0:00:07 > 0:00:14This programme contains some scenes which some viewers may find upsetting
0:00:28 > 0:00:29Do you think I could use the hay harvest
0:00:29 > 0:00:31as the subject of the Sunday sermon?
0:00:31 > 0:00:34Like you did last year and the year before that?
0:00:36 > 0:00:38"Be not deceived.
0:00:38 > 0:00:43"God is not mocked, for whatsoever a man soweth,
0:00:43 > 0:00:45"that shall he also reap."
0:00:49 > 0:00:51SHE GASPS
0:01:06 > 0:01:08You let her read these books,
0:01:08 > 0:01:11most of which should not even be in a Christian household.
0:01:47 > 0:01:51You fill her head with ideas and doubts and confusions.
0:01:51 > 0:01:56She has an alert and voracious mind - it must be fed.
0:01:56 > 0:01:57She's a child!
0:02:24 > 0:02:27SHE SCREAMS
0:02:29 > 0:02:31Harriet?
0:02:37 > 0:02:39Harriet!
0:02:39 > 0:02:41A MAN LAUGHS
0:02:42 > 0:02:45- Harriet!- Harriet!
0:02:50 > 0:02:51Harriet?
0:02:51 > 0:02:53Father.
0:02:53 > 0:02:55We heard a voice - a man's voice.
0:02:55 > 0:02:57A man?
0:02:57 > 0:02:59If you're sure you're all right?
0:02:59 > 0:03:01Of course.
0:03:02 > 0:03:04Goodnight.
0:03:10 > 0:03:14- STRANGE VOICE:- Fresh fruit, waiting to be plucked.
0:03:16 > 0:03:17# This one night
0:03:17 > 0:03:20# This one night
0:03:20 > 0:03:25# Every night and all
0:03:25 > 0:03:31# Fire and sleet and candlelight
0:03:31 > 0:03:35# And Christ receive thy soul. #
0:03:58 > 0:04:00Can I move?
0:04:02 > 0:04:04I think there's a mouse in my boot.
0:04:06 > 0:04:09I took the photograph ages ago, I was just looking at you.
0:04:11 > 0:04:14SHE LAUGHS AND SHRIEKS
0:04:20 > 0:04:21SHE LAUGHS
0:04:21 > 0:04:24Not now! We're late enough as it is.
0:04:48 > 0:04:50You're home.
0:05:01 > 0:05:02Mr Nathan!
0:05:02 > 0:05:04Mr Nathan's back.
0:05:06 > 0:05:08- Welcome home, sir. - Thank you, Gideon.
0:05:08 > 0:05:10Good to see you again, ma'am.
0:05:10 > 0:05:11- Thank you, William.- Thank you.
0:05:11 > 0:05:13How's the cider, Gideon?
0:05:13 > 0:05:16Oh, proper drop, sir. All ready for the solstice tonight.
0:05:16 > 0:05:18Good to see you, John.
0:05:18 > 0:05:19Sir. Ma'am.
0:05:33 > 0:05:35- Gwen.- Mr Nathan.
0:05:35 > 0:05:36- Mrs Appleby.- Gwen.
0:05:36 > 0:05:39- DOG BARKS - Toby!
0:05:43 > 0:05:44How is she?
0:05:44 > 0:05:47She's weak, sir, but looking forward to seeing you.
0:05:49 > 0:05:52Thank you, Gwen, for looking after her.
0:05:55 > 0:05:59Vienna? What on earth were you doing in Vienna?
0:05:59 > 0:06:02I was invited to give a talk about psychological trauma.
0:06:05 > 0:06:07Where's your laudanum?
0:06:07 > 0:06:11I'm so proud of you, Nathan. You've achieved so much.
0:06:11 > 0:06:14Charlotte and I might stay a little longer this time.
0:06:14 > 0:06:16I've missed the farm.
0:06:16 > 0:06:17No, Nathan,
0:06:17 > 0:06:21you are not to stay here and mollycoddle an old woman.
0:06:21 > 0:06:24Your life is in London - your work, your patients.
0:06:26 > 0:06:31Charlotte, tell your husband he's needed back in London.
0:06:31 > 0:06:33Actually, I was thinking,
0:06:33 > 0:06:37a few weeks in the country is just what we need.
0:06:37 > 0:06:39Oh!
0:06:39 > 0:06:41They're ready to light the bonfire.
0:06:55 > 0:06:56Nathan.
0:06:59 > 0:07:01Let Gideon do it.
0:07:01 > 0:07:04An Appleby always lights the solstice fire.
0:07:12 > 0:07:18# If ever thou gave clothes and shoes
0:07:18 > 0:07:21# Every night and all
0:07:24 > 0:07:29# Sit thee down and put them on
0:07:29 > 0:07:33# And Christ receive thy soul
0:07:35 > 0:07:40# From bridge of dread when thou may pass
0:07:40 > 0:07:46# Every night and all
0:07:46 > 0:07:51# To Purgatory dogs at last
0:07:51 > 0:07:57# And Christ receive thy soul
0:07:57 > 0:08:03# No meat or drink thou never gave
0:08:03 > 0:08:08# Every night and all
0:08:08 > 0:08:14# The fire shall burn thee to thy bone... #
0:08:14 > 0:08:18FIDDLE MUSIC PLAYS
0:08:27 > 0:08:29Cider brandy?
0:08:29 > 0:08:31- Strong!- So am I.
0:08:54 > 0:08:56Nathan.
0:08:59 > 0:09:01- SING-SONG TONE:- Nathan.
0:09:17 > 0:09:19Who are you?
0:09:20 > 0:09:22What do you want with him?
0:09:22 > 0:09:24You leave him alone.
0:09:24 > 0:09:26You leave my son alone!
0:10:03 > 0:10:05- She was a good mistress.- Mmm.
0:10:05 > 0:10:07A good mother and grandmother.
0:10:07 > 0:10:09Grandmother?
0:10:09 > 0:10:11Mr Nathan's son, Gabriel.
0:10:12 > 0:10:15When his first wife died,
0:10:15 > 0:10:17he stayed in London with his work
0:10:17 > 0:10:19and Gabriel was sent here to be brought up by Mrs Appleby.
0:10:19 > 0:10:20That's right.
0:10:22 > 0:10:24- Doted on that boy, she did.- Mm-hmm.
0:10:24 > 0:10:25Broke her heart when....
0:10:29 > 0:10:32He won't keep the house on with such memories, will he?
0:10:32 > 0:10:34He'll sell it, for sure.
0:10:36 > 0:10:38- GIDEON:- Mr Nathan won't let us down, I'm sure of that.
0:10:38 > 0:10:40This day was always going to come.
0:10:41 > 0:10:43Now the world will change, you'll see.
0:10:46 > 0:10:47We could sell it.
0:10:47 > 0:10:49It's a run-down, outmoded farm
0:10:49 > 0:10:52in the middle of an agricultural recession.
0:10:52 > 0:10:55Of course, I'll do my best to see that everyone is retained
0:10:55 > 0:10:58or re-employed elsewhere.
0:10:59 > 0:11:01That's the least I could do.
0:11:02 > 0:11:03Isn't there an alternative?
0:11:05 > 0:11:07That we move down here and...
0:11:08 > 0:11:09..and keep the farm in the family
0:11:09 > 0:11:12and we keep these people in their homes?
0:11:13 > 0:11:15Can we even think of doing such a thing?
0:11:16 > 0:11:19KNOCK AT DOOR
0:11:19 > 0:11:20She's ready for you, sir.
0:12:31 > 0:12:33Careful with that.
0:12:33 > 0:12:35- That's from London.- Ma'am.
0:12:48 > 0:12:51I hardly think your father expected you to spend your inheritance on a traction engine.
0:12:51 > 0:12:54SHE LAUGHS
0:12:54 > 0:12:55Mr Appleby.
0:12:55 > 0:12:56Gideon.
0:12:56 > 0:12:58Going in there, is him, sir?
0:12:58 > 0:13:00That's the plan.
0:13:00 > 0:13:01Yes, sir.
0:13:05 > 0:13:06Just don't expect everyone
0:13:06 > 0:13:08to welcome these changes with open arms.
0:13:08 > 0:13:11If we don't do something radical, this place will die.
0:13:11 > 0:13:13This traction engine will revolutionise
0:13:13 > 0:13:15how this farm is run, you'll see.
0:13:16 > 0:13:19I think you might be the most blindly optimistic person
0:13:19 > 0:13:22I've ever met. I wonder if it's actually a psychological condition.
0:13:22 > 0:13:24SHE LAUGHS
0:13:55 > 0:13:58WHISTLES AND ENGINE RATTLES
0:14:05 > 0:14:06All ready, Gideon?
0:14:10 > 0:14:12John!
0:14:12 > 0:14:14Sit on the plough, man!
0:14:27 > 0:14:28Carpe Diem.
0:14:58 > 0:15:01WHISTLING
0:15:33 > 0:15:36KNOCK AT DOOR
0:15:36 > 0:15:38FOOTSTEPS THEN DOOR OPENS
0:15:38 > 0:15:42DISTANT CHATTER
0:15:47 > 0:15:52As you know, Harriet has always been a bright and lovely child.
0:15:53 > 0:15:58Then Mary and I noticed her getting more and more remote from us -
0:15:58 > 0:15:59subdued.
0:16:11 > 0:16:15SQUEAKING AND WHIRRING
0:16:28 > 0:16:31Well, she finds herself caught between childhood and womanhood.
0:16:31 > 0:16:35It's an exciting but very, very awkward place.
0:16:37 > 0:16:40Yes, that's what we told ourselves.
0:16:40 > 0:16:44But we've watched as the spark went from her eyes.
0:16:44 > 0:16:46PIGS GRUNT
0:16:56 > 0:17:00PIGS SQUEAL
0:17:05 > 0:17:09We have heard about your pioneering work in psychology
0:17:09 > 0:17:12and know that you have had a great success in London
0:17:12 > 0:17:14with aberrant behaviour. Your...
0:17:14 > 0:17:17your mother always so proudly showed us your cuttings.
0:17:17 > 0:17:19That work is...
0:17:20 > 0:17:22..behind me, at least for now.
0:17:24 > 0:17:30This is a new start for us and I must give it my full attention.
0:17:30 > 0:17:31Hmm.
0:17:40 > 0:17:41You look tired.
0:17:43 > 0:17:45Extremely desirable, but tired.
0:17:45 > 0:17:49- HE LAUGHS - Go to bed, strumpet.
0:17:49 > 0:17:50I will...
0:17:50 > 0:17:52with you.
0:17:54 > 0:17:56Well, let me just finish these accounts.
0:17:56 > 0:17:58Are they bad?
0:17:58 > 0:18:00Every time I wrote to her I asked her how the farm was doing
0:18:00 > 0:18:03and every time she wrote back to me she said it was fine.
0:18:03 > 0:18:05She probably didn't want to worry you.
0:18:05 > 0:18:07Well, I'm worried now.
0:18:10 > 0:18:12We can make it work, can't we?
0:18:13 > 0:18:15I love it here, we have to.
0:18:15 > 0:18:18Well, if we could convince the railway to bring a branch line
0:18:18 > 0:18:21- across our lands... - Then that is what we shall do.
0:18:25 > 0:18:26You had a good day, didn't you?
0:18:26 > 0:18:28I did, thank you for asking.
0:18:28 > 0:18:30You would have been proud of me.
0:18:30 > 0:18:31I'm always proud of you.
0:18:34 > 0:18:36You promise me you don't miss London?
0:18:36 > 0:18:37No.
0:18:37 > 0:18:39Come to bed.
0:18:39 > 0:18:40Or your work?
0:18:40 > 0:18:41No.
0:18:41 > 0:18:42Come to bed.
0:18:44 > 0:18:45Soon.
0:19:22 > 0:19:24Doesn't look like anybody's been in here in years.
0:19:24 > 0:19:26Nobody has, ma'am.
0:19:32 > 0:19:34- What do you think?- Oh!
0:19:34 > 0:19:36- Very fetching. - THEY LAUGH
0:19:36 > 0:19:39Is it true you used to take photographs of kings and queens, ma'am?
0:19:39 > 0:19:42Er, more debutantes and dogs, actually.
0:19:57 > 0:19:58Mr Nathan's boy.
0:19:58 > 0:19:59Gabriel.
0:20:04 > 0:20:05Did you know him?
0:20:06 > 0:20:08Not really.
0:20:08 > 0:20:11I used to hear a little boy's laughter in the house...
0:20:11 > 0:20:14then, one day, no more laughter.
0:20:44 > 0:20:48# Which makes the valleys thick to stand
0:20:48 > 0:20:50# With corn to fill the reaper's hand... #
0:20:50 > 0:20:52Won't bite, John!
0:20:52 > 0:20:56# All this, you well may understand
0:20:56 > 0:20:59# Comes from the ploughing boy. #
0:20:59 > 0:21:01He looks like me on my wedding night.
0:21:04 > 0:21:05It's good to have you back, sir.
0:21:06 > 0:21:08I never thought I'd live to see the day.
0:21:53 > 0:21:56- DOOR CLOSES - Nathan?
0:22:05 > 0:22:07Harriet?
0:22:09 > 0:22:10Harriet!
0:22:15 > 0:22:16What are you doing?
0:22:19 > 0:22:20Help.
0:22:23 > 0:22:24It's all right.
0:22:27 > 0:22:29Give me your hand. Your hand.
0:22:31 > 0:22:32Nathan!
0:22:33 > 0:22:34What's happened?
0:22:37 > 0:22:40Gwen, I want you to send one of the boys to the vicarage,
0:22:40 > 0:22:42tell them that Harriet is quite safe
0:22:42 > 0:22:43and she's spending the night with us.
0:22:45 > 0:22:46Let's get you warm.
0:23:37 > 0:23:40I said I would monitor her for a few days.
0:23:40 > 0:23:41We've been down here five minutes
0:23:41 > 0:23:43and you've gone back to being a psychologist.
0:23:43 > 0:23:46Hardly that. The girl's more troubled than I thought, that's all.
0:23:46 > 0:23:49- She needs me. - I need you. The farm needs you.
0:23:49 > 0:23:52You saw her last night. I can't turn my back on her.
0:23:52 > 0:23:53Charlotte...
0:23:53 > 0:23:55I've known the Dennings for years.
0:23:55 > 0:23:58I've known Harriet since she was a little girl, she's changed.
0:23:58 > 0:23:59She's definitely different.
0:23:59 > 0:24:02You'll do what you want to do, you always do.
0:24:04 > 0:24:05That's not fair.
0:24:07 > 0:24:10Do what you can for the girl, of course, you must.
0:24:11 > 0:24:12Just do it quickly.
0:24:26 > 0:24:28It's wonderful. Who took it?
0:24:31 > 0:24:33My wife.
0:24:33 > 0:24:34Your second wife.
0:24:35 > 0:24:36Yes, my second wife.
0:24:39 > 0:24:40Come and sit down.
0:24:43 > 0:24:44So...
0:24:45 > 0:24:46Tell me what happened.
0:24:46 > 0:24:48What do you mean?
0:24:51 > 0:24:54Well, you walked the best part of a mile in your bare feet
0:24:54 > 0:24:56to stand in my lake.
0:25:00 > 0:25:03- If I hadn't seen you from the window...- I don't remember.
0:25:03 > 0:25:05You don't remember how you got here?
0:25:08 > 0:25:10No.
0:25:10 > 0:25:12Do you remember why you were standing in the lake?
0:25:14 > 0:25:15Harriet?
0:25:17 > 0:25:19The man told me to.
0:25:21 > 0:25:22What man?
0:25:22 > 0:25:24The man that comes to me.
0:25:25 > 0:25:26Who is he?
0:25:31 > 0:25:32Does he have a name?
0:25:32 > 0:25:34Do you think she would take my portrait?
0:25:41 > 0:25:43Ibsen...
0:25:43 > 0:25:45Zola...
0:25:45 > 0:25:47Darwin.
0:25:47 > 0:25:50We're interested in ideas, my daughter and I.
0:25:50 > 0:25:52She's a remarkable child, Appleby.
0:25:52 > 0:25:56Until these last weeks, she was a dream of what a daughter could be.
0:26:02 > 0:26:03WOODEN THUMP
0:26:03 > 0:26:05What are you doing?
0:26:10 > 0:26:12That's never been opened.
0:26:15 > 0:26:18Have you ever looked for an alcoholic's secret bottle?
0:26:18 > 0:26:20No, of course not.
0:26:20 > 0:26:22You won't find it in the drinks cabinet.
0:26:30 > 0:26:33The phonograph in your study - where did you get it from?
0:26:39 > 0:26:41CRACKLY RECORDING PLAYS
0:26:41 > 0:26:43'Since my time at Shepzoy, which is all my life,
0:26:43 > 0:26:47- 'we've mostly favoured Tremlett.' - It's Gideon!
0:26:47 > 0:26:50'There was something of a change to Yarlington Mill in the 1860s,
0:26:50 > 0:26:53'then back to Tremlett.
0:26:53 > 0:26:56- 'Now, Mrs Appleby...'- One of the greatest inventions of our age
0:26:56 > 0:26:58and Gideon's talking of cider apple varieties!
0:26:58 > 0:27:00HE LAUGHS
0:27:01 > 0:27:04You could be dead and buried a hundred years
0:27:04 > 0:27:08- and people could still hear what you sounded like.- Mmm.
0:27:17 > 0:27:20- WOMAN'S VOICE:- 'Get near the machine.
0:27:20 > 0:27:21'Here, speak into it.'
0:27:25 > 0:27:28BOY'S VOICE: 'Daddy? Daddy?'
0:27:28 > 0:27:31'Move a bit nearer, Gabriel.'
0:27:31 > 0:27:33'Daddy, where are you, Daddy?'
0:27:38 > 0:27:43'Daddy? Daddy! Where are you, Daddy?'
0:27:43 > 0:27:44RECORDING STOPS
0:28:01 > 0:28:04'Daddy? Daddy?
0:28:07 > 0:28:09'Daddy, where are you, Daddy?'
0:28:30 > 0:28:35GRUNTING AND MOANING
0:28:46 > 0:28:49I suppose I'll be seeing you next year, then?
0:28:49 > 0:28:50If I'm not married...
0:28:50 > 0:28:52perhaps even if I am.
0:28:54 > 0:28:55Miss.
0:28:58 > 0:29:03WHISTLING
0:29:21 > 0:29:23'My name is Abel North.
0:29:24 > 0:29:27'The people in this village wouldn't spit on me
0:29:27 > 0:29:31'if I was on fire, truth be told, and nor I them.
0:29:31 > 0:29:34'Bunch of wretches and vagrants, every one.
0:29:35 > 0:29:39'Except for the wenches, the young ones.
0:29:39 > 0:29:46'Like fresh fruit waiting to be plucked. I'll pluck them, all right.
0:29:46 > 0:29:48- 'Don't look like that.'- Who is it?
0:29:48 > 0:29:51'You won't bury me, so what do you care?'
0:29:51 > 0:29:53Turn it off, Nathan, it's horrible.
0:29:53 > 0:29:56'You'll never bury me... Bury me... Bury me...
0:29:56 > 0:29:58'bury me...'
0:29:58 > 0:30:00MIMICKING ABEL NORTH: No river for the likes of you.
0:30:15 > 0:30:19GIDEON: Abel North is one of the meanest, most godless men
0:30:19 > 0:30:22I have ever had the misfortune to share a flagon with.
0:30:22 > 0:30:26John, you remember Abel North?
0:30:28 > 0:30:31His father was one of them Baptist preachers,
0:30:31 > 0:30:33travelling around dunking folk.
0:30:33 > 0:30:35He was hard on Abel, I do know that.
0:30:37 > 0:30:38Whipped him like a dog.
0:30:40 > 0:30:42Where is he now?
0:30:42 > 0:30:46In hell...if the devil'll have him.
0:30:50 > 0:30:52THUNDER RUMBLES
0:31:11 > 0:31:12HE CHUCKLES
0:31:12 > 0:31:14Jesus Christ, John!
0:31:14 > 0:31:17About Abel North, sir.
0:31:17 > 0:31:19One night, when he was in his cups in The Wheatsheaf,
0:31:19 > 0:31:20he did boast of something.
0:31:20 > 0:31:22DRUNKEN CHAT AND LAUGHTER
0:31:22 > 0:31:26He said he killed a woman, sir. A woman from the workhouse.
0:31:26 > 0:31:28Did you tell anyone?
0:31:28 > 0:31:29There was no evidence, sir.
0:31:29 > 0:31:32When he was sober next day, he denied it all.
0:31:34 > 0:31:36But his eyes - they were laughing at me.
0:31:39 > 0:31:40Sir.
0:31:46 > 0:31:49- ABEL NORTH:- 'Like fresh fruit waiting to be plucked...'
0:31:49 > 0:31:51What interests me is, out of all the different voices you could
0:31:51 > 0:31:54have chosen, you chose Abel North. Why was that, Harriet?
0:31:54 > 0:31:55I chose nobody.
0:31:55 > 0:31:57RECORDING STOPS
0:31:57 > 0:31:59Abel North's voice is very distinctive.
0:31:59 > 0:32:02Are you calling me a liar?
0:32:02 > 0:32:03No.
0:32:03 > 0:32:05Then I'll tell you one more time -
0:32:05 > 0:32:08I've never seen any of this before in my life.
0:32:16 > 0:32:19THEY LAUGH
0:32:24 > 0:32:27She's a strange one, ma'am, ain't she, that Miss Harriet?
0:32:27 > 0:32:30Troubled is the word my husband would use.
0:32:30 > 0:32:34Still, I'm sure Mr Appleby can look after himself.
0:32:36 > 0:32:38Let's talk about Abel North.
0:32:39 > 0:32:42I'd rather talk about your patients in London.
0:32:43 > 0:32:45What would you like to know?
0:32:45 > 0:32:47What sort of people were they?
0:32:47 > 0:32:48All sorts,
0:32:48 > 0:32:50rich and poor, old and young...
0:32:52 > 0:32:56..but all were troubled and had got themselves lost in some way.
0:32:56 > 0:32:58- Lost?- Mmm.
0:32:59 > 0:33:03The old certainties are gone and people look for meaning elsewhere -
0:33:03 > 0:33:04in spiritualism...
0:33:06 > 0:33:09..in mediums, in mesmerism...
0:33:11 > 0:33:13..the occult...
0:33:15 > 0:33:19..and some of those people got damaged and became my patients.
0:33:22 > 0:33:24Do you believe in ghosts?
0:33:26 > 0:33:29I believe in an open and scientific mind.
0:33:29 > 0:33:31I have certainly seen people haunted,
0:33:31 > 0:33:35but only by an aspect of themselves, never by a ghost.
0:33:35 > 0:33:39But you and I, working together, will conquer this, Harriet.
0:33:45 > 0:33:48I think she's frightened of her own sexuality.
0:33:50 > 0:33:52She's listened to the cylinders
0:33:52 > 0:33:56and created this unpleasant male alter ego to justify her fears.
0:33:56 > 0:33:58Gwen thinks she's out to seduce you.
0:33:58 > 0:34:00HE CHUCKLES
0:34:07 > 0:34:09What exactly are you doing?
0:34:10 > 0:34:14Something for us to look at when we're old and toothless.
0:34:22 > 0:34:23Now...
0:34:23 > 0:34:25try to look overwhelmed with lust.
0:34:27 > 0:34:28All right.
0:34:31 > 0:34:33HE CLEARS HIS THROAT
0:34:33 > 0:34:35SHE LAUGHS
0:34:35 > 0:34:37What was that?
0:34:38 > 0:34:40LIGHT BLOWS
0:34:40 > 0:34:42THEY LAUGH
0:35:01 > 0:35:03DISTANT BANG
0:35:19 > 0:35:21DISTANT CRASH
0:35:31 > 0:35:33CREAKING, GLASS TINKLING
0:35:45 > 0:35:47GLASS SHATTERS
0:36:28 > 0:36:31The valve in the boiler has been smashed.
0:36:31 > 0:36:33Who would do such a thing?
0:36:33 > 0:36:35I will write to the manufacturers in Leeds,
0:36:35 > 0:36:37they will send a replacement valve.
0:36:37 > 0:36:41And in the meantime it just sits here earning us precisely nothing.
0:36:41 > 0:36:43We knew it wouldn't be easy, Charlotte.
0:36:43 > 0:36:47I didn't realise people would vandalise their own futures.
0:36:47 > 0:36:51I hate that thing, Mrs Appleby, with all my heart.
0:36:51 > 0:36:54It'll one day take our jobs as it's already taken my pride.
0:36:54 > 0:36:55Come now, John...
0:36:55 > 0:36:58There is not a person here - not one -
0:36:58 > 0:37:02that would damage anything belonging to this farm.
0:37:02 > 0:37:04I'm sorry, it was never my intention...
0:37:04 > 0:37:06Please, John...
0:37:10 > 0:37:13..forgive me. I am new here and I will make mistakes.
0:37:30 > 0:37:33We have to start making some progress, Harriet.
0:37:33 > 0:37:36I think I can help you, but I can only help you if you trust me.
0:37:36 > 0:37:38You can only help me if you believe me.
0:37:38 > 0:37:40Abel North is a symptom, he's not the cause.
0:37:40 > 0:37:41- He's a ghost.- No.
0:37:41 > 0:37:43- He's a ghost and he's inside me.- No.
0:37:43 > 0:37:45And there's nothing you can do about it.
0:37:47 > 0:37:49You wanted to know when the gravestone was set, sir.
0:37:49 > 0:37:51Yes, thank you, Gideon. Thank you.
0:37:57 > 0:37:59There's something I have to do.
0:38:14 > 0:38:16ENGINE ROARS
0:38:19 > 0:38:20WOMAN'S VOICE: Nathan.
0:38:21 > 0:38:23Nathan, you look tired.
0:38:23 > 0:38:26HARRIET'S VOICE: What do you want with him?
0:38:26 > 0:38:29WOMAN'S VOICE: You leave him alone! You leave my son alone!
0:38:29 > 0:38:31CHILD'S VOICE: Daddy? Daddy?
0:38:32 > 0:38:33Where are you?
0:38:33 > 0:38:35That's enough.
0:38:35 > 0:38:36Where are you, Daddy?
0:38:38 > 0:38:40- Where are you, Daddy? - I said, "That's enough!"
0:38:40 > 0:38:42GRUFF VOICE: Where are you, Daddy? Where are you?
0:38:42 > 0:38:44Where are you, Daddy? Where are you?
0:38:44 > 0:38:46Enough. Harriet, that's enough.
0:38:46 > 0:38:49HARRIET'S VOICE: Don't hurt me! Please, don't hurt me.
0:38:56 > 0:38:59I didn't mean to frighten you. I'm sorry.
0:39:05 > 0:39:06No, Harriet.
0:39:06 > 0:39:08GRUFF VOICE: You know you want to.
0:39:16 > 0:39:18What's the new mistress like to work for, then?
0:39:18 > 0:39:21Oh... She's not shy and retiring, I can tell you that.
0:39:21 > 0:39:24She'll drag this farm to hell and all of us with her,
0:39:24 > 0:39:25you mark my words.
0:39:25 > 0:39:28This new mistress does certainly fill her clothes very pleasantly.
0:39:28 > 0:39:29Shame on you, Gideon!
0:39:31 > 0:39:34Don't mind us, John, you just carry on.
0:39:41 > 0:39:44She heard Gabriel's voice on the cylinder, that's all.
0:39:44 > 0:39:47I know, I know. It's... It's just it...
0:39:48 > 0:39:49It sounded so like him.
0:39:49 > 0:39:52Which makes her cruel and manipulative, not ill.
0:39:54 > 0:39:58- We find her...- Yes. - ..and we get her out of our lives.
0:40:08 > 0:40:12# She stepped away from me
0:40:14 > 0:40:19# And she moved through the fair... #
0:40:21 > 0:40:23Come on, my beauties.
0:40:23 > 0:40:26# And fondly I watched her... #
0:40:26 > 0:40:28CROWS CAW
0:40:28 > 0:40:32# Move here and move there
0:40:34 > 0:40:39# Then she went her way homeward... #
0:40:39 > 0:40:40Walk on.
0:40:40 > 0:40:44# With one star awake
0:40:46 > 0:40:48# As the swans in the evening... #
0:40:48 > 0:40:50There she is. Harriet!
0:40:53 > 0:40:58# Move over the lake. #
0:41:09 > 0:41:11John?
0:41:16 > 0:41:18NECK SNAPS
0:41:18 > 0:41:19John!
0:41:22 > 0:41:24SHE SCREAMS
0:41:53 > 0:41:55Perhaps he was ill, or in debt.
0:41:56 > 0:41:59But if he was in trouble, why didn't he just come to me?
0:41:59 > 0:42:01- Maybe it was what I said.- No.
0:42:01 > 0:42:04I practically accused him of sabotaging that stupid machine.
0:42:04 > 0:42:06No. He loved this farm.
0:42:08 > 0:42:11Three generations of Roebucks have ploughed this land.
0:42:13 > 0:42:14I've known him my whole life.
0:42:15 > 0:42:18What he did today, I just don't understand it.
0:42:19 > 0:42:21Are they ever going to trust us now?
0:43:36 > 0:43:39CREAKING
0:44:17 > 0:44:19SHE WHIMPERS
0:44:20 > 0:44:22This will help you sleep.
0:44:39 > 0:44:41- I'll send Gwen to get her parents. - No.
0:44:41 > 0:44:45The girl needs proper care - doctors, hospital.
0:44:45 > 0:44:47She's hurting herself! How long before she hurts someone else?
0:44:47 > 0:44:50She was entrusted into my care and I will do my best for her.
0:44:50 > 0:44:53- Is this empathy, Nathan, or arrogance?- She needs rest.
0:44:57 > 0:45:00In the morning, if her parents agree with you...
0:45:02 > 0:45:04..I'll send her to my colleagues in London.
0:45:10 > 0:45:13And we shall see if we still have a farm to run.
0:46:13 > 0:46:14Morning, ma'am.
0:46:16 > 0:46:17You came.
0:46:17 > 0:46:20Of course we came. This is what we do.
0:46:24 > 0:46:26Morning, ma'am.
0:46:26 > 0:46:27Morning, ma'am.
0:46:28 > 0:46:29Morning, ma'am.
0:46:47 > 0:46:48- RECORDING:- Don't look like that.
0:46:48 > 0:46:51You won't bury me, so what do you care?
0:46:51 > 0:46:53You'll never bury me...
0:46:53 > 0:46:56Bury me... Bury me... Bury me...
0:47:00 > 0:47:04No river for the likes of you, he said. Wretched boy.
0:47:04 > 0:47:06Evil boy. Never a river for you.
0:47:09 > 0:47:12HORSE AND CARRIAGE APPROACHES
0:47:21 > 0:47:23Charlie.
0:47:25 > 0:47:26Help me, Charlie.
0:47:27 > 0:47:29Miss Harriet?
0:47:31 > 0:47:33Take me to her.
0:47:33 > 0:47:34She is upstairs.
0:47:57 > 0:47:59What is wrong with you, Miss Harriet?
0:47:59 > 0:48:01I nearly went to meet my maker, I did.
0:48:16 > 0:48:18SHE SCREAMS
0:48:20 > 0:48:23GRUFF VOICE: He that believeth and is baptised shall be saved.
0:48:35 > 0:48:38HARRIET GROWLS
0:48:40 > 0:48:41It's well-founded.
0:48:41 > 0:48:43There have been cases of double or even triple consciousness
0:48:43 > 0:48:45existing within the same person.
0:48:45 > 0:48:48Can you help her? That is the only question here.
0:48:48 > 0:48:51I would like your permission to hypnotise Harriet.
0:48:51 > 0:48:52Hypnotise?
0:48:54 > 0:48:56Are you a doctor or a fairground turn, Mr Appleby?
0:49:00 > 0:49:02Thank you both for your time and patience...
0:49:02 > 0:49:04One moment more and your daughter was a murderer -
0:49:04 > 0:49:06that's what the law will say.
0:49:06 > 0:49:10Take Harriet out of this house now, you start her on a journey
0:49:10 > 0:49:13that could end up in the asylum, perhaps even prison.
0:49:13 > 0:49:15Listen to him, Mary.
0:49:15 > 0:49:17If anyone can help Harriet, it's him.
0:49:26 > 0:49:28There is no Abel North.
0:49:30 > 0:49:34What you think of as Abel North is a splinter of your own personality...
0:49:36 > 0:49:40..exaggerated and unbalancing the whole.
0:49:44 > 0:49:47I want you to concentrate on the watch.
0:49:47 > 0:49:49WATCH TICKS
0:49:51 > 0:49:53Look steadily at the watch.
0:49:55 > 0:49:56Let everything else fade away.
0:49:58 > 0:50:01Relax. Listen to the sound of my voice.
0:50:02 > 0:50:07Let all your worries and stresses fall from your shoulders.
0:50:07 > 0:50:09Feel them flowing through the end of your fingers.
0:50:15 > 0:50:17I'm going to count to five and,
0:50:17 > 0:50:20at the sound of each number, you will be deeper, safer.
0:50:20 > 0:50:21One,
0:50:21 > 0:50:22two,
0:50:22 > 0:50:24three,
0:50:24 > 0:50:25four,
0:50:25 > 0:50:27five.
0:50:43 > 0:50:45Is that strictly necessary?
0:50:52 > 0:50:54Can you remember a time before Abel North?
0:50:56 > 0:50:59The last moment you remember being completely happy -
0:50:59 > 0:51:00can you do that for me?
0:51:03 > 0:51:06Can you remember when that happy day got compromised,
0:51:06 > 0:51:08when the happiness was darkened?
0:51:13 > 0:51:16Can you remember the first time you saw Abel North?
0:51:20 > 0:51:23What happened between those two memories, Harriet?
0:51:30 > 0:51:31Let me speak to him.
0:51:34 > 0:51:36Let me speak to Abel North.
0:51:37 > 0:51:39Will he come out and speak to me?
0:51:40 > 0:51:42Is that because Abel North is a coward,
0:51:42 > 0:51:44abhorred, despised, pitied...
0:51:44 > 0:51:46SHE MUTTERS
0:51:46 > 0:51:47..or is it because...
0:51:49 > 0:51:52..he does not exist?
0:51:52 > 0:51:53SHE SPITS
0:51:53 > 0:51:56SHE CACKLES
0:51:58 > 0:51:59What is happening in there?
0:52:06 > 0:52:07Speak to me, Abel.
0:52:11 > 0:52:12Why Harriet?
0:52:14 > 0:52:16Is it because you think she is weak?
0:52:16 > 0:52:19SHE CHUCKLES
0:52:19 > 0:52:20Like the girl from the workhouse?
0:52:24 > 0:52:26Tell me about your father, Abel.
0:52:26 > 0:52:27He was a preacher.
0:52:27 > 0:52:29SHE COUGHS
0:52:29 > 0:52:31He was a man of God.
0:52:31 > 0:52:33SHE GROWLS
0:52:33 > 0:52:35Imagine a life without love -
0:52:35 > 0:52:37what a bleak and desolate prospect that is.
0:52:37 > 0:52:39But you don't need to imagine it, do you, Abel? You lived it.
0:52:39 > 0:52:41- Open the door, man! - Your father loved God,
0:52:41 > 0:52:44he loved the people he baptised, but he didn't love you.
0:52:44 > 0:52:45He hated you. He despised you.
0:52:45 > 0:52:47Help me.
0:52:47 > 0:52:48- Please help.- Harriet...
0:52:48 > 0:52:51WOMAN'S VOICE: What do you want with him?
0:52:51 > 0:52:52You leave him alone!
0:52:52 > 0:52:54CHILD'S VOICE: Daddy? Where are you, Daddy?
0:52:54 > 0:52:56You heard those voices...
0:52:56 > 0:52:58- Where's my boat, Daddy? - ..on the phonograph.
0:52:58 > 0:52:59I want to sail my boat.
0:52:59 > 0:53:01GRUFF VOICE: He's lonely.
0:53:01 > 0:53:02No, he is not.
0:53:02 > 0:53:03He's got me now.
0:53:03 > 0:53:06I'm going to wake you up now, Harriet.
0:53:06 > 0:53:08Do not open this door!
0:53:08 > 0:53:10SHE CACKLES, GIGGLES
0:53:10 > 0:53:13When I get to the number five, you will be wide awake,
0:53:13 > 0:53:14refreshed, alert.
0:53:14 > 0:53:17One, two, three, four, five.
0:53:17 > 0:53:18Harriet, you are awake.
0:53:18 > 0:53:20- Get her back, man! - Harriet, listen to me.
0:53:20 > 0:53:23Our Father, which art in heaven, Hallowed be thy name...
0:53:23 > 0:53:24You'll never bury me.
0:53:24 > 0:53:26Why? Why won't he bury you?!
0:53:26 > 0:53:28He that believeth and is baptised shall be saved.
0:53:32 > 0:53:33What are you doing?
0:53:39 > 0:53:41Stop him!
0:53:41 > 0:53:42- Appleby!- Nathan?
0:53:42 > 0:53:43What are you doing?!
0:53:53 > 0:53:56Abel North was never baptised.
0:53:56 > 0:53:58Get in.
0:53:58 > 0:53:59Do it!
0:54:06 > 0:54:09He that believeth and is baptised shall be saved.
0:54:10 > 0:54:16I baptise thee in the name of the Father and of the Son
0:54:16 > 0:54:18and of the Holy Ghost.
0:54:18 > 0:54:19Amen.
0:54:30 > 0:54:32Father!
0:54:37 > 0:54:38HE LAUGHS
0:55:01 > 0:55:03What did we see, Charlotte?
0:55:05 > 0:55:08A troubled girl who is less troubled now, I hope.
0:55:10 > 0:55:12We lay to rest John Roebuck.
0:55:12 > 0:55:14# Immortal, invisible
0:55:14 > 0:55:18# God only wise
0:55:18 > 0:55:23# In light inaccessible
0:55:23 > 0:55:27# Hid from our eyes
0:55:27 > 0:55:30# Most blessed, most glorious
0:55:30 > 0:55:34# The Ancient of Days
0:55:34 > 0:55:36# Almighty victorious... #
0:55:36 > 0:55:39# So early in the morning
0:55:39 > 0:55:43# To harrow, plough and sow
0:55:43 > 0:55:46- # And with a gentle cast, my boys - # Unresting
0:55:46 > 0:55:50- # We'll give the corn a throw - # Unhasting... #
0:55:50 > 0:55:54# Which makes the valleys thick to stand
0:55:54 > 0:55:58# With corn to fill the reaper's hand
0:55:58 > 0:56:03# All this, you well may understand
0:56:03 > 0:56:06# Comes from the ploughing boy... #
0:56:06 > 0:56:09Did we get a glimpse beyond the veil?
0:56:11 > 0:56:13I don't know. I don't need to know.
0:56:14 > 0:56:17# Our master he does welcome us
0:56:17 > 0:56:21# And unlocks the cellar door
0:56:21 > 0:56:24# With cake and ale we'll have our fill
0:56:24 > 0:56:28# Because we've done our work so well
0:56:29 > 0:56:33# There's none here can excel the skill
0:56:33 > 0:56:37# Of a brave ploughing boy. #
0:57:03 > 0:57:05CREAKING
0:58:01 > 0:58:04- Do you believe in ghosts, Denning? - Yes.
0:58:05 > 0:58:06What is it?
0:58:06 > 0:58:08It's just children playing.
0:58:08 > 0:58:09At this time of night?
0:58:13 > 0:58:15They are just pictures in your head.
0:58:16 > 0:58:17I don't belong here.
0:58:18 > 0:58:21What lies beneath should be left beneath.
0:58:23 > 0:58:24Charlie.
0:58:24 > 0:58:25Daddy.