0:00:02 > 0:00:04- I'm not pregnant!- I think you are. - NATHAN: 'This is why we came here.'
0:00:04 > 0:00:06Oh, nothing else matters.
0:00:06 > 0:00:09Gabriel. They've seen him, standing by the lake, right where he drowned.
0:00:09 > 0:00:12William Payne, the new proprietor at Marshfield Estate.
0:00:12 > 0:00:15'When I was looking for Charlie, I saw lights rushing towards me.
0:00:15 > 0:00:17'There's a woman. A ghost. She has been present
0:00:17 > 0:00:21'from the very beginning, throughout all these hauntings.'
0:00:21 > 0:00:25- GIDEON:- I thought Mr Denning was going to put an end to this business.
0:00:25 > 0:00:26You're not welcome here, Denning!
0:00:26 > 0:00:29None of them will work for us again. You do realise that?
0:00:29 > 0:00:31Why should there be a scientific explanation?!
0:00:31 > 0:00:33Because if there isn't, I'm going mad.
0:00:33 > 0:00:36- That's Gabriel.- I was going to tell you.- When, exactly?
0:00:36 > 0:00:37- Leave us alone!- No! No!
0:00:40 > 0:00:43I can't abandon my husband, not now.
0:00:43 > 0:00:51This programme contains some scenes which some viewers may find upsetting
0:01:10 > 0:01:12GHOSTLY LAUGHTER
0:01:14 > 0:01:15Show yourself.
0:01:19 > 0:01:21Gabriel, please.
0:01:22 > 0:01:24I'll do whatever it takes to see you.
0:01:40 > 0:01:45- GABRIEL:- # Rock-a-bye baby on the tree top
0:01:50 > 0:01:53# When the wind blows...
0:01:53 > 0:01:55# The cradle will rock
0:02:03 > 0:02:05# When the bough breaks...
0:02:05 > 0:02:07- # The cradle will fall... # - SHE GASPS
0:02:23 > 0:02:24Who are you?
0:02:26 > 0:02:27What do you want?
0:02:31 > 0:02:32Help me.
0:02:38 > 0:02:40# This one night
0:02:40 > 0:02:43# This one night
0:02:43 > 0:02:47# Every night and all
0:02:49 > 0:02:54# Fire and sleet and candlelight
0:02:54 > 0:02:59# And Christ receive thy soul. #
0:03:10 > 0:03:12KNOCK AT DOOR
0:03:12 > 0:03:13Good morning!
0:03:14 > 0:03:16Good night?
0:03:17 > 0:03:20- Fine, thanks.- Wonderful.
0:03:20 > 0:03:21OK. Here are your pills.
0:03:26 > 0:03:27Well done.
0:03:27 > 0:03:30Now, I've got a nice surprise for you.
0:03:30 > 0:03:32You've got a visitor.
0:03:32 > 0:03:34So why don't you pop down to the day room
0:03:34 > 0:03:35and I'll keep an eye on the baby?
0:03:44 > 0:03:45Lara!
0:03:47 > 0:03:48Sweetheart!
0:03:49 > 0:03:51Granny!
0:03:51 > 0:03:53I phoned home, and Ben told me.
0:03:55 > 0:03:57Is the baby OK?
0:03:57 > 0:03:59She's great, yeah. She's sleeping.
0:04:00 > 0:04:05He said you had admitted yourself, because you were seeing things.
0:04:05 > 0:04:06Seeing what?
0:04:08 > 0:04:09A little boy.
0:04:14 > 0:04:16Your mother saw him, too...
0:04:17 > 0:04:21..in the first months after you were born.
0:04:21 > 0:04:24I accepted what the doctors were saying then,
0:04:24 > 0:04:28that it was postnatal depression. What are they saying about this?
0:04:30 > 0:04:33Erm, postpartum psychosis.
0:04:33 > 0:04:35No, it's not.
0:04:49 > 0:04:50Open it.
0:05:03 > 0:05:05Your great-great-grandfather, Nathan Appleby.
0:05:07 > 0:05:08Handsome devil!
0:05:21 > 0:05:23This is the boy.
0:05:23 > 0:05:24His son Gabriel...
0:05:26 > 0:05:28..who drowned.
0:05:37 > 0:05:39His workbook from 1894,
0:05:39 > 0:05:42the year my mother was conceived.
0:05:47 > 0:05:49This is amazing.
0:05:49 > 0:05:50Can I take pictures?
0:06:03 > 0:06:05This is their house?
0:06:05 > 0:06:07Shepzoy, in Somerset.
0:06:07 > 0:06:09We sold it when you were a baby.
0:06:09 > 0:06:11I hid all of this from your mother.
0:06:11 > 0:06:14I was wrong. I should have let her know.
0:06:14 > 0:06:18I just hope you seeing this doesn't make things worse.
0:06:18 > 0:06:19Well, maybe that's what I need.
0:06:19 > 0:06:21To get worse.
0:06:21 > 0:06:23To get better.
0:06:24 > 0:06:26She says the hallucinations have stopped
0:06:26 > 0:06:28and she wants to be discharged!
0:06:28 > 0:06:31But only last week, she's reporting suicidal ideation.
0:06:32 > 0:06:34And the family history!
0:06:34 > 0:06:38Her mother killed herself when Lara was three months old.
0:06:38 > 0:06:40No, we have to keep her in.
0:06:40 > 0:06:42- Under section, if necessary.- Sure.
0:06:42 > 0:06:45OK! Say goodbye to Daddy.
0:06:46 > 0:06:48Oh, I wish I could just come home with you.
0:06:48 > 0:06:52Me, too. But, you know, we need to follow their advice.
0:06:52 > 0:06:53They're the professionals.
0:06:55 > 0:06:59Erm, I think I've left Squeaky Giraffe in the day room.
0:06:59 > 0:07:03- I'll go!- Are you sure? - Yeah.- OK. Thank you.
0:07:04 > 0:07:05Where's Daddy going?
0:07:05 > 0:07:08- Er, the day room is...down the end?- Er, down the end, yeah.
0:07:09 > 0:07:11Where's Daddy going? DOOR CLOSES
0:07:55 > 0:07:57'Hey. This is Lara. Leave a message.'
0:07:57 > 0:07:59- BEN:- 'Hey. It's me.
0:07:59 > 0:08:03'Er, my keys are gone, Lottie's gone and you're gone.
0:08:03 > 0:08:06'I'm a bit freaked out. So please just give me a call,
0:08:06 > 0:08:07'just let me know you're all right
0:08:07 > 0:08:11'and...let me know she's all right, please. I love you.'
0:08:35 > 0:08:37This is it. LOTTIE GURGLES
0:08:38 > 0:08:40You want to go inside?
0:09:08 > 0:09:10Mr Payne's here for you, ma'am.
0:09:10 > 0:09:12Now is really not the best time, Gwen.
0:09:12 > 0:09:14I could tell him you're not here.
0:09:14 > 0:09:17You've told him I am here. Have you seen my husband?
0:09:19 > 0:09:20CHARLOTTE SIGHS
0:09:20 > 0:09:22Good morning, Mr Payne!
0:09:22 > 0:09:26Oh, good morning, Mrs Appleby. I hope I do not disturb your rest.
0:09:26 > 0:09:27Not at all.
0:09:27 > 0:09:29I cannot laze, sadly. I have a farm to manage.
0:09:29 > 0:09:32Oh, no, please, no, I'm... I'm not suggesting indolence, I'm...
0:09:34 > 0:09:37Well, I'm merely being sensitive to your, er....
0:09:37 > 0:09:38Condition?
0:09:38 > 0:09:41Yes. Yes, the mot juste.
0:09:41 > 0:09:44So, how can I help you, Mr Payne?
0:09:44 > 0:09:45Your husband is indisposed?
0:09:45 > 0:09:47He is out.
0:09:48 > 0:09:50- But you can deal with me. - I'm grateful.
0:09:50 > 0:09:52I have a proposition.
0:09:52 > 0:09:53DOOR CLOSES
0:09:54 > 0:09:57Your husband, he just walked past.
0:10:01 > 0:10:02Mr Payne?
0:10:03 > 0:10:04Oh, Mr Appleby!
0:10:05 > 0:10:07- Glad to see you, sir.- Yes...
0:10:09 > 0:10:10I hope you do not miss too sorely
0:10:10 > 0:10:12the workers who have recently left your farm.
0:10:12 > 0:10:15- A lack of faith, perhaps. - We do not lack faith.
0:10:16 > 0:10:18NATHAN CHUCKLES
0:10:22 > 0:10:23What do you want?
0:10:23 > 0:10:26I would like to buy the two acres of marshy land
0:10:26 > 0:10:28- that border my estate. - By the lane? It's worthless.
0:10:28 > 0:10:31Well, not to me. I intend to drain the field on my side,
0:10:31 > 0:10:34- to pump it. - That's ambitious.
0:10:34 > 0:10:37- Of course, I'd pay you well for it.- Of course you would,
0:10:37 > 0:10:41advancing with your speculator's fortune,
0:10:41 > 0:10:46step by step, parading your innovation and determination.
0:10:46 > 0:10:47Qualities my wife admires...
0:10:47 > 0:10:50- Nathan, I don't think... - ..until, one night...
0:10:50 > 0:10:54I feel this tap on my shoulder and I turn to find you here
0:10:54 > 0:10:55in my house.
0:10:55 > 0:10:59I don't think Mr Payne is plotting the occupation you imply.
0:10:59 > 0:11:02I merely jest, my dear!
0:11:02 > 0:11:05My dear! And my dear sir!
0:11:05 > 0:11:06In neighbourly fun.
0:11:07 > 0:11:09NATHAN LAUGHS
0:11:09 > 0:11:12The bog is yours, if my wife is willing.
0:11:17 > 0:11:20He has been working late, writing.
0:11:20 > 0:11:21A gifted man.
0:11:22 > 0:11:24If you will give me just one moment...
0:11:31 > 0:11:35I have been through hell, too, and suffered this madness.
0:11:35 > 0:11:37But can we at least appear competent?
0:11:37 > 0:11:41I thought you wanted more energy from me, more animation.
0:11:41 > 0:11:44It feels like you're freezing over.
0:11:44 > 0:11:45This is not the time to talk.
0:11:45 > 0:11:50That is what you said to me - that I'd lost the spring in my step.
0:11:51 > 0:11:54He's waiting for me.
0:11:54 > 0:11:56I'm going with him to look at the land,
0:11:56 > 0:11:58because we need money to pay wages.
0:11:58 > 0:12:01To keep...going.
0:12:01 > 0:12:02HE SCOFFS
0:12:02 > 0:12:07- You sound like you don't want to. - Oh? No, I'm just a...
0:12:07 > 0:12:10a little tired. I didn't sleep.
0:12:11 > 0:12:14Good man, I think.
0:12:16 > 0:12:18An ideal husband.
0:12:28 > 0:12:31So the boundary would move half a furlong west?
0:12:31 > 0:12:33I have the charts back at the house, if you have the time.
0:12:33 > 0:12:35Oh, certainly, let's get it done.
0:12:35 > 0:12:37Oh!
0:12:37 > 0:12:39One moment.
0:12:39 > 0:12:40I'll unhitch you.
0:12:40 > 0:12:42SHE LAUGHS
0:12:44 > 0:12:45Thank you.
0:12:49 > 0:12:52I'm very interested in your photography.
0:12:52 > 0:12:54In fact, I've begun to dabble myself, I blush to admit.
0:12:54 > 0:12:56Really?
0:12:56 > 0:12:58I would value your expert advice.
0:13:06 > 0:13:08SHE SIGHS
0:13:08 > 0:13:10Mr Appleby?
0:13:12 > 0:13:14You look alarmed.
0:13:14 > 0:13:17- You took me for a ghost... - No!- ..of my former self.
0:13:18 > 0:13:20Can I make you some breakfast?
0:13:20 > 0:13:24Thank you, no. My appetite seems to have...waned.
0:13:24 > 0:13:26But...your remedies?
0:13:26 > 0:13:28Your hedgewitch cures.
0:13:29 > 0:13:31I have a mind to see those.
0:13:56 > 0:13:57Ohhh!
0:14:02 > 0:14:04Psilocybin mushrooms?
0:14:05 > 0:14:09To help explore a difficulty, to see it,
0:14:09 > 0:14:10to feel it differently.
0:14:12 > 0:14:13To be used with caution.
0:14:13 > 0:14:17I saw them administered once to two melancholy patients,
0:14:17 > 0:14:22and one broke through her malaise, emerging much shaken but better.
0:14:22 > 0:14:23The other, he did not.
0:14:23 > 0:14:29He saw more than his doctor bargained for, things...
0:14:30 > 0:14:32He wishes he could unsee?
0:14:32 > 0:14:35Exactly. Then took his own life.
0:14:38 > 0:14:39HE SIGHS
0:14:40 > 0:14:42A gamble.
0:14:42 > 0:14:44Kill or cure.
0:14:48 > 0:14:50Deadly nightshade.
0:14:50 > 0:14:54Er, I've only used the tiniest trace as medicine.
0:14:54 > 0:14:58- More could be the death of you. - I see now why you lock it.
0:15:04 > 0:15:05Thank you, Gwen.
0:15:17 > 0:15:19I can alight here, thank you.
0:15:19 > 0:15:20Whoa...
0:15:21 > 0:15:22No, please.
0:15:25 > 0:15:28I'll have the papers drawn up and sent over.
0:15:28 > 0:15:29Thank you.
0:15:29 > 0:15:31My pleasure.
0:15:31 > 0:15:33Gideon!
0:15:33 > 0:15:35- How are the turnips? - Oh, not too bad, ma'am.
0:15:38 > 0:15:41It's cold on your fingers. I'm sorry we're so short-handed.
0:15:41 > 0:15:45Oh, not to worry. Them that's gone got fainter hearts than some.
0:15:47 > 0:15:48Maybe we don't need 'em.
0:15:50 > 0:15:52Thank you!
0:15:54 > 0:15:56You saw me with Mr Payne.
0:15:57 > 0:16:00I'm selling... Well, we're selling him the marshy acres
0:16:00 > 0:16:03on his boundary. There's a bit of old machinery up there.
0:16:03 > 0:16:05Do you think we could dig it up?
0:16:05 > 0:16:09- Do you think that's what he's after? - SHE LAUGHS:- Buried treasure? No.
0:16:09 > 0:16:12Come into the kitchen for some warm cider brandy when you're done.
0:16:12 > 0:16:13Thanks, ma'am.
0:16:27 > 0:16:29Why can't I see them any more?
0:16:36 > 0:16:41How can I hope to see when you, dear wife, distract me?
0:16:48 > 0:16:51Sorry to see you leaving.
0:16:51 > 0:16:52This place is cursed. We need to go.
0:16:52 > 0:16:54May the Lord watch over you.
0:16:54 > 0:16:55And you. Goodbye, Reverend.
0:16:57 > 0:17:00Mrs Appleby! How are you?
0:17:01 > 0:17:03It's cold.
0:17:03 > 0:17:05Let's go to the Wheatsheaf and sit down by the fire.
0:17:08 > 0:17:11- Warm sugar water with just a dash of brandy.- Thank you.
0:17:11 > 0:17:13And how is your husband?
0:17:14 > 0:17:16- There's a question.- Mm.
0:17:18 > 0:17:20Somewhat remote.
0:17:21 > 0:17:23More so every day.
0:17:25 > 0:17:28And our baby's growing inside me, and I don't know what to do.
0:17:28 > 0:17:30- I'm so sorry.- You poor child.
0:17:38 > 0:17:39Let me talk to him.
0:17:43 > 0:17:44Thank you.
0:17:48 > 0:17:49SHE SIGHS
0:17:59 > 0:18:00Lost your flock?
0:18:01 > 0:18:04Always hope to find one gone astray.
0:18:05 > 0:18:10I'm sorry, Denning, for mishandling you...
0:18:10 > 0:18:12and your daughter.
0:18:13 > 0:18:15But I'm best left alone now.
0:18:16 > 0:18:19I spoke to Charlotte.
0:18:19 > 0:18:21She fears for your happiness.
0:18:21 > 0:18:25Ah, but we cannot all be scintillatingly zestful morning, noon and night.
0:18:25 > 0:18:29What is happiness? A man needs peace of mind.
0:18:29 > 0:18:31You have your faith. You should be in a monastery.
0:18:31 > 0:18:32If I had it, I would be.
0:18:32 > 0:18:36I'd sit in a cell. I would watch the light move from wall to wall.
0:18:36 > 0:18:38I would contemplate eternity.
0:18:38 > 0:18:40- You would not miss the world? - No.- Or your wife?
0:18:41 > 0:18:43Or the child that is coming?
0:18:44 > 0:18:47- I had a child.- I know.- I lost him.
0:18:47 > 0:18:50And as this one comes closer...
0:18:50 > 0:18:52you feel that grief again.
0:18:53 > 0:18:56And fear. Fear that you'll lose it, too?
0:18:59 > 0:19:00Not fear.
0:19:01 > 0:19:03Guilt.
0:19:04 > 0:19:07- Ah!- This pregnancy is a gift.
0:19:07 > 0:19:12- There should be no shame in accepting it.- A gift, from God?
0:19:12 > 0:19:16So it was God who took my son away, sending down His angel
0:19:16 > 0:19:19with her book of light to lead him to his doom,
0:19:19 > 0:19:22she who appeared to your daughter and to me? I fear...
0:19:22 > 0:19:23I fear she hasn't, Denning.
0:19:23 > 0:19:27His soul is living. His soul, in which you believe, is not at peace.
0:19:27 > 0:19:29He's isolated, he's tormented.
0:19:29 > 0:19:33It's you you are describing!
0:19:33 > 0:19:36You! In purgatory, unable to move on.
0:19:36 > 0:19:40And it's you pulling others into your unhappiness.
0:19:40 > 0:19:42My daughter. The village.
0:19:42 > 0:19:45It's you, Nathan!
0:19:46 > 0:19:48Me?
0:19:48 > 0:19:49The lost soul?
0:19:51 > 0:19:53I must find a way out.
0:19:57 > 0:19:58You love your wife.
0:19:59 > 0:20:01And she loves you.
0:20:02 > 0:20:04You be with her now.
0:20:06 > 0:20:07Not the dead.
0:20:07 > 0:20:09Sensible advice. Thank you.
0:20:19 > 0:20:21'Hey. This is Lara. Leave a message.'
0:20:21 > 0:20:26- BEN:- 'Lara... I care...I care... about you so much.
0:20:26 > 0:20:29And I know....I know it's difficult, and I know things are going on,
0:20:29 > 0:20:33and I...I don't want you to feel like you can't talk to me.
0:20:33 > 0:20:35Just let me know you're OK, that's all.
0:20:42 > 0:20:43SHE EXHALES
0:20:48 > 0:20:50FLOORBOARDS CREAK
0:20:52 > 0:20:53Hello?
0:20:56 > 0:20:58SHE BREATHES HEAVILY
0:21:17 > 0:21:19CREAKING
0:21:20 > 0:21:22WINGS FLUTTER
0:21:22 > 0:21:24LOTTIE STIRS
0:21:30 > 0:21:32LARA BREATHES HEAVILY
0:21:53 > 0:21:55FOOTSTEPS
0:22:17 > 0:22:19SHE CRIES
0:22:30 > 0:22:32Only me.
0:22:33 > 0:22:36Guess what? Mummy's found a cot for you.
0:22:37 > 0:22:39And this.
0:22:40 > 0:22:42See?
0:22:42 > 0:22:43Snow!
0:22:49 > 0:22:51TOY TINKLES
0:22:59 > 0:23:02'You have one new message.'
0:23:02 > 0:23:06- BEN:- 'OK, er, I need you to pick up the phone and call me.'
0:23:06 > 0:23:08PHONE BEEPS
0:23:21 > 0:23:22PHONE WHOOSHES
0:24:05 > 0:24:06"Book of light."
0:24:16 > 0:24:17That's an iPad.
0:24:22 > 0:24:23It's me.
0:24:26 > 0:24:28DOOR BANGS
0:24:47 > 0:24:49I know who you are, Gabriel.
0:24:51 > 0:24:53You lived here.
0:24:55 > 0:24:58I want to help you, but I don't know how.
0:24:59 > 0:25:03Your father clearly wanted to see you. Why didn't you appear to him?
0:25:06 > 0:25:07What can I do?
0:25:07 > 0:25:08He wants the new baby.
0:25:09 > 0:25:11Yes.
0:25:11 > 0:25:14No. But... But that doesn't...
0:25:14 > 0:25:16Gabriel?
0:25:34 > 0:25:36DOOR OPENS
0:25:38 > 0:25:40Lost your knuckles?
0:25:40 > 0:25:42- My what?- Your knuckles.
0:25:44 > 0:25:45So you can't knock.
0:25:46 > 0:25:49I didn't realise your privacy was so important.
0:25:49 > 0:25:50It's not a question of...
0:25:52 > 0:25:54- ..privacy.- What are you writing?
0:25:54 > 0:25:57- Love letters? - It's a question of peace.
0:25:57 > 0:25:59A question of peace.
0:26:00 > 0:26:03- You don't want it, do you? - I don't want what?
0:26:04 > 0:26:05This baby.
0:26:09 > 0:26:10Wait.
0:26:14 > 0:26:15Charlotte?
0:26:15 > 0:26:19Shall I fall down the stairs and give you your miscarriage?
0:26:19 > 0:26:20No, of course not.
0:26:21 > 0:26:23That's what you want.
0:26:24 > 0:26:27I can feel it, like ice.
0:26:27 > 0:26:28Why would I want you to miscarry?
0:26:31 > 0:26:33Because you cannot bear to be a father again.
0:26:37 > 0:26:39I'm going to go.
0:26:41 > 0:26:43- Go where? - Away from your cold eyes.
0:26:43 > 0:26:46What do you think I'll do, freeze the baby in your womb?
0:26:46 > 0:26:49And you look at me as if I'm the mad one. But it's you.
0:26:49 > 0:26:51You're afraid...
0:26:51 > 0:26:55of giving birth, of motherhood,
0:26:55 > 0:26:57and so you project this infanticidal urge on to me,
0:26:57 > 0:27:00making me the thing you fear, which is not only unfair...
0:27:00 > 0:27:02- but stupid! - And you're so clever,
0:27:02 > 0:27:05because you found a profession where you could feel less damaged,
0:27:05 > 0:27:07because everyone else is damaged more.
0:27:07 > 0:27:10- Oh?- And now, down here, you have to face it -
0:27:10 > 0:27:13- there's something wrong with your mind.- Oh, Dr Charlotte!
0:27:13 > 0:27:16- And your heart.- So young and yet so wise.- And your soul!
0:27:18 > 0:27:21- Ah, I can't.- Can't what?
0:27:22 > 0:27:25Recall what I liked about you.
0:27:40 > 0:27:42DOOR CLOSES
0:27:42 > 0:27:43I'm sorry.
0:27:44 > 0:27:46HE SIGHS
0:28:29 > 0:28:31Just us now, you and me.
0:28:38 > 0:28:40POTS RATTLE
0:28:42 > 0:28:44Sorry, I'm late starting today.
0:28:46 > 0:28:48- Is the mistress here?- No.
0:28:49 > 0:28:51Take a few days off.
0:28:52 > 0:28:53- Sir?- Now.
0:28:57 > 0:28:58Where is she?
0:28:58 > 0:28:59She's gone.
0:29:00 > 0:29:02And the sooner you follow, the better.
0:29:18 > 0:29:19DOOR CLOSES
0:29:22 > 0:29:24LARA: So, this must be... the kitchen!
0:29:28 > 0:29:31Wow. Look at this place now, Granny!
0:29:31 > 0:29:33I'm filming it for you.
0:29:35 > 0:29:40Hm. You may not want to see it, though. It feels so...abandoned.
0:29:45 > 0:29:48I knew I had to come here.
0:29:48 > 0:29:50I know I'm somehow part of this.
0:29:52 > 0:29:55But I don't know what part.
0:29:57 > 0:29:59What am I supposed to do?!
0:30:02 > 0:30:03LOTTIE CRIES
0:30:03 > 0:30:05It's all right, Lottie!
0:30:06 > 0:30:09It's OK, sweetheart, Mummy's coming. CRYING INTENSIFIES
0:30:14 > 0:30:16Look. BEEPING
0:30:16 > 0:30:18It's a walkie-talkie.
0:30:18 > 0:30:22So Mummy's not really leaving you.
0:30:22 > 0:30:24OK? OK.
0:30:27 > 0:30:28OK, sweetie pie.
0:30:36 > 0:30:38LOTTIE BURBLES
0:30:52 > 0:30:54"Who is the woman with the book of light?
0:30:54 > 0:30:58"Gabriel saw her, too. He drew her,
0:30:58 > 0:31:02"thinking she was a guardian angel when she was the opposite...
0:31:03 > 0:31:05"..come to take him away.
0:31:07 > 0:31:10"Did you lure him to the lake that day and let him drown?"
0:31:15 > 0:31:16No.
0:31:18 > 0:31:20You want someone to blame?
0:31:20 > 0:31:22Well, that's not me.
0:31:23 > 0:31:26I am not here to be punished.
0:31:43 > 0:31:45Oh, God, what are you doing?
0:31:50 > 0:31:53'Hey. This is Lara. Leave a message.
0:31:53 > 0:31:56'Lara, it's Granny. I've spoken to Ben.
0:31:56 > 0:32:00'He's really worried about you and Lottie.
0:32:00 > 0:32:03'This is all my fault. I shouldn't have told you.
0:32:03 > 0:32:05'It was playing with fire.
0:32:05 > 0:32:08'I can guess where you are,
0:32:08 > 0:32:10'and I'm sure you don't want me to tell him,
0:32:10 > 0:32:13'but if you don't come back soon, I'll have to.
0:32:13 > 0:32:17'Please take care, darling. Don't stay there too long.'
0:32:20 > 0:32:21LOTTIE CRIES
0:32:25 > 0:32:27It's OK, sweetheart.
0:32:27 > 0:32:30- OVER BABY MONITOR:- # Rock-a-bye-baby on the tree top... #- Gabriel?
0:32:32 > 0:32:34Gabriel! Gabriel!
0:32:34 > 0:32:36LOTTIE CRIES
0:32:36 > 0:32:37# When the wind blows...
0:32:37 > 0:32:39# The cradle will rock... #
0:32:39 > 0:32:41I'm coming. Mummy's coming.
0:32:41 > 0:32:43# When the bough breaks
0:32:43 > 0:32:45# The cradle will fall... #
0:32:45 > 0:32:47Gabriel?
0:32:48 > 0:32:50CRYING STOPS
0:32:56 > 0:32:57You stay away from her.
0:32:59 > 0:33:00Listen to me, Gabriel.
0:33:02 > 0:33:05Your daddy wishes he had never lost you.
0:33:05 > 0:33:08I-I've seen his notebooks. I know.
0:33:08 > 0:33:12He would give anything, anything to have you back.
0:33:12 > 0:33:13He didn't save me.
0:33:13 > 0:33:16That...that's not his fault. It's...
0:33:16 > 0:33:18It's no-one's fault.
0:33:20 > 0:33:22He's desperate to see you.
0:33:23 > 0:33:25Go to him.
0:33:25 > 0:33:27Tell him that you forgive him.
0:33:28 > 0:33:31Tell him you're all right.
0:33:32 > 0:33:33Go on.
0:34:21 > 0:34:25Mrs Appleby! I heard you were here at the vicarage,
0:34:25 > 0:34:27- and I happened to be passing. - With a pineapple.
0:34:29 > 0:34:30Yes.
0:34:30 > 0:34:34I read that tropical fruits might be beneficial to expectant mothers.
0:34:34 > 0:34:37- It may of course be hogwash. - Thank you, Mr Payne.
0:34:37 > 0:34:38I am most grateful.
0:34:38 > 0:34:40I have kind neighbours.
0:34:40 > 0:34:44- Mrs Denning lending me her dress, and...- Which becomes you.
0:34:46 > 0:34:47FOOTSTEPS
0:34:49 > 0:34:52Forgive me. I must let you rest.
0:34:57 > 0:34:58Good afternoon, Miss Denning.
0:35:04 > 0:35:05Your guardian angel.
0:35:08 > 0:35:10I wouldn't call him that.
0:35:10 > 0:35:13A saviour, perhaps?
0:35:15 > 0:35:17BREATHES HEAVILY
0:35:19 > 0:35:25# Do not cross the hayfield the hayfield...
0:35:25 > 0:35:27# The hayfield
0:35:27 > 0:35:29# Do not cross the hayfield
0:35:29 > 0:35:32# As sinks the blood-red sun... #
0:35:32 > 0:35:36You've been here throughout all these hauntings,
0:35:36 > 0:35:38with your book of light.
0:35:38 > 0:35:40# Ghosts glide from the hayrick
0:35:40 > 0:35:44# On the hayfield, the hayfield
0:35:44 > 0:35:47# Ghosts glide from the hayrick... #
0:35:47 > 0:35:49I'm one of them.
0:35:49 > 0:35:51I'm a lost soul.
0:35:53 > 0:35:55Like you!
0:35:58 > 0:35:59Come on, Daddy.
0:35:59 > 0:36:02- What?- I'm going to sail my boat.
0:36:11 > 0:36:13MUSIC ECHOES
0:36:29 > 0:36:30Gabriel!
0:36:32 > 0:36:33Gabriel!
0:36:40 > 0:36:41Gabriel!
0:36:42 > 0:36:43GABRIEL SCREAMS
0:36:43 > 0:36:45Daddy! SPLASH!
0:36:52 > 0:36:54Gabriel!
0:36:54 > 0:36:56Gabriel!
0:36:56 > 0:36:58Gabriel!
0:36:58 > 0:37:00Gabriel!
0:37:04 > 0:37:06HE WAILS
0:37:13 > 0:37:15Gabriel!
0:37:53 > 0:37:55HE SOBS
0:38:01 > 0:38:03- LARA:- I'm coming. Mummy's coming.
0:38:04 > 0:38:06What have you done with my son?!
0:38:11 > 0:38:13Gabriel?
0:38:21 > 0:38:22Gabriel!
0:38:22 > 0:38:25NATHAN BREATHES UNSTEADILY
0:38:25 > 0:38:27HE LAUGHS
0:38:34 > 0:38:36Is she here?
0:38:36 > 0:38:38No-one's here. I'm on my own.
0:38:40 > 0:38:42NATHAN LAUGHS UNCERTAINLY
0:38:42 > 0:38:44I've been looking for you.
0:38:44 > 0:38:46I've been hiding.
0:38:47 > 0:38:50You... You didn't want to...see me?
0:38:50 > 0:38:52You didn't want to see me.
0:38:52 > 0:38:53Oh, Gabriel!
0:38:55 > 0:38:57I would give anything.
0:38:57 > 0:38:59Stay with me, Daddy. Look after me.
0:38:59 > 0:39:02How? How can I do that?
0:39:02 > 0:39:03You know how.
0:39:33 > 0:39:34- LARA:- Nathan?
0:39:36 > 0:39:38Nathan Appleby?
0:39:40 > 0:39:42Do you want to know who I am?
0:39:44 > 0:39:46I'm your great-great-granddaughter...
0:39:49 > 0:39:53..and I'm...I'm not trying to haunt you or your son...
0:39:53 > 0:39:56or anyone. OK?
0:39:59 > 0:40:01I just want to get on with my life.
0:40:04 > 0:40:05- I just want to go home! - SHE SOBS
0:40:08 > 0:40:11I just need proof I'm not mad.
0:40:14 > 0:40:17You've seen me, Nathan. Let me see you.
0:40:26 > 0:40:28SHE GASPS AND SCREAMS
0:40:51 > 0:40:52Where is she?
0:40:57 > 0:40:58Where is she?
0:40:59 > 0:41:01Where is she?!
0:41:01 > 0:41:02- BEN:- 'Lara, are you OK?'
0:41:02 > 0:41:07Look, I'm sorry that I left like that and I took the car.
0:41:07 > 0:41:11- 'Is Lottie OK? What's going on?' - I had to come here...
0:41:11 > 0:41:15to face what's haunting me, what haunted my mother, to...
0:41:15 > 0:41:20- 'Yeah.'- ..to somehow stop it, you see? Stop it from haunting Lottie.
0:41:20 > 0:41:23'Look, the police are getting involved. You are ill, Lara.
0:41:23 > 0:41:26- 'You need help.'- I'm not ill. You see, I thought I was, but I'm not.
0:41:26 > 0:41:29'OK. So let me come and get you.'
0:41:29 > 0:41:31You know where I am.
0:41:33 > 0:41:34Sylvia told you.
0:41:34 > 0:41:36- 'It's all right. Just...' - PHONE BEEPS
0:42:20 > 0:42:23SHE GASPS, TYRES SCREECH
0:42:37 > 0:42:38Daddy's coming.
0:42:41 > 0:42:42What do you mean?
0:42:43 > 0:42:44Daddy's coming!
0:43:35 > 0:43:39- CHARLOTTE:- There's just you and me. And we're alive, Nathan Appleby.
0:44:42 > 0:44:45- So the essential thing is timing? - Yes.
0:44:45 > 0:44:47And the amount of light you admit.
0:44:47 > 0:44:51Like the moment that you capture between the taker and the taken.
0:44:58 > 0:45:01Forgive me, Mr Payne, I must go home to my husband.
0:45:29 > 0:45:31No, Nathan. Stop!
0:45:43 > 0:45:45He's killing himself.
0:45:46 > 0:45:49What about his wife and baby?
0:45:49 > 0:45:50They can come, too.
0:45:50 > 0:45:52No.
0:45:52 > 0:45:54No!
0:45:58 > 0:46:00- PAYNE:- Please, wait!
0:46:03 > 0:46:06I fear for you, for both of you...
0:46:07 > 0:46:11..in your condition, in his desperate state. Please...
0:46:11 > 0:46:14I implore you, stop. Just for a moment.
0:46:15 > 0:46:19I understand that you love him and that you want to help him,
0:46:19 > 0:46:22but sometimes a man needs to be left to lick his own wounds.
0:46:22 > 0:46:24Just give him one more day alone.
0:46:26 > 0:46:29You can return to him tomorrow.
0:46:29 > 0:46:31Please let me drive you back to the vicarage.
0:46:40 > 0:46:42LARA: Charlotte!
0:46:49 > 0:46:51He's going to kill himself.
0:46:51 > 0:46:52SHE GASPS
0:46:54 > 0:46:56What's the matter?
0:46:56 > 0:46:59- No.- Do I have to force you, like a lunatic, for your own good?
0:46:59 > 0:47:00Unhand me.
0:47:38 > 0:47:39Good to see you.
0:47:41 > 0:47:42Good to see you, too.
0:47:46 > 0:47:48I'm sorry, I have to do this.
0:47:52 > 0:47:54How did we get here?
0:47:54 > 0:47:56We were going to be so happy.
0:47:56 > 0:47:57My fault.
0:47:59 > 0:48:00I was damaged when you met me.
0:48:02 > 0:48:03Deeper than I knew.
0:48:03 > 0:48:05Your secret ingredient.
0:48:06 > 0:48:09Your insoluble grief.
0:48:09 > 0:48:11That you could not resist.
0:48:11 > 0:48:15I believed that one day I'd find a solution,
0:48:15 > 0:48:16I might be the solution...
0:48:19 > 0:48:21..and that just by being with you...
0:48:25 > 0:48:26..I would erode it.
0:48:26 > 0:48:28You did.
0:48:29 > 0:48:31You made me so happy.
0:48:33 > 0:48:36- But...- But?- I've seen him.
0:48:38 > 0:48:39He's out there.
0:48:41 > 0:48:42I've spoken to him.
0:48:44 > 0:48:46An inch away. A moment.
0:48:46 > 0:48:48If you believe it, I believe it.
0:48:48 > 0:48:50Thank you.
0:48:51 > 0:48:54I think I've known for some time.
0:48:54 > 0:48:56Maybe even from the beginning.
0:48:57 > 0:48:58You want to join him?
0:49:01 > 0:49:02You want to leave me?
0:49:02 > 0:49:04No.
0:49:07 > 0:49:09- But I have to.- No. You don't.
0:49:12 > 0:49:13Let's go together.
0:49:17 > 0:49:18Let me drink first.
0:49:21 > 0:49:23Trust me.
0:49:28 > 0:49:30Is it strong enough
0:49:30 > 0:49:32for both of us?
0:49:34 > 0:49:37- You don't have to do this.- I do.
0:49:37 > 0:49:40Because I can't live without you.
0:49:47 > 0:49:49No! GLASS SMASHES
0:49:59 > 0:50:01I'm sorry I...
0:50:01 > 0:50:04I wasn't there!
0:50:04 > 0:50:05NATHAN SOBS
0:50:05 > 0:50:07I'm sorry I...
0:50:07 > 0:50:09I failed you!
0:50:10 > 0:50:13I'm sorry. I'm sorry...I...
0:50:15 > 0:50:17..I let you die.
0:50:23 > 0:50:24I love you.
0:50:36 > 0:50:37He's gone.
0:50:42 > 0:50:43He's gone.
0:50:45 > 0:50:47- HE SOBS - Shhh... Hey...
0:50:55 > 0:50:57I love you so much.
0:50:59 > 0:51:01I love you, too.
0:51:17 > 0:51:18Sir.
0:51:20 > 0:51:22Ma'am!
0:51:22 > 0:51:24You're here!
0:51:26 > 0:51:29It's a tonic, sure, to see the pair of you together.
0:51:30 > 0:51:32- Thank you.- Thank you, Gideon.
0:51:32 > 0:51:34We've been digging the old machine out of the east marsh.
0:51:35 > 0:51:37I think you should see it.
0:51:37 > 0:51:39Go on! Hup, hup, hup, hup!
0:52:12 > 0:52:14Perhaps this is what was troubling the land.
0:52:14 > 0:52:16If it was, it's all over now.
0:52:18 > 0:52:19GIDEON CHUCKLES
0:52:47 > 0:52:50SHE GASPS, TYRES SCREECH
0:52:50 > 0:52:52CRASH!
0:53:11 > 0:53:12No!
0:53:19 > 0:53:21Lottie!
0:53:21 > 0:53:24Her father came and took her home.
0:53:24 > 0:53:27She's with her daddy.
0:53:27 > 0:53:28Was she hurt?
0:53:30 > 0:53:32She's safe.
0:53:36 > 0:53:37You're my mummy now.
0:55:25 > 0:55:28- MAN:- Nathan Appleby, are you with us?
0:55:28 > 0:55:30- Are you there? - WOMAN GIGGLES
0:55:38 > 0:55:39DOOR OPENS
0:55:45 > 0:55:47NATHAN BREATHES HEAVILY
0:55:55 > 0:55:57WOMAN GIGGLES
0:56:05 > 0:56:07LAUGHTER
0:56:09 > 0:56:10- MAN:- Is anybody there?
0:56:13 > 0:56:15- Is anybody with us? - LAUGHTER
0:56:17 > 0:56:19He's here.
0:56:20 > 0:56:22The notorious Nathan Appleby.
0:56:24 > 0:56:26Welcome to the land of the living.
0:56:27 > 0:56:28We have a question.
0:56:32 > 0:56:35Why did you kill your wife?
0:56:45 > 0:56:50# Meat or drink thou never gave
0:56:50 > 0:56:56# Every night and all
0:56:56 > 0:57:02# The fire shall burn thee to thy bone
0:57:02 > 0:57:06# And Christ receive thy soul. #