0:00:02 > 0:00:04This programme contains some strong language
0:00:04 > 0:00:07- Is Mr Madden in? Allegations have been made against you. - Did he punch you?- Yes.
0:00:07 > 0:00:10The last time I watched the programme I could feel the tingle.
0:00:10 > 0:00:12- Hear the tick.- I wrote you a letter. You didn't write back.
0:00:12 > 0:00:15Or jump when you want me. You have a wife for that.
0:00:15 > 0:00:17It's over. I miss you.
0:00:17 > 0:00:20Marnie's very keen I make the move to ITV.
0:00:20 > 0:00:23I can't give her children. She doesn't know yet.
0:00:23 > 0:00:24Who are Castlecore?
0:00:24 > 0:00:26That's you.
0:00:26 > 0:00:30They've been working on a deal. It's ready to be signed tonight.
0:00:30 > 0:00:32They will be in El Paradis.
0:00:32 > 0:00:34Bingo. Castlecore.
0:00:34 > 0:00:37We need to prove Satchell's involved.
0:00:37 > 0:00:38They will kill you.
0:00:38 > 0:00:42- Now!- This is a raid! Stay where you are!
0:00:42 > 0:00:46Raphael Cilenti, I am arresting you for questioning in relation to
0:00:46 > 0:00:48the murder of Miss Rosa Ramirez.
0:00:48 > 0:00:50My parting gift.
0:01:28 > 0:01:34Daily Sketch. Madden caught in Soho Scandal. Get it here. Daily Sketch.
0:01:43 > 0:01:45Cheers, guv.
0:01:54 > 0:01:56Oh, hell!
0:01:58 > 0:02:00Here he is. That's him!
0:02:00 > 0:02:03Mr Stern, Mr Stern, have you charged Mr Cilenti?
0:02:05 > 0:02:07Are reports of Mr Madden beating up a woman who
0:02:07 > 0:02:09worked at El Paradis true?
0:02:09 > 0:02:11THEY GIGGLE
0:02:11 > 0:02:14'Mr James Clancy was the first to state surprise at the club's
0:02:14 > 0:02:15'closure last night.
0:02:15 > 0:02:18'He moved to dissociate himself from El Paradis stating it was
0:02:18 > 0:02:21'the place to see and be seen and I would be dismayed
0:02:21 > 0:02:24'if allegations made by police proved correct.'
0:02:24 > 0:02:25THEY LAUGH
0:02:25 > 0:02:28Apparently there were topless girls in back rooms
0:02:28 > 0:02:31spanking several members of the Foreign Office.
0:02:31 > 0:02:33Actually it was the Department of Trade. Good morning, Veronica.
0:02:33 > 0:02:35Morning, Mrs Madden.
0:02:35 > 0:02:37Thank you. Beautiful day!
0:02:39 > 0:02:40Are you all right?
0:02:40 > 0:02:44Yes, I'm fine. I was there with my husband. Alistair, please.
0:02:49 > 0:02:51Thank you. Where is he?
0:02:51 > 0:02:53You have a visitor. Mr Kendall.
0:02:56 > 0:02:59- Can I take this?- No, no, no, Hector's need is far greater.
0:03:03 > 0:03:06It's like the sinking of the Titanic at ITV.
0:03:06 > 0:03:08All hands on deck, everyone calling their agents,
0:03:08 > 0:03:11desperate to get a place in the lifeboats.
0:03:11 > 0:03:12Too many of our lot there last night.
0:03:12 > 0:03:15Fortunately they didn't end up on the front page.
0:03:15 > 0:03:18Word from my source is they needed a face for the scandal.
0:03:18 > 0:03:20Mr Madden's was a perfect fit.
0:03:20 > 0:03:22There were any number of businessmen and ministers
0:03:22 > 0:03:24from every corner in that club.
0:03:24 > 0:03:26- Not all of them are accused... - Wrongly accused.
0:03:26 > 0:03:29..of beating up a girl, a fact which you have clearly been hiding
0:03:29 > 0:03:31and yet is now in the press.
0:03:31 > 0:03:34- And you wouldn't have done the same? - It wasn't on his curriculum vitae.
0:03:38 > 0:03:40You're withdrawing your offer.
0:03:42 > 0:03:43Yes.
0:03:43 > 0:03:45Hector is a brilliant journalist.
0:03:45 > 0:03:47And his stock has just crashed.
0:03:49 > 0:03:51- You were there, weren't you?- Yes.
0:03:52 > 0:03:55Why do you always keep me at arm's length?
0:03:55 > 0:03:57Why didn't you tell me that was where you were going?
0:03:59 > 0:04:02It was one dinner. I'm very sorry.
0:04:02 > 0:04:04I don't care about the bloody dinner.
0:04:04 > 0:04:07I care that this, whatever this is, isn't going anywhere.
0:04:07 > 0:04:12I don't know what you want but it's not me.
0:04:12 > 0:04:13You're cold.
0:04:13 > 0:04:16This is impossible. YOU are impossible!
0:04:16 > 0:04:17Is everything all right?
0:04:19 > 0:04:21Hector, I'm sorry.
0:04:21 > 0:04:23It will pass.
0:04:23 > 0:04:25For your sake I hope it does.
0:04:25 > 0:04:26What does that mean?
0:04:26 > 0:04:29Perhaps you'd better talk to your agent.
0:04:29 > 0:04:31I was cleared.
0:04:31 > 0:04:35We're moving on. It hasn't worked out. I'm sorry.
0:04:35 > 0:04:38You know, for someone running an apparently discerning show
0:04:38 > 0:04:40you're very quick to believe the lies.
0:04:50 > 0:04:52And you say I'm cold?
0:04:54 > 0:04:56Is it Mr Lyon?
0:04:59 > 0:05:02You might tell him, and I say this from bitter experience,
0:05:02 > 0:05:05there's only ever room for one newsman in a relationship.
0:05:14 > 0:05:16- Drink your coffee. - It's not single malt.
0:05:20 > 0:05:22I'm sorry, Hector.
0:05:25 > 0:05:28- Don't do this.- Why?
0:05:34 > 0:05:37- I was only there cos you said... - There was a story. There is.
0:05:37 > 0:05:39Not now.
0:05:39 > 0:05:43Now this is the story. I'm the story. Madden batters and assaults women.
0:05:43 > 0:05:45Wines and dines them in a Soho vice bar.
0:05:45 > 0:05:47Why can't they dig the dirt on someone else? Why not on you?
0:05:47 > 0:05:50Because, sadly, there is no dirt.
0:05:50 > 0:05:53Because you have a past that is ripe to be exploited.
0:05:55 > 0:05:58Because, despite the fact that I have been sitting next to you
0:05:58 > 0:06:01every week on screen, my face is oddly unmemorable.
0:06:01 > 0:06:03Whereas yours is.
0:06:10 > 0:06:13This is a cover.
0:06:13 > 0:06:15Someone knows we're on to them.
0:06:19 > 0:06:21STUDIO BELL RINGS
0:06:23 > 0:06:27Alistair, I am in the middle of a very delicate operation
0:06:27 > 0:06:30involving some wafer thin mille-feuille.
0:06:30 > 0:06:34Yes, I know, Marnie, but the chaps upstairs...
0:06:35 > 0:06:37SHE GASPS
0:06:44 > 0:06:46We are delighted with Name That Dinner Guest.
0:06:46 > 0:06:47Well, I'm glad.
0:06:47 > 0:06:50But, we think perhaps a couple of weeks with you off air,
0:06:50 > 0:06:52until this thing with Hector has blown over?
0:06:52 > 0:06:55It's all lies.
0:06:55 > 0:07:00But it does somewhat mar what one loves about you, Mrs Madden.
0:07:00 > 0:07:07The image you present no longer fits the homely ideal we wish to convey?
0:07:07 > 0:07:10What one SHOULD love about me is the fact that I am a strong
0:07:10 > 0:07:16and capable woman, perfectly capable of handling this storm in a teacup.
0:07:16 > 0:07:17Hardly a teacup.
0:07:20 > 0:07:23The lunchtime edition, just in.
0:07:33 > 0:07:34I see.
0:07:34 > 0:07:39What do you tell your wives when they ask why you are home so late?
0:07:42 > 0:07:45It was good to see you last night, Mr Roberts, and you, Mr Grogan.
0:07:51 > 0:07:53Marnie!
0:07:55 > 0:07:57I'm sorry.
0:07:57 > 0:08:00For what? We all let ourselves down from time to time.
0:08:00 > 0:08:04The only difference is my husband has made the front page.
0:08:04 > 0:08:08Think yourselves lucky you haven't ended up in the same place.
0:08:17 > 0:08:22Fine press coverage. A very impressive exercise, Commander.
0:08:22 > 0:08:27But, er, we would like to go quiet on this.
0:08:27 > 0:08:29We've already had a call from Westminster,
0:08:29 > 0:08:32keen to protect their own.
0:08:32 > 0:08:36Chaps like Howard Satchell were in there last night.
0:08:38 > 0:08:39So crack down, certainly,
0:08:39 > 0:08:42but we need to crack down on something else.
0:08:42 > 0:08:47So let's focus on the coloureds in Notting Hill.
0:08:47 > 0:08:50There's lots of tension, lots of petty crime.
0:08:50 > 0:08:54It's an absolute powder keg.
0:08:54 > 0:08:56Well, that's a pity, sir.
0:08:56 > 0:08:59Because I hoped we might push on with this.
0:09:02 > 0:09:09My concern is that Mr Cilenti's... activities have made certain
0:09:09 > 0:09:12chaps like yourself vulnerable to his demands.
0:09:12 > 0:09:14There are some photographs of you.
0:09:25 > 0:09:28- Do you have the negatives?- Yes, I do.
0:09:30 > 0:09:33- Who else is implicated? - Who isn't, sir?
0:09:35 > 0:09:37So, shall we start again?
0:09:40 > 0:09:41This is a cover up.
0:09:41 > 0:09:44This story was given to the press to discredit Hector and therefore us.
0:09:44 > 0:09:47- Well, how did they get it? - A leak from Stern?
0:09:47 > 0:09:49- Laurie wouldn't do that, for all his faults.- Wouldn't he?
0:09:49 > 0:09:51Well, he must have found something in this raid.
0:09:51 > 0:09:53Westminster are running scared.
0:09:53 > 0:09:56A sex scandal to cover a nuclear scandal. Which would you prefer?
0:09:56 > 0:09:58I called my contact at Castlecore's bank. They've gone quiet on me.
0:09:58 > 0:10:01- It's in total shutdown.- See.
0:10:01 > 0:10:03We were planning to cover the launch of CND,
0:10:03 > 0:10:08the threat from abroad but, with the threat from home more pressing,
0:10:08 > 0:10:10I might suggest...
0:10:10 > 0:10:12We uncover the sex scandal and thereby the profiteering?
0:10:12 > 0:10:15Darling, isn't it a little provocative to focus on the perils
0:10:15 > 0:10:19of scandals with one of our presenter's past indiscretions
0:10:19 > 0:10:20unravelling so publicly?
0:10:22 > 0:10:25Aren't you a tiny bit relieved about ITV?
0:10:25 > 0:10:28It always made me nervous to think of you in a glittery waistcoat.
0:10:28 > 0:10:32Panel games. The small print said panel games.
0:10:34 > 0:10:35Stern owes us.
0:10:35 > 0:10:37If you can get him to give you anything
0:10:37 > 0:10:40we can use it to expose Cilenti, the blackmail racket, even Satchell?
0:10:40 > 0:10:41Tonight, on The Hour?
0:10:41 > 0:10:45We go live in eight hours. Are you completely deranged?
0:10:45 > 0:10:48The men who steer our nuclear policy lie, cheat and deceive their wives.
0:10:48 > 0:10:52Why should we be surprised when they do the same thing to the country?
0:10:52 > 0:10:55We are being sold a lie. That's the real threat.
0:10:55 > 0:10:58We need the proof to connect the nuclear scandal to the sex scandal.
0:10:58 > 0:11:01The one thing we can be sure of is if we focus on vice
0:11:01 > 0:11:03then we win viewers tonight.
0:11:03 > 0:11:06Had we known this scandal would have proved so popular, Mr Madden,
0:11:06 > 0:11:08we might have leaked the story ourselves.
0:11:08 > 0:11:10But it's risky, so let's get our facts straight.
0:11:10 > 0:11:13A little more notice next time would be nice.
0:11:13 > 0:11:16Let's get that bloody CND logo down and cancel Henrietta Williams.
0:11:16 > 0:11:19- Don't we need some contributor? - I'll see what I can do.- Mr Wengrow.
0:11:19 > 0:11:21Eight hours, ladies and gentleman.
0:11:21 > 0:11:23We have eight hours to pull this out of the bag.
0:11:25 > 0:11:28Hector. I'm sorry about Bill. I could have killed him.
0:11:28 > 0:11:32- He's just the messenger. - Still, it wasn't the place to do it.
0:11:32 > 0:11:34Well, right now my real concern is Marnie.
0:11:34 > 0:11:37I've been trying her all morning. She's apparently in rehearsal.
0:11:37 > 0:11:39I'm going to try her again.
0:11:40 > 0:11:42You all right?
0:11:42 > 0:11:45No, no. Apparently I'm impossible.
0:11:45 > 0:11:46No, you're not.
0:11:46 > 0:11:50He was right. It was wrong. So he is right.
0:11:50 > 0:11:53- I AM impossible.- More papers in.
0:12:17 > 0:12:19Hector.
0:12:21 > 0:12:24Details of my arrest and every allegation she levelled against me.
0:12:24 > 0:12:25No mention I had an alibi.
0:12:25 > 0:12:27There was no mention it was all a lie.
0:12:27 > 0:12:29Yes, and I'm sorry. It's very unfortunate.
0:12:29 > 0:12:32Convenient. Did you do this to me, Laurie?
0:12:32 > 0:12:35No, of course not. Now leave it. Sit down, Hector.
0:12:38 > 0:12:40The best thing you can do is let it pass, lie low.
0:12:40 > 0:12:45Let this ruin me? No. No. The best I can do now, is what I do best.
0:12:45 > 0:12:48Be a journalist. What did you find last night?
0:12:48 > 0:12:50Plenty.
0:12:50 > 0:12:52Now these were the ones I could get of you.
0:12:59 > 0:13:01Were there any photographs of Satchell?
0:13:01 > 0:13:04For Christ's sake, take the bloody photographs, Hector.
0:13:04 > 0:13:07We are trying to expose serious ministerial malpractice.
0:13:07 > 0:13:09Now if there's any photographs, paperwork,
0:13:09 > 0:13:12anything that implicates Howard Satchell, I need them, Laurie.
0:13:12 > 0:13:15We want to run the story but we've got no proof.
0:13:15 > 0:13:19Well, there were hundreds but they're police property now.
0:13:20 > 0:13:23They've been destroyed on the orders of my superiors.
0:13:23 > 0:13:25It was felt it was for best.
0:13:25 > 0:13:28Now for Christ's sake, I've done all I can to protect you.
0:13:28 > 0:13:31It's not about protecting me. This is bigger than me, Laurie.
0:13:31 > 0:13:34This whole charade goes way beyond any paltry scandal
0:13:34 > 0:13:35I might find myself in.
0:13:35 > 0:13:38- Look have a drink with me.- What?
0:13:38 > 0:13:41They're going to make me Deputy Commissioner.
0:13:44 > 0:13:47This mess. This is your mess.
0:13:47 > 0:13:49You beat Miss Delaine.
0:13:49 > 0:13:51On what evidence, Hector?
0:13:55 > 0:13:57You know the difference is I am not denying it.
0:13:57 > 0:14:00I frequented that club. I did things I'm not proud of. But you?
0:14:00 > 0:14:03You live in this place where you don't acknowledge anything.
0:14:03 > 0:14:06You don't go anywhere that's too dark or uncomfortable
0:14:06 > 0:14:08because you're terrified of what you might find.
0:14:08 > 0:14:11Just button up that uniform and protect yourself.
0:14:11 > 0:14:13It will send you mad, Laurie.
0:14:13 > 0:14:15Take the bullet, Hector.
0:14:15 > 0:14:17I've already saved your life once.
0:14:17 > 0:14:19And I've been grateful for far too long.
0:14:34 > 0:14:36RADIO PLAYS
0:14:37 > 0:14:39Isaac?
0:14:39 > 0:14:41What you doing?
0:14:41 > 0:14:44Listening to my radio play.
0:14:44 > 0:14:47You've got... confetti in your hair.
0:14:50 > 0:14:54- Really?- Tied the knot first thing this morning.
0:14:54 > 0:14:56Why didn't you say?
0:14:56 > 0:14:59It was only us and a couple of witnesses.
0:14:59 > 0:15:02We had to pull in people off the street.
0:15:02 > 0:15:05Took us ages.
0:15:05 > 0:15:07No-one wanted to do it when they saw Sey.
0:15:08 > 0:15:10But finally...
0:15:13 > 0:15:15I'm so frightened, Isaac, of it all.
0:15:17 > 0:15:19My dad wouldn't even give me away.
0:15:21 > 0:15:23Should have asked me.
0:15:24 > 0:15:26I would have given you away.
0:15:28 > 0:15:29Would you have?
0:15:30 > 0:15:33'We're trying to get out the finest programme we can.
0:15:33 > 0:15:35'Now get on with it, James.
0:15:35 > 0:15:38'Mr Radlow, have you finished that coffee yet?'
0:15:45 > 0:15:46Kiki!
0:15:50 > 0:15:52PHONE RINGS
0:15:54 > 0:15:56Piss off!
0:15:57 > 0:16:01Phone's been ringing non-stop. I don't know how they got my number.
0:16:01 > 0:16:03My mum thinks I work at Debenhams. What do I tell her now?
0:16:03 > 0:16:04Where you going to go?
0:16:04 > 0:16:06Anywhere. Somewhere?
0:16:06 > 0:16:08They were signing something last night.
0:16:08 > 0:16:11There are always men signing something, men talking deals,
0:16:11 > 0:16:14men in whispered conversations, men passing money to other men.
0:16:14 > 0:16:15Castlecore.
0:16:15 > 0:16:19Did you see any paperwork anywhere with the name Castlecore on it?
0:16:19 > 0:16:22Anything that connects Cilenti to the government.
0:16:22 > 0:16:24We need proof.
0:16:30 > 0:16:34Mr Cilenti's been arrested. He will go to prison.
0:16:34 > 0:16:35You don't have to be afraid.
0:16:35 > 0:16:37What? Like Rosa didn't have to be afraid?
0:16:40 > 0:16:43I'm going to get my money and get out of here.
0:16:45 > 0:16:46I can do this.
0:16:47 > 0:16:49I can get away from Mr Cilenti.
0:16:51 > 0:16:53He thinks I can't but I can.
0:16:53 > 0:16:56He always goes to stop you when you try.
0:16:56 > 0:16:57Blinds you with a kindness, then yank!
0:16:57 > 0:17:01And you're on the floor again.
0:17:01 > 0:17:04But I can go somewhere else. Do something else. I can do it.
0:17:05 > 0:17:07Then why are you so scared?
0:17:19 > 0:17:21There is a thread.
0:17:22 > 0:17:24A thread Cilenti has found.
0:17:25 > 0:17:27And he pulls it.
0:17:28 > 0:17:29And as he pulls it,
0:17:29 > 0:17:34he pulls more and more men, successful men, in.
0:17:34 > 0:17:36Until they are all hanging off that thread.
0:17:38 > 0:17:40And you're on that thread too.
0:17:45 > 0:17:48You help us bring down Castlecore, bring down Satchell
0:17:48 > 0:17:52and I promise you we will keep you safe.
0:17:55 > 0:17:59How else are you ever going to escape this?
0:18:01 > 0:18:04The five o'clock double bill at the Curzon does me fine.
0:18:04 > 0:18:05I don't believe you.
0:18:05 > 0:18:06KNOCKING AT DOOR
0:18:06 > 0:18:08They're not going to leave you alone.
0:18:08 > 0:18:10This is a scandal to cover a much bigger story.
0:18:10 > 0:18:11Piss off!
0:18:11 > 0:18:13SHOUTING OUTSIDE
0:18:16 > 0:18:19Five o'clock at the Curzon then?
0:18:19 > 0:18:20Piss off! Piss off!
0:18:20 > 0:18:22Piss off!
0:18:30 > 0:18:32Nothing. The police destroyed everything they found,
0:18:32 > 0:18:34photographs, paperwork, everything.
0:18:34 > 0:18:37Oh, my God. There's no time. We've no time.
0:18:39 > 0:18:40LIFT BELL RINGS
0:18:43 > 0:18:46- She's going to get us what she can. Miss Delaine.- Freddie.
0:18:46 > 0:18:48I pushed her. I hope not too far.
0:18:48 > 0:18:50I told her if she helped us, she'd be safe.
0:18:50 > 0:18:51But we can't promise that.
0:18:51 > 0:18:53Cilenti's been arrested, let the police deal with him.
0:18:53 > 0:18:56- I'm trying to stop the story falling apart in our hands.- With what?
0:18:56 > 0:19:00Isaac's already exhausted the entire newsroom contact list.
0:19:00 > 0:19:01The Bishop of Woolwich says
0:19:01 > 0:19:04mothers who work are the enemies of family life. Perfect.
0:19:04 > 0:19:07One better - Sugar Ray Robinson becomes middleweight champion
0:19:07 > 0:19:10for the fifth time. Should squeeze a good ten minutes out of that.
0:19:10 > 0:19:15If we don't run this story, who will? It will be fine.
0:19:15 > 0:19:17Oh, my God. Even you're worried.
0:19:17 > 0:19:21- I'm not.- You are. We are reaching the point of no return, Freddie.
0:19:21 > 0:19:24Isaac, any other story, anything we might have binned?
0:19:24 > 0:19:28Don't be alarmed but McCain has just arrived.
0:19:30 > 0:19:34Last night that story about your arrest
0:19:34 > 0:19:37was leaked by Westminster.
0:19:37 > 0:19:40It's a campaign in motion to discredit your programme
0:19:40 > 0:19:42and anyone associated with it.
0:19:42 > 0:19:44A key minister profiteering from the arms race.
0:19:44 > 0:19:47- You can't honestly believe there's only one.- No, we don't.
0:19:47 > 0:19:51It's oddly disconcerting to have you admit the same.
0:19:51 > 0:19:56There are just times when one becomes weary of hiding things.
0:20:00 > 0:20:04I've spent the last 15 years lying for ministers,
0:20:04 > 0:20:06covering gaps and gaffes.
0:20:08 > 0:20:10And I think last night was the last time.
0:20:12 > 0:20:14Are you saying that you want to help us?
0:20:16 > 0:20:18Yes, perhaps I am.
0:20:20 > 0:20:23We have had your help before, Angus.
0:20:23 > 0:20:27I would ask you not to reject this out of pride.
0:20:27 > 0:20:29Now you have smoked the hive.
0:20:29 > 0:20:31You need me more than ever now.
0:20:31 > 0:20:37And the question is who is willing to come out and withstand the sting?
0:20:43 > 0:20:47- He works for me. - Bit young, isn't he?- I'm 17.
0:20:47 > 0:20:49All right, Kiki? Make the papers?
0:20:49 > 0:20:52Almost famous.
0:20:52 > 0:20:54They didn't take you in too?
0:20:54 > 0:20:58Well, why would they? I ain't done anything illegal.
0:20:58 > 0:21:01Is there money in the till? He hasn't paid me this week.
0:21:08 > 0:21:12Ooh, when did you take over?
0:21:12 > 0:21:15When I see an opportunity, I take it.
0:21:17 > 0:21:19You should do the same.
0:21:19 > 0:21:21You could be a star attraction.
0:21:21 > 0:21:24Now, all that stuff in the press,
0:21:24 > 0:21:26they want to see more of that.
0:21:26 > 0:21:29And I could help you with that.
0:21:29 > 0:21:31Sex sells. Why hide it?
0:21:31 > 0:21:33No, thanks.
0:21:33 > 0:21:35I just want to pick up my things, get my money and go.
0:21:37 > 0:21:41He'll be out and when he finds you drinking his whisky...
0:21:41 > 0:21:42What?
0:21:42 > 0:21:45You'll be out too.
0:21:45 > 0:21:47Then why are you the one shaking?
0:21:56 > 0:21:58We've talked to Miss Delaine.
0:21:58 > 0:22:01Risky. Cilenti has been released.
0:22:02 > 0:22:04Oh, my God!
0:22:04 > 0:22:07There's even more reason to get this out.
0:22:07 > 0:22:09There's a story we've been trying to sell
0:22:09 > 0:22:11but we are limited in how we sell it.
0:22:11 > 0:22:12So don't limit yourselves.
0:22:14 > 0:22:16Expose it all?
0:22:16 > 0:22:19Put the person on The Hour who knows better than anyone the comings
0:22:19 > 0:22:21and goings of El Paradis.
0:22:21 > 0:22:24We are running around trying to find a contributor,
0:22:24 > 0:22:26trying to pull this show together. It's right in front of us.
0:22:26 > 0:22:29But if we use her can we protect her?
0:22:31 > 0:22:35Sometimes the best place to hide is in fame's spotlight.
0:22:37 > 0:22:41One must simply know how to control the direction of the glare.
0:22:55 > 0:22:57Such a mess.
0:23:02 > 0:23:04Watch yourself. Don't cut yourself on the glass.
0:23:04 > 0:23:06You cut yourself?
0:23:06 > 0:23:08No.
0:23:08 > 0:23:11For Christ's sake, I need a coffee!
0:23:11 > 0:23:12I'll make it.
0:23:12 > 0:23:13No.
0:23:19 > 0:23:21You're leaving me?
0:23:21 > 0:23:23Mr Pike didn't think you were coming back.
0:23:23 > 0:23:25Norman.
0:23:25 > 0:23:29He's not to be trusted. Coaxing you girls into his films.
0:23:30 > 0:23:36Have you succumbed, Kiki? Starred in one of his dirty little pictures?
0:23:36 > 0:23:38No.
0:23:38 > 0:23:39Be careful.
0:23:39 > 0:23:42You know what he did to Rosa when she betrayed us?
0:23:44 > 0:23:46How can anyone do that to a person?
0:23:47 > 0:23:50How can anyone just suffocate someone like that?
0:23:51 > 0:23:53Bastard.
0:23:55 > 0:23:57You know what's funny? That's true.
0:24:00 > 0:24:03Mr Pike tells me The Hour have been sniffing around you.
0:24:03 > 0:24:04Mr Lyon? You like Mr Lyon?
0:24:06 > 0:24:09Little vulture, picking at my bones.
0:24:14 > 0:24:19Did you tell Mr Stern where my photographs were?
0:24:19 > 0:24:20You did.
0:24:23 > 0:24:25You know what you need to know about Mr Lyon?
0:24:27 > 0:24:31He will use you, like he uses me.
0:24:31 > 0:24:33We're all nothing but whores.
0:24:38 > 0:24:40Kiki?
0:24:49 > 0:24:50See where she goes.
0:24:53 > 0:24:56PHONE RINGS
0:24:56 > 0:24:59- Put me through to the Commissioner. - He's not in, Mr Stern.
0:24:59 > 0:25:01'Well, when will he be back?'
0:25:01 > 0:25:02He's out all day.
0:25:02 > 0:25:04'Will you give him a message, please?'
0:25:04 > 0:25:07Why have they released Raphael Cilenti?
0:25:07 > 0:25:09Tell him I need to speak to him.
0:25:09 > 0:25:10'I'm sorry, Mr Stern...'
0:25:10 > 0:25:13..but no-one is available to talk to you today.
0:25:18 > 0:25:21BACKGROUND CHATTER
0:25:21 > 0:25:22Ladies and gentlemen,
0:25:22 > 0:25:26two and a half hours to go and we've had a last-minute reshuffle.
0:25:26 > 0:25:28We're sticking with the simple and direct approach,
0:25:28 > 0:25:30starting with the intro on Soho,
0:25:30 > 0:25:34then the growing influence of vice, the raid, and then
0:25:34 > 0:25:37the examination of the blackmail ring and then finally an interview.
0:25:37 > 0:25:40Hector, I realise that this is sensitive.
0:25:40 > 0:25:42It's not. It's what we should do.
0:25:42 > 0:25:44You need to mention the scandal. We can't deny it.
0:25:44 > 0:25:46Let's hope you can get Miss Delaine, Mr Lyon.
0:25:46 > 0:25:47I'm not coming back without her.
0:25:47 > 0:25:50You'd better not otherwise you will be looking at an empty chair.
0:25:50 > 0:25:52Be careful.
0:25:52 > 0:25:54Worried you can't ride solo now, Mr Madden?
0:25:54 > 0:25:56Worried I'll like it too much, Mr Lyon.
0:25:56 > 0:25:57Freddie. Freddie!
0:25:57 > 0:26:00Mr Madden, a word.
0:26:00 > 0:26:03Freddie, you can't go on your own.
0:26:03 > 0:26:05I sent her to the club, I have to find her.
0:26:05 > 0:26:06It's dangerous!
0:26:06 > 0:26:11You are not impossible. Impossible is just what hasn't been done.
0:26:11 > 0:26:13It's not impossible when it's possible.
0:26:15 > 0:26:18We need to talk. We haven't...
0:26:18 > 0:26:20Haven't what?
0:26:20 > 0:26:23We haven't...
0:26:23 > 0:26:25About us.
0:26:25 > 0:26:27No, we don't. We need to stop talking. We talk too much.
0:26:27 > 0:26:29Instead we have to do something.
0:26:43 > 0:26:46I am tired of it not being possible. It is possible.
0:26:46 > 0:26:48You are possible.
0:26:48 > 0:26:50You are possible with me.
0:27:08 > 0:27:12Ditch the desk. Make the camera move with us.
0:27:12 > 0:27:14It should be unpolished. It should be raw.
0:27:19 > 0:27:21Single for the double bill, please.
0:27:21 > 0:27:23I'll get these. Two, please.
0:27:27 > 0:27:30Yes, I was wondering about setting up on my own.
0:27:30 > 0:27:32A little office in Piccadilly.
0:27:32 > 0:27:36Where there is fear there is also money.
0:27:36 > 0:27:38One can capitalise on that.
0:27:38 > 0:27:41You could be my first client.
0:27:42 > 0:27:47And my first question would be have you called your lawyer?
0:27:47 > 0:27:51What? And ask him to lie for me? The worst is out.
0:27:51 > 0:27:53They got a story, they printed it. Who wouldn't have done the same?
0:27:53 > 0:27:56Truth is, it's oddly liberating.
0:27:56 > 0:27:58- You should try it.- Angus.
0:28:00 > 0:28:01One day.
0:28:03 > 0:28:05Hector.
0:28:05 > 0:28:07I've been trying to reach you all day.
0:28:07 > 0:28:08They said you left this morning.
0:28:08 > 0:28:09Are you all right?
0:28:22 > 0:28:25ITV have withdrawn their offer.
0:28:25 > 0:28:29Yes, well they think its best I stay off the air for a while too.
0:28:31 > 0:28:33I'm sorry.
0:28:36 > 0:28:38I'm not.
0:28:38 > 0:28:41They had that awful woman from the Grove Family in this afternoon.
0:28:41 > 0:28:43She can't act for toffee
0:28:43 > 0:28:47and she has this barking passion for afternoon tea.
0:28:47 > 0:28:50Do you know how difficult it is to make pastries for someone who
0:28:50 > 0:28:52you know will neither appreciate it nor can act?
0:28:58 > 0:29:02You can walk away now
0:29:02 > 0:29:03and I'll understand.
0:29:06 > 0:29:07Then what do I do?
0:29:12 > 0:29:19There are things I've done in the last few months,
0:29:19 > 0:29:21behaviour that I have in myself allowed
0:29:21 > 0:29:23and have condemned in you.
0:29:29 > 0:29:31But I want to make it right now. I really do.
0:29:34 > 0:29:36Especially now.
0:29:48 > 0:29:51Hector. I think I'm...I'm sure...
0:29:56 > 0:29:57You're sure you're what?
0:29:59 > 0:30:01I'm...
0:30:04 > 0:30:05..three weeks gone.
0:30:11 > 0:30:12Hector?
0:30:28 > 0:30:29Well, isn't that wonderful?
0:30:35 > 0:30:37Isn't that what you always wanted?
0:30:38 > 0:30:39Yes.
0:30:42 > 0:30:46Well, then aren't you clever, Marnie. You got what you wanted.
0:31:03 > 0:31:05KNOCKING ON DOOR
0:31:05 > 0:31:07Randall, Bel was wondering
0:31:07 > 0:31:10if you might want to come down onto the floor a little earlier?
0:31:18 > 0:31:20Sofia Malfrand. No E.
0:31:22 > 0:31:24Born 24th June 1938.
0:31:27 > 0:31:30They've...they've found her.
0:31:43 > 0:31:49Moved to the outskirts of Paris, March 1940.
0:31:56 > 0:31:57Died...
0:31:59 > 0:32:00..June the same year.
0:32:03 > 0:32:05Killed with both her parents...
0:32:08 > 0:32:09..in an air raid.
0:32:17 > 0:32:19Would you forgive me if I asked you to go?
0:32:23 > 0:32:26I...I can't move.
0:32:33 > 0:32:34Please.
0:32:36 > 0:32:38- Please, I need you to.- No.
0:32:46 > 0:32:48No, Randall, I won't go. I won't.
0:32:48 > 0:32:51You just...just do what you need to do.
0:34:22 > 0:34:26Girls never do anything in these films.
0:34:26 > 0:34:29They are either the ones in glasses or the ones screaming.
0:34:32 > 0:34:33What do I do now?
0:34:35 > 0:34:38You come on The Hour.
0:34:38 > 0:34:40You say what you see at the club.
0:34:40 > 0:34:42Me? On the television?
0:34:43 > 0:34:45You talk about Satchell.
0:34:46 > 0:34:50Talk about him signing papers, talk about what you do.
0:34:50 > 0:34:52How you're used.
0:34:52 > 0:34:53He'll kill me.
0:34:56 > 0:34:59I can't promise to protect you, it was wrong to promise you that.
0:34:59 > 0:35:01But the world knows about Cilenti now.
0:35:03 > 0:35:06Fleet Street will want to know more from you.
0:35:06 > 0:35:08You think they go after you now,
0:35:08 > 0:35:10they'll go after you even more now that he's out.
0:35:10 > 0:35:14The more you can control what you say and how you say it, the better.
0:35:16 > 0:35:19That's how you protect yourself.
0:35:19 > 0:35:21- You're the bomb.- Me?
0:35:22 > 0:35:25No, I'm not, I'm nothing.
0:35:25 > 0:35:28I'm just a stupid fucking whore.
0:35:31 > 0:35:34We broadcast tonight. If we leave now, we'll take a taxi,
0:35:34 > 0:35:36we'll be there in half an hour.
0:35:36 > 0:35:38You won't have to do anything you don't want to do.
0:35:38 > 0:35:40- I'll be there, I'll look after you. - You can't.
0:35:40 > 0:35:43What time does the film start, darling?
0:35:44 > 0:35:46- Go, now.- All right, don't worry.
0:35:46 > 0:35:48They are expecting you. Ask for Miss Rowley.
0:35:48 > 0:35:50I'll follow you. Come on, go, now.
0:35:50 > 0:35:52I'll keep them occupied.
0:35:56 > 0:35:58Gentlemen.
0:35:58 > 0:36:01- Good evening.- Oh, good night.
0:36:26 > 0:36:29- Miss Rowley?- Yes. Mr Lyon?
0:36:29 > 0:36:32- He's going to follow me. - This way, please.- Thank you.
0:36:36 > 0:36:37It's just this way.
0:36:40 > 0:36:43- Where's Freddie?- God knows. Miss Delaine said he was following on.
0:36:43 > 0:36:45Miss Delaine. Thank you for joining us.
0:36:47 > 0:36:50Could you find Randall?
0:36:50 > 0:36:53I'm just going to talk you through our plans for this evening.
0:36:53 > 0:36:57- My makeup, I need to do my makeup. - Oh, of course. Joan!
0:36:59 > 0:37:02- Where's Liz? Find her.- Right.
0:37:02 > 0:37:05Ladies and Gentlemen, 30 minutes, please!
0:37:15 > 0:37:16All right, Trevor?
0:37:16 > 0:37:19Yeah, I'm fine, thanks, Mr Lyon.
0:37:19 > 0:37:21Mr Cilenti asked you to do this, Norman?
0:37:21 > 0:37:23Rough handle me down here?
0:37:23 > 0:37:25I don't answer to Mr Cilenti any more.
0:37:25 > 0:37:27Thought not. Thought he had a bit more style.
0:37:27 > 0:37:29He's got style, all right.
0:37:29 > 0:37:32You're not a good businessman if you can't see the future coming.
0:37:32 > 0:37:34- You the future?- Might be.
0:37:34 > 0:37:38You got a fascist as your first recruit! That's impressive.
0:37:40 > 0:37:41You do like to rile.
0:37:43 > 0:37:44I confess, I do.
0:37:49 > 0:37:52Miss Storm, Miss Delaine is here.
0:37:56 > 0:37:58Oh, Sissy, is that you?
0:37:58 > 0:38:02I'm just coming. Can you just give me a minute, please?
0:38:10 > 0:38:12Try to stay calm.
0:38:12 > 0:38:16Don't talk too quickly and try not to smile too much.
0:38:16 > 0:38:18The questions will be direct and not complicated.
0:38:18 > 0:38:22You just answer as truthfully as you can.
0:38:22 > 0:38:25I was thinking we may need to reinvent a little.
0:38:25 > 0:38:27Now, what name were you christened with?
0:38:27 > 0:38:29Patricia.
0:38:29 > 0:38:31Ah, Patricia Delaine.
0:38:31 > 0:38:34It's the wrong colour. It drains my face.
0:38:34 > 0:38:37Mr McCain, if you could wait in the green room?
0:38:37 > 0:38:38Yes, of course.
0:38:46 > 0:38:47I can't do this.
0:38:50 > 0:38:53Miss Ramirez wanted to help us.
0:38:54 > 0:38:56But she couldn't.
0:38:56 > 0:38:58You can.
0:39:05 > 0:39:08Mr Lyon will take you in and he will do the interview.
0:39:08 > 0:39:10What if he doesn't get here?
0:39:11 > 0:39:13Why wouldn't he get here?
0:39:15 > 0:39:16No reason.
0:39:17 > 0:39:19No reason, I don't know.
0:39:23 > 0:39:24'And so tonight,
0:39:24 > 0:39:27'with the launch of the Campaign for Nuclear Disarmament,
0:39:27 > 0:39:30'we have one of the leading figures in the pro-nuclear debate,
0:39:30 > 0:39:33'Mr Howard Satchell for the Conservatives and
0:39:33 > 0:39:36'one of the anti-nuclear debate's strongest voices of support,
0:39:36 > 0:39:38'Mrs Henrietta Williams...'
0:39:38 > 0:39:40There is something she's not telling us.
0:39:40 > 0:39:42He would have been here by now.
0:39:42 > 0:39:43Let's give him ten more minutes.
0:39:43 > 0:39:45Try calling him at home again.
0:39:45 > 0:39:47He's Freddie, he'll, he'll get here.
0:39:47 > 0:39:50Then why do you look worried?
0:39:50 > 0:39:52I just want to see what Satchell has to say.
0:39:52 > 0:39:53Uncovered has just started.
0:39:53 > 0:39:56Will you turn it up?
0:39:56 > 0:39:58'Now, this is not about money.
0:39:58 > 0:40:01'Pure and simple, the nuclear age is here.'
0:40:04 > 0:40:07No, No, No!
0:40:07 > 0:40:08Is this how you have a conversation?
0:40:08 > 0:40:10We're done with conversation.
0:40:10 > 0:40:12Oh, really?
0:40:12 > 0:40:14Norman here was just...
0:40:14 > 0:40:17just telling me about his plans for your club.
0:40:19 > 0:40:25I think he was hoping you were done for.
0:40:25 > 0:40:26I'm not in the grave yet.
0:40:30 > 0:40:32Are you going to let me go now?
0:40:33 > 0:40:36Only we go out tonight.
0:40:36 > 0:40:37Where is Miss Delaine?
0:40:37 > 0:40:39Lost her. She was meeting him at the cinema.
0:40:44 > 0:40:45A date now?
0:40:47 > 0:40:51I wouldn't... I wouldn't flatter myself it was a date.
0:40:51 > 0:40:54Attack Of The Crab Monsters. Have you seen it?
0:40:54 > 0:40:56Don't.
0:40:56 > 0:40:58What did she tell you?
0:41:03 > 0:41:04Do you know the first...
0:41:04 > 0:41:07Do you know what the first rule of journalism is?
0:41:07 > 0:41:10If you want to get someone to tell you something,
0:41:10 > 0:41:13you have to give something of yourself first.
0:41:16 > 0:41:17You have no evidence.
0:41:18 > 0:41:24Whatever it is you think you have, you have no evidence.
0:41:24 > 0:41:25The police destroyed it.
0:41:27 > 0:41:28That's a... That's a start.
0:41:36 > 0:41:37'Commander Stern's office.'
0:41:37 > 0:41:39Yes, it's Bel Rowley here.
0:41:39 > 0:41:42I'm concerned with regards to one of my journalists who's gone
0:41:42 > 0:41:44missing - Mr Lyon, of The Hour.
0:41:44 > 0:41:46Could I speak to Commander Stern, please?
0:41:47 > 0:41:50Commander Stern, Miss Rowley from The Hour is on the telephone.
0:41:50 > 0:41:52Go home.
0:42:01 > 0:42:03Hector, prepare.
0:42:08 > 0:42:09He wouldn't miss this show.
0:42:13 > 0:42:17Isaac, script. It might need some tweaking now it's in my hands.
0:42:17 > 0:42:20There will be those who'll turn off their sets on seeing me tonight.
0:42:20 > 0:42:22Then make sure they don't. Good luck.
0:42:27 > 0:42:29Ladies and gentlemen, that's last checks, please.
0:42:31 > 0:42:33We're in trouble.
0:42:34 > 0:42:39That's the problem with trouble. It always starts out as such fun.
0:42:40 > 0:42:42They hate you.
0:42:45 > 0:42:48The businessmen and the ministers,
0:42:48 > 0:42:53the clientele you've worked so hard to lure in.
0:42:53 > 0:42:55They despise you.
0:42:55 > 0:42:59The way you fawn, the way you seduce them, the way you rob them.
0:42:59 > 0:43:03Yet you still naively think...
0:43:05 > 0:43:06..that you will fit in.
0:43:07 > 0:43:10Answer me. Where is she?
0:43:10 > 0:43:11You'll never fit in.
0:43:11 > 0:43:14You've no money and you didn't even go to the right school.
0:43:14 > 0:43:17And in the new world order,
0:43:17 > 0:43:18money...
0:43:20 > 0:43:22..money is king.
0:43:28 > 0:43:31You're the one trying to fit in.
0:43:31 > 0:43:33You're the performer, Mr Lyon.
0:43:36 > 0:43:37You don't know where she is.
0:43:37 > 0:43:40You tried to get her to help you and she runs.
0:43:40 > 0:43:42That's it.
0:43:43 > 0:43:45BACKGROUND CHATTER
0:43:47 > 0:43:50- KNOCK ON DOOR - Kiki?
0:43:50 > 0:43:52Freddie did say he was going to follow on?
0:43:52 > 0:43:57He...he didn't imply that he was going anywhere else?
0:43:57 > 0:44:00It's all Rosa left.
0:44:00 > 0:44:01Couple of lipsticks.
0:44:03 > 0:44:06I never got it when she said it to me.
0:44:06 > 0:44:07"Your face is your future".
0:44:09 > 0:44:11Twist it.
0:44:25 > 0:44:27One minute, please.
0:44:27 > 0:44:28BELL RINGS
0:44:28 > 0:44:32I've got something coming up from the lab, can you watch out for it?
0:44:33 > 0:44:34Where the hell is he?
0:44:38 > 0:44:40You'll never have a face for television now.
0:44:42 > 0:44:45Places, please, ladies and gentlemen.
0:44:57 > 0:44:58Cue Grams.
0:45:06 > 0:45:09Over.
0:45:09 > 0:45:11Yes, it's over.
0:45:12 > 0:45:14Turn it over.
0:45:16 > 0:45:18Five,
0:45:18 > 0:45:20four,
0:45:20 > 0:45:22three,
0:45:22 > 0:45:24two,
0:45:24 > 0:45:25one.
0:45:25 > 0:45:27'Good Evening,
0:45:27 > 0:45:29'in a departure for The Hour tonight'
0:45:29 > 0:45:33we will present an expose on the world of vice
0:45:33 > 0:45:35and the secrets that it hides.
0:45:36 > 0:45:38I apologise for the absence of my co-host,
0:45:38 > 0:45:41Mr Lyon, who could not be with us tonight.
0:45:41 > 0:45:44In presenting this special programme,
0:45:44 > 0:45:47we are acknowledging his fearless pursuit of this story.
0:45:48 > 0:45:50- 'On a day that has been dominated...'- Ready?
0:45:50 > 0:45:53- '..by scandal and police raids...' - Good luck.
0:45:53 > 0:45:56'..here at The Hour we felt events could not be ignored
0:45:56 > 0:45:59'even when those closest to the programme were implicated.'
0:45:59 > 0:46:00Bring in camera one.
0:46:00 > 0:46:02We've invited Miss Delaine
0:46:02 > 0:46:04to be interviewed on the programme tonight -
0:46:04 > 0:46:07a woman at the heart of the scandal.
0:46:07 > 0:46:09A scandal that also involves me.
0:46:11 > 0:46:13'Miss Delaine, thank you for joining us tonight.'
0:46:13 > 0:46:14Bring in camera two.
0:46:19 > 0:46:22'Now, I know you are nervous. So let's get started.'
0:46:24 > 0:46:26Two months ago we met.
0:46:26 > 0:46:27Yes.
0:46:27 > 0:46:31And at that time you accused me of attacking you.
0:46:31 > 0:46:33I did.
0:46:33 > 0:46:35Though it was proved that I had an alibi
0:46:35 > 0:46:38and you later withdrew the accusation.
0:46:38 > 0:46:39Why was that?
0:46:41 > 0:46:42Because I lied.
0:46:42 > 0:46:44And why did you lie?
0:46:45 > 0:46:49'Because the man who beat me up is someone important
0:46:49 > 0:46:50'and I was seeking revenge.'
0:46:52 > 0:46:53Can you name that man?
0:47:01 > 0:47:02'Let's go back a little.'
0:47:02 > 0:47:04How long have you worked at the club?
0:47:04 > 0:47:06- 'Four years.- And in that time'
0:47:06 > 0:47:09can you tell us about the men that you've met?
0:47:09 > 0:47:10PHONE RINGS
0:47:10 > 0:47:12Pick it up, pick it up!
0:47:12 > 0:47:14- Is it him?- It's Presentation.
0:47:17 > 0:47:19They'll call back.
0:47:19 > 0:47:22'And you're there to listen? Is that right?
0:47:22 > 0:47:24'That's what we're there for.'
0:47:24 > 0:47:27To hear things. To honeytrap.
0:47:27 > 0:47:29'For the benefit of those viewers
0:47:29 > 0:47:32'who may be unfamiliar with that term, what is a honeytrap?'
0:47:33 > 0:47:36We're the bait. For Mr Cilenti.
0:47:36 > 0:47:40He's the owner of El Paradis. Bait for what?
0:47:41 > 0:47:42Just breathe.
0:47:44 > 0:47:48'To trap them. To help them blackmail them.
0:47:48 > 0:47:49'To help him make deals.'
0:47:58 > 0:48:03You know the funny thing? I grew up near a British base in Italy.
0:48:03 > 0:48:09My mother serviced any number of British soldiers until I was born.
0:48:11 > 0:48:12What does that make me?
0:48:14 > 0:48:16An English man.
0:48:16 > 0:48:17'..Mr Cilenti at its heart.'
0:48:19 > 0:48:21Tonight, on ITV's Uncovered
0:48:21 > 0:48:23'there is a fierce debate raging regarding the Government's
0:48:23 > 0:48:25'nuclear armament budget.
0:48:25 > 0:48:28'The minister on that programme is justifying his campaign
0:48:28 > 0:48:31'for increased spending, claiming it is for protection.'
0:48:31 > 0:48:33I'm going down on the floor. Cue up the NATO film.
0:48:33 > 0:48:36'Well, there's one company in particular'
0:48:36 > 0:48:39that is set to make a lot of money in this arms race.
0:48:39 > 0:48:42That company is called Tufnell Engineering,
0:48:42 > 0:48:45the company co-owned by Mr Rafael Cilenti.
0:48:45 > 0:48:48Now, it is our belief that a leading minister has personally
0:48:48 > 0:48:52invested in this company in a deal brokered by Mr Cilenti.
0:48:52 > 0:48:55Miss Delaine was a witness to this deal.
0:48:55 > 0:48:58Miss Delaine, can you name that minister?
0:49:05 > 0:49:07'Mr Howard Satchell.'
0:49:07 > 0:49:09'Thank you to Mr Howard Satchell...'
0:49:09 > 0:49:11'As a leading defence minister'
0:49:11 > 0:49:14Mr Satchell attended the NATO summit late last year.
0:49:14 > 0:49:17Here is footage of that same summit, where some of the key
0:49:17 > 0:49:21decisions on the British nuclear defence policy were made.
0:49:25 > 0:49:27Proof.
0:49:27 > 0:49:30Miss Delaine was holding onto the negatives.
0:49:30 > 0:49:32- Are you all right? - Has Mr Lyon arrived?
0:49:32 > 0:49:34They've got him.
0:49:34 > 0:49:36Cilenti's got Mr Lyon.
0:49:39 > 0:49:41Oh, God. Freddie!
0:49:41 > 0:49:46Call the police! Somebody call the police!
0:49:53 > 0:49:57Corporations have been enthroned
0:49:57 > 0:50:02and an era of corruption in high places will follow
0:50:02 > 0:50:05and the money power of the country
0:50:05 > 0:50:08will endeavour to prolong its reign
0:50:08 > 0:50:13by working upon the prejudices of the people
0:50:13 > 0:50:18until all wealth is aggregated in a few hands
0:50:18 > 0:50:20and the Republic is destroyed.
0:50:31 > 0:50:34Abe Lincoln.
0:50:34 > 0:50:36Abe Lincoln said it.
0:50:36 > 0:50:38What did you say?
0:50:44 > 0:50:45Money.
0:50:48 > 0:50:49No money.
0:50:56 > 0:50:59'I've just been handed some photographs by my producer.'
0:50:59 > 0:51:02- Go to camera two.- They're en route, the police will be there soon.
0:51:02 > 0:51:05'I understand that you have provided these, Miss Delaine.'
0:51:05 > 0:51:07May I ask where you acquired these?
0:51:08 > 0:51:12A friend of mine believed every girl needs a little insurance.
0:51:14 > 0:51:18'I'm going to hold one of these photographs up to the camera.'
0:51:18 > 0:51:21Can you confirm that is Mr Howard Satchell?
0:51:26 > 0:51:29Miss Delaine.
0:51:29 > 0:51:30Yes.
0:51:32 > 0:51:35'It looks like a very relaxed evening.
0:51:35 > 0:51:38'There is clearly entertainment. What were you celebrating?
0:51:38 > 0:51:42'They just got back from Paris. They were very pleased with themselves.
0:51:42 > 0:51:45And what month was this?
0:51:45 > 0:51:46December.
0:51:47 > 0:51:51'Just after the NATO summit.'
0:51:51 > 0:51:56Now I also note, in this second photograph,
0:51:56 > 0:51:59I believe that's the Metropolitan Police Commissioner Laurence Stern.
0:51:59 > 0:52:01Is that right?
0:52:03 > 0:52:07'Yes. He's the man who beat me.'
0:52:08 > 0:52:11'There will be those viewers undoubtedly shocked to see
0:52:11 > 0:52:15'Mr Stern in so compromising a position.'
0:52:17 > 0:52:22Is it your belief that Mr Stern has enabled Mr Cilenti's actions?
0:52:22 > 0:52:25It is. And other officers.
0:52:27 > 0:52:30'And are there other men who you could name, Miss Delaine?
0:52:30 > 0:52:35'Yes. All names girls don't forget.
0:52:35 > 0:52:37'The Commissioner of Police often visits.
0:52:37 > 0:52:41'There are any number of officers in Cilenti's pocket.'
0:52:41 > 0:52:43Are you aware of any other criminal activities
0:52:43 > 0:52:45that have also been ignored?
0:52:45 > 0:52:48'I know bribes were paid
0:52:48 > 0:52:50'I know girls were brought into the country illegally
0:52:50 > 0:52:52'and nothing was done.'
0:52:52 > 0:52:57I know girls who were beaten and worse. I know of worse.
0:53:04 > 0:53:07We would like to thank you, Miss Delaine.
0:53:07 > 0:53:09Perhaps one last question?
0:53:09 > 0:53:12What do you believe these men come to you for?
0:53:14 > 0:53:16Comfort.
0:53:16 > 0:53:17Company.
0:53:19 > 0:53:21To tell you their secrets.
0:53:21 > 0:53:24The things they can't say at home, to their wives.
0:53:26 > 0:53:29They talk about things they're scared about.
0:53:29 > 0:53:31Maybe stuff they've seen in the past.
0:53:33 > 0:53:38And when they leave you, I don't know, in some hotel room,
0:53:38 > 0:53:42you lie there, daylight creeping under the curtains,
0:53:42 > 0:53:45your head full of their secrets, keeping you awake.
0:53:47 > 0:53:53Knowing you've got to go back, the next night and the next.
0:53:54 > 0:53:58We dance with them, drink with them
0:53:58 > 0:54:03and they flatter themselves that we like them.
0:54:03 > 0:54:06But we're just the ghosts in their lives.
0:54:07 > 0:54:11Kevin, could you...
0:54:12 > 0:54:15- ..could you get my bag? I've left it upstairs.- Yes, sir.- Thank you.
0:54:29 > 0:54:33Everyone, sooner or later, has to sit down to the consequences.
0:54:35 > 0:54:38So they shouldn't be surprised when we come back to haunt them.
0:54:42 > 0:54:44'Well, thank you, Miss Delaine, for talking to us.'
0:54:44 > 0:54:46Well done, Hector.
0:54:49 > 0:54:51There's that tick.
0:54:51 > 0:54:52We're off air.
0:55:13 > 0:55:15- Miss Delaine, Miss Delaine! - Good evening, gentlemen.
0:55:15 > 0:55:18Miss Patricia Delaine is unavailable for comment.
0:55:18 > 0:55:21But she will release a statement in the morning.
0:55:21 > 0:55:23Good evening, gentlemen. Thank you, thank you.
0:56:36 > 0:56:38'Dear Freddie.
0:56:38 > 0:56:43'So I got your letter. San Francisco - amazing.
0:56:43 > 0:56:47'I'm sorry it's taken me so long to write back.
0:56:47 > 0:56:51'There are life's natural heroes and then there's you.
0:56:51 > 0:56:54'Your words.
0:56:54 > 0:56:58'You always believe somewhere deep in you that there is a coward.
0:56:58 > 0:57:01'I wish I'd told you that that's not true
0:57:01 > 0:57:07'because you leapt while I stayed. Feet first into the unknown.
0:57:07 > 0:57:11'Why should I have expected anything less than fearlessness from you?'
0:57:11 > 0:57:12Money.
0:57:12 > 0:57:15'But I am not as brave as you.' PHONE RINGS
0:57:15 > 0:57:17'I want to write and say I'll be there.'
0:57:17 > 0:57:21'I'll get on a plane, I'll come right now. I really do.
0:57:21 > 0:57:25'But I can't. Not because I don't love you.
0:57:25 > 0:57:27'I love you, Freddie Lyon.
0:57:27 > 0:57:30'But because you won't even get this letter.'
0:57:30 > 0:57:31Money.
0:57:31 > 0:57:32'Because I won't ever send it.
0:57:32 > 0:57:37'I'm the coward Freddie, not you.
0:57:37 > 0:57:40'So, instead, I'm sending this prayer out there.'
0:57:40 > 0:57:42Moneypenny.
0:57:42 > 0:57:44'Just hoping that somehow you'll know to come home.
0:57:44 > 0:57:48'Just please come home. Now, soon and
0:57:48 > 0:57:51'maybe your courage will make me brave to.
0:57:51 > 0:57:54'Just come home and I will leap too.'
0:57:54 > 0:57:56Moneypenny.
0:58:02 > 0:58:05Subtitles by Red Bee Media Ltd