0:00:02 > 0:00:05This programme contains some scenes which some viewers may find upsetting
0:00:05 > 0:00:09- Daniel Reed. Why are you looking for me?- We only wish to speak with you. It's about your father.
0:00:09 > 0:00:10I came here to find answers.
0:00:10 > 0:00:12I found out my dad was transferring money -
0:00:12 > 0:00:14to a man called Mirza Barzani.
0:00:14 > 0:00:16And when I found out why, it made me sick.
0:00:16 > 0:00:17To my guts.
0:00:18 > 0:00:20I want to sleep in the shed.
0:00:20 > 0:00:23And I need you to lock me in.
0:00:24 > 0:00:26TRANSLATED FROM FRENCH:
0:00:28 > 0:00:31Hey, that's it, all right? On your way. Get out!
0:00:32 > 0:00:36I see how you look at Alice. You know she's different, don't you?
0:00:36 > 0:00:41I have a brain tumour. You are looking at a dying man.
0:00:43 > 0:00:44SHE SCREAMS
0:00:51 > 0:00:53I found something.
0:00:53 > 0:00:54That's Alice.
0:00:54 > 0:00:57No. Look at the girl sitting next to her.
0:00:57 > 0:00:59That's my daughter. That's Alice.
0:00:59 > 0:01:00No!
0:01:00 > 0:01:02Sam!
0:01:02 > 0:01:04Alice!
0:01:04 > 0:01:05SAM!
0:01:08 > 0:01:09Alice!
0:01:11 > 0:01:13HE TUNES GUITAR
0:01:28 > 0:01:30HE PLAYS A SLOW MELODY
0:01:49 > 0:01:50MUSIC DROWNS SPEECH
0:02:17 > 0:02:19Nadia?
0:02:20 > 0:02:22Ich wollte sehen, wie's ihnen geht.
0:02:25 > 0:02:26Hallo?
0:02:30 > 0:02:31PHONE RINGS
0:02:37 > 0:02:38HE STOPS PLAYING
0:02:42 > 0:02:43Ja?
0:02:46 > 0:02:48Ja, naturlich, ich bin unterwegs.
0:03:08 > 0:03:09PHONE RINGS
0:03:12 > 0:03:15- 'Hello?'- Sergeant, apologies for the early hour,
0:03:15 > 0:03:16I am in Paris and I...
0:03:16 > 0:03:19'This isn't a good time, Baptiste. Alice is dead.'
0:03:20 > 0:03:21When?
0:03:21 > 0:03:23'Last night. She burned to death.
0:03:23 > 0:03:26'We found petrol canisters inside the shed where she slept.'
0:03:26 > 0:03:29She used them to start the fire. She killed herself.
0:03:30 > 0:03:32I'm truly sorry to hear this.
0:03:32 > 0:03:34What was it you said to her yesterday?
0:03:34 > 0:03:37I asked her some questions, that is all.
0:03:37 > 0:03:39'Mr Webster said you started interrogating her,
0:03:39 > 0:03:41'asking questions in French.'
0:03:41 > 0:03:43And then right after you upset her,
0:03:43 > 0:03:46she climbed out the window and went missing for three hours.
0:03:46 > 0:03:49Only to return and take her own life.
0:03:50 > 0:03:52'But this doesn't make any sense.'
0:03:52 > 0:03:55She was gone for three hours. Where did she go?
0:03:56 > 0:03:59We don't know. She didn't say.
0:03:59 > 0:04:01Coming to terms with what she was about to do, maybe.
0:04:02 > 0:04:04'So, you said you were in Paris.'
0:04:04 > 0:04:06Not for long. I will be back today.
0:04:47 > 0:04:49# Oh, my love
0:04:49 > 0:04:53# We pray each day
0:04:53 > 0:04:57# May you come home
0:04:57 > 0:05:01# And be OK
0:05:08 > 0:05:13# For now we wait for you
0:05:13 > 0:05:18# For you to come home. #
0:05:34 > 0:05:35You should've stayed away.
0:05:35 > 0:05:37You're not part of this investigation.
0:05:37 > 0:05:41And before you ask, we're running DNA to confirm the ID,
0:05:41 > 0:05:43a familial match against the parents.
0:05:43 > 0:05:46There's nothing more to be done here. By either of us.
0:05:46 > 0:05:49Sophie may still be out there, she may still be alive.
0:05:49 > 0:05:51Kristian Herz isn't talking.
0:05:51 > 0:05:53And from what Alice said - Sophie didn't have a chance.
0:05:53 > 0:05:56That is only if we believe everything Alice Webster told us.
0:05:59 > 0:06:02We'll never get the chance to question her, will we?
0:06:02 > 0:06:05Not after you went there, and started throwing accusations at her.
0:06:05 > 0:06:07The time for blame will come, Sergeant.
0:06:07 > 0:06:10For now, all that matters is the truth.
0:06:10 > 0:06:11Why did the girl take her own life?
0:06:11 > 0:06:15Where did she go for three hours? If we can understand this...
0:06:15 > 0:06:18How can we ever understand what Alice went through?
0:06:18 > 0:06:19What that does to a person?
0:06:19 > 0:06:22There is more at play in this case than we know.
0:06:22 > 0:06:25If I was just allowed to speak with Kristian Herz, please.
0:06:25 > 0:06:26He's in custody.
0:06:26 > 0:06:29We'll keep pushing him to tell us where Sophie is,
0:06:29 > 0:06:30but we don't need your help.
0:06:30 > 0:06:32Go home.
0:06:34 > 0:06:35Sir, this way, please.
0:06:48 > 0:06:50Matthew! Where have you been? I've been calling.
0:06:50 > 0:06:52I was there till the fire went out.
0:06:52 > 0:06:54Then...
0:06:54 > 0:06:55I don't know, I was just...
0:06:58 > 0:06:59She's gone.
0:07:04 > 0:07:05HE SOBS
0:07:14 > 0:07:15How's Dad?
0:07:17 > 0:07:20The doctors said the burns are worst on his back.
0:07:20 > 0:07:23They cleaned him up in the emergency room,
0:07:23 > 0:07:25and now he's on painkillers and antibiotics.
0:07:25 > 0:07:27He's going to be all right.
0:07:27 > 0:07:32I'm sorry. She asked me. She begged me. I didn't know...
0:07:33 > 0:07:35I don't know how it happened. I never meant...
0:07:35 > 0:07:37MURMURING
0:07:41 > 0:07:43What's that?
0:07:45 > 0:07:46What did you say, love?
0:07:50 > 0:07:51Get out.
0:07:58 > 0:08:01No, Matthew... Matthew!
0:08:16 > 0:08:20She had brown hair, an English girl, 21 or so.
0:08:20 > 0:08:23She would be here buying petrol in a canister.
0:08:23 > 0:08:25Yes. Yes, I see this woman. She wears a...
0:08:25 > 0:08:28A hat. Like a baseball cap?
0:08:28 > 0:08:29Did you see where she came from?
0:08:29 > 0:08:32Through those trees. No car.
0:08:32 > 0:08:35But...this is what I tell your colleague just now.
0:08:47 > 0:08:49What is it they say? Great minds?
0:08:49 > 0:08:51Perhaps - once upon a time.
0:08:51 > 0:08:53Do not be so modest. I googled you.
0:08:53 > 0:08:55No-one is safe any more.
0:08:55 > 0:08:58Well, I am glad someone else feels it is worthwhile tracking
0:08:58 > 0:09:00Alice Webster's movements yesterday.
0:09:00 > 0:09:03Three hours to be gone is a long time.
0:09:03 > 0:09:06The Bundespolizei were all over Eckhausen looking for her.
0:09:06 > 0:09:09Which suggests she did not want to be found.
0:09:09 > 0:09:13The girl was hiding something. This was her last stop before home.
0:09:13 > 0:09:14So the question is...
0:09:14 > 0:09:17What she did in the two hours before she came to the petrol station.
0:09:17 > 0:09:19May I?
0:09:21 > 0:09:26So. The average walking speed is 2.8mph.
0:09:26 > 0:09:30She went through that field. That way lies Eckhausen.
0:09:30 > 0:09:33So...there is the search zone.
0:09:33 > 0:09:36Are there any cameras in Eckhausen?
0:09:36 > 0:09:39CCTV, security, traffic?
0:09:39 > 0:09:42Well, not as many as in Paris, but, yes. We have some.
0:09:42 > 0:09:43We start there.
0:09:43 > 0:09:45We? Together?
0:09:45 > 0:09:48If everyone helps to hold up the sky,
0:09:48 > 0:09:50then one person doesn't get tired.
0:09:53 > 0:09:55And you say you are not a great mind.
0:09:57 > 0:10:00Sadly I cannot take credit for that.
0:10:00 > 0:10:02Do you know who said it?
0:10:02 > 0:10:04Who?
0:10:04 > 0:10:05Google it.
0:10:26 > 0:10:27Mr Herz.
0:10:29 > 0:10:31It's funny.
0:10:32 > 0:10:35There isn't a speck of dust on this floor.
0:10:38 > 0:10:41They clean my cell more than I clean my own house.
0:10:41 > 0:10:44It's not the place that's filthy.
0:10:47 > 0:10:49Why are you here?
0:10:49 > 0:10:53Your wife... she was attacked last night.
0:10:55 > 0:10:58She... Is she...?
0:10:58 > 0:11:00She's in a coma.
0:11:03 > 0:11:04Can I see her?
0:11:04 > 0:11:07Not unless you tell us where Sophie Giroux is.
0:11:10 > 0:11:13But...how can I? I don't know anything.
0:11:20 > 0:11:24It's funny, you almost make yourself seem human.
0:11:27 > 0:11:30Maybe if you confessed, someone wouldn't have gone after her.
0:11:30 > 0:11:33Maybe she'd still have her teeth.
0:11:33 > 0:11:35HE SOBS
0:11:51 > 0:11:54Christ. How many photos did you go through?
0:11:54 > 0:11:57There must have been thousands.
0:11:57 > 0:12:00This girl's face is a blur... her hair's all over the place.
0:12:00 > 0:12:02It's my daughter.
0:12:02 > 0:12:04The picture's really not that clear.
0:12:04 > 0:12:05I want to go there. To the park.
0:12:05 > 0:12:08Maybe somebody saw the two of them together. Maybe somebody...
0:12:08 > 0:12:12Are you saying that the girl who came back - the girl you took
0:12:12 > 0:12:15into your house - are you saying that wasn't your daughter?
0:12:15 > 0:12:18We wanted to believe it. OK?
0:12:18 > 0:12:23We wanted to believe it so badly that we just...shut our eyes.
0:12:23 > 0:12:24Mrs Webster...
0:12:24 > 0:12:27But a part of me knew. The way she talked.
0:12:28 > 0:12:29The look in her eye.
0:12:33 > 0:12:36He could see it. That detective, Baptiste.
0:12:36 > 0:12:40Even if it was true - how does it help us now?
0:12:40 > 0:12:43I don't know. But it must mean something.
0:12:45 > 0:12:49I'd go myself, but no-one's going to listen to me.
0:12:49 > 0:12:52I have no authority outside the Army.
0:12:52 > 0:12:55But you know what to look for. You know who to ask.
0:12:57 > 0:13:01My dad's nurse quit. I've got no-one to look after him.
0:13:03 > 0:13:04I'm sorry.
0:13:14 > 0:13:16The garrison's only up the road,
0:13:16 > 0:13:20I suppose I could get someone to...come by.
0:13:22 > 0:13:24Thank you.
0:13:29 > 0:13:31So, will your husband be joining us?
0:13:34 > 0:13:38No. I didn't tell Sam. We don't talk about Alice.
0:13:40 > 0:13:43We don't talk about anything much these days.
0:13:43 > 0:13:46- 'O'Sullivan.' - Hi, it's Eve Stone.
0:13:46 > 0:13:49- 'How can I help?' - Yeah, I need a favour...
0:13:53 > 0:13:55GUNFIRE AND SHOUTING
0:14:04 > 0:14:08Julien! We've got to keep moving. We need to go.
0:14:08 > 0:14:10Out into the crossfire?
0:14:11 > 0:14:14The Peshmerga has started to fall back. We should go.
0:14:16 > 0:14:23The question is to risk our lives on...on fate or chance.
0:14:27 > 0:14:32It's hard not to think of those girls, kept in that basement.
0:14:32 > 0:14:34Scared of the world outside.
0:14:37 > 0:14:40Somebody builds a wall around you, and...
0:14:42 > 0:14:45..soon you start to build your own.
0:14:45 > 0:14:47GUNFIRE CONTINUES
0:14:52 > 0:14:54EXPLOSION
0:14:54 > 0:14:56We have to go. Come on!
0:15:04 > 0:15:06EXPLOSION
0:15:18 > 0:15:21You two, over here. This way, move! Go! Go!
0:15:29 > 0:15:30SCREAMING
0:15:40 > 0:15:43Staff Sergeant Eve Stone, of the Military Police out of Eckhausen.
0:15:43 > 0:15:46We called ahead. We're meeting Dieter Ackermann?
0:15:49 > 0:15:51Ich habe hier zwei frauen fur Sie.
0:15:51 > 0:15:52INDISTINCT REPLY
0:15:54 > 0:15:57OK. He's just coming.
0:15:57 > 0:15:58Thank you.
0:16:15 > 0:16:17- Sergeant Stone? - PHONE RINGS
0:16:17 > 0:16:19Hello.
0:16:19 > 0:16:20So sorry, excuse me.
0:16:23 > 0:16:25Stone?
0:16:25 > 0:16:28'It's O'Sullivan. Look, I know I said I'd look in on your father,
0:16:28 > 0:16:30'but I've been called to a disturbance.'
0:16:32 > 0:16:34I understand. Don't worry about it.
0:16:46 > 0:16:47PHONE RINGS
0:16:53 > 0:16:54Hey.
0:16:54 > 0:16:56'Sam.'
0:16:56 > 0:16:57We still meeting later?
0:16:57 > 0:17:00'It's not about that. It's my dad.'
0:17:00 > 0:17:04I need you to...go round to my house and keep an eye on him.
0:17:04 > 0:17:06I thought that wasn't what this is.
0:17:08 > 0:17:11'His nurse quit. He can't look after himself.'
0:17:11 > 0:17:13Why can't you do it? I'm working on the car.
0:17:14 > 0:17:15I just can't.
0:17:17 > 0:17:18OK?
0:17:20 > 0:17:21Please.
0:17:23 > 0:17:25Yeah, all right. I'll go round now.
0:17:25 > 0:17:26Thank you.
0:17:35 > 0:17:38I'm sorry. The rollercoaster is the only ride we do with...
0:17:38 > 0:17:40photographs. You understand?
0:17:40 > 0:17:43What about CCTV? Security cameras?
0:17:43 > 0:17:45We have dummies, but they do not film.
0:17:45 > 0:17:46We are small, privately run...
0:17:46 > 0:17:48There must be something.
0:17:48 > 0:17:50I'm sorry. I do not...
0:17:50 > 0:17:51Thank you, anyway.
0:17:53 > 0:17:55We should go. My dad's...
0:17:55 > 0:18:00Well...maybe if we ask around? Maybe somebody saw something.
0:18:00 > 0:18:02Isn't it worth trying? Just in case?
0:18:05 > 0:18:07Sure. OK. Let's ask.
0:18:08 > 0:18:10Thank you.
0:18:12 > 0:18:13TV ON
0:18:43 > 0:18:44Hello.
0:18:48 > 0:18:49Hi.
0:19:07 > 0:19:08GUNFIRE
0:19:14 > 0:19:15We need to keep moving.
0:19:15 > 0:19:18- OK.- Let's go. Go go go go!
0:19:33 > 0:19:35Come on. Julien...
0:19:37 > 0:19:39No, no, no. Julien, it's the Peshmerga.
0:19:39 > 0:19:41HE SPEAKS TO HIM IN KURDISH
0:19:47 > 0:19:52Come away. Julien, that's fine. The Peshmerga. The Peshmerga, OK?
0:20:39 > 0:20:40ENGINE STARTS
0:20:50 > 0:20:52To the airport, yes?
0:20:52 > 0:20:54- Yeah.- Going somewhere nice?
0:20:54 > 0:20:55Going somewhere else.
0:21:03 > 0:21:05INAUDIBLE CONVERSATION
0:21:24 > 0:21:25How are you feeling?
0:21:29 > 0:21:33If she hadn't walked out of that basement she might be alive today.
0:21:36 > 0:21:38And what kind of life would that be?
0:21:52 > 0:21:53They're saying she did it.
0:21:56 > 0:21:58She took the petrol in there. They found a canister.
0:22:01 > 0:22:04- She killed herself. - She was locked in!
0:22:04 > 0:22:06Even if she had second thoughts, maybe...
0:22:06 > 0:22:09- We can't think like that, it's... - I can think the way I want. - ..poisonous.
0:22:11 > 0:22:15How could he do that? How could he lock her in there? After all she'd been through.
0:22:15 > 0:22:17Sam, it is not Matthew's fault...
0:22:17 > 0:22:18He knows what he did.
0:22:21 > 0:22:22You both do.
0:22:24 > 0:22:25What do you mean?
0:22:25 > 0:22:28She came home, she needed support. She needed her family.
0:22:28 > 0:22:30- She was so different... - You called her a liar!
0:22:32 > 0:22:33That is not what I said.
0:22:33 > 0:22:37She heard what you said, Gemma, and that's why she did it.
0:22:37 > 0:22:39That's why she killed herself.
0:22:53 > 0:22:54Do you remember, when she was born,
0:22:54 > 0:22:57how long it took her to get off to sleep?
0:22:57 > 0:23:01No. Cos you weren't there. It was me.
0:23:01 > 0:23:05It was me, holding her. Night after night, singing to her.
0:23:05 > 0:23:08Holding on to her little hand.
0:23:08 > 0:23:10I know my daughter!
0:23:10 > 0:23:13And that girl, that girl that came back?
0:23:13 > 0:23:16That was not her... that was not my Alice!
0:23:16 > 0:23:18NO! Don't you DARE!
0:23:18 > 0:23:21Don't you DARE say that to me now!
0:23:21 > 0:23:23Don't you dare say that to me...
0:23:38 > 0:23:42Hey. Thanks for meeting me. I got you one of these.
0:23:42 > 0:23:44No caffeine.
0:23:44 > 0:23:46Of course. Remind me never to get pregnant.
0:23:49 > 0:23:54I got a call from a journalist asking about Alice Webster.
0:23:55 > 0:23:57Jesus.
0:23:57 > 0:24:01It's out there now. It's going to be a global news piece.
0:24:01 > 0:24:04The press are onto Nadia Herz's assault. They're joining the dots.
0:24:04 > 0:24:07Asking if Matthew Webster could have been involved.
0:24:07 > 0:24:10I said no comment, but...
0:24:10 > 0:24:12If they're not given a story, they make one up.
0:24:12 > 0:24:13I know.
0:24:14 > 0:24:17So...what do you want me to do?
0:24:17 > 0:24:20Talk to the families. Get drafting a statement.
0:24:22 > 0:24:24Yeah...right, right.
0:24:24 > 0:24:25I know, it's the last thing they need right now.
0:24:25 > 0:24:28But I'd rather they control the story here.
0:24:28 > 0:24:30In the meantime, I'll speak to Matthew Webster.
0:24:30 > 0:24:34- Of course.- I don't want them getting sandbagged by questions.
0:24:34 > 0:24:36Not after what's happened to them.
0:24:53 > 0:24:55Mrs Webster?
0:24:57 > 0:24:59Adam Gettrick from the Army Press Office.
0:25:03 > 0:25:04They know, don't they?
0:25:06 > 0:25:08About Alice?
0:25:10 > 0:25:11Not for sure.
0:25:15 > 0:25:17But they know something's going on.
0:25:18 > 0:25:22I don't know how - someone in the hospital,
0:25:22 > 0:25:26or...one of the German police speaking out of turn...
0:25:30 > 0:25:33Everyone stops to watch the car crash, don't they?
0:25:35 > 0:25:37See the blood on the road.
0:25:39 > 0:25:42We should think about making a statement.
0:25:45 > 0:25:46I can draft something.
0:25:46 > 0:25:47If that would help.
0:25:50 > 0:25:52I don't want to talk about it.
0:25:58 > 0:25:59Mrs Webster...
0:26:01 > 0:26:04..if we don't make a statement...
0:26:04 > 0:26:06they won't leave you alone.
0:26:06 > 0:26:08I said I don't want to talk about her.
0:26:31 > 0:26:32SWEET WRAPPER CRINKLES
0:26:37 > 0:26:39I thought with this kind of time-frame it wouldn't take
0:26:39 > 0:26:41so long to find something.
0:26:41 > 0:26:45It depends if there is anything to find.
0:26:53 > 0:26:55It's like waiting for Hilde to talk.
0:27:00 > 0:27:01What?
0:27:05 > 0:27:08When I was a child, my mother bought me a parrot.
0:27:08 > 0:27:10Hilde, it was called.
0:27:11 > 0:27:15Every day, I come home from school, waiting for this bird to say a word.
0:27:16 > 0:27:18And every day...nothing.
0:27:20 > 0:27:23So, waiting for Hilde to talk, we used to say.
0:27:25 > 0:27:26And did she ever talk?
0:27:27 > 0:27:28Not a word.
0:27:31 > 0:27:35When I first began this job, I thought it would all be exciting.
0:27:35 > 0:27:37I soon realised what it was -
0:27:37 > 0:27:40sifting through the earth, grain by grain.
0:27:48 > 0:27:50But the devil is in the detail,
0:27:50 > 0:27:52and...
0:27:52 > 0:27:53What?
0:27:57 > 0:28:00Sometimes Hilde talks.
0:28:00 > 0:28:01Go back, please.
0:28:03 > 0:28:06There. There she is.
0:28:06 > 0:28:07Go forward.
0:28:13 > 0:28:15There are no other cameras?
0:28:15 > 0:28:17With a view that leads on from here?
0:28:17 > 0:28:19Can you play it slowly?
0:28:27 > 0:28:28Where was she going?
0:28:35 > 0:28:37You should not be here.
0:28:37 > 0:28:39It was your units. Your men brought us here.
0:28:39 > 0:28:43Rat-a-tat-a-tat. You get shot. Understand?
0:28:43 > 0:28:44Yes.
0:28:44 > 0:28:46ISIL, they will come back.
0:28:46 > 0:28:48They come back... and you get shot.
0:28:48 > 0:28:50I understand.
0:28:50 > 0:28:53- We get it. - You too. Rat-a-tat-a-tat.
0:28:57 > 0:28:59We just wish to return to Erbil.
0:29:01 > 0:29:05OK. We will arrange. Let's go.
0:29:05 > 0:29:08Come on, follow me. Let's go.
0:29:21 > 0:29:22Was it worth it?
0:29:24 > 0:29:26Excuse me?
0:29:26 > 0:29:29Coming all this way. Nearly getting killed.
0:29:29 > 0:29:32I told myself I wouldn't rest until I find the man who took
0:29:32 > 0:29:34Sophie Giroux and Alice Webster.
0:29:36 > 0:29:38Well, I'm sorry that all this was for nothing.
0:29:40 > 0:29:41Perhaps.
0:29:43 > 0:29:45Daniel said his father was sending money
0:29:45 > 0:29:47to a man called Mirza Barzani.
0:29:47 > 0:29:48PHONE DIALS
0:29:48 > 0:29:51I think we should find out why.
0:29:51 > 0:29:53'Hello, Detective Lenhart.'
0:29:53 > 0:29:55Jorn, it's Baptiste.
0:29:55 > 0:29:58- 'Julien.'- I need your help finding someone.
0:30:09 > 0:30:12How are you doing, sir? Can I get you anything?
0:30:16 > 0:30:20Captain Webster. Honourable Tank Regiment.
0:30:22 > 0:30:23Yes, sir. That's me.
0:30:23 > 0:30:28Your boys came under fire in 2010. Basra.
0:30:28 > 0:30:30Yes, sir. I was on patrol.
0:30:32 > 0:30:33Three souls.
0:30:37 > 0:30:40I'm sorry about what happened to your daughter.
0:30:51 > 0:30:52Thank you.
0:30:55 > 0:31:00She was very young...I remember.
0:31:01 > 0:31:03Taken outside the school.
0:31:05 > 0:31:08She was... She liked spiders.
0:31:09 > 0:31:12An alternative sort.
0:31:12 > 0:31:14She was called...
0:31:14 > 0:31:15She was...
0:31:17 > 0:31:20Alice.
0:31:20 > 0:31:22Alice Webster. Yes.
0:31:24 > 0:31:25I wouldn't forget that, Captain.
0:31:30 > 0:31:33I wonder if they'll ever find out what happened to her.
0:31:42 > 0:31:43She died, sir.
0:31:48 > 0:31:50Took her own life.
0:32:04 > 0:32:08What makes you think you're fit to join the military, then, son?
0:32:46 > 0:32:48SCREAMS AND LAUGHTER
0:32:48 > 0:32:49FAIRGROUND RIDE RATTLES
0:33:04 > 0:33:07- You've never seen either of these girls?- No.
0:33:07 > 0:33:08Are you sure?
0:33:08 > 0:33:10Sorry.
0:33:10 > 0:33:12Thank you.
0:33:12 > 0:33:14So you haven't seen either of these girls?
0:33:14 > 0:33:17- They might have been with an older man?- No, I'm sorry.
0:33:24 > 0:33:26- No, I'm sorry.- None of them? - No, I'm sorry.
0:33:32 > 0:33:35- Nothing? - Sorry.
0:33:42 > 0:33:44I know you think this whole thing is pointless.
0:33:44 > 0:33:46I didn't say that.
0:33:49 > 0:33:50You didn't have to.
0:33:51 > 0:33:55But the thing is you do anything for your kids, absolutely anything.
0:34:05 > 0:34:10Have you ever thought about having kids? A family of your own?
0:34:13 > 0:34:16It just...never happened. Always moving around.
0:34:17 > 0:34:19Maybe one day.
0:34:19 > 0:34:21Not... God knows when.
0:34:28 > 0:34:29Well.
0:34:31 > 0:34:33We all find a way to survive, don't we?
0:34:43 > 0:34:45It's all right. All right, stand up.
0:34:48 > 0:34:49There you go.
0:34:51 > 0:34:54- I'm sorry, I... - It's fine.
0:34:56 > 0:34:57I'll be back in a minute.
0:35:19 > 0:35:21WATER RUNS
0:35:22 > 0:35:23I don't know what happened.
0:35:23 > 0:35:26It's fine, honestly, don't think about it. Really.
0:35:28 > 0:35:29You're a good lad.
0:35:33 > 0:35:34No, I'm not.
0:35:37 > 0:35:39Let's find you something to wear, shall we?
0:36:11 > 0:36:13She always wanted a family.
0:36:15 > 0:36:18It hit her hard, you know?
0:36:42 > 0:36:45Park's closing up. We should be heading off.
0:36:50 > 0:36:52He's been happier recently, you know.
0:36:53 > 0:36:56- What? - Sam.
0:36:56 > 0:36:58He's been happier.
0:36:58 > 0:36:59Lately.
0:37:02 > 0:37:03Right?
0:37:05 > 0:37:06I don't...
0:37:09 > 0:37:11Come on.
0:37:24 > 0:37:25I'm sorry.
0:37:27 > 0:37:30You know, when Alice was taken...
0:37:30 > 0:37:32we fell apart at the seams.
0:37:33 > 0:37:35All three of us. Together.
0:37:37 > 0:37:39But it did make us stronger.
0:37:41 > 0:37:47It did, because what we lost in Alice we still had in each other.
0:37:49 > 0:37:53We had that love that you only keep for your family.
0:37:55 > 0:37:57And when she walked back into our lives...
0:37:59 > 0:38:01..we fell apart all over again.
0:38:07 > 0:38:08It just...
0:38:11 > 0:38:14- ..happened. - This isn't about you. Is it?
0:38:23 > 0:38:25Don't tell Sam I know, will you?
0:38:36 > 0:38:39- He still loves you. - Oh, right!
0:38:39 > 0:38:42Fine. Really.
0:38:43 > 0:38:45Well, even if that's true...
0:38:47 > 0:38:48..what does it bloody matter?
0:39:00 > 0:39:02Julien?
0:39:04 > 0:39:05Julien.
0:39:06 > 0:39:08Julien, are you OK?
0:39:11 > 0:39:13Sometimes I get headaches.
0:39:14 > 0:39:17Your friend found Mirza Barzani fast.
0:39:19 > 0:39:20We should be there soon.
0:39:30 > 0:39:31'Julien?'
0:39:35 > 0:39:37IN FRENCH:
0:40:00 > 0:40:02CHOIR SINGS
0:40:09 > 0:40:11I wonder if you can help us.
0:40:11 > 0:40:13We're trying to find this girl.
0:40:13 > 0:40:17She might have passed here yesterday between four and six o'clock.
0:40:17 > 0:40:19Oh, yeah, I remember her. She came in here.
0:40:19 > 0:40:22She did? What did she want?
0:40:22 > 0:40:23Statice flowers. 12 of them.
0:40:23 > 0:40:29Purple. And then she asked me the way to the graveyard,
0:40:29 > 0:40:30of course.
0:40:30 > 0:40:31Why "of course"?
0:40:32 > 0:40:34These are flowers for remembrance.
0:40:34 > 0:40:38Usually we put these on a grave, you see, so...
0:40:41 > 0:40:43She seemed so sad, this girl.
0:40:48 > 0:40:49INDISTINCT TANNOY ANNOUNCEMENT
0:41:18 > 0:41:19JOURNALISTS CLAMOUR
0:41:32 > 0:41:33Matthew?
0:41:36 > 0:41:37Do you mind if I sit down?
0:41:48 > 0:41:53Matthew, Kristian Herz' wife, Nadia, was found
0:41:53 > 0:41:55beaten half to death last night.
0:41:55 > 0:41:58She's in the ICU in a coma right now.
0:41:59 > 0:42:01OK.
0:42:01 > 0:42:03It's unlikely to be a coincidence
0:42:03 > 0:42:06that the wife of the man who abducted your sister
0:42:06 > 0:42:08be brutally beaten the day of his arrest.
0:42:10 > 0:42:13You think... You think it was me?
0:42:13 > 0:42:15I didn't say that.
0:42:15 > 0:42:18But I'd like to know where you were last night.
0:42:20 > 0:42:23That man - Kristian - he's the one that took Alice.
0:42:23 > 0:42:25Why would I attack his wife? That doesn't make any sense.
0:42:25 > 0:42:28I'm not accusing you, Matthew. I'm on your side.
0:42:28 > 0:42:30- But if you know something... - How can you come here,
0:42:30 > 0:42:33- while my sister's just... - Matthew, just calm down.
0:42:33 > 0:42:36She's gone! I haven't done anything wrong. She done it to herself.
0:42:36 > 0:42:38Why can't you just leave us alone!
0:42:39 > 0:42:41SHE GASPS
0:42:41 > 0:42:44Oh, my God! I'm so sorry.
0:42:44 > 0:42:48I didn't mean to hurt you, honestly, I was just trying to get past.
0:42:48 > 0:42:49I'm fine.
0:42:49 > 0:42:53Sergeant Stone, I am so, so sorry. I'll find a doctor.
0:42:53 > 0:42:54- It's OK. - PHONE VIBRATES
0:42:59 > 0:43:00Hello?
0:43:03 > 0:43:06All right, thanks for letting me know.
0:43:10 > 0:43:11Where's your mum?
0:43:17 > 0:43:19Mrs Webster?
0:43:22 > 0:43:25The DNA results are back on the remains in your shed.
0:43:25 > 0:43:27We ran them against your husband.
0:43:30 > 0:43:32It's a confirmed match with your daughter.
0:43:37 > 0:43:38It's...
0:43:40 > 0:43:41It's really Alice?
0:43:45 > 0:43:48It's really my Alice, you're sure?
0:43:50 > 0:43:52I'm sorry, but yes.
0:43:54 > 0:43:55I just... I thought you should know.
0:45:28 > 0:45:29Are you sure you're ready?
0:45:39 > 0:45:42Mrs Webster, Mrs Webster, where is Alice now?
0:45:42 > 0:45:45Mrs Webster...
0:45:45 > 0:45:46ALL CLAMOUR
0:45:48 > 0:45:50Mrs Webster will make a short statement.
0:45:50 > 0:45:51There will be no questions.
0:45:55 > 0:46:00My daughter, Alice Webster, was abducted in 2003.
0:46:03 > 0:46:07And four days ago, she came back to us.
0:46:12 > 0:46:16I know there'll be a lot written about this - what happened to
0:46:16 > 0:46:19my daughter is one of those things, one of those...
0:46:19 > 0:46:24horrible things that you read about in the newspaper and you say,
0:46:24 > 0:46:25"That's awful."
0:46:26 > 0:46:31But really you're thinking... "I'm glad it's not me."
0:46:34 > 0:46:37And no matter what gets written...
0:46:37 > 0:46:39you'll never understand...
0:46:41 > 0:46:43..what it's like to resign yourself
0:46:43 > 0:46:46to never seeing someone you love ever again.
0:46:51 > 0:46:52And when they come back...
0:46:55 > 0:46:56..you can't believe it.
0:47:00 > 0:47:01I couldn't.
0:47:04 > 0:47:05It was her, and...
0:47:07 > 0:47:10..I just couldn't believe it.
0:47:17 > 0:47:23My daughter...wasn't just....
0:47:23 > 0:47:25a name for your headlines.
0:47:28 > 0:47:29She was a girl.
0:47:32 > 0:47:33She was our girl.
0:47:36 > 0:47:39And we loved her.
0:47:39 > 0:47:41- Mrs Webster...- Mrs Webster, do you know who found her?
0:47:41 > 0:47:43As I said, no questions.
0:47:43 > 0:47:44ALL CLAMOUR
0:47:55 > 0:47:56Julien?
0:47:59 > 0:48:01Julien?
0:48:04 > 0:48:05Julien?
0:48:07 > 0:48:08Did you not hear me shout?
0:48:08 > 0:48:12I was miles away, forgive me. These places, well...
0:48:13 > 0:48:17Some find them to be peaceful. Myself, I find it hard.
0:48:17 > 0:48:21All these lives, laid bare - everything they stood for
0:48:21 > 0:48:23reduced to a few words on a tombstone.
0:48:23 > 0:48:25A novel abridged to a haiku.
0:48:28 > 0:48:30I think I have found the flowers.
0:48:32 > 0:48:34They look fresh, too, unlike the others.
0:48:34 > 0:48:36They could have been bought yesterday.
0:48:37 > 0:48:42So she runs from her family, disappears without a word.
0:48:42 > 0:48:45And while the entire police department searches for her,
0:48:45 > 0:48:49she finds the time to buy flowers and visit a grave
0:48:49 > 0:48:52before going home to do what she did.
0:48:56 > 0:48:58Who is this man?
0:48:58 > 0:48:59Henry Reed.
0:49:00 > 0:49:04And why did she need to see him before she took her own life?
0:49:43 > 0:49:45HE SPEAKS KURDISH
0:49:48 > 0:49:49Mirza Barzani?
0:49:53 > 0:49:56HE SPEAKS KURDISH
0:49:57 > 0:49:59Do you speak English?
0:49:59 > 0:50:02Bristol University. Three years.
0:50:02 > 0:50:04Our exhibits are displayed in chronological order,
0:50:04 > 0:50:07starting with the Palaeolithic age, down there...
0:50:07 > 0:50:11moving into the ancient civilisations of Mesopotamia
0:50:11 > 0:50:14and ending on the right side in the period of Abbasid.
0:50:14 > 0:50:16Although, I can see from your faces
0:50:16 > 0:50:19you do not seem interested in what the past has to offer...
0:50:19 > 0:50:23Far from it. The past is exactly the reason we are here.
0:50:23 > 0:50:25Only not this far back.
0:50:25 > 0:50:28A man who was living in Germany would send regular payments to you.
0:50:28 > 0:50:31His name was Henry Reed.
0:50:31 > 0:50:33We are trying to find out why.
0:50:34 > 0:50:35Henry Reed.
0:50:36 > 0:50:39You are not the first person to come and ask about him.
0:50:39 > 0:50:42You spoke to his son Daniel over a year ago or so.
0:50:42 > 0:50:44And I will tell you the same thing that I told him.
0:50:44 > 0:50:47Henry Reed made those payments out of guilt.
0:50:48 > 0:50:50Guilt? For what?
0:50:51 > 0:50:53For what they did to my sister.
0:50:55 > 0:50:57She was only nine years old.
0:50:57 > 0:51:01And this Henry Reed thinks money will, what? Make it better?
0:51:01 > 0:51:03Bring her to life? They killed MY father...
0:51:03 > 0:51:05Mr Barzani, please. Slow down.
0:51:05 > 0:51:09Would you mind to tell me everything you know, from the beginning?
0:51:12 > 0:51:14In 1991, I was just a boy.
0:51:14 > 0:51:17That's when they came to my village...
0:51:18 > 0:51:19Who?
0:51:19 > 0:51:23Henry Reed. And his Army friend.
0:51:23 > 0:51:24A man called Stone.
0:51:46 > 0:51:47(How was he?)
0:51:47 > 0:51:48(Yeah, he's fine.)
0:51:50 > 0:51:51Thank you.
0:51:51 > 0:51:52It's fine.
0:51:54 > 0:51:55Where did you go?
0:51:57 > 0:51:59Just...work. Something came up.
0:52:04 > 0:52:06Look, um...
0:52:07 > 0:52:10Your dad had a bit of an accident.
0:52:10 > 0:52:12I went into one of the drawers in your bedroom,
0:52:12 > 0:52:14just looking for something for him to wear...
0:52:14 > 0:52:16- I'm sorry.- No, I'm sorry.
0:52:18 > 0:52:20I, uh...
0:52:20 > 0:52:24I found the pictures. You know, the scans, of the baby...
0:52:25 > 0:52:27So?
0:52:27 > 0:52:28So it's a huge part of your life
0:52:28 > 0:52:31and we've never really talked about it.
0:52:34 > 0:52:37And I just think maybe you should be with someone else.
0:52:37 > 0:52:38You know...
0:52:38 > 0:52:40Someone who can give you what you want.
0:52:40 > 0:52:42You don't know what I need.
0:52:45 > 0:52:48It's not like we haven't been honest with each other.
0:52:50 > 0:52:51We needed each other.
0:52:53 > 0:52:56Someone to hold on to in the middle of all the...
0:52:59 > 0:53:00But now...
0:53:03 > 0:53:04I'm sorry, I'm not good at this.
0:53:04 > 0:53:06It's fine.
0:53:08 > 0:53:09I've been thinking the same.
0:53:11 > 0:53:14It's not right, what we've been doing. We need to stop.
0:53:24 > 0:53:29The doc says that me and Gemma could go back to England.
0:53:29 > 0:53:31Make a fresh start.
0:53:33 > 0:53:34I wonder whether he's right.
0:53:38 > 0:53:40You've been through it, you two.
0:53:42 > 0:53:44You deserve to be happy.
0:54:02 > 0:54:04Julien. Julien.
0:54:07 > 0:54:09I think the flight's on time. You should check in.
0:54:10 > 0:54:13Thank you again. For all your help.
0:54:13 > 0:54:15I'd say it was my pleasure, but...
0:54:17 > 0:54:21You know you should go home. You can have that operation.
0:54:21 > 0:54:23Not just run and hide from it.
0:54:23 > 0:54:27Says the man who refuses to go home, even when asked by his employer.
0:54:27 > 0:54:30I know. I know. But that's different.
0:54:30 > 0:54:33You know, I've had chemotherapy. Radiotherapy too.
0:54:33 > 0:54:38I have had hope and had it snatched from me all in the same week.
0:54:38 > 0:54:42In truth, I'm tired. Perhaps I've had my time.
0:54:43 > 0:54:46But if there is a chance the real Alice Webster is still alive
0:54:46 > 0:54:49I must do everything in my power to find her.
0:54:50 > 0:54:52To do nothing or do something, right?
0:54:52 > 0:54:55Yes. It's no choice at all.
0:54:57 > 0:54:59Goodbye.
0:54:59 > 0:55:01Farewell, my friend, good luck.
0:55:03 > 0:55:04RINGING TONE
0:55:09 > 0:55:11'Hello?'
0:55:11 > 0:55:12Hello, Eve, it's Gemma.
0:55:14 > 0:55:17'I know this is awkward, but there's no-one else I can...'
0:55:17 > 0:55:18Can we meet? Tonight.
0:55:18 > 0:55:21'I can't. I'm with my dad.'
0:55:22 > 0:55:24Tomorrow morning?
0:55:24 > 0:55:26What is it? What's it about?
0:55:28 > 0:55:31You know what I said earlier on about not seeing something
0:55:31 > 0:55:33that's right in front of you.
0:55:33 > 0:55:34Well, I was right.
0:55:36 > 0:55:38We weren't looking hard enough, Eve.
0:55:40 > 0:55:42There was another girl.
0:56:37 > 0:56:39Voila.
0:56:40 > 0:56:42TRANSLATED FROM FRENCH:
0:57:38 > 0:57:40I'm afraid I'm taken.