Limbo

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0:00:10 > 0:00:13CHILD IMITATES AN AEROPLANE

0:00:16 > 0:00:19Christ, the damages only return investors

0:00:19 > 0:00:22to where they'd be if you hadn't made the assurances,

0:00:22 > 0:00:25not if they'd been true. Give an inch on that and we truly are dead.

0:00:25 > 0:00:30- Julia!- Think you've had enough?

0:00:31 > 0:00:33If a man can't have a drink on his son's birthday...

0:00:33 > 0:00:36Anyway, Justin should be in bed. Tell your mother.

0:00:42 > 0:00:44Hello, Thomas.

0:00:44 > 0:00:46It's Tommy. No-one calls me Thomas.

0:00:48 > 0:00:51Leaving us so soon, Sergeant McCaffrey?

0:00:51 > 0:00:54Who else is going to keep Wimborne safe?

0:00:54 > 0:00:58- Daddy says Justin should go to bed. - Darling, would you be an angel?

0:00:58 > 0:01:01Hold that for me, Tommy.

0:01:01 > 0:01:03Oh, sure. How do I turn this off?

0:01:03 > 0:01:04Is it off?

0:01:04 > 0:01:06Say goodnight to your godson.

0:01:06 > 0:01:10Good night, Justin, sleep well. Have you had a good birthday?

0:01:10 > 0:01:12- Night, darling. - Night-night, Mummy.

0:01:12 > 0:01:15We shall stay on and party on in your honour.

0:01:15 > 0:01:17- ..Thank you.- Come on.

0:01:45 > 0:01:47Justin?

0:01:54 > 0:01:55Justin?

0:01:57 > 0:01:59Justin!

0:02:02 > 0:02:04Justin?

0:02:05 > 0:02:07Justin!

0:02:07 > 0:02:09Justin!

0:02:09 > 0:02:12Has anyone seen Justin?

0:02:12 > 0:02:14- Darling? - He's not in his bed, he's gone.

0:02:14 > 0:02:16Justin!

0:02:16 > 0:02:18Where are you? Justin!

0:03:22 > 0:03:25PHONE RINGS

0:03:29 > 0:03:32RINGING TONE

0:03:32 > 0:03:35PHONE CONTINUES RINGING

0:03:44 > 0:03:46Yeah?

0:03:46 > 0:03:48It's Justin.

0:03:48 > 0:03:51They've found him.

0:03:54 > 0:03:56DOORBELL BUZZES

0:03:58 > 0:03:59DOOR OPENS >

0:03:59 > 0:04:01Hey.

0:04:01 > 0:04:03Hello. What are you doing here?

0:04:03 > 0:04:06I heard that you'd stopped your sessions with the police therapist.

0:04:06 > 0:04:09She asked me to draw my grief. Hah.

0:04:09 > 0:04:11I don't mind you not getting back to me

0:04:11 > 0:04:13or I don't know when you're coming back,

0:04:13 > 0:04:16but I want to know that you're taking to someone.

0:04:16 > 0:04:19- I'm doing OK, really. - There's no-one, is there?

0:04:19 > 0:04:23Look, it's a fine line between concerned friend and intrusive pest.

0:04:23 > 0:04:27Yeah, are there's a finer one between drowning your sorrows

0:04:27 > 0:04:29- and drinking yourself to death. - God!

0:04:29 > 0:04:31- Where are you going? - None of your business.

0:04:31 > 0:04:33- Your breath stinks. - I'll buy some mints.

0:04:33 > 0:04:36Yeah, that'll fix it(!)

0:04:36 > 0:04:38- Excuse me.- No, excuse me.

0:04:38 > 0:04:41Are you sure the booze is out of your system?

0:04:41 > 0:04:43Why don't you arrest me and find out?

0:04:43 > 0:04:46- Look, I didn't come here to... - Thank you very much.

0:05:03 > 0:05:05- Bye, Mum. - Bye, darling.

0:05:07 > 0:05:09- What's going on, Dad? - Nothing.

0:05:09 > 0:05:11Absolutely nothing.

0:05:58 > 0:05:59It hasn't changed at all.

0:06:33 > 0:06:36Sam.

0:06:36 > 0:06:38- Where's the body, Mike?- Vivienne.

0:06:38 > 0:06:40If it's Justin, I'll know.

0:06:40 > 0:06:42Let's hear what Mike has to say.

0:06:42 > 0:06:45Well, our forensics say the skeleton's the right size

0:06:45 > 0:06:47and it does have a breakage here.

0:06:47 > 0:06:49Lots of children break their arms.

0:06:49 > 0:06:54Yes, yes, I know they do, so we're going to have to take a DNA test from you to be sure.

0:06:54 > 0:06:56Why don't you use Justin's own DNA?

0:06:56 > 0:06:59His hairbrush, his teddies are all still at the house.

0:06:59 > 0:07:02- OK.- I can't wait that long.

0:07:02 > 0:07:04No, Vivienne...

0:07:04 > 0:07:06Let me be your eyes.

0:07:06 > 0:07:08And then if you still want to see, fine.

0:07:34 > 0:07:38- Who found him?- Some kids.

0:07:38 > 0:07:40When the river burst its banks,

0:07:40 > 0:07:43the water forced its way up through an old drain.

0:07:43 > 0:07:46He'd been stuffed inside, covered with bricks and earth.

0:07:47 > 0:07:50Cause of death is probably this blow to the head.

0:07:50 > 0:07:54- You'd need a forensic pathologist for this, wouldn't you?- Mmm.

0:07:58 > 0:08:01- What?- Nothing, just good to see you.

0:08:02 > 0:08:05Thanks for the card, by the way.

0:08:05 > 0:08:06Sorry I haven't replied.

0:08:06 > 0:08:08Don't be stupid.

0:08:10 > 0:08:11Are you coping?

0:08:14 > 0:08:17OK, all things considered.

0:08:17 > 0:08:19But you miss her?

0:08:19 > 0:08:21What do you think?

0:08:21 > 0:08:24My wife died the day after Conrad was born.

0:08:25 > 0:08:30It does get better. You think it never will, but it really does.

0:08:30 > 0:08:31< Sir.

0:08:34 > 0:08:36Thanks.

0:08:55 > 0:08:57I'm sorry.

0:09:16 > 0:09:19HE IMITATES AN AEROPLANE

0:09:22 > 0:09:24..if you hadn't made the assurances!

0:09:24 > 0:09:25Night-night, my darling.

0:09:26 > 0:09:30- Night-night, Mummy.- We're going to party on in your honour.

0:09:52 > 0:09:56I've tried mutual friends, searched all my old address books...

0:09:56 > 0:10:00Thanks anyway, Conrad. I hope we didn't drag you out of court.

0:10:03 > 0:10:06You didn't have to come down, you know?

0:10:06 > 0:10:08Yes, I did, Dad.

0:10:08 > 0:10:10- Inspector.- Conrad.

0:10:10 > 0:10:13You can call me Tommy now, you know?

0:10:14 > 0:10:17You searched your old address books for...?

0:10:17 > 0:10:19They're not in contact with Julia.

0:10:19 > 0:10:22Last anyone heard, she was teaching primary school in Rome.

0:10:22 > 0:10:24The embassy are on to it.

0:10:24 > 0:10:28- What's the news on your old prime suspect, Sullivan?- Terminal cancer.

0:10:28 > 0:10:31If he killed Justin, he's taking it to the grave.

0:10:32 > 0:10:35Deathbed confession? Shall we have a shot at that?

0:10:35 > 0:10:38I'll see if I can find which rock he's hiding under.

0:10:40 > 0:10:41Dad...

0:10:41 > 0:10:43Five's a crowd?

0:10:52 > 0:10:53Vivienne?

0:10:53 > 0:10:56What's all this about Julia?

0:10:56 > 0:10:59She never came to terms with Justin's disappearance.

0:10:59 > 0:11:02But we had to - for Oliver.

0:11:02 > 0:11:04And she holds that against you?

0:11:04 > 0:11:06Shall we?

0:11:30 > 0:11:33Never went to sleep without Jack.

0:11:33 > 0:11:36Actually, erm... This might be more help.

0:11:36 > 0:11:38- Thank you.- OK.

0:11:38 > 0:11:41I'll say this for tragedy -

0:11:41 > 0:11:43it clears the mind like an acid bath.

0:11:48 > 0:11:49Really?

0:11:50 > 0:11:53Before we lost Justin, life was wasted on me.

0:11:53 > 0:11:56I was completely obsessed with making money

0:11:56 > 0:11:59- because I'd married into so much. - I remember. And now?

0:11:59 > 0:12:03Now, I'm a bum. Bit of charity work, bit of property.

0:12:03 > 0:12:06If the gutters need clearing out, I'll do it myself.

0:12:06 > 0:12:09And when Oliver wants help with his homework,

0:12:09 > 0:12:10it's a pleasure not a chore.

0:12:10 > 0:12:14The embassy got hold of Julia. She says she's not coming.

0:12:14 > 0:12:16She's not coming home for Justin's funeral.

0:12:54 > 0:12:58- Ciao, bambini!- CHILDREN: Ciao!

0:12:58 > 0:12:59Ciao! Ciao!

0:13:02 > 0:13:06- Julia?- Tommy.

0:13:06 > 0:13:08Ah, you remembered?

0:13:08 > 0:13:10Did my parents send you?

0:13:10 > 0:13:12No, I volunteered.

0:13:12 > 0:13:14Well, if you want to know, it's a relief.

0:13:14 > 0:13:16That's not how your mum sees it.

0:13:16 > 0:13:19Well, I'm not going to break open the champagne.

0:13:19 > 0:13:22I mean, she still had hope.

0:13:23 > 0:13:27Vivienne never was any good with bad news.

0:13:27 > 0:13:31She's had to learn. It'd mean a lot to them if you came back.

0:13:31 > 0:13:33My brother's dead.

0:13:33 > 0:13:36I don't need a ceremony to mourn him.

0:13:37 > 0:13:39I'm sorry, I have to go.

0:13:39 > 0:13:41At least let me buy you a cup of coffee.

0:13:51 > 0:13:55- Buongiorno.- Buongiorno. - Un cappuccino, per favore.

0:13:55 > 0:13:58- Due, grazie.- Prego.

0:13:58 > 0:14:00Forget about your parents.

0:14:00 > 0:14:03Forget about the funeral. Just think about Justin.

0:14:03 > 0:14:05He's been waiting years for this.

0:14:07 > 0:14:10- Where was he?- In an old drain.

0:14:12 > 0:14:14And no-one looked before?

0:14:14 > 0:14:16He was covered with bricks.

0:14:16 > 0:14:20The river overflowed and pushed his body up...

0:14:22 > 0:14:24Sorry.

0:14:24 > 0:14:27I asked.

0:14:27 > 0:14:30You really do have to say goodbye, you know?

0:14:30 > 0:14:32You're talking from experience?

0:14:33 > 0:14:35Yes.

0:14:39 > 0:14:41Prego.

0:14:41 > 0:14:43I need to pack.

0:14:43 > 0:14:45Grazie.

0:14:52 > 0:14:55Sam and Vivienne said they hadn't seen you in ages.

0:14:55 > 0:15:00- Because I resented them moving on? - There's no truth in that?- None.- So?

0:15:00 > 0:15:02Actually, I'd rather not.

0:15:05 > 0:15:08I hope you didn't take time off work.

0:15:08 > 0:15:12No, not really. I'm on compassionate leave.

0:15:12 > 0:15:14My wife, erm...

0:15:14 > 0:15:16What was her name?

0:15:16 > 0:15:19Helen.

0:15:19 > 0:15:22It's not so bad. I should be back at work quite soon, I think.

0:15:22 > 0:15:24Was it sudden?

0:15:25 > 0:15:28- Do you know, I'd... - You'd rather not?

0:15:33 > 0:15:34Wait a sec.

0:15:43 > 0:15:45- You all right?- Yes.

0:16:40 > 0:16:42Move! Move!

0:16:57 > 0:17:00Lost him. What's that?

0:17:00 > 0:17:03It fell out of his pocket.

0:17:06 > 0:17:09C'era qualcuno che ha preso...

0:17:09 > 0:17:12Qualcosa dalla casa mia - un inglese, alto.

0:17:12 > 0:17:14Si, la camera la nove, pero non so il nome.

0:17:14 > 0:17:16Grazie.

0:17:18 > 0:17:22There's an English man in room nine, but he doesn't know his name.

0:17:22 > 0:17:23Let's go and have a look.

0:17:27 > 0:17:31Hello? Hello!

0:17:31 > 0:17:32Let me have a go.

0:17:34 > 0:17:36Where did you learn that?

0:17:36 > 0:17:39A crime prevention course in Battersea.

0:17:39 > 0:17:40Don't ask.

0:18:03 > 0:18:06- Oh my God.- What?

0:18:06 > 0:18:07He's from home.

0:18:07 > 0:18:10What did he want in my flat?

0:18:12 > 0:18:15Chi siete? Che cosa fate qua dentro?

0:18:15 > 0:18:17Immediatamente uscite!

0:18:17 > 0:18:19La policia! Ma che cosa credete!

0:18:23 > 0:18:26I'll get his fingerprints off this. I'll run them when we get back.

0:18:26 > 0:18:30You find Justin and someone from home breaks into my apartment.

0:18:30 > 0:18:31How can that be a coincidence?

0:18:31 > 0:18:34- We'll find out who it was. - What if he's not on your records?

0:18:34 > 0:18:38We need to get you packed and then we'll catch our plane.

0:19:00 > 0:19:02I'm not sure I'm up to the drive down tonight.

0:19:03 > 0:19:08- Well, I'm driving.- No, I mean seeing my parents - the whole deal.

0:19:08 > 0:19:13OK, well, why don't we go first thing in the morning?

0:19:13 > 0:19:14Thanks.

0:19:29 > 0:19:34- Just moved in? - It's a friend's place, actually.

0:19:34 > 0:19:37Through here.

0:19:37 > 0:19:39THUNDER RUMBLES

0:19:47 > 0:19:49Is this OK?

0:19:50 > 0:19:53Great.

0:19:53 > 0:19:54Erm...

0:19:54 > 0:19:59- Do you want to go and grab a drink? - Sure. I'll just let Sam know.

0:20:01 > 0:20:03HE DIALS HIS PHONE

0:20:06 > 0:20:09- 'Hello.'- Sam, it's Tommy.

0:20:09 > 0:20:11Yeah, I've got Julia with me.

0:20:11 > 0:20:13We'll be down tomorrow by noon.

0:20:13 > 0:20:16'That's great news, Tommy. Thank you.'

0:20:22 > 0:20:24How did the call to Dad go?

0:20:24 > 0:20:26Oh, fine.

0:20:26 > 0:20:27I said we'd be down by midday.

0:20:30 > 0:20:31God, this place is sad.

0:20:33 > 0:20:35I don't mean "naff", I mean sad.

0:20:35 > 0:20:40Unfortunately, rather tragically, my local has become a gastropub...

0:20:40 > 0:20:43No, not this bar.

0:20:43 > 0:20:44It's...

0:20:44 > 0:20:47- It's England.- You're biased.

0:20:47 > 0:20:49Probably.

0:20:49 > 0:20:52- In Rome, they all sing Don Giovanni and read Dante.- In Latin.

0:20:52 > 0:20:54I don't think so!

0:20:54 > 0:20:56Why did you settle there?

0:20:56 > 0:20:58I don't know.

0:20:59 > 0:21:02What was it that John Lennon said?

0:21:02 > 0:21:06"Life is what happens when you're making other plans."

0:21:07 > 0:21:11- That was Ringo Starr. - Ringo never said anything famous.

0:21:14 > 0:21:18The thing about Rome is you can be alone without being lonely.

0:21:18 > 0:21:19What if you weren't alone?

0:21:19 > 0:21:23"What if" are the deadliest words in the English language.

0:21:23 > 0:21:25The prognosis can't be that bleak.

0:21:25 > 0:21:27I saw a lot of beautiful women in Rome,

0:21:27 > 0:21:29but you're not that hard on the eye!

0:21:29 > 0:21:33I have plenty of single male friends if you're worried about my sex life.

0:21:33 > 0:21:37I wasn't. What happens when they fall for you?

0:21:37 > 0:21:40Never let things get that far.

0:21:40 > 0:21:42Poor single male friends.

0:21:42 > 0:21:44I'm not waiting to be swept off my feet.

0:21:44 > 0:21:47Now that sounds like famous last words.

0:21:47 > 0:21:51- Check out the ego on you! - No, I'm talking from experience.

0:21:51 > 0:21:54Before Helen, I would go to friends' weddings

0:21:54 > 0:21:57and I would think, "How lovely, how sweet.

0:21:57 > 0:22:00"Thank God I'm waking up in the morning by myself..."

0:22:00 > 0:22:02or at least the morning after that.

0:22:02 > 0:22:04She changed you and then abandoned you?

0:22:07 > 0:22:09What a bitch.

0:22:12 > 0:22:14PAPER CRACKLES

0:22:24 > 0:22:26So, what do you say?

0:22:29 > 0:22:31I say that's bloody annoying, actually.

0:22:31 > 0:22:33I say it's a sign.

0:22:33 > 0:22:38- A sign of what? - We need another bottle.

0:22:50 > 0:22:54It was, erm...very kind of you to come and get me.

0:22:54 > 0:22:56More than kind.

0:23:06 > 0:23:07If looks could kill.

0:23:07 > 0:23:11I think it's because I missed the last residents' meeting.

0:23:11 > 0:23:13I hope you're ashamed of yourself.

0:24:30 > 0:24:31I borrowed this.

0:24:31 > 0:24:33Good.

0:24:33 > 0:24:35Are you OK?

0:24:35 > 0:24:37Fine.

0:24:37 > 0:24:39But you feel like a traitor.

0:24:40 > 0:24:42MOBILE PHONE RINGS

0:24:42 > 0:24:44Um...that's mine.

0:24:59 > 0:25:03- MUFFLED:- It was just a shock for me. No, I can't.

0:25:04 > 0:25:06Give me a minute.

0:25:10 > 0:25:12Sorry.

0:25:12 > 0:25:15A particularly keen single male friend.

0:25:15 > 0:25:18I thought you didn't let things get that far?

0:25:18 > 0:25:20Exactly.

0:25:20 > 0:25:22I didn't want you to hear me being horrid.

0:26:05 > 0:26:07FOOTSTEPS APPROACH

0:26:07 > 0:26:09LOUD CRASH

0:26:09 > 0:26:12Right, get up and put your hands where we can see them!

0:26:12 > 0:26:14What's going on?

0:26:14 > 0:26:16Where's Julia?

0:26:26 > 0:26:28No!

0:26:38 > 0:26:41How did she take the news about her brother?

0:26:46 > 0:26:49Yeah, she said it was a relief.

0:26:49 > 0:26:51And what about last night?

0:26:51 > 0:26:53Did she seem upset then?

0:26:54 > 0:26:57It was on her mind...

0:26:57 > 0:27:00- But nothing made you think she was suicidal?- No.

0:27:03 > 0:27:04Did you have sex with her?

0:27:06 > 0:27:10Come on, you don't have to think about that.

0:27:10 > 0:27:13Yes, I did.

0:27:15 > 0:27:16Then I agree with you.

0:27:17 > 0:27:19Doesn't sound like she was suicidal.

0:27:21 > 0:27:22Which is problematic.

0:27:22 > 0:27:26Door-to-door under way, Detective Superintendent Tate.

0:27:26 > 0:27:29I had no reason to harm her,

0:27:29 > 0:27:30but someone else might have done.

0:27:30 > 0:27:35- Tell me. - Justin's killer was never caught.

0:27:35 > 0:27:38Ancient history.

0:27:38 > 0:27:40Yesterday, if that's recent enough for you,

0:27:40 > 0:27:45- Julia had an intruder in her apartment in Rome.- Great.

0:27:45 > 0:27:48Will the Italian police corroborate this?

0:27:51 > 0:27:54Thomas Lynley, I am arresting you

0:27:54 > 0:27:58on suspicion of the murder of Julia Oborne.

0:27:58 > 0:28:00Do you have any questions at this time?

0:29:06 > 0:29:10- Just let me speak to him. - After I've interviewed him. - Five minutes?

0:29:10 > 0:29:11What's the urgency?

0:29:11 > 0:29:14You know bloody well he didn't kill her!

0:29:15 > 0:29:17Sorry, Ma'am.

0:29:17 > 0:29:19I would reserve judgment if I were you,

0:29:19 > 0:29:21see how the interview goes.

0:29:21 > 0:29:23I'm just concerned for his welfare.

0:29:23 > 0:29:26And I'm concerned for the young woman I just scraped off the pavement.

0:29:28 > 0:29:30Look, he's my partner

0:29:30 > 0:29:33and six months ago his wife was shot dead in front of him.

0:29:33 > 0:29:37I just want to do right by him... Ma'am.

0:29:37 > 0:29:40SHE SIGHS

0:29:42 > 0:29:44If he cries on your shoulder...

0:29:44 > 0:29:46It's admissible, I know.

0:29:49 > 0:29:51Don't make me regret this.

0:29:58 > 0:29:59BUZZER

0:29:59 > 0:30:01DOOR OPENS

0:30:02 > 0:30:04Havers.

0:30:04 > 0:30:05Are you OK?

0:30:07 > 0:30:09Who called you?

0:30:09 > 0:30:12- Are you OK?- You mean, "Did I do it"?

0:30:12 > 0:30:14No, I mean, are you bloody OK?

0:30:14 > 0:30:18God, I've been asking you that for the last six months!

0:30:20 > 0:30:22I need your help.

0:30:22 > 0:30:23OK.

0:30:30 > 0:30:33Somebody broke into Julia's apartment.

0:30:33 > 0:30:37- I need you to check for fingerprints on that.- This is evidence!

0:30:37 > 0:30:40- Tate isn't remotely interested in it.- No, I can't!- Barbara, please!

0:30:40 > 0:30:43BUZZER

0:30:44 > 0:30:47- Don't say another word, Tommy. - Conrad.- Dad called me.

0:30:47 > 0:30:50- I don't need a lawyer. - Are you under caution?

0:30:50 > 0:30:53- Yes.- You need a lawyer.- He's right.

0:30:53 > 0:30:55My client really doesn't need your advice.

0:30:55 > 0:30:59Conrad, this isn't the arresting officer. This is my friend, DS Havers.

0:31:01 > 0:31:02Sorry.

0:31:03 > 0:31:04OK.

0:31:08 > 0:31:10BUZZER

0:31:10 > 0:31:13What the hell happened, Tommy?

0:31:19 > 0:31:21- How's he doing?- Not good.

0:31:21 > 0:31:23He wants this checked for prints and DNA -

0:31:23 > 0:31:25after hours, but right now, if you get me.

0:31:25 > 0:31:28Why aren't we sharing this with Tate?

0:31:28 > 0:31:32Cos for her, there's only one suspect and she's talking to him.

0:31:32 > 0:31:33Cheers, Stu.

0:31:38 > 0:31:41Julia got a call on her mobile

0:31:41 > 0:31:46at around...2am.

0:31:47 > 0:31:49Ex-boyfriend from Rome.

0:31:49 > 0:31:50Unlikely.

0:31:50 > 0:31:53It was from a pay-phone opposite your apartment.

0:31:54 > 0:31:58What's more likely is you made the call to introduce a third party,

0:31:58 > 0:32:02- but we're jumping ahead... - To unsubstantiated conclusions.

0:32:02 > 0:32:09So, you were bringing Miss Oborne home as a favour to her parents?

0:32:11 > 0:32:15- Yes.- And that included having sexual intercourse with her?

0:32:15 > 0:32:17Julia Oborne was a 29-year-old adult.

0:32:17 > 0:32:20Are you making a point or just a cheap shot?

0:32:20 > 0:32:24Three bottles of red. There a reason you drank so much?

0:32:26 > 0:32:28Nothing specific.

0:32:28 > 0:32:35I think, in different ways, we just wanted to forget.

0:32:35 > 0:32:39- In your case, the loss of your wife? - Don't answer that, Tommy.

0:32:39 > 0:32:42Your wife was shot dead, right in front of you, wasn't she?

0:32:47 > 0:32:49You know she was.

0:32:49 > 0:32:53I hope the Met are providing counselling for PTS?

0:32:53 > 0:32:56- They were. They did.- What happened?

0:32:56 > 0:32:58I wasn't getting anything from it.

0:32:58 > 0:33:01- Perhaps you were still too angry? - Perhaps.

0:33:01 > 0:33:03Did you get angry with Miss Oborne?

0:33:03 > 0:33:05You've asked that 20 different ways.

0:33:05 > 0:33:08My client has already stated his innocence.

0:33:08 > 0:33:11Was it the first time you'd had sex since your wife?

0:33:11 > 0:33:15Detective Superintendent, your desperation is becoming offensive.

0:33:15 > 0:33:18Yes. Yes, it was.

0:33:20 > 0:33:22You waited a long time then?

0:33:25 > 0:33:28As a policeman, I'm sure you know it's hard to tell the difference,

0:33:28 > 0:33:31forensically, between consensual sex and other kinds.

0:33:31 > 0:33:33This is a fishing trip.

0:33:33 > 0:33:36You have no motive and my guess is, no forensics,

0:33:36 > 0:33:38so I insist you release my client immediately.

0:33:38 > 0:33:40Oh, you insist?

0:33:40 > 0:33:42Oh, well,

0:33:42 > 0:33:44in that case...

0:33:45 > 0:33:48Is this personal? Cos he's an earl?

0:33:48 > 0:33:51Just the opposite. I'm treating him like anyone else.

0:33:51 > 0:33:52Vedder.

0:33:54 > 0:33:57A resident saw them getting intimate in the corridor.

0:33:57 > 0:34:00Doesn't mean she wanted to go all the way.

0:34:00 > 0:34:03- No, but she initiated things. - What about the PM?

0:34:03 > 0:34:06They're not done, but no defence wounds, no signs of struggle.

0:34:06 > 0:34:08Not after falling five stories.

0:34:08 > 0:34:10There's needle scarring on her arms.

0:34:10 > 0:34:12Looks like an ex-user.

0:34:12 > 0:34:14Maybe she DID top herself.

0:34:14 > 0:34:17(Thank you, DC Vedder.)

0:34:29 > 0:34:32- Would you like to share your news with us?- No, I would not.

0:34:32 > 0:34:36So it was nothing suggesting Miss Oborne was pushed from the window?

0:34:36 > 0:34:38Forensics is not complete.

0:34:38 > 0:34:42My client had no reason to hurt this woman,

0:34:42 > 0:34:44but she had every reason to hurt herself.

0:34:44 > 0:34:46As a friend of the victims,

0:34:46 > 0:34:47I know that in her 20s,

0:34:47 > 0:34:50she was frequently treated for heroin abuse.

0:34:50 > 0:34:53What a friend you are.

0:34:53 > 0:34:56Julia was a tragically unstable person

0:34:56 > 0:35:00and while her suicide is a shock, it is not a surprise.

0:35:02 > 0:35:04Charge my client or release him.

0:35:04 > 0:35:07To think your dad's a copper.

0:35:07 > 0:35:09Charge my client...

0:35:11 > 0:35:12..or release him.

0:35:23 > 0:35:26Until our investigations are complete,

0:35:26 > 0:35:31I must request... that you remain in London.

0:35:31 > 0:35:33Fine.

0:35:44 > 0:35:48- Sam.- You were supposed to bring her home, not get her drunk and bed her.

0:35:48 > 0:35:50That's not what happened.

0:35:50 > 0:35:53You tell her her brother's dead then put your arms round her.

0:35:53 > 0:35:55- Shame on you!- Sam, we need to talk.

0:35:55 > 0:35:59Sorry, bad time. I've got to identify my daughter's body.

0:35:59 > 0:36:00Vivienne.

0:36:00 > 0:36:03I am so, so sorry.

0:36:03 > 0:36:08I want you to request a second postmortem, whatever the findings of the first.

0:36:08 > 0:36:10- Why?- I want to bring in Stewart Lafferty...

0:36:10 > 0:36:13But what do you expect him to find?

0:36:13 > 0:36:16I don't know. I just want to know we've turned over every stone.

0:36:18 > 0:36:20How could it happen twice, Tommy?

0:36:21 > 0:36:24How could it happen twice?

0:36:28 > 0:36:30Mr Oborne, Superintendent Tate.

0:36:32 > 0:36:34Mrs Oborne? Please.

0:36:39 > 0:36:41Great. You're barely out the door

0:36:41 > 0:36:44and you're helping Tate build a case against you.

0:36:44 > 0:36:47- Julia wasn't suicidal.- And if Lafferty proves that, what next?

0:36:47 > 0:36:49- I'm not frightened of the truth. - Tate charges you.

0:36:49 > 0:36:53- We find a new suspect.- You know what happens to coppers inside.

0:36:53 > 0:36:55- A real suspect. - What if we don't find one?

0:36:55 > 0:36:58We've already got one. We just don't know his name.

0:37:24 > 0:37:29- Lafferty'll call when he knows anything about the pill box? - I told him it wasn't urgent.

0:37:30 > 0:37:32LYNLEY LAUGHS SARCASTICALLY

0:37:35 > 0:37:38Don't you think you should take a breath?

0:37:38 > 0:37:42- Not if I'm going to find out what happened. - That's Tate's job. Let her do it.

0:37:42 > 0:37:44I owe this to Sam and Vivienne.

0:37:44 > 0:37:47Come on, they know you didn't kill their daughter.

0:37:47 > 0:37:49At worst...

0:37:51 > 0:37:53Yeah? At worst?

0:37:53 > 0:37:57They'll think you exploited her grief.

0:38:00 > 0:38:01Is that what you think?

0:38:01 > 0:38:05I don't think it was your finest hour.

0:38:10 > 0:38:12Where are you going?

0:38:13 > 0:38:14The gents.

0:38:53 > 0:38:56MOBILE PHONE RINGS

0:38:56 > 0:38:58- Lafferty?- 'We've got a match.'

0:39:10 > 0:39:12Hey, Lafferty.

0:39:12 > 0:39:14How are you, Tommy?

0:39:14 > 0:39:15Fine.

0:39:19 > 0:39:23- We're sure it's Sullivan's prints? - 16 points of ridge bifurcation.

0:39:23 > 0:39:27- Expected a more salubrious address though.- Why?

0:39:27 > 0:39:29Bropidox is a targeted therapy.

0:39:29 > 0:39:33Unlike chemo drugs, it just fixes what's broke - but at a price.

0:39:33 > 0:39:36- So not on the NHS? - Not even for sale in the UK.

0:39:36 > 0:39:40Mail order only from the States. A year's course is 20 grand.

0:39:40 > 0:39:44The Obornes have requested a second PM and I suggested you do it.

0:39:44 > 0:39:47You mean you've told them to request one. Why?

0:39:47 > 0:39:52Because I think Julia was murdered and I want you to prove it.

0:39:52 > 0:39:54- Be careful what you wish for. - Don't waste your breath.

0:40:04 > 0:40:07Here we go. Sullivan!

0:40:09 > 0:40:12Sullivan!

0:40:12 > 0:40:15- The lock looks pretty flimsy. - Yeah, so does our warrant.

0:40:15 > 0:40:18I'll try and find a building manager.

0:40:20 > 0:40:21Or maybe not.

0:40:33 > 0:40:36Someone's been a busy boy.

0:40:36 > 0:40:38Passwords? Entry codes?

0:40:41 > 0:40:43You said he was a programmer,

0:40:43 > 0:40:45maybe he's been trying to hack into something.

0:40:45 > 0:40:47I'll try that other room.

0:41:01 > 0:41:03- Sir.- Yep.

0:41:03 > 0:41:06In all these codes, the same two words keep cropping up.

0:41:06 > 0:41:07Rich Maitland.

0:41:27 > 0:41:30So, what, he's hacking in to steal cancer drugs?

0:41:30 > 0:41:32Not quite. Listen.

0:41:32 > 0:41:36"Dear Mr Sullivan, I could never overstate your contribution to my IT unit.

0:41:36 > 0:41:41"I assure you I did not anonymously furnish you with an account at Rich Maitland Pharmaceuticals."

0:41:41 > 0:41:46- "Wishing you a speedy recovery." - So he has a mystery benefactor.

0:41:46 > 0:41:48Not too keen on the mystery part of it.

0:41:48 > 0:41:52If Lafferty's right, this is thousands of pounds worth of drugs.

0:41:54 > 0:41:56Sullivan. Careful.

0:42:01 > 0:42:05- Is this supposed to mean something? - It means Julia Oborne saved my life.

0:42:05 > 0:42:09Now, why would she want to do a thing like that?

0:42:11 > 0:42:15DS Tate, the Obornes have requested that I carry out a second postmortem.

0:42:15 > 0:42:18Off the record, the PM found no restraining injuries,

0:42:18 > 0:42:20nothing suggesting foul play.

0:42:20 > 0:42:23- Really?- Then again, she did fall five stories,

0:42:23 > 0:42:25so who knows what that covered up?

0:42:25 > 0:42:28- What about a cause of death? - Ruptured spleen. From the fall.

0:42:28 > 0:42:33I still have to fulfil the Obornes' request.

0:42:33 > 0:42:36What's Lynley playing at?

0:42:36 > 0:42:40- Why does he, of all people, want a second PM?- Lynley?

0:42:40 > 0:42:42Please.

0:42:42 > 0:42:46You really think I don't know you've worked together 100 times?

0:42:46 > 0:42:49You think I'm fooled by this "Parents want a second postmortem" crap?

0:42:49 > 0:42:52I really don't know what you're talking about.

0:42:52 > 0:42:57- I do know that the Obornes have a legal right to a second...- Fine.

0:42:57 > 0:43:01But whatever you turn up, it's full disclosure - understood?

0:43:01 > 0:43:03Absolutely. Full disclosure.

0:43:05 > 0:43:07She threw herself off a building?

0:43:07 > 0:43:09No, she was found dead at the bottom of one.

0:43:09 > 0:43:12- Make sense if she did throw herself off.- How's that?

0:43:12 > 0:43:16Same reason she gave me 20 grand's worth of cancer treatments. Guilt.

0:43:18 > 0:43:20Guilt about what?

0:43:20 > 0:43:22- I hope the bitch remembered me in her will.- Sir!

0:43:24 > 0:43:26Guilt about what?

0:43:26 > 0:43:28Her brother.

0:43:28 > 0:43:31She knew I was innocent and that delivery note proves it.

0:43:31 > 0:43:34It was left in with the last consignment.

0:43:34 > 0:43:37A billing address, but no name.

0:43:37 > 0:43:38So that's why you were

0:43:38 > 0:43:43trying to break into the drug company's customer records?

0:43:43 > 0:43:45When did you get back from Rome?

0:43:46 > 0:43:48Think logically.

0:43:48 > 0:43:49When the pills run out,

0:43:49 > 0:43:53I go back to pissing blood and watching my skin fall off.

0:43:53 > 0:43:56Why would I want to kill the very person saving me from that fate?

0:43:56 > 0:43:58When did you get back?

0:43:58 > 0:44:0211:30 this morning. Want to see my boarding pass?

0:44:12 > 0:44:16If Sullivan's innocent, what was he doing at Julia's apartment?

0:44:16 > 0:44:18He wanted to find out who his benefactor was.

0:44:18 > 0:44:20There must be an explanation. Sam?

0:44:20 > 0:44:23Where would Julia get that kind of money?

0:44:23 > 0:44:25Teaching primary school?

0:44:25 > 0:44:28She inherited something when her grandfather died.

0:44:28 > 0:44:31In the fall-out from Justin, Sullivan lost his job,

0:44:31 > 0:44:35beaten up repeatedly, nearly died when someone burned down his home.

0:44:35 > 0:44:38- In that context... - And he did get away with murder.

0:44:38 > 0:44:42In that context, Julia's generosity feels like...compensation.

0:44:42 > 0:44:45That's a leap.

0:44:45 > 0:44:46I know.

0:44:46 > 0:44:49At the very least, it could shed some light on her suicide.

0:44:51 > 0:44:54You said you didn't think it was suicide?

0:44:54 > 0:44:56I didn't.

0:44:56 > 0:45:00- And now you're off the hook, you're having second thoughts?- No.

0:45:00 > 0:45:01Perhaps your head's clearing.

0:45:01 > 0:45:05How much did you have to drink again? How much did she have?

0:45:05 > 0:45:10£20,000 worth of cancer drugs are what's giving me second thoughts.

0:45:10 > 0:45:12And if Julia killed herself,

0:45:12 > 0:45:16it...it wasn't because she'd drunk too much.

0:45:16 > 0:45:19We have to consider the possibility that Julia took Justin.

0:45:21 > 0:45:23What?

0:45:23 > 0:45:27- Where was she the night that Justin went missing?- In her studio.

0:45:27 > 0:45:29- Any witnesses to that?- Yes.

0:45:29 > 0:45:31Me.

0:45:31 > 0:45:33Witnesses?

0:45:34 > 0:45:38Now Julia killed herself because she murdered her own brother?

0:45:39 > 0:45:40Christ, Tommy!

0:45:40 > 0:45:44If you call that a theory, perhaps you should never go back to work.

0:45:49 > 0:45:53- I thought that Sam would be the scary one.- Yeah, me too.

0:45:53 > 0:45:56Do you get the feeling that Julia helping Sullivan

0:45:56 > 0:45:58wasn't the surprise to him it was to her?

0:45:58 > 0:45:59He's just lost his daughter.

0:45:59 > 0:46:03I accused that daughter of murder and he didn't say a word.

0:46:03 > 0:46:05Mike. Lynley.

0:46:05 > 0:46:07Oh, no - more than OK, thank you.

0:46:07 > 0:46:11I'd like to get hold of that video footage of Justin's birthday party if possible.

0:46:19 > 0:46:22I defended a guy last year with a case hinged on CCTV.

0:46:22 > 0:46:26- Still have some enhancement software on here.- Beyond the call.

0:46:26 > 0:46:28Think I know why Sam and Julia

0:46:28 > 0:46:31absented themselves from their own party.

0:46:32 > 0:46:35Julia!

0:46:35 > 0:46:37- JULIA:- Think you've had enough?

0:46:37 > 0:46:40If a man can't have a drink on his son's birthday...

0:46:40 > 0:46:43- Sam's getting hammered. - And Julia doesn't like it.

0:46:43 > 0:46:45Exhibit number two.

0:46:45 > 0:46:48This is Julia just after putting Justin to bed.

0:46:48 > 0:46:51I had to zoom in and clean it up,

0:46:51 > 0:46:53but it was worth it.

0:46:54 > 0:46:57Julia corners Dad for a private chat.

0:46:57 > 0:46:58What's he saying?

0:46:58 > 0:47:02- I think we can guess it's not "great party".- We can more than guess.

0:47:02 > 0:47:05Temper, temper.

0:47:05 > 0:47:08So Julia leaves and Dad follows.

0:47:08 > 0:47:11She starts the fight. He's going to finish it.

0:47:11 > 0:47:13- But what was the fight about? - Talk to Sam.

0:47:13 > 0:47:16He never mentioned the row in '95. He'll play it down now.

0:47:19 > 0:47:22But there's someone else who might know.

0:47:25 > 0:47:26Conrad.

0:47:30 > 0:47:34I had a fling with the Obornes' ex-nanny, Christine Faraday.

0:47:34 > 0:47:37- She was sacked - accused of breaking Justin's arm.- Wrongly.

0:47:37 > 0:47:40Christine loved that kid, and for a few weeks, I loved her.

0:47:40 > 0:47:42She didn't have a bad bone in her body.

0:47:42 > 0:47:46- Christine must've been a suspect in the abduction?- She had an alibi.

0:47:46 > 0:47:49Me and half the village pub. She was in there drowning her sorrows

0:47:49 > 0:47:53- for missing Justin's party. - What light can she shed on this?

0:47:53 > 0:47:55She got a call from Julia that evening.

0:47:55 > 0:47:59Once I'd eliminated Christine, it didn't seem significant.

0:47:59 > 0:48:03That could soundtrack the argument we've just watched.

0:48:08 > 0:48:11Excuse me, we've just left London. What about Tate?

0:48:11 > 0:48:14Tate can go and do the other thing.

0:48:27 > 0:48:28What is it?

0:48:30 > 0:48:33Detective Superintendent Tate.

0:48:33 > 0:48:34I didn't hear you creep in there.

0:48:34 > 0:48:36What are you seeing?

0:48:36 > 0:48:40- Nothing. - Nothing?

0:48:40 > 0:48:43So far I'm with your pathologist all the way.

0:48:43 > 0:48:46Oh. I told you a second PM was unnecessary.

0:48:46 > 0:48:50I presume there were photos taken at the crime scene?

0:48:50 > 0:48:54I think, yeah, maybe someone took some with their phone(!)

0:48:57 > 0:49:02What does Lynley know that I don't?

0:49:05 > 0:49:08I'll see those photos now, if that's OK.

0:49:29 > 0:49:31Thanks.

0:49:37 > 0:49:40As beautiful as ever.

0:49:40 > 0:49:41Conrad.

0:49:43 > 0:49:45Christine, I have some terrible news.

0:49:54 > 0:49:55I'm so sorry.

0:49:58 > 0:50:01Hello, Christine.

0:50:01 > 0:50:02Mike.

0:50:04 > 0:50:05Conrad.

0:50:13 > 0:50:16We need to have a couple of words if you don't mind.

0:50:35 > 0:50:37The evening Justin went missing,

0:50:37 > 0:50:41you were in the pub with Conrad and you got a call from Julia.

0:50:41 > 0:50:44- Yes?- So what did she say?

0:50:44 > 0:50:47It wasn't fair that I'd missed such a great party.

0:50:47 > 0:50:49Nothing more pressing than that? Come on.

0:50:49 > 0:50:52That family have been through enough.

0:50:52 > 0:50:55You say they accused you of breaking their child's arm!

0:50:55 > 0:50:56Are you saying I lied?

0:50:56 > 0:50:59If it was me, I'd want to set the record straight.

0:51:18 > 0:51:22Christine. Your loyalty is to Julia and Justin, not their parents.

0:51:22 > 0:51:25Julia told me she knew who broke Justin's arm.

0:51:25 > 0:51:29She knew because Justin had told her himself.

0:51:29 > 0:51:30Sam?

0:51:30 > 0:51:34Justin had messed up some papers in his study and Sam was drunk again.

0:51:34 > 0:51:37That sounds like a flashpoint, not the real cause.

0:51:37 > 0:51:39Well, that's all she told me.

0:51:39 > 0:51:40MOBILE PHONE RINGS

0:51:40 > 0:51:44- Can you turn that off, please? - Sorry.

0:51:44 > 0:51:47- Lafferty. - OK, the spleen is breached,

0:51:47 > 0:51:52so I'm thinking post-mortem, if only by a minute or so.

0:51:52 > 0:51:54How did she die?

0:51:55 > 0:51:58My best guess is asphyxiation.

0:51:58 > 0:51:59'I've found what looks like

0:51:59 > 0:52:04'a fragment of a rubber glove between her teeth.'

0:52:04 > 0:52:07I'm having it tested for DNA.

0:52:07 > 0:52:10But the thing is, if I sit on this,

0:52:10 > 0:52:14I'm violating full disclosure and if I don't...

0:52:14 > 0:52:16'it's murder again and you'll be arrested,'

0:52:16 > 0:52:18- so we're... - DOOR OPENS >

0:52:18 > 0:52:24Yeah, OK, thanks. Cheers for that.

0:52:24 > 0:52:26Heading out?

0:52:26 > 0:52:28You should be a detective.

0:52:28 > 0:52:31I can arrange transport.

0:52:32 > 0:52:34I'm good. Thanks.

0:52:39 > 0:52:42Sam's the one person Julia would've covered for.

0:52:42 > 0:52:43Always a daddy's girl.

0:52:43 > 0:52:45Would he repay her by killing her?

0:52:45 > 0:52:48If she was threatening to tell Vivienne,

0:52:48 > 0:52:50threatening their new life in London with Oliver.

0:52:50 > 0:52:53From here to London in the middle of night is two hours?

0:52:53 > 0:52:57Tops. So he could've got down to your flat and been back by dawn.

0:52:57 > 0:52:59We're not even thinking if he's capable

0:52:59 > 0:53:02- of murdering his own two children!- Maybe just one.

0:53:02 > 0:53:05Notice he didn't want his DNA matched with Justin's?

0:53:27 > 0:53:29There.

0:53:29 > 0:53:31What do you reckon?

0:53:31 > 0:53:33I'm glad we live in London.

0:53:33 > 0:53:35Spoken like your father's son.

0:53:47 > 0:53:52You said when we got here, you'd tell me what's going on.

0:53:52 > 0:53:55I'm going away on a long trip,

0:53:55 > 0:53:59but I need to tell you a bit of family history first.

0:54:01 > 0:54:03Dad?

0:54:03 > 0:54:07What's this long trip? Are you trying to tell me something?

0:54:10 > 0:54:16Lies really can kill you, Oliver. They killed your brother and sister.

0:54:17 > 0:54:20So you have to know the truth, however much it hurts.

0:54:20 > 0:54:22What are we doing here? Why's Mum in London?

0:54:22 > 0:54:25Am I talking to the walls? Shut up and listen!

0:54:33 > 0:54:35When I married your mother,

0:54:35 > 0:54:39I decided that there was no way I would turn into one of those

0:54:39 > 0:54:43freeloading house-husbands who get up at 11 to fix lunch.

0:54:43 > 0:54:48No - I was going to earn my own pile, thank you very much.

0:54:48 > 0:54:52The day after the honeymoon, I set up my own business,

0:54:52 > 0:54:54Oborne Investments.

0:54:54 > 0:54:56- Good for you, Dad.- No.

0:54:57 > 0:54:59No, it wasn't.

0:54:59 > 0:55:03It was a disaster, it was the root of all this.

0:55:04 > 0:55:07Hey, come here.

0:55:08 > 0:55:10(Come here.)

0:55:13 > 0:55:16It's all about... self-knowledge, Oliver.

0:55:20 > 0:55:22Knowing thyself.

0:55:25 > 0:55:26Down the hatch.

0:55:37 > 0:55:39Tommy?

0:55:39 > 0:55:42Tommy, Sam's taken Oliver.

0:55:49 > 0:55:50GUNSHOT

0:55:54 > 0:55:56- Dad! Dad!- Oliver! Oliver!

0:55:56 > 0:55:58He's going to kill himself!

0:55:58 > 0:55:59- Get him out of here.- No!

0:56:13 > 0:56:18- Can't even shoot myself now. - There are worse things to be bad at.

0:56:19 > 0:56:22Got to hand it to you, Tommy. You saw it before I did.

0:56:22 > 0:56:24The sweep, the symmetry.

0:56:24 > 0:56:26The contours of tragedy.

0:56:26 > 0:56:29Right now, I'm not seeing the contours at all.

0:56:29 > 0:56:33Well, your theory... that Vivienne scoffed at.

0:56:34 > 0:56:36Julia.

0:56:36 > 0:56:38- She did take Justin?- But...

0:56:40 > 0:56:42..I drove her to it.

0:56:44 > 0:56:46Something terrible must have happened.

0:56:46 > 0:56:51If only she'd spoken to me. She didn't have to kill herself.

0:56:51 > 0:56:56- Oh, Sam, slow down. - The darkness spread like a stain,

0:56:56 > 0:56:59but it started with me.

0:56:59 > 0:57:02Is that a poetic way of saying it was you who broke Justin's arm?

0:57:02 > 0:57:06It was an accident, but...

0:57:06 > 0:57:08I'd had a skinful...

0:57:08 > 0:57:11You never had any accidents like that with Julia though, did you?

0:57:11 > 0:57:13That's close enough.

0:57:13 > 0:57:15Because Julia...

0:57:15 > 0:57:18Unlike Justin, Julia was your child, hey?

0:57:18 > 0:57:20Hmm.

0:57:20 > 0:57:23Gave myself away with the DNA sample, right? Even that was my fault.

0:57:23 > 0:57:28I was so angry when Vivienne stopped funding me, I just stayed up in London sulking.

0:57:28 > 0:57:32- Would you give the self-pity a rest? - You think that's what this is?

0:57:32 > 0:57:35If you were going to shoot yourself, you'd have done it by now.

0:57:35 > 0:57:38People have always underestimated me, Tommy.

0:57:48 > 0:57:49Tommy.

0:57:51 > 0:57:54I've got some bad news for you, Sam.

0:57:54 > 0:57:56It's not all your fault.

0:57:58 > 0:58:01The symmetry goes even darker than I thought.

0:58:03 > 0:58:04What are you talking about?

0:58:04 > 0:58:10Julia didn't commit suicide because she felt guilty about Justin. She was murdered.

0:58:13 > 0:58:16- How?- I'm not going to tell you any more until you give me that gun.

0:58:19 > 0:58:21You're bluffing.

0:58:28 > 0:58:30Tommy.

0:58:55 > 0:58:59It was about eight when I found her in her studio.

0:59:06 > 0:59:09She tried softly-softly, bless her.

0:59:11 > 0:59:15"Daddy, I know you're only drinking because business is bad..."

0:59:15 > 0:59:19You've got to own up to what you did to Justin. Re-instate Christine.

0:59:19 > 0:59:23I don't know what you're talking about.

0:59:23 > 0:59:27If you so much as clip his ear,

0:59:27 > 0:59:30I swear you'll see neither of us ever again.

0:59:34 > 0:59:38- You're drunk.- Don't start. - And you resented every second of Justin's party!

0:59:38 > 0:59:40Please don't hurt him.

0:59:41 > 0:59:43Hurt him?

0:59:43 > 0:59:47I know it's the drink, Daddy. I know it's not you.

0:59:50 > 0:59:51You need help.

0:59:54 > 0:59:57Even if he's not yours, it's not his fault.

1:00:04 > 1:00:06I'll never forget the fear in her eyes.

1:00:08 > 1:00:12It's because she'd seen the man who broke her brother's arm,

1:00:12 > 1:00:14and her mind was made up.

1:00:19 > 1:00:22But I didn't kill her...

1:00:23 > 1:00:25I swear.

1:00:37 > 1:00:40- Where's Oliver?!- Oliver's fine. Did you sleep last night?

1:00:40 > 1:00:43- What?- How much sleep did you get last night?- Barely any, why?

1:00:43 > 1:00:46- Was Sam was with you?- Of course, why?- Great. Go easy on him.

1:00:46 > 1:00:49- I think he's literally "mad with grief".- And I'm not?

1:00:49 > 1:00:51Viv, you're stronger than he is.

1:00:51 > 1:00:53- I'm still going to kill him. - Of course.

1:00:53 > 1:00:55And once you've done that...

1:00:57 > 1:00:59..I think he needs you very much.

1:00:59 > 1:01:01Mum!

1:01:14 > 1:01:17You think Julia planned to leave her brother with someone?

1:01:17 > 1:01:20- Someone nearby, who she trusted. - Someone Justin knew.

1:01:22 > 1:01:25No, no.

1:01:25 > 1:01:27Christine loved that kid,

1:01:27 > 1:01:30and anyway, she was here with me when he was found to be missing.

1:01:30 > 1:01:35- Look, surely whoever Julia met that night is probably her killer?- Agreed.

1:01:35 > 1:01:37Well, then that can't be Christine.

1:01:37 > 1:01:39Yeah, I mean, how does a slim-built woman

1:01:39 > 1:01:42get Julia out of the window without waking you up?

1:01:42 > 1:01:44Just wait a bloody minute.

1:01:44 > 1:01:47We don't know that Julia was murdered yet, do we?

1:01:48 > 1:01:50Tommy?

1:01:50 > 1:01:54- I mean, it's not definite? - No, it's not.

1:01:54 > 1:01:59Good... cos that's my story if I'm asked.

1:01:59 > 1:02:01I'm sticking to it.

1:02:15 > 1:02:18Look, I've put you in a spot, I know I have.

1:02:18 > 1:02:22What exactly is your evidence that Julia was murdered?

1:02:22 > 1:02:23A glove fragment,

1:02:23 > 1:02:26and other pathology inconsistent with death from a fall.

1:02:26 > 1:02:30Have you shared any of this with Detective Superintendent Tate?

1:02:30 > 1:02:32Not yet.

1:02:32 > 1:02:35So as long as she thinks it's suicide, you're in the clear?

1:02:35 > 1:02:39I can't conduct an investigation from inside a prison cell.

1:02:40 > 1:02:43How long are you thinking of holding out on her?

1:02:43 > 1:02:45As long as it takes.

1:02:47 > 1:02:50If you're worried about being implicated...

1:02:50 > 1:02:52I'm worried about you, Tommy.

1:02:52 > 1:02:56You obviously know what you're doing so, hey...

1:02:59 > 1:03:04I asked Stewart Lafferty to view Justin's remains tomorrow morning. That OK?

1:03:06 > 1:03:07Yeah, sure. That's OK,

1:03:07 > 1:03:12but next time, I'd like to be asked, not told.

1:03:26 > 1:03:30No argument with the cause of death being the skull fracture.

1:03:30 > 1:03:32Any idea of a weapon?

1:03:34 > 1:03:38What's interesting are these bilateral injuries, here.

1:03:38 > 1:03:41What are the chances of striking both legs in the same place?

1:03:41 > 1:03:44Exactly, so I'm thinking...car bumper.

1:03:44 > 1:03:46Justin wasn't even four feet tall.

1:03:46 > 1:03:49A bumper would've struck him waist-height.

1:03:49 > 1:03:51Not if the driver floored the brakes.

1:03:51 > 1:03:55If you're travelling fast enough, your front end nosedives.

1:03:55 > 1:03:58I've seen six-inch furrows in pre-stressed asphalt.

1:03:58 > 1:04:00So it was an accident?

1:04:00 > 1:04:02Well, the skull fracture

1:04:02 > 1:04:05is certainly consistent with secondary impact,

1:04:05 > 1:04:10which chimes with what looks like...

1:04:10 > 1:04:14white paint fragments in the hair.

1:04:16 > 1:04:20Which because it hasn't rotted, suggests a metallic base.

1:04:20 > 1:04:25So we're looking for someone, probably a local, who drove a white car?

1:04:25 > 1:04:29When we get the paint analysed, I'll do better than that.

1:04:29 > 1:04:32Wait a minute, Conrad. When you went out with Christine...

1:04:32 > 1:04:34she drove a white car.

1:04:36 > 1:04:38Old, white Fiesta.

1:04:43 > 1:04:46I told her not to drive.

1:04:47 > 1:04:49What are you talking about?

1:04:51 > 1:04:53I'm sorry.

1:04:55 > 1:04:57I'll drive, you're well over.

1:04:57 > 1:04:59- And you're not? - Everything's relative.

1:04:59 > 1:05:01Look, I appreciate the offer.

1:05:01 > 1:05:03Was that really Julia on the phone?

1:05:06 > 1:05:08That's a guilty look.

1:05:09 > 1:05:11She couldn't have got to the Obornes' by seven.

1:05:11 > 1:05:13That's what you told yourself.

1:05:13 > 1:05:16- I'm sorry, Dad. - That's what you told yourself?

1:05:16 > 1:05:18It's what I believed!

1:05:18 > 1:05:20You covered up for your girlfriend!

1:05:20 > 1:05:24- I was young and stupid, but if I'd... - It wasn't your decision to make!

1:05:25 > 1:05:29I spent two years on that case, and it nearly killed me!

1:05:29 > 1:05:33Christ, I said I was sorry, didn't I? It was 12 years ago.

1:05:48 > 1:05:50So Julia called you.

1:05:50 > 1:05:54Sam was drinking again and in a dangerous, a violent mood.

1:05:54 > 1:05:57I mean, what if he broke Justin's neck this time?

1:05:57 > 1:06:00She calls you at the pub

1:06:00 > 1:06:03- and says she's bringing her brother over...- And I said no.

1:06:03 > 1:06:07How stupid would I be to mess with the Obornes?

1:06:07 > 1:06:10After all the lies they told about me breaking Justin's arm.

1:06:10 > 1:06:13Not stupid, just principled. You put Justin first.

1:06:13 > 1:06:18But it meant driving over the limit and somewhere on the way here you had an accident.

1:06:18 > 1:06:20And Justin was killed, but Julia was OK.

1:06:20 > 1:06:24- She'd talked you into it, so she covered up for you? - Where is all this coming from?

1:06:24 > 1:06:28- You drove a white Fiesta then, right?- So what?

1:06:28 > 1:06:30So, white car paint was found on Justin's corpse.

1:06:30 > 1:06:32Well, it wasn't from my car.

1:06:32 > 1:06:34Once I got behind the wheel,

1:06:34 > 1:06:37I realised what a mistake it was and I walked home.

1:06:37 > 1:06:42- Come on, that's miles away!- I cut through the fields.- So you did go home in response to Julia's call?

1:06:42 > 1:06:44Yes.

1:06:44 > 1:06:45She wasn't here.

1:06:45 > 1:06:48MOBILE PHONE RINGS

1:06:50 > 1:06:52Where were you night before last?

1:06:52 > 1:06:55On the night shift. Why?

1:06:59 > 1:07:02Are you asking me for an alibi?

1:07:05 > 1:07:07You think...

1:07:08 > 1:07:10..Julia was murdered?

1:07:10 > 1:07:12Would that be a complete surprise?

1:07:12 > 1:07:15Or would it make some chilling kind of sense?

1:07:16 > 1:07:18Am I under arrest?

1:07:18 > 1:07:20No.

1:07:22 > 1:07:26- I'd be surprised if Justin was hit by Christine's car...- Cos of the paint?

1:07:26 > 1:07:29The sealant. Teflon fluorocarbon...

1:07:29 > 1:07:35'Standard issue now, but back in the early '90s, the preserve of luxury cars and emergency vehicles.'

1:07:35 > 1:07:36Not fourth-hand Fiestas?

1:07:36 > 1:07:40Traces of rust argue against the luxury cars...

1:07:40 > 1:07:43'and the injuries are wrong for an ambulance, so...'

1:07:43 > 1:07:48- I'm thinking village bobby?- Really?

1:07:50 > 1:07:53- OK...- You pulled the plug on that mighty fast.

1:07:53 > 1:07:56All we can do is worry her, and we did that.

1:07:56 > 1:08:00Lafferty says Justin might've been hit by a marked police car.

1:08:00 > 1:08:02What makes him think that?

1:08:02 > 1:08:03The paint sealant.

1:08:03 > 1:08:06Conrad saw her drive away pissed!

1:08:06 > 1:08:10She could've got out, I mean she COULD have walked home.

1:08:10 > 1:08:11Whose case is this?

1:08:11 > 1:08:15- I don't want you to making the same mistake twice.- What mistake?

1:08:15 > 1:08:18You've no proof, Mike, just like with Sullivan.

1:08:18 > 1:08:20- That's a low blow. - It's only the truth.

1:08:20 > 1:08:23You're lecturing ME about past mistakes?

1:08:23 > 1:08:27- I'm counselling you to keep your powder dry.- What about you, Tommy?

1:08:27 > 1:08:28You get your wife killed

1:08:28 > 1:08:31- and you're still dragging people into your mess!- Ah!

1:08:31 > 1:08:33Damn!

1:08:38 > 1:08:42Well, on the plus side, we're at a nurse's house.

1:08:51 > 1:08:54Officers get first look when squad cars are bumped, right?

1:08:54 > 1:08:57But McCaffrey's a detective. He wouldn't have had squad car.

1:08:57 > 1:09:01He was in uniform 'till the early '90s.

1:09:01 > 1:09:04I'll check his vehicle history. You should get that hand checked.

1:09:06 > 1:09:07Come in.

1:09:19 > 1:09:22Hello? Hello!

1:09:34 > 1:09:38Oh, look, sorry - I've bled on you.

1:09:38 > 1:09:41Yeah, like that's never happened to me before(!)

1:09:43 > 1:09:46It's funny, I'm the one who's knocked my wing mirror off my car

1:09:46 > 1:09:49and yet you're the one whose hands are shaking.

1:09:51 > 1:09:53Does Mike McCaffrey scare you?

1:09:55 > 1:09:56Do I scare you?

1:09:56 > 1:09:58Nobody scares me.

1:09:58 > 1:10:00That's not entirely true now, is it?

1:10:02 > 1:10:04Do you really think Julia was murdered?

1:10:07 > 1:10:09What is it, Christine?

1:10:44 > 1:10:46OK, McCaffrey moved out of uniform

1:10:46 > 1:10:50and bought his decommissioned Sierra, and sold it on in July '95.

1:10:50 > 1:10:52A month after Justin was killed.

1:10:52 > 1:10:54The buyer was local. Daniel Forsyth, Cleve Farm.

1:10:54 > 1:10:58- Odds are it's been sold again. - Not according to DVLA.

1:10:58 > 1:11:00Let's check it out.

1:11:05 > 1:11:09PHONE RINGING

1:11:12 > 1:11:13Hello?

1:11:14 > 1:11:17Hello? Who is this?

1:12:07 > 1:12:09Obviously "full disclosure"

1:12:09 > 1:12:13means something totally different to you than it does to me.

1:12:13 > 1:12:16You think there's a lab in London that I don't do business with?

1:12:16 > 1:12:21Once we got the results back, I fully intended to bring you in.

1:12:21 > 1:12:23Bring me in?

1:12:23 > 1:12:25You're too kind.

1:12:25 > 1:12:28And what if Lynley's DNA is on that glove?

1:12:28 > 1:12:31- But it isn't, is it? - We don't know yet...

1:12:32 > 1:12:35..and the fragment itself is evidence of murder.

1:12:35 > 1:12:37Evidence you wouldn't have if not for me.

1:12:37 > 1:12:39This isn't finders keepers,

1:12:39 > 1:12:42it's a murder investigation.

1:12:42 > 1:12:45MY murder investigation.

1:12:48 > 1:12:50Where is Lynley?

1:13:11 > 1:13:12Any paint left your side?

1:13:12 > 1:13:14Doesn't look like it.

1:13:14 > 1:13:17Shame. We're probably looking at our murder weapon.

1:13:17 > 1:13:20MOBILE PHONE RINGS

1:13:20 > 1:13:22It's McCaffrey. Mike?

1:13:22 > 1:13:26A guy out walking his dog has found a body near Christine Faraday's.

1:13:26 > 1:13:28We'll meet you at her cottage. We've got to go.

1:13:58 > 1:14:01Looks like a sexual assault gone bad.

1:14:03 > 1:14:06Well, they left her knickers on. That's one prudish sex killer.

1:14:06 > 1:14:09It looks like she's been strangled with a belt.

1:14:09 > 1:14:11Yeah, it could be a buckle mark.

1:14:11 > 1:14:13This could have nothing to do with the Oborne case.

1:14:13 > 1:14:17You know, I'll take conspiracy over coincidence any day.

1:14:24 > 1:14:26Look, sorry - I bled on you...

1:14:26 > 1:14:30Yeah, like that's never happened to me before(!)

1:14:30 > 1:14:31Shit.

1:14:33 > 1:14:36- MOBILE PHONE RINGS - What?

1:14:36 > 1:14:41Yep... Yes, ma'am, erm...

1:14:41 > 1:14:44He's talking to Tate. I'll be arrested in a minute.

1:14:44 > 1:14:46- What?- You get back to London.

1:14:46 > 1:14:49Tell her everything. The car, Julia, everything.

1:14:53 > 1:14:55Well, this is bloody embarrassing, Tommy.

1:14:55 > 1:14:57What is?

1:14:57 > 1:14:59I've got to take you in.

1:14:59 > 1:15:03Tate found out you were down here. She's got Lafferty in custody.

1:15:03 > 1:15:07- Lafferty?- Yeah, I said you were playing with fire.

1:15:10 > 1:15:13Where's Sergeant Havers?

1:15:13 > 1:15:15Oh, I don't know. Must have gone.

1:15:15 > 1:15:20- Maybe she didn't want to get arrested as well. - Don't patronise me.

1:15:20 > 1:15:22Oh, come on, Mike!

1:15:22 > 1:15:24I'm not taking any chances, Tommy.

1:15:24 > 1:15:27- What chances like trust and friendship?- Right!

1:15:27 > 1:15:29Like you trusted me?

1:15:37 > 1:15:41One thing I don't get.

1:15:41 > 1:15:44Julia - how did you get her to keep quiet for so long?

1:15:44 > 1:15:46What did you have on her?

1:15:46 > 1:15:49I don't know what you're talking about.

1:15:49 > 1:15:53That's all right, your old car will be eloquent enough on your behalf.

1:15:54 > 1:15:59The party, that's it! I remember thinking how you were putting away the champagne for a man on duty...

1:15:59 > 1:16:02Leaving us so soon, Sergeant McCaffrey?

1:16:02 > 1:16:05Who else is going to keep Wimborne safe?

1:16:05 > 1:16:08Save your breath for Tate. You're gonna need it.

1:16:08 > 1:16:11Why didn't you just come clean, just say "Sorry, I messed up".

1:16:11 > 1:16:15You'd be out of the force, but you're not the most ambitious man.

1:16:15 > 1:16:17You don't know me.

1:16:19 > 1:16:21You kill me, you know that?

1:16:21 > 1:16:25You really think just because you play down the earl thing,

1:16:25 > 1:16:28that you're one of us, a regular copper, one of the boys.

1:16:28 > 1:16:30Well, I'm sorry, "Tommy",

1:16:30 > 1:16:33that's just about the funniest thing I've ever heard.

1:16:33 > 1:16:37This is a hobby for you! You're a tourist!

1:16:37 > 1:16:40You've no idea what it's like to BE your job,

1:16:40 > 1:16:43and to know that if you lose it,

1:16:43 > 1:16:47that's it, you're dead - in the gutter, no way back.

1:16:47 > 1:16:51What does this have to do with squashing a five-year-old's body down a drain?

1:16:51 > 1:16:55There must've been a thought - "Christ, how's it come to this?" No?

1:16:57 > 1:16:59Maybe I really don't know you at all.

1:16:59 > 1:17:04One more word and I'll throw you out of the car and say you jumped.

1:17:04 > 1:17:06Sounds familiar to me.

1:17:45 > 1:17:50Mike, we need to have a conversation about the death of Julia Oborne.

1:17:50 > 1:17:53Yes, Ma'am. I'd like to make a statement, if that's OK.

1:17:58 > 1:18:00Tell Conrad.

1:18:01 > 1:18:03Please.

1:18:05 > 1:18:07What's going on?

1:18:07 > 1:18:08The DNA from the glove.

1:18:08 > 1:18:11Tate found out, ran it against the officers' database.

1:18:11 > 1:18:13Hoping to find a match with me.

1:18:13 > 1:18:18- The closest by far - Mike McCaffrey.- Closest?

1:18:18 > 1:18:22It's a weak sample, it's like a phone number with missing digits.

1:18:22 > 1:18:25Barbara, where are you? Yes, I'm a free man again.

1:18:25 > 1:18:28Listen, I need you to bear some bad news for me.

1:18:28 > 1:18:32Sam told me Julia and Lynley were staying the night in London.

1:18:32 > 1:18:36With the shock of her brother being found,

1:18:36 > 1:18:38I had a bad feeling.

1:18:38 > 1:18:41I saw them sitting up at the bar getting hammered

1:18:41 > 1:18:43and I knew I had to act.

1:18:43 > 1:18:47So...Dad's confessed?

1:18:47 > 1:18:51Yeah, well he wanted to make a statement. That's all I know.

1:18:53 > 1:18:54Oh my God!

1:18:58 > 1:19:02You know, I'd be happy to drive you to the station if that's what you want.

1:19:04 > 1:19:10Right. Well, that's a kind offer. I'll just get my coat.

1:19:22 > 1:19:27- Looks like she's been strangled with a belt. - Yeah, it could be a buckle mark.

1:19:34 > 1:19:37Was it really a kind offer, Barbara,

1:19:37 > 1:19:39or do you have an ulterior motive?

1:19:41 > 1:19:44Turn round and put your hands against the wall.

1:19:56 > 1:20:00So as soon as they left, I followed them up to Lynley's penthouse.

1:20:00 > 1:20:02- That's wrong again.- What?

1:20:02 > 1:20:05We didn't sit at the bar and I don't have a penthouse.

1:20:05 > 1:20:08Is it possible the DNA on that glove wasn't his?

1:20:08 > 1:20:09Possible, but unlikely.

1:20:09 > 1:20:12I mean, if it's not his, it's a close relative's.

1:20:15 > 1:20:18Life is binary -

1:20:18 > 1:20:21sunny day, rainy day,

1:20:21 > 1:20:23there's no good or evil or free will,

1:20:23 > 1:20:25we just react to the hand we're given.

1:20:25 > 1:20:31As rationalisations for triple murder go, that's a bit flowery.

1:20:31 > 1:20:33Listen, I'm not justifying myself to anyone,

1:20:33 > 1:20:37but my first step on the road to hell was an act of blinding altruism.

1:20:40 > 1:20:43Julia's call for help? You drove?

1:20:44 > 1:20:47I was drunk,

1:20:47 > 1:20:49but Christine was paralytic...

1:20:49 > 1:20:51Look, I appreciate the offer...

1:20:51 > 1:20:53Was that really Julia on the phone?

1:20:56 > 1:20:58That's a guilty look.

1:20:59 > 1:21:02How "ex" is your ex, Christine?

1:21:02 > 1:21:03Oh, grow up.

1:21:03 > 1:21:07Don't they have any real women at law school?

1:21:17 > 1:21:18Come on, I'll drive.

1:21:35 > 1:21:37The girl was off her face.

1:21:37 > 1:21:40Offering to drive was the responsible thing to do.

1:21:40 > 1:21:42Oh, you're a model citizen, Conrad.

1:21:43 > 1:21:46You should've told Julia where to go.

1:21:46 > 1:21:48He hit her! God only knows what he'll do to Justin!

1:21:48 > 1:21:51Not your problem. You don't owe these people anything.

1:21:51 > 1:21:55Maybe I can think about something other than myself.

1:21:55 > 1:21:56Is that a dig?

1:21:56 > 1:21:59I'm nobody's mug, that's for sure.

1:21:59 > 1:22:02- Nor am I!- It's practically stamped on your forehead.

1:22:04 > 1:22:06Here we go, Justin,

1:22:06 > 1:22:08Christine's house.

1:22:13 > 1:22:15You stay here, don't move.

1:22:16 > 1:22:18Christine!

1:22:18 > 1:22:20Christine!

1:22:25 > 1:22:29She brings Justin through your front door, you're party to abduction.

1:22:29 > 1:22:31So why are you driving, genius?

1:22:31 > 1:22:34Well, because I feel bad in advance about dumping you.

1:22:37 > 1:22:40- There, I said it. - You piece of shit...

1:22:40 > 1:22:41Christine!

1:22:41 > 1:22:43ENGINE REVS

1:22:45 > 1:22:48Julia was convinced Sam was going to hurt Justin...

1:22:50 > 1:22:53- ..but instead, - I- ended up killing him.

1:22:55 > 1:22:59Who says God hasn't got a sense of humour, eh?

1:23:01 > 1:23:04Oh my God, oh my God!

1:23:04 > 1:23:06Oh my God!

1:23:06 > 1:23:07Talk to her, I've been drinking!

1:23:07 > 1:23:10It's goodbye, law school - hello, prison.

1:23:10 > 1:23:12- My dad will kill me! - Conrad, he's dead!

1:23:12 > 1:23:15- Nothing can change that. - I shouldn't have let you drive...

1:23:15 > 1:23:17Oh my God, oh my God!

1:23:17 > 1:23:18Oh my God!

1:23:18 > 1:23:20Oh my God!

1:23:22 > 1:23:24Does anyone else know you took Justin?

1:23:24 > 1:23:26No.

1:23:37 > 1:23:39He was a sweet kid,

1:23:39 > 1:23:42he wouldn't want this to ruin our lives.

1:24:06 > 1:24:08Go home, Julia.

1:24:08 > 1:24:12All you have to do is go home.

1:24:17 > 1:24:20They protected you and you killed them for it.

1:24:20 > 1:24:25Soon as Tommy said he'd fetch Julia from Rome, I had a bad feeling...

1:24:27 > 1:24:28..and I was right.

1:24:32 > 1:24:35How did you coax Julia into meeting you?

1:24:35 > 1:24:38Didn't have to,

1:24:38 > 1:24:39she wanted my blood.

1:24:44 > 1:24:47You liar. You told me you buried Justin in the orchard,

1:24:47 > 1:24:49not in some drain covered with bricks.

1:25:34 > 1:25:37Still reading your thoughts, Barbara.

1:25:37 > 1:25:43"Keep him calm, keep him talking, then grab the knife when he gets distracted."

1:25:48 > 1:25:50Put a foot wrong, I'm going for your eyeballs,

1:25:50 > 1:25:52not your skin.

1:26:21 > 1:26:23- You all right, Barbara?- I'm fine!

1:26:23 > 1:26:25Call for back up!

1:27:03 > 1:27:06I can't believe you were going to let your dad take the rap.

1:27:06 > 1:27:10I always liked you, Tommy. I could've killed you too!

1:27:12 > 1:27:14Is this what it was like with Julia?

1:27:14 > 1:27:17Did she beg? Did she look you in your eyes and beg? Did she?

1:27:17 > 1:27:19How does it feel then, hey?

1:27:19 > 1:27:22Sir! Sir!

1:27:22 > 1:27:23The keys, in there.

1:27:45 > 1:27:47- All right?- Yeah.

1:27:52 > 1:27:53Welcome back, you.

1:27:56 > 1:27:58Thanks.

1:27:58 > 1:28:01I probably shouldn't say this,

1:28:01 > 1:28:04but do you fancy a drink?

1:28:49 > 1:28:52Subtitles by Red Bee Media Ltd