0:00:51 > 0:00:55- ALL:- # Happy birthday to you
0:00:55 > 0:00:59# Happy birthday to you
0:00:59 > 0:01:04# Happy birthday, dear Elena
0:01:04 > 0:01:08# Happy birthday to you. #
0:01:08 > 0:01:10CHEERING AND APPLAUSE
0:01:10 > 0:01:16My darling daughter! The most beautiful girl in the world!
0:01:16 > 0:01:18CHEERING
0:01:22 > 0:01:25- A marvellous necklace from Paris! - ALL:- Ooh!
0:01:25 > 0:01:29The most expensive necklace!
0:01:29 > 0:01:31ALL CHANT IN SPANISH
0:01:33 > 0:01:35JUAN IN SPANISH
0:01:35 > 0:01:37ALL CHANT IN SPANISH
0:01:37 > 0:01:39CHEERING AND APPLAUSE
0:01:39 > 0:01:41Enjoy the party!
0:01:41 > 0:01:43CHEERING
0:01:44 > 0:01:46LATIN DANCE MUSIC
0:01:53 > 0:01:54CORKY LAUGHS
0:01:56 > 0:01:58Thank you.
0:01:58 > 0:02:00What about austerity, Apo?
0:02:00 > 0:02:05This is austerity. You should have seen our country five years ago.
0:02:05 > 0:02:07- Tomorrow's business...- Uh-huh?
0:02:07 > 0:02:09By the way, my Arab friend
0:02:09 > 0:02:12is concerned you can't deliver the merchandise you promised.
0:02:12 > 0:02:16- I wouldn't worry about that, Apo, it'll be fine.- I hope so.
0:02:16 > 0:02:19- Ah, Mr Barghati.- Sandy. - How good to see you.
0:02:19 > 0:02:21LATIN DANCE MUSIC
0:02:28 > 0:02:29SHE WHIMPERS
0:02:29 > 0:02:31Oh, my goodness! Oh, Lord!
0:02:31 > 0:02:33Oh, Lord! What's happening here?
0:02:38 > 0:02:40MAID SOBS
0:02:40 > 0:02:43SHE WHIMPERS, JUAN SPEAKS SPANISH
0:02:47 > 0:02:49- Que pasa? - SHE SOBS
0:02:51 > 0:02:53MAID SOBS
0:02:59 > 0:03:01LATIN DANCE MUSIC
0:03:03 > 0:03:06- Jesus!- Help her! Help me, please!
0:03:14 > 0:03:17Elena! Elena!
0:03:17 > 0:03:20Elena! Elena! ELENA!
0:03:27 > 0:03:30She must've been in so much pain.
0:03:30 > 0:03:33Yeah, well, she's caused a lot of other people pain, too.
0:03:33 > 0:03:35We had to reschedule that meeting.
0:03:40 > 0:03:43Still, the canapes were good.
0:03:43 > 0:03:46What do you want to do about our Arab chum? Bring him out to the villa?
0:03:46 > 0:03:47I don't much like that,
0:03:47 > 0:03:50it's too risky if someone's got a watch on him.
0:03:51 > 0:03:54Invite him to the children's party.
0:03:54 > 0:03:58There'll be lots of people there, you can do your magic tricks.
0:03:58 > 0:04:00Try and get them right.
0:04:01 > 0:04:04- Fix it up, will you?- OK.
0:04:04 > 0:04:06Sorry, darling, I don't know what I was thinking,
0:04:06 > 0:04:08it was a crass thing to say.
0:04:22 > 0:04:24OK...
0:04:24 > 0:04:25let's go, dream boy.
0:04:35 > 0:04:36Huh!
0:04:40 > 0:04:41Come on.
0:04:53 > 0:04:55Go left.
0:05:09 > 0:05:10Up the stairs.
0:05:10 > 0:05:15So the silly sod is insisting on 10% and he is digging his heels in.
0:05:15 > 0:05:17All right, we'll let him enjoy that for a week,
0:05:17 > 0:05:20and then we'll take it away from him.
0:05:20 > 0:05:22I'm happy to go with that.
0:05:23 > 0:05:25Ah, there he is.
0:05:28 > 0:05:30Dans, you're on.
0:05:35 > 0:05:37Thank you very much, sir,
0:05:37 > 0:05:39for rescuing me.
0:05:39 > 0:05:41I hope you're feeling better.
0:05:44 > 0:05:47You're very welcome.
0:05:47 > 0:05:51All right, now scram. See if you can catch us some mackerel for supper.
0:05:51 > 0:05:53And take the dogs, will you?
0:05:53 > 0:05:57Go on, Shirley. Go on, you foul-smelling creature.
0:05:57 > 0:06:00- You'll call him, will you?- Yep. Leave it with me, I'll deal with it.
0:06:00 > 0:06:02Don't waste any energy trying to sweet-talk him,
0:06:02 > 0:06:05- just lay it out, let him sweat. - All right.
0:06:11 > 0:06:14All right, Frisky, no more interruptions,
0:06:14 > 0:06:16- no-one on the terrace. - BUZZING
0:06:16 > 0:06:19- What the hell is that noise? - Oh, Javier is blowing leaves.
0:06:19 > 0:06:23Well, tell him to knock it off, will you? Cease and desist.
0:06:38 > 0:06:40How's the face?
0:06:42 > 0:06:44- It's fine.- We'll be all right.
0:06:47 > 0:06:49- So, what do you want?- I'd like to...
0:06:49 > 0:06:52to go back to the restaurant, if that's all right.
0:06:52 > 0:06:54That's not what I meant.
0:06:54 > 0:06:57What do you want...from the world?
0:06:59 > 0:07:01LEAF BLOWER STOPS I don't know.
0:07:01 > 0:07:05- I haven't got a plan. I'm taking some time out.- Don't believe you.
0:07:06 > 0:07:08You've never relaxed in your life.
0:07:10 > 0:07:12If you say so.
0:07:12 > 0:07:13Just sit down.
0:07:13 > 0:07:16ROPER SIGHS
0:07:16 > 0:07:20Everyone assumes that I was born with a silver spoon in my mouth.
0:07:20 > 0:07:22It's balls.
0:07:22 > 0:07:24My father was an Oxfordshire auctioneer,
0:07:24 > 0:07:27taught me the price of everything,
0:07:27 > 0:07:29but the drive to create all of this,
0:07:29 > 0:07:32that comes from me and me alone.
0:07:32 > 0:07:34Where does it come from in you?
0:07:34 > 0:07:37I'm not sure I have what you describe.
0:07:37 > 0:07:41OK, you patched me up, I'm very grateful for that,
0:07:41 > 0:07:45- and now I'd like to go. - Corky can't make you out, you see.
0:07:45 > 0:07:47Suspicious chap, Corks.
0:07:47 > 0:07:49He's got bad vibes about you.
0:07:51 > 0:07:53Why did you kill that fellow in Devon?
0:07:53 > 0:07:56It's all over the wire.
0:07:56 > 0:07:58We had to call the police, no choice.
0:07:58 > 0:08:00They'll be here any minute.
0:08:04 > 0:08:07You are a cool cucumber, aren't you?
0:08:09 > 0:08:11He cheated me.
0:08:11 > 0:08:12And you didn't like that?
0:08:12 > 0:08:15- No, I didn't.- Quite right.
0:08:19 > 0:08:23The MacArthurs have confirmed for dinner, so...
0:08:23 > 0:08:25that makes 12 tonight.
0:08:25 > 0:08:27Or 13.
0:08:28 > 0:08:32Come and tell us why you think this one's a bad apple, Corky?
0:08:32 > 0:08:34Well, his references aren't too clever.
0:08:34 > 0:08:37Luckily for you, old Jorge was so desperate for a sous chef,
0:08:37 > 0:08:40he didn't bother to check them.
0:08:40 > 0:08:42You faked them, Pine?
0:08:42 > 0:08:44I needed the job.
0:08:44 > 0:08:47I needed it fast, I didn't have time for formalities.
0:08:47 > 0:08:49Where'd you get the passport?
0:08:49 > 0:08:51I met a girl...in Devon.
0:08:51 > 0:08:53Didn't we all.
0:08:55 > 0:08:56Pretty little thing.
0:08:56 > 0:08:58Who's Quince?
0:09:01 > 0:09:02Her ex.
0:09:03 > 0:09:07He'd never been abroad, he'd never had a passport, so I took his name.
0:09:07 > 0:09:10You've taken a lot of names, haven't you?
0:09:10 > 0:09:13It makes a man wonder who you really are.
0:09:14 > 0:09:17So, father killed in Belfast,
0:09:17 > 0:09:19no close relationship with mother,
0:09:19 > 0:09:23married once for six months, we can assume not a triumph.
0:09:24 > 0:09:27Two tours in Iraq, distinguished service.
0:09:27 > 0:09:30And on return, what? Despair, depression,
0:09:30 > 0:09:33and then five years as a night owl in the hotel business.
0:09:33 > 0:09:36What was that? Hibernation?
0:09:36 > 0:09:37Burying yourself alive?
0:09:38 > 0:09:41And then a sudden moment of madness.
0:09:41 > 0:09:44Thieving, narcotics...
0:09:44 > 0:09:46murder.
0:09:46 > 0:09:47ROPER CHUCKLES SOFTLY
0:09:47 > 0:09:50This is bloody chaos, Jonathan.
0:09:50 > 0:09:52Do you even know who you are?
0:09:55 > 0:09:59Those two chaps you smashed up in the restaurant, did you know them?
0:09:59 > 0:10:02- No.- They hadn't eaten there before?
0:10:02 > 0:10:04Did they look like they'd eaten there before?
0:10:04 > 0:10:06- Ever sailed a boat for them? - Is this some kind of interrogation?
0:10:06 > 0:10:09- Let's pretend it is. Did you cook for them?- No.
0:10:09 > 0:10:12- The mussels were marvellous, by the way.- You weren't the lookout guy?
0:10:12 > 0:10:14- You didn't switch roles halfway through?- No.
0:10:14 > 0:10:16That's another of Corky's theories.
0:10:16 > 0:10:18Listen, I haven't asked for anything, all right?
0:10:18 > 0:10:20I don't expect a reward,
0:10:20 > 0:10:23I certainly don't appreciate this investigation into my personal life.
0:10:23 > 0:10:27And, frankly, I'm bored of your hospitality.
0:10:27 > 0:10:29Maybe I'm not squeaky-clean,
0:10:29 > 0:10:32but nor, I suspect, are you and your little friend here,
0:10:32 > 0:10:34so maybe we just leave it at that.
0:10:38 > 0:10:42- Little friend!- I know! Charmant!
0:10:42 > 0:10:44- Where are you going?- I'm leaving.
0:10:44 > 0:10:47What are you going to do for a passport ?
0:10:47 > 0:10:51I have a passport in the name of Thomas Quince. Where is it?
0:10:51 > 0:10:55Corky, sock him the bad news.
0:10:55 > 0:10:57The passport's gone, old love.
0:10:57 > 0:10:59Thomas Quince had to be shredded.
0:10:59 > 0:11:02- What are you talking about?- It's no good getting in a panic, my dear.
0:11:02 > 0:11:04Your cover's blown sky-high.
0:11:04 > 0:11:08Tom Quince is on every wanted list on God's earth.
0:11:08 > 0:11:12Murder, theft, sadly not buggery, but we'll work on that.
0:11:12 > 0:11:15That was my passport. That was mine!
0:11:15 > 0:11:18Well, you're going to have to learn to be someone else, aren't you?
0:11:18 > 0:11:19DOOR OPENS
0:11:19 > 0:11:22I said no-one in here!
0:11:22 > 0:11:25Sorry, baby, I didn't know. Jesus!
0:11:25 > 0:11:27Sorry, my darling, I didn't know it was you.
0:11:27 > 0:11:31It's actually good news - Thomas is going to be staying for a while,
0:11:31 > 0:11:34- till he's fighting fit again.- Oh.
0:11:34 > 0:11:37That's great.
0:11:37 > 0:11:39You want to come for a swim?
0:11:40 > 0:11:43Go on. Corky can lend you some Speedos.
0:11:43 > 0:11:46- I'd like to. - SHE LAUGHS
0:11:46 > 0:11:48Corky, why don't you put him
0:11:48 > 0:11:51in the fisherman's cottage at the end of the estate,
0:11:51 > 0:11:54- while we work out what to do with you.- All right, boss.
0:11:54 > 0:11:56And what am I supposed to do until then?
0:11:56 > 0:11:58Well, you can keep Dans company.
0:11:58 > 0:12:00We were supposed to have a school friend here for the holiday,
0:12:00 > 0:12:02but the bugger stood him up.
0:12:02 > 0:12:04His mother doesn't approve of me.
0:12:05 > 0:12:07One more thing...
0:12:08 > 0:12:10..I run a tight ship here.
0:12:10 > 0:12:14You're right, we do a little swashbuckling every now and then,
0:12:14 > 0:12:16but we play straight with each other.
0:12:16 > 0:12:20Now, you saved my boy and I'm grateful,
0:12:20 > 0:12:23but if you step out of line...
0:12:23 > 0:12:25we'll make you howl for your mother.
0:12:29 > 0:12:31What size feet have you got?
0:12:34 > 0:12:36- 12.- Hmm.
0:12:40 > 0:12:42Now, house rules.
0:12:42 > 0:12:46No phones, no postcards to Devon dumplings.
0:12:46 > 0:12:49No messages in a bottle.
0:12:49 > 0:12:53The chief values privacy... as do we all.
0:12:56 > 0:12:58All the way down to the beach,
0:12:58 > 0:13:02as far as you can go, and it's on the right.
0:13:02 > 0:13:06Alternatively, fill your pockets with stones,
0:13:06 > 0:13:08walk into the sea...
0:13:08 > 0:13:10and keep going.
0:13:31 > 0:13:33Anything?
0:13:33 > 0:13:35- No. - SHE SIGHS
0:13:35 > 0:13:37Bloody hell! I hate this bit.
0:14:24 > 0:14:28Off every tree you may freely eat -
0:14:28 > 0:14:31maids, serving wenches, cooks,
0:14:31 > 0:14:32typists, masseuses,
0:14:32 > 0:14:36even the lady who comes to clip the canary's claws.
0:14:38 > 0:14:41But if you lay one hand on that precious fruit,
0:14:41 > 0:14:44then like the Belgians in the Congo,
0:14:44 > 0:14:46we'll chop it off.
0:14:48 > 0:14:49And I don't mean the hand.
0:15:16 > 0:15:17Senor Roper.
0:15:25 > 0:15:27Morning.
0:15:27 > 0:15:31I was wondering if I might take Danny into town?
0:15:31 > 0:15:33What for?
0:15:35 > 0:15:36A change.
0:15:41 > 0:15:44- He likes you, doesn't he?- I hope so.
0:15:44 > 0:15:45I like him.
0:15:48 > 0:15:49Frisky and Tabby will go with you.
0:15:52 > 0:15:54Pine...
0:15:59 > 0:16:00..thank you.
0:16:18 > 0:16:20It's me. They're on the move.
0:16:38 > 0:16:40BIRDSONG
0:17:01 > 0:17:04Do you always have this much company, Danny?
0:17:05 > 0:17:08Since the restaurant.
0:17:08 > 0:17:10- It's a bit boring, isn't it?- Yeah.
0:17:11 > 0:17:14Oi! DANNY GASPS
0:17:14 > 0:17:16It's OK. It's all right.
0:17:18 > 0:17:19DANNY LAUGHS
0:17:23 > 0:17:26- Danny?- Yeah.- What do you say...
0:17:26 > 0:17:28to an ice cream?
0:17:28 > 0:17:30- Yeah?- Yeah.- Great.
0:17:30 > 0:17:32Actually...
0:17:32 > 0:17:33JONATHAN GRUNTS
0:17:33 > 0:17:36..why don't you ask Frisky and Tabby
0:17:36 > 0:17:40- if they want an ice cream as well, huh?- OK.
0:17:40 > 0:17:41Would you like an ice cream?
0:17:41 > 0:17:44- No.- Really? Would you?- No.
0:17:48 > 0:17:51- They didn't want one. - They don't want one?- No.
0:17:51 > 0:17:53They are very strange, aren't they, those two?
0:17:53 > 0:17:56Yeah, especially on a day like this,
0:17:56 > 0:17:58who wouldn't want an ice cream?!
0:17:58 > 0:18:00What's your favourite flavour, Danny?
0:18:00 > 0:18:03- Pistachio. - JONATHAN ORDERS IN SPANISH
0:18:03 > 0:18:05MAN REPLIES IN SPANISH
0:18:09 > 0:18:12- Danny?- Yeah?
0:18:12 > 0:18:16Do you know who's...coming to the party on Sunday?
0:18:16 > 0:18:19It's a select group, around 25.
0:18:19 > 0:18:21ANGELA SPEAKS SPANISH
0:18:21 > 0:18:23Sorry, I need to hear the complete list,
0:18:23 > 0:18:26all the names of all your ice creams.
0:18:26 > 0:18:29Oh, gracias. Sorry.
0:18:30 > 0:18:32That's all right.
0:18:32 > 0:18:36I think Sandy and Caroline will probably be there, won't they?
0:18:38 > 0:18:40I don't know who's coming.
0:18:42 > 0:18:44You see, I've got this problem,
0:18:44 > 0:18:46it's Major Corcoran.
0:18:47 > 0:18:51- I don't think he likes me very much. - Why not?- I don't know.
0:18:53 > 0:18:57But he's trying to find out everything he can about me.
0:18:59 > 0:19:02All the way back to the time of the ancient Egyptians.
0:19:02 > 0:19:03THEY LAUGH
0:19:04 > 0:19:07Mmm. Muchos gracias.
0:19:22 > 0:19:24Right, waiting's over.
0:19:24 > 0:19:27We've got a spot of work to do, thank God.
0:19:32 > 0:19:36- So, how often do you come here? - Only in the summer.
0:19:36 > 0:19:39It must be nice to see Dad, though?
0:19:39 > 0:19:41Do you play tennis with him?
0:19:41 > 0:19:43I have lessons with Lewis.
0:19:44 > 0:19:48- Roper's not here much.- Well, I expect he works hard, eh?
0:19:48 > 0:19:53- That's why he has such a big house. - I bet you've counted the rooms.- 23.
0:19:53 > 0:19:57There's three kitchens and a big office by the pool.
0:19:57 > 0:20:00And there's Roper's secret study in his bedroom,
0:20:00 > 0:20:02but no-one's allowed in there.
0:20:04 > 0:20:07- Except you? Special guest?- I'm not.
0:20:07 > 0:20:09He calls it The Citadel.
0:20:09 > 0:20:10And there's one key...
0:20:10 > 0:20:13and he hides it.
0:20:13 > 0:20:17- Do you know what's inside? - He says it's full of peppermints.
0:20:17 > 0:20:20Well, I'd lock it up too if I were him.
0:20:20 > 0:20:22THEY LAUGH
0:20:24 > 0:20:26Plus, there's an alarm.
0:20:26 > 0:20:28They test it every day at 11.
0:20:28 > 0:20:31You have to be really careful.
0:20:31 > 0:20:35- Why?- This is where I cut my foot last year.
0:20:35 > 0:20:39Roper made me stand in the sea for about half an hour,
0:20:39 > 0:20:40because of the salt.
0:20:43 > 0:20:45CHURCH BELL CHIMES
0:20:50 > 0:20:54Ever since his daughter killed herself, he comes here every day.
0:20:54 > 0:20:57And that's not all. Yesterday afternoon,
0:20:57 > 0:20:59he calls the hotline of the Madrid Public Prosecutor's Office,
0:20:59 > 0:21:03says he has information regarding a world-class illegal arms deal.
0:21:03 > 0:21:06Operator asks his name, he hangs up.
0:21:06 > 0:21:09Assumption, a priest's advice only goes so far.
0:21:20 > 0:21:23PRIEST SPEAKS SPANISH
0:21:23 > 0:21:25- Gracias, padre.- Gracias.
0:21:26 > 0:21:28Mr Apostol?
0:21:28 > 0:21:29Who are you?
0:21:29 > 0:21:32I'm your guardian angel, Mr Apostol.
0:21:36 > 0:21:38I can't sleep.
0:21:38 > 0:21:40Every night...
0:21:40 > 0:21:42I ask myself the same question.
0:21:44 > 0:21:46What I could have done?
0:21:46 > 0:21:48HE SOBS
0:21:52 > 0:21:54Now you're having a child...
0:21:55 > 0:21:59..you can understand how I feel.
0:21:59 > 0:22:00I can, Juan.
0:22:01 > 0:22:04When you called the Madrid office,
0:22:04 > 0:22:06you had blood on your hands.
0:22:08 > 0:22:10And I'm here to wash it off.
0:22:11 > 0:22:14How?
0:22:14 > 0:22:16- You know Richard Roper?- Yes.
0:22:17 > 0:22:20- He's a friend. - Juan, he's not a friend.
0:22:22 > 0:22:26He dragged you down and he dragged your daughter down too.
0:22:27 > 0:22:30If Roper wasn't in your life, I think she'd still be alive today.
0:22:30 > 0:22:31Sorry.
0:22:33 > 0:22:37Now, God knows how you bear it, I...I don't think I could.
0:22:40 > 0:22:44Listen, I'm on the side of the angels.
0:22:44 > 0:22:46We're good people,
0:22:46 > 0:22:49we play it straight and we keep our promises.
0:22:49 > 0:22:51OK?
0:22:51 > 0:22:52But I need your help.
0:22:55 > 0:22:57Do you know Lance Corcoran?
0:22:57 > 0:22:59Yes.
0:23:00 > 0:23:02He's Roper's right-hand man.
0:23:04 > 0:23:06Right, well, that's what needs to change.
0:23:18 > 0:23:20Are you pink?
0:23:23 > 0:23:26Socialist, left-wing, march of history, that sort of thing?
0:23:27 > 0:23:29It wouldn't bother me if you were,
0:23:29 > 0:23:31it's another one of Corky's bugbears.
0:23:32 > 0:23:33He seems to have a few.
0:23:35 > 0:23:36Yeah.
0:23:36 > 0:23:39Been in a lot of foxholes, me and Corky.
0:23:40 > 0:23:43Once spent a week together in a police cell in Delhi.
0:23:43 > 0:23:46I don't think I've ever laughed so much in my whole life.
0:23:47 > 0:23:49Was he drinking then?
0:23:51 > 0:23:54Well, now, that is a deeply odd thing to say.
0:23:54 > 0:23:57What business is it of yours how much he drinks?
0:23:57 > 0:24:00When my father was serving in Belfast...
0:24:02 > 0:24:04..a sergeant in his platoon got drunk one night,
0:24:04 > 0:24:07told a local girl what the next day's operation was.
0:24:07 > 0:24:10The man I loved most in the world
0:24:10 > 0:24:13was dead for five pints of lager and the promise of a quickie.
0:24:16 > 0:24:19Right, so you don't drink and you're not pink, what are you?
0:24:21 > 0:24:23Me, I'm a free man.
0:24:24 > 0:24:27Free to think, free to work,
0:24:27 > 0:24:30free to climb a mountain or lie in bed all day eating peppermint creams
0:24:30 > 0:24:32without any bugger telling me how.
0:24:34 > 0:24:36Then I'm a free man.
0:24:36 > 0:24:39Oh, that's the free part, the man part's a little different.
0:24:39 > 0:24:41See, children grow up thinking the adult world
0:24:41 > 0:24:45is ordered, rational, fit for purpose.
0:24:46 > 0:24:52It's crap. Becoming a man is realising...that it's all rotten.
0:24:53 > 0:24:57Realising how to celebrate that rottenness, that's freedom.
0:25:10 > 0:25:12- SANDY:- Here we are.
0:25:12 > 0:25:14- WOMAN:- Out we go.
0:25:14 > 0:25:16SANDY GROANS
0:25:16 > 0:25:19Come on. Chop chop. Let's go.
0:25:19 > 0:25:23- Mademoiselle. - SHE GIGGLES
0:25:23 > 0:25:25- Merci, monsieur.- OK.
0:25:25 > 0:25:29Senor? The bags, please. Thank you so much.
0:25:36 > 0:25:39Thank you so much for coming. Have a wonderful day.
0:25:39 > 0:25:42Caro, divine as ever.
0:25:42 > 0:25:44Sandy, sort of acceptable.
0:25:44 > 0:25:46There you go.
0:25:46 > 0:25:49Apo, my dear old friend.
0:25:49 > 0:25:52- I'm so terribly sorry for your loss. - Thanks.
0:25:52 > 0:25:54How are you? I can't even imagine.
0:25:54 > 0:25:57Mr Barghati, thank you so much for coming.
0:25:57 > 0:25:58Please come inside.
0:25:58 > 0:26:03Let's see if we can feed and sustain you before we get down to business.
0:26:29 > 0:26:30And did you get the sweater?
0:26:35 > 0:26:37Great.
0:26:37 > 0:26:40Does it fit?
0:26:40 > 0:26:41Mmm.
0:26:41 > 0:26:43Uh-huh.
0:26:44 > 0:26:46OK.
0:26:46 > 0:26:47Love you. Bye, honey.
0:26:54 > 0:26:58SHE SOBS
0:27:06 > 0:27:08KNOCK AT DOOR, SHE GASPS
0:27:10 > 0:27:12I'm so sorry to interrupt.
0:27:12 > 0:27:16The guests are arriving and the party's going to start soon.
0:27:25 > 0:27:30The story begins in Egypt 4,500 years ago.
0:27:30 > 0:27:32The ancient Egyptians invented this game.
0:27:32 > 0:27:35It is literally the oldest trick in the book.
0:27:35 > 0:27:38Now, you start with a ball.
0:27:38 > 0:27:41We have one, two, three cups.
0:27:41 > 0:27:45You lay one cup like that, one cup like that, one cup like that...
0:27:45 > 0:27:47All right?
0:27:47 > 0:27:49Now, I'm going to take the ball
0:27:49 > 0:27:52and I'm going to place the ball in the cup.
0:27:52 > 0:27:54Shake the cup.
0:27:54 > 0:27:55Turn it over.
0:27:57 > 0:27:59All right, now, you have to watch very closely.
0:27:59 > 0:28:01You have to watch the cups.
0:28:01 > 0:28:03I'm going to move these two round like that.
0:28:03 > 0:28:05This one round like that.
0:28:05 > 0:28:08Everybody clear on where the ball is now? Danny, where's the ball?
0:28:08 > 0:28:10You think the ball's here?
0:28:10 > 0:28:12- No, Danny, the ball's in the middle! - LAUGHTER
0:28:12 > 0:28:14You're not watching the cups, Danny.
0:28:16 > 0:28:19Thomas is watching the cups, aren't you, Thomas?
0:28:20 > 0:28:24You're a gym bunny, aren't you? Aren't you?
0:28:24 > 0:28:26A little cold gym bunny...
0:28:27 > 0:28:31He can't stop his mouth - in every way.
0:28:31 > 0:28:34Corky can get a little overexcited when he's drunk.
0:28:34 > 0:28:39- Yes, that is what Mr Barghati is worried about.- That little smile...
0:28:39 > 0:28:42- Oh, hello!- According to our friend, he has been shooting his mouth off -
0:28:42 > 0:28:44talking about things he should not.
0:28:44 > 0:28:47Barghati doesn't want him involved - condition of the deal.
0:28:47 > 0:28:50- Thanks for that, Apo.- Spit. Yeah! CORKY LAUGHS
0:28:52 > 0:28:54Come... Come with me...
0:28:54 > 0:28:56And it's a funny thing, isn't it?
0:28:56 > 0:28:57If you want to piss...
0:28:57 > 0:28:59I am so sorry to interrupt,
0:28:59 > 0:29:01- but can I just borrow the old man for a second?- Oh, of course.
0:29:01 > 0:29:05- Thank you.- Excuse me.- Bye. Bye. Bye.
0:29:05 > 0:29:07I have just spoken to Apo, and he has a...
0:29:07 > 0:29:09There you go, Danny.
0:29:16 > 0:29:18Thomas.
0:29:18 > 0:29:21- ROPER:- For God's sake...
0:29:21 > 0:29:25Roper, Thomas and I are going to go for a little stroll.
0:29:25 > 0:29:26All right, darling.
0:29:31 > 0:29:35Frisky, Major Corkoran is here with some friends of Dorothy
0:29:35 > 0:29:39that I would like to have escorted from the premises.
0:29:39 > 0:29:41You and Tabby can make as much noise as you like. All right?
0:29:41 > 0:29:43A pleasure. Tabbs.
0:29:43 > 0:29:45CORKY: If you need to relieve yourself,
0:29:45 > 0:29:49it's good to do it into a suitable perspective.
0:29:49 > 0:29:51It's better than a urinal, isn't it?
0:29:51 > 0:29:53- God's urinal, I call this. - You've got to break it up.
0:29:53 > 0:29:56You're giving the boss indigestion with your buddies here.
0:29:56 > 0:29:58- Come on, lads. The party's over. - Frisky, go pee-pee.
0:29:58 > 0:30:00Leave your drinks here.
0:30:00 > 0:30:01Frisky, don't be too rough.
0:30:15 > 0:30:17WATER SPLASHES
0:30:17 > 0:30:20Who are all these people?
0:30:20 > 0:30:21How should I know?
0:30:23 > 0:30:25You're not curious?
0:30:25 > 0:30:27Why should I be? It's business.
0:30:27 > 0:30:29Which is what?
0:30:30 > 0:30:34Buying and selling agricultural equipment.
0:30:35 > 0:30:38Caro says Sandy tells her everything.
0:30:38 > 0:30:40That would drive me insane.
0:30:42 > 0:30:45You shouldn't have seen me like that today, in my bedroom.
0:30:45 > 0:30:47I'm sorry.
0:30:47 > 0:30:49The door was open. I thought you were dressed.
0:30:49 > 0:30:51That's not what I meant.
0:30:51 > 0:30:54I don't care who sees me naked.
0:30:54 > 0:30:57I do care who sees me crying.
0:30:57 > 0:31:00You tell no-one you saw that, is that clear?
0:31:00 > 0:31:02Of course.
0:31:04 > 0:31:05I'm going swimming.
0:31:09 > 0:31:12- Want to come?- Ah...
0:31:12 > 0:31:14I don't think that would be wise.
0:31:14 > 0:31:15There's no current.
0:31:15 > 0:31:18DRESS UNZIPS
0:31:18 > 0:31:20That's not quite what I meant.
0:31:20 > 0:31:21I know it wasn't.
0:31:32 > 0:31:35HE SIGHS
0:31:40 > 0:31:42There she goes,
0:31:42 > 0:31:44beyond the ha-ha!
0:31:46 > 0:31:48One day, Thomas, you'll live a little.
0:32:07 > 0:32:10HE EXHALES
0:32:25 > 0:32:29HE BREATHES HEAVILY
0:32:34 > 0:32:36HE EXHALES
0:32:48 > 0:32:50INSECTS CHIRP
0:32:54 > 0:32:57TRAFFIC RUMBLES
0:32:57 > 0:32:59SIRENS WAIL
0:33:02 > 0:33:06- KNOCK AT DOOR - Erm, come...
0:33:07 > 0:33:09Rex, do you have a minute?
0:33:09 > 0:33:12The Permanent Secretary would love to see you.
0:33:12 > 0:33:14Erm, yes.
0:33:28 > 0:33:30- Is that a yes or a no?- Mm-hmm. - WOMAN LAUGHS
0:33:30 > 0:33:34- DOOR OPENS - Rex, come in.
0:33:36 > 0:33:38You know Geoffrey Dromgoole, of course,
0:33:38 > 0:33:39- and his team from the River.- Rex.
0:33:39 > 0:33:41Barbara Vandon from the American Embassy.
0:33:41 > 0:33:43Rex Mayhew, my undersecretary.
0:33:43 > 0:33:45- Good to see you, Rex. - Barbara, how are you?
0:33:45 > 0:33:47Rex, it's this Limpet thing.
0:33:47 > 0:33:48Limpet?
0:33:48 > 0:33:50The Joel Steadman enforcement operation
0:33:50 > 0:33:52with Angela Burr on side-saddle.
0:33:52 > 0:33:54Yes, I know what Limpet is - it's an enforcement case.
0:33:54 > 0:33:58It's nothing to do with Langley... or River House.
0:33:58 > 0:34:01Well, it's what Barbara feels we ought to be discussing.
0:34:01 > 0:34:04Rex, Langley has been completely railroaded on this.
0:34:04 > 0:34:07Currently, we have a joint operation on foreign soil
0:34:07 > 0:34:11between two extremely fringe outfits.
0:34:11 > 0:34:15They're chasing international arms in an area of the world
0:34:15 > 0:34:19that is...way beyond their comprehension.
0:34:19 > 0:34:20It's crazy.
0:34:20 > 0:34:22I have to say, I agree.
0:34:22 > 0:34:25You know, Limpet is operating in a highly incendiary region,
0:34:25 > 0:34:28and I would hate to see that run out of control.
0:34:28 > 0:34:30In my view, it should be placed under
0:34:30 > 0:34:33a purely intelligence jurisdiction,
0:34:33 > 0:34:36acting on a political brief,
0:34:36 > 0:34:38- but it's not my decision. - SIRENS WAIL
0:34:38 > 0:34:41No, it's not.
0:34:41 > 0:34:43I'm sure I don't need to remind you or your team
0:34:43 > 0:34:47that my recommendation, accepted by the Permanent Secretary,
0:34:47 > 0:34:49was that River House was overextended,
0:34:49 > 0:34:52and that enforcement agencies were urgently needed to prosecute
0:34:52 > 0:34:55any areas of international criminal activity that were,
0:34:55 > 0:34:59for whatever reason, slipping through the intelligence net.
0:34:59 > 0:35:04In that context, I find the actions of River House somewhat inimical
0:35:04 > 0:35:08to the new era of parliamentary accountability and transparency.
0:35:11 > 0:35:12Does that answer your question?
0:35:12 > 0:35:15- Why don't we leave it there for today?- Thank you.
0:35:17 > 0:35:19DOOR OPENS AND SLAMS
0:35:26 > 0:35:28Have you got a moment?
0:35:28 > 0:35:31Not much more than that - Celia's cooking rabbit.
0:35:31 > 0:35:34- That's all it will take. - HE SNIFFS
0:35:35 > 0:35:36Good job in there.
0:35:36 > 0:35:40You pressed all the right buttons - accountability, transparency...
0:35:40 > 0:35:43I don't like being bullied, never have.
0:35:43 > 0:35:46You see, the thing is, I'm not sure that Limpet's quite
0:35:46 > 0:35:49the abject failure that Angela Burr would have us believe.
0:35:49 > 0:35:50Really?
0:35:50 > 0:35:54So, the day that the Limpet case is ours,
0:35:54 > 0:35:59you get an uncle in Switzerland who has suffered an untimely death...
0:35:59 > 0:36:01a rich uncle.
0:36:04 > 0:36:06I'm going to pretend I didn't hear that.
0:36:06 > 0:36:09- You're in over your head, Rex. - It's...
0:36:09 > 0:36:12Don't answer now...
0:36:12 > 0:36:14but think about it.
0:36:14 > 0:36:15Enjoy the rabbit.
0:36:43 > 0:36:44- Morning.- Hi.
0:36:44 > 0:36:47- Are you not swimming? - I'm not in the mood.
0:36:51 > 0:36:56I like you, Thomas - you see everything and say nothing.
0:37:00 > 0:37:04- SHE SOBS - My husband is screwing our nanny.
0:37:05 > 0:37:08What a cliche.
0:37:08 > 0:37:11Jed said I should have hired an uglier girl
0:37:11 > 0:37:14- but the agency only had stunners. - SHE SNIFFLES
0:37:14 > 0:37:15Could you do my back?
0:37:17 > 0:37:19Don't worry, I don't want to sleep with you.
0:37:29 > 0:37:31- Why is he keeping you here? - I don't know.
0:37:31 > 0:37:34Grooming you, is he?
0:37:34 > 0:37:36For what?
0:37:38 > 0:37:40You just be careful.
0:37:46 > 0:37:50Roper's planning a big arms deal to Apo's Lebanese friend.
0:37:51 > 0:37:53Weapons from seven British and American companies -
0:37:53 > 0:37:55weapons no-one should be trading in.
0:37:59 > 0:38:02Roper's using a company called TradePass to fence the deal.
0:38:04 > 0:38:06He pretends it trades in agricultural equipment
0:38:06 > 0:38:09and his investors pretend to believe him.
0:38:11 > 0:38:13You can stop rubbing now.
0:38:19 > 0:38:22Why are you telling me this?
0:38:22 > 0:38:24I just want to be honest with someone in this world.
0:38:27 > 0:38:29Does Jed know?
0:38:29 > 0:38:31No, of course not!
0:38:31 > 0:38:34Sandy screws everyone and tells me everything.
0:38:34 > 0:38:38Roper is steadfastly faithful and tells Jed nothing.
0:38:42 > 0:38:43Do you think I should tell her?
0:38:46 > 0:38:48Maybe.
0:39:00 > 0:39:02HE GRUNTS
0:39:04 > 0:39:06If it's worry for your boy, forget it.
0:39:06 > 0:39:08He knew what he was getting into.
0:39:09 > 0:39:10Did he?
0:39:15 > 0:39:17So, you and Mr Burr,
0:39:17 > 0:39:19are you making a go of it?
0:39:19 > 0:39:23Well, you know, like my mum says, "You make your bed - you die in it."
0:39:25 > 0:39:28No, Gordon's a decent man. It's not his fault I'm not in love with him.
0:39:30 > 0:39:31Listen...
0:39:31 > 0:39:34Oh, Joel, let's not have that conversation, please?
0:39:35 > 0:39:37Well, you can't deny the past.
0:39:37 > 0:39:40- Past is all it is. - It doesn't have to be.
0:39:40 > 0:39:42SHE SIGHS
0:39:42 > 0:39:45Joel...
0:39:45 > 0:39:47You silly sod.
0:39:47 > 0:39:48JOEL CHUCKLES
0:39:52 > 0:39:55BIRDS TWITTER
0:39:57 > 0:39:59Hi, Corky.
0:39:59 > 0:40:00Frisky.
0:40:01 > 0:40:03Hey, Danny.
0:40:04 > 0:40:07Thomas, have you seen my phone?
0:40:09 > 0:40:11I haven't. Sorry.
0:40:14 > 0:40:16Dad'll be cross.
0:40:16 > 0:40:20Everyone's cross and Jed's not talking to Dad.
0:40:21 > 0:40:22What's going on?
0:40:24 > 0:40:25I don't know.
0:40:29 > 0:40:30I'll tell you what,
0:40:30 > 0:40:33why don't I come downstairs and read you a bedtime story,
0:40:33 > 0:40:35- and we can look for your phone in the morning?- OK.
0:40:35 > 0:40:37- Yeah?- Yeah.
0:40:37 > 0:40:39What should we read?
0:40:39 > 0:40:43I don't know. Which one's your favourite?
0:40:43 > 0:40:44Three Little Pigs.
0:40:44 > 0:40:45OK, the pigs?
0:40:45 > 0:40:49I can give you the Thomas version - Two Little Pigs.
0:41:08 > 0:41:10HE EXHALES
0:41:24 > 0:41:27- COMPUTER BEEPS - What's that?
0:41:27 > 0:41:31- That right there. Punch that up. Punch that up.- What is it?
0:41:31 > 0:41:33It's your boy.
0:41:33 > 0:41:37"Seven tractor firms" - seven armament manufacturers?
0:41:37 > 0:41:40"Home sale with best friend" - that's the UK and the US.
0:41:40 > 0:41:42"Buyer in Beirut via Worst Man".
0:41:42 > 0:41:44Well, Worst Man is Roper - Roper's the middleman?
0:41:44 > 0:41:46- What's TradePass?- I'm not sure,
0:41:46 > 0:41:47must be a front organisation.
0:41:47 > 0:41:48What I do know, though,
0:41:48 > 0:41:50is Roper's pressed the green light.
0:41:50 > 0:41:52All right. OK. Hey, guys...
0:41:57 > 0:42:02OK, so, just put the cases by the taxi and then you can jump in.
0:42:02 > 0:42:04Good girl. Pop in. Jump in.
0:42:06 > 0:42:08OK, put your seatbelts on, guys.
0:42:11 > 0:42:13CARO CRIES SOFTLY
0:42:22 > 0:42:25OK...
0:42:25 > 0:42:27- OK. Here we go. - ENGINE RUMBLES
0:42:31 > 0:42:34WOMAN SOBS
0:42:34 > 0:42:36Get in the taxi, you bloody whore!
0:42:36 > 0:42:37- Caroline, for...- You bitch!
0:42:37 > 0:42:39Caroline, for Christ's sake, she's going.
0:42:39 > 0:42:41She's going. She's go...
0:42:41 > 0:42:42Caro...
0:42:42 > 0:42:44Bitch! Whore!
0:42:44 > 0:42:46- Caroline.- Just shut up!- All right.
0:42:46 > 0:42:48Just shut up, Sandy, you shit!
0:42:52 > 0:42:53What, you like the show?
0:42:57 > 0:42:59You like the show, Dicky?
0:43:00 > 0:43:02Dicky Roper?
0:43:06 > 0:43:10CAR ENGINE REVS
0:43:10 > 0:43:11See you later, guys.
0:43:25 > 0:43:26Jed, darling...
0:43:26 > 0:43:28Don't even.
0:43:50 > 0:43:52Where is everybody?
0:43:52 > 0:43:55- Monaco.- Huh. - Two days of meetings.
0:43:55 > 0:43:57Things are ramping up.
0:43:57 > 0:43:59And you're not...
0:43:59 > 0:44:02- You're not going too?- Not me, no.
0:44:02 > 0:44:04The girl was supposed to go but she's blown him out.
0:44:04 > 0:44:05I'm staying with her.
0:44:05 > 0:44:07We're going riding instead.
0:44:07 > 0:44:09Didn't she invite you?
0:44:09 > 0:44:12- Oh, dear. - PINE CHUCKLES
0:44:12 > 0:44:14Very good. Well, have a nice time.
0:44:19 > 0:44:21CLOCK TICKS, INSECT BUZZES
0:45:39 > 0:45:42HE BREATHES HEAVILY
0:45:42 > 0:45:47ALARM BLARES
0:45:49 > 0:45:52ALARM CONTINUES
0:46:56 > 0:46:58ALARM STOPS, HE EXHALES
0:47:05 > 0:47:07- JED:- I'll just be a minute.
0:47:21 > 0:47:22What are you doing in here?
0:47:24 > 0:47:26I brought you some flowers.
0:47:27 > 0:47:29Why didn't you give them to the maids?
0:47:32 > 0:47:34- I have to change.- Close the door.
0:47:50 > 0:47:52You can't be in here.
0:47:54 > 0:47:55This is our bedroom.
0:48:02 > 0:48:03What is that?
0:48:06 > 0:48:09I found it on the desktop.
0:48:09 > 0:48:12You broke into his office and you spied on his papers.
0:48:15 > 0:48:16You have to be more careful.
0:48:26 > 0:48:29- CORKY:- Darling, Angel, Sweetie, everyone's starving...
0:48:29 > 0:48:31- He can't see you.- Get rid of him.
0:48:33 > 0:48:35Are you decent?
0:48:40 > 0:48:42- What's going on? - Nothing. I'm coming.
0:49:30 > 0:49:31How was your trip?
0:49:31 > 0:49:34Noisy. I hitched a ride on a C-130.
0:49:34 > 0:49:35Oh, fun.
0:49:35 > 0:49:36How was yours?
0:49:36 > 0:49:37Fine, thank you.
0:49:37 > 0:49:39I'm not sure why we had to make it.
0:49:39 > 0:49:42Is there a reason we're doing this in person?
0:49:42 > 0:49:46Well, Halo is not too keen on intermediaries just now.
0:49:46 > 0:49:48And yet he's sent you?
0:49:48 > 0:49:51There's an enforcement operation called Limpet.
0:49:51 > 0:49:52We have to keep our eyes on it.
0:49:52 > 0:49:55Halo says you need to be careful.
0:49:55 > 0:49:57I am always careful.
0:49:57 > 0:49:58How far have they got?
0:49:58 > 0:50:02They've drawn a line between Langbourne and Apostol.
0:50:02 > 0:50:04- Jesus.- How did they manage that?
0:50:04 > 0:50:07A photograph of a meeting.
0:50:07 > 0:50:09Are they after buyers or sellers?
0:50:09 > 0:50:11We don't know. We assume both.
0:50:11 > 0:50:14You can assure Halo that we have taken every precaution.
0:50:14 > 0:50:18We have received intelligence of our own.
0:50:18 > 0:50:21We are changing the guard.
0:50:21 > 0:50:22Good.
0:50:40 > 0:50:41- JED:- 'How was your meeting?'
0:50:43 > 0:50:44It was fine.
0:50:46 > 0:50:47It was fine?
0:50:47 > 0:50:51Don't be so bloody childish! Look, Caro was upset.
0:50:51 > 0:50:55She wanted to get back at Sandy so she started spreading manure.
0:50:55 > 0:50:56That's it. End of story.
0:50:56 > 0:50:59That's what it is - it's just a story?
0:50:59 > 0:51:01Jesus, Jed, what the hell is the matter with you?
0:51:01 > 0:51:03Tell me why I should believe you.
0:51:03 > 0:51:05Why shouldn't you believe me?
0:51:05 > 0:51:07When have I ever lied to you?
0:51:07 > 0:51:08Oh, you...you don't lie to me.
0:51:08 > 0:51:11You're much too clever for that. You just hide.
0:51:11 > 0:51:12What? What do I hide?
0:51:12 > 0:51:14The truth, Roper!
0:51:14 > 0:51:15Well, what about your truth?
0:51:15 > 0:51:17What about the things you hide from me?
0:51:17 > 0:51:18I don't hide anything from you.
0:51:18 > 0:51:21You have a child, Jed! You have a son.
0:51:23 > 0:51:24Let's start with him.
0:51:25 > 0:51:27Or don't you think he counts?
0:51:33 > 0:51:37- How do you know?- We're not talking how, we're talking why.
0:51:37 > 0:51:38Why would you hide that from me?
0:51:38 > 0:51:40That was not included in the brochure.
0:51:40 > 0:51:43Screw your brochure, Roper.
0:51:43 > 0:51:44You don't own me.
0:51:44 > 0:51:46No-one is entitled to know things about me
0:51:46 > 0:51:48that I don't want them to know.
0:51:48 > 0:51:50Oh, but you're entitled to spy on my life?
0:51:50 > 0:51:52I can read a bloody bank statement.
0:51:54 > 0:51:56I'm paying money to raise another man's kid.
0:51:56 > 0:51:57I know that...
0:51:59 > 0:52:03..and now anyone listening to this phone call knows it too.
0:52:12 > 0:52:13Apart from that, how was your day?
0:52:14 > 0:52:17PHONE BEEPS
0:53:09 > 0:53:11COMPUTER BEEPS
0:53:21 > 0:53:24- PEN CLATTERS TO FLOOR - On your feet, soldier.
0:53:26 > 0:53:29HE GRUNTS
0:53:34 > 0:53:35Where the hell did he get that?
0:53:42 > 0:53:44- "Halo".- Yeah.
0:53:46 > 0:53:49BIRDS TWITTER
0:53:56 > 0:53:57They're back?
0:53:57 > 0:53:59Apparently so.
0:54:05 > 0:54:07The chief wants to see you.
0:54:07 > 0:54:10Not you, him.
0:54:27 > 0:54:29Present for you on the table.
0:54:40 > 0:54:41Thank you.
0:54:41 > 0:54:44I told them to put some visas in it and make it look scruffy.
0:54:44 > 0:54:46Never trust a new passport, in my view.
0:54:46 > 0:54:47Always go with the old 'uns -
0:54:47 > 0:54:51like Third World taxi drivers, there's a reason they have survived.
0:54:55 > 0:54:56"Andrew Birch"?
0:54:56 > 0:55:00We like the tree thing - we thought we'd stick with that.
0:55:00 > 0:55:02It's all official. You are reborn.
0:55:02 > 0:55:04The visas are real.
0:55:04 > 0:55:08If you want to renew, go to the consulate abroad - less risky.
0:55:08 > 0:55:10PASSPORT CLATTERS TO GROUND
0:55:10 > 0:55:14- What's up? - Erm, I thought that was my present.
0:55:14 > 0:55:19Well, it can be, if you do something for me.
0:55:19 > 0:55:20Right.
0:55:20 > 0:55:22Sandy, papers.
0:55:22 > 0:55:24Mm-hmm.
0:55:24 > 0:55:26We're going to need a witness -
0:55:26 > 0:55:28preferably Spanish so they can't actually read the bloody thing.
0:55:28 > 0:55:31I'll get Carlos.
0:55:31 > 0:55:32- Is he 18?- Yeah.
0:55:32 > 0:55:34Wait, what is this? What am I signing?
0:55:34 > 0:55:35Jesus, Pine,
0:55:35 > 0:55:38for a murderer on the run, you're pretty bloody picky.
0:55:38 > 0:55:41I am giving you your own company.
0:55:45 > 0:55:47Erm... Look, I... Look, I really...
0:55:47 > 0:55:50I don't know anything about running a company.
0:55:50 > 0:55:52You don't have to.
0:55:52 > 0:55:58All you have to do is sign as Andrew Birch.
0:55:58 > 0:56:01Why don't you practise a few signatures? Get the feel of it.
0:56:04 > 0:56:05HE CLEARS HIS THROAT
0:56:06 > 0:56:08Andrew Birch.
0:56:08 > 0:56:10B-I-R,
0:56:10 > 0:56:11C for Charlie,
0:56:11 > 0:56:13H for Hotel.
0:56:16 > 0:56:18Go on. Manly one. Go for a manly one.
0:56:18 > 0:56:20Andrew Birch in a hurry.
0:56:20 > 0:56:23- ROPER GROWLS - Andrew Birch. One more.
0:56:27 > 0:56:28That's more like it.
0:56:28 > 0:56:31DOOR OPENS
0:56:31 > 0:56:35Carlos, ven aqui. Necesito que firmes esto.
0:56:45 > 0:56:47There and there and one more there.
0:56:59 > 0:57:01Carlos, here, right at the bottom.
0:57:04 > 0:57:06Good lad.
0:57:10 > 0:57:12DOOR OPENS
0:57:14 > 0:57:16DOOR CLOSES
0:57:16 > 0:57:18Welcome to the family, Andrew.