0:00:02 > 0:00:05This programme contains some scenes which some viewers may find upsetting,
0:00:05 > 0:00:08and some scenes of a sexual nature.
0:00:50 > 0:00:53Want to know how the trick is done?
0:00:53 > 0:00:55Du bist ein strohmann.
0:00:55 > 0:00:58It's a straw man operation. You are the straw man.
0:00:58 > 0:00:59No offence.
0:01:02 > 0:01:03Your name is Andrew Birch.
0:01:05 > 0:01:07You are a merchant venturer,
0:01:07 > 0:01:09decent history in commerce,
0:01:09 > 0:01:11no skeletons, no murky deals.
0:01:11 > 0:01:14Maybe you and I have done deals together, maybe we haven't.
0:01:14 > 0:01:15let them guess.
0:01:15 > 0:01:18So, I go to the clowns,
0:01:18 > 0:01:20the brokers, venture boys,
0:01:20 > 0:01:22flexible banks and I say, "This fellow Birch,
0:01:22 > 0:01:24"he's a very smart cookie,
0:01:24 > 0:01:26"brilliant plan.
0:01:26 > 0:01:28"Just needs backing.
0:01:28 > 0:01:31"Something to do with agricultural hardware.
0:01:31 > 0:01:34"Quick profits. He's my gift to you.
0:01:34 > 0:01:37"He's clever. He's handsome.
0:01:37 > 0:01:40"He's good with all the right people.
0:01:40 > 0:01:42"Didn't want you missing out.
0:01:42 > 0:01:44"The Company is called Tradepass.
0:01:46 > 0:01:49"Double your money in four months, max."
0:01:50 > 0:01:51It's trust Dicky time.
0:01:52 > 0:01:55And they do.
0:01:55 > 0:01:56Well...
0:01:57 > 0:02:00We register the company in Cyprus. You have a bank in Geneva.
0:02:00 > 0:02:03No questions asked, no accounts to be filed. You...
0:02:04 > 0:02:05..are my lead actor.
0:02:07 > 0:02:09You're my main man, my star.
0:02:11 > 0:02:13We make the deal. No-one really knows what we're selling.
0:02:13 > 0:02:15No-one wants to know. They don't care,
0:02:15 > 0:02:16All they care about is the money.
0:02:16 > 0:02:20They don't want to know what's really at stake, because if they did
0:02:20 > 0:02:22they wouldn't sleep at night.
0:02:23 > 0:02:26No-one can know where the money comes from
0:02:26 > 0:02:28except you and me, Andrew.
0:02:30 > 0:02:31We know.
0:02:33 > 0:02:35KNOCK ON DOOR
0:02:35 > 0:02:37It's 11 o'clock.
0:02:37 > 0:02:40We're having a business meeting, darling. I thought I told you.
0:02:40 > 0:02:43A business meeting with Thomas?
0:02:43 > 0:02:45Not Thomas.
0:02:45 > 0:02:47Andrew.
0:02:47 > 0:02:49Andrew is coming aboard.
0:02:49 > 0:02:53Well, I'm not part of your little venture, so what do I call you?
0:02:54 > 0:02:55Your son is leaving,
0:02:55 > 0:02:57if you'd like to take him to the airport.
0:02:57 > 0:02:58Oh, bloody hell.
0:03:02 > 0:03:04Come here.
0:03:04 > 0:03:05Hello, what's this?
0:03:07 > 0:03:09It's a goodbye present.
0:03:12 > 0:03:14My, God! Boy's got talent.
0:03:16 > 0:03:17My son, the painter.
0:03:19 > 0:03:20Very good, Danny.
0:03:20 > 0:03:23It certainly is. That's terrific, Dans, thank you.
0:03:23 > 0:03:25Now, better get a move on.
0:03:25 > 0:03:26Aren't you coming?
0:03:26 > 0:03:28Can't, I'm afraid. Work.
0:03:29 > 0:03:30Give your old man a hug.
0:03:33 > 0:03:34Jed'll take you to the airport
0:03:34 > 0:03:37and your mother will be at the other end.
0:03:37 > 0:03:38Come on now,
0:03:38 > 0:03:39chin up.
0:03:41 > 0:03:42Goodbye, Thomas.
0:03:44 > 0:03:47- Bye, Danny. - He's not Thomas any more.
0:03:47 > 0:03:48He's Andrew.
0:03:48 > 0:03:51- Jed, darling...- But I'm still Jed
0:03:51 > 0:03:52and your dad's still your dad so...
0:03:54 > 0:03:55Is that right?
0:03:56 > 0:03:58Come on, baby.
0:04:26 > 0:04:27Gracias.
0:04:32 > 0:04:34What do you want?
0:04:34 > 0:04:35Please sit down.
0:04:42 > 0:04:44Your girlfriend tells me you're going to take her to Istanbul.
0:04:44 > 0:04:46- Very romantic. - I did what you asked.
0:04:48 > 0:04:49And how's the sleeping?
0:04:51 > 0:04:55Still bad. You are not good as a confessor at all.
0:04:55 > 0:04:56One good deed at a time.
0:04:56 > 0:04:58Isn't that what the good Lord says?
0:05:02 > 0:05:04Where did you get this?
0:05:04 > 0:05:05- Lucky dip. - Don't bullshit me.
0:05:12 > 0:05:13Who got you this?
0:05:14 > 0:05:16Someone on the inside?
0:05:16 > 0:05:18Don't make trouble with me Juan.
0:05:18 > 0:05:21I'd much prefer to be your friend.
0:05:21 > 0:05:23I think you would prefer it, too.
0:05:24 > 0:05:26Now look here. I've got code names and I've got numbers
0:05:26 > 0:05:28and I've got pages to cross-reference,
0:05:28 > 0:05:31but what I don't have is someone to join the dots for me
0:05:31 > 0:05:34and tell me what the bloody hell is going on.
0:05:38 > 0:05:40Will you leave me alone?
0:05:41 > 0:05:42You have my word.
0:05:55 > 0:05:57BUSHES RUSTLE, FOOTSTEP OUTSIDE
0:06:01 > 0:06:03HE BREATHES HEAVILY
0:06:36 > 0:06:38Jesus Christ.
0:06:40 > 0:06:43- What is wrong with you?- What the hell do you think you're doing?
0:06:44 > 0:06:45No-one saw me.
0:06:46 > 0:06:49You saw no-one see you. It's not the same thing.
0:06:49 > 0:06:50Where's Roper?
0:06:51 > 0:06:54He left last night for a meeting in Geneva.
0:06:57 > 0:06:58Jesus.
0:07:16 > 0:07:18I really don't think this was a good idea.
0:07:18 > 0:07:20I'm sorry if my recklessness upsets you.
0:07:20 > 0:07:24Just tell me what you were doing in his private study.
0:07:24 > 0:07:25Same as you.
0:07:27 > 0:07:30I just wanted to find out more about the man who's employing me.
0:07:30 > 0:07:31I'm not employed by anyone.
0:07:31 > 0:07:32No?
0:07:32 > 0:07:34I'm in a relationship, Andrew.
0:07:34 > 0:07:36Business or pleasure.
0:07:38 > 0:07:39Love.
0:07:40 > 0:07:42Right.
0:07:59 > 0:08:00Is this your son?
0:08:03 > 0:08:04Why do you have that?
0:08:04 > 0:08:05Is it your son?
0:08:06 > 0:08:08Yes.
0:08:08 > 0:08:09Where is he?
0:08:11 > 0:08:14He lives with my sister. She takes care of him.
0:08:14 > 0:08:16Well, why isn't he here with you?
0:08:16 > 0:08:17Because I left him.
0:08:20 > 0:08:23I was 17, I couldn't be a mother.
0:08:23 > 0:08:26My sister had a kid already and her husband's a really nice guy.
0:08:26 > 0:08:29He doesn't do meth for breakfast, so I think I made the right call.
0:08:32 > 0:08:33Does Roper know?
0:08:35 > 0:08:37He wasn't supposed to know.
0:08:37 > 0:08:38Why?
0:08:38 > 0:08:41Because that's not what he bought on the Upper East Side.
0:08:43 > 0:08:46I'm young and beautiful.
0:08:46 > 0:08:47Remember?
0:08:51 > 0:08:54So why are you here? Why'd you come and see me?
0:08:55 > 0:08:57You know, I actually have no idea.
0:09:05 > 0:09:07What do you want from us?
0:09:07 > 0:09:09Jed, I'm not your way out of this.
0:09:09 > 0:09:11That's not what I'm asking.
0:09:13 > 0:09:15I think you should go.
0:09:17 > 0:09:18Go home along the beach.
0:09:20 > 0:09:21Make sure...
0:09:42 > 0:09:44If anyone asks,
0:09:44 > 0:09:48say you couldn't sleep and you went for a night-time stroll.
0:09:49 > 0:09:51Make sure they see you.
0:09:56 > 0:09:57Be nice to Roper.
0:10:00 > 0:10:01Make him happy.
0:10:03 > 0:10:04Make him believe it.
0:10:09 > 0:10:11Why the hell would I listen to you?
0:10:30 > 0:10:31HE SIGHS
0:10:34 > 0:10:35HE SIGHS
0:10:46 > 0:10:47Come on, mate.
0:10:50 > 0:10:52Unbelievable!
0:10:55 > 0:10:57What are you...?
0:11:01 > 0:11:02TYRES SCREECH
0:11:02 > 0:11:03Jesus!
0:11:08 > 0:11:09TYRES SCREECH
0:11:13 > 0:11:15HE PANTS
0:11:16 > 0:11:18Right, look.
0:11:18 > 0:11:20Investors in Trade Pass, translated by the Spaniard.
0:11:20 > 0:11:23Names on the left, numbers on the right.
0:11:23 > 0:11:28So Roper buys MOD-certified weapons for 300 million,
0:11:28 > 0:11:31is cash-flowed by people who know nothing about what they're trading in,
0:11:31 > 0:11:35but the investors are guaranteed 20% profit at the end of 12 months.
0:11:35 > 0:11:39So Roper pays back 360 million at the end of the deal,
0:11:39 > 0:11:41but look what he sells it for.
0:11:41 > 0:11:42What's that?
0:11:42 > 0:11:45Estimated sale price. His dad was an auctioneer.
0:11:45 > 0:11:47- That's a profit of 240 million. - Yeah.
0:11:47 > 0:11:50It's not bad for a year's work. And look at this.
0:11:55 > 0:11:56Who are Halo and Felix?
0:11:58 > 0:11:59PHONE RINGS
0:11:59 > 0:12:02- There we are.- Rob Singhal, IEA.
0:12:03 > 0:12:04'Course.
0:12:05 > 0:12:07It's Mayhew.
0:12:07 > 0:12:09I think he's on the warpath.
0:12:09 > 0:12:12An unmarked van forcing me off the Mall.
0:12:12 > 0:12:14DOOR SLAMS Is this what it's come to?
0:12:14 > 0:12:16This is London, for Christ's sake!
0:12:16 > 0:12:19- They were probably trying to scare you.- They picked the wrong man.
0:12:19 > 0:12:22They'll get a Whitehall knife-fight like they've never seen. Your budget is tripled.
0:12:22 > 0:12:26- Don't ask me where I got it from - best you don't know. How many more people do you want?- Erm...
0:12:26 > 0:12:29Intelligence-gathering, analysis, six minimum. People I can trust.
0:12:29 > 0:12:33You choose them. You choose everything. And get Steadman back here. Tell him we're joining forces.
0:12:33 > 0:12:37- You get a new kit. New everything. - OK. Rex, you need to sit down. Can I show you something?
0:12:48 > 0:12:49Where did you get this?
0:12:49 > 0:12:51Rex, who are Halo and Felix?
0:12:55 > 0:12:57I don't know.
0:12:58 > 0:12:59Could you make a guess?
0:13:34 > 0:13:35Good trip?
0:13:35 > 0:13:36It was all right.
0:13:39 > 0:13:40It was all right?
0:13:40 > 0:13:43Two days of meetings with Swiss bankers, Corky.
0:13:43 > 0:13:44Wasn't exactly Babylonian.
0:13:46 > 0:13:47Andrew!
0:13:47 > 0:13:50I didn't get you a snowglobe, if that's what you're wondering.
0:13:50 > 0:13:52How's the homework coming?
0:13:52 > 0:13:54Uh...it's pretty good, I think.
0:13:54 > 0:13:57- Oh. Better be. I'm going to be testing you. - JONATHAN CHUCKLES
0:13:57 > 0:13:58Where's Jed?
0:13:58 > 0:14:00I'm don't know, actually.
0:14:00 > 0:14:02I haven't seen much of her, to be honest.
0:14:02 > 0:14:04Ah. Thar she blows...
0:14:08 > 0:14:09Jed, darling.
0:14:17 > 0:14:19I'm sorry.
0:14:21 > 0:14:22I'm sorry, too.
0:14:30 > 0:14:33Come on, I want to show you how much I missed you.
0:14:33 > 0:14:35Andrew...
0:14:35 > 0:14:36Top floor. One hour.
0:14:48 > 0:14:49So you're joining up.
0:14:50 > 0:14:54Send the kid back to Mummy, and then it's off to work we go.
0:14:56 > 0:14:57Right.
0:14:57 > 0:14:59Thanks to some very clever footwork
0:14:59 > 0:15:02by some queens unfriendly to the cause,
0:15:02 > 0:15:04you're going in my place.
0:15:04 > 0:15:07- Corky, I have no idea what you're talking about.- You see,
0:15:07 > 0:15:10the chief, though he'll deny it, is an incurable romantic,
0:15:10 > 0:15:13whereas Corky here is a sceptic.
0:15:14 > 0:15:18And my professional and personal view is,
0:15:18 > 0:15:19you are poison.
0:15:21 > 0:15:25But you saved his little boy's life, so you're Mr Untouchable.
0:15:25 > 0:15:28I think one's becoming a tad deranged, Corky.
0:15:28 > 0:15:30And then of course there's the case of the night-time naughties
0:15:30 > 0:15:32while Roper was away.
0:15:33 > 0:15:35"Barefoot she walked
0:15:35 > 0:15:37"along the beach,
0:15:37 > 0:15:39"to the old cottage where the hero awaits."
0:15:40 > 0:15:43Now if that isn't an airport novel waiting to be written...
0:15:45 > 0:15:47She came for advice, that's all.
0:15:47 > 0:15:49Do you have any idea what he'd do to her...
0:15:49 > 0:15:50if he knew?
0:15:52 > 0:15:55The damage he would do to that beautiful, sweet face?
0:15:57 > 0:16:00Even Dr Shimon, Mr Plastic Fantastic
0:16:00 > 0:16:02might find that a bit of a challenge.
0:16:02 > 0:16:04That's the fire you're dealing with.
0:16:05 > 0:16:07Or don't you care?
0:16:07 > 0:16:09Huh?
0:16:09 > 0:16:10Of course I care.
0:16:11 > 0:16:13Well, good.
0:16:13 > 0:16:17Well, then, don't ever go near that girl...
0:16:18 > 0:16:19..again.
0:16:34 > 0:16:35Waist to floor, 45.
0:16:35 > 0:16:37Please turn around, sir.
0:16:43 > 0:16:45Thigh, 23.
0:16:45 > 0:16:46Please turn around, sir.
0:16:50 > 0:16:51JONATHAN CHUCKLES
0:16:53 > 0:16:55Chest, 41.
0:16:56 > 0:16:58Waist, 32 and a half.
0:16:58 > 0:17:00Please turn around, sir.
0:17:00 > 0:17:02I do believe the tree-trunk has filled out a little.
0:17:02 > 0:17:04You been raiding the fridge while I was gone?
0:17:04 > 0:17:07Well, er...I was laying in supplies.
0:17:08 > 0:17:10All right, so we'll take two of those,
0:17:10 > 0:17:12one of the birdseye,
0:17:12 > 0:17:14Prince of Wales, and then one in the grey - what was that called?
0:17:14 > 0:17:16Er, Super 100, sir
0:17:16 > 0:17:17Super 100.
0:17:17 > 0:17:19Yes. Now, can you do all that by Wednesday,
0:17:19 > 0:17:23because Mr Birch is embarking on a very important trip.
0:17:23 > 0:17:24Of course, Mr Roper.
0:17:27 > 0:17:29Ah, Jed, darling. Come and see our boy.
0:17:30 > 0:17:31Doesn't he look grown-up?
0:17:33 > 0:17:35Very nice.
0:17:35 > 0:17:36Thank you.
0:17:36 > 0:17:37All right.
0:17:37 > 0:17:39Time to pay the man, Andrew.
0:17:39 > 0:17:41Er...we can charge all this to your account, Mr Roper.
0:17:41 > 0:17:44No, no, no, no - Mr Birch will pay for his own clothes,
0:17:44 > 0:17:45won't you, Mr Birch?
0:17:46 > 0:17:47Voila.
0:17:56 > 0:17:57HE GASPS
0:18:19 > 0:18:22This is a farewell to my love,
0:18:22 > 0:18:27who after a night of wine, song, and assorted pleasures of the flesh,
0:18:27 > 0:18:30will be returning to the villa with Corky here
0:18:30 > 0:18:33while we continue with our journey with our new friend and colleague,
0:18:33 > 0:18:34Andrew Birch.
0:18:34 > 0:18:36- Andrew Birch.- Thank you very much.
0:18:36 > 0:18:37Andrew Birch.
0:18:37 > 0:18:39Who's hungry?
0:18:39 > 0:18:41- TABBY:- I am, Boss. - I can see that, yes!
0:18:41 > 0:18:42LAUGHTER
0:18:44 > 0:18:45Where are you going tomorrow?
0:18:45 > 0:18:47I don't know.
0:18:47 > 0:18:49WAITER: Sir, would you like to order?
0:18:49 > 0:18:53Er...why don't you just bring us a mass of seafood?
0:18:53 > 0:18:56Er...clams, squid, oysters et cetera.
0:18:56 > 0:18:59Get rid of these bloody flowers, will you?
0:18:59 > 0:19:00Yes, of course.
0:19:00 > 0:19:02Las flores, por favor.
0:19:02 > 0:19:04I'd like a lobster salad, please.
0:19:04 > 0:19:07Oh, I'm afraid we don't have any more lobster, madam.
0:19:07 > 0:19:10MIMICS WAITER'S SPEECH
0:19:10 > 0:19:13- CORKY:- What do you mean there's no lobster? - It's fine.- Sir, I'm sorry.
0:19:13 > 0:19:16- MIMICS ACCENT: - I'm sorry - so you so should be.
0:19:16 > 0:19:18What is this out here?
0:19:18 > 0:19:19This is the sea.
0:19:19 > 0:19:22This is a seafood restaurant.
0:19:22 > 0:19:24There are many lobster living out here,
0:19:24 > 0:19:29very happy, laughing at your three Michelin stars.
0:19:29 > 0:19:31Corky, do shut up.
0:19:31 > 0:19:32It's fine - I'll have the fish, thanks.
0:19:32 > 0:19:35Do you have fish in your fish seafood restaurant?
0:19:35 > 0:19:36Yes, we do, sir.
0:19:36 > 0:19:37LAUGHTER
0:19:46 > 0:19:50Oh, I would like to make a toast.
0:19:50 > 0:19:51To the lovers.
0:19:53 > 0:19:54The perfect pairing.
0:19:55 > 0:19:58Beauty and elegance entwined.
0:20:00 > 0:20:02To the lovers!
0:20:02 > 0:20:04ALL: The lovers!
0:20:05 > 0:20:08Let no man tear them asunder.
0:20:14 > 0:20:15What's wrong, baby?
0:20:15 > 0:20:16Nothing.
0:20:16 > 0:20:17Business?
0:20:17 > 0:20:19Of course it's bloody business.
0:20:19 > 0:20:21Will you miss me?
0:20:22 > 0:20:23Yes, I will miss you.
0:20:23 > 0:20:25Why don't you take me with you?
0:20:25 > 0:20:26What the hell's that?
0:20:26 > 0:20:28What is this? What is this?
0:20:28 > 0:20:29Corky, sit down.
0:20:29 > 0:20:30It is for another table, sir.
0:20:30 > 0:20:33I'll tell you what it is, my naughty little greaseball.
0:20:33 > 0:20:35This is a lobster sodding salad!
0:20:35 > 0:20:38- Yes, sir.- So why did your ugly friend over there just tell me
0:20:38 > 0:20:42that this beautiful lady couldn't have a lobster-sodding-salad?
0:20:42 > 0:20:44They pre-ordered this morning.
0:20:44 > 0:20:45MIMICS WAITER'S SPEECH
0:20:45 > 0:20:47Only the lobster salad for pre-orders.
0:20:47 > 0:20:50- CORKY MIMICS SPEECH - Take your hand off my lobster.
0:20:52 > 0:20:53Oh!
0:20:53 > 0:20:54Jesus, Corky!
0:20:54 > 0:20:57JONATHAN: Come on, come on, come on, come on...
0:20:57 > 0:21:01- Andrew Birch to the rescue? - Come on... Come on...
0:21:01 > 0:21:04- Come on...- Where you taking me? Where you taking me?- Corky...
0:21:04 > 0:21:05- Come on.- Sit down, sit down.
0:21:05 > 0:21:08Sit down.
0:21:08 > 0:21:09OK?
0:21:10 > 0:21:12It's OK... Shhh...
0:21:13 > 0:21:16I am so sorry.
0:21:17 > 0:21:19- CUSTOMER:- What the hell's going on? - Andrew Birch.
0:21:19 > 0:21:22- I must apologise for my friend's misbehaviour. - I think you bloody well should.
0:21:22 > 0:21:24Allow me to buy you lunch.
0:21:24 > 0:21:28- Perhaps I could re-order the entire meal, another bottle of champagne... - What about your friend there?
0:21:28 > 0:21:31You'll have no trouble from him, sir.
0:21:31 > 0:21:33Would that be all right?
0:21:33 > 0:21:35- Thank you so much. - I'll take your word for it.
0:21:35 > 0:21:37- Yes, sir, thank you.- OK.
0:21:37 > 0:21:38All right.
0:21:41 > 0:21:43Isn't he a charmer?
0:21:46 > 0:21:48So smooth.
0:21:48 > 0:21:50To the victor!
0:21:50 > 0:21:51And to the blind man...
0:21:53 > 0:21:56..who cannot see the human bloody hand grenade
0:21:56 > 0:21:59in front of his bloody eyes.
0:22:07 > 0:22:08CHAIR SCRAPES
0:22:20 > 0:22:21PHONE RINGS
0:22:24 > 0:22:25Thank you.
0:23:08 > 0:23:10Nice and prompt, Harry.
0:23:10 > 0:23:12What are you doing, contacting me like that?
0:23:12 > 0:23:14I was in a hurry.
0:23:14 > 0:23:15Do you want to see why?
0:23:28 > 0:23:29Where did you get these?
0:23:29 > 0:23:31Who are Halo and Felix?
0:23:32 > 0:23:34It's all right, I'm on my own.
0:23:35 > 0:23:38Richard Roper is buying arms under the counter
0:23:38 > 0:23:40from British and American arms companies.
0:23:40 > 0:23:43And people on the inside are aiding and abetting.
0:23:43 > 0:23:45And getting paid to do so.
0:23:45 > 0:23:475 million.
0:23:47 > 0:23:48I shouldn't be here.
0:23:48 > 0:23:49Sit down, Harry.
0:23:54 > 0:23:55Listen to me, Harry.
0:23:57 > 0:23:59I like you. I've always liked you.
0:24:00 > 0:24:02Ever since I was in the River House.
0:24:03 > 0:24:05You're a decent man.
0:24:06 > 0:24:08You're just too easily led.
0:24:08 > 0:24:11I didn't want to be part of it, I swear.
0:24:12 > 0:24:13Who is Halo?
0:24:16 > 0:24:17Dromgoole.
0:24:20 > 0:24:21So it's, er...
0:24:21 > 0:24:24money to cover all the River House expenses, yeah?
0:24:25 > 0:24:27Including you?
0:24:31 > 0:24:32And who's Felix?
0:24:33 > 0:24:35Langley in London.
0:24:37 > 0:24:38Barbara Vandon.
0:24:40 > 0:24:42So what's Dromgoole doing for his money?
0:24:43 > 0:24:45Falsifying MOD end-user certificates.
0:24:48 > 0:24:49And are you helping him to do that?
0:24:51 > 0:24:52Oh, Harry!
0:24:54 > 0:24:55That's corruption, it's...
0:24:55 > 0:24:59serious fraud, and it's a gross abuse of government.
0:25:00 > 0:25:03And it's a very long custodial sentence,
0:25:03 > 0:25:05and a humiliating end to a decent career.
0:25:05 > 0:25:06Is that what you really want?
0:25:10 > 0:25:11Unless...
0:25:15 > 0:25:16King's College library.
0:25:16 > 0:25:18Pick them up tomorrow, 10am.
0:25:24 > 0:25:25Looking forward to it?
0:25:26 > 0:25:27Very much.
0:25:27 > 0:25:29Although I'm not quite sure what "it" is yet.
0:25:29 > 0:25:31That's half the fun.
0:25:32 > 0:25:35- All of the fun, come to think of it. - PHONE RINGS
0:25:35 > 0:25:36Yeah?
0:25:37 > 0:25:40Nicely dealt with at lunch, by the way.
0:25:41 > 0:25:42Thank you.
0:25:42 > 0:25:46I suppose drunken guests were meat and drink to you in the hotel trade.
0:25:46 > 0:25:47JONATHAN CHUCKLES
0:25:47 > 0:25:49Yes, er...
0:25:50 > 0:25:52Among other things.
0:25:52 > 0:25:53I'm sure.
0:25:53 > 0:25:55The mind positively boggles.
0:25:55 > 0:25:56SANDY CHUCKLES
0:25:59 > 0:26:00SANDY SIGHS
0:26:02 > 0:26:03Everything all right?
0:26:04 > 0:26:05Never better.
0:26:06 > 0:26:08We fly tomorrow at ten.
0:26:08 > 0:26:10Listen, I need to talk to Sandy.
0:26:10 > 0:26:11Can you entertain Jed?
0:26:11 > 0:26:13We might be a while.
0:26:13 > 0:26:16Jed, darling, the old codgers need to talk.
0:26:16 > 0:26:17Andrew's going to buy you a drink
0:26:17 > 0:26:20in that beautiful bar up on the terrace.
0:26:20 > 0:26:23And if I were you, I would accept quick.
0:26:23 > 0:26:25Looks like there might be a lot of takers.
0:26:33 > 0:26:34When are you back?
0:26:36 > 0:26:37I don't know.
0:26:42 > 0:26:43Who are you?
0:26:47 > 0:26:48You come into our lives...
0:26:49 > 0:26:51..disrupt our balance...
0:26:53 > 0:26:55..everyone's attracted to you.
0:26:56 > 0:26:57Who are you?
0:27:00 > 0:27:02Are you Andrew Birch?
0:27:03 > 0:27:04Are you Thomas Quince?
0:27:09 > 0:27:10Are you Jonathan Pine?
0:27:11 > 0:27:12Tell me.
0:27:15 > 0:27:17I can't.
0:27:23 > 0:27:24How long do we have?
0:27:26 > 0:27:27He said a while.
0:27:30 > 0:27:31Where's your room?
0:27:35 > 0:27:36LOCK BLEEPS
0:28:03 > 0:28:05THEY MOAN
0:28:08 > 0:28:11THEY PANT
0:28:18 > 0:28:19HE GROANS
0:28:22 > 0:28:25THEY PANT
0:28:31 > 0:28:34No way. I don't think they can have a damn thing.
0:28:34 > 0:28:36Doesn't matter what he has - it matters what he THINKS he has.
0:28:36 > 0:28:37"He"?
0:28:37 > 0:28:38Who "he"?
0:28:38 > 0:28:40Fellow called Mayhew.
0:28:40 > 0:28:43Tight-arsed Foreign Office creep trying to make a name for himself.
0:28:43 > 0:28:46River boys got him pegged as a nuisance -
0:28:46 > 0:28:48I don't know what he already has, but they're definitely spooked.
0:28:48 > 0:28:50What do you want to do?
0:28:53 > 0:28:55Call the Haven, bring the whole thing forward.
0:28:55 > 0:28:56Will do.
0:29:00 > 0:29:02So what do you make of our new frontman?
0:29:02 > 0:29:04Oh, I like him.
0:29:04 > 0:29:05He drinks less than Corky,
0:29:05 > 0:29:08but doesn't have the same elan.
0:29:08 > 0:29:10Still, swings and roundabouts.
0:29:10 > 0:29:13You are such a bloody snob, Lord Langbourne.
0:29:15 > 0:29:17Yeah it's me.
0:29:17 > 0:29:19- Just a small change of plan... - Ah, there you are!
0:29:19 > 0:29:20..it's a timing issue and it's...
0:29:20 > 0:29:22Thought you might have eloped.
0:29:22 > 0:29:24I had a little headache.
0:29:24 > 0:29:26My gallant found me a Nurofen, though.
0:29:26 > 0:29:29- Did he really?- Mmm. - Well, that is very decent of him.
0:29:31 > 0:29:33No, no, no. No...
0:29:33 > 0:29:35I am for my bed, and you are for my bed, too.
0:29:37 > 0:29:38Just in case you'd forgotten,
0:29:38 > 0:29:42you and I are not going to see each other for quite a while.
0:29:42 > 0:29:44See you in the morning, Andrew.
0:29:44 > 0:29:46I won't wake to see you off, so best of luck.
0:29:47 > 0:29:49Thank you.
0:29:49 > 0:29:50'Night.
0:30:21 > 0:30:25OK, so we're looking at seven arms deals, all in the last six months.
0:30:26 > 0:30:29Fake MOD end-user certificates, fast-tracked by the River.
0:30:29 > 0:30:32You can see on the certificates the end users are the governments of Italy and Bulgaria.
0:30:32 > 0:30:36We now know that not to be the case. They're being exported by a company called Farrago Holdings.
0:30:36 > 0:30:39Export licenses granted - they can ship when ever they want.
0:30:39 > 0:30:41Where did you get these?
0:30:41 > 0:30:42A boatman gave them to me.
0:30:43 > 0:30:45OK, so the toys are in transit.
0:30:45 > 0:30:48The question is - where are they really going? And how the hell are they getting there?
0:30:48 > 0:30:52We're focusing on three ships - the Nemesis, the Marquis,
0:30:52 > 0:30:54the Leila Jane.
0:30:54 > 0:30:57All three were registered in Cyprus to Farrago Holdings.
0:30:57 > 0:31:02Farrago's a front company - it's impossible to trace the directors.
0:31:02 > 0:31:04What's the cargo?
0:31:04 > 0:31:05Crops and farm machinery.
0:31:05 > 0:31:08All three ships have already gone off their bearings
0:31:08 > 0:31:09in the Atlantic Ocean.
0:31:09 > 0:31:12I'd say two are a smokescreen and one's the real thing.
0:31:12 > 0:31:13And what about Roper, Grace?
0:31:13 > 0:31:16Well, he was in Palma. He left on a private jet this morning.
0:31:16 > 0:31:19Plane's registered to Trade Pass Holdings.
0:31:19 > 0:31:20Director is Andrew Birch.
0:31:20 > 0:31:22Birch? Who's that?
0:31:22 > 0:31:25We've run searches on him - nothing's come back.
0:31:25 > 0:31:27Who's on the plane?
0:31:27 > 0:31:30Birch, Langbourne and Richard Roper.
0:31:30 > 0:31:32- Where's it going?- Istanbul.
0:31:34 > 0:31:37That's where Apostol's going, the Spanish lawyer.
0:31:37 > 0:31:39We need to split units. You need to get to Istanbul now.
0:31:39 > 0:31:41Take Pearl and a team with you.
0:31:41 > 0:31:42What am I looking for?
0:31:42 > 0:31:43A familiar face.
0:31:43 > 0:31:45I think Andrew Birch is someone closer than we think.
0:31:50 > 0:31:52Sir, we'll be approaching Istanbul in around ten minutes.
0:31:52 > 0:31:53Thank you, Mags.
0:31:57 > 0:31:58You ready to shine?
0:31:58 > 0:31:59JONATHAN CHUCKLES
0:32:09 > 0:32:10KNOCK AT DOOR
0:32:10 > 0:32:11Come!
0:32:14 > 0:32:15- Rex, how are you?- Emma?
0:32:15 > 0:32:16What are you...?
0:32:18 > 0:32:19I'm fine.
0:32:19 > 0:32:20Good.
0:32:21 > 0:32:23Angela Burr from the IEA.
0:32:24 > 0:32:25You know her personally?
0:32:26 > 0:32:27Er...
0:32:27 > 0:32:29A little, yes.
0:32:29 > 0:32:30And do you know what she's up to?
0:32:32 > 0:32:36Erm...aside from the fact that she's working on Limpet, not really. Erm...
0:32:37 > 0:32:39Micro-management isn't my style.
0:32:39 > 0:32:42Well, she's been ruffling an awful lot of feathers.
0:32:43 > 0:32:47I think we should appoint a new head of the IEA.
0:32:47 > 0:32:49I have some suitable candidates.
0:32:49 > 0:32:50I particularly like this one.
0:32:51 > 0:32:53- Are you serious?- Yes.
0:32:53 > 0:32:57Angela Burr is closer than anyone's ever been to cracking Richard Roper's offshore operation.
0:32:57 > 0:32:58You really believe that?
0:32:58 > 0:33:00I know it, I know it.
0:33:01 > 0:33:03I've seen it with my own eyes.
0:33:07 > 0:33:09What is it you're not telling me, Rex?
0:33:13 > 0:33:14HE SIGHS GENTLY
0:33:17 > 0:33:20Pamela, if I show you this, it has to be for your eyes only.
0:33:21 > 0:33:23This is operational material.
0:33:23 > 0:33:25You know, there are lives at stake.
0:33:32 > 0:33:33SHE GASPS
0:33:34 > 0:33:35God.
0:33:36 > 0:33:39We know who Halo and Felix are.
0:33:41 > 0:33:42All right, then.
0:33:44 > 0:33:46Keep Angela Burr where she is.
0:34:11 > 0:34:13Yes, Geoffrey, it's Pamela.
0:34:15 > 0:34:17MUSLIM CALL TO PRAYER
0:34:40 > 0:34:43Dicky, remind me of the name of that bellydancer.
0:34:43 > 0:34:45- Never knew it.- Bedia?
0:34:45 > 0:34:46No.
0:34:48 > 0:34:49Andrew Birch.
0:34:49 > 0:34:52I have three suites and two rooms booked in my name.
0:34:52 > 0:34:53Of course, sir.
0:34:53 > 0:34:55- Ahem!- Thank you.- Excellent.
0:35:01 > 0:35:04- Here we are, ready for you, sir. - Thank you.
0:35:04 > 0:35:06- All done?- All done.
0:35:09 > 0:35:11PHONE RINGS
0:35:16 > 0:35:18Boss's office.
0:35:18 > 0:35:19Now.
0:35:28 > 0:35:29HE SIGHS
0:35:35 > 0:35:37Angela Burr has got hold of these.
0:35:39 > 0:35:41HARRY SIGHS
0:35:41 > 0:35:44- How the hell...? - We suspect a Spanish involvement.
0:35:44 > 0:35:45Which means...
0:35:45 > 0:35:47THAT WE HAVE A PROBLEM!
0:36:08 > 0:36:10What's the matter, Harry? Why the flare?
0:36:10 > 0:36:12Dromgoole's got the Trade Pass papers.
0:36:12 > 0:36:14He knows they came from you.
0:36:14 > 0:36:15How does he think I got them?
0:36:15 > 0:36:18He thinks the Spanish lawyer helped you.
0:36:18 > 0:36:19Is that what he said?
0:36:22 > 0:36:24PHONE RINGS
0:36:25 > 0:36:26- Steadman.- 'Joel?'
0:36:26 > 0:36:30Need to get a message to the Spanish lawyer in Madrid. Tell him to re-divert to London now.
0:36:30 > 0:36:31Sure.
0:36:32 > 0:36:35I can't do this, Angela. I'm not sleeping.
0:36:35 > 0:36:36Shut up and listen to me.
0:36:36 > 0:36:37How did he get them - did they come from Galt?
0:36:37 > 0:36:40They came direct to Dromgoole.
0:36:40 > 0:36:43- I got the feeling they came from above. - From above? Is that what he said?
0:36:47 > 0:36:48HE SIGHS
0:36:49 > 0:36:52Are you sure it was her?
0:36:52 > 0:36:53Who else could it have been?
0:36:53 > 0:36:56I said no-one, Rex. I said not a bloody soul to see those papers.
0:36:56 > 0:36:59I was defending you. She was going to get rid of you, Angela.
0:37:02 > 0:37:03What happens now?
0:37:03 > 0:37:05I get Apo out, quick-time.
0:37:05 > 0:37:06Give him a new ID, new life.
0:37:06 > 0:37:08Put it all on him to save Pine -
0:37:08 > 0:37:11if it looks like Apo was the only mole in the operation, we might just be OK.
0:37:11 > 0:37:12PHONE RINGS
0:37:15 > 0:37:19- Yeah, Joel, What is it? - 'The Spanish lawyer booked a flight to Istanbul but never made it.'
0:37:19 > 0:37:22He's not answering his cell and nobody in his office knows where he is.
0:37:23 > 0:37:27- I'm heading to Madrid right now. - OK, call me when you get there.
0:37:37 > 0:37:38HE SIGHS
0:37:41 > 0:37:43MUSLIM CALL TO PRAYER
0:37:51 > 0:37:53HE SIGHS
0:37:53 > 0:37:55PHONE RINGS
0:37:56 > 0:37:58HE SIGHS
0:38:06 > 0:38:07Hello?
0:38:13 > 0:38:14Jonathan.
0:38:22 > 0:38:23What's wrong?
0:38:33 > 0:38:35I just need to know that you're there.
0:38:41 > 0:38:42Jed, we have to get off the line.
0:38:43 > 0:38:44HE HANGS UP
0:39:11 > 0:39:13Where's, er...Apostol?
0:39:13 > 0:39:15Is he meeting us there?
0:39:15 > 0:39:17Apo's crocked, I'm afraid.
0:39:17 > 0:39:19Looks like he's screwing his tart somewhere.
0:39:19 > 0:39:21We have a Turkish substitute.
0:39:22 > 0:39:23But we don't need Apo.
0:39:23 > 0:39:24We don't need anyone.
0:39:25 > 0:39:28We just need you and me.
0:39:28 > 0:39:30BANKER: Mr Ertun will sign as representative
0:39:30 > 0:39:32of Farrago Holdings' full jurisdiction.
0:39:32 > 0:39:35I will sign as witness from the private members' bank.
0:39:35 > 0:39:39Mr Langbourne informs me that Mr Birch will sign for himself as director of Trade Pass Limited.
0:39:39 > 0:39:40That's correct, sir.
0:39:40 > 0:39:43When would you like to sign?
0:39:43 > 0:39:44- What's wrong with now? - ERTUN LAUGHS
0:39:46 > 0:39:49I have not had time to review these documents properly.
0:39:49 > 0:39:51It is a very complicated process of sale.
0:39:51 > 0:39:53The origin of the machinery is unclear.
0:39:53 > 0:39:56I'm not even sure when the transfer of goods is going to take place.
0:39:56 > 0:39:59- Oh, you don't need to concern yourself with that now. - Mr Langbourne...
0:39:59 > 0:40:00Please.
0:40:00 > 0:40:02I was brought on at very late notice.
0:40:02 > 0:40:05I need time to study the documents.
0:40:05 > 0:40:08Could you ask Mr Apostol to give me a call on the phone,
0:40:08 > 0:40:09explain to me the nature of the deal,
0:40:09 > 0:40:11and I'll be happy to proceed.
0:40:11 > 0:40:13Mr Apostol is indisposed,
0:40:13 > 0:40:16which is why we're here, and why you're being paid so well.
0:40:16 > 0:40:17I'm sorry.
0:40:17 > 0:40:19I cannot sign a blank document.
0:40:21 > 0:40:22They're not blank.
0:40:22 > 0:40:24There are words all over the place.
0:40:24 > 0:40:25Look, Mr...
0:40:25 > 0:40:27Collins.
0:40:27 > 0:40:28Mr Collins,
0:40:28 > 0:40:30it's blank to me.
0:40:32 > 0:40:33JONATHAN: Mr Ertun, let me explain.
0:40:33 > 0:40:38To be completely honest, I haven't read the documents either, and I'm supposed to be signing them.
0:40:38 > 0:40:41The choice we have is not to do the deal today or next week -
0:40:41 > 0:40:44the choice we have is to do the deal today, now, this minute...
0:40:46 > 0:40:47..or we don't do the deal at all.
0:40:48 > 0:40:50All you need to know
0:40:50 > 0:40:54is that Trade Pass is buying farm machinery from Farrago Holdings.
0:40:55 > 0:40:56Er...Frisky?
0:41:01 > 0:41:03You see, ultimately, Mr Ertun...
0:41:04 > 0:41:05..this is about trust.
0:41:07 > 0:41:08I trust you...
0:41:08 > 0:41:09and, er...
0:41:09 > 0:41:12LOCK CLICKS ..I'm asking you to trust me.
0:41:14 > 0:41:15It really is that simple.
0:41:17 > 0:41:20We were told you were the right man for the job.
0:41:22 > 0:41:23Perhaps we were wrong.
0:41:23 > 0:41:24No, no, no, no.
0:41:24 > 0:41:25Wait, wait.
0:41:27 > 0:41:28You can trust me.
0:41:29 > 0:41:30Good!
0:41:30 > 0:41:33Well, let's get those documents signed, shall we?
0:41:33 > 0:41:35Mr Birch is a busy man.
0:41:36 > 0:41:38- BANKER:- Just before we get to sign those papers...
0:41:38 > 0:41:41To authorise the transfer of funds from the Trade Pass account,
0:41:41 > 0:41:45Mr Birch will be subject to a biometric verification.
0:41:45 > 0:41:48It'll take a minute to extract your iris scan.
0:41:57 > 0:41:59- APP BLEEPS - You'll be able to use this later on
0:41:59 > 0:42:02on your smartphone and your computer.
0:42:02 > 0:42:04- Thank you very much.- Thank you.
0:42:06 > 0:42:08If you sign here...
0:42:10 > 0:42:12PEN SCRATCHES ON PAPER
0:42:12 > 0:42:14Do you think I might, er...
0:42:14 > 0:42:16take a look at the current bank statement?
0:42:18 > 0:42:20Don't see why not. It's his company.
0:42:29 > 0:42:30HE SIGHS
0:42:30 > 0:42:31Thank you.
0:42:37 > 0:42:40THUNDER ROLLS
0:43:13 > 0:43:14- FRISKY:- Ciao.
0:43:14 > 0:43:15Ka tev iet.
0:43:31 > 0:43:33OK.
0:43:33 > 0:43:34We go single file.
0:43:34 > 0:43:37Yeah? Keep your hands clear and visible at all times.
0:43:37 > 0:43:40Unbutton your jacket, Sandy - they want to see we're not carrying.
0:43:40 > 0:43:42OK? Right, Sandy, come on.
0:43:53 > 0:43:55Lord Langbourne.
0:43:55 > 0:43:57Welcome.
0:43:57 > 0:44:00Long trip on the high seas, sailor boy?
0:44:00 > 0:44:01Yes.
0:44:01 > 0:44:03THEY CHUCKLE
0:44:04 > 0:44:07Er...we got a little lost in the ocean.
0:44:07 > 0:44:09- But we got here in the end. - You did.
0:44:09 > 0:44:10Who is Mr Birch?
0:44:12 > 0:44:13This is Mr Andrew Birch.
0:44:16 > 0:44:20You are a great enthusiast for tractors and agricultural materials?
0:44:20 > 0:44:21That's right, yes.
0:44:21 > 0:44:23Want to feed the world.
0:44:23 > 0:44:24Like Bono.
0:44:24 > 0:44:27THEY LAUGH
0:44:28 > 0:44:30Let's get on with it, shall we?
0:44:32 > 0:44:33This way.
0:44:53 > 0:44:54Could we open this one, please?
0:44:54 > 0:44:55Yeah, OK.
0:44:55 > 0:44:58JAN GIVES ORDERS IN LATVIAN
0:44:58 > 0:45:02- ROPER:- Frisky and Tabby, you want to pick a couple each - make sure they're bona fide?
0:45:27 > 0:45:28Likey?
0:45:29 > 0:45:30Very much.
0:45:30 > 0:45:32Wait till you see the rest.
0:45:32 > 0:45:34Everything all right with you two?
0:45:34 > 0:45:35- FRISKY:- Yeah, it's all good.
0:45:35 > 0:45:37Right...
0:45:37 > 0:45:38I think it's signing time.
0:45:42 > 0:45:46- SANDY:- Yes, good evening, this is Sandy Langbourne, Trade Pass, for authorisation.
0:45:46 > 0:45:48I'm handing the phone to Mr Andrew Birch.
0:46:02 > 0:46:04APP BLEEPS
0:46:08 > 0:46:10- Thank you. - 'Please put Jan on the line.'
0:46:18 > 0:46:21- 'The purchase has been authorised - it's all gone through.' - JAN CHUCKLES
0:46:24 > 0:46:28- JAN:- It's all yours, my friends. - JAN SPEAKS LATVIAN
0:46:29 > 0:46:32And this is for you, Mr Birch.
0:46:32 > 0:46:34To seal the deal.
0:46:34 > 0:46:37This is the best vodka from my home town, Daugavpils in Latvia.
0:46:37 > 0:46:39- Is it?- Yeah! But, shh...
0:46:39 > 0:46:41This is contraband.
0:46:41 > 0:46:43THEY LAUGH
0:46:43 > 0:46:44- Thank you very much.- Thank you!
0:46:44 > 0:46:46- I appreciate it.- Thank you.
0:46:46 > 0:46:48THEY SPEAK LATVIAN
0:46:48 > 0:46:52Right, let's get this stuff ashore and onto the trucks, shall we?
0:46:56 > 0:46:58LAUGHTER
0:46:58 > 0:47:03So how does it feel knowing that for the next 24 hours,
0:47:03 > 0:47:05you own enough weaponry to start a war?
0:47:07 > 0:47:08It feels good.
0:47:10 > 0:47:12Sure you won't join me?
0:47:12 > 0:47:13No, I'm fine, thank you.
0:47:15 > 0:47:16Where are they going?
0:47:17 > 0:47:19To the Haven.
0:47:19 > 0:47:22We'll fly out there tomorrow. Buyer will meet us there.
0:47:24 > 0:47:26You know, I had my suspicions about you.
0:47:27 > 0:47:30Suspicion is, unfortunately, a tool of my trade.
0:47:30 > 0:47:32Corky's jealousy is very infectious.
0:47:34 > 0:47:36Though it's not really jealousy - it's lust.
0:47:36 > 0:47:38What he'd give for a night with you.
0:47:40 > 0:47:42Actually, I know exactly what he'd give.
0:47:42 > 0:47:45Cos he claims it on expenses. "Uncorking," he calls it.
0:47:45 > 0:47:47- JONATHAN LAUGHS - Hundred bucks a time.
0:47:47 > 0:47:49Probably get it for less here,
0:47:49 > 0:47:50seeing as they more or less invented it.
0:47:51 > 0:47:53So what's your tipple?
0:47:53 > 0:47:54Men? Women?
0:47:54 > 0:47:55Young? Old?
0:47:55 > 0:47:56Get you anything.
0:47:57 > 0:47:58I'm fine, er...
0:47:58 > 0:48:00thank you, though.
0:48:00 > 0:48:02So you don't drink, and you don't screw.
0:48:04 > 0:48:07Not sure I can trust a man with no appetites.
0:48:08 > 0:48:09Well, er...
0:48:11 > 0:48:13..you'll have to trust this one.
0:48:13 > 0:48:14Don't have to.
0:48:16 > 0:48:17I choose to.
0:48:23 > 0:48:26- GRACE:- It's gone midnight. You should really go home.
0:48:26 > 0:48:27ANGELA: I'd rather be here, thank you.
0:48:27 > 0:48:29Doesn't your husband mind?
0:48:29 > 0:48:30Mind what?
0:48:30 > 0:48:33You always being here. I mean, I know mine would.
0:48:33 > 0:48:36My husband knows why I do this.
0:48:36 > 0:48:38He knows about the school sports day.
0:48:39 > 0:48:40I mean, he shouldn't.
0:48:40 > 0:48:43Mr Burr's not cleared for anything more than...
0:48:43 > 0:48:45cooking risotto and taking the bins out.
0:48:45 > 0:48:48But I had to tell him about the school sports day.
0:48:50 > 0:48:51Er...
0:48:51 > 0:48:54I was in Baghdad in 2003,
0:48:54 > 0:48:55and, erm...
0:48:55 > 0:48:57I was attached to...
0:48:58 > 0:48:59..the United Nations Monitoring,
0:48:59 > 0:49:02Verification and Inspection Commission.
0:49:02 > 0:49:03Catchy title.
0:49:03 > 0:49:05And, erm...
0:49:05 > 0:49:07we'd had reports of
0:49:07 > 0:49:11an incident in Rayat, on the Iranian border.
0:49:11 > 0:49:15Kurdistan. And the satellites couldn't make anything of it. So...
0:49:15 > 0:49:17the Head of Station sent me.
0:49:18 > 0:49:21That's not entirely true - I volunteered, actually.
0:49:21 > 0:49:25Mr Burr was absolutely furious when he found out.
0:49:25 > 0:49:27But, you know, what's the point otherwise?
0:49:30 > 0:49:32And, erm...
0:49:32 > 0:49:35when we got there, it was a sports day, well, it had been a sports day.
0:49:35 > 0:49:38You know, running races, long jump, picnics.
0:49:38 > 0:49:40It looked like it had been a really lovely day.
0:49:41 > 0:49:43Until someone had dropped two...
0:49:44 > 0:49:46..gas shells on the playing field.
0:49:48 > 0:49:50One was sulphur mustard...
0:49:51 > 0:49:55..and one was methylphosphonofluoridate.
0:49:55 > 0:49:58I don't know how your organic chemistry is.
0:49:58 > 0:50:00Sarin.
0:50:00 > 0:50:01Yeah, so...
0:50:01 > 0:50:03the idea of the mixture was, erm...
0:50:03 > 0:50:05to stop people from getting masks on.
0:50:07 > 0:50:11The, er, mustard gas burnt the hands and faces of the children...
0:50:13 > 0:50:15(Sorry.)
0:50:15 > 0:50:17..melted the skin, and erm...
0:50:17 > 0:50:18SHE CLEARS HER THROAT
0:50:21 > 0:50:23Which allowed the sarin...
0:50:24 > 0:50:26..to attack the breathing muscles.
0:50:28 > 0:50:29And a lot of the kids had...
0:50:30 > 0:50:33..lung tissue around their mouths and on their faces.
0:50:33 > 0:50:35SHE SIGHS
0:50:35 > 0:50:39And that was the first time I saw Richard Roper.
0:50:41 > 0:50:42Roper...
0:50:42 > 0:50:44supplied the gas.
0:50:44 > 0:50:45No.
0:50:45 > 0:50:47SHE SNIFFS No, sorry.
0:50:47 > 0:50:48Erm, no, he had nothing to do with it.
0:50:48 > 0:50:51Er... No, that's not the point at all.
0:50:52 > 0:50:53He...
0:50:54 > 0:50:55..started selling...
0:50:56 > 0:50:58..sarin...
0:50:58 > 0:50:59after that event.
0:51:01 > 0:51:02Because of it.
0:51:05 > 0:51:08He saw what I saw. He saw...
0:51:08 > 0:51:10112 children...
0:51:10 > 0:51:14and 58 adults, and he thought, "Business."
0:51:16 > 0:51:19That's the Richard Roper I know.
0:51:22 > 0:51:25Yeah. So Mr Burr knows I'm married to him and I will have his child.
0:51:25 > 0:51:27But I have to be here.
0:51:32 > 0:51:33PHONE RINGS
0:51:36 > 0:51:37Grace speaking.
0:51:38 > 0:51:39Yes.
0:51:40 > 0:51:43It's Singhal. There's a problem in Istanbul.
0:51:47 > 0:51:49PHONE RINGS
0:51:50 > 0:51:53HE GROANS PHONE CONTINUES RINGING
0:51:57 > 0:51:59HE PICKS UP RECEIVER HE SIGHS
0:52:00 > 0:52:01Yeah.
0:52:19 > 0:52:20KNOCKS AT DOOR
0:52:22 > 0:52:24Get in. What the hell do you think you're playing at?
0:52:27 > 0:52:28- RECORDING:- 'Jonathan.'
0:52:31 > 0:52:32'What's wrong?
0:52:34 > 0:52:36'I just need to know that you're there.'
0:52:39 > 0:52:41'Jed, we have to get off the line.'
0:52:43 > 0:52:44Well?
0:52:44 > 0:52:46Well, what?
0:52:46 > 0:52:48Well, are you conducting a relationship with that girl?
0:52:48 > 0:52:50What business is that of yours?
0:52:50 > 0:52:51(Oh, God.)
0:52:53 > 0:52:54Yes, he's here.
0:52:54 > 0:52:56Yes, it's what we suspect.
0:52:59 > 0:53:00Pine.
0:53:00 > 0:53:04- ANGELA:- Now, you listen to me, Jonathan. This is what you are going to do.
0:53:04 > 0:53:05You are going to go back to your room,
0:53:05 > 0:53:08'and you collect your money and your passport,'
0:53:08 > 0:53:09and that is it. Do you hear me?
0:53:09 > 0:53:12Then you're going to down to the foyer, where you'll meet Rob and Pearl.
0:53:12 > 0:53:16- 'They will put you in a taxi which will take you back to the airport.' - Why would I do that?
0:53:16 > 0:53:19- We're pulling you out because you've blown it.- I don't think so.
0:53:19 > 0:53:22'His girlfriend calls you from Roper's house phone in the middle of the night,'
0:53:22 > 0:53:24- and you think you're safe? - 'If I leave now,'
0:53:24 > 0:53:25you have nothing.
0:53:25 > 0:53:28I will have you not screwing up my operation - that's what I'll have.
0:53:28 > 0:53:30Without me, you don't have an operation.
0:53:30 > 0:53:33'The arms were taken off a boat called the Leila Jane'
0:53:33 > 0:53:35in Istanbul Harbour late last night.
0:53:35 > 0:53:37They're now being taken by road to a place called the Haven.
0:53:37 > 0:53:41'If I stay on the inside, I can take you directly to the arms,'
0:53:41 > 0:53:43and deliver you Roper and whoever's buying them, caught in the act.
0:53:43 > 0:53:47Without me, you've got nothing. You don't have Roper in possession of chemical weapons,
0:53:47 > 0:53:51you can't arrest him for corporate fraud, his name's not connected to Trade Pass.
0:53:51 > 0:53:55You have no phone taps, no witnesses. His deal will go ahead, and you'll be powerless to stop it.
0:53:57 > 0:53:59'Am I wrong?'
0:53:59 > 0:54:01Just leave. That's an order.
0:54:02 > 0:54:03RECEIVER SLAMS DOWN
0:54:07 > 0:54:09The foyer. Five minutes.
0:54:09 > 0:54:10DOOR SLAMS
0:54:44 > 0:54:45HE SIGHS
0:54:45 > 0:54:47BANGS ON DOOR
0:54:47 > 0:54:48What the hell are you doing?
0:54:48 > 0:54:50I need to speak to the chief. Now.
0:54:50 > 0:54:52- He's asleep.- Then get him up.
0:55:06 > 0:55:08I'm sorry, boss.
0:55:08 > 0:55:09This better be good.
0:55:10 > 0:55:11JONATHAN SIGHS
0:55:13 > 0:55:14We're being watched.
0:55:16 > 0:55:19- What do you mean?- There is a British man and woman in the foyer.
0:55:19 > 0:55:23He's Asian, mid 30s, she's 40s, I'd say, but they're English.
0:55:23 > 0:55:25And I'd lay good money they're law enforcement.
0:55:25 > 0:55:27How can you be so sure?
0:55:27 > 0:55:29You've been on the run, you notice these things. Trust me.
0:55:31 > 0:55:33- Tabby, check 'em out.- Yes, sir.
0:55:52 > 0:55:54- ROB:- Still waiting.
0:55:57 > 0:55:59- Yeah?- 'They're police, all right.'
0:55:59 > 0:56:01Right. I want a full evacuation.
0:56:01 > 0:56:04I want all of us all on the road in ten minutes.
0:56:08 > 0:56:09Anybody home?
0:56:12 > 0:56:13HE GASPS
0:56:42 > 0:56:44Guys, you take the front car with Tabby. Sandy, you get in with me.
0:56:44 > 0:56:46Dicky, what the hell's going on?
0:56:46 > 0:56:48Coppers. Let's go.
0:56:48 > 0:56:49That's the backup.
0:56:49 > 0:56:50Get in the car!
0:56:52 > 0:56:53CAR ENGINE STARTS
0:56:54 > 0:56:55Go, go, go, go!
0:56:55 > 0:56:56TYRES SCREECH
0:57:00 > 0:57:01TYRES SCREECH
0:57:04 > 0:57:06- You all right?- I'm fine.
0:57:13 > 0:57:15- GARDNER COUGHS - I'm fine.
0:57:15 > 0:57:16He's gone.
0:57:18 > 0:57:19SHE SIGHS
0:57:24 > 0:57:25BANGS DESK
0:57:26 > 0:57:27SHE SIGHS