0:00:02 > 0:00:04This programme contains some strong language.
0:00:04 > 0:00:07- I was just a boy when they came to my village.- Who?- Henry Reed.
0:00:07 > 0:00:10- With his army friend, a man called Stone.- It's Brigadier now, Nadia.
0:00:10 > 0:00:12Sorry - force of habit.
0:00:12 > 0:00:13Do you know Mrs Herz?
0:00:13 > 0:00:17I have had the pleasure. Back in Iraq, she was a mess.
0:00:17 > 0:00:19Who was with you? Who was it, Mr Stone?
0:00:19 > 0:00:21Give me the name!
0:00:21 > 0:00:23IN GERMAN:
0:00:23 > 0:00:26He attacked me. He hurt me.
0:00:26 > 0:00:28He was confused.
0:00:28 > 0:00:33I found pictures, Kristian. Pictures of the girl.
0:00:33 > 0:00:36People need to know who you are.
0:00:36 > 0:00:39No-one here believes a word you say. What are you doing?
0:00:39 > 0:00:42I couldn't lie in a hospital, waiting for the devil to take me.
0:00:44 > 0:00:48What did you do to my sister? Go on!
0:00:49 > 0:00:52You got hurt. You have fractured ribs. Don't try and move.
0:00:52 > 0:00:56You should come down to the station and turn yourself in.
0:00:56 > 0:00:57For what you did to my dad.
0:00:57 > 0:00:59'You're lost.'
0:00:59 > 0:01:02I am not lost, Miss Stone. I know exactly where I am.
0:01:02 > 0:01:05I believe that finding out the truth of what happened all those years ago
0:01:05 > 0:01:10in Iraq, will help explain why Alice Webster was taken.
0:01:10 > 0:01:12And, more importantly, who it was that took her.
0:01:13 > 0:01:15I'll tell you what I know.
0:01:20 > 0:01:25This was us back then. Me, Henry Reed, Adrian Stone.
0:01:27 > 0:01:28Christ.
0:01:30 > 0:01:33I don't even remember this photo being taken.
0:01:38 > 0:01:40Why do you keep looking out there?
0:01:40 > 0:01:42Please. Keep talking.
0:01:56 > 0:01:59Tell me what happened with Adrian Stone and Henry Reed.
0:02:00 > 0:02:03Stone talked about "the three of us". Who did he mean?
0:02:06 > 0:02:10You know what I'm talking about. Don't you, Mrs Herz?
0:02:11 > 0:02:14I have a witness. Still in Iraq. Mirza Barzani.
0:02:14 > 0:02:16I can take this to the military courts.
0:02:16 > 0:02:18I can take it to the press.
0:02:18 > 0:02:22But...time is not on my side. And I want the truth.
0:02:38 > 0:02:40I've never told anyone this.
0:02:41 > 0:02:44Then, is it not time that you did?
0:02:54 > 0:02:56My time in the Gulf was...difficult.
0:02:59 > 0:03:03I was promoted too soon, younger than most people I was commanding.
0:03:04 > 0:03:08Drinking the days away, not sleeping, wired.
0:03:09 > 0:03:14Years later, I was diagnosed with Gulf War Syndrome.
0:03:14 > 0:03:15But at the time...
0:03:16 > 0:03:21At the time, I just shut my mouth, like a good soldier.
0:03:23 > 0:03:24Ma'am.
0:03:24 > 0:03:27- Captains Stone and Reed to see you, ma'am.- Wait!
0:03:33 > 0:03:35Send them in.
0:03:35 > 0:03:38Captain Stone, the major will see you now.
0:03:43 > 0:03:44Yeah?
0:03:44 > 0:03:46Lieutenant Gettrick's been outside the wire four days now.
0:03:46 > 0:03:49We need to take some troops and look for him.
0:03:49 > 0:03:50He's gone walkabout.
0:03:50 > 0:03:52Isn't that what you're all doing? Going out and banging the locals
0:03:52 > 0:03:54before going home to your wives and girlfriends?
0:03:54 > 0:03:58- With respect...- With respect, Adrian, he's a big boy.
0:03:58 > 0:04:00He knows we're being relieved in two days.
0:04:00 > 0:04:02He'll come back when he remembers that and realises
0:04:02 > 0:04:03just how many STDs he's racked up.
0:04:03 > 0:04:05Last thing I need is even more of you buggering off
0:04:05 > 0:04:07to indulge yourselves.
0:04:07 > 0:04:09Stay put. That's a bloody order, OK?
0:04:09 > 0:04:10But, ma'am...
0:04:10 > 0:04:13I don't remember asking for your opinion, Captain Stone.
0:04:13 > 0:04:14Get out.
0:04:24 > 0:04:25Reed and Stone came to me for help,
0:04:25 > 0:04:27looking for Adam, and I...
0:04:28 > 0:04:29..I told them no.
0:04:32 > 0:04:35I thought he was out having fun like the rest of them.
0:04:38 > 0:04:39If I'd had any idea...
0:04:49 > 0:04:52The war was over, but it was far from safe.
0:04:54 > 0:04:56But Adrian was always a reckless bastard.
0:04:56 > 0:05:00He took Henry Reed and went out to find Adam Gettrick,
0:05:00 > 0:05:06against my orders, with no back up and only each other for protection.
0:05:06 > 0:05:07Relax.
0:05:07 > 0:05:08Why?
0:05:08 > 0:05:11First we jump the wire, then we nick a translator's car to do it.
0:05:11 > 0:05:14- You medics worry too much. - You don't worry enough.
0:05:22 > 0:05:23Do you even know where he went?
0:05:23 > 0:05:25It was a house he showed me on patrol.
0:05:25 > 0:05:29Girl he was seeing. We start there, find out what the girl knows.
0:06:25 > 0:06:27American? British?
0:06:27 > 0:06:29I'm Captain Stone. I'm looking for my friend of mine.
0:06:29 > 0:06:30Adam Gettrick.
0:06:33 > 0:06:34Leave it.
0:06:34 > 0:06:36I found him in bed with my daughter.
0:06:36 > 0:06:38You know how old my daughter?
0:06:38 > 0:06:4113. And I tell him get out. Just like I tell you.
0:06:43 > 0:06:45And he ran off.
0:06:45 > 0:06:47I tell him never come back.
0:06:52 > 0:06:54OK, then.
0:07:05 > 0:07:07Jesus.
0:07:07 > 0:07:08Did you see that tattoo on his hand?
0:07:08 > 0:07:10Republican Guard.
0:07:10 > 0:07:12So? The war's over.
0:07:13 > 0:07:15I'm just wondering.
0:07:15 > 0:07:18A guy like that finds Adam with his 13-year-old daughter
0:07:18 > 0:07:20and he just lets him go?
0:07:20 > 0:07:2213. Christ. Did you have any idea she was that young?
0:07:22 > 0:07:25- Of course I didn't! - 13's not much older than Eve.
0:07:25 > 0:07:28We can't take his word for it. Not someone like that.
0:07:29 > 0:07:31We need to get a look inside that house.
0:07:31 > 0:07:33For all we know, Adam could be shacked up with someone else.
0:07:33 > 0:07:37You saw how he acted back there. Do you really believe that?
0:07:38 > 0:07:40Look, if you're right,
0:07:40 > 0:07:43if that guy's done something with Adam,
0:07:43 > 0:07:44then...we're out on our own.
0:07:44 > 0:07:47Adam's one of us, Henry. If he's in trouble, he needs our help.
0:07:49 > 0:07:51I say we wait.
0:07:51 > 0:07:53Wait for our chance to get in.
0:07:53 > 0:07:56- How long?- As long as it takes.
0:08:00 > 0:08:03# Oh, my love
0:08:03 > 0:08:07# We pray each day
0:08:07 > 0:08:11# May you come home
0:08:11 > 0:08:15# And be OK
0:08:21 > 0:08:24# For now we'll wait
0:08:24 > 0:08:28# For you, for you
0:08:28 > 0:08:31# To come home. #
0:08:56 > 0:08:59DOOR OPENS
0:08:59 > 0:09:02THEY ARGUE
0:09:14 > 0:09:18Maybe we should go after her. Ask her about Adam.
0:09:18 > 0:09:19(Hold on.)
0:09:28 > 0:09:30I say now's our chance to get in there.
0:09:33 > 0:09:34While he's still inside?
0:09:36 > 0:09:38Well, he's not going anywhere and we need to get in!
0:09:38 > 0:09:40If Adam had really been turned away,
0:09:40 > 0:09:42he would have come back to camp by now.
0:09:44 > 0:09:47This is wrong. This is all wrong.
0:09:47 > 0:09:50That's why we're here. To make whatever this is right.
0:10:42 > 0:10:44(Come on!)
0:11:28 > 0:11:29Reed.
0:11:53 > 0:11:55Get the hell out!
0:11:55 > 0:11:56Back off, Stone.
0:12:44 > 0:12:46(Reed. Here.)
0:13:28 > 0:13:30Jesus.
0:13:43 > 0:13:45Oh, Jesus.
0:13:45 > 0:13:48Bloody hell, Gettrick. Let's get you out of here, eh?
0:13:59 > 0:14:02He's barely breathing. We need to check the extent of his injuries.
0:14:02 > 0:14:05- Help me put him on his side. - HE MOANS
0:14:06 > 0:14:08Can you hear me, Adam?
0:14:08 > 0:14:12- Stone?- I'm here. Me and Reed. You're going to be OK.
0:14:12 > 0:14:16CLANGING
0:14:27 > 0:14:30- FOOTSTEPS - Jesus Christ!
0:14:35 > 0:14:38MUMBLES: The key, he has it.
0:14:38 > 0:14:39He has it.
0:14:54 > 0:14:55- We need to get out of here. - I know!
0:14:57 > 0:14:58Get him on his feet.
0:15:10 > 0:15:11No-one can know we were here.
0:15:43 > 0:15:45ADAM GROANS AND YELLS
0:15:45 > 0:15:48She was 13! What the hell was he thinking?!
0:15:48 > 0:15:49Leave off!
0:15:49 > 0:15:53SOBS: Where...where is the rest of the unit?
0:15:53 > 0:15:56We went to Nadia. She ordered us to stay put.
0:15:56 > 0:15:58Come on. We've got to go!
0:15:58 > 0:15:59I've been gone four days!
0:15:59 > 0:16:01That bitch has slept through the last week, why...
0:16:01 > 0:16:03why would she give an order like that?
0:16:03 > 0:16:06Did she want me to die out here? Four fucking days!
0:16:06 > 0:16:08She should have had people looking for me.
0:16:08 > 0:16:10- She was supposed to protect us! - We have to get out of here!
0:16:19 > 0:16:21We decided it would be best
0:16:21 > 0:16:24not to let Command know what had happened to Adam.
0:16:27 > 0:16:28If they learned how I'd been running the camp,
0:16:28 > 0:16:30what a shit-show I'd made of it...
0:16:34 > 0:16:36I let them all run riot.
0:16:37 > 0:16:40And then when Adam Gettrick needed me, I didn't send help.
0:16:42 > 0:16:43Adam Gettrick.
0:16:48 > 0:16:51The third person Stone spoke of is Adam Gettrick.
0:16:54 > 0:16:55He got taken on my watch.
0:17:00 > 0:17:02That's all you know?
0:17:06 > 0:17:07What do you mean?
0:17:09 > 0:17:12Mirza, the boy they let escape, from Iraq.
0:17:14 > 0:17:16He told us everything he saw.
0:17:18 > 0:17:22The events that followed, after what happened in that house.
0:17:24 > 0:17:25And you should know the truth.
0:17:29 > 0:17:32BOY YELLS
0:17:34 > 0:17:36It's OK, it's OK.
0:17:46 > 0:17:49Stone, there's another girl in the house!
0:18:27 > 0:18:31- HE SOBS - I'm sorry. I'm sorry.
0:18:31 > 0:18:33I'm so, so sorry.
0:18:34 > 0:18:37EXPLOSION
0:18:37 > 0:18:38We have to go. Now!
0:18:42 > 0:18:44What is your name? Your full name?
0:18:46 > 0:18:48- Mirza Barzani.- Reed!
0:18:51 > 0:18:55HE YELLS
0:19:04 > 0:19:06How old was the little girl?
0:19:07 > 0:19:09Nine years old.
0:19:11 > 0:19:14But nobody believed it was done by English soldiers
0:19:14 > 0:19:15in the middle of the night.
0:19:15 > 0:19:19He was an imaginative child. The father, a drunk.
0:19:19 > 0:19:21It was thought to be an accident.
0:19:27 > 0:19:29They told me what had happened to Adam.
0:19:31 > 0:19:34They told me what they did to the man who hurt him.
0:19:37 > 0:19:39And I kept quiet.
0:19:39 > 0:19:41You knew they killed a man and you said nothing?
0:19:41 > 0:19:43Men had died.
0:19:43 > 0:19:46Better men than the one they killed - one of Saddam's.
0:19:50 > 0:19:52And like I say, I wasn't there.
0:19:52 > 0:19:55I mean, I was, but I was...
0:19:55 > 0:20:00I was in pain and I was numbing it with drink and pills.
0:20:00 > 0:20:01My mind had gone AWOL.
0:20:04 > 0:20:06If it got out, it'd undo everything we did out there.
0:20:06 > 0:20:08I gave them an alibi.
0:20:12 > 0:20:14But I...
0:20:15 > 0:20:17I had no idea...
0:20:20 > 0:20:23No idea about the girl. I swear.
0:20:25 > 0:20:27Tell me about Adam.
0:20:27 > 0:20:32He...he got injured in Afghanistan in 2001.
0:20:33 > 0:20:36They offered him a medical discharge,
0:20:36 > 0:20:38but he chose to stay with the Army.
0:20:38 > 0:20:42They moved him sideways. Ended up as press liaison.
0:20:42 > 0:20:45Have you ever had any sense of...
0:20:47 > 0:20:49..another side to him?
0:20:49 > 0:20:51His life?
0:20:51 > 0:20:54That he might be capable of taking someone?
0:20:55 > 0:20:57I don't understand.
0:20:57 > 0:20:59Taking who?
0:20:59 > 0:21:02Alice Webster and Sophie Giroux.
0:21:02 > 0:21:03But my husband...
0:21:07 > 0:21:09They found him guilty. It was...
0:21:13 > 0:21:16There were pictures on the camera. It was my husband.
0:21:16 > 0:21:20Your husband was a prominent figure in the community, yes?
0:21:21 > 0:21:23Did Adam Gettrick ever come to the shop?
0:21:23 > 0:21:28Er, yes. Sometimes, I suppose.
0:21:28 > 0:21:31He would have known your husband's hobby. Bird-watching.
0:21:31 > 0:21:32Most people did.
0:21:32 > 0:21:35So he knew your husband was often away.
0:21:35 > 0:21:38And it seems likely he bore a grudge against you,
0:21:38 > 0:21:41that he blamed you for what happened to him.
0:21:41 > 0:21:43You're saying he framed my husband?
0:21:46 > 0:21:49Well, that can't... That's impossible. It can't be true.
0:21:51 > 0:21:54Just because you're tortured, it doesn't mean...
0:21:54 > 0:21:58you abduct two little girls and keep them prisoner in your house.
0:21:58 > 0:21:59Of course not.
0:21:59 > 0:22:03Adam Gettrick was a monster long before he entered that basement.
0:22:07 > 0:22:09I've told you everything I know.
0:22:11 > 0:22:13Now get out of my house!
0:22:14 > 0:22:17I'm sorry to have upset you, Mrs Herz.
0:22:17 > 0:22:21You should know only that I believe your husband.
0:22:21 > 0:22:23And perhaps with luck,
0:22:23 > 0:22:26he will one day be a free man.
0:22:26 > 0:22:27I said get out!
0:22:41 > 0:22:43DOOR CLOSES
0:22:50 > 0:22:53SHE SOBS
0:23:01 > 0:23:04FOOTSTEPS
0:23:13 > 0:23:16I'm just going down the shops. Do you want anything?
0:23:16 > 0:23:18No.
0:23:20 > 0:23:23So, do you want me to leave the house or, you know...?
0:23:31 > 0:23:34I meant to show you this the other day, but...
0:23:35 > 0:23:36Well...
0:23:40 > 0:23:41Now look at that...
0:23:42 > 0:23:44..and tell me that I'm crazy.
0:23:50 > 0:23:52Where did you get this?
0:23:52 > 0:23:53Julien Baptiste and Jorn Lenhart...
0:23:53 > 0:23:57But it doesn't matter where it came from.
0:23:57 > 0:23:59Look at it.
0:23:59 > 0:24:02Look at that and tell me that that's not our daughter.
0:24:04 > 0:24:05That's our girl.
0:24:05 > 0:24:08- This girl sitting next to her, that could be anybody.- No.
0:24:08 > 0:24:10No, Sam. That is Alice.
0:24:10 > 0:24:14And that girl came back to live here, in our house.
0:24:14 > 0:24:15That's an impostor.
0:24:15 > 0:24:18- You're just seeing what you want to see.- And you're not?
0:24:18 > 0:24:22You know I'm right.
0:24:22 > 0:24:25You know I am, deep down you must do.
0:24:25 > 0:24:26And even if you didn't in the beginning,
0:24:26 > 0:24:29by the time she set fire to that shed, you knew.
0:24:31 > 0:24:33Why are you doing this to yourself?
0:24:34 > 0:24:36It's destroying you.
0:24:39 > 0:24:41I told Eve to keep the baby.
0:24:43 > 0:24:44Why?
0:24:47 > 0:24:49I don't understand. This is her decision.
0:24:49 > 0:24:50Why would you do that?
0:24:51 > 0:24:52This is your mess.
0:24:52 > 0:24:53It was an accident.
0:24:53 > 0:24:56Yeah. You didn't mean to get her pregnant.
0:24:56 > 0:24:59Sure. I know that.
0:25:00 > 0:25:03You didn't mean to have an affair right under my nose.
0:25:03 > 0:25:05But it happened.
0:25:05 > 0:25:07And there are consequences.
0:25:12 > 0:25:14You know how much I wanted another baby.
0:25:39 > 0:25:41Maybe if we'd got out of this place...
0:25:42 > 0:25:44I wasn't ready to leave.
0:25:49 > 0:25:51I don't know if we can come back from this...
0:25:53 > 0:25:54..but I want to try.
0:26:06 > 0:26:07I'm sorry.
0:26:10 > 0:26:11But it's too late.
0:26:21 > 0:26:23DOOR OPENS, SLAMS SHUT
0:26:25 > 0:26:26Matthew!
0:26:36 > 0:26:38What's wrong?
0:26:38 > 0:26:40I'm just tired. That's all.
0:26:40 > 0:26:41Who were you out with last night?
0:26:41 > 0:26:44- A friend.- Yeah, but which friend?
0:26:44 > 0:26:46All of a sudden you give a shit?
0:26:46 > 0:26:48Hey. Hey!
0:26:51 > 0:26:54What's that? What happened?
0:26:54 > 0:26:57You done? Cos I'm tired.
0:27:15 > 0:27:18FOOTSTEPS
0:27:30 > 0:27:32Mr Baptiste.
0:27:32 > 0:27:36Please. Sit. We don't have long.
0:27:37 > 0:27:39- What?- Take a seat, Mr Gettrick.
0:27:50 > 0:27:54You are not a stupid man, so I will not treat you as such.
0:27:56 > 0:27:59To do what you have done all these years - to pull the wool over
0:27:59 > 0:28:01the eyes of the world is no small feat.
0:28:04 > 0:28:07Why did you tell Sophie to pretend she was Alice Webster?
0:28:10 > 0:28:13- I'm sorry. I'm not sure... - We do not have time for this.
0:28:13 > 0:28:16I need to know if the real Alice Webster is still alive.
0:28:17 > 0:28:19You've made a mistake, Mr Baptiste.
0:28:19 > 0:28:22Now...I only came down here as a courtesy...
0:28:22 > 0:28:24I know what happened back in 1991, in Iraq.
0:28:28 > 0:28:29I know your taste in women.
0:28:31 > 0:28:32Or girls, I should say.
0:28:36 > 0:28:39I know you had access to everything we did during this investigation.
0:28:50 > 0:28:52They arrived sooner than I'd anticipated.
0:28:58 > 0:29:03With respect, it sounds like you don't have a damn clue, Detective.
0:29:03 > 0:29:06Aren't you seeing things?
0:29:07 > 0:29:08Hallucinating.
0:29:10 > 0:29:12I heard what you did at the cookhouse.
0:29:12 > 0:29:14HE LAUGHS Yes!
0:29:14 > 0:29:17I am seeing things - clearly - for the first time in a long time.
0:29:17 > 0:29:20Your mind is more diseased than my own.
0:29:23 > 0:29:25Tell me, what have you done with Alice?
0:29:27 > 0:29:31Why would you say such an awful thing to me?
0:29:31 > 0:29:33What gives you the right to accuse me?
0:29:35 > 0:29:36I know it was you.
0:29:36 > 0:29:40I'm coming, but I ask that you take this man into custody also.
0:29:40 > 0:29:44- On what grounds?- On the grounds that he abducted Sophie Giroux
0:29:44 > 0:29:45and Alice Webster.
0:29:46 > 0:29:49I honestly have no idea what he's going on about.
0:29:49 > 0:29:52He asked to see me and then he's just started accusing me.
0:29:52 > 0:29:54Started calling me Kristian Herz,
0:29:54 > 0:29:56like he thinks I'm him or something.
0:29:58 > 0:30:00You need to come with us. We need to ask you some questions.
0:30:00 > 0:30:02You're making a big mistake, Sergeant!
0:30:02 > 0:30:04It's not a request.
0:30:05 > 0:30:07I'm coming.
0:30:10 > 0:30:11Don't touch me!
0:30:27 > 0:30:30Staff Sergeant Stone has informed me you are not well,
0:30:30 > 0:30:33that you are seeing things that are not there,
0:30:33 > 0:30:36that there have been aggressive outbursts.
0:30:36 > 0:30:37I am of sound mind. Believe me.
0:30:37 > 0:30:40But this is a matter of some urgency.
0:30:40 > 0:30:44The abduction of Alice Webster - I don't believe Kristian Herz
0:30:44 > 0:30:45to be responsible.
0:30:45 > 0:30:48I believe it was another man - Adam Gettrick.
0:30:48 > 0:30:50He is the press liaison for the garrison.
0:30:50 > 0:30:53Mr Baptiste, you went to speak with Adrian Stone last night?
0:30:53 > 0:30:55Listen, whatever it is you think...
0:30:55 > 0:30:59And you were ejected for aggravating him. He is in hospital now.
0:30:59 > 0:31:01His injuries are severe.
0:31:01 > 0:31:04- You cannot think me responsible... - You are a detective.
0:31:04 > 0:31:06You tell me how this looks.
0:31:06 > 0:31:07You were the last to see him.
0:31:07 > 0:31:09You were found physically harassing him...
0:31:09 > 0:31:12He attacked me! I was defending myself.
0:31:12 > 0:31:14So that is your position, you were defending yourself?
0:31:14 > 0:31:16I didn't put him in the hospital.
0:31:16 > 0:31:18- He says you did. - He is confused!
0:31:18 > 0:31:23With respect, Mr Baptiste, so are you. Confused and angry.
0:31:23 > 0:31:25You need to bring in Adam Gettrick.
0:31:25 > 0:31:28Alice herself identified Herr Kristian Herz.
0:31:28 > 0:31:32It wouldn't be the first thing that girl lied about.
0:31:32 > 0:31:33Mr Baptiste, I have great respect
0:31:33 > 0:31:35for all the work you have done in your life.
0:31:35 > 0:31:38And what happened last night, I do not believe it was intended.
0:31:38 > 0:31:39But you are ill.
0:31:41 > 0:31:43The courts will understand that.
0:31:43 > 0:31:45But first you have to confess to what you have done.
0:31:47 > 0:31:51Arrest me, or bring me a lawyer. Everything else is wasting time.
0:31:51 > 0:31:55Very well, Mr Baptiste. Then you will be our guest this evening.
0:31:55 > 0:32:00Vous faites perdre le temps de tout le monde, vous etes tout incapable!
0:32:00 > 0:32:02Alter, kranker spinner.
0:32:02 > 0:32:03Imbeciles!
0:32:05 > 0:32:07DOOR CLOSES
0:32:20 > 0:32:22RINGING TONE
0:32:23 > 0:32:26Yeah, I need you to get me a number.
0:32:26 > 0:32:28Celia Baptiste.
0:32:42 > 0:32:44We don't have to do this.
0:32:44 > 0:32:46They're being re-deployed tomorrow, Sam.
0:32:46 > 0:32:48They're your men. You know we have to do this.
0:32:48 > 0:32:51All right, then, we go in and we show our faces and then we leave.
0:32:51 > 0:32:54No-one needs to know about us. All right?
0:32:57 > 0:32:58Oi-oi!
0:32:58 > 0:33:01Picked a great day for it, eh?
0:33:01 > 0:33:03MUSIC PLAYING: Rock The Casbah by The Clash
0:33:03 > 0:33:05MURMUR OF CONVERSATION
0:33:27 > 0:33:29Sorry.
0:33:48 > 0:33:50I didn't know you were going to be here.
0:33:50 > 0:33:52Melissa and I are old friends.
0:33:52 > 0:33:55- We were at Aldershot together. - Right.
0:33:55 > 0:33:59Yeah. So... I should probably just...
0:33:59 > 0:34:02We're going to have to learn how to deal with each other, aren't we?
0:34:02 > 0:34:04Especially when you start showing.
0:34:05 > 0:34:08It shouldn't be too complicated, though, cos...
0:34:08 > 0:34:13it's over between me and Sam, so...
0:34:15 > 0:34:18Just so you know - that doesn't mean that me and Sam will...
0:34:18 > 0:34:21I really don't care if it does, Eve.
0:34:21 > 0:34:23Well, I do. And I'm sorry.
0:34:23 > 0:34:25It sounds...
0:34:27 > 0:34:28But...
0:34:35 > 0:34:38I shouldn't have come.
0:34:38 > 0:34:41My dad's lying in a hospital bed because a couple of nights ago,
0:34:41 > 0:34:44someone came and beat him half to death at the care home.
0:34:47 > 0:34:48Christ.
0:34:52 > 0:34:53Do they know who did it?
0:34:57 > 0:34:58I'm sorry.
0:35:00 > 0:35:01Excuse me.
0:35:30 > 0:35:31What's wrong, Lucy?
0:35:32 > 0:35:34I left Mr Squibbles at home.
0:35:34 > 0:35:37Because you made us leave so quickly.
0:35:37 > 0:35:39Well, we can't go back.
0:35:39 > 0:35:41We're going to the new house sooner than we thought.
0:35:41 > 0:35:45- You'll like it there. - I like Mr Squibbles.
0:35:45 > 0:35:48- Well, we'll find you a new toy. - It won't be the same.
0:35:48 > 0:35:51It's the same if I say it's the same! OK?
0:35:55 > 0:35:57Do you think she's OK?
0:36:01 > 0:36:02She's fine.
0:36:05 > 0:36:08MURMUR OF CONVERSATION
0:36:10 > 0:36:12Sorry. Sam. Sam, can I have a word?
0:36:12 > 0:36:14Yeah, sure.
0:36:15 > 0:36:16What is it?
0:36:18 > 0:36:20Brigadier Stone was attacked.
0:36:20 > 0:36:22- Is he all right? - Well, he's in hospital.
0:36:22 > 0:36:25But on the same day, Julien Baptiste came by and told me that...
0:36:25 > 0:36:27Well, he told me that he thought that Stone was involved
0:36:27 > 0:36:29in Alice's abduction.
0:36:29 > 0:36:30Why would he say that?
0:36:30 > 0:36:32Matthew was there. He heard the whole thing,
0:36:32 > 0:36:35and then he went storming off to go and see those Adler boys.
0:36:35 > 0:36:37What, you think..?
0:36:39 > 0:36:41(What are you saying?)
0:36:41 > 0:36:44You know the reputation those Adler twins have got.
0:36:44 > 0:36:46There are rumours that they put Nadia Herz in hospital.
0:36:46 > 0:36:47You think Matthew assaulted him?
0:36:47 > 0:36:49You think he could do something like that?
0:36:49 > 0:36:51You know what he's like these days. You saw his hands.
0:36:51 > 0:36:54And the way he went off, honestly, Sam, it does, it makes sense.
0:36:58 > 0:37:00MUSIC PLAYS LOUDLY
0:37:19 > 0:37:21Matthew!
0:37:22 > 0:37:24Matthew!
0:37:24 > 0:37:25MUSIC GETS QUIETER
0:37:25 > 0:37:27What?
0:37:27 > 0:37:29Can you come downstairs, please?
0:37:30 > 0:37:31Now.
0:37:40 > 0:37:42FOOTSTEPS DESCEND STAIRS
0:37:49 > 0:37:51- Sit down. - I'm fine here.
0:37:51 > 0:37:53Sit down.
0:37:55 > 0:37:57What's happened to you, Matthew?
0:37:57 > 0:38:01What's happened to ME? Take a look at you both.
0:38:01 > 0:38:04Those men you're hanging around with, the Adler twins...
0:38:04 > 0:38:06They're my friends. And anyway, I'm an adult, I can...
0:38:06 > 0:38:09You're an adult who lives in our house. And you're our son.
0:38:09 > 0:38:11We're trying to help you and if you can't see that...
0:38:11 > 0:38:14- All you're trying to do is find problems somewhere else...- Stop it!
0:38:15 > 0:38:16Christ.
0:38:18 > 0:38:20Now what happened to your hand?
0:38:22 > 0:38:25I cut it. Broke a pint glass.
0:38:25 > 0:38:27Is that how you got the bruising on there?
0:38:27 > 0:38:31You overheard Baptiste telling me that he thought Stone was involved
0:38:31 > 0:38:34in Alice's disappearance. And then you stormed out,
0:38:34 > 0:38:36and you went to the only place that you ever go to.
0:38:36 > 0:38:37To see those Adler boys.
0:38:37 > 0:38:40- So?- So Brigadier Stone is in hospital now.
0:38:42 > 0:38:45- What, and you think I had something to do with it?- Well, did you?
0:38:47 > 0:38:49This is it, isn't it?
0:38:49 > 0:38:51This is who I am to you.
0:38:51 > 0:38:54I'm just the monster that locked his sister in the shed to you, aren't I?
0:38:54 > 0:38:57The one that goes around putting old men in hospital...
0:38:57 > 0:39:00- Matthew...- And what if what you said was right? Huh?
0:39:00 > 0:39:03What if he did have something to do with Alice being taken?
0:39:03 > 0:39:07And you're all sitting around doing nothing. What then?
0:39:07 > 0:39:08I'm a hero, aren't I?
0:39:08 > 0:39:11- So you admit it?- You've been following orders all your life -
0:39:11 > 0:39:15from the headmaster, from your superiors, walking the line,
0:39:15 > 0:39:18ticking the boxes, and where has that got you?
0:39:18 > 0:39:19- That's enough...- You're miserable.
0:39:21 > 0:39:23You're lying to each other.
0:39:27 > 0:39:30You know he's screwing someone else, right?
0:39:38 > 0:39:42So before you go round asking what's happened to me,
0:39:42 > 0:39:44why don't you take a look at yourselves?
0:39:49 > 0:39:51DOOR SLAMS
0:39:59 > 0:40:01DOOR OPENS
0:40:01 > 0:40:03Mr Baptiste.
0:40:04 > 0:40:05Mr Baptiste!
0:40:07 > 0:40:09You're free to leave.
0:40:09 > 0:40:11You've kept me for...what?
0:40:12 > 0:40:16So you might find evidence that does not exist?
0:40:16 > 0:40:19Before you leave, there is somebody to see you.
0:40:19 > 0:40:20If it's all the same to you...
0:40:51 > 0:40:52Eve Stone called you.
0:40:52 > 0:40:54Mm-hm.
0:40:55 > 0:40:57She's worried about you.
0:41:02 > 0:41:04IN FRENCH:
0:41:04 > 0:41:05Don't.
0:41:05 > 0:41:11If there is something you can solve, there is no use in worrying.
0:41:11 > 0:41:13And if there is something you cannot fix,
0:41:13 > 0:41:15there is still no use in worrying.
0:41:17 > 0:41:18It won't help you.
0:41:23 > 0:41:25How could you do this to us?
0:41:28 > 0:41:31How could you walk away from that operation?
0:41:31 > 0:41:34I wasn't walking away from anything.
0:41:34 > 0:41:37I was walking towards something else.
0:41:37 > 0:41:40Towards some kind of resolution for two little girls
0:41:40 > 0:41:43whose lives were stolen from them.
0:41:43 > 0:41:49I was walking towards something... I thought was bigger than myself.
0:41:50 > 0:41:54You're a brilliant, loving man,
0:41:54 > 0:41:56and an amazing detective
0:41:56 > 0:41:59and you've achieved incredible things.
0:42:00 > 0:42:02But right now?
0:42:02 > 0:42:04You're a child, Julien.
0:42:06 > 0:42:08A selfish child.
0:42:09 > 0:42:14You'll storm into a building armed with a loaded gun,
0:42:14 > 0:42:16risking your life to make an arrest,
0:42:16 > 0:42:19but you won't take the same risk for the people who love you.
0:42:21 > 0:42:23This...job.
0:42:23 > 0:42:24This obsession.
0:42:26 > 0:42:27This addiction.
0:42:29 > 0:42:33You're no better than, than... Tony Hughes.
0:42:34 > 0:42:38Getting lost in all the darkness that surrounds you.
0:42:38 > 0:42:41Thinking you can fix everything and find the light switch.
0:42:45 > 0:42:47It has to end.
0:42:48 > 0:42:49You have to come home.
0:42:52 > 0:42:54I am so close.
0:42:54 > 0:42:56You're always so close.
0:42:59 > 0:43:01But right now?
0:43:03 > 0:43:04You're dying.
0:43:06 > 0:43:09You're lost, my love,
0:43:09 > 0:43:11and the tide is coming in.
0:43:40 > 0:43:42Wait. Wait, come on. He's our son.
0:43:42 > 0:43:45- This isn't right... - You think I want to do this?
0:43:45 > 0:43:47I've lost you. I've lost my daughter...
0:43:47 > 0:43:48If I do this then I lose my son as well.
0:43:48 > 0:43:50And if we do nothing, isn't he lost anyway?
0:43:52 > 0:43:54If there's a chance this will save him...
0:43:54 > 0:43:56By locking him up?
0:43:56 > 0:43:58SIRENS
0:43:58 > 0:44:00Do you know what I think?
0:44:00 > 0:44:03Sometimes - and it's awful...
0:44:04 > 0:44:07..but we were happier before she came back.
0:44:07 > 0:44:11You know, we were grieving...
0:44:11 > 0:44:12but we had her in common.
0:44:14 > 0:44:15The three of us.
0:44:22 > 0:44:24We have to save Matthew from himself.
0:44:26 > 0:44:29Before he does something even worse.
0:44:41 > 0:44:43Mr and Mrs Webster, I must talk with you.
0:44:43 > 0:44:45- Get out of my way. - Listen, I have found something.
0:44:45 > 0:44:47This is on you, this is.
0:44:47 > 0:44:49Coming here, filling our family's heads with crap,
0:44:49 > 0:44:51telling us Alice is still alive.
0:44:51 > 0:44:53Matthew has done what he's done because he overheard you
0:44:53 > 0:44:56- with your stupid accusations. - He's trying to help you!
0:44:56 > 0:44:58Well, he hasn't. Cos ever since he turned up, bad things are happening.
0:44:58 > 0:45:01Listen, there's nothing more in the world that I want
0:45:01 > 0:45:02than for my husband to come home.
0:45:02 > 0:45:05He's walked away from an operation that could help save his life
0:45:05 > 0:45:08to come out here and find out what happened to your girl.
0:45:08 > 0:45:11He's walked away from me, from his daughter.
0:45:11 > 0:45:14And I'm telling you, there is no way he would have done all that
0:45:14 > 0:45:15unless he thought it was worth it.
0:45:15 > 0:45:17I have no problem with you.
0:45:18 > 0:45:20But this - this is about my life and my family.
0:45:20 > 0:45:23Listen, I have never lost hope that we might learn the truth
0:45:23 > 0:45:26about your daughter and Sophie Giroux.
0:45:26 > 0:45:28And now I have finally found the truth.
0:45:28 > 0:45:33The man who abducted Sophie and Alice works right here in Eckhausen.
0:45:34 > 0:45:36His name is Adam Gettrick.
0:45:36 > 0:45:38Gettrick?
0:45:40 > 0:45:43- You're serious?- I spoke with him, before I was arrested.
0:45:43 > 0:45:45I saw it.
0:45:45 > 0:45:46In his eyes.
0:45:46 > 0:45:48You saw it in his eyes?!
0:45:48 > 0:45:51Jesus. Do you believe this?
0:45:52 > 0:45:54HE SIGHS
0:45:54 > 0:45:57- QUIETLY:- What are we going to do about Matthew?
0:45:57 > 0:45:59- He's what matters now. - What if he's right?
0:45:59 > 0:46:01My daughter died.
0:46:02 > 0:46:04How many times do you want me to bury her?
0:46:06 > 0:46:08I won't do this.
0:46:09 > 0:46:11I can't do this.
0:46:31 > 0:46:33So what do we do now?
0:46:33 > 0:46:35Gettrick knows I suspect him.
0:46:36 > 0:46:38We will have to move quickly.
0:46:39 > 0:46:41- Did you tell the police? - They don't believe me.
0:46:41 > 0:46:44Jorn Lenhart would be an ally, but he is not answering.
0:46:44 > 0:46:48As I see it, there is one option still open to us.
0:46:49 > 0:46:50Gettrick's house.
0:46:50 > 0:46:54No. If he's as dangerous as you say he is...
0:46:54 > 0:46:56If I am right, he knows I have seen him for who he is
0:46:56 > 0:46:58and he'll already be gone.
0:46:59 > 0:47:00IN FRENCH:
0:47:00 > 0:47:04Listen, that thing in your head?
0:47:04 > 0:47:06You can't run away from it, Julien.
0:47:06 > 0:47:08I know.
0:47:09 > 0:47:10OK.
0:47:10 > 0:47:12IN FRENCH:
0:48:02 > 0:48:04CAR APPROACHES
0:48:59 > 0:49:01DOORBELL RINGS
0:49:33 > 0:49:36Are you sure you wish to do this?
0:49:36 > 0:49:37Well, I'm here, aren't I?
0:53:06 > 0:53:10Lucy. Lucy, wake up, darling.
0:53:10 > 0:53:12There you go.
0:53:13 > 0:53:16We'll find you something here, won't we?
0:53:16 > 0:53:18Something to replace Mr Squibbles.
0:53:24 > 0:53:28- What's wrong? - It's just I've...
0:53:28 > 0:53:30I must've left some cash at home. But it's fine.
0:53:30 > 0:53:31It's fine. It doesn't matter.
0:53:36 > 0:53:39Look at him. He's nice, isn't he?
0:53:45 > 0:53:47DOOR OPENS, BELL TINKLES
0:53:57 > 0:53:59- Mummy!- Lucy!
0:54:01 > 0:54:03I've missed you.
0:54:10 > 0:54:13It's amazing. Us all here together.
0:54:27 > 0:54:29It was worth it, wasn't it?
0:54:29 > 0:54:30Every second.
0:54:31 > 0:54:35Come on. You need to help me with everything in the car.
0:55:01 > 0:55:02TAPS FOOT ON TILES
0:55:12 > 0:55:14What is it?
0:55:15 > 0:55:16Look at that.
0:55:19 > 0:55:22Will you help me move these boxes, Mrs Webster?
0:55:47 > 0:55:49Right.
0:55:49 > 0:55:51That's the last of it.
0:55:54 > 0:55:56Feels good, doesn't it?
0:55:56 > 0:55:58- The air here...- Shh.
0:56:01 > 0:56:03She must be tired from the long journey.
0:56:03 > 0:56:04What's in the bag?
0:56:15 > 0:56:18She'll love it.
0:56:18 > 0:56:19No, it's not for her.
0:56:27 > 0:56:29She used to talk about one of these. Remember?
0:56:29 > 0:56:33The one her brother used to keep trying to steal from her.
0:56:33 > 0:56:34KEYS JANGLE
0:56:34 > 0:56:37Back in the day.
0:56:37 > 0:56:39Back when she behaved.
0:56:41 > 0:56:43She was very good in the car, though.
0:56:43 > 0:56:46I didn't hear a sound from the boot the entire journey.
0:56:46 > 0:56:49So I thought I'd give her a present...
0:56:49 > 0:56:51for being such a good girl.
0:56:58 > 0:57:00You can have this...
0:57:00 > 0:57:02if you're good.
0:57:10 > 0:57:11Stay.
0:57:15 > 0:57:18You will be good,
0:57:18 > 0:57:19won't you, Alice?
0:57:21 > 0:57:23I'll be good.