0:00:03 > 0:00:08This programme contains some violent scenes
0:00:56 > 0:01:02# Plain gold ring on his finger he wore
0:01:04 > 0:01:11# It was where everyone could see
0:01:12 > 0:01:15# He belonged to someone
0:01:17 > 0:01:20# But not me
0:01:20 > 0:01:26# On his hand was a plain...
0:01:26 > 0:01:32# Gold band
0:01:34 > 0:01:40# Plain gold ring had a story to tell
0:01:44 > 0:01:50# It was one
0:01:50 > 0:01:55# That I knew too well
0:01:57 > 0:02:03# Plain gold ring on his finger he wore... #
0:02:03 > 0:02:04PHONE VIBRATES
0:02:11 > 0:02:13Mum? What do you want?
0:02:13 > 0:02:15I didn't think you'd pick up.
0:02:16 > 0:02:17Listen, you know the deal.
0:02:17 > 0:02:20I call you. You don't call me here.
0:02:20 > 0:02:21You're ashamed to talk to me?
0:02:24 > 0:02:26Listen, I don't have time to talk to you. I'm going out.
0:02:26 > 0:02:29- Where you going? - It doesn't matter.
0:02:29 > 0:02:31Some... Somewhere on the island.
0:02:31 > 0:02:33How's the weather there? Just fine?
0:02:37 > 0:02:38How's Billy?
0:02:38 > 0:02:39As if you care.
0:02:41 > 0:02:44They say he doesn't even ask about you any more.
0:02:46 > 0:02:48There's more money coming at the end of the month.
0:02:49 > 0:02:51That's why you called me, right?
0:02:51 > 0:02:53I'm putting the phone down.
0:02:53 > 0:02:54Just remember one thing, honey.
0:02:56 > 0:02:58You're nothing but a dirty whore.
0:03:00 > 0:03:02KNOCK AT DOOR
0:03:02 > 0:03:03Just a minute...
0:03:14 > 0:03:16Come in.
0:03:18 > 0:03:20Oh!
0:03:20 > 0:03:22Danny. I thought you were your father.
0:03:22 > 0:03:23Dad says we need to go.
0:03:23 > 0:03:25I know, I'm coming.
0:03:25 > 0:03:27You just wait outside.
0:03:27 > 0:03:28OK.
0:03:44 > 0:03:47- How do I look? - You look very pretty.
0:03:49 > 0:03:50Come on...
0:03:50 > 0:03:52Go!
0:03:54 > 0:03:56I misunderstood him.
0:03:56 > 0:03:59The fact remains, you and paella do not get on,
0:03:59 > 0:04:02to the point where basically we're out seven million,
0:04:02 > 0:04:04because Corky doesn't like paella.
0:04:04 > 0:04:05That's one version, Chief.
0:04:05 > 0:04:08What do you mean that's one version? That is THE version!
0:04:08 > 0:04:09It's a matter of record.
0:04:09 > 0:04:11You chaps better go on ahead, I think.
0:04:11 > 0:04:14- Truly is some of the most exquisite food...- There you are!
0:04:14 > 0:04:16Starting to think you'd drowned in the bath.
0:04:16 > 0:04:18Baby, I have terrible news.
0:04:18 > 0:04:20I have a new date for tonight.
0:04:20 > 0:04:23He's young, and he's seriously hot.
0:04:23 > 0:04:25Well, I wouldn't put it past him.
0:04:26 > 0:04:27All right, come on. Let's go, I'm starving.
0:04:27 > 0:04:30- You going to come with me, Dans? - OK. Are we taking the boats?
0:04:30 > 0:04:33Yes, we are, sir. You might even drive if you're lucky.
0:04:33 > 0:04:35Yes, you lot. Follow me.
0:05:19 > 0:05:20Whee!
0:05:24 > 0:05:26- Hello.- Nice to see you!
0:05:26 > 0:05:27- For me too.- Hi.
0:05:27 > 0:05:30- Jorge, how are you? Good to see you.- Mr Roper, how are you?
0:05:30 > 0:05:33Very well, thank you. Are you still doing the shellfish soup?
0:05:33 > 0:05:34Yes, of course!
0:05:34 > 0:05:36The recipe lives on.
0:05:36 > 0:05:37We'll have that to start.
0:05:37 > 0:05:40All except for Major Corkoran, who will have the paella.
0:05:40 > 0:05:41Hi there, how are you?
0:05:41 > 0:05:45Very good to see you. Hi, darling, how are you?
0:05:45 > 0:05:48- Good to see you, are you well? - Good to see you again.
0:05:48 > 0:05:51I think it is mad, no, I think it's actually hypocritical
0:05:51 > 0:05:54that if you like eating venison, you ought to be able to kill a stag.
0:05:54 > 0:05:57- I think if you're willing to kill a stag...- Danny, want some of this?
0:05:57 > 0:06:00..you have to be willing to admit you just like killing stags.
0:06:00 > 0:06:02Thank you Jed, I now officially love you.
0:06:02 > 0:06:07Chief, is it OK to baptise the princeling in the ways of the grape?
0:06:10 > 0:06:12I think that's a yes. Isn't it?
0:06:12 > 0:06:15Dicky, will you please tell Jed I don't have blood lust? I don't!
0:06:15 > 0:06:18Beautiful, beautiful fizzy liquid. You've got so many lusts, Sandy.
0:06:18 > 0:06:19That's why we love you. Isn't it?
0:06:19 > 0:06:22- ROPER:- Give the stag an M16, Sandy, then I'm interested.
0:06:22 > 0:06:24GIVE him an M16? Bollocks!
0:06:24 > 0:06:26Christ, SELL him.
0:06:26 > 0:06:28Oh, he likes it.
0:06:28 > 0:06:29What do you think, Daniel?
0:06:30 > 0:06:31He likes it.
0:06:31 > 0:06:32ROPER CHUCKLES
0:06:32 > 0:06:34- Oh, dear! - See what you've done!
0:06:34 > 0:06:36What if he turns out like me, boss?
0:06:36 > 0:06:37I can see this as a...
0:06:37 > 0:06:39This is a dark, dark road you've embarked upon.
0:06:39 > 0:06:41Thank you, Corky(!)
0:06:41 > 0:06:42Yes. What do you want to do?
0:06:42 > 0:06:44- You want to...- What do you think?
0:06:44 > 0:06:46- That is really good.- Get on!
0:06:46 > 0:06:48All right, all right, all right.
0:06:48 > 0:06:49Go on, then.
0:06:50 > 0:06:52- Come on.- Did you like the wine?
0:06:52 > 0:06:53Where we going?
0:06:53 > 0:06:55- It's a secret. - Where are you going?
0:06:57 > 0:06:59You drink my wine, you steal my woman.
0:07:01 > 0:07:03Proud of you, Danny.
0:07:04 > 0:07:06Bring her back in one piece will you?
0:07:06 > 0:07:09- Lord Langbourne is a snob, basically.- What?
0:07:09 > 0:07:11Three generations of Eton or you're not on the map.
0:07:11 > 0:07:14I'm only one generation, Sandy. So what does that make me?
0:07:15 > 0:07:17You're paying the bill, Dicky. Which means...
0:07:17 > 0:07:18you are the map.
0:07:20 > 0:07:22To Ricardo!
0:07:22 > 0:07:23Cheers. Good health.
0:07:23 > 0:07:26Slimy bloody arse-licking creep(!)
0:07:26 > 0:07:28MODERN FLAMENCO PLAYS
0:07:54 > 0:07:57Excuse me, small person, out of my way.
0:07:57 > 0:08:00May I have this dance?
0:08:00 > 0:08:03- Thank you so much. - Of course.
0:08:03 > 0:08:06Right, let's see what you've got. OK, OK, that's fine,
0:08:06 > 0:08:09that's fine. And again, and round... Very good.
0:08:12 > 0:08:14Chief, I think she wants to dance.
0:08:14 > 0:08:16Go on, then, Corkoran.
0:08:16 > 0:08:18Right, come on, I'll do it.
0:08:18 > 0:08:20Tear it up, tear it up!
0:08:21 > 0:08:23Oh, yeah. Come on, baby!
0:08:24 > 0:08:28..and right, and left, that's it!
0:08:28 > 0:08:29It's time to put the children to bed.
0:08:29 > 0:08:31Oh, no, I hate children(!)
0:08:31 > 0:08:34Thank you, great dancing. Guys, goodnight, sleep well.
0:08:34 > 0:08:35Come on, ignore it.
0:08:37 > 0:08:38Dance with me!
0:08:38 > 0:08:39DRIVING GAME WHINES FAINTLY
0:08:39 > 0:08:43..if you had Chateaubriand every single day, there'd no point at which you'd go,
0:08:43 > 0:08:46"Oh, for God's sake..." I give up, were you born on sirloin?
0:08:46 > 0:08:47No.
0:08:48 > 0:08:51- Corky has smelt the... - Nobody move! Nobody move!
0:08:51 > 0:08:52- SCREAMS - This is a robbery.
0:08:52 > 0:08:54GUNS DOWN! GUNS DOWN!
0:08:54 > 0:08:55ON THE FLOOR! GUNS DOWN!
0:08:55 > 0:08:57Why do you got guns? You police?
0:08:57 > 0:09:00- You police? - No, no, no, they're with me.
0:09:00 > 0:09:02Put the guns on the floor! On the floor.
0:09:02 > 0:09:03Roper, please, Goddamn it, Roper.
0:09:03 > 0:09:05Frisky, Tabby,
0:09:05 > 0:09:06do what he says.
0:09:08 > 0:09:09(On the floor!)
0:09:12 > 0:09:13And everyone stay very, very calm.
0:09:15 > 0:09:17We're going to do exactly what this gentleman wants us to do.
0:09:17 > 0:09:19And everything is going to be fine.
0:09:19 > 0:09:20You are a rich man.
0:09:21 > 0:09:23Yes, I am a rich man.
0:09:23 > 0:09:24I'm going to give you all the money we have,
0:09:24 > 0:09:26I'm going to give you wallets, jewellery.
0:09:26 > 0:09:28We'll give you anything in the restaurant till.
0:09:28 > 0:09:30And then, you're going to leave. Right?
0:09:30 > 0:09:32Jorge, will you check the till, please?
0:09:32 > 0:09:33Tell him no alarms.
0:09:33 > 0:09:34No alarms, Jorge.
0:09:34 > 0:09:36And slowly!
0:09:37 > 0:09:39Everybody stay very, very calm.
0:09:39 > 0:09:41- Dad!- It's all right, just keep looking at me.
0:09:41 > 0:09:43Back off. Back off.
0:09:43 > 0:09:45Tabby, Tabby, Tabby, step back...
0:09:45 > 0:09:46He's your boy?
0:09:47 > 0:09:49Yes. He's my boy.
0:09:50 > 0:09:53Danny, it's fine, just keep looking at me. It's fine.
0:09:53 > 0:09:55Jewellery.
0:09:55 > 0:09:57- Wallets.- Just give him everything we have.- OK.
0:09:58 > 0:09:59In the bag!
0:09:59 > 0:10:01It's all right, Danny.
0:10:03 > 0:10:05That's all? Where is the real money?
0:10:05 > 0:10:07That's shit, man!
0:10:07 > 0:10:08Where is the rest?!
0:10:09 > 0:10:10We can send for some money.
0:10:10 > 0:10:13- How much do we have, Corks? - About 100.
0:10:13 > 0:10:14There you are, 100,000.
0:10:14 > 0:10:16We can have it here in 15 minutes.
0:10:16 > 0:10:19All you have to do is let the boy go.
0:10:19 > 0:10:21It's all right, Danny. It's all right.
0:10:21 > 0:10:22HE SPEAKS OWN LANGUAGE
0:10:22 > 0:10:25We contact you. We contact you.
0:10:25 > 0:10:26You bring the money to us.
0:10:26 > 0:10:28We give you back the boy.
0:10:28 > 0:10:29- No, no, no, we will give you money. - No, no, no!
0:10:29 > 0:10:32We will give you money! But you have to leave the boy here.
0:10:32 > 0:10:33- We contact you!- No, no, no.
0:10:33 > 0:10:35On the floor, on the ground!
0:10:35 > 0:10:37- No. You take me instead! - You don't have to do that!- Back off!
0:10:37 > 0:10:38SHOUTING AND SCREAMING
0:10:38 > 0:10:41Down on the ground! Everybody on the ground!
0:10:42 > 0:10:44- Everybody on the ground! - Daaaad!
0:10:44 > 0:10:45We contact you.
0:10:45 > 0:10:47ROBBER SPEAKS OWN LANGUAGE
0:10:47 > 0:10:49DANNY WAILS OTHERS SHOUT
0:10:49 > 0:10:51All right, all right, all right..
0:10:51 > 0:10:52Stay there or the boy dies.
0:10:52 > 0:10:56Dad! Daaaad!
0:10:56 > 0:10:58On the ground. On the ground.
0:10:58 > 0:10:59On the ground.
0:10:59 > 0:11:00Get down! Shut up!
0:11:05 > 0:11:07METAL CLANGING
0:11:07 > 0:11:08Who's in there? Who's in there?
0:11:08 > 0:11:10Good boy. Good boy.
0:11:10 > 0:11:11Good boy.
0:11:50 > 0:11:52Mr Burr always wanted to come to the Swiss Alps.
0:11:53 > 0:11:55He likes the peace and quiet, does Mr Burr.
0:11:58 > 0:11:59You don't?
0:11:59 > 0:12:01All this snow and silence makes me want to scream.
0:12:01 > 0:12:03HE CHUCKLES Don't worry, I'm not going to.
0:12:03 > 0:12:05OK.
0:12:05 > 0:12:06How long have you been together?
0:12:08 > 0:12:0920 years, come November.
0:12:09 > 0:12:11Wow! Congratulations.
0:12:11 > 0:12:13It's marriage, Jonathan. It's not a state of bliss.
0:12:15 > 0:12:17Any children?
0:12:17 > 0:12:18First and last.
0:12:22 > 0:12:26So there's no mention of Cairo on your professional CV. I checked.
0:12:27 > 0:12:29Yeah. I took it off after I left.
0:12:29 > 0:12:30Why?
0:12:33 > 0:12:35I had to.
0:12:36 > 0:12:38So if Roper checked with Meisters for a biography,
0:12:38 > 0:12:40Cairo wouldn't come up.
0:12:40 > 0:12:41No.
0:12:41 > 0:12:43What about Freddie Hamid?
0:12:44 > 0:12:46To him I was just a man in a uniform.
0:12:47 > 0:12:48He never knew my name.
0:12:49 > 0:12:52So just a little bit of airbrushing and you'd be clean?
0:12:54 > 0:12:55Clean.
0:12:56 > 0:12:58Do you handle cash in that hotel of yours?
0:12:58 > 0:12:59Yeah...
0:12:59 > 0:13:01Sometimes.
0:13:01 > 0:13:03Suppose you stole some of it? Or all of it?
0:13:03 > 0:13:05Would anyone notice straight away?
0:13:06 > 0:13:08Not if I was clever about it.
0:13:08 > 0:13:11Ah, well, luckily you are clever, Jonathan. Cos I checked.
0:13:11 > 0:13:12Did you?
0:13:12 > 0:13:14Course you did.
0:13:25 > 0:13:26Don't get many visitors here, do you?
0:13:27 > 0:13:29No.
0:13:33 > 0:13:35Oh, TE Lawrence...
0:13:35 > 0:13:36of Arabia.
0:13:38 > 0:13:41The lonely genius who wished only to be a number.
0:13:42 > 0:13:43Would you put that back, please?
0:13:43 > 0:13:44Whose initials are these?
0:13:46 > 0:13:48They're my father's. It's private.
0:13:48 > 0:13:50Oh, sorry. I didn't realise it meant that much to you.
0:13:52 > 0:13:54Yes, you did.
0:13:57 > 0:14:00He was undercover in Belfast, wasn't he, your father?
0:14:00 > 0:14:01Yes, he was.
0:14:01 > 0:14:03Same regiment as you.
0:14:03 > 0:14:05Yeah.
0:14:05 > 0:14:07I read that they had to put his uniform back on
0:14:07 > 0:14:08before they buried him.
0:14:10 > 0:14:12What do you want, Ms Burr?
0:14:14 > 0:14:15I want to make you an offer.
0:14:16 > 0:14:18Come and work for me...
0:14:18 > 0:14:21and afterwards when it's all over, I will look after you.
0:14:21 > 0:14:23Resettlement, new name, new identity,
0:14:23 > 0:14:25new life.
0:14:29 > 0:14:32An offer to do what?
0:14:33 > 0:14:34To bring down Richard Roper.
0:14:37 > 0:14:40I've spent ten years of my life going after that man.
0:14:41 > 0:14:43I've had microphones up his arse,
0:14:43 > 0:14:45I've had GCHQ tapping every bloody e-mail.
0:14:45 > 0:14:48I've had a thousand satellites overflying him
0:14:48 > 0:14:50and I can't get close to him.
0:14:50 > 0:14:52Do you know why?
0:14:52 > 0:14:53Because he's too smart.
0:14:53 > 0:14:54But that'll change.
0:14:55 > 0:14:58I want to put you inside his operation.
0:14:58 > 0:15:00I will give you a legend as thick as your arm.
0:15:02 > 0:15:05You will be in so deep, you'll worry that you'll never get out of it.
0:15:05 > 0:15:07There's not a scrap of you that won't get used,
0:15:07 > 0:15:10there's not an hour that will go by that you won't be scared.
0:15:10 > 0:15:11But you will nail him.
0:15:12 > 0:15:14You will nail him for Sophie Alekan.
0:15:16 > 0:15:17You will nail him for your country.
0:15:17 > 0:15:20And you will nail him for the man that owned that book.
0:15:26 > 0:15:28Or you can go back to the hotel of non-existence.
0:15:28 > 0:15:29It's up to you.
0:15:41 > 0:15:42I think he's going to do it.
0:15:44 > 0:15:46- What do you need?- I need to give him a criminal history,
0:15:46 > 0:15:48something for Roper to find.
0:15:48 > 0:15:50It's got to be West Country and it needs to be real.
0:15:50 > 0:15:51I need the Home Office on board.
0:15:51 > 0:15:54And I need you to take out at least three Devon police officers,
0:15:54 > 0:15:56take them to lunch, get them to play the game.
0:15:56 > 0:15:58No half measures, then, eh?
0:15:58 > 0:16:00And not a word to the River House, Rex.
0:16:00 > 0:16:02Do you understand me? Not...a...word.
0:16:04 > 0:16:06I do hope I'm not about to regret the soft spot
0:16:06 > 0:16:08that I have for you, Angela.
0:16:28 > 0:16:30DISTANT CLUNK
0:17:06 > 0:17:08KNOCKING
0:17:14 > 0:17:15All right.
0:17:16 > 0:17:19This is Rob Singhal, my deputy.
0:17:19 > 0:17:20Hello.
0:17:24 > 0:17:26You up for it?
0:17:26 > 0:17:27You're sure, are you?
0:17:29 > 0:17:30Yeah.
0:17:33 > 0:17:35Right, well, sit down, have a cup of tea, for God's sake.
0:17:35 > 0:17:36You're making me feel nervous.
0:17:40 > 0:17:42Thanks.
0:17:44 > 0:17:45No.
0:17:50 > 0:17:51All you've said so far is yes.
0:17:53 > 0:17:54Do you want me to say no?
0:17:54 > 0:17:55Well, now would be the moment.
0:17:55 > 0:17:57Now, or forever hold your peace.
0:18:00 > 0:18:03Oh, you're too bloody perfect, Jonathan Pine, that's your trouble.
0:18:03 > 0:18:05I don't want you perfect. Go on, have a biscuit. Eat it.
0:18:10 > 0:18:13You are going to put on the performance of your life.
0:18:16 > 0:18:18There is half a psychopath lurking in there, Jonathan.
0:18:19 > 0:18:21I want you to find him and stick to him.
0:18:21 > 0:18:25Once you get down to Devon, you are the world's second worst man,
0:18:25 > 0:18:26first place already taken.
0:18:26 > 0:18:29There is no right or wrong for you down there.
0:18:29 > 0:18:30Do you hear me? It's all me, me, me.
0:18:30 > 0:18:33Don't give anyone an inch.
0:18:33 > 0:18:34Anyone pisses you off, you smack them.
0:18:34 > 0:18:36Anyone crosses you, God help them.
0:18:36 > 0:18:39I want you to scare the shit out of everyone,
0:18:39 > 0:18:40and that includes me!
0:18:40 > 0:18:43Richard Roper must know that you're in the same league as him.
0:18:43 > 0:18:46Laws don't apply to him, and they don't apply to you, either.
0:18:46 > 0:18:47He sees that, we get him,
0:18:47 > 0:18:50he comes to the table, we get him over a barrel, we skewer him!
0:18:53 > 0:18:54Are you comfortable with that?
0:18:57 > 0:18:58Yes.
0:18:59 > 0:19:01Right, this is our insurance.
0:19:04 > 0:19:06To say that you jumped, we didn't push you.
0:19:28 > 0:19:30WATER DRIPS, ECHOING
0:19:32 > 0:19:34Tell me what you saw when you got to the cottage.
0:19:35 > 0:19:40Er, the, the kitchen was a mess...
0:19:41 > 0:19:44..and there is blood on the...on the floor.
0:19:46 > 0:19:47Did he kill him?
0:20:08 > 0:20:09SHOP BELL TINKLES
0:20:15 > 0:20:16Hi.
0:20:16 > 0:20:18You all right?
0:20:18 > 0:20:19I've, erm...
0:20:19 > 0:20:20taken Rosum's cottage.
0:20:20 > 0:20:22I was told to leave the rent here.
0:20:27 > 0:20:29I'll be here for a while.
0:20:30 > 0:20:31Is this your place?
0:20:31 > 0:20:34- Oh, no, it's my mum's. I'm just looking after it.- Right.
0:20:35 > 0:20:37You're from up country?
0:20:37 > 0:20:38Yeah, that's right.
0:20:39 > 0:20:41What you doing down here?
0:20:41 > 0:20:43BABY GURGLES
0:20:43 > 0:20:45- He's a big lad. - SHE CHUCKLES
0:20:46 > 0:20:48Is he yours?
0:20:48 > 0:20:49Yeah.
0:20:51 > 0:20:52Well...
0:20:54 > 0:20:55What was the name?
0:20:58 > 0:20:59Jack Linden.
0:21:05 > 0:21:08MOTORBIKE REVS THEN DRIVES OFF
0:21:32 > 0:21:33A WOMAN GROANS
0:21:36 > 0:21:37SHE MOANS
0:21:41 > 0:21:43MOANING GROWS LOUDER
0:21:54 > 0:21:55- Who are you?- Get out.
0:22:00 > 0:22:01Nobody even lives here!
0:22:01 > 0:22:03Well, I do now.
0:22:52 > 0:22:54What do you want?
0:22:56 > 0:22:57Police, right?
0:22:57 > 0:22:58No.
0:22:58 > 0:23:00Whatever you are, get lost.
0:23:01 > 0:23:04- I've got an offer for you. - Yeah, well, I'm not interested.
0:23:08 > 0:23:10You deaf? I told you to get lost.
0:23:16 > 0:23:17Now listen to me, OK.
0:23:17 > 0:23:21I don't know who you're buying off, but things have changed.
0:23:21 > 0:23:23I have a delivery coming in a few weeks' time.
0:23:23 > 0:23:25You're buying off me now, OK?
0:23:25 > 0:23:26Piss off.
0:23:26 > 0:23:28HE GROANS
0:23:28 > 0:23:32I would advise a different business language from now on.
0:23:34 > 0:23:36HE GRUNTS
0:23:38 > 0:23:39HE GASPS FOR BREATH
0:23:39 > 0:23:41Try it.
0:23:43 > 0:23:44Try it.
0:23:45 > 0:23:46No!
0:23:48 > 0:23:50Sh-sh-sh-sh.
0:23:50 > 0:23:52Sh-sh-sh-sh.
0:23:53 > 0:23:55HE PANTS AND GROANS
0:24:04 > 0:24:06HE COUGHS AND SPLUTTERS
0:24:08 > 0:24:09Who was that?
0:24:10 > 0:24:12You OK?
0:24:22 > 0:24:24ROPER: Let's try a little thought experiment here.
0:24:26 > 0:24:29Take all the things you own, clothes, house, car,
0:24:29 > 0:24:31and ask yourself what part of all that
0:24:31 > 0:24:34did not depend on commerce and the free of movement of capital.
0:24:37 > 0:24:39For the benefit of the hard of thinking in the room,
0:24:39 > 0:24:41I'll give you the answer. The answer is none.
0:24:41 > 0:24:43None!
0:24:45 > 0:24:47My Safe Haven project for refugees
0:24:47 > 0:24:50is not funded out of love, or a bleeding heart.
0:24:50 > 0:24:51I do it because it benefits me
0:24:51 > 0:24:54to have the communities in which I wish to operate
0:24:54 > 0:24:56sympathetic to my interests.
0:24:58 > 0:25:01And the truth, which no-one dares admit these days...
0:25:02 > 0:25:05..is that only by freeing capital
0:25:05 > 0:25:07do you free the world.
0:25:11 > 0:25:13QUIET CHATTER
0:25:19 > 0:25:21Hey.
0:25:21 > 0:25:22Pint of Blue Anchor, please.
0:25:23 > 0:25:24That's him.
0:25:26 > 0:25:27Cheers.
0:26:08 > 0:26:09- Hey.- You all right?
0:26:10 > 0:26:11Yeah.
0:26:11 > 0:26:13My mother says you want mineral water.
0:26:14 > 0:26:15I don't think so.
0:26:17 > 0:26:18Oh.
0:26:20 > 0:26:21Well, I've brought them now.
0:26:26 > 0:26:27Coffee?
0:26:27 > 0:26:28I wouldn't say no.
0:26:35 > 0:26:39I googled you, Jack Linden.
0:26:39 > 0:26:40HE CHUCKLES
0:26:42 > 0:26:44And what did you find?
0:26:44 > 0:26:46Bugger all.
0:26:51 > 0:26:54So you like it here, do you, all on your own?
0:26:56 > 0:26:58What do you do here all day?
0:26:58 > 0:26:59Bit of cooking.
0:27:03 > 0:27:04I can cook.
0:27:04 > 0:27:05- Oh, yeah?- Mmm.
0:27:05 > 0:27:07I was good.
0:27:07 > 0:27:09I won prizes. I was going to be a famous chef.
0:27:09 > 0:27:11- Well, what happened? - I stopped.
0:27:12 > 0:27:13Why?
0:27:13 > 0:27:16Cos I married a loser, had a brat, and screwed up my life.
0:27:18 > 0:27:19Right...
0:27:19 > 0:27:20Erm...
0:27:20 > 0:27:22- And the father is...?- No, he isn't.
0:27:22 > 0:27:25He ain't been Charlie's father since he was three days old.
0:27:25 > 0:27:28He came to the hospital with a box of Cadbury's milk chocolates
0:27:28 > 0:27:29and tuckered all the nice ones.
0:27:29 > 0:27:31He couldn't wait to flee.
0:27:31 > 0:27:32Where to?
0:27:32 > 0:27:33Don't ask me.
0:27:35 > 0:27:37Is he abroad or...?
0:27:37 > 0:27:38Tom Quince?!
0:27:38 > 0:27:40Sorry, say again?
0:27:40 > 0:27:43Tom Quince, it's Charlie's father's name.
0:27:44 > 0:27:46Nah, he's never had a passport in his life.
0:27:47 > 0:27:49He's probably somewhere round Bude,
0:27:49 > 0:27:52smoking a ton of pot and trying to sleep with the weekend talent.
0:27:52 > 0:27:53THEY CHUCKLE
0:28:46 > 0:28:51It's... It's a great pleasure to introduce the Chief Officer
0:28:51 > 0:28:55at the US Directorate of Defence Trade Controls,
0:28:55 > 0:28:56Joel Steadman.
0:28:57 > 0:28:58Firstly, gentlemen...
0:28:58 > 0:29:00and lady...
0:29:00 > 0:29:03- Sorry.- ..I want to thank you all for inviting me to London
0:29:03 > 0:29:05to share a little of what I know about the global arms trade
0:29:05 > 0:29:07in the 21st century and how to confront it.
0:29:08 > 0:29:11Now, there's about 3,000 years of wisdom in this room
0:29:11 > 0:29:12and I represent about six weeks of it.
0:29:12 > 0:29:13CHUCKLING
0:29:13 > 0:29:16But hell, those odds never stopped an American before.
0:29:16 > 0:29:18Now there's two philosophies on how to confront
0:29:18 > 0:29:20international arms smuggling.
0:29:20 > 0:29:22You can exploit or you can enforce.
0:29:22 > 0:29:24Now, I'm an enforcer, and I'll tell you why.
0:29:24 > 0:29:26You go down the exploitation path, this is what happens.
0:29:26 > 0:29:28You identify a bad guy,
0:29:28 > 0:29:29you watch him,
0:29:29 > 0:29:32get all kinds of dirt on him, and you approach him.
0:29:32 > 0:29:33And then what do you do?
0:29:33 > 0:29:35Well, then you recruit him.
0:29:35 > 0:29:38You recruit him to get to the next guy, then you watch him,
0:29:38 > 0:29:41and you recruit him, and so on, and so forth.
0:29:41 > 0:29:42And pretty soon the lines get blurred,
0:29:42 > 0:29:44your enemy becomes your friend,
0:29:44 > 0:29:47and hey...the devil has all the best lines, right?
0:29:47 > 0:29:50Now I'm an enforcer.
0:29:50 > 0:29:51I go after someone...
0:29:51 > 0:29:53and I bring 'em down,
0:29:53 > 0:29:55and the reason why I'm here today
0:29:55 > 0:29:58is to ask you folks for a little help.
0:30:02 > 0:30:04- Joel.- Mr Dromgoole.
0:30:04 > 0:30:05- Excellent to see you. - Thank you.
0:30:05 > 0:30:07You know these guys?
0:30:07 > 0:30:09- Palfrey.- Nice to meet you. Nice to meet you.
0:30:09 > 0:30:11I enjoyed your speech.
0:30:11 > 0:30:13Well, let's keep the channels open at all times.
0:30:13 > 0:30:15Absolutely. Particularly when it comes to the Middle East.
0:30:15 > 0:30:17Anything you have at all.
0:30:17 > 0:30:19I have money and people ready to work with you.
0:30:19 > 0:30:20Sure will, Geoffrey.
0:30:20 > 0:30:22- Speak to you later. - Thank you.
0:30:35 > 0:30:37- Joel.- Ah!
0:30:37 > 0:30:39- Good to have you with us. - Nice to see you.
0:30:41 > 0:30:42Angela.
0:30:42 > 0:30:44Hello, Joel.
0:30:47 > 0:30:48HE LAUGHS
0:30:53 > 0:30:55What do you think of the ale?
0:30:55 > 0:30:57Jury's out.
0:30:57 > 0:30:59I see, erm, you're not drinking.
0:31:01 > 0:31:03You didn't tell me you were flying in.
0:31:03 > 0:31:05You didn't tell me something a lot more important than that.
0:31:10 > 0:31:12Why were you in Madrid two weeks ago?
0:31:13 > 0:31:16It's an operation called Limpet.
0:31:16 > 0:31:17We're going after Richard Onslow Roper.
0:31:17 > 0:31:20His people are meeting with a Spanish lawyer in Madrid.
0:31:21 > 0:31:23- Juan Apostol. - Yeah. Also known as Apo.
0:31:25 > 0:31:27We think there's a new deal in the pipeline.
0:31:27 > 0:31:29But you can't get close.
0:31:29 > 0:31:31Can anyone?
0:31:34 > 0:31:37They're phone records from the mobile phone of Lance Corkoran.
0:31:37 > 0:31:38Roper's front man.
0:31:38 > 0:31:40They show calls to London, Beirut and Madrid.
0:31:43 > 0:31:44How the hell did you get this?
0:31:45 > 0:31:48I've got a new asset.
0:31:48 > 0:31:50I want to get him on the inside of Roper's set-up.
0:31:50 > 0:31:52You got any idea how dangerous that is?
0:31:54 > 0:31:55Does River House know about this?
0:31:56 > 0:31:58It's got to be a church mouse operation.
0:31:59 > 0:32:00Why did you call ME?
0:32:02 > 0:32:03Cos I need your money.
0:32:05 > 0:32:07Look...
0:32:07 > 0:32:09Joel, I'm on my own in this, and I don't like it.
0:32:10 > 0:32:14I'm doing something no-one else has done before and I'm scared shitless.
0:32:14 > 0:32:15I need a friend.
0:32:33 > 0:32:36I've got some more stuff coming on Tuesday night.
0:32:36 > 0:32:37You got the money?
0:32:38 > 0:32:39Good.
0:33:08 > 0:33:09Hi.
0:33:09 > 0:33:10Harlow.
0:33:11 > 0:33:13Right.
0:33:15 > 0:33:16From London.
0:33:21 > 0:33:23Is that what you wanted?
0:33:24 > 0:33:25Well...
0:33:30 > 0:33:31..yeah.
0:33:33 > 0:33:35It's a funny old gig, this one.
0:33:37 > 0:33:38I shall expect a lavish funeral.
0:33:40 > 0:33:43I'm sure they'll do what they can.
0:33:43 > 0:33:44Well, then...
0:33:44 > 0:33:45Tom Quince.
0:33:47 > 0:33:48Are you ready?
0:34:03 > 0:34:04We need to wait for the stuff.
0:34:04 > 0:34:06It'll come and it'll all be OK.
0:34:09 > 0:34:10Yeah.
0:34:10 > 0:34:11- It'll be OK.- It'll be OK.
0:34:14 > 0:34:15It's going to be OK.
0:34:15 > 0:34:17GLASS SMASHES
0:34:31 > 0:34:33- Now get out!- OK! OK! OK! OK!
0:34:36 > 0:34:37MOTORBIKE REVS AND ZOOMS OFF
0:34:39 > 0:34:40WHAT?
0:35:15 > 0:35:17WATER DRIPS, ECHOING
0:35:33 > 0:35:34Jack?
0:35:39 > 0:35:40Jack?
0:35:58 > 0:36:00Tell me what you saw when you got to the cottage.
0:36:02 > 0:36:04The kitchen was a mess...
0:36:06 > 0:36:09..and there is blood on the floor.
0:36:09 > 0:36:10There you go.
0:36:12 > 0:36:13Did he kill him?
0:36:18 > 0:36:20The man he attacked in the pub?
0:36:20 > 0:36:22Yes.
0:36:22 > 0:36:23Why did you go to the cottage?
0:36:23 > 0:36:25I was fetching empties.
0:36:25 > 0:36:27Have you been there before?
0:36:27 > 0:36:29Yeah. Once or twice.
0:36:30 > 0:36:32- Why?- To deliver for my mother. That's all.
0:36:34 > 0:36:36Did he ever mention his previous life?
0:36:37 > 0:36:39- No.- Ever mention Switzerland?
0:36:39 > 0:36:41No, why?
0:36:41 > 0:36:43Did he say he was leaving?
0:36:43 > 0:36:46- No.- Name Jonathan Pine mean anything to you?
0:36:46 > 0:36:47No!
0:36:47 > 0:36:49So he never told you his real name?
0:36:49 > 0:36:51No. He said his name was Linden.
0:36:52 > 0:36:53Jack Linden.
0:36:54 > 0:36:55He never told you who he was.
0:36:57 > 0:36:58No, he never said who he was.
0:37:15 > 0:37:17Who's in there? Who's in there?
0:37:36 > 0:37:38Go. Go back to your mother.
0:37:40 > 0:37:41Go.
0:37:42 > 0:37:43Go!
0:37:43 > 0:37:44LOUD SNAP, MAN GROANS
0:37:46 > 0:37:48You bastard.
0:37:48 > 0:37:50You were supposed not to hurt him!
0:37:50 > 0:37:51It needed to look real.
0:37:52 > 0:37:54HE GRUNTS
0:37:55 > 0:37:56You want it real?
0:37:56 > 0:37:58I'll show you real!
0:37:58 > 0:38:00CLATTERING AND SHOUTS
0:38:08 > 0:38:10We'll show you real!
0:38:19 > 0:38:21- Oh, Jesus, Danny, Danny. - Just one second. Just wait here.
0:38:21 > 0:38:23- Let me just see what's going on. - Come on, big man.
0:38:23 > 0:38:26- Danny.- He's all right. - Oh, God, Danny!
0:38:26 > 0:38:27DANNY CRIES
0:38:28 > 0:38:30Are you all right?
0:38:30 > 0:38:32What hap...what happened?
0:38:32 > 0:38:34They ran off.
0:38:34 > 0:38:36He scared them.
0:38:36 > 0:38:37He saved me.
0:38:37 > 0:38:38Who saved you? What...
0:38:38 > 0:38:40Who is he? Where the hell's he come from?
0:38:40 > 0:38:42He's our seasonal sous-chef from England.
0:38:42 > 0:38:44He was working in that kitchen.
0:38:44 > 0:38:45DANNY WHINES
0:38:46 > 0:38:47We need to call the police.
0:38:47 > 0:38:49Chief, we doing medical attention?
0:38:52 > 0:38:53I know him.
0:38:54 > 0:38:56What's his name?
0:38:56 > 0:38:57Thomas Quince.
0:38:57 > 0:38:59He is from Devon in England.
0:39:01 > 0:39:02No, he's bloody not!
0:39:03 > 0:39:05You're Pine, from Switzerland.
0:39:07 > 0:39:09- What are you doing here? - Sandy, we need to call the police.
0:39:09 > 0:39:10No police.
0:39:13 > 0:39:14No police.
0:39:14 > 0:39:17No. Hold on, Jorge. Just hold on a second.
0:39:20 > 0:39:21How's his pulse, Frisky?
0:39:21 > 0:39:23Yeah, it's quite sporting, Chief, all things considered.
0:39:25 > 0:39:26You hearing me, Pine?
0:39:28 > 0:39:30We're going to get you out of here.
0:39:30 > 0:39:33Corky, get the boats ready, will you?
0:39:33 > 0:39:35- And call the hospital. - Which one?
0:39:35 > 0:39:38Well, our one, not the death trap on the main drag.
0:39:38 > 0:39:40Tell them to get ready to operate,
0:39:40 > 0:39:42- and get a hold of that Israeli fellow. What's...- Dr Shimon?
0:39:42 > 0:39:45Drag him away from whatever Russian party he's currently at.
0:39:47 > 0:39:49You must have given them the fright of their lives.
0:39:50 > 0:39:51No police.
0:39:52 > 0:39:53No police.
0:39:55 > 0:39:58Right, Jorge, I think we can keep this between us, can't we?
0:39:59 > 0:40:02I'll pay for any damage done. Corky can sort the bill.
0:40:03 > 0:40:04Anyone you want us to call?
0:40:05 > 0:40:06A girlfriend? Family?
0:40:11 > 0:40:13Still alone, are we?
0:40:14 > 0:40:15Well...
0:40:16 > 0:40:18..we're going to take care of you.
0:40:37 > 0:40:39Thank you.
0:40:39 > 0:40:40- Hey.- Hey!
0:40:42 > 0:40:44Any sign of him?
0:40:44 > 0:40:46- What went wrong? - Let me get this.
0:40:46 > 0:40:47He went off script.
0:40:47 > 0:40:49WAY off script.
0:40:49 > 0:40:51Broke an agent's arm in three places.
0:40:51 > 0:40:53What's he playing at?
0:40:53 > 0:40:55He said he wanted it real. So they made it real.
0:40:55 > 0:40:57They think they might have killed him.
0:40:57 > 0:40:58What do you mean killed him?
0:40:58 > 0:41:01Well, Roper didn't call the cops, so...we don't know where he is.
0:41:01 > 0:41:03Goddamn it, Angela.
0:41:03 > 0:41:05This thing was perfectly choreographed.
0:41:05 > 0:41:07He knew exactly what we had to do.
0:41:14 > 0:41:17Hector, do you remember Angela Burr from Baghdad?
0:41:17 > 0:41:18Sure do. Welcome, ma'am.
0:41:18 > 0:41:20You two still working together?
0:41:20 > 0:41:22Yeah. No-one is more mystified by that than me.
0:41:22 > 0:41:24Sir. You should hear this.
0:41:24 > 0:41:27- Come on, sit down.- Corkoran is calling a number in Gloucestershire
0:41:27 > 0:41:28from his mobile phone.
0:41:29 > 0:41:32Tony? Lance Corkoran here.
0:41:32 > 0:41:34Pressing matter, I'm afraid.
0:41:34 > 0:41:35Chief needs your good offices.
0:41:36 > 0:41:37Got a pen?
0:41:39 > 0:41:42The name is Pine, like the tree.
0:41:43 > 0:41:45First name Jonathan.
0:41:47 > 0:41:49Goes under the name of Thomas Quince,
0:41:49 > 0:41:50like the fruit.
0:41:50 > 0:41:54Head-to-toe background check, all avenues. All perfectly mum.
0:41:54 > 0:41:56360 degrees.
0:41:56 > 0:41:57Ta.
0:41:57 > 0:41:59Well, he's alive. They wouldn't check on a dead man.
0:42:11 > 0:42:13PHONE RINGS
0:42:15 > 0:42:16Rob Singhal. IEA.
0:42:16 > 0:42:19Rob. I want you to put his name out. Splash it large.
0:42:19 > 0:42:22I want an international warrant for the arrest of Thomas Quince,
0:42:22 > 0:42:24Jonathan Pine, Jack Linden.
0:42:24 > 0:42:27Er... Murder, multiple theft, dope-running,
0:42:27 > 0:42:29obtaining a false passport, and identity theft,
0:42:29 > 0:42:31and whatever else you can think of.
0:42:31 > 0:42:32All right? Do it now.
0:42:33 > 0:42:35- He's crossed the bridge.- Yeah.
0:42:36 > 0:42:37Now we're burning it.
0:42:38 > 0:42:40HAZY REGULAR BLEEPS
0:44:23 > 0:44:24Thomas.
0:44:26 > 0:44:28Thomas, I'm not sure if you can hear me.
0:44:29 > 0:44:32They say your face is mending well.
0:44:32 > 0:44:34You've also cracked several ribs.
0:44:34 > 0:44:37You're so brave, but you're going to be fine.
0:44:37 > 0:44:40Dr Shimon's the very best, otherwise Roper wouldn't use him.
0:44:43 > 0:44:45Listen. Is there anyone you want us to call?
0:44:45 > 0:44:48A loved one?
0:44:48 > 0:44:50When you were sleeping, you mentioned someone called Sophie.
0:44:50 > 0:44:51Should we call her?
0:44:53 > 0:44:56Just raise your finger if you can't speak.
0:44:59 > 0:45:01Roper is away on business,
0:45:01 > 0:45:03but he'll be back soon and he can't wait to see you.
0:45:10 > 0:45:12Where...am...I?
0:45:15 > 0:45:16(Are you awake?)
0:45:18 > 0:45:21(My father says I'm to thank you for saving my life.)
0:45:22 > 0:45:27(I'm sorry I ran away from the table. I won't do it again.)
0:45:43 > 0:45:45Do you want me to read to you about squid?
0:45:50 > 0:45:53This slow-moving, alien-like squid
0:45:53 > 0:45:56lives at depths of up to 200...
0:46:04 > 0:46:05DOOR OPENS
0:46:17 > 0:46:18Piss off, would you, Frisky, old love?
0:46:24 > 0:46:25Well, that's a better colour.
0:46:25 > 0:46:28Lovely deep purple.
0:46:28 > 0:46:31Better than the blue baboon look of last week.
0:46:31 > 0:46:32And sitting up!
0:46:32 > 0:46:34Dare one hope we're on the mend?
0:46:35 > 0:46:37Actually, I'd like to go soon, please.
0:46:37 > 0:46:40Absolutely, old boy, soon as the Chief gets back.
0:46:43 > 0:46:44What do I call you, by the way?
0:46:46 > 0:46:49When I was doing the forms at the hospital, I had a conundrum.
0:46:49 > 0:46:51"Well," I thought, "this is a bit rum.
0:46:51 > 0:46:54"Is he a Thomas Quince,
0:46:54 > 0:46:56"or is he a Jonathan Pine?"
0:46:57 > 0:46:58So I put Mordechai Phillips.
0:46:58 > 0:47:01- LAUGHING:- To this day, I've no idea why.
0:47:01 > 0:47:02Mind if I smoke?
0:47:06 > 0:47:08Smoke ourselves, do we? In better times?
0:47:08 > 0:47:10A bit.
0:47:13 > 0:47:16Nothing like a fag when you're cooking.
0:47:17 > 0:47:19Do you want one now?
0:47:20 > 0:47:22No, thanks.
0:47:23 > 0:47:25Bloody good grub at that place you were working.
0:47:25 > 0:47:29Were those saucy mussels all your work?
0:47:29 > 0:47:31Mmm?
0:47:31 > 0:47:33Well, I am blown away.
0:47:33 > 0:47:37And did you cook at that Swiss hotel? Or...
0:47:37 > 0:47:38merely rob the place?
0:47:41 > 0:47:42It's a tricky one, you see.
0:47:42 > 0:47:45The Chief is a stickler for details,
0:47:45 > 0:47:49so we called the Meisters Hotel to ask for a reference,
0:47:49 > 0:47:53and it turns out you are nothing more than a common thief.
0:47:53 > 0:47:5640,000 euros swiped from the safe,
0:47:56 > 0:47:58the police called,
0:47:58 > 0:48:01Herr Meister's positively seething.
0:48:02 > 0:48:05No wonder the Chief has a few questions to ask.
0:48:05 > 0:48:08But he says they can wait until you're better.
0:48:08 > 0:48:14Although I'm not so sure we're quite as poorly as we're making out.
0:48:16 > 0:48:17In fact,
0:48:17 > 0:48:20I'm not sure at all about you, Pine.
0:48:23 > 0:48:25I think you might be stringing us along.
0:48:27 > 0:48:28Hmmm?
0:48:29 > 0:48:32And if that's the case, when you're better,
0:48:32 > 0:48:35I will hood you,
0:48:35 > 0:48:38and hang you up by those lovely ankles
0:48:38 > 0:48:41until the truth falls out of you
0:48:41 > 0:48:42by gravity.
0:48:46 > 0:48:48Toodle-oo.
0:48:48 > 0:48:51Frisky, piss off back in again, would you?
0:48:51 > 0:48:55Make sure our valued guest doesn't try and make a run for it.
0:49:00 > 0:49:02You know the best way to make a bloke talk?
0:49:04 > 0:49:05Fizzy drink treatment.
0:49:06 > 0:49:08Up the nose.
0:49:08 > 0:49:09Bung the mouth.
0:49:10 > 0:49:12And if you've got a funnel handy...
0:49:12 > 0:49:13Oh, it's even better.
0:49:15 > 0:49:16Hits you right in the switchboard.
0:49:17 > 0:49:19It's bloody diabolical.
0:49:38 > 0:49:39Apo, how are you?
0:49:39 > 0:49:41- Good to see you. - Very good to see you.
0:49:41 > 0:49:43- Have a seat.- Thank you very much.
0:49:43 > 0:49:45So have you eaten?
0:49:45 > 0:49:46CAMERA CLICKS
0:50:13 > 0:50:15You sure you know your lines?
0:50:15 > 0:50:16HE LAUGHS
0:50:16 > 0:50:18I'll do my best.
0:50:18 > 0:50:21So, tell us about Limpet.
0:50:21 > 0:50:24Well, Limpet's an ongoing anti-arms operation based in Washington.
0:50:24 > 0:50:27Standard tracer op. It's been running about a year.
0:50:27 > 0:50:28Who are you going after?
0:50:28 > 0:50:29Richard Onslow Roper.
0:50:29 > 0:50:32Director of Iron Last, and we think a lot more on the side.
0:50:32 > 0:50:34That wouldn't surprise me.
0:50:34 > 0:50:36I came here to see if there were opportunities
0:50:36 > 0:50:38for mutual collaboration and intelligence sharing.
0:50:38 > 0:50:40Angela was happy to come on board,
0:50:40 > 0:50:43and I was hoping you folks would kind of do the same.
0:50:43 > 0:50:46All right. Where are you at at the moment?
0:50:46 > 0:50:48Well, it's been going pretty well,
0:50:48 > 0:50:49- wouldn't you say?- Yeah.
0:50:49 > 0:50:51Erm, we have some photographs here of a meeting
0:50:51 > 0:50:54that took place in Madrid, between an Alexander Langbourne,
0:50:54 > 0:50:58Roper's money man, and a Spanish lawyer, Juan Apostol.
0:50:58 > 0:51:00It's possible they were discussing a future arms deal.
0:51:00 > 0:51:02Did you get any audio on that?
0:51:02 > 0:51:03Unfortunately not, no.
0:51:03 > 0:51:06So it's possible they were discussing
0:51:06 > 0:51:08their children's Christmas parties!
0:51:10 > 0:51:12What about on the ground?
0:51:12 > 0:51:14Got anyone close to Roper?
0:51:14 > 0:51:16Er, not right now, no...
0:51:16 > 0:51:18In development?
0:51:18 > 0:51:21You know, getting someone on the inside, Harry, that's a long game.
0:51:21 > 0:51:24- What I want from you guys... - Let me stop you there, Joel.
0:51:24 > 0:51:27Angela runs her own modest enforcement agency
0:51:27 > 0:51:28and she can do what she likes.
0:51:28 > 0:51:30Roper is an obsession of hers,
0:51:30 > 0:51:32he was when she was with us here at the River,
0:51:32 > 0:51:34I suspect that he always will be,
0:51:34 > 0:51:35but I hope you understand
0:51:35 > 0:51:37that I can't spend the nation's intelligence budget
0:51:37 > 0:51:42on an operation whose current status appears to be somewhat catatonic.
0:51:44 > 0:51:45I would need a little more.
0:51:45 > 0:51:46Right, that's, er,
0:51:46 > 0:51:48that's disappointing.
0:51:48 > 0:51:49Life's disappointing, Joel.
0:51:50 > 0:51:52Just ask Angela.
0:51:54 > 0:51:57Please, come back when you have something.
0:51:57 > 0:51:59OK? Our door is always open.
0:52:07 > 0:52:10- Was that dull enough for you? - Oh, are you kidding me?
0:52:10 > 0:52:13I never knew an American could sound so much like a total bloody loser.
0:52:13 > 0:52:15LAUGHTER
0:52:15 > 0:52:19How do you stand it, Angela? "Modest enforcement agency." God!
0:52:19 > 0:52:20Well, he's not wrong, is he?
0:52:20 > 0:52:23But they must never know about our boy, Joel.
0:52:23 > 0:52:26No mention of him in comms, nothing written down, nothing at all, yeah?
0:52:27 > 0:52:29We keep River House on the outside.
0:52:29 > 0:52:30It's too dangerous.
0:52:49 > 0:52:51DISTANT WHIRRING
0:53:12 > 0:53:15- Oh, my goodness! - Daddy! I caught a lobster!
0:53:15 > 0:53:16- You caught that?- Oh, yeah!
0:53:16 > 0:53:18Javier helped me.
0:53:18 > 0:53:20- Did he? Good for him.- Yeah. - Good for you.
0:53:20 > 0:53:23- Hello, darling. How are you? Well done, Danny. Well done.- Hi!
0:53:26 > 0:53:27How is the patient?
0:53:59 > 0:54:01You sleep now.
0:54:01 > 0:54:03Tomorrow, we'll find out who you REALLY are.