you finding married life?
0:05:24 > 0:05:26- Spectacular.- I love the house.
0:05:26 > 0:05:29It was where Freddie was born. I like that.
0:05:29 > 0:05:31Like his parents are still in the bones.
0:05:31 > 0:05:34But he's a terrible husband. He works all the time.
0:05:34 > 0:05:37Miss Rowley, please make sure he's at home by seven every night.
0:05:37 > 0:05:40Well, you marry the man, you marry the job.
0:05:40 > 0:05:42- Well, then, I must insist he resign. - Good idea.
0:05:42 > 0:05:45I'll expect your letter on my desk in the morning.
0:05:45 > 0:05:49- PHONE RINGS - Oh, I'll get that on my way out.
0:05:49 > 0:05:52- Is it that time? Adieu, adieu. - I'll be back in a moment.
0:05:58 > 0:06:00You don't like her.
0:06:00 > 0:06:01No.
0:06:01 > 0:06:03No. She's...
0:06:04 > 0:06:06She's just very French.
0:06:06 > 0:06:09You don't like her. It doesn't matter. I like her.
0:06:09 > 0:06:11Presumably that's why you married her.
0:06:11 > 0:06:14And Sartre? You've never read Sartre in your life!
0:06:14 > 0:06:17- Yes, I have.- No, you haven't. - Yes, I have.
0:06:17 > 0:06:19And Kerouac. And Ginsberg.
0:06:19 > 0:06:23- You should read Ginsberg. You'd like Ginsberg.- Fine.
0:06:23 > 0:06:24KNOCK AT DOOR
0:06:26 > 0:06:29Excuse me, ma'am, is Mr Madden in?
0:06:31 > 0:06:33We'd like you to come down to the police station, please, sir.
0:06:33 > 0:06:36- And what's he done? - I'd rather not say, ma'am.
0:06:37 > 0:06:39Hector?
0:06:39 > 0:06:42Is there some problem, Officer? Some charge?
0:06:42 > 0:06:44Allegations of an attack have been made against you, sir.
0:06:44 > 0:06:46By whom?
0:06:46 > 0:06:47A young lady.
0:06:47 > 0:06:51- Oh, my God! Hector! - Probably best if you come now.
0:06:53 > 0:06:54I just need to get my...
0:07:03 > 0:07:05What do I tell everyone?
0:07:05 > 0:07:08Tell them the office telephoned, a story's broken.
0:07:11 > 0:07:14- Hector...?- You follow in the car. Mr Lyon will drive you.
0:07:14 > 0:07:17No! The lavatory's at the end.
0:07:27 > 0:07:30Ring Commander Stern. Marnie will give you the number.
0:07:30 > 0:07:32Someone has taken leave of their senses.
0:07:35 > 0:07:38Miss Delaine, I'm sorry that you've been hurt in any way.
0:07:38 > 0:07:41- But your profession is such... - I'm an actress.- I'm not...
0:07:41 > 0:07:45Yes, well, I apologise. But it is your word against Mr Madden's,
0:07:45 > 0:07:47a very well-respected and successful man.
0:07:49 > 0:07:52- Did he punch you?- Yes.
0:07:52 > 0:07:54I would describe it as punching.
0:07:54 > 0:07:59- And was there any other kind of weapon?- No. His fist was enough.
0:07:59 > 0:08:03- Were there any witnesses? - No. It was early.
0:08:03 > 0:08:05- Was it light outside?- Yes.
0:08:05 > 0:08:07But you said it was night.
0:08:08 > 0:08:11He's not the only one I could talk about.
0:08:11 > 0:08:14You wouldn't believe what some of these important men get up to
0:08:14 > 0:08:16in their private time.
0:08:16 > 0:08:19They don't care for the consequences.
0:08:28 > 0:08:30Where's my wife?
0:08:30 > 0:08:34- The charges are...- Ridiculous. They're bloody, bloody ridiculous!
0:08:34 > 0:08:38You don't believe I'm capable of something as despicable as this?
0:08:38 > 0:08:41I'm struggling to understand why she's doing it.
0:08:41 > 0:08:42- Let me talk to her.- No.
0:08:42 > 0:08:44No, I can do what I can,
0:08:44 > 0:08:48but I cannot rush this through simply because I'm the Commander.
0:08:48 > 0:08:51- Such allegations have to be seriously investigated. - The lies of an actress?
0:08:51 > 0:08:54She's a singer I picked up in a club.
0:08:54 > 0:08:57You are honestly going to take her word over mine?
0:08:59 > 0:09:03I had intimate relations with her, but I did not hurt her in any way.
0:09:03 > 0:09:06I saw you that night. I told you to go home to your wife.
0:09:06 > 0:09:09Don't lecture me, Laurie, you're not married.
0:09:09 > 0:09:11What goes on between a husband and wife...
0:09:11 > 0:09:14It's been difficult. It's been very difficult for some time.
0:09:14 > 0:09:15But after, I did go home.
0:09:15 > 0:09:17What time?
0:09:17 > 0:09:20It was dark. I don't know. Around two.
0:09:20 > 0:09:23Marnie can confirm that. I came home. I woke her when I went to bed.
0:09:23 > 0:09:25- Where the hell she is...? - Christ, Hector!
0:09:25 > 0:09:27I didn't bloody do it, Laurie!
0:09:28 > 0:09:31You more than anyone know I'd never do that.
0:09:31 > 0:09:34Why is this woman lying?!
0:09:34 > 0:09:36What if she goes to the press? Madness!
0:09:38 > 0:09:41Where is she? Where the hell is Marnie?
0:09:41 > 0:09:43PHONE RINGS
0:09:57 > 0:09:58No.
0:10:00 > 0:10:03It was the 8th. We were doing Sputnik Two.
0:10:03 > 0:10:06I had to go to a terrible engagement party.
0:10:06 > 0:10:09- He was late the next morning. - Hungover.
0:10:09 > 0:10:11- I'd just got back.- God!
0:10:15 > 0:10:16He didn't do it!
0:10:18 > 0:10:21- I hope you're right.- Freddie?
0:10:21 > 0:10:23Well, even if he did not do it, which in my marrow, I want to believe,
0:10:23 > 0:10:25there is a girl in there who says he did.
0:10:25 > 0:10:27- She's lying!- Why?
0:10:27 > 0:10:29A grudge, or...?
0:10:29 > 0:10:30Or?
0:10:32 > 0:10:34Perhaps he told her he'd leave Marnie.
0:10:34 > 0:10:36They'd spend their life together. Perhaps...
0:10:36 > 0:10:39- When your wife doesn't show, it is a bad sign.- Don't!
0:10:43 > 0:10:46Beyond this girl's statement, we need to ask questions.
0:10:46 > 0:10:49Has she done this before? Find the evidence.
0:10:49 > 0:10:50Find the flaw in her statement.
0:10:50 > 0:10:53What the hell am I going tell Randall?
0:10:53 > 0:10:55What's she saying?
0:10:56 > 0:11:00She claims he attacked her after a night at El Paradis.
0:11:01 > 0:11:05The irony is I was with him that same night.
0:11:05 > 0:11:07I wish now I'd stayed.
0:11:11 > 0:11:13They're very serious allegations.
0:11:13 > 0:11:14Um, can we...can we see him?
0:11:14 > 0:11:17Five minutes. One of you.
0:11:19 > 0:11:22Um...I'll, I'll be back. I'll be there.
0:11:22 > 0:11:24Go home and...and change. Camille will be...
0:11:24 > 0:11:27- Yeah.- I'll see you back at the office. The board are in at three.
0:11:37 > 0:11:39She's not coming?
0:11:39 > 0:11:41Oh, my God!
0:11:41 > 0:11:45- Could...could she have gone to her parents' house?- No.
0:11:47 > 0:11:50She wouldn't want to upset the apple cart yet.
0:11:50 > 0:11:53- I-I could call by the house. - She's given up on me.- No.
0:11:56 > 0:12:00- I didn't do it. - No, I know. I know you didn't.
0:12:02 > 0:12:05- I'm supposed to be presenting this NATO...- It doesn't matter!
0:12:05 > 0:12:08Let's just concentrate on getting you out.
0:12:08 > 0:12:13Think back to that evening. This girl, after El Paradis...?
0:12:13 > 0:12:15We went to a hotel in Mayfair.
0:12:17 > 0:12:18Oh, Christ!
0:12:18 > 0:12:22No time for self-pity now, Hector. You know you didn't do it.
0:12:26 > 0:12:28(We just have to find out who did.)
0:12:28 > 0:12:30Oh, God!
0:12:36 > 0:12:37Oi!
0:12:40 > 0:12:42Now you fit in.
0:12:42 > 0:12:45HE IMITATES A MONKEY
0:12:50 > 0:12:52Mrs Lyon.
0:12:55 > 0:12:57Come on, come on.
0:12:57 > 0:12:59PHONE RINGS
0:13:01 > 0:13:02Hello. The Hour.
0:13:02 > 0:13:05Hello. This is Bill Kendall. Could I speak to Mr Madden, please?
0:13:09 > 0:13:11No, you can't.
0:13:11 > 0:13:14I heard you like to have your fingers over everything, Miss Rowley,
0:13:14 > 0:13:18but I did not realise that extended to answering the telephone.
0:13:18 > 0:13:22- It's hard to get good people, I like to hold on to the ones I've got. He's not here.- Odd.
0:13:22 > 0:13:26- We had a meeting this morning. He didn't turn up.- Unbelievable!
0:13:26 > 0:13:29You're telephoning to flaunt your sad attempts to poach my staff.
0:13:29 > 0:13:33I'd concentrate on finessing Uncovered. It could do with it.
0:13:33 > 0:13:34And she does jokes, as well.
0:13:34 > 0:13:38Obviously, you're going with the imminent NATO summit?
0:13:39 > 0:13:41Obviously.
0:13:41 > 0:13:43- That's all you're getting. - I'll go first.
0:13:43 > 0:13:46Only the second time since '49 all the heads of government have met.
0:13:46 > 0:13:49You will be anti-military.
0:13:49 > 0:13:51- Don't make assumptions. - Yes, I'm right.
0:13:51 > 0:13:55Well, in an atmosphere of insanity,
0:13:55 > 0:13:59where the President of the United States may not make the summit...
0:13:59 > 0:14:00Macmillan is naturally nervous.
0:14:00 > 0:14:03The question is, will Eisenhower plant his missiles in Britain?
0:14:03 > 0:14:06Does Eisenhower even have a plan? Where from? His sick bed?
0:14:06 > 0:14:09It's a poker game being played by lunatics and invalids.
0:14:09 > 0:14:11Have dinner with me.
0:14:12 > 0:14:14And now you're flirting with me.
0:14:14 > 0:14:17Openness, Miss Rowley, on all fronts,
0:14:17 > 0:14:19is always my preferred policy.
0:14:19 > 0:14:22Although clearly not in your marriage.
0:14:22 > 0:14:24How would your wife feel if you were asking me out?
0:14:24 > 0:14:27Or is this business? Sorry, I never finish before nine.
0:14:27 > 0:14:29At best, it's a bag of chips on the way home.
0:14:29 > 0:14:32Now, if you'll please excuse me, more pressing matters.
0:14:34 > 0:14:37You all right there, sir? Lovely. My fella's going to show you...
0:14:37 > 0:14:39Oh! Excuse me, excuse me.
0:14:39 > 0:14:41Mr Lyon, Mr Lyon!
0:14:41 > 0:14:44- New car, Norman?- Yeah, it is, it is. How are you, Mr Lyon?
0:14:44 > 0:14:46- Fine, thank you.- And your wife?
0:14:46 > 0:14:49Er...after the incident? She recovered?
0:14:49 > 0:14:52- What?- Nasty little thug got her on the doorstep.
0:14:52 > 0:14:54They don't like us shifting the coloureds in.
0:14:54 > 0:14:57Don't worry. We're on the look-out.
0:14:57 > 0:15:00They don't understand. Where else are our visitors meant to stay?
0:15:00 > 0:15:04- Mr Lyon?- It's no wonder people like yourselves are moving out the city to the new towns.
0:15:04 > 0:15:07She's fine. She's fine. A little shaken. I gave her a brandy.
0:15:07 > 0:15:08Christ!
0:15:08 > 0:15:11I told Sissy to tell your office.
0:15:12 > 0:15:16I'll come in today. I'll do your interview.
0:15:18 > 0:15:23- Mr Pike. - They say you're a doctor, Mr Ola.
0:15:23 > 0:15:25- Yes. - Ah, your mother must be so proud.
0:15:25 > 0:15:29Yeah? One second.
0:15:29 > 0:15:31Hello, sir. I'll help you in there.
0:15:33 > 0:15:35I hate this country.
0:15:37 > 0:15:40Don't hate this country.
0:15:40 > 0:15:41I live in this country.
0:15:43 > 0:15:44And you love me.
0:15:47 > 0:15:49Was it the same lad?
0:15:51 > 0:15:53Yeah.
0:15:56 > 0:15:57Freddie, wait!
0:16:02 > 0:16:05- Oi! You!- Here we go!
0:16:05 > 0:16:08- Think it's funny? Picking on a woman. - Piss off!
0:16:08 > 0:16:10- How old are you?- 17.
0:16:10 > 0:16:13I remember you. You used to deliver my dad's paper.
0:16:13 > 0:16:14Yeah? Proud of you, I'm sure.
0:16:14 > 0:16:18Letting out his house to that blacko.
0:16:18 > 0:16:23Looking out his window at his neighbours, everyone's a nig!
0:16:23 > 0:16:25- What would your dad think of that, then?- You tell me.
0:16:27 > 0:16:31Mosley says we just need to buy more sugar from Jamaica,
0:16:31 > 0:16:33instead of trading with Cuba.
0:16:33 > 0:16:36Then they can all go back to where they came from.
0:16:36 > 0:16:38Riddin' Britain of the nigs!
0:16:38 > 0:16:40Darkies live on cat food, I've seen 'em.
0:16:41 > 0:16:43"A prophet or an achiever
0:16:43 > 0:16:46"must never mind an occasional absurdity.
0:16:46 > 0:16:48"It is an occupational risk."
0:16:48 > 0:16:51Do you actually understand what you just said?
0:16:51 > 0:16:53Yeah.
0:16:55 > 0:16:57Fancy saying all that on television?
0:17:01 > 0:17:03The Chameleon Club piece.
0:17:03 > 0:17:07Erm...a positive view of the interracial social clubs
0:17:07 > 0:17:09that are popping up across London.
0:17:09 > 0:17:11Examining the face of modern immigration
0:17:11 > 0:17:14and the growth of the anti-fascist movement
0:17:14 > 0:17:16in the light of violence on the streets.
0:17:16 > 0:17:19Let's hope it will play well in front of the board. 3pm.
0:17:19 > 0:17:23- Our budget's under review. - Yes. I haven't forgotten.
0:17:23 > 0:17:26- Mr Lyon? Mr Madden? They here? - On their way.
0:17:31 > 0:17:33Cocktail dress.
0:17:33 > 0:17:35Have I missed a party?
0:17:40 > 0:17:42Sissy, telephone Mrs Madden. She's proving elusive.
0:17:42 > 0:17:46Tell her I need to speak to her as soon as possible.
0:17:50 > 0:17:51PHONE RINGS
0:18:01 > 0:18:04Where is everyone?
0:18:08 > 0:18:11And why are you still in evening dress?
0:18:11 > 0:18:14Sissy, try McCain's office when you've finished trying Mrs Madden.
0:18:14 > 0:18:17- Out with it.- We're in trouble.
0:18:17 > 0:18:19Major or minor?
0:18:19 > 0:18:20BOTH: Go away!
0:18:22 > 0:18:25Hector's, um...Hector's been arrested.
0:18:25 > 0:18:28He's been accused of beating some young girl.
0:18:28 > 0:18:30Where?
0:18:30 > 0:18:32El Paradis. I'm going there now.
0:18:32 > 0:18:35Munchkin, it's better left to the police.
0:18:35 > 0:18:37He didn't do it!
0:18:39 > 0:18:42Heroes or villains, we are all somewhere in between.
0:18:42 > 0:18:45The good do bad things and the bad are sometimes kind to their mothers.
0:18:45 > 0:18:48Delaine. Kiki Delaine?
0:18:48 > 0:18:50Do you know that name?
0:18:50 > 0:18:52Am I to assume that she's a call girl?
0:18:52 > 0:18:57Why would someone, anyone, lie about something like that?
0:18:59 > 0:19:02Rich men come in every day, treating them like dirt.
0:19:02 > 0:19:04One day, one of them's bound to lash out.
0:19:04 > 0:19:06He didn't do it.
0:19:06 > 0:19:11Jolly good, sweetheart, mustn't give power to doubt.
0:19:11 > 0:19:15Freddie in? Randall's sniffing around.
0:19:15 > 0:19:18- McCain?- He's not in until twelve. - Keep trying.
0:19:18 > 0:19:21He needs to go to West End Central Police station.
0:19:21 > 0:19:22Miss Rowley...?
0:19:22 > 0:19:26And Freddie, tell him to knock that fascist story into shape.
0:19:29 > 0:19:33- You want to let the stupid Nazi kid on the television?- Yes.
0:19:34 > 0:19:38- You are inhumane. - Some might say the opposite.
0:19:38 > 0:19:40Neither vilify nor condone.
0:19:40 > 0:19:44Aren't you interested? Intrigued?
0:19:44 > 0:19:47Intrigued? You have no passion. You don't care!
0:19:51 > 0:19:54I'm sorry.
0:19:55 > 0:19:58It was soot. It was horrible. I'm sorry.
0:20:03 > 0:20:06But do nothing and he will come back again.
0:20:07 > 0:20:10Give him the rope to hang himself.
0:20:10 > 0:20:12Let's hear what he has to say.
0:20:14 > 0:20:17- You don't love me.- What?
0:20:17 > 0:20:19You love your stupid Hour!
0:20:19 > 0:20:21Conard!
0:20:21 > 0:20:22Egoiste!
0:20:25 > 0:20:29You keep telling me to stand taller. What's taller than this?!
0:20:29 > 0:20:31SHE YELLS IN FRENCH
0:20:36 > 0:20:39She won't withdraw the charges. We're keeping her as long as we can.
0:20:39 > 0:20:42The last thing we need is her talking to the tabloid press.
0:20:46 > 0:20:48Will she want money? How much does she want? I have money.
0:20:48 > 0:20:51The minute you start writing cheques, you're a guilty man.
0:20:51 > 0:20:55Now, for Christ's sake, you are innocent. Pull yourself together.
0:20:55 > 0:20:57- It's all such a mess! - I'm sure Marnie will help you.
0:20:57 > 0:20:58She's not here, Laurie.
0:20:58 > 0:21:01And to be frank, she stopped trusting me a long time ago.
0:21:01 > 0:21:05We both know with good reason. This girl...
0:21:05 > 0:21:09This girl is one of many stupid mistakes I've made.
0:21:11 > 0:21:15Now, are you sure you left and it was dark?
0:21:15 > 0:21:16It was night.
0:21:19 > 0:21:22If Marnie won't, then we need to find McCain. McCain saw me leave.
0:21:22 > 0:21:25He was there. He'll vouch for me.
0:21:25 > 0:21:28Christ, Laurie, I can't even hold the bloody thing!
0:21:35 > 0:21:37Always could rely on you.
0:21:39 > 0:21:41Hollandaise.
0:21:41 > 0:21:45As early as 1651, the great cook Francois Pierre Le Varenne
0:21:45 > 0:21:47described a sauce very similar
0:21:47 > 0:21:50to this delicious concoction of butter and eggs.
0:21:50 > 0:21:55Avec du bon beurre frais, et un jaune d'oeuf pour lier la sauce.
0:21:56 > 0:21:59And there you have it. Voila!
0:22:00 > 0:22:03Oh!
0:22:03 > 0:22:05Quelle desastre!
0:22:05 > 0:22:08- Perhaps one more time?- No.
0:22:08 > 0:22:11That was terrific, Mrs Madden.
0:22:11 > 0:22:13Perhaps if you'd like to join us over here.
0:22:13 > 0:22:16- Yes, of course.- I'll just...
0:22:18 > 0:22:20- Mrs Madden?- Yes?
0:22:48 > 0:22:53Duck...or a swan?
0:22:54 > 0:22:56Vai a volare l'uccellino piccolina.
0:22:59 > 0:23:00You walk like Bacall.
0:23:01 > 0:23:03Thank you.
0:23:04 > 0:23:07I understand that Mr Madden is often here.
0:23:07 > 0:23:10- You his wife?- No. His producer.
0:23:10 > 0:23:12Ah. Nice.
0:23:19 > 0:23:21Er...he's in custody,
0:23:21 > 0:23:24An incident with a young lady he met in this club.
0:23:24 > 0:23:26That's unfortunate.
0:23:26 > 0:23:28These girls work for you.
0:23:28 > 0:23:31- What they do in their own time is no business of mine.- But it is mine.
0:23:31 > 0:23:35- I have no front man.- People say I have a face for television.
0:23:35 > 0:23:38- They're wrong.- Cute!
0:23:40 > 0:23:42She's saying that he assaulted her.
0:23:42 > 0:23:44HE SIGHS
0:23:44 > 0:23:46These girls are little birds.
0:23:46 > 0:23:48They're fragile in these men's hands.
0:23:48 > 0:23:51All you can do is advise and guide.
0:23:51 > 0:23:55We have stars, politicians, diplomats here.
0:23:55 > 0:23:57They come to relax. The rest...
0:23:57 > 0:23:59This is a nice place.
0:23:59 > 0:24:02Elegant place. The other stuff...
0:24:02 > 0:24:04That's not this place.
0:24:07 > 0:24:11They are very serious allegations.
0:24:11 > 0:24:13If you have any idea who might...
0:24:13 > 0:24:16- I'm a businessman. Miss Delaine... - So you know her name.
0:24:16 > 0:24:18..is such a sweet girl.
0:24:18 > 0:24:20She's one of my best.
0:24:20 > 0:24:22But ambition gets us all.
0:24:23 > 0:24:26She's like a daughter to me.
0:24:26 > 0:24:29The kind of girl that can stir the emotions of a man.
0:24:33 > 0:24:34Who did it?
0:24:34 > 0:24:36Ha!
0:24:39 > 0:24:40Who did it?
0:24:42 > 0:24:45A man who folds his own napkins
0:24:45 > 0:24:48and you don't keep track of your own investments?
0:24:51 > 0:24:54I bet you have a past.
0:24:55 > 0:24:58I bet you do, too.
0:25:04 > 0:25:05FOOTSTEPS APPROACH
0:25:12 > 0:25:13FOOTSTEPS RECEDE
0:25:16 > 0:25:18Now, what is key to us
0:25:18 > 0:25:21is that the viewer is meeting not only a hostess,
0:25:21 > 0:25:25but a woman totally in charge of the home.
0:25:25 > 0:25:29In your own life, Mrs Madden, your husband is a very successful man.
0:25:29 > 0:25:33So, what is the secret to your marriage?
0:25:33 > 0:25:36I'm sure every wife wonders what her husband does with his day.
0:25:36 > 0:25:38So when he does pass through that door,
0:25:38 > 0:25:41one must try to make him feel loved.
0:25:41 > 0:25:44Give him no reason to stray from the hearth and comfort of family life.
0:25:44 > 0:25:47- You have children? - No, but we hope to soon.
0:25:47 > 0:25:49Your husband must be very proud of you.
0:25:49 > 0:25:52Absolutely.
0:25:52 > 0:25:53If you could just perhaps
0:25:53 > 0:25:56give us a few moments to deliberate, Mrs Madden.
0:25:56 > 0:25:58Yes, of course.
0:26:09 > 0:26:11Um...do you have a light?
0:26:22 > 0:26:23Thank you.
0:26:25 > 0:26:27Kiki's got a lot of friends.
0:26:29 > 0:26:30Do you know any of them?
0:26:33 > 0:26:34I hear she's an actress.
0:26:36 > 0:26:40Yes. Yes, Miss Delaine's a very good actress.
0:26:40 > 0:26:43Theatre? Film?
0:26:43 > 0:26:46More...artistic photographs.
0:26:46 > 0:26:51You can pick them up in any of the speciality bookshops around here.
0:26:51 > 0:26:53If you know how to ask.
0:26:58 > 0:27:00Do you know who attacked her?
0:27:03 > 0:27:05Whoever it was didn't like those photos.
0:27:08 > 0:27:10I like your hair.
0:27:10 > 0:27:15What dye do you use? Silver ash or American birch?
0:27:15 > 0:27:17Neither.
0:27:22 > 0:27:25Mr Wengrow? Miss Rowley, on your travels, seen her around?
0:27:25 > 0:27:27- I have.- And Mr Lyon?
0:27:27 > 0:27:28Present and correct.
0:27:30 > 0:27:33- Ready for this afternoon?- Yes.
0:27:33 > 0:27:36I just need to sort... We have contributors.
0:27:36 > 0:27:40Very interesting contributors coming in.
0:27:40 > 0:27:44- Contributors?- Mm-hm. Sissy!
0:27:51 > 0:27:54- Why are you following me?- Update.
0:27:54 > 0:27:57NATO summit. Still going with the anti-military angle.
0:27:57 > 0:28:00Any sense as to what Uncovered are running with?
0:28:00 > 0:28:04They're less interested in the summit as a forum for political debate.
0:28:04 > 0:28:07As to be expected. Miss Cooper. Mr Madden?
0:28:07 > 0:28:08Newsroom.
0:28:08 > 0:28:10- Just now?- Yes.
0:28:10 > 0:28:13That's odd. I was just there.
0:28:15 > 0:28:19Shall we go back there and see what he thinks?
0:28:27 > 0:28:29How's Mrs Lyon? Sey told me.
0:28:29 > 0:28:32Fine. Fine. She's fine, thank you.
0:28:32 > 0:28:34- Is, um...Miss Rowley back yet?- No.
0:28:34 > 0:28:37This afternoon, there will be a young man coming in.
0:28:37 > 0:28:40- What, Sey? Yes, I know.- No.
0:28:40 > 0:28:42- No, Someone else.- Who?
0:28:42 > 0:28:46I'm just, er...firming up the details.
0:28:46 > 0:28:48Isaac's writing a play.
0:28:48 > 0:28:50What kind of play?
0:28:50 > 0:28:53Domestic, in a way. Kitchen sink. In that genre.
0:28:53 > 0:28:57- You haven't written it yet? - I have a title.
0:28:57 > 0:29:01Get me 20 pages by the end of the week. I'll read it for you.
0:29:01 > 0:29:03Oh, Mr Lyon, I hope you don't think me rude,
0:29:03 > 0:29:05it's just a very different kind of writing.
0:29:05 > 0:29:07The dramatic form.
0:29:07 > 0:29:09And Mr Mackie in drama said he'd give it the once-over.
0:29:09 > 0:29:12- Really?- But thanks for the offer.
0:29:12 > 0:29:15It's just he's a bit experienced. Yeah, and he's published.
0:29:15 > 0:29:17FREDDIE CHUCKLES
0:29:28 > 0:29:30You lost, love?
0:29:34 > 0:29:38- So...I've been summoned.- Hm.
0:29:42 > 0:29:43Randall...
0:29:43 > 0:29:47You've been sniffing around my team. I'd rather you didn't do that.
0:29:47 > 0:29:50Mr Madden's the best out there.
0:29:50 > 0:29:51You'll ruin his career.
0:29:51 > 0:29:54You'll give him six months on Uncovered,
0:29:54 > 0:29:56then he'll be earmarked for light entertainment.
0:29:56 > 0:29:58He'll be in a sparkly suit,
0:29:58 > 0:30:01spinning a cardboard roulette wheel on a quiz show by next Christmas.
0:30:01 > 0:30:05I can assure you, I want Mr Madden for more than his croupier skills.
0:30:05 > 0:30:08He is highly corruptible.
0:30:09 > 0:30:12I'm sure he'll take whatever is offered.
0:30:12 > 0:30:15He's also very self-destructive. Brilliant people often are.
0:30:17 > 0:30:19Too much money is bad for him.
0:30:19 > 0:30:21That's why I'd rather you didn't.
0:30:21 > 0:30:23And if I do?
0:30:23 > 0:30:26Your producer has already said she'll hunt me down.
0:30:26 > 0:30:28That's covered, then. Good luck.
0:30:28 > 0:30:31I'm sure she'll take you a few rounds.
0:30:36 > 0:30:37May I help you?
0:30:43 > 0:30:46I'm looking for some literature... For my husband.
0:30:46 > 0:30:49Sorry?
0:30:49 > 0:30:50Something artistic?
0:30:50 > 0:30:52I'm sorry, I don't know what you mean.
0:30:57 > 0:30:59I think you do.
0:30:59 > 0:31:02Let me have a look...
0:31:02 > 0:31:04Yes.
0:31:04 > 0:31:06Thank you.
0:31:20 > 0:31:24What I can tell you is that he was clearly very drunk.
0:31:24 > 0:31:26I left.
0:31:26 > 0:31:28I presume he stayed. What happened thereafter...
0:31:28 > 0:31:30your guess is as good as mine.
0:31:30 > 0:31:36Erm, however... I have been very worried about Mr Madden of late.
0:31:36 > 0:31:38He's not been himself.
0:31:38 > 0:31:39The great pity with London is that...
0:31:39 > 0:31:44with all its...exotic flavours, er...
0:31:44 > 0:31:47a man such as Mr Madden can so easily be lead astray.
0:31:55 > 0:31:57Thanks for that.
0:32:00 > 0:32:04I thought Hector was a friend of yours...
0:32:04 > 0:32:05You know he's not capable of this.
0:32:05 > 0:32:09I will say whatever is needed to... preserve my position, Commander.
0:32:09 > 0:32:11What is more I will ensure that
0:32:11 > 0:32:14if my name is even mentioned outside the interview room...
0:32:14 > 0:32:16this story will be in the press by the end of the day.
0:32:16 > 0:32:19Now you wouldn't want your association with Mr Madden to...
0:32:19 > 0:32:21impair your future?
0:32:21 > 0:32:24After all, I hear you are earmarked for Commissioner.
0:32:25 > 0:32:30I presume I will see you tonight at the McClaren ball?
0:32:30 > 0:32:33Good, good.
0:32:37 > 0:32:39- Sissy...did you get Mr...- Drayton?
0:32:39 > 0:32:41- A cup of tea?- No.
0:32:42 > 0:32:45I don't know what you were thinking of, Mr Lyon,
0:32:45 > 0:32:49but I'm not telling Sey that you want to put him on with a fascist.
0:32:52 > 0:32:55Isaac, would you see Mr Drayton down to the set, please?
0:32:55 > 0:32:58Dr Ola? Good afternoon. This way, please.
0:33:20 > 0:33:22So, Miss Cooper's young man is coming in?
0:33:22 > 0:33:24Yes. That's right.
0:33:24 > 0:33:26Interesting...
0:33:26 > 0:33:28One of Mr Lyon's contributors?
0:33:28 > 0:33:30I believe so.
0:33:30 > 0:33:32So let's run that after the summit.
0:33:32 > 0:33:35Because in truth, the BBC board members are only here to gawk
0:33:35 > 0:33:38at our star, Mr Madden.
0:33:38 > 0:33:41So let's polish him up and make him shine for us in our hour of need.
0:33:41 > 0:33:44Our budgets are down. I'd like to get it up.
0:33:44 > 0:33:46All right. Very good.
0:33:46 > 0:33:48No. You don't get away that easily.
0:33:48 > 0:33:51Head of news and no idea what news I'm head of.
0:33:51 > 0:33:53Fine.
0:33:53 > 0:33:57When I tell you this, in normal circumstances, it would have you
0:33:57 > 0:33:58re-arranging the paperclips on my desk.
0:33:58 > 0:34:03But try, please. Just try to receive this news with
0:34:03 > 0:34:05a sense of composure and calm.
0:34:05 > 0:34:07And trust that good sense and the law will prevail
0:34:07 > 0:34:12and please do not do what you normally do.
0:34:15 > 0:34:16KNOCK AT DOOR
0:34:16 > 0:34:18Where have you been?
0:34:18 > 0:34:20Buying pornography. And you?
0:34:20 > 0:34:22Picking up fascists.
0:34:22 > 0:34:24Oh, marvellous.
0:34:24 > 0:34:25Apparently, she did photographs...
0:34:28 > 0:34:30Artistic ones.
0:34:30 > 0:34:34I thought maybe if I found them, then...
0:34:34 > 0:34:37What? What did you think?
0:34:37 > 0:34:40I don't know. I don't know what I thought.
0:34:40 > 0:34:43I thought they might lead us to whoever did this.
0:34:43 > 0:34:49Perhaps I thought, that if I could find the girl in these photos,
0:34:49 > 0:34:51if I could show them to the police,
0:34:51 > 0:34:54then they would see that she was lying.
0:34:55 > 0:34:58But all I can see are the men who buy these photos
0:34:58 > 0:35:00and the men who make money from these photos.
0:35:00 > 0:35:03And worse, I thought about Hector.
0:35:03 > 0:35:05What if he did do it, Freddie?
0:35:08 > 0:35:10What if we don't know him at all?
0:35:14 > 0:35:16We just have to hope we do.
0:35:16 > 0:35:21And what's that bloody fascist doing here?
0:35:25 > 0:35:26No.
0:35:26 > 0:35:29Just go with me on this, please.
0:35:30 > 0:35:34Ah, almost a full house. Shall we take stock in my office?
0:35:38 > 0:35:41The young gentleman I just saw going down with Mr Wengrove.
0:35:41 > 0:35:42He's a young fascist.
0:35:42 > 0:35:46The other gentlemen is Miss Cooper's young man, I understand?
0:35:46 > 0:35:48He is a doctor.
0:35:48 > 0:35:49Mr Lyon is going to interview them both.
0:35:49 > 0:35:51And they both agreed? Are you aware
0:35:51 > 0:35:54the board members will be here any minute?
0:35:54 > 0:35:57- Yes. Yes we are. - Your other chap, Mr...erm?
0:35:57 > 0:35:59Drayton.
0:35:59 > 0:36:01Fascists don't normally play very well.
0:36:01 > 0:36:02- He's a kid...- Fascist.
0:36:02 > 0:36:04..with grievances.
0:36:04 > 0:36:06You are aware of BBC policy regarding the broadcast
0:36:06 > 0:36:08- of fascist views?- Sub policy.
0:36:08 > 0:36:11Freddie. It's an unwritten rule, it's not a policy and therefore...
0:36:11 > 0:36:14There might be better days to test-run this as an idea.
0:36:14 > 0:36:17- Sundays are good. - We don't work Sundays.
0:36:17 > 0:36:19- You're getting my drift. - What better way
0:36:19 > 0:36:21to see if we can do it than to show the board first?
0:36:23 > 0:36:24Board's here.
0:36:24 > 0:36:27Mr Brown is saying no to freedom of speech on The Hour.
0:36:27 > 0:36:28How passe.
0:36:33 > 0:36:36Fine. But just because I'm curious.
0:36:36 > 0:36:38And Mr Madden should be...?
0:36:38 > 0:36:40- On his way. - Don't kid a kidder, kid.
0:36:46 > 0:36:49Marnie... Where have you been?
0:36:51 > 0:36:53I had a meeting with Name That Dinner Guest.
0:36:53 > 0:36:54I'm sorry?
0:36:54 > 0:36:56It's a new programme.
0:36:56 > 0:36:59The doorbell rings and each week there's a different guest.
0:36:59 > 0:37:02As hostess, I cook for them and you have to guess
0:37:02 > 0:37:04who it is from what we're going to eat.
0:37:04 > 0:37:05I got it.
0:37:05 > 0:37:07But it's all right.
0:37:07 > 0:37:10I'm here now and I expect you'll want to interview me.
0:37:21 > 0:37:23This is where we will be doing the tele-recording.
0:37:23 > 0:37:26Yes... No Mr Madden today?
0:37:26 > 0:37:27It seems not.
0:37:28 > 0:37:32Would you care to take a seat, gentlemen?
0:37:38 > 0:37:40Hector was late...
0:37:41 > 0:37:43I'd made him coq au vin.
0:37:43 > 0:37:44But he didn't come home...
0:37:44 > 0:37:46So I went to bed.
0:37:46 > 0:37:51We are fortunate today to have two sides of a very potent
0:37:51 > 0:37:53debate on immigration.
0:37:53 > 0:37:59Er, Mr Lyon and Mr Wengrow will be tele-recording one of the
0:37:59 > 0:38:03key pieces that we may show on Friday's programme.
0:38:03 > 0:38:04I heard the door go and...
0:38:09 > 0:38:12It was dark outside.
0:38:12 > 0:38:14His feet were cold.
0:38:14 > 0:38:16I was angry at him.
0:38:17 > 0:38:20I didn't say but...
0:38:20 > 0:38:22no-one likes to be woken in the middle of the night.
0:38:25 > 0:38:27Cold feet rubbing with mine...
0:38:30 > 0:38:31..but he was home.
0:38:32 > 0:38:34He was definitely home.
0:38:34 > 0:38:36I do so hate it when it's icy and he drives.
0:38:36 > 0:38:41I'd like to begin by introducing Dr Sey Ola.
0:38:41 > 0:38:44Hey, Mr Lyon, I'm not sure this is a good idea.
0:38:44 > 0:38:46All you have to do is talk of your experiences.
0:38:46 > 0:38:49- This isn't a debate... - He attacked your wife this morning!
0:38:49 > 0:38:51She more than anyone would like to hear why.
0:38:51 > 0:38:54- You want to give him the opportunity to rally more boys to do the same? - Mr Lyon...
0:38:54 > 0:38:56Who's this?
0:38:56 > 0:38:59Erm, Mr Trevor Drayton, Lord Reeves.
0:38:59 > 0:39:02He's a member of the British Defence Union.
0:39:02 > 0:39:06A fascist?! You're giving airtime to a fascist?
0:39:06 > 0:39:08Essentially, yes.
0:39:08 > 0:39:10- I'm sorry, but no, I won't.- Sey...
0:39:10 > 0:39:11Excuse me.
0:39:13 > 0:39:14I'm sorry, they didn't tell me.
0:39:17 > 0:39:18DOOR BANGS
0:39:20 > 0:39:21FOOTSTEPS APPROACH
0:39:30 > 0:39:31Liar!
0:39:39 > 0:39:40Sign her out.
0:39:40 > 0:39:42Stupid tart!
0:39:42 > 0:39:43What did you say?
0:39:43 > 0:39:45Sorry, Sir.
0:39:47 > 0:39:49Let's go with Mr Drayton.
0:39:49 > 0:39:51And try to keep the board members out of his eye line.
0:39:51 > 0:39:55Mr Brown, forgive me, but a number of us fought in the war and to
0:39:55 > 0:40:00watch you effectively trade the views of Dr Ola for this...young man,
0:40:00 > 0:40:03this fascist, quite honestly, our viewers will struggle to stomach it.
0:40:03 > 0:40:05Would you rather we ignore these views?
0:40:07 > 0:40:10Ring up Uncovered this week. Ask them what they're running.
0:40:10 > 0:40:12I promise you there won't be a single story
0:40:12 > 0:40:15that grabs you in the way that this one will.
0:40:15 > 0:40:18The Hour is prized for breaking ground.
0:40:18 > 0:40:21What could be more innovative than being the first
0:40:21 > 0:40:24to witness the face of inter-racial Britain, good or bad?
0:40:24 > 0:40:27I want this to feel as natural as possible. Just me and him.
0:40:27 > 0:40:30Like it's a conversation you're lucky to be earwigging.
0:40:30 > 0:40:32As we have no Mr Madden,
0:40:32 > 0:40:35think of this as an opportunity to say yay or nay
0:40:35 > 0:40:37to this obviously controversial item.
0:40:37 > 0:40:39And roll cameras!
0:40:41 > 0:40:43CHURCH BELLS TOLL
0:40:45 > 0:40:47No, it's all right. I'll drive.
0:40:55 > 0:40:56Mr Madden! Mr Madden!
0:40:58 > 0:41:00- Would you mind? For my wife? - Of course.
0:41:06 > 0:41:07There you are.
0:41:13 > 0:41:14Marnie...
0:41:14 > 0:41:18I don't want to know whether you did it or not.
0:41:18 > 0:41:20It doesn't matter.
0:41:21 > 0:41:23- You know I...I wouldn't. - No, I don't.
0:41:25 > 0:41:27And what kind of husband does that make you,
0:41:27 > 0:41:29when your own wife doubts you?
0:41:29 > 0:41:31Even when you're not lying for once.
0:41:40 > 0:41:42We won't talk about this again...
0:41:43 > 0:41:44..but you need to know
0:41:44 > 0:41:47that while our marriage may be intact on paper...
0:41:48 > 0:41:50..it's over for me, Hector.
0:41:52 > 0:41:55We will smile and be the perfect man and wife,
0:41:55 > 0:41:57but from now on, what you do with your time
0:41:57 > 0:42:01is of no interest to me and what I do is nothing to do with you.
0:42:04 > 0:42:05I will do what I like.
0:42:07 > 0:42:10Miss Rowley came and fought for you today, no doubt.
0:42:13 > 0:42:14It's ridiculous.
0:42:15 > 0:42:18Two sane, beautiful women wasted on you.
0:42:20 > 0:42:21Aren't you ashamed -
0:42:21 > 0:42:23the way you have us all fawning at your feet?
0:42:29 > 0:42:31I presume you want to go back to the office?
0:42:39 > 0:42:41I imagine your friends will be very relieved
0:42:41 > 0:42:43to hear of your lucky escape.
0:42:45 > 0:42:48We're not fascists. We're nationalists.
0:42:48 > 0:42:53We've let in 90,000 immigrants from alien races in the last five years.
0:42:55 > 0:42:59West Indians, Africans, Asians in our midst.
0:42:59 > 0:43:03They take our jobs, they move into our houses,
0:43:03 > 0:43:06they have inter-racial relationships...
0:43:06 > 0:43:08It is a bastardisation of our country
0:43:08 > 0:43:11by an unchecked immigrant community.
0:43:11 > 0:43:13And so you attack them?
0:43:13 > 0:43:16These people have come here in search of a better life,
0:43:16 > 0:43:18they've come here in search of employment...
0:43:18 > 0:43:22Yeah, yeah. Employment that we should be helping them find at home.
0:43:24 > 0:43:26Can we have the first slide, please, Isaac?
0:43:30 > 0:43:33This young woman. Where do you think she's from?
0:43:33 > 0:43:35Somewhere in Africa?
0:43:35 > 0:43:36Actually, Forest Hill.
0:43:36 > 0:43:38HE SCOFFS
0:43:38 > 0:43:41And this young woman, where do you think she's from?
0:43:41 > 0:43:46She's a Londoner, but her grandfather was Russian and fled the pogroms.
0:43:46 > 0:43:50Where would you like to see this young woman repatriated to?
0:43:52 > 0:43:54And this man.
0:43:54 > 0:43:58He's one of 300 men who served with the RAF during the Second World War.
0:43:58 > 0:44:01All of these people believe in democracy
0:44:01 > 0:44:03and some of them, as you can see,
0:44:03 > 0:44:06have even fought for the country that they now consider to be their home.
0:44:06 > 0:44:07Did you fight for your country?
0:44:10 > 0:44:12No, no, I didn't think so.
0:44:12 > 0:44:16No, Dr Ola did bring his skills as a doctor to Great Britain.
0:44:16 > 0:44:19This man has more than proved himself worthy of our support
0:44:19 > 0:44:21and so I would like to ask him...
0:44:21 > 0:44:25if he is disappointed with the views expressed by this young man?
0:44:26 > 0:44:27Yes.
0:44:30 > 0:44:33But then it also... it also reminds me...
0:44:35 > 0:44:38..why I wanted to come to this country in the first place.
0:44:40 > 0:44:43This interview affirms for me
0:44:43 > 0:44:45the strength of the British democracy.
0:44:45 > 0:44:48And when someone is angry, someone does not always appreciate that.
0:44:49 > 0:44:51As a country,
0:44:51 > 0:44:55Britain has always thrived on open discussion and debate.
0:44:55 > 0:44:59That...that this young man can say this sort of thing
0:44:59 > 0:45:01and that he's free to say it,
0:45:01 > 0:45:05it marks for me the power of the British democratic system.
0:45:05 > 0:45:09That...that...that it is strong enough to face this fever,
0:45:09 > 0:45:13to fight this rancid, toxic, racist disease
0:45:13 > 0:45:15and to come out of it so strong.
0:45:16 > 0:45:19That is the country where I want to live.
0:45:22 > 0:45:24That is where my home is.
0:45:28 > 0:45:30Turn and record, finished. Thank you, gentlemen.
0:45:30 > 0:45:32BELL RINGS
0:45:34 > 0:45:36Ah, Mr Madden!
0:45:37 > 0:45:40Sey Ola, that was remarkable, thank you very much.
0:45:40 > 0:45:43Er...Lord Reeves, Mr Hector Madden.
0:45:43 > 0:45:44We didn't think you were coming.
0:45:44 > 0:45:45Excuse me.
0:45:46 > 0:45:50Mr Madden always pulls it out of the bag at the eleventh hour.
0:45:50 > 0:45:52That was brilliant, Freddie. Well done.
0:45:52 > 0:45:53But we have to talk about tomorrow...
0:46:04 > 0:46:06I used to know a boy like you.
0:46:07 > 0:46:08Filled with hate.
0:46:10 > 0:46:12It just became so damned exhausting.
0:46:18 > 0:46:19Not bad.
0:46:19 > 0:46:22You might just have won them over.
0:46:22 > 0:46:25Isaac, will you see Trevor out, please?
0:46:27 > 0:46:29Mr Pike paid me.
0:46:30 > 0:46:31What?
0:46:31 > 0:46:33Mr Pike paid me.
0:46:33 > 0:46:34To dump soot on your wife.
0:46:34 > 0:46:35I'm sorry?
0:46:36 > 0:46:39He's got his eye on your house.
0:46:39 > 0:46:41And you don't say no to Mr Pike.
0:46:43 > 0:46:45That's me done for.
0:46:53 > 0:46:55- I'd bump up the Chameleon Club. - Really?
0:46:55 > 0:46:57You are deliberately perverse, Mr Brown.
0:46:57 > 0:46:59NATO summit is the story.
0:46:59 > 0:47:01And it will still be there tomorrow.
0:47:01 > 0:47:04Fascists on the BBC. Now that is news.
0:47:04 > 0:47:07Is this what we have to look forward to? Continuous controversy?
0:47:11 > 0:47:14Watch Uncovered poach the story and run with it next week.
0:47:14 > 0:47:17You know their producer rang me and asked me out for dinner?
0:47:17 > 0:47:18Bill Kendall?
0:47:18 > 0:47:20Hmm, he was in earlier.
0:47:20 > 0:47:22Was he?
0:47:22 > 0:47:24I used to know his wife.
0:47:24 > 0:47:26Picture editor.
0:47:26 > 0:47:28- She was...such a pretty girl.- Was?
0:47:28 > 0:47:32She died. About a year ago.
0:47:32 > 0:47:35She left a little girl, I seem to remember.
0:47:35 > 0:47:37Funny little thing. Terribly sad.
0:47:39 > 0:47:42Straight home to bed tonight, eh, Hector?
0:47:42 > 0:47:43(Thank you.)
0:47:45 > 0:47:48- I presume today won't rebound on us, Mr Madden?- No, Mr Brown.
0:47:48 > 0:47:50The clock is ticking on you. It really is.
0:47:55 > 0:47:56Don't work too late.
0:47:56 > 0:47:58Always.
0:47:58 > 0:48:00Old enough to be her father.
0:48:00 > 0:48:01Yes.
0:48:13 > 0:48:15Why did you do that?
0:48:15 > 0:48:16Why not?
0:48:18 > 0:48:20Got your attention, though, didn't I?
0:48:22 > 0:48:24Swear to me that you will never do that to me again.
0:48:24 > 0:48:26And I am sorry.
0:48:29 > 0:48:33Aren't I always kind to you? Aren't I always nice to you?
0:48:33 > 0:48:34I hate it.
0:48:36 > 0:48:38I hate the way that you live.
0:48:38 > 0:48:40- It's acting!- No, it's not.
0:48:40 > 0:48:42It's acting of sorts.
0:48:45 > 0:48:49It costs if you want me just to be yours.
0:49:01 > 0:49:03Beats cigarette cards.
0:49:03 > 0:49:04It's not funny.
0:49:06 > 0:49:08- Well, no-one makes them do it.- What?
0:49:08 > 0:49:10- They look like they're having fun? - They get paid.
0:49:10 > 0:49:12Oh, I doubt for every copy.
0:49:13 > 0:49:15Fifteen bob for six photographs?
0:49:16 > 0:49:18God, you don't even care, do you?
0:49:19 > 0:49:25This girl, this sad, stupid, ambitious girl got beaten up.
0:49:25 > 0:49:27If it wasn't you, then who was it?
0:49:27 > 0:49:30- Hector? Really? You...you don't want to know?- Yes.
0:49:30 > 0:49:33Then ask yourself, if Miss Delaine was posing for these photographs,
0:49:33 > 0:49:35then why? What for?
0:49:37 > 0:49:38Is that all she is?
0:49:40 > 0:49:42Is that all any of us are to you?
0:49:42 > 0:49:45No. You've got brains as well.
0:49:48 > 0:49:50Sorry. I'm sorry.
0:49:51 > 0:49:52Look, I...
0:49:53 > 0:49:56I came to say thank you for today and, er...
0:49:58 > 0:50:02- I'm sorry I'm so disappointing. - No, just get out.
0:50:02 > 0:50:04I don't want to see your face this evening.
0:50:06 > 0:50:08PHONE RINGS
0:50:11 > 0:50:13Right.
0:50:15 > 0:50:17Right.
0:50:22 > 0:50:24Go to El Paradis tomorrow.
0:50:24 > 0:50:27Try and see if any of these girls work there?
0:50:27 > 0:50:28Maybe they'll talk.
0:50:32 > 0:50:34Who took these photographs?
0:50:37 > 0:50:39Who distributes them?
0:50:39 > 0:50:41Someone must be in charge.
0:50:41 > 0:50:45Why do these girls accept so little?
0:50:45 > 0:50:49And what did she do...to get beaten like that?
0:50:49 > 0:50:51Maybe just...
0:50:51 > 0:50:53that.
0:50:54 > 0:50:57Actually, there's a touch of Brando about him.
0:50:57 > 0:50:59Mr Cilenti.
0:51:01 > 0:51:04I'd better get back to Camille. She threw a cup at me.
0:51:04 > 0:51:07- How's her aim?- Good.
0:51:09 > 0:51:11- She'll forgive me.- Why?
0:51:13 > 0:51:16Because when she stops being angry, she'll love me for it.
0:51:16 > 0:51:18That's just...
0:51:18 > 0:51:21the way things are with us.
0:51:21 > 0:51:22Good night.
0:51:22 > 0:51:24I wish you'd told me...
0:51:26 > 0:51:28..before you did such a stupid...
0:51:30 > 0:51:32..st...stupid...
0:51:36 > 0:51:38..wonderful thing.
0:51:38 > 0:51:41And what would you have done?
0:52:19 > 0:52:20Those are unsubstantiated figures.
0:52:20 > 0:52:23Those are...those are unsubstantiated...
0:52:27 > 0:52:30We would like to show you some photographs...
0:52:30 > 0:52:33We'd like to show you some photographs, Mr Drayton...
0:52:33 > 0:52:36Those figures are unsubstantiated...
0:52:50 > 0:52:52We'd like to show you some photographs...
0:52:52 > 0:52:55We'd like to show you some photographs.
0:53:11 > 0:53:13HE SIGHS DEEPLY
0:53:28 > 0:53:31DOOR OPENS
0:53:31 > 0:53:34Oh, I didn't see you there, Mr Madden.
0:53:34 > 0:53:37That's all right, Miss...?
0:53:37 > 0:53:40Peters. I'm new. On loan from the typing pool.
0:53:40 > 0:53:42Want a light on?
0:53:42 > 0:53:43No, thank you, Miss Peters.
0:53:46 > 0:53:48So much more fun in the dark.
0:53:50 > 0:53:51I was just...
0:53:52 > 0:53:54..leaving for the night anyway.
0:54:01 > 0:54:03SMOOTH MUSIC PLAYS
0:54:09 > 0:54:12Commander, nice to see you tonight.
0:54:13 > 0:54:15It's very difficult.
0:54:16 > 0:54:18These "crimes de passion".
0:54:18 > 0:54:21I know you're a very passionate man.
0:54:21 > 0:54:23You care.
0:54:23 > 0:54:25Too much.
0:54:26 > 0:54:29Now, these are only photographs.
0:54:29 > 0:54:30You get to touch the real thing.
0:54:34 > 0:54:36I want her looked after.
0:54:41 > 0:54:44Never underestimate how much I know about your business practices.
0:54:46 > 0:54:49- I could close you down tonight. - Are you trying to blackmail me...
0:54:49 > 0:54:52when it is you asking me to look after your whore?
0:54:55 > 0:54:57Always welcome here, Commander.
0:54:58 > 0:55:00But everyone has to pay for their drinks.
0:55:03 > 0:55:04Even you.
0:55:24 > 0:55:27You're like woodworm working your way through the legs of my chair.
0:55:27 > 0:55:29Dare you sit?
0:55:35 > 0:55:38Please don't tell me you've been here all afternoon.
0:55:38 > 0:55:41- Then I was in search of Mr Madden. - And now?
0:55:41 > 0:55:42Chips?
0:55:44 > 0:55:47Take them. They're burning my hand.
0:55:51 > 0:55:54TV COMMENTATOR CHATTERS
0:56:08 > 0:56:11REEL CLICKS
0:56:12 > 0:56:14TV COMMENTATOR: '..waiting to make history.
0:56:14 > 0:56:17'For Britain's first hydrogen bomb is about to be exploded.
0:56:17 > 0:56:20'From this day, Britain will rank beside America and Russia
0:56:20 > 0:56:22'as a major nuclear power.'
0:56:22 > 0:56:26"I saw the best minds of my generation
0:56:26 > 0:56:28"destroyed by madness.
0:56:30 > 0:56:33"Starving, hysterical, naked.
0:56:34 > 0:56:38"Dragging themselves through the Negro streets at dawn,
0:56:38 > 0:56:40"looking for an angry fix..."
0:56:42 > 0:56:44THEY CHAT QUIETLY
0:56:49 > 0:56:50Mr Madden, welcome back.
0:56:51 > 0:56:54Give me a front table, I've nothing to hide.
0:56:57 > 0:56:58Whisky, please. Double.
0:57:00 > 0:57:03# Touch my lips
0:57:03 > 0:57:08# So tenderly
0:57:08 > 0:57:13# Softly, softly
0:57:13 > 0:57:17# Turn the key
0:57:17 > 0:57:24# And open up my heart... #
0:57:35 > 0:57:38I'm trying to find out more about the man you work for.
0:57:38 > 0:57:41- The testimony of a showgirl. Always bona fide.- Miss Delaine's missing.
0:57:41 > 0:57:45Mr Cilenti is a businessman, so don't let your imaginations carry you away.
0:57:45 > 0:57:49I have earned this, Hector. Don't you dare spoil this for me.
0:57:49 > 0:57:50I have lied to you.
0:57:50 > 0:57:52- I do NOT want to talk...- I do!
0:57:52 > 0:57:54You're still looking into Miss Delaine?
0:57:54 > 0:57:56- Best left to the police. - Best for whom?
0:57:56 > 0:57:58You remain a first-rate journalist...
0:57:58 > 0:58:01and you must decide what is best for you.
0:58:01 > 0:58:03I read the police report. You sold me down the river.
0:58:03 > 0:58:06Well, thank you. For that act of self-sabotage.
0:58:06 > 0:58:08I believe that journalists who share their contacts
0:58:08 > 0:58:10are ultimately rewarded.
0:58:10 > 0:58:11I heard there was a scene.
0:58:11 > 0:58:13Oh, no, no, nothing like that.
0:58:13 > 0:58:15It was enough.
0:58:38 > 0:58:42Subtitles by Red Bee Media Ltd