0:00:07 > 0:00:13This programme contains some strong language and some scenes of a sexual nature
0:00:51 > 0:00:54All the great philanthropists of our time are businessmen.
0:00:56 > 0:00:59They're entrepreneurs, innovators.
0:00:59 > 0:01:04My save haven project for refugees, which we began in '98,
0:01:04 > 0:01:07is the true expression of my belief
0:01:07 > 0:01:09in a commitment to the wider world.
0:01:09 > 0:01:13Because my good fortune means nothing
0:01:13 > 0:01:16unless it also lifts up my fellow man.
0:01:18 > 0:01:21I thank you all for your time. Thank you.
0:01:21 > 0:01:24APPLAUSE
0:01:29 > 0:01:33CROWD SHOUTING
0:01:53 > 0:01:55RAPID GUNFIRE
0:01:55 > 0:01:57PEOPLE SCREAMING
0:02:00 > 0:02:02GUNFIRE CONTINUES
0:02:06 > 0:02:10CROWD CHANTING
0:02:35 > 0:02:37TRANSLATION FROM FRENCH:
0:02:38 > 0:02:41- I thought you might need some help. - How did you get here?
0:02:41 > 0:02:43- I walked.- You walked?- Yes. - Through that?- Yes.
0:02:43 > 0:02:46- I've seen worse. - OK, you are crazy.
0:02:46 > 0:02:49PROTESTS CONTINUE LOUDLY OUTSIDE
0:02:50 > 0:02:53I can assure you, madam, we're doing everything we can.
0:02:53 > 0:02:55- The British government has chartered a plane...- Hey!
0:02:55 > 0:02:58- ..which will arrive in three days' time.- Hello. Hello!
0:02:58 > 0:03:01One moment, please. Excuse me, ma'am, I'm just dealing with this lady.
0:03:01 > 0:03:02You have to get us out now. Do you hear?
0:03:02 > 0:03:05Madam, I can assure you, the hotel is absolutely the safest place
0:03:05 > 0:03:07for you to be at the moment, trust me...
0:03:07 > 0:03:09EXPLOSION MAN YELLS
0:03:11 > 0:03:14Madam...perhaps you would like to wait in the bar?
0:03:14 > 0:03:18- The cocktails, they're complimentary.- Thank you.
0:03:19 > 0:03:22Get them away from the windows. Away!
0:03:22 > 0:03:25Yes, this is Pine of the Nefertiti Hotel in the Corniche.
0:03:25 > 0:03:28We have tear gas grenades going off in the street 50 yards
0:03:28 > 0:03:32west of here and I have several guests extremely keen to leave.
0:03:32 > 0:03:34As soon as you can, please. Thank you.
0:03:34 > 0:03:38CROWD CHANTING
0:03:48 > 0:03:51CHANTING CONTINUES OUTSIDE
0:04:31 > 0:04:34CROWD CHANTING
0:04:39 > 0:04:42To the airport, as fast as you can, please. Thank you.
0:04:52 > 0:04:54Busy day for you.
0:04:54 > 0:04:56Well, we're doing the best that we can.
0:04:58 > 0:05:02Is there anything I can do for you, madam?
0:05:02 > 0:05:05Make me a coffee, would you, Mr Pine?
0:05:17 > 0:05:18Sit with me.
0:05:18 > 0:05:20I'm afraid I can't, madam.
0:05:20 > 0:05:22I have to arrange taxis for various guests.
0:05:22 > 0:05:27Oh... Of course. Everyone must escape.
0:05:27 > 0:05:28Run, run, run.
0:05:30 > 0:05:32When are you leaving, Mr Pine?
0:05:33 > 0:05:34I'm not.
0:05:34 > 0:05:36You don't want to escape?
0:05:39 > 0:05:41Then sit.
0:05:41 > 0:05:42Please, sit.
0:05:47 > 0:05:50What do you know of me?
0:05:50 > 0:05:53I know that your name is Ms Sophie Alekan.
0:05:53 > 0:05:57I know that you're staying in the Hatshepsut suite.
0:05:58 > 0:06:01And do you know who is footing my bill?
0:06:07 > 0:06:10Freddie Hamid is everything the protestors hate.
0:06:10 > 0:06:13Incredibly wealthy, corrupt to the core.
0:06:15 > 0:06:19The Hamid family owns half the city and...
0:06:19 > 0:06:21Freddie Hamid owns me.
0:06:23 > 0:06:28Before this all started, I saw you sailing at the Cairo Yacht Club.
0:06:28 > 0:06:29Did you?
0:06:31 > 0:06:33Well, that's only when I'm invited.
0:06:33 > 0:06:35Which isn't often, to be honest.
0:06:35 > 0:06:37Who invites you?
0:06:37 > 0:06:39The second man at the British Embassy.
0:06:39 > 0:06:41Name?
0:06:41 > 0:06:44His name is Ogilvey. Simon Ogilvey.
0:06:44 > 0:06:45And he's a friend of yours?
0:06:47 > 0:06:49Well, I know him from my army days.
0:06:49 > 0:06:51But you trust him?
0:06:51 > 0:06:53I trust him not to capsize a boat.
0:06:56 > 0:07:00I'd like you to copy some personal documents for me, please.
0:07:01 > 0:07:04We-We have an executive services bureau just across the lobby.
0:07:04 > 0:07:07The documents are confidential.
0:07:07 > 0:07:10I can assure you Mr Ahmadi is perfectly dependable.
0:07:10 > 0:07:13I would prefer to use your office.
0:07:31 > 0:07:34- Do it for me, please.- Yes, ma'am.
0:07:38 > 0:07:40BEEPING
0:08:03 > 0:08:05Just one copy, madam?
0:08:06 > 0:08:08Yes.
0:08:36 > 0:08:37Will that be all, madam?
0:08:40 > 0:08:42- Do you have an envelope?- Yes.
0:08:42 > 0:08:45Seal it and put it in your safe.
0:08:45 > 0:08:46And, Mr Pine...
0:08:47 > 0:08:50..if an accident was to happen to me,
0:08:50 > 0:08:53as accidents do happen more and more these days,
0:08:53 > 0:08:57you should feel free to take it to your friend, Mr Ogilvey.
0:08:57 > 0:09:00Why should an accident happen, madam?
0:09:00 > 0:09:03- Are you concerned for your safety? - No.
0:09:05 > 0:09:08But I see that you are. Thank you.
0:09:13 > 0:09:16Have you always been the night manager?
0:09:16 > 0:09:18It's my profession, yes.
0:09:18 > 0:09:19You chose it?
0:09:19 > 0:09:21I think it chose me.
0:09:21 > 0:09:22It's a shame.
0:09:22 > 0:09:24You look fine by daylight.
0:09:33 > 0:09:36CROWD CHANTING ON TV
0:09:43 > 0:09:44Youssef...
0:09:44 > 0:09:46TRANSLATION:
0:09:46 > 0:09:47How are you?
0:09:52 > 0:09:54- Perfect.- OK!
0:09:54 > 0:09:57Listen, Youssef, do you know a man called Freddie Hamid?
0:09:57 > 0:10:00He's a playboy and a gambler.
0:10:00 > 0:10:04There's some kind of deal going on and Freddie Hamid is involved
0:10:04 > 0:10:07and I have to find out when it's happening and where.
0:10:07 > 0:10:08Is there anyone you know,
0:10:08 > 0:10:11- friends in local kitchens, where he's staying...?- OK.
0:10:11 > 0:10:13But be careful, Jonathan.
0:10:13 > 0:10:15You don't want to get the wrong side of the Hamids.
0:10:15 > 0:10:18Youssef, Youssef...
0:10:18 > 0:10:22THEY SPEAK OWN LANGUAGE
0:10:22 > 0:10:25- President Mubarak resigned. - No, I think I understood that.
0:10:30 > 0:10:31He's gone. He's bloody gone!
0:10:31 > 0:10:34CHEERING
0:10:36 > 0:10:40THEY CHANT JOYFULLY
0:10:45 > 0:10:49- NEWS REPORTER:- 'Across Egypt, millions were on the streets erupting in excitement.
0:10:49 > 0:10:53'He'd gone. After 30 years, gone.
0:10:54 > 0:10:55'Cars honked their horns,
0:10:55 > 0:10:59'it was a moment like no other in their lives.'
0:10:59 > 0:11:02'In Tahrir Square, the protestors were beside themselves.
0:11:02 > 0:11:06'They'd done it. They'd won. They'd brought down President Mubarak.'
0:11:13 > 0:11:15'Ramses Hilton.'
0:11:15 > 0:11:17Er, yes, Corniche Bar, please.
0:11:19 > 0:11:21- 'Corniche Bar. Hello?'- Oh, hi.
0:11:21 > 0:11:26Erm... Yeah, this is George Watts, I'm a mate of Freddie Hamid's.
0:11:26 > 0:11:29I was supposed to meet him for cocktails in the bar tonight,
0:11:29 > 0:11:32but I've got held up. Do you happen to know where he is?
0:11:32 > 0:11:34'They've already left, sir.'
0:11:34 > 0:11:37Oh, what a shame. Er... Do you know where they've gone?
0:11:37 > 0:11:38FIREWORKS BLAST NEARBY
0:11:38 > 0:11:41'I believe Mr Roper took Mr Hamid to dinner on his yacht, sir.'
0:11:41 > 0:11:44I'm sorry, there's a bit of a big party going on here.
0:11:44 > 0:11:46I couldn't quite hear you, could you repeat that, please?
0:11:46 > 0:11:48'Mr Hamid is with Mr Roper.'
0:11:48 > 0:11:51- Mr Roper?- 'Yes, sir.'
0:11:51 > 0:11:53Thank you so much.
0:12:01 > 0:12:03HE SIGHS
0:12:36 > 0:12:40'My safe haven project for refugees, which we began in '98,
0:12:40 > 0:12:45'is the true expression of my belief in a commitment to the wider world.
0:12:47 > 0:12:50'Because my good fortune means nothing
0:12:50 > 0:12:53'unless it also lifts up my fellow man.
0:12:55 > 0:12:59'I thank you all for your time. Thank you.'
0:12:59 > 0:13:01APPLAUSE
0:13:03 > 0:13:06LOUD CHEERING
0:13:08 > 0:13:12CELEBRATIONS CONTINUE NOISILY OUTSIDE
0:13:34 > 0:13:36Good morning, Jonathan.
0:13:36 > 0:13:39Simon, I know it's early... Look, I, er...
0:13:39 > 0:13:41I need to talk to you about something.
0:13:41 > 0:13:43I've been calling the embassy all morning.
0:13:43 > 0:13:45Come through. What is this?
0:13:57 > 0:13:59- HE EXHALES SHARPLY - Bloody hell.
0:14:02 > 0:14:04There are enough toys here to start a war.
0:14:05 > 0:14:07Or crush a popular uprising.
0:14:14 > 0:14:16- Where did you get this?- I found it.
0:14:21 > 0:14:22"You found it"?
0:14:22 > 0:14:27Say they arrived by post. Don't mention me. Anonymous sender.
0:14:27 > 0:14:30Jesus Christ, Jonathan, there's bloody napalm on here.
0:14:30 > 0:14:32Send it today.
0:14:33 > 0:14:36These people aren't wasting any time.
0:14:37 > 0:14:39Yes.
0:14:40 > 0:14:43- Thank you.- OK.
0:15:00 > 0:15:01BUZZER
0:15:04 > 0:15:07Three flights up. Lift's broken but it keeps you fit.
0:15:14 > 0:15:16Yeah, chicken sounds great, love.
0:15:16 > 0:15:20A couple of days out of date is fine, as long as you cook it well.
0:15:20 > 0:15:21Yeah.
0:15:23 > 0:15:25All right. Yeah, see you later, bye.
0:15:28 > 0:15:31METALLIC CLANGING ROB SIGHS
0:15:31 > 0:15:32HE GRUNTS
0:15:34 > 0:15:37They were supposed to come yesterday to fix this.
0:15:44 > 0:15:45CLANGING RESUMES
0:15:45 > 0:15:46- Rob?- Yes?
0:15:49 > 0:15:51Rob, come here...
0:15:51 > 0:15:53HE GROANS
0:15:56 > 0:16:00Rex Mayhew just sent that. Cairo station, anonymous sender.
0:16:01 > 0:16:02Ironlast.
0:16:02 > 0:16:04Yeah. He's back.
0:16:04 > 0:16:06Get me all the files you can on Richard Roper.
0:16:06 > 0:16:09Defence, FCO, Bank of England, Treasury, HMRC...
0:16:09 > 0:16:11And we'll need the River files too.
0:16:11 > 0:16:12Red flags will fly.
0:16:12 > 0:16:14So bury the requests in a pile of slurry.
0:16:14 > 0:16:17Do a random sweep on all Brits living offshore.
0:16:17 > 0:16:19Throw River House off the scent. Make us look like
0:16:19 > 0:16:21a bunch of amateurs looking for a needle in a haystack.
0:16:21 > 0:16:23- Do you think you can do that?- Yes.
0:16:24 > 0:16:26Go on, then.
0:16:46 > 0:16:50PHONE RINGS
0:16:55 > 0:16:57Good evening, Ms Alekan.
0:16:57 > 0:16:58Mr Pine.
0:16:59 > 0:17:03I would like you to bring a Scotch and soda to my room please.
0:17:03 > 0:17:05I can ask room service,
0:17:05 > 0:17:08'or there should be a minibar just under the main wardrobe.'
0:17:08 > 0:17:10I know where the minibar is.
0:17:11 > 0:17:12I want you.
0:17:41 > 0:17:44Madam, your Scotch and soda.
0:17:50 > 0:17:51Just here on the table, madam?
0:17:54 > 0:17:56Who did you show the papers to?
0:17:59 > 0:18:02Please, just tell me. I would understand.
0:18:02 > 0:18:04I just need to know.
0:18:07 > 0:18:10Freddie Hamid was just here.
0:18:10 > 0:18:13He said he had just spoken to the man from Ironlast.
0:18:15 > 0:18:16Which man?
0:18:17 > 0:18:21Richard Roper. The worst man in the world.
0:18:21 > 0:18:23Roper told Freddie that their deal was off.
0:18:23 > 0:18:26Apparently, Roper had been warned.
0:18:28 > 0:18:29Who by?
0:18:36 > 0:18:39You tell me, Mr Pine.
0:18:57 > 0:19:00I've left your dog with the concierge, she'll be fine.
0:19:15 > 0:19:18Ms Alekan, I'm so sorry.
0:19:20 > 0:19:22I had no idea this would happen.
0:19:22 > 0:19:26Don't apologise. You were right to do what you did.
0:19:26 > 0:19:29If I'd been brave enough, I would have done it myself.
0:19:31 > 0:19:34But Freddie has a temper, as you can see.
0:19:34 > 0:19:36And he may come back.
0:19:38 > 0:19:40Don't worry. We'll take care of you.
0:19:40 > 0:19:43Would that be you and the Queen, Mr Pine?
0:19:45 > 0:19:47Madam.
0:19:57 > 0:19:59Simon, this is Jonathan Pine.
0:19:59 > 0:20:02Could you give me a ring as soon as you get this, please?
0:20:02 > 0:20:04It's urgent. Thank you.
0:20:04 > 0:20:05APPROACHING FOOTSTEPS
0:20:05 > 0:20:07Hey, you.
0:20:07 > 0:20:09I have a friend in the Hatshepsut suite, she's not answering.
0:20:09 > 0:20:11Can you try the room?
0:20:13 > 0:20:15Certainly, sir.
0:20:23 > 0:20:24I'm afraid there's no answer, sir.
0:20:24 > 0:20:26- Just give me the key. - I can't do that, sir.
0:20:26 > 0:20:29- Just give me the damn key. - I'm afraid it's not hotel policy...
0:20:29 > 0:20:30- Do you know who I am?! - Yes, sir. I do.
0:20:30 > 0:20:33Then you know who my family are. Open the room. Open the room.
0:20:33 > 0:20:36- Which one?- Sir...- It's this one? - It is this one, yes.- Open the room.
0:20:36 > 0:20:39Go. We go. Open the room.
0:20:42 > 0:20:43Sir...
0:20:47 > 0:20:49Where is she? When did you last see her?
0:20:49 > 0:20:51Er, last night. I can ask the day staff.
0:20:53 > 0:20:54Shit!
0:20:54 > 0:20:56MOBILE PHONE RINGS
0:20:56 > 0:20:58TRANSLATION FROM ARABIC:
0:21:10 > 0:21:12Excuse me, sir?
0:21:12 > 0:21:14MOBILE PHONE RINGS
0:21:14 > 0:21:16It's me...
0:21:16 > 0:21:17Ah...
0:21:17 > 0:21:19Mr Roper.
0:21:20 > 0:21:22Yes, sir. I am dealing with it.
0:21:23 > 0:21:27I have it all in hand. Yes, sir.
0:21:34 > 0:21:37The minute she appears, you call this number.
0:21:37 > 0:21:41- You hear me? - Yes, sir. Certainly, sir.
0:22:07 > 0:22:10It belongs to an archaeologist friend of mine.
0:22:10 > 0:22:11It's an hour outside the city.
0:22:11 > 0:22:14He's gone back to London tonight and it'll be empty for two weeks,
0:22:14 > 0:22:17and I really think it's the safest option.
0:22:17 > 0:22:18Come with me.
0:22:21 > 0:22:23Please.
0:22:23 > 0:22:24HE SIGHS
0:23:16 > 0:23:20- Youssef, tell no-one we're here. Not even your family.- OK.
0:23:20 > 0:23:21Thank you, brother.
0:23:21 > 0:23:24- No worries. Let me know if you need anything else, OK?- OK.
0:23:24 > 0:23:26All right.
0:23:35 > 0:23:39It's not much, but...it'll do.
0:24:05 > 0:24:07Why do you sit so far away?
0:24:10 > 0:24:12Out of respect, I suppose.
0:24:12 > 0:24:16Is that why you came all the way here? To respect me?
0:24:18 > 0:24:21You have many different voices, Mr Pine.
0:24:21 > 0:24:24You say one thing and...
0:24:24 > 0:24:26that person touches me.
0:24:27 > 0:24:29Then that person is called away
0:24:29 > 0:24:32and somebody quite different takes his place.
0:24:33 > 0:24:35We have a changing of the guard.
0:24:38 > 0:24:40Are you like this with all your women?
0:24:42 > 0:24:44You are not one of my women, Miss Sophie.
0:24:46 > 0:24:47So why are you here?
0:24:56 > 0:25:02I want one of your many selves to sleep with me tonight.
0:25:04 > 0:25:06You can choose which one.
0:25:48 > 0:25:51Sophie's a name you gave yourself, isn't it?
0:25:53 > 0:25:55Yes.
0:25:55 > 0:25:57In Paris.
0:25:57 > 0:25:59I wanted to be more Western.
0:26:04 > 0:26:05What's your real name?
0:26:08 > 0:26:10Samira.
0:26:12 > 0:26:14Samira.
0:26:25 > 0:26:26- What more do you want?- Angela...
0:26:26 > 0:26:28You sent me those papers.
0:26:28 > 0:26:30There isn't another "RM" in the Foreign Office
0:26:30 > 0:26:32sending me top-secret files by private courier.
0:26:32 > 0:26:34I sent them to you as information,
0:26:34 > 0:26:38as I did to everyone in Arms Intelligence. I was transparent.
0:26:38 > 0:26:41Yeah. And while you were at it, you set me up in a transparent shoebox
0:26:41 > 0:26:44in Victoria with no cash and no heating.
0:26:44 > 0:26:46- Angela...- Rex.
0:26:46 > 0:26:49Richard Roper is selling arms to the youngest Hamid brother
0:26:49 > 0:26:52in the heart of Cairo in the middle of what we hope is the Arab Spring.
0:26:52 > 0:26:55- Isn't that exactly what we've been looking for?!- Keep your voice down.
0:26:55 > 0:26:58The Permanent Secretary has a view, which I share,
0:26:58 > 0:27:01that if you are allowed to continue unchecked,
0:27:01 > 0:27:05in your usual headstrong fashion, against Richard Onslow Roper
0:27:05 > 0:27:07without so much as a nod to our friends across the river...
0:27:07 > 0:27:10Yeah, something might actually get done. That's it, isn't it?
0:27:10 > 0:27:12- There is another point of view on all this.- Which is what?
0:27:12 > 0:27:15That arming certain key players whose mobile phone numbers we
0:27:15 > 0:27:19happen to have in our address book might be preferable to indulging
0:27:19 > 0:27:22a whole new bunch of religious lunatics about whom we know nothing.
0:27:22 > 0:27:24Oh, yeah... So instead of putting handcuffs on him,
0:27:24 > 0:27:26we can give him a seat in the House of Lords(!)
0:27:28 > 0:27:31The Joint Intelligence Committee will meet next week.
0:27:31 > 0:27:34We will have a full and frank discussion,
0:27:34 > 0:27:38we will share our intelligence like brothers and sisters and we will
0:27:38 > 0:27:45pursue, not our hopes and dreams, alas, but the art of the possible.
0:27:45 > 0:27:47Now, I have to be at my club in 15 minutes.
0:27:47 > 0:27:52I would invite you but, er... I am obliged to observe club rules.
0:27:52 > 0:27:53I urge you to do the same.
0:27:53 > 0:27:56I can't believe you're still a member of a club that won't allow women.
0:27:56 > 0:27:59Have a lovely time. Apparently, the food's shit!
0:27:59 > 0:28:01DOOR SLAMS SHUT
0:28:06 > 0:28:08Did you ever meet Richard Roper?
0:28:10 > 0:28:12I saw him at a few parties. Why?
0:28:14 > 0:28:16What's he like?
0:28:16 > 0:28:18Very charming.
0:28:20 > 0:28:22Why do you call him the worst man in the world?
0:28:26 > 0:28:31Because he sells destruction, pain and death. And he laughs.
0:28:33 > 0:28:35TEXT ALERT
0:28:50 > 0:28:51What is it?
0:28:53 > 0:28:56Erm... I think you have to leave the country.
0:28:58 > 0:28:59I have nowhere to go.
0:29:03 > 0:29:05You could go to England.
0:29:07 > 0:29:09Will you help me?
0:29:11 > 0:29:12Of course I will.
0:29:56 > 0:29:59- There you are. - Thanks for coming.- Drink?
0:29:59 > 0:30:02- Not here.- OK.
0:30:02 > 0:30:08You know, Jonathan, they're very pleased with what you found.
0:30:08 > 0:30:11Well, if they're so pleased, how come they tipped off Richard Roper?
0:30:11 > 0:30:14- What are you talking about? - Someone in London tipped off Roper.
0:30:14 > 0:30:19My source had her face smashed up in her hotel room by Freddie Hamid.
0:30:19 > 0:30:22Are you telling me your source is Freddie Hamid's whore?
0:30:27 > 0:30:28Where is she now?
0:30:30 > 0:30:31- She's somewhere safe.- OK.
0:30:31 > 0:30:34Well, wherever you've hidden her, that's a temporary solution. Yes?
0:30:34 > 0:30:37- Yes, of course. - So what are you planning?
0:30:37 > 0:30:40- I'm planning to get her out of the country.- Aha... Where to?
0:30:40 > 0:30:43- Where do you think, Simon?- Jonathan, if you think the British Government
0:30:43 > 0:30:46is going to give safe haven to Hamid's tart, think again.
0:30:46 > 0:30:47Excuse me?
0:30:47 > 0:30:49The British Government have a responsibility...
0:30:49 > 0:30:53The Hamid family have invested over a billion dollars in Britain in the last five years.
0:30:53 > 0:30:56They're having hotels built in London, Manchester...
0:30:56 > 0:30:59They fund political parties, they're at every top table you can name.
0:30:59 > 0:31:02You think your girl is safe in London?
0:31:02 > 0:31:05Freddie Hamid has more friends in London than you and I put together.
0:31:05 > 0:31:10- She has none.- She gave us vital intelligence that can save lives.
0:31:10 > 0:31:11This wasn't a business transaction.
0:31:11 > 0:31:15This was a humanitarian act, we have a duty of care.
0:31:15 > 0:31:17I'm advising you Jonathan.
0:31:17 > 0:31:22You fly that girl out, it's a confession of her guilt.
0:31:22 > 0:31:26Freddie Hamid will know it was her, so will Richard Roper.
0:31:26 > 0:31:29And no-one will lift a finger to stop them.
0:31:29 > 0:31:32She needs to convince Hamid she knows nothing.
0:31:32 > 0:31:34That is her only chance.
0:31:41 > 0:31:42HE SIGHS
0:31:48 > 0:31:51PHONE RINGS
0:32:00 > 0:32:02Yes?
0:32:03 > 0:32:05'Sophie, it's me.'
0:32:06 > 0:32:09Oh, Jonathan...
0:32:09 > 0:32:11I miss you so much.
0:32:13 > 0:32:14'Jonathan...?'
0:32:18 > 0:32:19Yes, erm...
0:32:21 > 0:32:23Look, er...
0:32:24 > 0:32:26Yes?
0:32:26 > 0:32:29London is not an option.
0:32:31 > 0:32:32'It's all going to be fine.
0:32:32 > 0:32:35'You just have to give me more time, that's all.'
0:32:36 > 0:32:40There we have it. The changing of the guards.
0:32:40 > 0:32:43No, no, no, nothing has changed. It's all still the same.
0:32:43 > 0:32:45It's going to... I'll find a way. I promise.
0:33:11 > 0:33:12Thank you.
0:33:28 > 0:33:30My key, please.
0:33:32 > 0:33:35- Ms Alekan, if Mr Hamid... - Just my key, thank you.
0:33:41 > 0:33:44And tell the concierge to bring my dog to my room.
0:34:01 > 0:34:03- What have you got?- Not a lot.
0:34:03 > 0:34:06Roper's careful who he talks to. GCHQ have nothing but dross.
0:34:06 > 0:34:09It's always the same - his name's not on a single thing.
0:34:09 > 0:34:11There's not a single register at Companies House,
0:34:11 > 0:34:13not one e-mail, not even a text.
0:34:13 > 0:34:15I bet his fingers don't have prints.
0:34:15 > 0:34:18PHONE RINGS
0:34:18 > 0:34:19Rob Singhal, IEA.
0:34:23 > 0:34:28I see. Do you want to speak to her yourself? Yep, yeah.
0:34:28 > 0:34:29I can tell her.
0:34:33 > 0:34:36The JIC meeting's been cancelled.
0:34:36 > 0:34:38Cancelled? What do you mean, cancelled?
0:34:38 > 0:34:40Apparently, there are political reasons why an enquiry
0:34:40 > 0:34:44into the Cairo papers would not be "productive" at this time.
0:34:44 > 0:34:47- Get Mayhew's office on the phone. - That was Mayhew's office.
0:34:49 > 0:34:50Roper.
0:34:53 > 0:34:54Who sent the Cairo papers?
0:34:54 > 0:34:58Station officer, name of Ogilvey.
0:34:58 > 0:35:00- Simon Ogilvey?- Yes.
0:35:00 > 0:35:03He was my leg man in Kiev, 2004. Get him on the phone.
0:35:08 > 0:35:10PHONE RINGS
0:35:17 > 0:35:19Nefertiti Hotel, Cairo.
0:35:19 > 0:35:21'Is that the night manager?'
0:35:21 > 0:35:23Yes. Who's speaking, please?
0:35:23 > 0:35:25'You have a guest in the Hatshepsut Suite.
0:35:25 > 0:35:27'She needs to leave the hotel immediately.
0:35:27 > 0:35:32'Call me when she's safe - 44700 707070.'
0:35:32 > 0:35:35- Who is this, please?- 'My name's Angela Burr. I'm a friend.'
0:35:35 > 0:35:36What do you mean, "a friend"?
0:35:36 > 0:35:39Just get her out, Mr Pine. Her life is at risk.
0:35:57 > 0:36:00HE BREATHES HEAVILY
0:36:16 > 0:36:17Oh, God!
0:36:24 > 0:36:25Sophie?
0:36:28 > 0:36:29No!
0:36:46 > 0:36:49HE BREATHES HEAVILY
0:37:21 > 0:37:23She was a guest at the hotel.
0:37:23 > 0:37:26I think she was connected to Freddie Hamid.
0:37:26 > 0:37:27Who?
0:37:27 > 0:37:30Freddie Hamid.
0:37:30 > 0:37:32Freddie Hamid?
0:37:32 > 0:37:34You must know him, the Hamids?
0:37:34 > 0:37:36- I don't know him. - How can you not know him?
0:37:36 > 0:37:38They're one of the most famous families in the city.
0:37:38 > 0:37:41No. Was burglar. Crazy burglar.
0:37:41 > 0:37:44What are you talking about? Why would a burglar do that?
0:37:44 > 0:37:46What do you care?
0:37:46 > 0:37:48Maybe you know her better than you say?
0:37:49 > 0:37:50Maybe you kill her?
0:39:09 > 0:39:11Good evening, Herr Strippli.
0:39:11 > 0:39:12Mr Pine.
0:39:16 > 0:39:17Good evening, Fraulein Vipp.
0:39:17 > 0:39:19Guten abend, Herr Pine.
0:39:46 > 0:39:48Herr Strippli, you should have gone by now.
0:39:48 > 0:39:52A late booking came in. I had to arrange their requirements.
0:39:52 > 0:39:54Private jet, landing in Dubendorf.
0:39:54 > 0:39:57- I am sending a helicopter to pick them up.- Hm.
0:39:59 > 0:40:01You know of him?
0:40:03 > 0:40:06He used to come every year, but that was long before your time.
0:40:08 > 0:40:10And this parcel came for them.
0:40:10 > 0:40:12Please give it to them when they arrive.
0:40:12 > 0:40:15Goodnight, Mr Pine.
0:40:15 > 0:40:17Gute nacht.
0:40:24 > 0:40:26DISTANT HELICOPTER
0:40:45 > 0:40:46Thank you.
0:40:51 > 0:40:54- Very nicely done, may I say? - Thank you.
0:40:54 > 0:40:55That was very elegant.
0:40:58 > 0:41:00It is so pleasing to wake up the fucking Germans.
0:41:15 > 0:41:16Welcome to Zermatt, sir.
0:41:18 > 0:41:22I'm Dicky Roper. My chaps have booked some rooms here.
0:41:22 > 0:41:23Quite a lot of them, actually.
0:41:23 > 0:41:26How very good to see you, Mr Roper. My name's Pine.
0:41:26 > 0:41:31I'm the night manager. I do hope your journey wasn't too ghastly.
0:41:31 > 0:41:34So, where's old Meister?
0:41:34 > 0:41:38Tucked up in bed, is he, with an Ovaltine? Or German porn?
0:41:40 > 0:41:43How you getting on with those magazines, Jed, darling?
0:41:43 > 0:41:45Just fine, darling.
0:41:45 > 0:41:48Herr Meister is unavoidably tied up tonight, I'm afraid.
0:41:48 > 0:41:50He asked me to show you the rooms.
0:41:50 > 0:41:53But he does enormously look forward to seeing you in the morning
0:41:53 > 0:41:56when you're rested from the journey.
0:41:56 > 0:41:59- You English, Pine? - To the core, sir.
0:41:59 > 0:42:01Wise man.
0:42:01 > 0:42:04Corky! Are you proposing marriage to the young lady?
0:42:04 > 0:42:06Highly bloody unlikely.
0:42:06 > 0:42:07Nearly there, Chief.
0:42:07 > 0:42:10I'm terribly sorry about that, it's the new security, I'm afraid.
0:42:10 > 0:42:14The Swiss police insist. There seems to be nothing we can do.
0:42:14 > 0:42:15You been here long?
0:42:15 > 0:42:18Weren't here last time we came, was he, Frisky?
0:42:18 > 0:42:19No, he wasn't.
0:42:19 > 0:42:22I've been here for two and a half years, sir.
0:42:22 > 0:42:23Before that?
0:42:25 > 0:42:28I was in Italy and, before that, Tangier.
0:42:30 > 0:42:31All done!
0:42:31 > 0:42:35About bloody time! Whatever happened to your signing hand?
0:42:35 > 0:42:36Wanker's colic, Chief.
0:42:36 > 0:42:39- Limp wrist, more like. - Your key, sir.
0:42:39 > 0:42:42This is one of Herr Meister's new innovations.
0:42:42 > 0:42:44It's a little outre, I confess,
0:42:44 > 0:42:46but our less sophisticated guests adore it.
0:42:46 > 0:42:50Well, I adore it and I'm bloody sophisticated!
0:42:50 > 0:42:51Taiwan.
0:42:51 > 0:42:53Tabby.
0:42:57 > 0:43:00- How was the ride in, sir?- Noisy.
0:43:00 > 0:43:03It can be terribly bumpy up there, even on a clear night.
0:43:04 > 0:43:07Heroic of you to venture aloft at all, if you ask me.
0:43:07 > 0:43:10MUTED CONVERSATION
0:43:21 > 0:43:23CORKORAN SPEAKS FRENCH
0:43:23 > 0:43:25- Champagne, sir? - Yes, thank you.
0:43:25 > 0:43:29HE CONTINUES SPEAKING FRENCH
0:43:30 > 0:43:33Gregory, listen to me. All we need is delivery by Tuesday.
0:43:33 > 0:43:36So tell your friends by the Vltava that they need you to start
0:43:36 > 0:43:38driving tomorrow morning.
0:43:38 > 0:43:41This room is probably exactly as you remember it, sir,
0:43:41 > 0:43:44although the bathrooms have been completely refurbished.
0:43:44 > 0:43:48There's a new free-standing tub, mini spa facilities and a Jacuzzi.
0:43:48 > 0:43:51- I'm going to take a bath, baby. - All right.
0:44:08 > 0:44:10Pretty, isn't she?
0:44:12 > 0:44:14I went to New York to buy a painting and came back with her.
0:44:14 > 0:44:17Liar. You said you were buying a horse.
0:44:17 > 0:44:18It was a painting of a horse.
0:44:26 > 0:44:28Sandy, are you coming to bed?
0:44:28 > 0:44:32This is Lady Langbourne, best skier within 100 miles, I guarantee it.
0:44:32 > 0:44:33Once upon a time.
0:44:33 > 0:44:37Knees gone, poor old thing. Completely worn out.
0:44:37 > 0:44:39Goodnight, my beloved.
0:44:39 > 0:44:41TEXT ALERT
0:44:41 > 0:44:44Soldier Boris says OK, Monday lunchtime. OK, Monday lunchtime?
0:44:44 > 0:44:46Fix.
0:44:46 > 0:44:47Aren't we getting rid of these?
0:44:47 > 0:44:49They were supposed to be here by six o'clock.
0:44:49 > 0:44:51Anything come, Pine? A package for us?
0:44:51 > 0:44:53Nothing that I've seen, sir.
0:44:53 > 0:44:55I'll chase it for you.
0:44:55 > 0:44:58Your friend Apostol says he can meet you in town tomorrow night.
0:44:58 > 0:45:00Too public. Make it here.
0:45:03 > 0:45:05Play golf, do we, sweetheart?
0:45:05 > 0:45:07No, sir, I don't.
0:45:07 > 0:45:09Me neither. Just the nineteenth hole.
0:45:11 > 0:45:13Darling, some more shampoo, please.
0:45:13 > 0:45:16She means the...
0:45:16 > 0:45:19Ah. Take it into her, would you, old boy?
0:45:27 > 0:45:29- Certainly, sir.- Only joking.
0:45:32 > 0:45:34Although I think we might need
0:45:34 > 0:45:37another couple of bottles of this stuff.
0:45:37 > 0:45:39Of course, sir. Absolutely, right away.
0:45:39 > 0:45:42Find out what happened to the bloody parcel, will you?
0:45:42 > 0:45:45Yes, sir. I'll have it sent up as soon as it arrives.
0:46:07 > 0:46:11- Can I see tonight's late arrivals, please?- Yes.
0:46:11 > 0:46:13Just a second.
0:46:13 > 0:46:15- Here they are.- Thank you.
0:46:23 > 0:46:26Could you do photocopies of these for me, please, Fraulein?
0:46:26 > 0:46:29We're doing a marketing survey of Tower Suite guests.
0:46:29 > 0:46:31- Yes, of course, Mr Pine. - Thank you.
0:46:33 > 0:46:35DOOR CLICKS SHUT
0:47:13 > 0:47:15Ah, Alfred. Could you deliver this to Mr Roper?
0:47:15 > 0:47:18Also, one more thing - please don't forget to empty the rubbish
0:47:18 > 0:47:22- from their bins right away. Mr Roper hates mess.- Of course.- Thanks.
0:47:43 > 0:47:44Can I help you, madam?
0:47:46 > 0:47:48Do you really stay awake all night?
0:47:50 > 0:47:51Yes, madam...
0:47:52 > 0:47:54..it's my job.
0:47:57 > 0:47:59Is the pool open?
0:47:59 > 0:48:01Give me one moment, please.
0:48:55 > 0:48:57METALLIC JANGLING
0:49:11 > 0:49:13Can I help you, gentlemen?
0:49:13 > 0:49:15Is the bar still open?
0:49:15 > 0:49:17- Yes, of course, sir.- Perfect.
0:49:17 > 0:49:19Allow me to escort you.
0:49:24 > 0:49:26Thank you.
0:51:04 > 0:51:08Yes, hello. Could I speak to an Angela Burr, please?
0:51:09 > 0:51:11My name is Jonathan Pine.
0:51:21 > 0:51:25LOW CONVERSATION
0:51:30 > 0:51:32- Hi! How are you?- Good evening.
0:51:32 > 0:51:33- Good to see you.- You, too.
0:51:33 > 0:51:35Are you well?
0:51:35 > 0:51:37Hi, I am Jed, so nice to meet you.
0:51:37 > 0:51:40- Apo, how are you? You look well. - You, too.- Thank you.
0:51:40 > 0:51:41This is Mercedes.
0:51:41 > 0:51:43Hello. Nice to meet you.
0:51:43 > 0:51:45She has never been to Zermatt before.
0:51:45 > 0:51:48- And I said, "You have to come!" - But of course.
0:51:54 > 0:51:55HE WHISTLES
0:52:00 > 0:52:02I know what you're thinking.
0:52:02 > 0:52:04Which is the daughter and which is the mistress?
0:52:04 > 0:52:07The young beauties will be leaving us in a moment.
0:52:07 > 0:52:09Make sure they're well serviced in the lounge.
0:52:09 > 0:52:11I trust that won't be too painful for you.
0:52:14 > 0:52:15Ladies.
0:52:17 > 0:52:18Come.
0:52:24 > 0:52:25- Apo...- Yes?
0:52:25 > 0:52:30I've received an offer. Combine harvesters.
0:52:30 > 0:52:33Some time in the next six months. Looking for interested buyers.
0:52:48 > 0:52:49Glimpse of the infinite.
0:52:57 > 0:52:58Yes. It's reassuring.
0:52:58 > 0:53:00Up to a point.
0:53:01 > 0:53:04- You work here all year? - Indeed, sir.
0:53:06 > 0:53:08I don't think I could do that. Too bloody quiet for me.
0:53:09 > 0:53:11Get used to it eventually.
0:53:12 > 0:53:15Keeping away from the world, are we? Got a girl?
0:53:16 > 0:53:18- No, sir.- All alone.
0:53:20 > 0:53:22Well, I suppose we all are, in the end, aren't we?
0:53:26 > 0:53:29You know, a lot of people would have tossed that cigarette away
0:53:29 > 0:53:31when the paying customer turned up.
0:53:32 > 0:53:33Good for you.
0:53:35 > 0:53:39We leave tomorrow, so until the next time...
0:53:39 > 0:53:41- adios!- Goodnight, sir.
0:53:45 > 0:53:47HE BREATHES OUT SHAKILY
0:53:59 > 0:54:01STATION TANNOY MAKES ANNOUNCEMENTS
0:54:33 > 0:54:35- Angela Burr?- Yes.
0:54:35 > 0:54:38- Jonathan Pine.- Nice to meet you.
0:54:38 > 0:54:40THEY SPEAK GERMAN
0:54:43 > 0:54:47- Thank you for coming all this way. I appreciate it.- Pleasure.
0:54:54 > 0:54:56These are for you.
0:55:03 > 0:55:06Richard Roper was recently a guest at the Meisters Hotel.
0:55:07 > 0:55:11Do whatever you want with those. I don't want to be involved.
0:55:17 > 0:55:18Thank you.
0:55:21 > 0:55:22So, why did you do it?
0:55:24 > 0:55:26Why does Jonathan Pine, respected hotelier,
0:55:26 > 0:55:29risk his career by snitching on his guests?
0:55:29 > 0:55:31First in Cairo and then here.
0:55:31 > 0:55:33I don't know.
0:55:34 > 0:55:35Yes, you do.
0:55:39 > 0:55:41- Something stirred, I suppose. - What stirred?
0:55:41 > 0:55:46Listen, if there is a man selling a private arsenal to an Egyptian crook
0:55:46 > 0:55:49and he's English and you're English
0:55:49 > 0:55:53and those weapons could cause a lot of pain to a lot of people,
0:55:53 > 0:55:55then you just do it.
0:55:57 > 0:55:59Anyone would do it.
0:56:00 > 0:56:02Plenty wouldn't.
0:56:04 > 0:56:06You were a soldier yourself, of course.
0:56:07 > 0:56:09Yes, I was.
0:56:09 > 0:56:11Iraq. Two tours.
0:56:13 > 0:56:15You know what those weapons can do to a body.
0:56:17 > 0:56:20I saw things in Iraq that didn't line up with my idea
0:56:20 > 0:56:21of what it means to be a soldier.
0:56:24 > 0:56:27And then there's Sophie Alekan. Your Sophie.
0:56:27 > 0:56:29She wasn't my Sophie.
0:56:32 > 0:56:34Mr Pine...
0:56:34 > 0:56:37what happened to Sophie Alekan makes us all involved.
0:56:42 > 0:56:44What happened in Cairo...
0:56:44 > 0:56:46shames me to the bottom of my soul.
0:56:47 > 0:56:50I know you can't forgive the man who did that.
0:56:50 > 0:56:53The question is, what are you prepared to do about it?