0:00:02 > 0:00:06This programme contains some strong language.
0:00:06 > 0:00:08They're offering a swap - Kadir in exchange for George.
0:00:08 > 0:00:10We don't talk to terrorists.
0:00:10 > 0:00:13I took a look at your story, poor Valerie Cotton.
0:00:13 > 0:00:16You're a pregnant woman, you don't know what you're saying.
0:00:16 > 0:00:18You're the one making me have these babies!
0:00:18 > 0:00:20I'm here to see Martha Franklin.
0:00:20 > 0:00:22I'm Captain Martin's wife.
0:00:22 > 0:00:25So this is not a friendly visit?
0:00:25 > 0:00:26No, I love him.
0:00:26 > 0:00:28I don't want you to have anything to do with this, Armstrong.
0:00:28 > 0:00:30You won't pull this off without me.
0:00:30 > 0:00:31Tony.
0:00:31 > 0:00:35One woman and a child, in exchange for your great leader.
0:00:35 > 0:00:36Mummy! Daddy!
0:00:39 > 0:00:41Captain Martin, I'm placing you under arrest,
0:00:41 > 0:00:45for allowing the escape from lawful custody of a prisoner of war.
0:00:49 > 0:00:51CRASHING AND BANGING
0:01:15 > 0:01:17Open.
0:01:36 > 0:01:39DOOR SLAMS Legs apart.
0:01:43 > 0:01:46What are you looking for?
0:01:58 > 0:02:01Aden, where east meets west.
0:02:01 > 0:02:04Vital as an oil refinery as well as a Gulf trade route.
0:02:06 > 0:02:09The beach here at Aden is lovely.
0:02:09 > 0:02:13The sun is warm and the sharks are not always hungry.
0:02:19 > 0:02:22The occasional outbreaks of violence are caused by what are officially
0:02:22 > 0:02:24called dissident tribesmen.
0:02:26 > 0:02:29As long as there's trouble, there must be troops.
0:02:30 > 0:02:34The Queen has full confidence in Aden's future, describing it as
0:02:34 > 0:02:37the perfect example of colonial rule.
0:02:43 > 0:02:45What are you doing?
0:02:45 > 0:02:47Cover for me.
0:02:47 > 0:02:48Where are you going?
0:02:48 > 0:02:51Look, the NLF will kill Yusra for what she did.
0:02:51 > 0:02:54And we're letting it happen. I'm not having that.
0:02:57 > 0:03:00Please, please.
0:03:30 > 0:03:32Corporal Armstrong.
0:03:34 > 0:03:37Where is he?
0:03:37 > 0:03:39On patrol, sir.
0:03:44 > 0:03:47- Get him back.- Erm, there's no radio contact, sir.
0:03:47 > 0:03:51It's a problem up in Radfan.
0:03:54 > 0:03:57- Bang! Bang!- I see. - Bang! Bang! Bang!- Yes.
0:03:57 > 0:04:01Bang. Bang! Bang! Bang! Bang! Bang! Bang! Bang!
0:04:01 > 0:04:06- That's settled, then. Ten o'clock tomorrow. Goodbye.- Bang! Bang!
0:04:06 > 0:04:09Bit quieter, darling, Daddy can't hear himself think.
0:04:09 > 0:04:11Where's Yusra?
0:04:15 > 0:04:18Go and play in your bedroom, George.
0:04:24 > 0:04:26Well, they've taken a statement from me,
0:04:26 > 0:04:29- which means I have to give evidence.- In court? Against Joe?
0:04:29 > 0:04:32It's not "against" him, Mary, it's just the facts.
0:04:32 > 0:04:34I gave the order, he disobeyed it.
0:04:34 > 0:04:36He saved George!
0:04:36 > 0:04:39- Mary...- I don't understand. He'd be dead if it weren't for Joe Martin.
0:04:39 > 0:04:42An order is an order, there's nothing I can do for him.
0:04:42 > 0:04:45You're part of the prosecution case against the man
0:04:45 > 0:04:47who saved our son's life.
0:04:47 > 0:04:48He saved me from the bad men.
0:04:48 > 0:04:50Yes.
0:04:50 > 0:04:52So why is he in prison?
0:04:55 > 0:04:57Will they shoot him, Daddy?
0:05:23 > 0:05:27Joe saw all of these.
0:05:27 > 0:05:29He was there.
0:05:29 > 0:05:32And was asked to deny that it had ever happened.
0:05:32 > 0:05:34But he kept the film.
0:05:34 > 0:05:37Yeah, you know a good man by what he does under pressure.
0:05:38 > 0:05:42Do the British want these photographs destroyed
0:05:42 > 0:05:46because they're embarrassing?
0:05:46 > 0:05:48Yes.
0:05:48 > 0:05:52Because they tell a story that isn't the official account
0:05:52 > 0:05:55of what is happening here?
0:05:57 > 0:06:00Sure. Do the families of these men deserve to see them?
0:06:00 > 0:06:02I think so.
0:06:02 > 0:06:04I should go to him.
0:06:04 > 0:06:08Honor. The little man has to lose.
0:06:08 > 0:06:09You do know that?
0:06:09 > 0:06:12Every time.
0:06:18 > 0:06:20What was it?
0:06:20 > 0:06:21You know what the order was.
0:06:37 > 0:06:39I can make this so hard for you.
0:06:52 > 0:06:55Eczema.
0:06:55 > 0:06:58The heat makes it almost intolerable.
0:06:58 > 0:07:01He never gets through an interview without a good scratch.
0:07:03 > 0:07:05Maybe this time.
0:07:09 > 0:07:12The order was to escort a prisoner.
0:07:17 > 0:07:19Who gave you the order?
0:07:19 > 0:07:21Major Markham.
0:07:21 > 0:07:23Did you obey it?
0:07:23 > 0:07:25No.
0:07:25 > 0:07:29Do you know what it means to disobey an order?
0:07:33 > 0:07:35Yes.
0:07:39 > 0:07:40Sit down.
0:08:00 > 0:08:04I had a choice. A child with his whole life ahead of him...
0:08:04 > 0:08:07Who do you think you are?
0:08:07 > 0:08:10I want you to listen carefully,
0:08:10 > 0:08:13because this is the most important thing you will ever hear.
0:08:13 > 0:08:18The whole of High Command know who you are,
0:08:18 > 0:08:21they're taking a real interest in Captain Babyface.
0:08:21 > 0:08:26If you decide to fight us, we will expose you.
0:08:26 > 0:08:30Does your new wife know about your sordid past?
0:08:30 > 0:08:31What do you want?
0:08:34 > 0:08:35Help me.
0:08:38 > 0:08:39Help yourself.
0:08:56 > 0:08:59Yusra! Yusra?
0:09:11 > 0:09:14The NLF don't like it when you help the enemy.
0:09:14 > 0:09:16The family.
0:09:16 > 0:09:18Locked inside, burnt to death.
0:09:22 > 0:09:24But not Yusra.
0:09:25 > 0:09:27Where is she?
0:09:27 > 0:09:30I know where she is, but you need to go.
0:09:30 > 0:09:33Where is she?! Where is she?!
0:09:33 > 0:09:35Where is she? Where is she?!
0:09:35 > 0:09:37- Where is she?!- You should go.
0:09:37 > 0:09:39You need to go now. Go now.
0:09:39 > 0:09:41- Yusra!- Go! You should go! You should go!
0:09:41 > 0:09:43You should go, go!
0:09:43 > 0:09:45HORN BLARES
0:09:45 > 0:09:46MUSIC PLAYS ON RADIO
0:10:17 > 0:10:19Cucumber.
0:10:19 > 0:10:21Thank you.
0:10:31 > 0:10:34I want an abortion.
0:10:34 > 0:10:36That's against the law.
0:10:36 > 0:10:40Yes. I'm asking you to help me.
0:10:48 > 0:10:50Why do you feel you want to do this?
0:10:54 > 0:10:58Why do you feel you can ask?
0:10:58 > 0:10:59I'm a doctor. I can't just...
0:10:59 > 0:11:02Really? Why not?
0:11:05 > 0:11:07You know better than me what I want?
0:11:11 > 0:11:15I didn't ask you here for moral guidance.
0:11:15 > 0:11:16It's my duty...
0:11:16 > 0:11:17It's none of your business!
0:11:20 > 0:11:23I would do it myself if I could, but I can't.
0:11:31 > 0:11:33Please.
0:11:44 > 0:11:45What does your husband say?
0:11:51 > 0:11:52SHE SOBS
0:12:17 > 0:12:20Joe...
0:12:26 > 0:12:29I'm sorry. I wasn't thinking of you. I should have been.
0:12:29 > 0:12:32No. No, you were just being brave.
0:12:34 > 0:12:41I'll be discharged from the army and I... It'll be years, Honor...
0:12:44 > 0:12:47..and when I get out...
0:12:47 > 0:12:53don't wait for me. Find a new life.
0:13:08 > 0:13:11- Take the handcuffs off. - I can't do that.
0:13:11 > 0:13:13He's in a cell in the most secure building in Aden
0:13:13 > 0:13:16with the British Army guarding him and you need to keep his hands tied
0:13:16 > 0:13:19so he can't hug his wife?!
0:13:19 > 0:13:21What kind of man are you?
0:13:55 > 0:13:59Just tell the truth and everything will be all right.
0:13:59 > 0:14:03There. That's what I loved about you.
0:14:04 > 0:14:10Such uncomplicated innocence.
0:14:10 > 0:14:14Here's Honor, as she is, as she always will be.
0:14:14 > 0:14:19Loved? You said "loved".
0:14:19 > 0:14:24- Love.- Then that's enough. Everything's unpicked by love
0:14:24 > 0:14:29and the truth isn't frightened of anything or anyone.
0:14:30 > 0:14:32It's not that simple,
0:14:32 > 0:14:36I'm not that simple.
0:14:38 > 0:14:40There's something you don't know about my past, Honor...
0:14:40 > 0:14:43Shhh. Not now, hmm?
0:14:46 > 0:14:49I brought the film to Martha. I've seen the photographs.
0:14:52 > 0:14:54Honor... Why didn't you destroy it?
0:14:55 > 0:14:57I think it's because deep down, you don't think
0:14:57 > 0:14:59that concealing the truth can ever be right.
0:14:59 > 0:15:02- BANGING ON DOOR - Time's up!
0:15:13 > 0:15:16When my mother fell asleep on the chair on a Sunday,
0:15:16 > 0:15:20my father would steal in and allow himself to go back
0:15:20 > 0:15:26to their beginnings and whispered to her, "When you are old and grey
0:15:26 > 0:15:31"and full of sleep, and nodding by the fire,
0:15:31 > 0:15:35"take down this book, and slowly read,
0:15:35 > 0:15:38"and dream of the soft look your eyes had once,
0:15:38 > 0:15:42"and of their shadows deep.
0:15:42 > 0:15:47"How many loved your moments of glad grace,
0:15:47 > 0:15:53"and loved your beauty with love false and true,
0:15:53 > 0:15:56"but one man loved the pilgrim soul in you."
0:16:03 > 0:16:05Look at me.
0:16:10 > 0:16:12Hold on to love for dear life, Joe.
0:16:14 > 0:16:16When you have it.
0:16:58 > 0:17:04So an accused is, erm, well, he's allowed someone alongside him
0:17:04 > 0:17:10to talk to, to take advice from, to cross examine witnesses for,
0:17:10 > 0:17:12as a kind of pal, you know,
0:17:12 > 0:17:14so, well, they call it an officer's friend.
0:17:18 > 0:17:20Did you know that?
0:17:20 > 0:17:22I did what I did and I'd do it again.
0:17:22 > 0:17:24There's no advice to give.
0:17:24 > 0:17:26Do you know you almost sound as if you think you deserve to be
0:17:26 > 0:17:28punished for this?
0:17:28 > 0:17:31It's very nice of you to offer to be my... What's it called?
0:17:31 > 0:17:33My friend. I don't really need your help...
0:17:33 > 0:17:36Yeah, well, you don't have a choice, I'm afraid,
0:17:36 > 0:17:37cos you saved my life.
0:17:37 > 0:17:39Yeah, a life for a life.
0:17:39 > 0:17:42I was dead, Joe. I was dead on that road.
0:17:42 > 0:17:44They told me at the hospital.
0:17:44 > 0:17:46I had minutes left to live when you came for me.
0:17:46 > 0:17:48You dragged me back from the edge.
0:17:48 > 0:17:51I can't imagine where you got the courage and the strength.
0:17:51 > 0:17:54- So where's your fight now? - I have to plead guilty.
0:17:56 > 0:17:58What about Honor?
0:18:02 > 0:18:05Well, do you feel guilty?
0:18:05 > 0:18:07Because if you don't, and you plead guilty,
0:18:07 > 0:18:10then you'll wake up the morning after you've been sentenced
0:18:10 > 0:18:12you're going to look at the wall of your cell and you'll
0:18:12 > 0:18:16know that there is nothing you can do in the rest of your life that
0:18:16 > 0:18:20will correct the mistake you made in not being honest with yourself.
0:18:26 > 0:18:28I'm not sure you'll survive, Joe.
0:18:36 > 0:18:38There's no defence, is there?
0:18:38 > 0:18:42Why don't we trust in the moral high ground being a good place
0:18:42 > 0:18:44to defend oneself?
0:18:46 > 0:18:52Bang! Bang! You're dead. I've got you now. You...
0:18:54 > 0:18:56What would happen if you said no?
0:18:56 > 0:19:00What if you told them you wouldn't give evidence?
0:19:03 > 0:19:04Then my career would be over.
0:19:08 > 0:19:10I see.
0:19:11 > 0:19:15Bang! Bang! You're dead, you're dead, you're dead!
0:20:47 > 0:20:49You can't stay with me.
0:20:52 > 0:20:54It's not safe.
0:20:58 > 0:21:00I saw your house.
0:21:04 > 0:21:07Your whole family.
0:21:12 > 0:21:14I thought you were dead.
0:21:18 > 0:21:22I wanted to die.
0:21:22 > 0:21:25I thought I'd never see you again, I...
0:21:26 > 0:21:28I'm never leaving you.
0:22:09 > 0:22:10Jesus Christ.
0:22:10 > 0:22:13Sorry. Hello. I, I was just...
0:22:13 > 0:22:15The door was open?
0:22:15 > 0:22:18- Yes.- Were the lights on?
0:22:18 > 0:22:21What? I think so.
0:22:21 > 0:22:24And the fan? Did you turn that on?
0:22:24 > 0:22:26No.
0:22:28 > 0:22:30- I'm sure... - KNOCKING AT DOOR
0:22:30 > 0:22:33Laundry.
0:22:33 > 0:22:35I didn't send any.
0:22:35 > 0:22:36Shall I put it away?
0:22:36 > 0:22:39Just leave it! Thanks.
0:22:51 > 0:22:55Last time I was here, I saw Harvey Tilbrook.
0:22:55 > 0:22:57He lied to me.
0:22:58 > 0:23:00- What about?- Seeing you.
0:23:02 > 0:23:03Why would he do that?
0:23:03 > 0:23:06I don't know.
0:23:06 > 0:23:08But I saw him talking to a man in the hotel lobby.
0:23:10 > 0:23:13Who?
0:23:20 > 0:23:23There's nothing to worry about. Prosecution have got it all in hand.
0:23:43 > 0:23:46I'll have the glass, you have the bottle.
0:23:46 > 0:23:48Other way round, maybe, sir?
0:23:49 > 0:23:51It's court in the morning.
0:23:57 > 0:24:00So, why are you here?
0:24:10 > 0:24:12If your job were one thing...
0:24:15 > 0:24:18..if being a sergeant in the British Army boiled down to one thing...?
0:24:20 > 0:24:24Knowing my officers and my men better than they know themselves.
0:24:29 > 0:24:32- Captain Martin?- Is a good man.
0:24:40 > 0:24:42Major Markham?
0:24:42 > 0:24:44Doesn't need to ask his sergeant what to do.
0:24:54 > 0:24:56HE SIGHS
0:25:28 > 0:25:29DOOR OPENS
0:25:53 > 0:25:54Hut!
0:26:08 > 0:26:11Hut!
0:26:11 > 0:26:13Hut!
0:26:19 > 0:26:21All sit.
0:26:23 > 0:26:27Remove head dress.
0:26:27 > 0:26:29Yes, Mr Bishop.
0:26:35 > 0:26:39I swear by Almighty God that the evidence
0:26:39 > 0:26:44I give shall be the truth, the whole truth, and nothing but the truth.
0:26:49 > 0:26:53Who gave Captain Martin the order to escort Kadir?
0:26:53 > 0:26:56- I did.- Personally? Directly?
0:26:56 > 0:26:57Yes.
0:26:57 > 0:27:01Did you later discover whether the order had been carried out?
0:27:01 > 0:27:03Yes.
0:27:03 > 0:27:05And had it?
0:27:06 > 0:27:10Was the order carried out, Major Markham?
0:27:15 > 0:27:17No.
0:27:23 > 0:27:25What would you have done?
0:27:25 > 0:27:27If you had been in Captain Martin's shoes?
0:27:27 > 0:27:31What if it was his son that was being held hostage,
0:27:31 > 0:27:36sentenced to die, clock ticking down and you had the chance to save him,
0:27:36 > 0:27:39what would you do? Your duty?
0:27:41 > 0:27:43His child?
0:27:46 > 0:27:49My duty.
0:27:49 > 0:27:51Thank you, Major.
0:27:51 > 0:27:53And if it were your own child?
0:27:53 > 0:27:55Abraham was prepared to kill his own son
0:27:55 > 0:27:58because God demanded it of him and what about you, sir?
0:27:58 > 0:28:03If the Army demanded it of you, would it be the right thing?
0:28:05 > 0:28:07Erm...
0:28:10 > 0:28:11No, it wouldn't. I'm sorry.
0:28:11 > 0:28:13This is all hypothetical.
0:28:13 > 0:28:17Well, if this officer, whom everyone describes as the best, the most
0:28:17 > 0:28:21upstanding of men, tells us that there are circumstances in which it
0:28:21 > 0:28:26is right to disobey an order, then it proves the possibility exists.
0:28:26 > 0:28:29A principle is starting to be established.
0:28:29 > 0:28:32Disobeying an order can be the right thing to do.
0:28:32 > 0:28:35I don't agree. Law and morality are the same thing.
0:28:35 > 0:28:38- What, in Nazi Germany? - This is not Nazi Germany.
0:28:38 > 0:28:39Or at Amritsar.
0:28:39 > 0:28:43Would you have shot those 600 defenceless men, women and children
0:28:43 > 0:28:47because your commanding officer asked you to do it, Brigadier?
0:28:47 > 0:28:49The question's not a rhetorical one, sir.
0:28:49 > 0:28:51It is impertinent!
0:28:51 > 0:28:54If my CO's moral map has room in it for conscience,
0:28:54 > 0:28:57then this is not a strict liability offence.
0:28:57 > 0:28:59I, I'd like to say something.
0:29:01 > 0:29:05When I gave the order to Captain Martin,
0:29:05 > 0:29:07my son was missing.
0:29:09 > 0:29:13I believed then that he was certain to die.
0:29:17 > 0:29:20And the end of his life felt like the end of my life.
0:29:20 > 0:29:23Every decision I have made as a commanding officer,
0:29:23 > 0:29:26every order I have given has been done so with the deep care
0:29:26 > 0:29:33that the privilege of commanding the best soldiers in the world asks for.
0:29:34 > 0:29:38- Major...- However, when I gave that order to Captain Martin...
0:29:44 > 0:29:46..I was not fit to do so.
0:29:46 > 0:29:51I was unfit to command my men. I'm sorry.
0:30:37 > 0:30:43In interview, you were asked if you disobeyed an order? Did you?
0:30:43 > 0:30:46Yes, morally it was the only choice.
0:30:46 > 0:30:49Ah, yes, the moral man.
0:30:50 > 0:30:54Where were you on the afternoon of Christmas Day?
0:30:54 > 0:30:55I had work to see to.
0:30:55 > 0:30:57What kind of work?
0:30:57 > 0:30:58An interview.
0:30:58 > 0:31:00On Christmas Day?
0:31:00 > 0:31:02- Yes.- Who were you interviewing?
0:31:02 > 0:31:05- A reporter.- Name?
0:31:05 > 0:31:07Martha Franklin.
0:31:07 > 0:31:08In the office?
0:31:09 > 0:31:11- No.- Somewhere else on the base?
0:31:16 > 0:31:17In a bar.
0:31:17 > 0:31:20On Christmas day?
0:31:20 > 0:31:22Yes.
0:31:22 > 0:31:25Did you tell your wife that you were going off to meet a woman in a bar?
0:31:26 > 0:31:29- Not exactly.- Well, yes or no?
0:31:29 > 0:31:30Not exactly.
0:31:30 > 0:31:33You're going to have to explain that answer for those of us
0:31:33 > 0:31:36who believe the truth to be a simple concept.
0:31:36 > 0:31:39What the truth is or appears to be always depends
0:31:39 > 0:31:41on who's looking at it, wouldn't you say?
0:31:41 > 0:31:44Did you tell your wife where you were going? Yes or no.
0:31:46 > 0:31:48No.
0:31:48 > 0:31:51When did you next see Martha Franklin?
0:31:51 > 0:31:52The next day.
0:31:52 > 0:31:54- Boxing day?- Yes.
0:31:54 > 0:31:55Same bar?
0:31:55 > 0:31:59- No.- Where?
0:31:59 > 0:32:01The Gordon Hotel.
0:32:01 > 0:32:03In the lobby?
0:32:03 > 0:32:05- No.- In the bar?
0:32:07 > 0:32:08I wanted to explain...
0:32:08 > 0:32:13No, no, where did you meet for your interview, Captain Martin?
0:32:16 > 0:32:18In her room.
0:32:18 > 0:32:20INDISCTINCT MURMURING
0:32:24 > 0:32:28Are you a moral man, Captain Martin?
0:32:38 > 0:32:41It's over, isn't it? I'm going down.
0:32:41 > 0:32:44Honor.
0:32:44 > 0:32:45What?
0:32:45 > 0:32:50I want them to hear her talk about you.
0:32:50 > 0:32:52I'm not going to put her through that.
0:32:52 > 0:32:54That'd be up to her.
0:34:14 > 0:34:16It's fine.
0:34:16 > 0:34:18I can hide.
0:34:18 > 0:34:22But with a British soldier beside me, it's not possible.
0:34:22 > 0:34:24You must go.
0:34:24 > 0:34:26No.
0:34:27 > 0:34:32If you love me, if you want me to be safe, you have to go.
0:34:48 > 0:34:51Coca-Cola, please. Ice, no lemon.
0:35:00 > 0:35:02It's up to you what I drink?
0:35:02 > 0:35:04You're a guest.
0:35:06 > 0:35:12- Sometimes you forget, you people. - The interview has to be in English.
0:35:12 > 0:35:15Kadir's English is better than my Arabic.
0:35:15 > 0:35:18You don't make the conditions.
0:35:18 > 0:35:20If it's not in English, I won't agree to it.
0:35:20 > 0:35:22So, you see, I do.
0:35:22 > 0:35:24Western arrogance.
0:35:24 > 0:35:27No. A reporter's rules.
0:35:27 > 0:35:29How do we know we can trust you?
0:35:29 > 0:35:32You don't. I'll write whatever I like.
0:35:32 > 0:35:35I mean, how do we know we can trust you,
0:35:35 > 0:35:36not to bring the British Army with you?
0:35:36 > 0:35:38Well, you don't know that either.
0:35:39 > 0:35:42Except it would go against everything
0:35:42 > 0:35:43I believe in as a reporter.
0:35:46 > 0:35:48These are just words.
0:35:48 > 0:35:51What else is there?
0:36:05 > 0:36:07He did the right thing, for honest reasons.
0:36:08 > 0:36:12My husband's a good man. I know he is.
0:36:15 > 0:36:16Thank you.
0:36:24 > 0:36:26How long have you been married?
0:36:26 > 0:36:27Nine weeks.
0:36:27 > 0:36:30And before you were married, how long had you known him?
0:36:30 > 0:36:33Not long. We, erm, we met on Valentine's day.
0:36:33 > 0:36:35- How romantic.- Yes.
0:36:36 > 0:36:43How much do you know about his life before he met you?
0:36:43 > 0:36:47Does the name Valerie Cotton mean anything to you?
0:36:49 > 0:36:50No.
0:36:50 > 0:36:53Really? Nothing?
0:36:53 > 0:37:00She drowned herself a week after writing a letter to your husband.
0:37:00 > 0:37:01Oh, my goodness.
0:37:02 > 0:37:08The letter says, "I love you.
0:37:08 > 0:37:11"I will leave my husband and my children
0:37:11 > 0:37:13"if you promise to be with me.
0:37:13 > 0:37:17"If you don't make the promise, I cannot live."
0:37:17 > 0:37:20She received no reply.
0:37:20 > 0:37:22You really don't know about this, do you?
0:37:26 > 0:37:31- FAINTLY:- The date of the letter? The second of February 1964.
0:37:33 > 0:37:35One year and 12 days before the Valentine's Day
0:37:35 > 0:37:37on which you met Joe Martin.
0:37:39 > 0:37:41Was it a dance?
0:37:43 > 0:37:45Sorry?
0:37:45 > 0:37:47Did you meet him at a dance?
0:37:49 > 0:37:51Yes.
0:37:51 > 0:37:53Is he a good dancer?
0:37:54 > 0:37:57Erm... Yes.
0:37:57 > 0:37:59That's about all you can say, isn't it?
0:37:59 > 0:38:04Concerning the character of your husband? "He's a good dancer."
0:38:07 > 0:38:09Thank you, Mr Bishop,
0:38:09 > 0:38:12court will resume at ten o'clock tomorrow morning.
0:38:25 > 0:38:27SHE SCREAMS
0:38:32 > 0:38:34BRAKES SCREECH
0:38:52 > 0:38:53Martha?
0:39:40 > 0:39:43SHE SOBS
0:40:07 > 0:40:11Coca-Cola - ice, no lemon.
0:40:19 > 0:40:24- Shall we begin?- Yusra's family.
0:40:24 > 0:40:29- Was that you? - We kill people who betray us.
0:40:29 > 0:40:32You cannot win - militarily.
0:40:33 > 0:40:36You see, Britain,
0:40:36 > 0:40:40deep down, is very ashamed of Empire.
0:40:40 > 0:40:45She doesn't want to be seen talking of her shame,
0:40:45 > 0:40:51- but she feels it nonetheless. - Are you talking to them?- Yes.
0:40:53 > 0:40:55If that were true, you wouldn't tell me.
0:40:58 > 0:41:00Go on.
0:41:00 > 0:41:04Why not carry on negotiations?
0:41:04 > 0:41:07Why wreck it all by telling a journalist?
0:41:07 > 0:41:14It's very simple - true independence is not given away,
0:41:14 > 0:41:16it's taken.
0:41:17 > 0:41:20You want me to write a story about secret talks?
0:41:22 > 0:41:26People in Britain need to confront their shame.
0:41:26 > 0:41:29I'm thinking about Great Britain as well as Aden.
0:41:30 > 0:41:33The benevolent terrorist.
0:41:33 > 0:41:36Oh, now, Miss Franklin.
0:41:36 > 0:41:41What is this word? Is Mandela a terrorist?
0:41:42 > 0:41:45Kenyatta? Nehru?
0:41:45 > 0:41:51And, anyway, the British government, they don't talk to terrorists.
0:41:53 > 0:41:57Most certainly not about handing over of power to them.
0:41:57 > 0:42:01You're using me to expose the hypocrisy.
0:42:01 > 0:42:02Absolutely.
0:42:02 > 0:42:04Who have you met with?
0:42:04 > 0:42:08A very distinguished and rare old bird.
0:42:12 > 0:42:14The Minister for Colonies.
0:42:17 > 0:42:19How can I verify this?
0:42:19 > 0:42:24Your laundry is back in your drawer, your fan is off,
0:42:24 > 0:42:28the light on your desk is off, and the photographs destroyed.
0:42:28 > 0:42:30You've been spying on me.
0:42:36 > 0:42:38Not us.
0:42:51 > 0:42:54What are you doing here?
0:42:56 > 0:42:59I don't have time to talk.
0:42:59 > 0:43:03I have to write a story and it has to be now.
0:43:08 > 0:43:09You look terrible.
0:43:09 > 0:43:11Joe has a past I didn't know about.
0:43:13 > 0:43:15You found out?
0:43:15 > 0:43:17In court.
0:43:26 > 0:43:29Barristers are bullies.
0:43:34 > 0:43:37We all have secrets, Honor.
0:43:39 > 0:43:41Apart from you.
0:43:43 > 0:43:46They think that by telling me something I don't know about Joe,
0:43:46 > 0:43:48they'll turn me away from him.
0:43:49 > 0:43:53They're wrong. I love him and I don't know him,
0:43:53 > 0:43:57but both things can be true.
0:43:57 > 0:43:58Right?
0:44:00 > 0:44:02It's the first one that matters.
0:44:10 > 0:44:13- I thought you might be dead. - Ha! Why?
0:44:13 > 0:44:16Well, because without the photographs, it all depends on you.
0:44:16 > 0:44:21I have a story to write. It's the biggest of my career.
0:44:21 > 0:44:23Then Joe will go to prison.
0:44:27 > 0:44:29What is it that you said?
0:44:29 > 0:44:32The...the little man has to pay the price - every time.
0:44:43 > 0:44:45What are you doing?
0:44:52 > 0:44:54Whitehall, London, please.
0:44:58 > 0:45:00Martha Franklin, Washington Post.
0:45:00 > 0:45:03Can you put me through to the Minister of Colonies?
0:45:03 > 0:45:06Oh, just a few questions.
0:45:06 > 0:45:11He's... He's overseas?
0:45:11 > 0:45:14Oh, he's in London.
0:45:15 > 0:45:17Thanks.
0:45:32 > 0:45:35This is the man you saw talking to Tilbrook.
0:45:36 > 0:45:37Officially, he's not here.
0:45:51 > 0:45:53You know what they say at Sandhurst?
0:45:53 > 0:45:56If you can't see your face in your shoes, they're not ready.
0:45:59 > 0:46:01And can you?
0:46:01 > 0:46:02HE SIGHS
0:46:47 > 0:46:48Sir.
0:46:48 > 0:46:51Something for you.
0:46:51 > 0:46:54Sir. What is it?
0:46:54 > 0:46:55Redemption.
0:47:04 > 0:47:07What about the German cars? DOOR CLOSES
0:47:11 > 0:47:15- You're home early.- I thought I could take George swimming.
0:47:15 > 0:47:18Yay! Swimming!
0:47:23 > 0:47:27- Colin Calvert. Cabinet Minister. - Yes, that's him.
0:47:27 > 0:47:31That's the man I was taking to The Gordon Hotel.
0:47:31 > 0:47:33His code name's Owl.
0:47:33 > 0:47:36There, Owl. Date, time.
0:47:36 > 0:47:40Pick up 12:55 hours, delivery 13:30.
0:47:40 > 0:47:43Co-ordinates eight, eight, four, triple one.
0:47:43 > 0:47:46No. That can't be right.
0:47:46 > 0:47:48Triple one?
0:47:49 > 0:47:52I remember that. That's where I was taking Kadir.
0:47:52 > 0:47:54Starfish.
0:47:54 > 0:47:57Starfish and Owl.
0:47:57 > 0:48:00The Minister was here to meet with the terrorists.
0:48:00 > 0:48:02The Government have been talking to the men
0:48:02 > 0:48:04who would have killed George Markham.
0:48:04 > 0:48:06DOOR OPENS
0:48:10 > 0:48:12I know you've been talking with Kadir.
0:48:13 > 0:48:17I know the distinguished Cabinet Minister is in Aden to hold
0:48:17 > 0:48:21secret talks with the leader of a terrorist organization
0:48:21 > 0:48:23who kidnap small children.
0:48:23 > 0:48:28I know his people in London are lying about his whereabouts.
0:48:28 > 0:48:32I know all this, because there is a military logbook that verifies it.
0:48:32 > 0:48:36And I know just how embarrassing all this would be
0:48:36 > 0:48:39if I were to publish it.
0:48:39 > 0:48:41What would the headlines be?
0:48:43 > 0:48:46There'd be no story.
0:48:47 > 0:48:49You'd give up your story.
0:49:10 > 0:49:12Mr Bishop.
0:49:14 > 0:49:17After much careful consideration, the Crown has taken the view that
0:49:17 > 0:49:20there are now compelling reasons why it is not in the interests
0:49:20 > 0:49:25of justice or the national interest to pursue this prosecution further.
0:49:25 > 0:49:27GASPS AND INDISTINCT MURMURING
0:49:27 > 0:49:29What's he saying?
0:49:30 > 0:49:33He's saying you're a free man.
0:49:41 > 0:49:43All rise.
0:50:56 > 0:50:58THEY LAUGH
0:51:09 > 0:51:11THEY KISS
0:51:55 > 0:51:57SHE SPEAKS IN HER OWN LANGUAGE
0:51:58 > 0:51:59What?
0:51:59 > 0:52:01Kiss.
0:52:01 > 0:52:03Oh.
0:52:33 > 0:52:34Well...
0:52:36 > 0:52:38I've done everything I can.
0:52:41 > 0:52:44There's just one more thing.
0:52:44 > 0:52:46No, two.
0:52:46 > 0:52:48What?
0:52:53 > 0:52:55I'm thinking about leaving the Army. I don't think it helps us
0:52:55 > 0:52:57to be fighting all the rules all the time...
0:52:57 > 0:52:59It helps them.
0:53:01 > 0:53:03What?
0:53:03 > 0:53:05The Army.
0:53:05 > 0:53:08It's good for the British Army to have you in it.
0:53:10 > 0:53:15It's what you were doing in court -
0:53:15 > 0:53:16saving Joe Martin,
0:53:16 > 0:53:19and making them think very hard about what they should be.
0:53:21 > 0:53:23They need you.
0:53:27 > 0:53:29What was the second thing?
0:53:32 > 0:53:34No.
0:53:35 > 0:53:37Ed.
0:53:41 > 0:53:44Nothing.
0:53:44 > 0:53:46What?
0:53:49 > 0:53:50I'd leave you.
0:53:52 > 0:53:54If it would make you happier...
0:53:56 > 0:53:59..I'd go.
0:53:59 > 0:54:01SHE SIGHS
0:54:09 > 0:54:11How do I look?
0:54:18 > 0:54:20You look terrible, awful.
0:54:20 > 0:54:22Thank you, darling.
0:54:25 > 0:54:27I love it when you call me darling.
0:54:57 > 0:54:59What do you mean "terrible"?
0:55:02 > 0:55:05- SHE SCREAMS - No!- Come here!
0:55:05 > 0:55:08THEY LAUGH I've got you!
0:55:10 > 0:55:12They lied to us.
0:55:13 > 0:55:18They lied and they lied,
0:55:18 > 0:55:21the world upside down.
0:55:28 > 0:55:32And then you did the right thing, Harry.
0:55:32 > 0:55:35And the world righted itself.
0:55:37 > 0:55:40Go out there, inspect your men.
0:56:01 > 0:56:04Tony! Come! The sun is going down.
0:56:04 > 0:56:06- Quick!- Yeah, wait, Yusra!
0:56:06 > 0:56:08Quick, come!
0:56:15 > 0:56:17GUNSHOT
0:56:21 > 0:56:25No, no. Yusra! Yusra! No, Yusra!
0:56:27 > 0:56:31No, no, no, no, no, Yusra!
0:56:33 > 0:56:38No, Yusra, no, stay with me! Stay with me!
0:56:38 > 0:56:40Can you hear me?!
0:56:44 > 0:56:47No, no, no.
0:56:51 > 0:56:55Where are you?! Where are you?!
0:56:56 > 0:56:57Show yourselves!
0:56:57 > 0:57:00Shoot me!
0:57:00 > 0:57:02Come on, kill me!
0:57:02 > 0:57:04Kill me! Shoot me!
0:57:04 > 0:57:06Show yourself, you fucking coward!
0:57:06 > 0:57:09Shoot me! Kill me!
0:57:09 > 0:57:12HE SOBS
0:57:12 > 0:57:14Shoot me!
0:57:17 > 0:57:18Kill me!
0:57:21 > 0:57:22Shoot me!
0:57:31 > 0:57:35When you join this regiment, you commit yourself to working
0:57:35 > 0:57:37and fighting for Queen and Country.
0:57:39 > 0:57:43But these are nothing, compared with the deep understanding that
0:57:43 > 0:57:49when we stand together, as we do today, it is with the certain
0:57:49 > 0:57:53knowledge that the man you stand next to will die for you,
0:57:53 > 0:57:56and that you will die for him -
0:57:56 > 0:57:59and that is the promise by which we all live.
0:57:59 > 0:58:02Squad, by the left!
0:58:03 > 0:58:05Dismiss!
0:58:19 > 0:58:21Come on, Armstrong.