0:00:02 > 0:00:03CHEERING We did it.
0:00:03 > 0:00:05- Who's that woman? - Clarity Winlove.
0:00:05 > 0:00:07Say she was a healer, helped women who wanted to conceive.
0:00:07 > 0:00:10I want your baby, Nathan Appleby.
0:00:10 > 0:00:14- CLARITY:- You will reap what has been sown.
0:00:14 > 0:00:15Nathan.
0:00:15 > 0:00:18This isn't a blessing nor is it a curse.
0:00:18 > 0:00:20- I'm not pregnant. - I think you are.
0:00:20 > 0:00:23NATHAN: One night in Shepzoy, I saw a woman.
0:00:23 > 0:00:25Gabriel drew a picture of a woman with a book.
0:00:25 > 0:00:27Is it of Harriet?
0:00:27 > 0:00:31I heard Gabriel's voice. I am sure of it.
0:00:31 > 0:00:34- GWEN:- There's something here, something bad.
0:00:37 > 0:00:41Never return to my land. You are banished, Jack.
0:00:45 > 0:00:47DOG BARKS
0:00:49 > 0:00:56This programme contains some scenes which some viewers may find upsetting
0:00:56 > 0:00:58DOG BARKS
0:00:58 > 0:00:59CAWING
0:01:00 > 0:01:03BIRDS TWEET
0:01:10 > 0:01:13TWIG SNAPS SHE GASPS
0:01:13 > 0:01:15CAWING
0:01:16 > 0:01:18SHE GRUNTS
0:01:21 > 0:01:23TWIG CRUNCHES
0:01:33 > 0:01:34Clarity.
0:01:36 > 0:01:37Are you there?
0:01:39 > 0:01:41Clarity Winlove.
0:01:41 > 0:01:43SHE BREATHES HARD
0:01:44 > 0:01:47TWIG SNAPS CAWING
0:01:56 > 0:01:59Is someone there?
0:02:02 > 0:02:03Is someone there?!
0:02:03 > 0:02:07NATHAN: I have to know if you were warning me.
0:02:10 > 0:02:11Or threatening me.
0:02:13 > 0:02:16Are you there, Clarity?
0:02:17 > 0:02:18Are you with me?
0:02:27 > 0:02:29Reveal yourself.
0:02:29 > 0:02:31For God's sake, reveal yourself.
0:02:32 > 0:02:34SHE BREATHES HARD
0:02:36 > 0:02:38CAWING
0:02:39 > 0:02:42TWIGS CRUNCH
0:02:44 > 0:02:45Reveal yourself.
0:02:47 > 0:02:48Reveal yourself.
0:02:48 > 0:02:50SHE BREATHES HARD
0:03:08 > 0:03:09SHE SCREAMS
0:03:23 > 0:03:25Nathan?
0:03:27 > 0:03:30- KNOCK AT DOOR - Nathan?
0:03:30 > 0:03:32Just a minute.
0:03:38 > 0:03:39What are you doing,
0:03:39 > 0:03:42- loitering in there alone?- Research.
0:03:43 > 0:03:45- Oh! - SHE LAUGHS
0:03:45 > 0:03:47Hm.
0:04:13 > 0:04:16# This one night
0:04:16 > 0:04:18# This one night
0:04:18 > 0:04:23# Every night and all
0:04:24 > 0:04:29# Fire and sleet and candlelight
0:04:29 > 0:04:34# And Christ receive thy soul. #
0:04:54 > 0:04:56I fear this be sabotage, ma'am.
0:04:56 > 0:04:59See this? The linchpin's missing.
0:05:00 > 0:05:02Perhaps it is lost back there.
0:05:02 > 0:05:05Nowhere to be found, and I've checked our other wagons.
0:05:05 > 0:05:07They've been tampered with, too.
0:05:07 > 0:05:09- SHE SIGHS - Sorry, ma'am.
0:05:17 > 0:05:18KNOCK AT DOOR
0:05:22 > 0:05:25HE SIGHS Have you come to check-up on me, Denning?
0:05:25 > 0:05:27- HE LAUGHS - Not at all, Appleby.
0:05:27 > 0:05:29I was just passing and...
0:05:38 > 0:05:40DOOR CREAKS
0:05:40 > 0:05:43Are you here on church business or personal business, Denning?
0:05:45 > 0:05:51You know, this fashion for spiritualism, seances and such,
0:05:51 > 0:05:55I've found, pursuing my pastoral duties,
0:05:55 > 0:06:01that it's often the symptom of a more personal, deeper malaise.
0:06:03 > 0:06:04A bereavement.
0:06:04 > 0:06:09If you're suggesting that my pursuit of the truth is in relation to Gabriel...
0:06:09 > 0:06:11Only you can answer that, but...
0:06:12 > 0:06:18..if your deceased child is the reason for your research,
0:06:18 > 0:06:23as your friend, I must caution you, that way madness lies.
0:06:23 > 0:06:24And as my priest?
0:06:26 > 0:06:31You are transgressing against God and nature.
0:06:31 > 0:06:32FOOTSTEPS APPROACH
0:06:33 > 0:06:35Sir? You're wanted outside.
0:06:42 > 0:06:44Come.
0:06:45 > 0:06:47Nathan, we need those wagons now, today.
0:06:47 > 0:06:50The wainwright sent word. He can't get 'em fixed till next week.
0:06:50 > 0:06:55- That's too late.- Well, who would deliberately remove...- I reckon it were Jack Langtree.
0:06:55 > 0:06:57- Jack?- Now, you stop, Isiah Cobb.
0:06:58 > 0:07:01Old Jack's not to be blamed when everything goes awry.
0:07:01 > 0:07:04- He's in London.- No, he ain't. - I saw him here last night.
0:07:04 > 0:07:05Where did you see him?
0:07:05 > 0:07:08He were out here in the yard. Saw him sneaking off, I did.
0:07:08 > 0:07:09I wondered what he was up to.
0:07:10 > 0:07:13I thought my nephew had taken my advice and moved away.
0:07:13 > 0:07:17I warned him, Mr Appleby, I did. Let bygones be bygones.
0:07:17 > 0:07:21But it seems like he's still nursing a grudge against you.
0:07:34 > 0:07:38- Shouldn't Miss Enderby be teaching class this morning?- Yes, she should.
0:07:41 > 0:07:42NATHAN: Miss Enderby?
0:07:44 > 0:07:46Are you all right?
0:07:48 > 0:07:49SHE GASPS
0:08:01 > 0:08:02NATHAN: Miss Enderby?
0:08:03 > 0:08:05Martha?
0:08:06 > 0:08:07It's all right.
0:08:08 > 0:08:09You're safe.
0:08:12 > 0:08:14Mr Appleby.
0:08:14 > 0:08:16Please drink something.
0:08:18 > 0:08:19Come on.
0:08:23 > 0:08:25It's all right. You're very safe here.
0:08:31 > 0:08:34You seem distressed, Martha.
0:08:34 > 0:08:37Can you tell us what happened?
0:08:42 > 0:08:44I can't remember.
0:08:44 > 0:08:45Did you teach class this morning?
0:08:47 > 0:08:49No.
0:08:49 > 0:08:50Then where have you been?
0:08:52 > 0:08:54The woods.
0:08:56 > 0:08:58Elmwood Forest, and...
0:09:01 > 0:09:03..I don't remember.
0:09:05 > 0:09:09- I can't remember. - SHE BREATHES HARD
0:09:10 > 0:09:12Perhaps if I go back there...
0:09:17 > 0:09:18CAWING OUTSIDE
0:09:26 > 0:09:27(Jack.)
0:09:27 > 0:09:29Jack Langtree?
0:09:29 > 0:09:32Jack. He... He frightened me.
0:09:32 > 0:09:33He...
0:09:35 > 0:09:37..attacked me.
0:09:37 > 0:09:39Er... Oh, it...
0:09:39 > 0:09:41It was Jack...
0:09:43 > 0:09:44..but it wasn't Jack.
0:09:46 > 0:09:47There was something...
0:09:48 > 0:09:52- Something?- As if he were...
0:09:54 > 0:09:55..possessed.
0:10:02 > 0:10:08Her symptoms - fragmented recollection, extreme agitation, confusion.
0:10:10 > 0:10:13I think her mind's endeavouring to blank out something unspeakable.
0:10:13 > 0:10:16Poor child. One can only imagine what's happened to her.
0:10:16 > 0:10:20I think I may need to take her back into the forest today.
0:10:23 > 0:10:25Martha, do you feel you could show me where Jack attacked you?
0:10:25 > 0:10:28Um...do you think that's wise? She seems very fragile.
0:10:28 > 0:10:31But we need to find and apprehend Jack Langtree.
0:10:31 > 0:10:33He attacked this defenceless young woman.
0:10:33 > 0:10:37- Our wagons are broken. - By Jack Langtree.
0:10:37 > 0:10:40- We have no means of transportation. - I want to go back.
0:10:43 > 0:10:46Mr Appleby is right.
0:10:46 > 0:10:49Jack Langtree is a danger.
0:10:54 > 0:10:58I'm sorry. I'm not only responsible for the farm and the servants and the workers,
0:10:58 > 0:11:00but in the absence of a police officer...
0:11:02 > 0:11:05..I am responsible for the law and order.
0:11:05 > 0:11:07It is the life we've chosen, Charlotte.
0:11:07 > 0:11:08Yes, it is, isn't it?
0:11:10 > 0:11:12Leave the wagons to me.
0:11:26 > 0:11:27'Martha.'
0:11:28 > 0:11:31There's something I need to ask you.
0:11:31 > 0:11:34Did Jack Langtree in any way force himself upon you?
0:11:34 > 0:11:36- I mean, sexually.- No.
0:11:36 > 0:11:38It was nothing like that.
0:11:40 > 0:11:43And please forgive my intrusiveness. I know it's very difficult for you, but...
0:11:43 > 0:11:46I understand you are doing your duty, Mr Appleby.
0:11:48 > 0:11:52Good. Now I just need you to show me where Jack attacked you.
0:12:03 > 0:12:04CAWING
0:12:33 > 0:12:35BABY CRIES
0:12:56 > 0:12:57Gwen?
0:12:58 > 0:13:00BABY CRIES
0:13:09 > 0:13:10BABY CRIES
0:13:20 > 0:13:21SHE GULPS
0:13:23 > 0:13:24SHE GULPS
0:13:28 > 0:13:30- GWEN:- Are you all right, ma'am?
0:13:34 > 0:13:37Better an empty house than an angry tenant, ma'am.
0:13:38 > 0:13:39SHE CHUCKLES
0:13:39 > 0:13:41Thank you, Gwen.
0:13:42 > 0:13:44SHE SIGHS
0:13:51 > 0:13:53CAWING
0:13:59 > 0:14:01Your mind is denying us access
0:14:01 > 0:14:04to the memory of what happened to you this morning.
0:14:04 > 0:14:08But if we can find a key to unlock the memories...
0:14:08 > 0:14:11Well, I remember this place...
0:14:12 > 0:14:14..from earlier.
0:14:15 > 0:14:16These flowers.
0:14:16 > 0:14:18SHE GASPS
0:14:19 > 0:14:20Cyclamen.
0:14:24 > 0:14:25And yarrow.
0:14:27 > 0:14:29Achillea millefolium.
0:14:31 > 0:14:33I'm something of an amateur botanist.
0:14:33 > 0:14:35BIRD SQUAWKS
0:14:35 > 0:14:39One day, I hope to discover a new native subspecies and...
0:14:48 > 0:14:49Alice.
0:14:51 > 0:14:53- Alice?- Alice Wharton.
0:14:53 > 0:14:54Mm-hm?
0:14:54 > 0:14:57She's a farm hand over at Marshfield Estate.
0:14:57 > 0:14:58We're friends.
0:14:59 > 0:15:05Alice has a lively, enquiring mind, despite her lack of formal education.
0:15:05 > 0:15:11You see, Alice yearns to improve herself and I was helping her.
0:15:12 > 0:15:13Educating her.
0:15:14 > 0:15:16CAWING
0:15:17 > 0:15:19That's why I was here.
0:15:20 > 0:15:21I remember now.
0:15:23 > 0:15:24I was looking for Alice.
0:15:26 > 0:15:27Good.
0:15:29 > 0:15:33So, you left the pupils at the school and you came here to look for Alice.
0:15:35 > 0:15:36Why?
0:15:38 > 0:15:39RUSTLING
0:15:43 > 0:15:44Jack.
0:15:45 > 0:15:48He's been living here, poaching and scavenging.
0:15:51 > 0:15:52Alice was going to...
0:15:54 > 0:15:56..elope with him.
0:15:56 > 0:15:58Mr Appleby...
0:15:58 > 0:16:02Jack Langtree is not good for Alice, or any other girl.
0:16:02 > 0:16:05I was trying to find her.
0:16:05 > 0:16:07I was just trying to find her, to make her see sense.
0:16:07 > 0:16:10And instead, Jack Langtree found you?
0:16:10 > 0:16:13Now, you said he was possessed. What did you mean?
0:16:13 > 0:16:16Mr Appleby, is it wise to pursue this?
0:16:16 > 0:16:19- Why wouldn't it be wise? - There's talk in the village.
0:16:19 > 0:16:21I hear things the children say.
0:16:23 > 0:16:26- Things their parents have said about...- About me?
0:16:27 > 0:16:29What do they say about me?
0:16:33 > 0:16:35They say you're raising the dead.
0:16:38 > 0:16:39What do you think?
0:16:39 > 0:16:43I think you're a good and decent man, Mr Appleby.
0:16:47 > 0:16:49RUSTLING
0:16:51 > 0:16:52Is that smoke?
0:16:55 > 0:16:56Come.
0:16:58 > 0:17:01It's coming from down in that gully. Stay close behind me.
0:17:03 > 0:17:06There you are, ma'am. That'll get rid of your sickness in no time.
0:17:06 > 0:17:08Oh.
0:17:08 > 0:17:11Prevent vomiting by feeding me vomit.
0:17:15 > 0:17:18Actually, it's quite nice. What's in it?
0:17:18 > 0:17:20Oh, what you don't know won't hurt you, ma'am.
0:17:23 > 0:17:28- SHE GULPS - You haven't told Mr Appleby about...
0:17:28 > 0:17:29No, I haven't.
0:17:34 > 0:17:38I will tell him. He's already lost a child.
0:17:40 > 0:17:42And something may yet go wrong.
0:17:42 > 0:17:44No hope is better than false hope?
0:17:47 > 0:17:49- Gwen?- Yes, ma'am?
0:17:50 > 0:17:54Could someone have brought a baby into the house earlier?
0:17:54 > 0:17:58- One of the workers, perhaps? - No, ma'am, definitely not.
0:18:00 > 0:18:02- Why do you ask?- No reason.
0:18:05 > 0:18:06Ma'am.
0:19:04 > 0:19:05NATHAN: Jack Langtree!
0:19:07 > 0:19:08Anyone in there?
0:19:12 > 0:19:13Jack!
0:20:05 > 0:20:06It's Alice's.
0:20:08 > 0:20:09That's Alice's ring.
0:20:10 > 0:20:11Where is she?
0:20:13 > 0:20:15What's he done to her?
0:20:31 > 0:20:33SHE BREATHES HARD
0:20:34 > 0:20:35BIRDS TWEET
0:20:45 > 0:20:46SHE GASPS
0:20:49 > 0:20:51- Martha!- Alice?
0:21:03 > 0:21:05CAWING
0:21:09 > 0:21:11Alice?
0:21:11 > 0:21:15Alice! It's all right. I mean you no harm.
0:21:17 > 0:21:19- Alice!- No! Leave her.
0:21:19 > 0:21:21- Come back!- Leave her alone!
0:21:22 > 0:21:25You came here to find Alice.
0:21:25 > 0:21:28- No.- Martha, I don't understand.
0:21:28 > 0:21:31You saw her face, the way she looked at me.
0:21:31 > 0:21:34- Please, Mr Appleby, let her be. Please.- Why?
0:21:35 > 0:21:39- She hates me, despises me. - Listen to me, Martha.
0:21:39 > 0:21:42Your friend looked traumatised, the same way you did when you arrived at Shepzoy.
0:21:42 > 0:21:45I cannot leave her, knowing she may be under threat.
0:21:45 > 0:21:47We need to find her and bring her home.
0:21:47 > 0:21:50- I can't do that. - There's no other course open to us.
0:21:50 > 0:21:51I want to go back!
0:21:54 > 0:21:55I don't like it here.
0:21:57 > 0:22:00I want away from this place. I have to go, Mr Appleby.
0:22:00 > 0:22:03- I have to.- No, Martha. - You can't stop me.
0:22:12 > 0:22:15Then you follow that path out of here, back to Shepzoy House
0:22:15 > 0:22:17and you explain the situation to Mrs Appleby.
0:22:19 > 0:22:22And you wait for me there. Do you understand?
0:22:24 > 0:22:25I only wanted to help Alice.
0:22:27 > 0:22:28She's...
0:22:30 > 0:22:31..a flower of the forest.
0:22:32 > 0:22:34A secret flower.
0:22:35 > 0:22:39I truly believed she would bloom into a woman of true substance.
0:22:39 > 0:22:40She will...
0:22:43 > 0:22:45..once I've brought her home safe.
0:22:48 > 0:22:50Go now.
0:23:49 > 0:23:51LLAMA BLEATS
0:23:53 > 0:23:54Mrs Appleby?
0:23:54 > 0:23:57I'm so sorry to intrude on you like this, Mr Payne.
0:23:57 > 0:23:58I know you haven't been here long.
0:24:01 > 0:24:05The future of farming...or so I'm told.
0:24:06 > 0:24:10- I might have been misinformed. - Beware the farmers' market.
0:24:10 > 0:24:14You're more likely to find an honest broker at the door of a Turkish bordello.
0:24:14 > 0:24:18Unfortunately, this isn't a social call. I have a favour to ask of you.
0:24:20 > 0:24:25Someone, and we believe we know who, has sabotaged our wagons.
0:24:25 > 0:24:27I cannot get my produce to market.
0:24:27 > 0:24:29And the wholesale price of grain is falling even as we speak.
0:24:29 > 0:24:34Might it be possible for you to spare us two or three wagons so that I might...
0:24:34 > 0:24:36Of course, Mrs Appleby, of course.
0:24:36 > 0:24:38I'll have the vehicles brought round to you this evening.
0:24:38 > 0:24:42Thank you, Mr Payne. My husband will be most grateful.
0:24:56 > 0:24:57Alice!
0:25:06 > 0:25:08Alice!
0:25:10 > 0:25:12Alice.
0:25:21 > 0:25:22Alice!
0:25:27 > 0:25:29CAWING
0:25:32 > 0:25:34CAWING
0:25:44 > 0:25:45Alice?
0:25:55 > 0:25:56Alice?
0:26:12 > 0:26:13HOOVES TROT
0:26:45 > 0:26:48DOORS CREAK
0:26:50 > 0:26:51Gwen?
0:27:10 > 0:27:12Martha?
0:27:13 > 0:27:15It's my fault.
0:27:17 > 0:27:18All my fault.
0:27:21 > 0:27:24Last night, Alice told me she was going to elope with Jack.
0:27:24 > 0:27:26SHE BREATHES HARD
0:27:26 > 0:27:28I couldn't allow that.
0:27:28 > 0:27:30I lost my temper.
0:27:31 > 0:27:33I shouted at her.
0:27:34 > 0:27:35I went too far.
0:27:38 > 0:27:40Go on, Martha. What happened?
0:27:44 > 0:27:48When I went back there this morning to apologise to her, Alice had gone.
0:27:50 > 0:27:52I was foolish.
0:27:54 > 0:27:57Had I not tried to intervene, she would have overcome her infatuation.
0:27:59 > 0:28:00If anything should happen to her...
0:28:02 > 0:28:04If Jack Langtree should...
0:28:15 > 0:28:16'It's my fault.'
0:28:18 > 0:28:22- I drove her to him.- You did what you thought was best.
0:28:35 > 0:28:37'But she's lost, Mrs Appleby.'
0:28:37 > 0:28:39We've lost her.
0:28:46 > 0:28:48Tell me more about Alice.
0:29:32 > 0:29:34'People in the village couldn't understand'
0:29:34 > 0:29:36that a schoolteacher might form a friendship
0:29:36 > 0:29:39with someone of Alice's supposedly lowly situation.
0:29:39 > 0:29:45But this place, Shepzoy, this whole county, it's so medieval,
0:29:45 > 0:29:47so provincial.
0:29:49 > 0:29:51I'm sorry.
0:29:52 > 0:29:54- I'm too easily aroused to passion. - No, please.
0:29:54 > 0:29:59I think the world would be a better place if more of us were passionate, don't you?
0:30:03 > 0:30:04Yes.
0:30:09 > 0:30:11I do.
0:30:13 > 0:30:15Are you all right?
0:30:16 > 0:30:18- GWEN:- Ma'am?
0:30:18 > 0:30:21Er...Mr Payne from Marshfield is outside.
0:30:23 > 0:30:25Excuse me.
0:30:37 > 0:30:39You'll have your produce sold by the weekend, I'm sure of it.
0:30:39 > 0:30:43Thank you, Mr Payne. I can't tell you how grateful we are.
0:30:49 > 0:30:51Please, Charlotte, go back inside.
0:30:51 > 0:30:55- Oh, my God. That's Alice Wharton. - Martha's friend.
0:30:55 > 0:30:58I know her. She's one of my workers.
0:30:58 > 0:31:03William Payne, the new proprietor of Marshfield Estate.
0:31:03 > 0:31:04What happened?
0:31:06 > 0:31:08I need your assistance, Mr Payne.
0:31:08 > 0:31:09Well, of course.
0:31:09 > 0:31:11This young woman was murdered in Elmwood Forest.
0:31:11 > 0:31:16The man I believe responsible, Jack Langtree, is still there.
0:31:16 > 0:31:19He's living in the cave at the Devil's Chapel. Your men will know where that is.
0:31:19 > 0:31:23I need you and your men to go out there and apprehend Langtree.
0:31:23 > 0:31:25Of course. We'll start the search at first light.
0:31:25 > 0:31:28- Thank you, Mr Payne.- What happened?
0:31:28 > 0:31:31- Let's go. - Not now, Charlotte, please.
0:31:34 > 0:31:35Martha.
0:31:58 > 0:32:01Take Martha back inside the house, Charlotte.
0:32:06 > 0:32:09- What do you intend to do? - Examine her body thoroughly.
0:32:09 > 0:32:12Why? What happened in those woods, Nathan?
0:32:12 > 0:32:15Please, Charlotte, do as I ask.
0:33:22 > 0:33:24CLOTH RIPS
0:33:34 > 0:33:35HE CLEARS HIS THROAT
0:33:58 > 0:34:00- SHE SCREAMS - Oh!
0:34:30 > 0:34:31Oh, my...
0:34:37 > 0:34:38Where's Martha?
0:34:44 > 0:34:48- Martha, we need to talk. - What's going on?
0:34:48 > 0:34:50The results of my examination of Alice's body are...
0:34:50 > 0:34:55LAUGHS SHAKILY I am absolutely certain beyond all doubt...
0:34:58 > 0:35:00..Alice was murdered early this morning.
0:35:01 > 0:35:06Now, we saw Alice in Elmwood Forest some time around midday.
0:35:10 > 0:35:12And I did not imagine it, Charlotte.
0:35:12 > 0:35:15Martha can corroborate the truth of our encounter
0:35:15 > 0:35:17with what I can only describe as Alice's spirit.
0:35:21 > 0:35:22We saw her.
0:35:23 > 0:35:27We saw her as clearly as we can see you.
0:35:31 > 0:35:32Martha?
0:35:41 > 0:35:44I'm sorry, Mr Appleby.
0:35:45 > 0:35:47I don't know what you're talking about.
0:35:49 > 0:35:50What?
0:35:50 > 0:35:52I didn't see Alice in the woods today.
0:35:52 > 0:35:55Perhaps you imagined it.
0:36:02 > 0:36:04What the hell...
0:36:05 > 0:36:07..are you playing at?
0:36:07 > 0:36:09- You're frightening me, Mr Appleby. - Damn it!
0:36:09 > 0:36:11You saw her!
0:36:11 > 0:36:12We both saw her!
0:36:13 > 0:36:17- Why are you lying? Why are you lying?- Nathan! Nathan!
0:36:18 > 0:36:20I apologise for my husband's behaviour.
0:36:34 > 0:36:36She's lying, Charlotte.
0:36:37 > 0:36:40I don't know why she's lying but she is lying.
0:36:40 > 0:36:44You've been locked away in your study, locked away in yourself.
0:36:44 > 0:36:47Doing what, Nathan? Trying to raise the dead? What about the living?
0:36:47 > 0:36:50Please. Please, Charlotte. I saw Alice.
0:36:51 > 0:36:54- I saw her. - Stop it! Stop this now.
0:36:55 > 0:36:57I can't stop it!
0:36:58 > 0:37:01God help me! I see the dead!
0:37:02 > 0:37:04And I have to understand why this is happening.
0:37:04 > 0:37:07Then you're a fool, Nathan.
0:37:07 > 0:37:10If these things you see and hear really exist, do you think there are rules?
0:37:10 > 0:37:13Why should there be rules? Why should there be a scientific explanation?
0:37:14 > 0:37:18- Because if there isn't, I'm going mad.- This must stop.
0:37:18 > 0:37:20Don't you think I've wanted to stop it whichever way I can?
0:37:20 > 0:37:25The dead are there! Voices, visions. I'm trying to protect you.
0:37:25 > 0:37:26- From what?- I don't know.
0:37:26 > 0:37:29I don't know what any of this means. I saw Alice today after she died.
0:37:29 > 0:37:32I saw Clarity Winlove. I saw her here.
0:37:32 > 0:37:35I saw her in this house, in our bedroom.
0:37:35 > 0:37:37Her hand upon you here. "You will reap what has been sown."
0:37:37 > 0:37:38- Her words.- Nathan.
0:37:38 > 0:37:41I have to know what she meant. Was it a blessing? A curse? A threat?
0:37:41 > 0:37:45I don't know, but I have to know. I have to understand. There must be a meaning to all these things.
0:37:45 > 0:37:48- I have to...- You never told me about this visitation.
0:37:48 > 0:37:50I will not play a part in your madness.
0:37:50 > 0:37:52Charlotte.
0:37:53 > 0:37:54Charlotte.
0:37:54 > 0:37:58I have given you everything, everything I have!
0:37:59 > 0:38:00And you've abandoned me!
0:38:01 > 0:38:03DOOR SLAMS
0:38:06 > 0:38:08- WOMAN:- Nathan?
0:38:08 > 0:38:10Nathan Appleby?
0:38:14 > 0:38:16Nathan? Are you there?
0:38:25 > 0:38:28Harriet Denning...
0:38:29 > 0:38:30..John...
0:38:31 > 0:38:32..Peter Hare...
0:38:34 > 0:38:36..little Charlie Thatcher...
0:38:38 > 0:38:41..and Jack Langtree.
0:38:43 > 0:38:46Jack, an innocent man.
0:38:46 > 0:38:47CREAKING
0:38:57 > 0:39:00Jack's innocent. HE SOBS
0:39:16 > 0:39:18FLIES BUZZ
0:39:29 > 0:39:31DOOR SHUTS
0:40:04 > 0:40:07DOOR CREAKS FOOTSTEPS APPROACH
0:40:08 > 0:40:10DOOR BANGS
0:40:16 > 0:40:17Hello?
0:40:24 > 0:40:26FLOORBOARDS CREAK
0:40:36 > 0:40:38DOOR RATTLES
0:40:52 > 0:40:54FLOORBOARD CREAKS
0:40:54 > 0:40:56DOOR RATTLES
0:41:00 > 0:41:02- MARTHA:- Leave me alone.
0:41:02 > 0:41:03Leave me alone!
0:41:06 > 0:41:07SHE SOBS
0:41:10 > 0:41:12BOTH SCREAM
0:41:12 > 0:41:14SHE SOBS
0:41:18 > 0:41:21BELL TOLLS
0:41:21 > 0:41:23- DENNING:- Dear Heavenly Father...
0:41:23 > 0:41:24BELL TOLLS
0:41:24 > 0:41:26..may the Cross of the Son of God,
0:41:26 > 0:41:30which is mightier than all the hosts of Satan...
0:41:32 > 0:41:35..and more glorious than all the hosts of heaven...
0:41:36 > 0:41:39..abide with you
0:41:39 > 0:41:43in your going out and in your coming in.
0:41:47 > 0:41:48By day and by night...
0:41:51 > 0:41:53..at morning and at evening...
0:41:55 > 0:41:57..at all times and in all places...
0:42:00 > 0:42:03..may it protect and defend you...
0:42:06 > 0:42:09..from the wrath of evildoers...
0:42:11 > 0:42:13..from the assaults of evil spirits...
0:42:14 > 0:42:18..from foes visible and invisible...
0:42:20 > 0:42:22..from the snares of the Devil...
0:42:25 > 0:42:28..from all passions that beguile the soul and body.
0:42:30 > 0:42:35May the Cross of the Son of God guard...
0:42:38 > 0:42:40..protect...
0:42:42 > 0:42:45..and deliver you.
0:42:51 > 0:42:52Amen.
0:42:52 > 0:42:54CONGREGATION: Amen.
0:43:03 > 0:43:06- That's him, sir! Yeah, that's him! - There he is!
0:43:07 > 0:43:09- GUNSHOT - What in God's name...
0:43:09 > 0:43:11- I want Jack alive! - I had no intention of hitting him.
0:43:11 > 0:43:14- It was just a warning shot. - I'm sorry! I want him unharmed!
0:43:18 > 0:43:20If Jack Langtree's hanging round here and threatening us,
0:43:20 > 0:43:22he'll have me to reckon with.
0:43:23 > 0:43:25Thank you, Gwen.
0:43:26 > 0:43:29I'm sure Mr Appleby will keep us safe.
0:43:30 > 0:43:33Where is Miss Enderby?
0:43:33 > 0:43:36- GWEN:- She's in her room, ma'am. I heard her lock her door.
0:43:40 > 0:43:41Jack!
0:43:45 > 0:43:46Jack!
0:43:48 > 0:43:51Jack, stop! Stop, Jack!
0:43:54 > 0:43:56Jack!
0:44:06 > 0:44:07Jack!
0:44:10 > 0:44:11Jack.
0:44:20 > 0:44:22It's you, Mr Appleby, innit?
0:44:23 > 0:44:26- What?- All these goings-on.
0:44:29 > 0:44:31And there's old Jack...
0:44:32 > 0:44:34..trying to lift the curse...
0:44:34 > 0:44:36and save the harvest...
0:44:37 > 0:44:39..and it's old Jack that you banish...
0:44:42 > 0:44:44..turn to a bloody animal.
0:44:44 > 0:44:47And now you're going to have old Jack hung for what happened to Alice.
0:44:47 > 0:44:49CAWING
0:44:54 > 0:44:55She were...
0:44:57 > 0:44:58She were...
0:45:00 > 0:45:01..my angel.
0:45:04 > 0:45:05She were going to save me.
0:45:07 > 0:45:10Jack, I want you to return to Shepzoy with me
0:45:10 > 0:45:13and you'll receive a fair hearing, I promise you.
0:45:13 > 0:45:15I ain't interested in your justice.
0:45:23 > 0:45:26- All I wants...- Yes?
0:45:28 > 0:45:30..is for you to bring her back, Mr Appleby.
0:45:32 > 0:45:33Please.
0:45:34 > 0:45:36Please can you bring her back to me?
0:45:39 > 0:45:41- What?- They say that you...
0:45:41 > 0:45:44They say that you raise the dead, so...
0:45:46 > 0:45:48..can you bring her back to me, Mr Appleby?
0:45:52 > 0:45:54But I'm just a man, Jack.
0:45:59 > 0:46:00No more.
0:46:01 > 0:46:02No more.
0:46:11 > 0:46:13Then I go where Alice goes.
0:46:14 > 0:46:16Jack! Jack!
0:46:40 > 0:46:41DOOR RATTLES
0:46:44 > 0:46:45KNOCK AT DOOR
0:46:45 > 0:46:47- CHARLOTTE:- Martha? Open the door, please.
0:46:47 > 0:46:50Martha, I want to speak to you.
0:46:50 > 0:46:53Please, I'm fine. I don't want to talk. I'm fine.
0:46:53 > 0:46:56I just want to be on my own.
0:46:57 > 0:46:58I want you to tell me the truth.
0:47:16 > 0:47:20- WILLIAM:- If he wasn't guilty of Alice's murder, then why did he run?
0:47:40 > 0:47:42The Language Of Flowers.
0:48:07 > 0:48:10I don't believe Nathan saw Alice's ghost in the woods,
0:48:10 > 0:48:12but he did see something,
0:48:12 > 0:48:16and whatever he saw, or thinks he saw, you saw it too,
0:48:16 > 0:48:18and when you denied this, you were lying.
0:48:18 > 0:48:19Why?
0:48:33 > 0:48:38"O my love is like a red, red rose, That's newly sprung in June..."
0:48:38 > 0:48:42O my love is like a red, red rose...
0:48:43 > 0:48:46..that's newly sprung in June...
0:48:46 > 0:48:49"O my love's like the melody, That's sweetly played in tune."
0:48:49 > 0:48:53As fair art thou, my bonny lass...
0:48:53 > 0:48:54"So deep in love am I..."
0:48:54 > 0:48:57- TOGETHER:- "And I will love thee still, my dear,
0:48:57 > 0:48:59"Till all the sea's gone dry.
0:49:08 > 0:49:11"To my secret flower of the forest.
0:49:14 > 0:49:15"From Martha."
0:49:18 > 0:49:20- MARTHA:- 'I loved her.
0:49:20 > 0:49:23'The way you love your husband.'
0:49:25 > 0:49:26But she chose Jack.
0:49:27 > 0:49:30NATHAN: 'This explains why he attacked Martha Enderby.'
0:49:30 > 0:49:33Jack loved Alice Wharton...
0:49:35 > 0:49:36..as did Martha.
0:49:40 > 0:49:41Appleby?
0:49:41 > 0:49:44All my life, I've felt...
0:49:44 > 0:49:46different...
0:49:47 > 0:49:49..in here...
0:49:51 > 0:49:53..and here.
0:49:54 > 0:49:55Alone.
0:49:56 > 0:49:57Always alone.
0:49:58 > 0:50:02Until... Until I found Alice and...
0:50:04 > 0:50:06..I loved her...
0:50:07 > 0:50:09..with all my heart and soul.
0:50:15 > 0:50:18If you love me, you wouldn't have done this.
0:50:18 > 0:50:22- Leave me alone! - Martha?- Leave me alone!
0:50:22 > 0:50:23I need to get back.
0:50:41 > 0:50:43Martha?
0:50:44 > 0:50:47Even as a child, they knew I was different.
0:50:47 > 0:50:51Treating me like I have no feelings, no passion.
0:50:51 > 0:50:56They made me invisible, because I was different.
0:50:57 > 0:51:00Schoolteacher. Spinster.
0:51:00 > 0:51:05God knows I tried to stop myself feeling!
0:51:05 > 0:51:09Never to hope, never to love, joyless, arid, alone.
0:51:09 > 0:51:13- SHE GASPS - My books, my flowers and you.
0:51:13 > 0:51:15I loved you. Oh, God.
0:51:15 > 0:51:17How I loved you.
0:51:17 > 0:51:20- Why did you laugh at me? - SHE GASPS
0:51:20 > 0:51:22In the forest.
0:51:22 > 0:51:26You knew I loved you and you laughed at me! Why?
0:51:31 > 0:51:33SHE SOBS
0:51:33 > 0:51:36SHE LAUGHS
0:51:41 > 0:51:43SHE CHOKES
0:51:49 > 0:51:51SCREAMS GUNSHOT
0:51:51 > 0:51:53Charlotte!
0:51:54 > 0:51:55Charlotte!
0:52:02 > 0:52:03Charlotte.
0:52:04 > 0:52:06What happened?
0:52:06 > 0:52:07Charlotte?
0:52:24 > 0:52:26CAWING
0:52:37 > 0:52:40Now, Jack weren't no angel, but it ain't right he's dead.
0:52:42 > 0:52:45- Another one of us gone. - Where does it all end, Gideon?
0:52:46 > 0:52:48I don't know, Lizzie.
0:52:48 > 0:52:49I don't know.
0:52:50 > 0:52:52CAWING
0:53:16 > 0:53:17CREAKING
0:53:45 > 0:53:47NATHAN: Thank you, Mr Payne.
0:53:47 > 0:53:50Well, if there's anything else you need, you know where I am.
0:54:00 > 0:54:02Right, lads.
0:54:12 > 0:54:15Martha murdered Alice Wharton.
0:54:16 > 0:54:18And no-one possessed.
0:54:18 > 0:54:20No demons. No devils.
0:54:22 > 0:54:26Just human weakness and passion and folly.
0:54:30 > 0:54:31I can't remain here.
0:54:36 > 0:54:37Charlotte.
0:54:42 > 0:54:43Charlotte.
0:54:47 > 0:54:48I'm sorry.
0:54:51 > 0:54:53She tried to kill me, Nathan. I can't stay.
0:54:53 > 0:54:55I can protect you.
0:54:56 > 0:54:57I love you.
0:55:02 > 0:55:04I will protect you.
0:55:06 > 0:55:08But can you protect our child?
0:55:21 > 0:55:23You're pregnant? Oh...!
0:55:26 > 0:55:27This is everything we wanted.
0:55:34 > 0:55:37This is why we came here.
0:55:39 > 0:55:41No, nothing else matters.
0:55:43 > 0:55:44No, nothing else matters but this.
0:55:53 > 0:55:56(The past is dead.)
0:55:58 > 0:56:00And the dead are dead.
0:56:04 > 0:56:07There is only us three.
0:56:46 > 0:56:47You want to go in tonight?
0:56:48 > 0:56:50BABY CRIES
0:57:06 > 0:57:09NATHAN: She is the thread that is tying everything together.
0:57:09 > 0:57:12I'm certain of it.
0:57:12 > 0:57:13Gabriel?
0:57:15 > 0:57:18- Is everyone ready?- Yeah.
0:57:22 > 0:57:24THUD
0:57:26 > 0:57:28Three, two, one.
0:57:30 > 0:57:32SCREAMING
0:57:34 > 0:57:38# I must go away, she said
0:57:38 > 0:57:43# When the little cock does crow
0:57:43 > 0:57:44# For here
0:57:44 > 0:57:50# They will not let me stay
0:57:50 > 0:57:53# This night
0:57:53 > 0:57:59# Should be never, never day. #