0:00:02 > 0:00:06This programme contains some scenes which some viewers may find upsetting.
0:00:06 > 0:00:09- 'Do you know the name Alice Webster?'- 'She was abducted in spring 2003.'
0:00:09 > 0:00:11'Yesterday, she came back. Walked into the town square.'
0:00:11 > 0:00:14What's happened to her, Sam? Where the hell has she been?
0:00:14 > 0:00:17There's a name she mentioned when the paramedics asked who they could call.
0:00:17 > 0:00:19She said the name Sophie Giroux.
0:00:19 > 0:00:22Sophie Giroux?
0:00:22 > 0:00:25This is a Photofit of the man who took Alice and Sophie.
0:00:25 > 0:00:28It will be in every newspaper by the evening edition.
0:00:28 > 0:00:32I have over 5,000 men and women in this garrison ready to help.
0:00:33 > 0:00:36'I need to find someone to drive me to Azwya.'
0:00:36 > 0:00:39Across an active warzone. That's a pretty good way to get yourself killed.
0:00:39 > 0:00:41I must find this man - Daniel Reed.
0:00:43 > 0:00:48Henry Reed was a soldier, but a father first.
0:00:48 > 0:00:50He leaves behind his son Daniel.
0:00:51 > 0:00:54Do you ever feel like your family is slipping away from you?
0:00:57 > 0:01:03I believe that girl was not Alice Webster.
0:01:16 > 0:01:21SIRENS BELOW
0:01:43 > 0:01:44IN FRENCH:
0:02:03 > 0:02:04Mrs Giroux.
0:02:05 > 0:02:08Julien, leave me alone.
0:02:08 > 0:02:11I promise you, I haven't given up on Sophie.
0:02:11 > 0:02:14I won't give up until I find your daughter.
0:02:14 > 0:02:15Do you believe that?
0:02:17 > 0:02:22Mrs Giroux, however bad things seem now...it will get better.
0:02:22 > 0:02:25- I... NO! - WOMAN SCREAMS
0:02:25 > 0:02:26CRASH
0:02:26 > 0:02:29SCREAMING
0:02:35 > 0:02:37SHOUTING
0:03:00 > 0:03:07# Oh, my love, we pray each day
0:03:07 > 0:03:15# May you come home and be OK
0:03:22 > 0:03:27# For now we wait for you
0:03:27 > 0:03:31# For you to come home. #
0:04:08 > 0:04:11- You OK?- Yeah.
0:04:12 > 0:04:13Did you sleep?
0:04:16 > 0:04:18Not really.
0:04:19 > 0:04:21It's strange, isn't it?
0:04:22 > 0:04:25Having another set of footsteps in the house after all this time.
0:04:25 > 0:04:29Yeah. We used to be able to tell, didn't we,
0:04:29 > 0:04:32who was going past the bedroom, just by their footsteps.
0:04:32 > 0:04:35She'd always take them two at a time, wouldn't she?
0:04:35 > 0:04:37Always in such a rush.
0:04:46 > 0:04:48I've thought about it so many times.
0:04:48 > 0:04:51What it would be like, if she ever came back.
0:04:52 > 0:04:57I suppose somehow I expected it would just be the same as before.
0:04:58 > 0:05:00It's going to take a while before she's back to herself.
0:05:03 > 0:05:05Before any of us are.
0:05:08 > 0:05:15But, in time, we'll recognise those footsteps again.
0:05:16 > 0:05:18I promise you.
0:05:39 > 0:05:41Are you all right, my love?
0:05:43 > 0:05:45Do you want me to...?
0:05:45 > 0:05:47Would you like a cup of tea?
0:05:47 > 0:05:48No.
0:05:48 > 0:05:51No, thank you.
0:05:55 > 0:05:57I just need to...
0:06:03 > 0:06:05TAP WATER RUNS
0:06:19 > 0:06:21I've just got so many questions I want to ask,
0:06:21 > 0:06:23but I keep stopping myself.
0:06:24 > 0:06:27You can ask me things, you know.
0:06:30 > 0:06:35Well, I was... I was just going to ask you how you slept, that's all.
0:06:35 > 0:06:36I didn't.
0:06:42 > 0:06:43Yeah. I'm sorry.
0:06:50 > 0:06:53DOORBELL
0:06:58 > 0:07:00- Good morning. - What's going on?
0:07:00 > 0:07:02My name is Julien Baptiste.
0:07:02 > 0:07:06In 2002, a girl called Sophie Giroux was abducted in Paris
0:07:06 > 0:07:08and I investigated her case.
0:07:08 > 0:07:13I have been informed your daughter Alice was held captive with her.
0:07:13 > 0:07:15If I could speak with Alice...
0:07:15 > 0:07:18We've only just got our daughter back. She needs some time alone.
0:07:18 > 0:07:20She's got people coming round today that she needs to talk to,
0:07:20 > 0:07:23- so that's what's important. I hope you understand...- Yes, of course,
0:07:23 > 0:07:26but there is a man just like you, whose daughter was taken from him.
0:07:26 > 0:07:28Only this man continues to live
0:07:28 > 0:07:31with the uncertainty you must know so well.
0:07:31 > 0:07:35That ever-present hope that today might be the day the telephone rings.
0:07:35 > 0:07:38That somebody has called to say, "We've found her".
0:07:38 > 0:07:40The man's name is Remy Giroux.
0:07:40 > 0:07:42He's Sophie's father.
0:07:43 > 0:07:46Please, let me talk to Alice.
0:07:50 > 0:07:52You must be tired.
0:07:54 > 0:07:58I know the last thing you feel like is answering more questions.
0:07:58 > 0:08:01I'm just here to ask about Sophie Giroux.
0:08:03 > 0:08:06I don't know what more I can say about her.
0:08:06 > 0:08:09Why didn't she escape with you?
0:08:20 > 0:08:23When I got ill, it happened so fast.
0:08:23 > 0:08:25But Sophie...
0:08:26 > 0:08:29She'd been ill for a while.
0:08:29 > 0:08:34He kept her away from me, mostly. In the dark.
0:08:34 > 0:08:38Sometimes he wouldn't feed her for days on end
0:08:38 > 0:08:40because she'd talk back.
0:08:40 > 0:08:44She argued with him and he hated that.
0:08:45 > 0:08:49She could hardly talk or stand.
0:08:50 > 0:08:53Then when I found the lock was open...
0:08:56 > 0:08:59..I tried to help her to her feet, but she couldn't.
0:09:01 > 0:09:03I promised that I would get help.
0:09:03 > 0:09:07She didn't even have the energy to move when I left.
0:09:08 > 0:09:10And the place you escaped from?
0:09:10 > 0:09:12It was underground, I think.
0:09:12 > 0:09:19But the light was so bright when I got out so I just ran.
0:09:22 > 0:09:28Well, perhaps if you were to return to the woods, you might recall.
0:09:28 > 0:09:30You might find the place you ran from.
0:09:30 > 0:09:34In her state? She's only just come out of the hospital
0:09:34 > 0:09:36and we have spoken to the police about this.
0:09:36 > 0:09:39Sophie was your friend. If she's still alive...
0:09:39 > 0:09:41Look, I hate to say this, but whoever did this, he'd know
0:09:41 > 0:09:43that Alice is gone, so he would have moved the other girl already.
0:09:43 > 0:09:46Now, what's important is for my daughter to get better, so...
0:09:46 > 0:09:48Of course.
0:09:48 > 0:09:51But if your abductor was in a hurry, perhaps he left something.
0:09:51 > 0:09:52I don't know.
0:09:52 > 0:09:57You must realise, Alice, you are the only one who can help us find your friend.
0:09:57 > 0:09:59I don't know.
0:09:59 > 0:10:01How long before you reached the road?
0:10:01 > 0:10:02I've already been through this
0:10:02 > 0:10:04All right, Mr Baptiste. That's enough, now.
0:10:04 > 0:10:07And I don't remember, OK?
0:10:07 > 0:10:09It's time for you to leave, OK?
0:10:12 > 0:10:15Oi, do you hear me?
0:10:15 > 0:10:17Are you listening?
0:10:19 > 0:10:21Yes.
0:10:21 > 0:10:22Forgive me.
0:10:25 > 0:10:26Thank you...
0:10:26 > 0:10:28Alice.
0:10:47 > 0:10:50THEY SPEAK GERMAN
0:10:57 > 0:10:58Ja, ja. Danke.
0:10:58 > 0:11:02Danke. Wiedersehen.
0:11:02 > 0:11:03DOOR OPENS AND CLOSES
0:11:03 > 0:11:06- Poor Agata.- Mm.
0:11:06 > 0:11:09There is something going round. That's all.
0:11:09 > 0:11:11She'll be fine.
0:11:11 > 0:11:15I mean having to put up with that man as a husband.
0:11:15 > 0:11:16You have to put up with me.
0:11:19 > 0:11:22Size of a bloody auroch, that thing.
0:11:25 > 0:11:28Ah! Something you don't know!
0:11:29 > 0:11:32They were a large breed of cattle,
0:11:32 > 0:11:35went extinct back in the 1600s, apparently.
0:11:35 > 0:11:36Horns up to a metre long.
0:11:38 > 0:11:39Aggressive bastards.
0:11:39 > 0:11:42Goering tried to genetically engineer them
0:11:42 > 0:11:45back into existence during World War II.
0:11:45 > 0:11:48Tried to turn them into a symbol of the party, apparently.
0:11:48 > 0:11:50People do the strangest things.
0:11:51 > 0:11:54You always surprise me.
0:11:54 > 0:11:55Well, I...
0:11:55 > 0:11:58fell in love with a butcher.
0:11:58 > 0:12:00I had to do my research.
0:12:00 > 0:12:05Find some common ground before I came over and talked to him...
0:12:05 > 0:12:08So...you were stalking me, hmm?
0:12:08 > 0:12:10Trying to seduce me.
0:12:11 > 0:12:13Maybe...a little bit.
0:12:18 > 0:12:20So, what did you find?
0:12:23 > 0:12:25I haven't figured it out yet.
0:12:29 > 0:12:30Andreas?
0:12:47 > 0:12:49PHONE RINGS
0:12:54 > 0:12:56Hello?
0:12:56 > 0:12:57It's me, your loving husband.
0:12:57 > 0:12:59- SHE CHUCKLES - How are you?
0:12:59 > 0:13:02THEY SPEAK FRENCH
0:13:05 > 0:13:08Do you remember when Sophie Giroux went missing?
0:13:08 > 0:13:09Yeah. How could I not?
0:13:09 > 0:13:11There was this video...
0:13:11 > 0:13:14Every time there was a report on the news, they would play this clip.
0:13:14 > 0:13:19I had a copy of that video in with my case files, in the attic.
0:13:19 > 0:13:22Would you send it to me?
0:13:22 > 0:13:25Well, I could... If I could find it...
0:13:25 > 0:13:26But I'm sure it's online.
0:13:29 > 0:13:30OK.
0:13:30 > 0:13:34For your next birthday, I'm going to buy you a computer course.
0:13:34 > 0:13:36SHE SIGHS
0:13:36 > 0:13:37Right...
0:13:37 > 0:13:40There's bound to be some news reports from the time
0:13:40 > 0:13:43knocking around somewhere, it's going to be a lot easier
0:13:43 > 0:13:47than me trawling through that mess in the attic... Ah!
0:13:47 > 0:13:48Voila.
0:13:48 > 0:13:50Voila quoi?
0:13:50 > 0:13:51Here...
0:13:51 > 0:13:53Check your e-mail. Then click on the link.
0:14:07 > 0:14:09So, how's it going out there?
0:14:10 > 0:14:13We are just at the beginning.
0:14:13 > 0:14:16REPORTER SPEAKS FRENCH
0:14:16 > 0:14:18I love you.
0:14:18 > 0:14:20HE REPLIES IN KIND IN FRENCH
0:14:22 > 0:14:23THE VIDEO CONTINUES IN FRENCH
0:14:48 > 0:14:51INSECTS BUZZ
0:15:05 > 0:15:07We're all set.
0:15:07 > 0:15:10For only 500, you too can enter a warzone.
0:15:11 > 0:15:13So the officer says there was a lot of fighting
0:15:13 > 0:15:14around al-Mazwaa yesterday.
0:15:14 > 0:15:17He says if we stick to the north and follow this road,
0:15:17 > 0:15:20then we should be within areas controlled by the Peshmerga.
0:15:20 > 0:15:24But right now, the larger villages to the south - Hawija, Abbasi -
0:15:24 > 0:15:26are all being held by Isil.
0:15:26 > 0:15:28It changes every second,
0:15:28 > 0:15:31Isil are pushing north for more territory.
0:15:31 > 0:15:33Look, I say we head straight for Azwya,
0:15:33 > 0:15:36no stopping, and if there's anything at all, anything that
0:15:36 > 0:15:38has us second-guessing ourselves, we turn back.
0:15:38 > 0:15:42I wouldn't have it any other way.
0:15:42 > 0:15:44- And you're sure this guy... - Daniel Reed?
0:15:44 > 0:15:47Yeah, Daniel Reed. Is he worth it?
0:15:47 > 0:15:50If we find Daniel Reed, we will find who took those girls.
0:15:51 > 0:15:53It's a long story.
0:15:53 > 0:15:55We have plenty of time.
0:15:59 > 0:16:02But first...and foremost...
0:16:04 > 0:16:05BHANGRA PLAYS LOUDLY
0:16:05 > 0:16:07What is this?
0:16:07 > 0:16:10Bhangra. My wife got me into it, She's Punjabi.
0:16:10 > 0:16:12It is very loud.
0:16:12 > 0:16:14I'm sorry. It's non-negotiable.
0:16:20 > 0:16:22HE TOOTS HORN
0:16:26 > 0:16:29CHURCH BELLS TOLL
0:16:35 > 0:16:38Do you have to rush off? I've got the room all day.
0:16:38 > 0:16:40And what a room(!)
0:16:40 > 0:16:41I'll let you book it next time.
0:16:44 > 0:16:47We could come back tomorrow morning. Gemma's at school...
0:16:47 > 0:16:49Not that she asks where I'm going these days...
0:16:49 > 0:16:51I know. I don't want to talk about your family, Sam.
0:16:51 > 0:16:54Any more than you want to hear me talk about the baby.
0:16:57 > 0:16:59OK?
0:17:03 > 0:17:06DOOR OPENS AND CLOSES
0:17:14 > 0:17:16Thanks.
0:17:16 > 0:17:18You write. Please?
0:17:18 > 0:17:20The guest book. We insist...
0:17:20 > 0:17:22Well, I haven't got a pen, so...
0:17:22 > 0:17:23Ah, here.
0:17:32 > 0:17:33Thank you...
0:17:34 > 0:17:35..Mr Jones.
0:17:41 > 0:17:44BHANGRA PLAYS
0:17:58 > 0:18:00BHANGRA CONTINUES LOUDLY
0:18:10 > 0:18:12This is Azwya?
0:18:12 > 0:18:14Should be.
0:18:17 > 0:18:18MUSIC STOPS
0:18:54 > 0:18:55It's quiet.
0:18:55 > 0:18:58Yeah.
0:18:58 > 0:19:01I saw a few of these last time I was in these parts.
0:19:02 > 0:19:03Ghost villages.
0:19:04 > 0:19:06Caught in the crossfire.
0:19:08 > 0:19:10Wherever your boy Daniel Reed is,
0:19:10 > 0:19:13I don't think he's here. Not any more.
0:19:13 > 0:19:15We have come this far. We must look.
0:19:26 > 0:19:27So if this girl wasn't Alice Webster,
0:19:27 > 0:19:29who was she?
0:19:31 > 0:19:34I studied Sophie Giroux, for years and years.
0:19:35 > 0:19:38There is a gesture she makes - a nervous habit.
0:19:39 > 0:19:42This girl, Alice, made the same gesture.
0:19:42 > 0:19:45So you think Alice was really Sophie?
0:19:46 > 0:19:47Because of a gesture?
0:19:49 > 0:19:52Such things are unconscious habits.
0:19:52 > 0:19:54We do not know we do them.
0:19:55 > 0:19:58When I saw this, I thought of photographs of the girls
0:19:58 > 0:20:01when they were taken.
0:20:01 > 0:20:04Even at that age, they could have been sisters.
0:20:06 > 0:20:09The abductor was looking for a specific physical type.
0:20:11 > 0:20:12What about the accent?
0:20:14 > 0:20:17Sophie's mother was English.
0:20:17 > 0:20:20The girls spent almost half their lives
0:20:20 > 0:20:22with only each other for company.
0:20:23 > 0:20:26Is it impossible they should become like one another?
0:20:30 > 0:20:33And what? Alice's parents, they...
0:20:33 > 0:20:35They just accept it?
0:20:36 > 0:20:39Have you never fooled yourself into believing something,
0:20:39 > 0:20:42just because you wanted it so much to be true?
0:20:44 > 0:20:48Yeah, but I don't understand. Why would anyone...
0:20:48 > 0:20:49Why would anyone...
0:20:53 > 0:20:55Shit! That's an Isil flag.
0:21:11 > 0:21:14Miss Stone, please...
0:21:18 > 0:21:21I am sorry. It is too hard.
0:21:22 > 0:21:25He pushed me. I cannot.
0:21:26 > 0:21:28I understand.
0:21:29 > 0:21:32Can you stay until I find another nurse?
0:21:34 > 0:21:36- Two weeks.- Thank you.
0:21:41 > 0:21:43Dad?
0:21:45 > 0:21:47GUNFIRE AND EXPLOSIONS ON TV
0:22:05 > 0:22:06Morning.
0:22:08 > 0:22:10Watching this again?
0:22:10 > 0:22:13This is the first film I ever saw.
0:22:13 > 0:22:17I was just a boy. My father took me to the cinema.
0:22:17 > 0:22:20He had his arm in a sling at the time.
0:22:20 > 0:22:23He'd broken it, so he took the day off work.
0:22:23 > 0:22:29I remember when it started. These figures, larger than life, appeared
0:22:29 > 0:22:31doing impossible, heroic things.
0:22:34 > 0:22:36I couldn't take my eyes off that screen.
0:22:38 > 0:22:41And when we left the cinema, I talked a thousand miles an hour
0:22:41 > 0:22:44about how brave the people were.
0:22:44 > 0:22:48And he looked at me, at how entranced I was by it all,
0:22:48 > 0:22:50and he said,
0:22:50 > 0:22:54"Son, how do you think I broke my arm?"
0:22:54 > 0:22:59He told me he was there, in the movie
0:22:59 > 0:23:01and that I'd missed him in the background
0:23:01 > 0:23:03fighting alongside the others.
0:23:08 > 0:23:11I made my daughter, Eve, watch it when she was a girl...
0:23:16 > 0:23:17Dad...
0:23:20 > 0:23:21It's me. It's Eve.
0:23:24 > 0:23:27Yes. Yes, of course. I know.
0:23:39 > 0:23:40- Engel.- Brigadier Stone...
0:23:40 > 0:23:42Any luck with the Photofit?
0:23:42 > 0:23:44It is with every major news outlet, in all the papers,
0:23:44 > 0:23:46and with every police department.
0:23:46 > 0:23:49The media might be more interested if we could tell them
0:23:49 > 0:23:51what this man was wanted in connection with.
0:23:51 > 0:23:53Miss Webster needs her privacy right now.
0:23:53 > 0:23:56- Where are we with the search? - The area is significant.
0:23:56 > 0:23:59We have covered only a small part of the woods around the town.
0:23:59 > 0:24:03Based on the girl's description, we are estimating at least...
0:24:03 > 0:24:06- PHONE BUZZES - Mrs Webster...?
0:24:10 > 0:24:13Yes, of course. But... You're sure?
0:24:16 > 0:24:18Right.
0:24:18 > 0:24:20Thank you. I'll call right back.
0:24:20 > 0:24:23- ..into the forest... - That was Gemma Webster.
0:24:23 > 0:24:26Alice says she's ready to help us find the place she was kept.
0:24:27 > 0:24:28Right, then, let's go.
0:24:28 > 0:24:32HE SPEAKS GERMAN
0:24:52 > 0:24:55Thank you for bringing me, Sergeant.
0:24:57 > 0:24:59DOOR OPENS
0:25:03 > 0:25:05You don't have to do this, you know?
0:25:05 > 0:25:08I mean, the psychologists are coming, you just need to get better.
0:25:08 > 0:25:10Or take me or your mum with you.
0:25:10 > 0:25:11You're going to need someone...
0:25:11 > 0:25:14I don't want you to...
0:25:14 > 0:25:15be there.
0:25:25 > 0:25:28Alice! Alice, look what I found.
0:25:32 > 0:25:33Right. Yeah.
0:25:37 > 0:25:38Don't you recognise it?
0:25:41 > 0:25:45You made it for me. Just before your 10th birthday.
0:25:46 > 0:25:48Oh. Yeah.
0:25:50 > 0:25:51With your art teacher.
0:25:51 > 0:25:52Miss Hammond.
0:25:55 > 0:25:56Don't you mean Mrs Barker?
0:25:58 > 0:26:01Oh, yeah.
0:26:01 > 0:26:02My mistake.
0:26:04 > 0:26:09Alice, are you ready? We'll take good care of her.
0:27:06 > 0:27:08It's quite some way from Eckhausen.
0:27:08 > 0:27:11To walk that journey in the state she was in...
0:27:13 > 0:27:15..it's not an easy task.
0:27:17 > 0:27:21It's amazing what people can do when they're trying to just stay alive.
0:27:43 > 0:27:45- You OK?- It's from an old case.
0:27:45 > 0:27:49There are good days and bad, you know. And you?
0:27:51 > 0:27:54I'm pregnant, not disabled.
0:27:59 > 0:28:03I hear you went to see Alice, right before she called us.
0:28:03 > 0:28:05What is it with you and the Giroux case?
0:28:05 > 0:28:10I wonder - has anybody performed a DNA test on Alice Webster?
0:28:10 > 0:28:13There was no need. Her own parents identified her.
0:28:13 > 0:28:16It's only standard procedure if you can't get an ID.
0:28:16 > 0:28:19Perhaps if you asked her parents for something - a lock of hair maybe.
0:28:19 > 0:28:21Just to be sure...
0:28:21 > 0:28:22What's going on, Baptiste?
0:28:22 > 0:28:25I spoke with Alice Webster.
0:28:25 > 0:28:27There was something about her.
0:28:27 > 0:28:28The girl is lying.
0:28:28 > 0:28:30What would she have to lie about?
0:28:30 > 0:28:32I can't be sure. But...
0:28:32 > 0:28:33It doesn't make sense.
0:28:40 > 0:28:42She's picking up the pace.
0:29:20 > 0:29:21Sam...
0:29:23 > 0:29:25..does she seem...
0:29:26 > 0:29:28..different to you?
0:29:28 > 0:29:31Of course. How could she not be after what she's been through?
0:29:31 > 0:29:33But she'll get better.
0:29:33 > 0:29:36Yeah, it's just... When I gave her the scarf, she was...
0:29:40 > 0:29:41What?
0:29:46 > 0:29:47Nothing.
0:29:52 > 0:29:54I thought when we had her back...
0:29:56 > 0:29:59Well, it's all we've ever wanted, isn't it?
0:30:02 > 0:30:04But now she's back...
0:30:07 > 0:30:08..and the way she is now...
0:30:10 > 0:30:11But she is back.
0:30:14 > 0:30:16And that's all that matters, isn't it?
0:30:27 > 0:30:30Pass auf, wir gehen gleich zusammen da runter.
0:30:30 > 0:30:31What is this?
0:30:31 > 0:30:35Looks like an old World War II bunker. They're all over Germany.
0:30:35 > 0:30:38No-one ever bothered to seal them off.
0:30:38 > 0:30:41They must have missed it in the original search.
0:31:31 > 0:31:33METAL CLATTERS
0:32:18 > 0:32:19Must be hard.
0:32:21 > 0:32:23It was brave of you to come back.
0:32:30 > 0:32:31Sophie...
0:32:37 > 0:32:40I knew her parents when she was taken.
0:32:41 > 0:32:44It was a tragedy, what happened to her mother.
0:32:51 > 0:32:54- EVE:- Julien! Julien, they're coming up.
0:32:58 > 0:32:59Excuse me.
0:33:22 > 0:33:26GERMAN SPEECH AND LAUGHTER
0:33:27 > 0:33:29There's somebody here. I'll go.
0:33:33 > 0:33:35Hello.
0:33:35 > 0:33:37You're Henry Reed's son.
0:33:38 > 0:33:39I'm sorry about your dad.
0:33:39 > 0:33:42I saw you at the funeral.
0:33:42 > 0:33:43That's why I'm here.
0:33:44 > 0:33:47I'm speaking to everyone that knew him.
0:33:47 > 0:33:49I didn't know him all that well.
0:33:49 > 0:33:51They say he killed himself.
0:33:51 > 0:33:53Only, he didn't have any reason to.
0:33:53 > 0:33:57Me, if I was collecting my armed forces pension,
0:33:57 > 0:34:02that shitty amount for risking my life on behalf of some shirt in Whitehall...
0:34:02 > 0:34:03me, I'd be tempted.
0:34:05 > 0:34:08But not my dad. He was happy.
0:34:10 > 0:34:13So I've been going through his stuff,
0:34:13 > 0:34:15trying to find something.
0:34:18 > 0:34:20And...he kept a diary.
0:34:20 > 0:34:22And you're in it.
0:34:25 > 0:34:29Probably not the nicest account of me, I would imagine. I...
0:34:29 > 0:34:30I had a reputation.
0:34:32 > 0:34:36Every day on ops, he'd write in this diary.
0:34:36 > 0:34:38Every day, no exception.
0:34:38 > 0:34:41Except when he fought in Iraq in 1991.
0:34:44 > 0:34:45It just stops.
0:34:45 > 0:34:47So, what happened?
0:34:49 > 0:34:53Being in combat changes you. You'll learn soon enough.
0:34:53 > 0:34:55Don't patronise me.
0:34:59 > 0:35:00You're all the same.
0:35:02 > 0:35:04Officers.
0:35:05 > 0:35:06You're a bunch of idiots.
0:35:06 > 0:35:09You're in pain. I understand.
0:35:10 > 0:35:13But you can't talk to me like that, trooper.
0:35:16 > 0:35:18You're not in the Army any more.
0:35:20 > 0:35:22You don't give me orders.
0:35:37 > 0:35:38Who was that?
0:35:44 > 0:35:46DOG BARKS
0:36:08 > 0:36:11It looks like no-one's been down here since it was built.
0:36:13 > 0:36:18The girl says they were moved here, yes?
0:36:18 > 0:36:21She says they were moved a few times over the years.
0:36:21 > 0:36:23Basements, cellars...
0:36:24 > 0:36:29And then, most recently, here, for...several months?
0:36:29 > 0:36:31As best as she can remember.
0:36:31 > 0:36:33It's not like she had any way of telling the time.
0:36:33 > 0:36:39This abductor - he takes Sophie. The following year, Alice Webster.
0:36:39 > 0:36:43For 11 years he keeps them hidden from the world, and then...
0:36:44 > 0:36:47..takes them to this place in the middle of a forest.
0:36:48 > 0:36:49Why?
0:36:49 > 0:36:52We'll find out when we catch the bastard.
0:37:06 > 0:37:09We should turn back. Julien. Julien!
0:37:09 > 0:37:12Julien. Julien, we can turn back!
0:37:13 > 0:37:15Julien! Julien!
0:37:17 > 0:37:21We are looking for someone. We are not seeking trouble.
0:37:21 > 0:37:24THEY SPEAK THEIR OWN LANGUAGE
0:37:24 > 0:37:26English? You speak English?
0:37:26 > 0:37:29The jihadists are gone. Isil has fled for now.
0:37:29 > 0:37:31The Peshmerga came and drove them out.
0:37:31 > 0:37:33Who is it you are looking for?
0:37:36 > 0:37:38His name is Daniel Reed.
0:37:38 > 0:37:41The information I have says he was here a month or so ago.
0:37:41 > 0:37:43I do not recognise him.
0:37:43 > 0:37:45But perhaps someone else will.
0:37:45 > 0:37:47Follow me.
0:37:47 > 0:37:50I will show this photo around. Isil did not scare us all away.
0:37:50 > 0:37:52Thank you.
0:37:52 > 0:37:55Because of the surface area of the burns,
0:37:55 > 0:37:59I would suggest a split thickness skin graft.
0:37:59 > 0:38:04It allows us to cover larger areas.
0:38:05 > 0:38:09And because the same site can be harvested after six weeks,
0:38:09 > 0:38:12it's possible to do the surgery in stages.
0:38:12 > 0:38:14How much is it?
0:38:14 > 0:38:17Because of your situation, Mr Webster,
0:38:17 > 0:38:19I would do the work for free.
0:38:19 > 0:38:23The scarring would be minimal at first.
0:38:23 > 0:38:26And, then, in time, you will not even be able to see it.
0:38:29 > 0:38:31Back to the old me, then, eh?
0:38:42 > 0:38:44DOOR OPENS
0:38:47 > 0:38:49- Hey.- Hey.
0:38:49 > 0:38:51What did the plastic surgeon say?
0:38:51 > 0:38:53- Yeah, he said he can do it. - Oh, great.
0:38:53 > 0:38:57But we can't afford it. I looked into it.
0:38:57 > 0:38:59Just scars. I'll live with it.
0:39:01 > 0:39:04FOOTSTEPS ON STAIRS
0:39:04 > 0:39:06Matthew!
0:39:06 > 0:39:08Matthew, I want to talk to you.
0:39:09 > 0:39:11Matthew!
0:39:12 > 0:39:14SHE SIGHS
0:39:15 > 0:39:17Well, no change there, then.
0:39:17 > 0:39:19- Can't you talk to him?- Me?
0:39:19 > 0:39:20HE CHUCKLES
0:39:20 > 0:39:22We can't just stop trying, Sam.
0:39:22 > 0:39:24I haven't stopped trying. He just doesn't care, does he?
0:39:24 > 0:39:26I nearly lost my job because of him.
0:39:26 > 0:39:29Now I'm stuck pushing papers around. And for what?
0:39:29 > 0:39:30So he can still hate me.
0:39:35 > 0:39:37I'm going to go and work on the car.
0:39:37 > 0:39:39You'll never get it going again.
0:39:39 > 0:39:40Or is that the point?
0:39:41 > 0:39:43Oh, don't get oil on your shirt again.
0:40:37 > 0:40:39PLASTIC CLICKS
0:40:59 > 0:41:00So, what do you think, then?
0:41:03 > 0:41:05We should get back. We'll be late.
0:41:05 > 0:41:09Dad, you need to look around. See if you like the place.
0:41:09 > 0:41:11I...I've seen it. Now let's go home.
0:41:11 > 0:41:13Dad, you're not even looking.
0:41:13 > 0:41:16I know where I am, for Christ's sake.
0:41:16 > 0:41:17I know what we're doing.
0:41:20 > 0:41:23This is a place where you'll be looked after, Dad.
0:41:23 > 0:41:26They'll be able to help you much better than I can.
0:41:30 > 0:41:33These people gave their lives for their country
0:41:33 > 0:41:34and this is how we repay them?
0:41:34 > 0:41:38Scrabble sets with half the pieces missing and a shared toilet?
0:41:38 > 0:41:42This is what passes for the state taking care of those who took care of them?
0:41:42 > 0:41:46Stopped them talking bloody Arabic? It's not good enough!
0:41:46 > 0:41:49Dad, this isn't a military hospital. This is a place where...
0:41:49 > 0:41:53Henry knows what I'm talking about. Good old Henry Reed.
0:41:53 > 0:41:56He's got his head screwed on. He'll tell you.
0:41:58 > 0:42:00Dad. Come on.
0:42:08 > 0:42:10BOYS SHOUT
0:42:13 > 0:42:15Remarkable, is it not?
0:42:16 > 0:42:20In front of all this, people still go about their business.
0:42:20 > 0:42:22They adapt.
0:42:22 > 0:42:26I guess it's the only way of taking control of your life, I suppose.
0:42:27 > 0:42:30Feeling like your fate is in your own hands for a change.
0:42:32 > 0:42:33I miss that feeling.
0:42:35 > 0:42:38Is there really nothing they can do?
0:42:38 > 0:42:39Well, they say...
0:42:40 > 0:42:44..if I don't have it operated on, there is a chance I will die.
0:42:44 > 0:42:48But if I have it operated on...
0:42:49 > 0:42:52..there is a chance I will die. So...
0:42:52 > 0:42:53You see my problem.
0:42:54 > 0:42:58But with all that going on, why here, now?
0:42:59 > 0:43:03Many years ago, I was given a case - a missing girl. Sophie Giroux.
0:43:04 > 0:43:07I made a mistake. The mother died.
0:43:08 > 0:43:11The father, Remy Giroux, lost his entire family
0:43:11 > 0:43:16and I carry that guilt with me.
0:43:16 > 0:43:17Always.
0:43:23 > 0:43:26I once heard someone say that guilt is like a cancer -
0:43:26 > 0:43:30you can treat the symptoms, but never the cause.
0:43:30 > 0:43:31Perhaps that's all I am doing.
0:43:35 > 0:43:36Nah.
0:43:36 > 0:43:38HE LAUGHS
0:43:38 > 0:43:40You're doing it for yourself. Right?
0:43:41 > 0:43:43I mean...
0:43:43 > 0:43:47Detectives are just a bunch of nosy bastards with badges, right?
0:43:49 > 0:43:52And journalists are the same, non? Only, no badges...
0:43:58 > 0:44:00We must leave.
0:44:00 > 0:44:02- Wait, what?- Right now.
0:44:13 > 0:44:16What just happened? What did you see?
0:44:17 > 0:44:19There's something you're not telling me, isn't there?
0:44:19 > 0:44:24I think somebody is following me. Twice, I have seen the same man -
0:44:24 > 0:44:27once in Kirkuk, at the bank, do you remember?
0:44:27 > 0:44:29- And now again in the village. - You're sure?
0:44:29 > 0:44:32The same person followed you from Kirkuk all the way out here?
0:44:32 > 0:44:36Well, maybe this explains why our hosts were so keen to keep us there.
0:44:36 > 0:44:38Maybe they know exactly where Daniel Reed is.
0:44:38 > 0:44:41Julien, you need to be honest with me. Why are you being followed?
0:44:41 > 0:44:44And what's all this got to do with Alice Webster and Sophie Giroux?
0:44:44 > 0:44:46HORN BEEPS
0:44:46 > 0:44:47Look, look!
0:44:55 > 0:44:57MEN SHOUT IN THEIR OWN LANGUAGE
0:44:59 > 0:45:02HORN BLARES
0:45:10 > 0:45:11What's happening?
0:45:11 > 0:45:13It's fine, they're Peshmerga.
0:45:15 > 0:45:17HE SPEAKS IN ARABIC
0:45:22 > 0:45:24SOLDIER SHOUTS IN ARABIC
0:45:25 > 0:45:26What is he saying?
0:45:26 > 0:45:29He wants to know how you know that man.
0:45:29 > 0:45:31- SOLDIER SHOUTS - OK, OK.
0:45:42 > 0:45:44What is going on?
0:45:44 > 0:45:45I have no idea.
0:45:46 > 0:45:48But that photo means something to them.
0:45:51 > 0:45:53SOLDIER SPEAKS What?
0:45:54 > 0:45:56Whoa, whoa!
0:46:07 > 0:46:09ENGINE STARTS
0:46:57 > 0:47:02MUSIC PLAYS QUIETLY
0:47:12 > 0:47:14SHE KNOCKS
0:47:19 > 0:47:21MUSIC GETS LOUDER
0:47:21 > 0:47:22- MATTHEW:- Hey.
0:47:36 > 0:47:37SHE WINDS A CLOCKWORK DEVICE
0:47:40 > 0:47:43Do you remember this? TINGING
0:47:43 > 0:47:46Yeah. We had the biggest fight over that.
0:47:48 > 0:47:50Here you go, Midget.
0:47:51 > 0:47:52Mine at last.
0:47:55 > 0:47:58I want to ask you something.
0:47:58 > 0:47:59I want you to...
0:48:01 > 0:48:03I want you to do something for me.
0:48:04 > 0:48:05OK.
0:48:07 > 0:48:08I can't sleep.
0:48:09 > 0:48:13I just feel like anyone could get in.
0:48:13 > 0:48:16No-one's going to hurt you now, Alice.
0:48:22 > 0:48:24What's in the shed?
0:48:24 > 0:48:26I don't know. Nothing much.
0:48:27 > 0:48:29I want to sleep in the shed.
0:48:31 > 0:48:34The floors here, they're... They're too soft.
0:48:34 > 0:48:35It's cold out there.
0:48:39 > 0:48:42I want to sleep in the shed.
0:48:42 > 0:48:45And I need you...
0:48:45 > 0:48:46to lock me in.
0:48:49 > 0:48:51Is that what he did to you?
0:48:52 > 0:48:55I haven't slept since I got here.
0:49:01 > 0:49:02No, not like that.
0:49:02 > 0:49:04I'm not locking you in like an animal.
0:49:04 > 0:49:07I'm asking you to help me.
0:49:09 > 0:49:11It's what I want.
0:49:13 > 0:49:14Please.
0:49:25 > 0:49:28I'll come and get you in the morning. First thing.
0:49:28 > 0:49:29Thanks, Midget.
0:49:45 > 0:49:46DOOR CLOSES
0:50:03 > 0:50:05SHE SIGHS
0:50:29 > 0:50:31PHONE RINGS
0:50:36 > 0:50:37Hello.
0:50:37 > 0:50:41'Sergeant, it's Jorn. I'm sorry for calling so early.'
0:50:41 > 0:50:43But we've been combing through everything the search parties
0:50:43 > 0:50:46found at the bunker and I think we have something.
0:50:46 > 0:50:49Or rather Detective Baptiste found something.
0:50:49 > 0:50:52A receipt, dated from a week ago.
0:50:52 > 0:50:54'There was no other human debris down there.
0:50:54 > 0:50:56'And, as far as we know, no persons were aware of these tunnels.'
0:50:56 > 0:50:58Where's it from?
0:50:58 > 0:51:00'A clothes store here in Eckhausen.'
0:51:00 > 0:51:03The receipt shows only the last few digits of the card,
0:51:03 > 0:51:05but we've called them, and we have a name.
0:51:26 > 0:51:30THEY SPEAK IN GERMAN
0:51:44 > 0:51:45- Kristian?!- Argh!
0:51:48 > 0:51:49Argh!
0:51:53 > 0:51:54What the hell's going on, Sergeant?
0:51:54 > 0:51:56We need to question your husband
0:51:56 > 0:51:58about the abduction of two little girls.
0:52:00 > 0:52:01ENGINE STARTS
0:52:06 > 0:52:08PADLOCK RATTLES
0:52:11 > 0:52:13SHE BREATHES RAPIDLY
0:52:13 > 0:52:15I'm sorry.
0:52:16 > 0:52:19Please don't... Don't blame Matthew. I-I begged him to do it.
0:52:19 > 0:52:21Ssh-ssh. Hey, hey, hey.
0:52:21 > 0:52:22It's all right.
0:52:22 > 0:52:24- I don't like the light coming in to wake me up...- Ssh.
0:52:24 > 0:52:27- ..it burns my eyes. - It'll get better.
0:52:27 > 0:52:29I promise you, it'll get better.
0:52:29 > 0:52:31You should come inside. It's freezing.
0:52:31 > 0:52:33And...
0:52:33 > 0:52:34Well, something's happened.
0:52:34 > 0:52:36There's been an arrest.
0:52:36 > 0:52:38And the army police, they want you to identify him.
0:52:38 > 0:52:40You know, the man that took you.
0:52:40 > 0:52:42It's just a photograph.
0:52:42 > 0:52:45All you have to do is look at a photograph and say if it's him.
0:52:45 > 0:52:47Can you do that, my love?
0:52:53 > 0:52:55Good girl.
0:53:02 > 0:53:03DOOR SLAMS
0:53:21 > 0:53:23Alice.
0:53:23 > 0:53:26I'm going to show you some pictures, and I need you to tell me
0:53:26 > 0:53:29if you recognise any of the men in these photos.
0:54:09 > 0:54:10SHE GASPS
0:54:21 > 0:54:22SHE GASPS FOR BREATH
0:54:28 > 0:54:30That's him. Must be.
0:54:30 > 0:54:32The way she looked at it - this is him, isn't it?
0:54:32 > 0:54:34We need a positive identification.
0:54:38 > 0:54:39- ADRIAN:- Let me try talking to her.
0:54:40 > 0:54:42It might be less overwhelming.
0:55:02 > 0:55:04Do you mind?
0:55:15 > 0:55:17So, the man in the photo.
0:55:19 > 0:55:20Yes, that's him.
0:55:28 > 0:55:30Must be something, all this.
0:55:31 > 0:55:33Like being able to see again.
0:55:33 > 0:55:36I can see just fine.
0:55:36 > 0:55:37I always have.
0:55:44 > 0:55:47Do you ever hear that fable about the turtle?
0:55:49 > 0:55:52He lived in a tiny pond at the foot of a mountain,
0:55:52 > 0:55:54swimming in circles and playing with frogs.
0:55:56 > 0:56:02The thing he loved most was when his friends, the birds, came to visit.
0:56:02 > 0:56:04They'd tell him about their adventures,
0:56:04 > 0:56:08up snowy mountain peaks, lush green valleys.
0:56:10 > 0:56:12He desperately wanted to go with them.
0:56:12 > 0:56:15But he couldn't - they said - he didn't have any wings.
0:56:15 > 0:56:17He replied...
0:56:18 > 0:56:20.."You could be my wings."
0:56:22 > 0:56:25And the birds came up with this idea.
0:56:25 > 0:56:27They got hold of a long stick -
0:56:27 > 0:56:31they clasped either end of it in their claws.
0:56:31 > 0:56:34The turtle would be in the middle of them,
0:56:34 > 0:56:37and he'd clench his jaw around the stick.
0:56:38 > 0:56:41Then they'd be able to take him up into the sky.
0:56:44 > 0:56:46Up he went, higher and higher.
0:56:47 > 0:56:49And when he looked down and saw
0:56:49 > 0:56:51the tiny place he used to call his home...
0:56:53 > 0:56:54..he said, "Wow."
0:56:56 > 0:56:58Opening his mouth.
0:56:59 > 0:57:01And he fell back down to earth,
0:57:01 > 0:57:03cracking his shell into a million pieces.
0:57:06 > 0:57:08I've heard that story.
0:57:10 > 0:57:13I thought he fell into the ocean.
0:57:13 > 0:57:15That's the fairy-tale version.
0:57:15 > 0:57:16The one for children.
0:57:18 > 0:57:20And you're not a child any more.
0:57:23 > 0:57:24Are you?
0:57:27 > 0:57:30You don't want to end up like that, Alice.
0:57:33 > 0:57:34Hold on to that stick.
0:57:39 > 0:57:41How can you live with yourself...
0:57:43 > 0:57:45..after what you've done?
0:57:58 > 0:58:00Don't stay out here too long.
0:58:01 > 0:58:02It's cold.