Episode 6

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0:00:02 > 0:00:09This programme contains some strong language

0:00:52 > 0:00:53Aside from the money wasted,

0:00:53 > 0:00:57and the embarrassment to our American friends,

0:00:57 > 0:01:01the debacle at the Turkish-Syrian border has put us back five years

0:01:01 > 0:01:05in terms of intelligence sourcing with Syria and the Middle East.

0:01:05 > 0:01:08I'm extending the meeting, so we can fully explore the reasons why

0:01:08 > 0:01:12the operation went ahead with such poor and corrupted intelligence

0:01:12 > 0:01:16and what lessons can be learnt to ensure this never happens again.

0:01:16 > 0:01:19What led you to believe that British arms were being exported

0:01:19 > 0:01:21under the counter through Tradepass?

0:01:21 > 0:01:24I was shown fake MOD end user certificates for

0:01:24 > 0:01:27seven different arms companies, UK and US.

0:01:28 > 0:01:29Do you mean these?

0:01:37 > 0:01:39Yes.

0:01:39 > 0:01:42Those are genuine MOD export certificates

0:01:42 > 0:01:43for Bulgaria and Italy.

0:01:43 > 0:01:44That's not true.

0:01:44 > 0:01:48I have signed letters from both Italian and Bulgarian governments

0:01:48 > 0:01:49confirming the sales.

0:01:49 > 0:01:51This is a cover-up.

0:01:51 > 0:01:52Angela...

0:01:53 > 0:01:55..are you accusing me of lying?

0:01:55 > 0:01:57I spoke to Rex Mayhew during his handover,

0:01:57 > 0:01:59before he joined the Royal Commission.

0:01:59 > 0:02:01He said that you persuaded someone to leak

0:02:01 > 0:02:03information from the River House.

0:02:03 > 0:02:06Someone you referred to as the Boatman?

0:02:09 > 0:02:11I've never heard of such a name.

0:02:11 > 0:02:14Then how did you get hold of those certificates?

0:02:14 > 0:02:16They're classified documents.

0:02:16 > 0:02:19An angel gave them to me with a halo.

0:02:22 > 0:02:25You do understand the seriousness of this enquiry, Ms Burr?

0:02:29 > 0:02:32Let us now move on to the arms swoop itself.

0:02:32 > 0:02:35Based on what we now know to be flawed intelligence,

0:02:35 > 0:02:38you authorised through an American enforcement connection

0:02:38 > 0:02:44and behind the FCO's back, a full US military raid on 20 aid trucks

0:02:44 > 0:02:46crossing the Turkish-Syrian border.

0:02:46 > 0:02:48Rex Mayhew authorised it, not me.

0:02:48 > 0:02:51On his last day and on your cast-iron guarantee

0:02:51 > 0:02:53that the intelligence was solid.

0:02:55 > 0:02:57Where did you get this intelligence?

0:02:59 > 0:03:01A source close to Tradepass and Richard Roper.

0:03:03 > 0:03:04Can you be more specific?

0:03:08 > 0:03:10To do so would be to put lives at risk.

0:03:10 > 0:03:12No, I can't do that.

0:03:12 > 0:03:14This is a behind closed doors enquiry, Ms Burr.

0:03:14 > 0:03:17Names will be redacted from the records, so...

0:03:18 > 0:03:20..why can't you tell us?

0:03:20 > 0:03:21You know why.

0:03:23 > 0:03:25You all know why.

0:03:49 > 0:03:51They pulled out this morning.

0:03:51 > 0:03:53Order from the Ministry.

0:03:54 > 0:03:56So, it's just you and me again, then, is it?

0:03:56 > 0:03:58Not even that, I'm afraid.

0:03:58 > 0:04:01Two weeks and they close the office.

0:04:01 > 0:04:04The International Enforcement Agency is officially mothballed.

0:04:05 > 0:04:08Go home, Angela. Have your baby.

0:04:09 > 0:04:10Be a teacher's wife.

0:04:11 > 0:04:14You mean give up. What about Pine?

0:04:14 > 0:04:16- Pine gave you false intelligence. - I don't believe that.

0:04:16 > 0:04:19- Are you sure about that?- I went to him, I got him involved in this.

0:04:19 > 0:04:21I can't leave him in there.

0:04:21 > 0:04:22I don't see what choice you have.

0:04:26 > 0:04:29Oh, didn't you hear? You don't work here any more.

0:04:29 > 0:04:31- I just wanted to say thank you. - PHONE RINGS

0:04:31 > 0:04:33And if you ever needed help in the future...

0:04:33 > 0:04:35Ah, well, don't hold your breath.

0:04:35 > 0:04:37Angela Burr.

0:04:37 > 0:04:39Who is this?

0:04:39 > 0:04:41PINE: 'Yes, is Sophie there, please?'

0:04:41 > 0:04:43Sophie? No, there isn't a...

0:04:43 > 0:04:47'Well, when she comes, could you tell her we're all here...

0:04:47 > 0:04:48'..at the same hotel.

0:04:49 > 0:04:51'Tell her we're all here.'

0:05:04 > 0:05:05He's in Cairo.

0:05:13 > 0:05:17Mr Roper, your courier has arrived. I'll send him up.

0:05:17 > 0:05:18Thank you.

0:05:32 > 0:05:34Thank you very much.

0:05:50 > 0:05:52You been to Cairo before?

0:05:52 > 0:05:54No, erm...

0:05:54 > 0:05:56I spent some time in Morocco and Tunisia,

0:05:56 > 0:05:57but this is my first time in Egypt.

0:05:57 > 0:05:59Well, you should take advantage.

0:05:59 > 0:06:02See the sights, while we're off down the Nile.

0:06:02 > 0:06:04Andrew isn't coming with us?

0:06:04 > 0:06:06Absolutely not.

0:06:06 > 0:06:09You and I are going to be very busy.

0:06:09 > 0:06:13Why, Richard Roper, I do declare...

0:06:20 > 0:06:22Speaking of true love...

0:06:24 > 0:06:26What's she doing here?

0:06:26 > 0:06:28Thought you might want some female company.

0:06:28 > 0:06:29Caroline.

0:06:32 > 0:06:33Look who's back.

0:06:33 > 0:06:35- Caro, lovely to see you.- Thank you.

0:06:35 > 0:06:38- Morning, Sandy.- Morning.

0:06:38 > 0:06:41Hello, darling. Great to see you.

0:06:41 > 0:06:44Listen, I just need a few minutes with the young prince here,

0:06:44 > 0:06:47so why don't you girls go and lay waste to the local bazaar?

0:06:49 > 0:06:50Fine, baby.

0:06:53 > 0:06:55Tabby, would you?

0:06:55 > 0:06:56- See you later.- See you later.

0:06:58 > 0:06:59Coffee?

0:06:59 > 0:07:00Thank you.

0:07:06 > 0:07:08You know what this reminds me of?

0:07:08 > 0:07:11Winston Churchill and TE Lawrence in a Cairo Hotel

0:07:11 > 0:07:14dividing up the Middle East over champagne and a cigar.

0:07:16 > 0:07:18Drew a map on a napkin and shook hands.

0:07:18 > 0:07:19Kings of Arabia.

0:07:24 > 0:07:27I'm guessing that you're Churchill in this scenario.

0:07:27 > 0:07:28If you insist.

0:07:32 > 0:07:34Damn shame about Corky, though.

0:07:34 > 0:07:36I feel as if...

0:07:36 > 0:07:39If I'd known, I could probably have talked him round.

0:07:39 > 0:07:42Could have explained that even traitors can be forgiven.

0:07:44 > 0:07:46They can actually be pretty useful.

0:07:46 > 0:07:49Keep tabs on the enemy, blow smoke in their face.

0:07:49 > 0:07:51But they have to commit, that's the thing.

0:07:52 > 0:07:54Have to make a decision.

0:07:57 > 0:07:59I don't know why I'm telling you this.

0:07:59 > 0:08:02You've already made your decision, haven't you?

0:08:02 > 0:08:03Long time ago.

0:08:05 > 0:08:06Kings of Arabia.

0:08:10 > 0:08:12Freddie Hamid, how are you?

0:08:12 > 0:08:14- Hello, sir.- Good to see you.

0:08:14 > 0:08:17May I introduce Andrew Birch, our director.

0:08:18 > 0:08:20Pleasure to meet you, Freddie.

0:08:20 > 0:08:22Dicky's told me lots about you.

0:08:24 > 0:08:26- Welcome to Cairo.- Thank you.

0:08:26 > 0:08:28It's going to be fun.

0:08:28 > 0:08:29Oh, I can't wait.

0:08:30 > 0:08:32Well, shall we?

0:08:52 > 0:08:53Ah, perfect.

0:08:57 > 0:08:58Mr Kouyami.

0:09:00 > 0:09:03"East is East and West is West.

0:09:03 > 0:09:06"And never the twain shall meet."

0:09:06 > 0:09:07Good to see you, Mr Roper.

0:09:10 > 0:09:11After you.

0:09:18 > 0:09:19So...

0:09:19 > 0:09:21spec list - not changed?

0:09:21 > 0:09:23It's all there, sir.

0:09:23 > 0:09:25Our consignment is being held in a secure military zone

0:09:25 > 0:09:28on the outskirts of the city ready for collection.

0:09:28 > 0:09:30And the payment structure?

0:09:30 > 0:09:33As discussed. Half now and half on exchange.

0:09:33 > 0:09:35We'll meet again in 48 hours' time.

0:09:38 > 0:09:43Then if all parties are satisfied, I suggest we sanction the first half

0:09:43 > 0:09:46of the payment to be made to the Tradepass account.

0:09:55 > 0:09:56Wait.

0:09:56 > 0:09:58We had report of an incident involving

0:09:58 > 0:10:00US military at the Syrian border.

0:10:00 > 0:10:03I want your reassurance that there is no risk attached

0:10:03 > 0:10:04to this transaction.

0:10:05 > 0:10:07Can you give me this assurance, Mr Roper?

0:10:10 > 0:10:12We had a minor issue.

0:10:12 > 0:10:14Internal.

0:10:14 > 0:10:17It's been investigated and addressed.

0:10:17 > 0:10:18You have my word.

0:10:26 > 0:10:27Let us proceed.

0:10:54 > 0:10:55It's done.

0:11:00 > 0:11:02Thanks.

0:11:02 > 0:11:04- Congratulations.- Congratulations.

0:11:04 > 0:11:05WOMAN SINGS

0:11:12 > 0:11:15- Mm-hm.- Yeah, I think it might suit you.

0:11:15 > 0:11:17Who needs another drink?

0:11:19 > 0:11:20Not for me.

0:11:23 > 0:11:26Smile at me, laugh.

0:11:26 > 0:11:27Tell me a joke, then.

0:11:31 > 0:11:33I can't do this any more, Jonathan.

0:11:33 > 0:11:36I can't... I can't sleep with him another night.

0:11:36 > 0:11:37You have to.

0:11:37 > 0:11:40Why can't we go away just the two of us now?

0:11:40 > 0:11:42It isn't just about you and me.

0:11:46 > 0:11:48Funny, funny joke.

0:11:51 > 0:11:53Courier came last night.

0:11:54 > 0:11:56Delivered papers about the shipment.

0:11:56 > 0:11:58They're in the safe.

0:11:58 > 0:11:59Do you know the combination?

0:11:59 > 0:12:00I'll get it for you.

0:12:06 > 0:12:07Be careful.

0:12:09 > 0:12:12Excuse me, sir, could I have a vodka martini, please?

0:12:18 > 0:12:20CALL TO PRAYER

0:13:01 > 0:13:02You're up early.

0:13:02 > 0:13:04We're going shopping.

0:13:04 > 0:13:07- You can't have too many rugs, apparently.- Right.

0:13:07 > 0:13:09Look at you.

0:13:09 > 0:13:11Quite the Roper acolyte.

0:13:11 > 0:13:13How things change.

0:13:14 > 0:13:16Yes, they do, don't they?

0:13:16 > 0:13:19Me? Oh, I'm the prodigal wife brought to heel.

0:13:19 > 0:13:21Didn't you hear?

0:13:21 > 0:13:24- Brought to heel by what? - Roper made me an offer.

0:13:24 > 0:13:26Let bygones be bygones and return to the fold.

0:13:26 > 0:13:28Very... Very decent of him.

0:13:28 > 0:13:30Maybe.

0:13:30 > 0:13:34Or maybe he just wanted someone to spy on his girlfriend.

0:13:39 > 0:13:41Careful, Caro.

0:13:41 > 0:13:42The sun's hot out there.

0:13:44 > 0:13:46Caro, is that true?

0:13:50 > 0:13:54He said if I didn't agree, I'd never see the children again.

0:13:56 > 0:13:57I hate him.

0:14:05 > 0:14:06Message from London.

0:14:42 > 0:14:43I didn't expect you to come.

0:14:43 > 0:14:44Oh, ye of little faith.

0:14:51 > 0:14:55Actually it was me that took some persuading.

0:14:55 > 0:14:56- I don't know who you are. - Oh, sorry.

0:14:56 > 0:15:00- Joel Steadman, American Enforcement Agency.- Pine.

0:15:00 > 0:15:02And I think you might be playing both sides.

0:15:02 > 0:15:04What are you talking about? What is this?

0:15:04 > 0:15:06There was a leak.

0:15:06 > 0:15:08The leak was at your end, not mine.

0:15:08 > 0:15:11I killed a man to patch it.

0:15:11 > 0:15:12Corkoran?

0:15:14 > 0:15:16- Jonathan, if you want to get out now, I can get you out.- No.

0:15:16 > 0:15:18- There's still time left. - You don't want that

0:15:18 > 0:15:21- and nor do I, we're so close.- But I don't have an organisation any more.

0:15:21 > 0:15:25I've got no recourse to troops, no international enforcement support.

0:15:25 > 0:15:27Just a cowboy and a pregnant woman. That's your army.

0:15:27 > 0:15:29Jonathan, if things go wrong,

0:15:29 > 0:15:31I can't guarantee I can get you out.

0:15:32 > 0:15:34I was living half a life when you met me.

0:15:34 > 0:15:37I've got nothing to lose.

0:15:37 > 0:15:38But I will need your help.

0:15:45 > 0:15:46OK.

0:15:46 > 0:15:47What can we do?

0:15:48 > 0:15:50MAN SHOUTS FOOD ORDERS

0:15:54 > 0:15:55One mixed salad!

0:16:02 > 0:16:04I'm looking for someone called Youssuf.

0:16:08 > 0:16:09That's me.

0:16:09 > 0:16:13I hear you're a good man to speak to about a recipe for, um, tourli.

0:16:13 > 0:16:15Tourli.

0:16:15 > 0:16:17- Tourli, we can speak about that? - You want to speak about tourli?

0:16:17 > 0:16:18Yes.

0:16:20 > 0:16:21- OK.- OK?- OK.

0:16:26 > 0:16:27Wait.

0:16:43 > 0:16:45- How are you?- Jonathan, you look great. Look at you!

0:16:45 > 0:16:47Oh, come on, look at you, Mr Head Chef.

0:16:47 > 0:16:49You got the hat and everything.

0:16:49 > 0:16:51- Are you serious, look at your watch! - Oh, come on.

0:16:51 > 0:16:53- What is this, huh? - Come on, it's just a watch.

0:16:53 > 0:16:55How are you?

0:16:55 > 0:16:57What happened to you? You just disappeared.

0:16:57 > 0:16:58I know, I know.

0:16:59 > 0:17:02And how is your Arabic, eh? You remember everything I taught you?

0:17:02 > 0:17:05It's a little rusty. I am practising.

0:17:05 > 0:17:07Your brother, Ahmer.

0:17:07 > 0:17:09He's well? He's still active?

0:17:10 > 0:17:12What do you mean, still active?

0:17:12 > 0:17:13Come on, you know what I mean.

0:17:13 > 0:17:16His people had their moment and they screwed it up.

0:17:18 > 0:17:19I need to talk to him.

0:17:24 > 0:17:25OK.

0:17:25 > 0:17:29How was shopping? Get me some of those curly slippers?

0:17:29 > 0:17:30No, I tried.

0:17:31 > 0:17:34Apparently Egyptian men have tiny little feet.

0:17:34 > 0:17:35Well, you know what they say?

0:17:35 > 0:17:37Tiny feet, tiny shoes.

0:17:41 > 0:17:44It's good to have Caro back, though. She's fun.

0:17:44 > 0:17:47Maybe she and Sandy should come to Luxor too.

0:17:47 > 0:17:48Oh, no.

0:17:48 > 0:17:50This is for ze lovers.

0:17:50 > 0:17:53Baby, I got these new silver earrings at the souk.

0:17:53 > 0:17:55Could you put them in the safe for me?

0:17:55 > 0:17:57I don't feel comfortable leaving them out.

0:17:57 > 0:17:59Not all Arabs are thieves, darling.

0:17:59 > 0:18:01I didn't mean that.

0:18:01 > 0:18:04- We always use the safe when we're...- I'm joking.

0:18:04 > 0:18:06They are all thieves. Give them here.

0:18:26 > 0:18:27Anything unusual happen today?

0:18:27 > 0:18:29Oh, yes.

0:18:29 > 0:18:30What?

0:18:30 > 0:18:32I've never been to Cairo, Sandy.

0:18:32 > 0:18:34I've never been to Egypt. It's all unusual.

0:18:34 > 0:18:36You know what I mean.

0:18:36 > 0:18:38Ah, Andrew.

0:18:38 > 0:18:40Feeling lucky?

0:18:40 > 0:18:41Very.

0:18:41 > 0:18:42- Caro.- Dicky.

0:18:49 > 0:18:52Right, well, let's go and roll some dice.

0:19:00 > 0:19:02Jed meet with anybody?

0:19:02 > 0:19:04Make a phone call?

0:19:04 > 0:19:05Nothing at all.

0:19:05 > 0:19:08I don't know why he's so suspicious. She's just a silly girl.

0:19:08 > 0:19:11Except if she isn't just a silly girl,

0:19:11 > 0:19:13that may be exactly how she wants to appear.

0:19:13 > 0:19:15Did you think about that?

0:19:15 > 0:19:19No. I don't have to think like that. That's your world.

0:19:19 > 0:19:22My world pays for your world.

0:19:22 > 0:19:24Don't you forget it.

0:19:33 > 0:19:36You can keep Luxor, Dicky. This is a temple.

0:19:36 > 0:19:38- You are an inspiration to us all, Sandy.- I am.

0:19:58 > 0:19:59You married?

0:19:59 > 0:20:01No.

0:20:01 > 0:20:03- I am married.- Right.

0:20:03 > 0:20:05You want me to sort a girl out for you? Easily done.

0:20:05 > 0:20:07No, no, no, no, thank you.

0:20:07 > 0:20:10It's fine, thank you for the offer.

0:20:11 > 0:20:14I feel like we have met before. Is that possible?

0:20:16 > 0:20:17Erm...

0:20:17 > 0:20:19I don't think so.

0:20:19 > 0:20:20It's unlikely.

0:20:22 > 0:20:24Je suis gagneur!

0:20:24 > 0:20:27I'm going to play some roulette. Anyone else?

0:20:27 > 0:20:28Sure.

0:20:28 > 0:20:31Good idea. See which of us is the lucky one.

0:20:36 > 0:20:37This one.

0:20:39 > 0:20:40Madam.

0:20:44 > 0:20:46CROUPIER SPEAKS FRENCH

0:20:48 > 0:20:49Good luck, darling.

0:21:04 > 0:21:06Thank you. No more bets.

0:21:12 > 0:21:15- Drink, Freddie?- Yes. Whisky.

0:21:16 > 0:21:19Can I get a fresh whisky, please, sir?

0:21:26 > 0:21:27He's got it. 2476.

0:21:28 > 0:21:30All right. Well, I'll go.

0:21:30 > 0:21:33No. I am a pregnant woman. Perfect cover.

0:21:33 > 0:21:36Ange, that's not cover. You ARE a pregnant woman.

0:21:39 > 0:21:40All right.

0:21:40 > 0:21:42Well, if you are going to go, take this.

0:21:42 > 0:21:44Bloody hell. Don't be silly, Joel.

0:21:44 > 0:21:46I'm English. If there's a problem, I'll call you.

0:21:46 > 0:21:49Ange, I'm not letting you walk out of that door without it.

0:21:52 > 0:21:54Thank you.

0:21:55 > 0:21:57- You do know how to use that thing, right?- Yes.

0:21:57 > 0:21:59Right. Now.

0:21:59 > 0:22:01How do I look? "You look great, Angela."

0:22:01 > 0:22:04OK. If there's a problem, I'll call you.

0:22:07 > 0:22:09You look great.

0:22:09 > 0:22:10Oh, give over!

0:22:21 > 0:22:22There we are, Freddie.

0:23:25 > 0:23:26LIFT BELL RINGS

0:24:07 > 0:24:09SWITCHES ON TV

0:24:35 > 0:24:37PHONE RINGS

0:24:41 > 0:24:43Yeah?

0:24:43 > 0:24:45'Yeah. Hi, I'm in reception and I have an international package

0:24:45 > 0:24:48'for Mr Richard Roper. I need a signature for that.

0:24:48 > 0:24:50'I'm sorry, sir, I can't drop it in the lobby.'

0:24:50 > 0:24:51I need a signature.

0:24:53 > 0:24:54Thank you.

0:24:57 > 0:24:58HE SIGHS

0:25:02 > 0:25:05DOOR OPENS AND CLOSES

0:25:32 > 0:25:34SHE PANTS

0:25:41 > 0:25:43You should stop, Freddie.

0:25:43 > 0:25:45Losing streak never ends until you cut it.

0:25:45 > 0:25:46I'll stop when I want.

0:25:49 > 0:25:50Ah. I am in this.

0:25:53 > 0:25:54Losing in Daddy's casino, Freddie.

0:25:54 > 0:25:57That's got to be a metaphor for something.

0:25:58 > 0:26:01Let me get you a glass of champagne?

0:26:01 > 0:26:03Yes.

0:26:03 > 0:26:05Everybody happy? I never lose.

0:26:05 > 0:26:06Up or down, Dicky?

0:26:08 > 0:26:10Something's not right, Sandy.

0:26:10 > 0:26:12She's trying too hard.

0:26:13 > 0:26:15What did Caro say?

0:26:15 > 0:26:16She hasn't seen anything.

0:26:20 > 0:26:22He's watching me. I can tell.

0:26:26 > 0:26:27Just keep calm.

0:26:29 > 0:26:32Can I have two glasses of champagne, please?

0:26:33 > 0:26:34Thank you.

0:26:36 > 0:26:38I never lose. OK?

0:26:40 > 0:26:43Freddie, you should stop.

0:26:43 > 0:26:45- Whoa!- You are having fun?- I think it is time to go home now.

0:26:45 > 0:26:48- I don't want to go home.- I think it's time to go home.

0:26:48 > 0:26:49- I think so.- No.

0:26:49 > 0:26:51- I think it's probably best. - We play over here.

0:26:53 > 0:26:55Big day tomorrow. Go to bed.

0:26:58 > 0:27:00- OK.- All right?

0:27:00 > 0:27:02All right? Sorry, he's just had a bit too much to drink.

0:27:02 > 0:27:04- Don't you worry, he'll be fine. - I like you.

0:27:04 > 0:27:07- You want to come with me?- Come on, now, Freddie. Come on.- I like her.

0:27:07 > 0:27:09- She can come with me.- This way. This way.

0:27:18 > 0:27:20I think Sandy should go instead, no?

0:27:26 > 0:27:28Watch your step now.

0:27:28 > 0:27:29- Whoa!- Oh!

0:27:30 > 0:27:32All right, I think I'll drive, eh?

0:27:35 > 0:27:38In you get. There we go.

0:27:46 > 0:27:48Easy, easy, Freddie.

0:27:50 > 0:27:52Whoa, Freddie.

0:27:53 > 0:27:56Now, what do you say we sit down?

0:27:56 > 0:27:59- Sit down.- Sit down? Just here?

0:28:03 > 0:28:05Where's your family, Freddie?

0:28:05 > 0:28:09This isn't the family house. This one is for business and pleasure.

0:28:10 > 0:28:11No maid?

0:28:11 > 0:28:13No, they come in the day.

0:28:13 > 0:28:15They come in the day.

0:28:17 > 0:28:18Good.

0:28:18 > 0:28:21- What do you say to a drink, Freddie? - Yes.

0:28:21 > 0:28:22- Whisky?- Yes.

0:28:25 > 0:28:28- Splash of water OK?- Yes.

0:28:40 > 0:28:42There you go.

0:28:49 > 0:28:53You know, Freddie, there's something I've been meaning to ask you.

0:28:54 > 0:28:57It's been playing on my mind.

0:28:57 > 0:29:00You had a girlfriend called Sophie Alekan...

0:29:01 > 0:29:03..in the Nefertiti Hotel.

0:29:04 > 0:29:05Do you remember her?

0:29:07 > 0:29:09How do you know about her?

0:29:09 > 0:29:11Do you remember her?

0:29:11 > 0:29:12Did you kill her?

0:29:18 > 0:29:20My God.

0:29:20 > 0:29:21I know you.

0:29:22 > 0:29:23The night manager.

0:29:23 > 0:29:24Did you kill her?

0:29:24 > 0:29:26What do you care? She was a whore.

0:29:29 > 0:29:30Did you kill her?

0:29:30 > 0:29:35No! No! I was there, but I didn't do it, I swear.

0:29:35 > 0:29:36Who did?

0:29:36 > 0:29:38One of Roper's men.

0:29:38 > 0:29:41Roper said we couldn't trust her to stay quiet.

0:29:41 > 0:29:42Was Roper there?

0:29:43 > 0:29:45Was Roper there?

0:29:45 > 0:29:49He wanted her to tell us who had helped her.

0:29:52 > 0:29:53But she wouldn't say.

0:29:54 > 0:29:56She didn't say a word.

0:29:59 > 0:30:01Should not have kept her mouth closed, whore!

0:30:53 > 0:30:54Excuse me.

0:30:54 > 0:30:55Andrew Birch.

0:30:55 > 0:30:57I believe you have an envelope for me.

0:30:57 > 0:31:00- Yes, sir, from the lady in Room 2104.- Thank you.

0:31:07 > 0:31:09Could you arrange a car for me tonight, please?

0:31:22 > 0:31:24MAN SHOUTS

0:31:24 > 0:31:28- Ahmer. Salaam alaikum. - Alaikum salaam.

0:31:28 > 0:31:29Let's go.

0:31:42 > 0:31:43Go on ahead.

0:31:45 > 0:31:46Go on.

0:31:46 > 0:31:49But when I went down to the foyer, there was no parcel.

0:31:49 > 0:31:53- Check the hotel lists. Every guest. Get the names to me.- OK.

0:31:56 > 0:31:58MEN SHOUT

0:32:05 > 0:32:08Andrew Birch. Tradepass Limited.

0:32:12 > 0:32:16I'd like to check the shipment that's leaving tomorrow, please.

0:32:19 > 0:32:21GUARD SPEAKS HIS OWN LANGUAGE

0:32:31 > 0:32:32Shokran.

0:33:03 > 0:33:05OK, now, guys. Go, quick.

0:33:07 > 0:33:09Go, go, go, go!

0:33:31 > 0:33:33OK. So you know what to do?

0:33:35 > 0:33:36This is the number.

0:33:36 > 0:33:38You must memorise it

0:33:38 > 0:33:40and you press connect and it will start the party.

0:33:44 > 0:33:47- Thank you, Ahmer. - Any time. My pleasure.

0:33:50 > 0:33:52This is because of Ms Alekan, right?

0:33:55 > 0:33:56Yes...

0:33:58 > 0:34:00..and no.

0:34:02 > 0:34:04I will see you, brother.

0:34:04 > 0:34:06You take care, brother.

0:34:24 > 0:34:25KNOCK ON DOOR

0:34:31 > 0:34:36- Breakfast, madam. Compliments of Mr Birch.- Thank you.

0:34:38 > 0:34:39You're welcome.

0:34:42 > 0:34:43DOOR CLOSES

0:34:54 > 0:34:57BEEPING

0:35:03 > 0:35:04SHE EXHALES DEEPLY

0:35:06 > 0:35:07Oh, dear.

0:35:09 > 0:35:13It's hard keeping a track of all those codes and PIN numbers, isn't it?

0:35:13 > 0:35:14Have you tried your birthday?

0:35:16 > 0:35:18- I just found this...- Oh, Jemima.

0:35:21 > 0:35:24You let someone break in here and steal from me.

0:35:25 > 0:35:27The question is...

0:35:27 > 0:35:28who?

0:35:31 > 0:35:35Please don't tell me it was Corky. Because I might not believe you.

0:35:41 > 0:35:45Morning, Frisky. Would you mind stepping in here for a moment?

0:35:57 > 0:35:59Yes, this is Andrew Birch.

0:36:01 > 0:36:02Of course, sir.

0:36:06 > 0:36:07HE SIGHS

0:36:41 > 0:36:44GENTLE PIANO MUSIC PLAYS

0:36:52 > 0:36:53Come on, darling.

0:36:54 > 0:36:55Be a good girl.

0:36:57 > 0:36:59JED STRAINS IN BACKGROUND

0:36:59 > 0:37:02No point in thinking he's going to stop.

0:37:02 > 0:37:04Frisky never stops.

0:37:07 > 0:37:09JED GASPS

0:37:20 > 0:37:23JED PANTS

0:37:28 > 0:37:32You know, I never really thought you had it in you.

0:37:32 > 0:37:33You know what I think?

0:37:34 > 0:37:38I think you must care very deeply about the person you're protecting.

0:37:40 > 0:37:42I saw you look at him

0:37:42 > 0:37:44in the casino.

0:37:44 > 0:37:45How close you are.

0:38:02 > 0:38:04RINGING TONE

0:38:04 > 0:38:07- 'Dromgoole speaking.' - Did you get what I sent you?

0:38:08 > 0:38:10'You know what I think, Geoffrey?

0:38:10 > 0:38:12'When we open those crates tomorrow,

0:38:12 > 0:38:16'I don't think we're going to find farm machinery inside...

0:38:16 > 0:38:17'do you?'

0:38:19 > 0:38:21It don't look good for you, Geoffrey.

0:38:25 > 0:38:26What do you want?

0:38:26 > 0:38:29Stay away from the Egyptian affairs.

0:38:29 > 0:38:32If Roper tries to get in contact, cut him off.

0:38:32 > 0:38:36'No safety net. You don't even take his call.'

0:38:37 > 0:38:39What do I get?

0:38:41 > 0:38:43You get to survive, Geoffrey.

0:38:56 > 0:38:57Morning, Andrew.

0:38:58 > 0:39:01You look spiffy. Ready to go?

0:39:01 > 0:39:04When you are, sir. How was the casino?

0:39:04 > 0:39:07A very successful night. I am a winner.

0:39:08 > 0:39:11I can't get hold of Freddie. He should be here by now.

0:39:11 > 0:39:13You put him to bed, didn't you?

0:39:13 > 0:39:17- Left him sleeping like a baby, sir. - Never mind. His loss.

0:39:42 > 0:39:44DOGS PANT

0:39:44 > 0:39:46Hello, Mr Roper. The trucks are loaded.

0:39:46 > 0:39:49- Everything is ready for you. - Thank you.

0:40:10 > 0:40:11Dicky,

0:40:11 > 0:40:14I've just been through the hotel lists of the medical delegation,

0:40:14 > 0:40:16all name-check, except two.

0:40:16 > 0:40:18They're in room 2104.

0:40:19 > 0:40:22Call Frisky, get him to clean it up.

0:40:24 > 0:40:25Andrew!

0:40:26 > 0:40:28Let me show you the hospitality area.

0:40:30 > 0:40:31It's me.

0:40:33 > 0:40:35He's asked for room service in 2104.

0:40:36 > 0:40:37Yeah?

0:40:37 > 0:40:39OK. Understood.

0:40:43 > 0:40:45Ah, well.

0:40:47 > 0:40:48It seems...

0:40:48 > 0:40:51that you and I have to go for a little walk.

0:40:51 > 0:40:55When I tell you, you're going to get up,

0:40:55 > 0:40:57we'll wash your face

0:40:57 > 0:40:58and maybe get you dressed.

0:40:58 > 0:41:01But you're going to be very quiet.

0:41:03 > 0:41:05GET UP!

0:41:27 > 0:41:29I'll take your phone if you don't mind.

0:41:31 > 0:41:32Sure.

0:41:44 > 0:41:47Search him for weapons, make sure he's not wearing a wire.

0:41:52 > 0:41:56It's a very rare thing, Jonathan Pine...

0:41:56 > 0:41:58for me to trust a person.

0:41:58 > 0:42:00But you were special.

0:42:00 > 0:42:03I knew it the first moment I saw you.

0:42:03 > 0:42:05Saved my son, risked your life.

0:42:07 > 0:42:10Should've known something was wrong.

0:42:12 > 0:42:14I don't know what you're talking about.

0:42:14 > 0:42:16Corky knew it, of course.

0:42:17 > 0:42:18Tried to make me see.

0:42:19 > 0:42:21Poor old Corks.

0:42:21 > 0:42:23You killed him, I suppose.

0:42:23 > 0:42:25To save your own skin. Yes?

0:42:28 > 0:42:30He was a good man, Corks. Loyal man.

0:42:32 > 0:42:35Now he's lying in a ditch on a Turkish mountain because of you.

0:42:36 > 0:42:38Well, for his sake and for mine...

0:42:40 > 0:42:41..I can promise you that your death

0:42:41 > 0:42:43is going to be a hundred times worse.

0:42:47 > 0:42:48Who are you working with?

0:42:52 > 0:42:53No-one.

0:42:53 > 0:42:55Well, that's not true for starters.

0:42:56 > 0:42:58I know you're working with Jed.

0:42:58 > 0:43:00That's a mistake, by the way.

0:43:02 > 0:43:03Not the sort of thing a man does.

0:43:11 > 0:43:12You sick fuck.

0:43:18 > 0:43:19Ah-ah-ah-ah!

0:43:19 > 0:43:22We need that pretty face for the buyers.

0:43:24 > 0:43:26We can make sure nothing else happens to her...

0:43:26 > 0:43:28if you cooperate.

0:43:31 > 0:43:33Did you kill Freddie?

0:43:35 > 0:43:38You would've killed me, obviously.

0:43:40 > 0:43:41ROPER SIGHS

0:43:42 > 0:43:44I got you so wrong.

0:43:46 > 0:43:48CAR APPROACHES

0:43:54 > 0:43:57Now listen, Jed is in a very bad way

0:43:57 > 0:44:01and I'm not feeling particularly sentimental about her welfare.

0:44:01 > 0:44:05Her life depends on the quality of your performance

0:44:05 > 0:44:06in the next half hour.

0:44:08 > 0:44:09So smile.

0:44:13 > 0:44:16HE HUMS GENTLY

0:44:20 > 0:44:22PHONE RINGS

0:44:22 > 0:44:25- Joel? Where are you? - I'm outside the loading area.

0:44:27 > 0:44:28CAMERA CLICKS

0:44:35 > 0:44:37Oh, my God. Ange, get out of there.

0:44:37 > 0:44:38'Pine's blown, so you're blown. Get out!'

0:44:38 > 0:44:41- Can you see him? Is he all right? - Ange, listen to me! Pine is blown.

0:44:41 > 0:44:43'Get the hell out of there!'

0:44:43 > 0:44:44HE HUMS SOFTLY

0:44:49 > 0:44:50Room service.

0:44:50 > 0:44:52KNOCK ON DOOR

0:44:54 > 0:44:55Room service.

0:44:55 > 0:44:57JED PANTS

0:45:20 > 0:45:22GUNSHOT AND FRISKY SCREAMS

0:45:22 > 0:45:24Get out! Get out! Go on, go!

0:45:24 > 0:45:26- You bitch!- Go, get out. Now!

0:45:29 > 0:45:30You bloody bitch!

0:45:33 > 0:45:35THEY CHAT QUIETLY

0:45:38 > 0:45:41Mr Kouyami. Sorry to keep you.

0:45:41 > 0:45:44- Are you well?- How are you? - Good, thank you.

0:45:44 > 0:45:48Today marks the beginning of a new trade route, Mr Roper.

0:45:48 > 0:45:51And the beginning of a beautiful friendship, to coin a phrase.

0:45:51 > 0:45:55- Mr Birch.- Mr Barghati. - How are you?- Very well, thank you.

0:45:55 > 0:45:59As you can see the trucks are loaded with the spec, as agreed.

0:45:59 > 0:46:02The drivers are ready to take them to the destination of your choosing.

0:46:02 > 0:46:05- Jasper.- Yes, sir?

0:46:05 > 0:46:07- Get them rolling, will you? - Yes, sir.

0:46:07 > 0:46:08Let's go!

0:46:08 > 0:46:12ENGINE STARTS UP Where is, er, Mr Hamid?

0:46:12 > 0:46:16I'm afraid Freddie was a little bit of a bad boy last night.

0:46:16 > 0:46:18I think he might be paying the price this morning.

0:46:18 > 0:46:19THEY LAUGH

0:46:19 > 0:46:22We can make a start without him. If you're content,

0:46:22 > 0:46:24I suggest we process the second half of the payment.

0:46:26 > 0:46:27I'm entirely content.

0:46:27 > 0:46:29Good.

0:46:29 > 0:46:30Mr Barghati, after you.

0:46:39 > 0:46:40Beautiful day for it.

0:46:40 > 0:46:42The best.

0:46:52 > 0:46:54- Please check.- Thank you.

0:46:57 > 0:46:59Yes, good morning, it's Sandy Langbourne here.

0:46:59 > 0:47:01Tradepass for authorisation.

0:47:06 > 0:47:09Mr Birch will now complete the transaction.

0:47:11 > 0:47:12Won't you, Mr Birch?

0:47:16 > 0:47:18Don't mess it up, Andrew.

0:47:18 > 0:47:22A lot of people depending on that beautiful little iris of yours.

0:47:29 > 0:47:31Come on, Andrew. We haven't got all day.

0:47:31 > 0:47:33THEY LAUGH

0:47:44 > 0:47:47What's going on, Jasper? Why have they stopped?

0:47:47 > 0:47:48I don't know, sir.

0:47:51 > 0:47:52What?

0:48:03 > 0:48:05Jesus...

0:48:20 > 0:48:21HIGH PITCHED TONE

0:48:28 > 0:48:30I want my money back, Mr Roper.

0:48:39 > 0:48:40Mr Roper.

0:48:45 > 0:48:48You, transfer my money right now.

0:48:49 > 0:48:51Dicky...

0:48:51 > 0:48:53where's the first payment?

0:48:53 > 0:48:55There should be 300 million already in here.

0:48:58 > 0:49:00Oh, you beauty.

0:49:02 > 0:49:05Did you hear me, Mr Roper? I want my money. Now!

0:49:05 > 0:49:07We'd better leave. We mustn't be seen.

0:49:07 > 0:49:09I want the full amount returned to me.

0:49:09 > 0:49:12Do you understand?

0:49:12 > 0:49:16If you do not pay, there will be consequences.

0:49:17 > 0:49:22Don't you dare threaten me! Who do you think did this?

0:49:22 > 0:49:26Arab militia, little brown rats, like the rest of you.

0:49:26 > 0:49:29You'll get your money when I'm good and ready! Understand?

0:49:37 > 0:49:39We'd better leave.

0:49:40 > 0:49:44- Gentlemen...- Let's go.- ..let us reconvene in the Nefertiti

0:49:44 > 0:49:45in one hour.

0:49:45 > 0:49:48Our organisation is used to dealing with problems like this.

0:49:48 > 0:49:50We can deal with it. Dicky, we need to go.

0:49:54 > 0:49:55Pine!

0:49:56 > 0:49:58Jed. You let Jed go, you get the money.

0:50:01 > 0:50:03You'd buy that girl for 300 million?

0:50:21 > 0:50:24Call the airfield. Tell them to have the jet ready in one hour.

0:50:29 > 0:50:31Boss, maybe the back entrance.

0:50:31 > 0:50:32Yes.

0:50:50 > 0:50:53They come to the room, you transfer the money,

0:50:53 > 0:50:55I let Jed go. Clear?

0:51:01 > 0:51:04We've not been introduced. My name's Angela Burr.

0:51:06 > 0:51:08Dicky Roper.

0:51:10 > 0:51:13Where is Jed, if you don't mind me asking?

0:51:13 > 0:51:14She's downstairs, Jonathan.

0:51:16 > 0:51:17All yours...

0:51:18 > 0:51:19..Dicky.

0:51:22 > 0:51:23This is pathetic.

0:51:25 > 0:51:26Who the hell are you?

0:51:26 > 0:51:29- I'm Angela.- I know your name.

0:51:29 > 0:51:32I mean, who are you really in the grand scheme of things?

0:51:32 > 0:51:34Oh, in the grand scheme of things?

0:51:34 > 0:51:36I don't know. I live in Bermondsey.

0:51:36 > 0:51:40- 'This is London.' - This is Dicky Roper. Get me Halo.

0:51:44 > 0:51:46There is no Halo at this number, sir.

0:51:47 > 0:51:49Don't be a tit.

0:51:49 > 0:51:51Geoffrey Dromgoole gave me this number personally.

0:51:51 > 0:51:55- I'm afraid I'm unable to help you. - PHONE CLICKS

0:52:03 > 0:52:05Aw, no joy?

0:52:05 > 0:52:08Must be a peculiar feeling, is it?

0:52:08 > 0:52:11All those VIP rooms, five-star hotels.

0:52:11 > 0:52:14You're now on the wrong side of the velvet rope.

0:52:14 > 0:52:16Do you feel quite discombobulated?

0:52:18 > 0:52:20I suppose you've been preparing this for a while.

0:52:21 > 0:52:23Practising in front of the mirror, have we?

0:52:23 > 0:52:25Yeah.

0:52:26 > 0:52:29Since the sports day in Kurdistan.

0:52:29 > 0:52:32I always thought those kids could do with more protection,

0:52:32 > 0:52:33so that's what's happening now.

0:52:33 > 0:52:35Me and Jonathan, we're protecting them.

0:52:35 > 0:52:39Not the ones you've already killed, obviously, but the next ones.

0:52:39 > 0:52:41Protecting from what?

0:52:41 > 0:52:42From me?

0:52:43 > 0:52:44I never killed anyone.

0:52:44 > 0:52:48I never stole, never fiddled my taxes.

0:52:48 > 0:52:49All I did was work for a company

0:52:49 > 0:52:53owned and operated by your little Pinocchio.

0:52:53 > 0:52:55I might get a 50-quid fine.

0:52:56 > 0:52:59With a bit of luck, they'll let me pay in instalments.

0:52:59 > 0:53:01Yeah, you're probably right.

0:53:01 > 0:53:03Government lawyers, useless, aren't they?

0:53:03 > 0:53:05I was one once.

0:53:06 > 0:53:08- Right, so... - DOOR OPENS

0:53:11 > 0:53:13Mr Roper.

0:53:13 > 0:53:16The same. Not a painting. How can I help you?

0:53:16 > 0:53:19These gentlemen are here to place you under arrest.

0:53:19 > 0:53:21Really? For what?

0:53:21 > 0:53:25Contravention of Egyptian import rules, conspiracy to murder...

0:53:28 > 0:53:30Do these clowns have names?

0:53:30 > 0:53:33Cos I'm sure Mr Hamid Senior would love to know what they are.

0:53:33 > 0:53:37Mr Hamid is a very good chum of mine. Chum?

0:53:37 > 0:53:39By this time tomorrow, I'm going to be back

0:53:39 > 0:53:43in my humble croft in Majorca, sipping a 30-year-old Scotch.

0:53:43 > 0:53:44It's a possibility.

0:53:44 > 0:53:47- I hope not.- And by the way...

0:53:48 > 0:53:50..good luck with the baby.

0:53:50 > 0:53:52It's a wonderful thing to bring a child into this world.

0:54:05 > 0:54:07HE BREATHES HEAVILY

0:54:25 > 0:54:27Why'd you do it, Jonathan?

0:54:29 > 0:54:30You have to commit.

0:54:33 > 0:54:35You have to make a decision.

0:54:40 > 0:54:42Couldn't just scratch my nose, could you?

0:54:44 > 0:54:46See you in a few days.

0:55:00 > 0:55:02MEN SHOUT

0:55:06 > 0:55:08What the hell's going on here?

0:55:08 > 0:55:10I've got no idea.

0:55:13 > 0:55:14HE SHOUTS IN OWN LANGUAGE

0:55:17 > 0:55:19- Hey, wait... Wait a minute! - DOOR SLAMS

0:55:19 > 0:55:21Wait a minute!

0:55:24 > 0:55:27Wait a second. CAR ENGINE STARTS

0:55:41 > 0:55:42He deserves it.

0:55:56 > 0:55:58- No! No! - HE STAMPS

0:55:58 > 0:56:00No! No!

0:56:00 > 0:56:02No!

0:56:29 > 0:56:30What time do you land?

0:56:32 > 0:56:35- 6am, bright and early. - HE LAUGHS

0:56:40 > 0:56:43There be someone there to meet you?

0:56:43 > 0:56:44I think they'll all be there.

0:56:50 > 0:56:54I keep thinking, "What if he doesn't recognise me?"

0:56:56 > 0:56:57A son always recognises his mother.

0:57:01 > 0:57:04And if he doesn't, I'll tell him.

0:57:04 > 0:57:06SHE LAUGHS OK?

0:57:10 > 0:57:12You can come visit soon.

0:57:15 > 0:57:16I promise.

0:57:41 > 0:57:43Be good.

0:57:47 > 0:57:49You're a funny fish, Jonathan.

0:57:52 > 0:57:54- I know.- Good.

0:58:34 > 0:58:36Is there anything I can do for you, sir?

0:58:40 > 0:58:42No, thank you.

0:58:44 > 0:58:45Nothing at all.