0:00:40 > 0:00:44It came to me deep in the night, as it so often does.
0:00:44 > 0:00:47We shall be as a meadow!
0:00:47 > 0:00:50Clara - the landing.
0:00:50 > 0:00:52Denise - Haberdashery.
0:01:05 > 0:01:06From Miss Audrey.
0:01:06 > 0:01:09Inspiration came to her in the night.
0:01:09 > 0:01:11Inspiration must be blind.
0:01:11 > 0:01:14Like love! And justice. And worms.
0:01:14 > 0:01:18Oh, I wish I could do that, though. Arrange things. Don't you?
0:01:18 > 0:01:20These days, I think I could do anything I set my mind to.
0:01:20 > 0:01:22Really? Anything?
0:01:22 > 0:01:24What is there to stop me?
0:01:24 > 0:01:28I know. She scares me, too.
0:01:28 > 0:01:31Clara!
0:01:31 > 0:01:33Sorry, Ma'am. Customer.
0:01:33 > 0:01:34You weren't back.
0:01:34 > 0:01:37Ladies, please take a seat.
0:01:37 > 0:01:42Denise! Le salon d'essayage.
0:02:06 > 0:02:08We have searched cellar to roof.
0:02:08 > 0:02:11A female could get in and out and no-one any the wiser.
0:02:11 > 0:02:12We are vulnerable.
0:02:12 > 0:02:15My department has always adhered to the highest standards!
0:02:15 > 0:02:19Miss Audrey, no one supposes this a reflection on you or your staff.
0:02:19 > 0:02:20He belongs in the police station.
0:02:20 > 0:02:22No. I don't want him at the police station.
0:02:22 > 0:02:26I want him here. Dudley, you know infants.
0:02:26 > 0:02:29When Alice was sick last winter and couldn't nurse the baby,
0:02:29 > 0:02:30what did you do?
0:02:30 > 0:02:33Mellin's Infant Food. Able's across the street will have it.
0:02:33 > 0:02:35Arthur!
0:02:35 > 0:02:37Infant food. Able's. Yes, sir!
0:02:37 > 0:02:40Jonas, get a message to Peter Adler.
0:02:40 > 0:02:43Tell him I wish to speak to him, on a matter of urgency.
0:02:43 > 0:02:44Dudley - the newspapers.
0:02:44 > 0:02:46Yesterday we were paying a guinea a line for advertising space,
0:02:46 > 0:02:49tomorrow they'll give us the front pages for free.
0:02:49 > 0:02:51But Mr Moray, sir. Who is to look after him?
0:02:51 > 0:02:54Why - us.
0:02:54 > 0:02:56The Paradise!
0:03:16 > 0:03:18They wish to donate money for the baby.
0:03:18 > 0:03:19If we had a box, or a tin?
0:03:19 > 0:03:21Yes! Yes! I will see to it. But make haste.
0:03:21 > 0:03:23The Misses Felmingham are asking for you.
0:03:23 > 0:03:25Miss Audrey. My name is at the top of the list.
0:03:25 > 0:03:27I see that, but they have asked for Denise.
0:03:27 > 0:03:30All the morning customers have been asking for Denise!
0:03:30 > 0:03:32Indeed. She is quite the cause celebre -
0:03:32 > 0:03:36the girl who found the Paradise Baby.
0:03:36 > 0:03:37I believe it will be a new sales record.
0:03:45 > 0:03:46I shouldn't worry.
0:03:46 > 0:03:48With all the fuss being made of this one,
0:03:48 > 0:03:51we'll have every unwanted brat in the city dumped at our door.
0:03:54 > 0:03:56Plenty of bastards to go round, then.
0:04:08 > 0:04:11Oh, I know! What business have I?
0:04:11 > 0:04:13But I heard and I had to see for myself.
0:04:13 > 0:04:16Allow me to introduce Mr Peter Adler.
0:04:16 > 0:04:19Peter, Miss Katherine Glendenning.
0:04:19 > 0:04:22I see you have already met my other guest.
0:04:22 > 0:04:24Oh, he is quite the most beautiful thing.
0:04:24 > 0:04:28A heartbreaker, in the lair of a shameless opportunist.
0:04:28 > 0:04:29Oh, come on, Adler!
0:04:29 > 0:04:32This is an opportunity that may serve us both.
0:04:32 > 0:04:35Poor Miss Glendenning must be wondering what devilish pact
0:04:35 > 0:04:37we have in hand.
0:04:37 > 0:04:40I am the patron of a Foundling Home, Miss Glendenning.
0:04:40 > 0:04:44Moray is hoping we will be able to find room for his unexpected guest.
0:04:44 > 0:04:45Though not quite yet.
0:04:45 > 0:04:48I want him in my store a day or two longer.
0:04:48 > 0:04:51A baby? Here? Moray, what can you be thinking of?
0:04:51 > 0:04:52The publicity.
0:04:54 > 0:04:58You wanted me, Mr Moray, sir?
0:04:58 > 0:05:04Yes. Take him into the Paradise.
0:05:04 > 0:05:06I want him seen.
0:05:06 > 0:05:08I want him loved.
0:05:08 > 0:05:10Understand?
0:05:10 > 0:05:12Yes, sir!
0:05:14 > 0:05:19Our friend has a reputation as a man of innovation and drive.
0:05:19 > 0:05:22Perhaps he is also hoping to demonstrate
0:05:22 > 0:05:25that there is a softer side to him -
0:05:25 > 0:05:28the human face of the all-conquering capitalist.
0:05:28 > 0:05:31Hmm, you have my measure.
0:05:31 > 0:05:33Do I have your support?
0:05:33 > 0:05:36We will take him. On one condition.
0:05:36 > 0:05:38A donation?
0:05:38 > 0:05:42And a visit. Our foundlings to your store.
0:05:42 > 0:05:45We do our best to fit them for work, give them a future.
0:05:45 > 0:05:47Well, who knows?
0:05:47 > 0:05:48If one of them impresses,
0:05:48 > 0:05:51you may even be moved to extend the offer of a job.
0:05:51 > 0:05:55Supposing the press were still on hand to report the gesture.
0:05:55 > 0:05:58Miss Glendenning. Moray.
0:05:58 > 0:06:00Adler.
0:06:00 > 0:06:03You must let me know when this visit is to take place.
0:06:03 > 0:06:06Your Foundlings interest me, Mr Adler,
0:06:06 > 0:06:07I should like very much to be here.
0:06:07 > 0:06:09Of course.
0:06:10 > 0:06:12Miss Glendenning.
0:06:21 > 0:06:24You're wasting your time, you know. He's far too high-minded.
0:06:24 > 0:06:29Now I wonder, is that meant as a warning or a challenge?
0:06:31 > 0:06:32Seriously, watch your back,
0:06:32 > 0:06:35she'd do anything for the kind of money you earned today.
0:06:35 > 0:06:36Isn't that right, Sam?
0:06:36 > 0:06:37Who - Clara?
0:06:37 > 0:06:42Ay, she'd kill her own grandmother to get commission on the hide.
0:06:43 > 0:06:45Oh! Can I hold him? Please can I hold him!
0:06:45 > 0:06:47It won't last. People want to tell their friends
0:06:47 > 0:06:50they bought something from the girl who found the Paradise baby.
0:06:50 > 0:06:54But he isn't! He isn't the Paradise baby!
0:06:54 > 0:06:56He wasn't born here - he was just dumped.
0:06:56 > 0:06:58In Miss Audrey's stupid saloon!
0:06:58 > 0:07:02- It's not funny!- No, come on, come here. They're just being childish.
0:07:02 > 0:07:05Everywhere I've took him they've called him that - the Paradise baby.
0:07:05 > 0:07:06But I was born here in the loading bays.
0:07:06 > 0:07:09And when you're rich and famous, there'll be a plaque out there.
0:07:09 > 0:07:11Saying what?
0:07:11 > 0:07:13His mam was the drayman's tart.
0:07:13 > 0:07:15She dropped him like a turd then fell down dead of the shame.
0:07:15 > 0:07:18God, you're full of spite! Don't take it out on him.
0:07:18 > 0:07:19What? I was just saying what I've heard.
0:07:19 > 0:07:22What? What you heard? Where, from who?
0:07:22 > 0:07:24Oh, you know - people.
0:07:24 > 0:07:27Oh, come on! She's just got it wrong.
0:07:27 > 0:07:30Your ma was the drayman's daughter, she died of a fever.
0:07:30 > 0:07:31Your pa was lost at Sebastopol
0:07:31 > 0:07:34and you were brought up by the men who worked in the bays.
0:07:34 > 0:07:35You told me the story, yourself.
0:07:35 > 0:07:39But what if that's all it is - a story?
0:07:50 > 0:07:54Last week, Moray bestrode the narrow world like a colossus,
0:07:54 > 0:07:57this week he's Florence Nightingale in pantaloons.
0:07:57 > 0:07:58The man's a genius.
0:07:58 > 0:08:01What do you know about a man called Peter Adler?
0:08:01 > 0:08:03Apart from his market value.
0:08:03 > 0:08:06His market value is not to be sniffed at.
0:08:06 > 0:08:09They call him Saint Peter at the club. Rich as Croesus.
0:08:09 > 0:08:11Full-time philanthropist. Why?
0:08:12 > 0:08:15I thought I might invite him to dine. Would you object?
0:08:15 > 0:08:17Not at all.
0:08:17 > 0:08:19But I don't imagine it's my displeasure
0:08:19 > 0:08:20you're hoping to provoke.
0:08:22 > 0:08:24Every front page bar one!
0:08:24 > 0:08:27"City foundling finds new, celestial home",
0:08:27 > 0:08:31"An angel in Paradise", "Cherub among the chinaware".
0:08:31 > 0:08:34We are paying for your front pages -
0:08:34 > 0:08:36Adler's brats trooping through at any moment.
0:08:36 > 0:08:39I doubt the wheels of commerce will grind to a halt because
0:08:39 > 0:08:40a few children pay us a visit.
0:08:40 > 0:08:44Not children - foundlings, begotten in sin,
0:08:44 > 0:08:46abandoned while God looked the other way.
0:08:46 > 0:08:50They remind us of everything that's foul in ourselves.
0:08:53 > 0:08:56If ever I feel despondent,
0:08:56 > 0:08:59I need only a minute in the company of Jonas and lo!
0:08:59 > 0:09:01The clouds lift.
0:09:01 > 0:09:02Where's the baby?
0:09:02 > 0:09:05Haberdashery got hold of him yesterday and hasn't let go since.
0:09:05 > 0:09:08Well, warn haberdashery not to become too attached.
0:09:08 > 0:09:09We have him on loan only.
0:09:12 > 0:09:14People are starting to speculate.
0:09:14 > 0:09:16As to why the child was left here.
0:09:16 > 0:09:19And? What do they conclude?
0:09:19 > 0:09:22That he is yours.
0:09:22 > 0:09:25You should read the editorial in the Chronicle, Dudley.
0:09:25 > 0:09:29"Once, such a child would have been left on the church steps.
0:09:29 > 0:09:34"Today, the populace puts its trust not in God, but in commerce."
0:09:34 > 0:09:40We are the new church. I slipped once. 18 months ago.
0:09:40 > 0:09:43I have not done so since.
0:09:43 > 0:09:47It is not - could not be mine.
0:09:47 > 0:09:49Mr Dudley, sir.
0:10:04 > 0:10:06Mr Moray, Mr Dudley.
0:10:07 > 0:10:09- It's private.- A list.
0:10:09 > 0:10:12A list with only two names.
0:10:14 > 0:10:17They worked here, when it was Emmerson's.
0:10:17 > 0:10:20No-one else left who did.
0:10:20 > 0:10:25They tell tales in the bays, about how I came to lose my arm.
0:10:25 > 0:10:26Ever heard any?
0:10:28 > 0:10:31- No.- A story for every day of the year,
0:10:31 > 0:10:34most of them not fit to be repeated.
0:10:34 > 0:10:37None of them even close to the truth.
0:10:38 > 0:10:40Why don't you put them right?
0:10:40 > 0:10:42Because the story can change all it likes.
0:10:42 > 0:10:44This never will.
0:10:51 > 0:10:53Arthur?
0:10:54 > 0:10:55Good luck.
0:10:57 > 0:10:58They're on their way!
0:11:20 > 0:11:23Moray! You've shown us all the way.
0:11:23 > 0:11:26Everybody trusts a man holding a baby!
0:11:27 > 0:11:30I hear you're throwing your doors open too, very charitable.
0:11:30 > 0:11:33Mr Adler!
0:11:34 > 0:11:36Children.
0:11:37 > 0:11:38Welcome to the Paradise.
0:11:41 > 0:11:43Go on, Grace.
0:11:44 > 0:11:48I'm holding a party later - destitutes, vagrants,
0:11:48 > 0:11:52gentlemen of the press, all welcome!
0:11:52 > 0:11:54Keep holding hands.
0:11:54 > 0:11:55Thank you.
0:11:57 > 0:11:59After you, Peter.
0:12:17 > 0:12:21Hurry! Hurry! They are on their way. Remember, girls.
0:12:21 > 0:12:23We must not judge.
0:12:23 > 0:12:25Suffer the little children, as the good Lord said.
0:12:25 > 0:12:27- Where are you going? - Er, stock room.
0:12:27 > 0:12:30I can see the crawlers in their hair from here. Filthy little things!
0:12:30 > 0:12:32Don't let them touch anything.
0:12:32 > 0:12:34And this is the Ladieswear department,
0:12:34 > 0:12:37in which Miss Audrey is Queen.
0:12:37 > 0:12:42Nonsense. I am not. Ridiculous child!
0:12:46 > 0:12:49Why, what a beautiful curtsey!
0:12:49 > 0:12:52But you know, Mr Moray meant only that Miss Audrey is in charge here.
0:12:52 > 0:12:56Indeed, she is very fearsome and awfully elegant,
0:12:56 > 0:13:02sometimes I quite feel like curtseying to her myself.
0:13:04 > 0:13:05Miss Audrey,
0:13:05 > 0:13:08may I have your permission to show the girls the gowns?
0:13:08 > 0:13:11I feel sure they would like to see them.
0:13:11 > 0:13:12And maybe touch.
0:13:14 > 0:13:15Just a little.
0:13:17 > 0:13:18Perhaps I could help.
0:13:18 > 0:13:22Our very finest gowns are so precious
0:13:22 > 0:13:25that only Miss Audrey may touch them,
0:13:25 > 0:13:27even Mr Moray is forbidden.
0:13:27 > 0:13:32But if we may beg some silk samples from the Great Hall,
0:13:32 > 0:13:33you could feel for yourselves
0:13:33 > 0:13:38how taffeta is so stiff it almost stands up
0:13:38 > 0:13:44on its own and chiffon so soft that it runs over your skin like water.
0:13:44 > 0:13:48After which, Mr Moray has put on a luncheon for us.
0:13:48 > 0:13:50Well, if you think you might be hungry.
0:13:50 > 0:13:52Luncheon - splendid!
0:13:52 > 0:13:55Shall we have a look around?
0:13:55 > 0:13:56THE CHILDREN MURMUR: Yes!
0:14:00 > 0:14:04Only, do you know - I was vain enough to put on new shoes
0:14:04 > 0:14:06for this visit, they are pinching me horribly.
0:14:06 > 0:14:08I think I may need some help with the stairs.
0:14:08 > 0:14:10I've got new shoes too.
0:14:10 > 0:14:11New to her.
0:14:11 > 0:14:12She means new to her.
0:14:12 > 0:14:14Come on, Grace.
0:14:28 > 0:14:31It was kind of you, earlier - to take the trouble with Grace.
0:14:31 > 0:14:33Such a taking little thing.
0:14:33 > 0:14:36- Hmm.- What's her story?
0:14:36 > 0:14:38Grace is one of our "wanted" children.
0:14:38 > 0:14:40Her bed and board are paid for - probably by a parent,
0:14:40 > 0:14:43who hopes to reclaim her when their circumstances change.
0:14:43 > 0:14:46It means she cannot be put up for adoption.
0:14:46 > 0:14:50I'm glad. Everyone needs to know they are wanted,
0:14:50 > 0:14:52don't you think?
0:14:54 > 0:14:58Just as everyone needs clothes and shoes that fit.
0:15:01 > 0:15:07Moray! I have an idea.
0:15:07 > 0:15:1040 foundlings to be clothed and shod at her expense?
0:15:10 > 0:15:11It'll cost a fortune!
0:15:11 > 0:15:13Lucky she has one.
0:15:13 > 0:15:15She's just playing games.
0:15:15 > 0:15:18Trying to make Moray jealous, by setting her cap at that Adler.
0:15:18 > 0:15:20Anyone can see.
0:15:20 > 0:15:23What would you know? You spent the whole time in the stock room.
0:15:23 > 0:15:26Hey, think of the commission! Who do you think will get it?
0:15:34 > 0:15:38"A store that expanded in stages, And paid all its staff paltry wages,
0:15:38 > 0:15:41"Saw fit to employ A sweet baby boy,
0:15:41 > 0:15:44"And got itself on the front pages!" What do you think?
0:15:45 > 0:15:47- You won't leave that?- Why not?
0:15:47 > 0:15:49It's funny.
0:15:49 > 0:15:51He's laughing.
0:15:53 > 0:15:56You mustn't. You can't!
0:15:56 > 0:15:59Don't let him scare you, Denise.
0:15:59 > 0:16:01He pays your wages, doesn't mean he owns you.
0:16:01 > 0:16:04I'm not speaking for him! I'm speaking for myself.
0:16:04 > 0:16:07And the only thing I'm scared of is the whole city finding out
0:16:07 > 0:16:09- how childish you are. - "Childish"?
0:16:09 > 0:16:12Denise. I often take a night cap at this time, in my private parlour.
0:16:12 > 0:16:14I wonder, would you care to join me?
0:16:25 > 0:16:27You like ratafia?
0:16:27 > 0:16:28Yes.
0:16:33 > 0:16:36Something else we have in common.
0:16:38 > 0:16:42I saw it in your face today, with the child -
0:16:42 > 0:16:44that a babe in your arms was not fulfilment.
0:16:44 > 0:16:47There is too much else first.
0:16:51 > 0:16:55Perhaps there will be too much else always.
0:16:58 > 0:17:03I received several offers of marriage in my youth.
0:17:03 > 0:17:07One in particular - we were fond, very fond.
0:17:07 > 0:17:09But a married woman may not be employed in a shop.
0:17:09 > 0:17:12And after every offer, I would return to my work,
0:17:12 > 0:17:13and the answer would come to me
0:17:13 > 0:17:15before I had even asked myself the question.
0:17:15 > 0:17:20"I choose this, over him."
0:17:22 > 0:17:24Over everything, I choose this.
0:17:24 > 0:17:27I have never regretted my choice.
0:17:27 > 0:17:30I have loved my work and cherished it
0:17:30 > 0:17:33and forsaken all others to cleave to it.
0:17:34 > 0:17:38I will never let it be taken from me.
0:17:39 > 0:17:40Miss Audrey,
0:17:40 > 0:17:43if you are seeking assurance that I will not take my ideas to Mr Moray.
0:17:43 > 0:17:45Even if the ideas come from me,
0:17:45 > 0:17:48he will know they are yours.
0:17:49 > 0:17:51There is a difference in the order of our minds.
0:17:51 > 0:17:53I see that, now.
0:17:53 > 0:17:58My notions are small, insular. We shall be as a meadow.
0:17:58 > 0:18:00Yours are as quick and as vital
0:18:00 > 0:18:03as the world to which they are a response.
0:18:03 > 0:18:04So.
0:18:04 > 0:18:08I have decided.
0:18:08 > 0:18:10There will be no more ideas.
0:18:11 > 0:18:13No more thoughts.
0:18:13 > 0:18:15I am to stop thinking?
0:18:17 > 0:18:20If you wish to remain at the Paradise.
0:18:21 > 0:18:26There are things, Denise, he will not tolerate, even from a favourite.
0:18:26 > 0:18:30You must make certain you never stand accused of them.
0:18:32 > 0:18:35Don't mistake me. I have no wish to lose you.
0:18:35 > 0:18:38But I refuse to lose this.
0:18:40 > 0:18:42Now...
0:18:42 > 0:18:44Run along.
0:18:44 > 0:18:47Between Pauline's snoring, the baby's crying
0:18:47 > 0:18:49and embarrassment over your uncle's ridiculous antics,
0:18:49 > 0:18:52you are like to have an unsettled night.
0:19:02 > 0:19:05You say you don't regret your choice.
0:19:05 > 0:19:08But what if you did not have to choose?
0:19:08 > 0:19:09What if you could have had both?
0:19:11 > 0:19:15No more thoughts, Denise.
0:19:15 > 0:19:19No ideas, no questions, no what-ifs.
0:19:19 > 0:19:21Just willing hands and an empty mind.
0:19:55 > 0:19:58Will Peter Adler be accompanying Miss Glendenning today,
0:19:58 > 0:19:59do you think?
0:19:59 > 0:20:02How else would I be able to see them together?
0:20:02 > 0:20:04I'm glad you take it so lightly.
0:20:04 > 0:20:07She is playing a game, Dudley. A very old, very simple game.
0:20:07 > 0:20:10It's called "the other man".
0:20:10 > 0:20:11You know her better than I.
0:20:11 > 0:20:14Well enough to know she'll have tired of Saint Peter and his foundlings
0:20:14 > 0:20:16by the time the week's out.
0:20:17 > 0:20:20If I had not been taken in by the bays, not known by the bays,
0:20:20 > 0:20:23and not taken in by you when you turned Emmerson's into the Paradise,
0:20:23 > 0:20:25I should be a foundling too.
0:20:25 > 0:20:28My ma, she was the drayman's daughter,
0:20:28 > 0:20:32she was unloading cloth with her father when her pains came on...
0:20:32 > 0:20:35Arthur, Arthur! We know all this.
0:20:35 > 0:20:38But how? How do you know it?
0:20:38 > 0:20:42I mean, you weren't there, at the bays.
0:20:42 > 0:20:45So, who told you the story?
0:20:45 > 0:20:47- Helene.- Yes.
0:20:49 > 0:20:55But she wasn't present. She heard it from Miss Audrey.
0:20:58 > 0:21:02Girl! What are you doing in here?
0:21:02 > 0:21:04Oh, erm, please, Miss Audrey,
0:21:04 > 0:21:08I thought he would like to see the birds,
0:21:08 > 0:21:10on the wallpaper, before the customers come.
0:21:10 > 0:21:15Birds? Nonsense! Shoo! Go on! Shoo, shoo, shoo, shoo, shoo, shoo!
0:21:20 > 0:21:24- Miss Audrey. - And you boy! Stop lurking!
0:21:24 > 0:21:26No good ever came of a lurker.
0:21:29 > 0:21:32Mr Adler, the velvet or the delaine wool?
0:21:32 > 0:21:36Above all, I wish them to look like children, rather than foundlings.
0:21:36 > 0:21:38The velvet is very popular with the better class of family.
0:21:38 > 0:21:44But the wool is less formal, more comfortable.
0:21:44 > 0:21:48- And considerably cheaper. - Then I say the wool has it.
0:21:48 > 0:21:52Seconded! And now undergarments.
0:21:58 > 0:22:01Well done. That's half a crown each you just cost us.
0:22:01 > 0:22:03Don't you ever think about anything but money?
0:22:05 > 0:22:0760 yards of the delaine wool and they're making their way
0:22:07 > 0:22:10to ladieswear for undergarments.
0:22:17 > 0:22:19Girl, you are having an idea. I have told you.
0:22:19 > 0:22:21There will be no more. No more, I say!
0:22:21 > 0:22:23Yes, Miss Audrey. I understand.
0:22:36 > 0:22:39Miss Audrey, I fear we have quite stripped your shelves.
0:22:39 > 0:22:45Stripped? Oh no! Not stripped. I assure you. Never, stripped.
0:22:45 > 0:22:48The seamstresses are already hard at work on the wool.
0:22:48 > 0:22:50Preliminary fittings this evening.
0:22:50 > 0:22:52Denise and Clara will be on hand to assist.
0:22:52 > 0:22:54The children will arrive, as soon as the store is closed.
0:22:54 > 0:22:56I will pass on the message, myself.
0:23:09 > 0:23:12Miss Audrey! I cannot help with the fittings this evening.
0:23:12 > 0:23:15I have pains. Women's trouble.
0:23:15 > 0:23:17Indeed?
0:23:17 > 0:23:20Terrible cramps, ma'am. I can barely stand.
0:23:20 > 0:23:22And yet you did so whilst there was commission to be had.
0:23:22 > 0:23:24You will assist with the fittings, Clara,
0:23:24 > 0:23:26or I will consider your job half-finished
0:23:26 > 0:23:29- and your commission forfeit. - Miss Audrey!
0:23:29 > 0:23:31Not now. And stop lurking!
0:23:33 > 0:23:37Thank you. You have been most helpful.
0:23:38 > 0:23:42Perhaps Mr Moray should think of opening a department for children.
0:23:42 > 0:23:45So many of his customers are mothers.
0:23:45 > 0:23:47And it would have made your task today so very much easier.
0:23:47 > 0:23:49Don't you think?
0:23:51 > 0:23:56We are grateful to Miss Glendenning, of course. Who could not be?
0:23:56 > 0:24:02But my ambition is to make the home independent of anyone's generosity.
0:24:02 > 0:24:05If my name is to be remembered at all,
0:24:05 > 0:24:07I should like it to be as the man who made the home
0:24:07 > 0:24:09autonomous of any benefactor.
0:24:09 > 0:24:11Well, you may soon find yourself with a new benefactor.
0:24:11 > 0:24:13The collection started
0:24:13 > 0:24:17by our customers has grown beyond all expectation.
0:24:17 > 0:24:20The baby comes with a dowry.
0:24:20 > 0:24:24Then the fund requires proper administration.
0:24:24 > 0:24:26A patron. Give a public face to the giving
0:24:26 > 0:24:28and the people will give more.
0:24:28 > 0:24:30You raise a sufficient amount, you invest it wisely
0:24:30 > 0:24:32and then Adler's home
0:24:32 > 0:24:36may yet achieve the independence he hopes for.
0:24:36 > 0:24:38Why a patron?
0:24:38 > 0:24:40Why not a patroness?
0:24:41 > 0:24:43You offer yourself, Miss Glendenning?
0:24:46 > 0:24:50- I do, Mr Adler.- And what a delightful figurehead you would make.
0:24:50 > 0:24:53Though, perhaps, more for decoration than use.
0:24:53 > 0:24:58- You doubt my capability?- You are, an exquisite confection of froth,
0:24:58 > 0:25:03frivolity and fashion, who gives delight wherever she goes.
0:25:03 > 0:25:07- Here, here.- And that is, that is your glory and your gift.
0:25:07 > 0:25:11Why seek to stray into areas for which you are so wholly unfitted?
0:25:18 > 0:25:20Judging by your profits,
0:25:20 > 0:25:22your customers seem a pretty deep-pocketed lot,
0:25:22 > 0:25:25why should their giving come as a surprise?
0:25:25 > 0:25:29- It's the extent of it that's unexpected.- How so?
0:25:29 > 0:25:32The majority of them are women - mothers.
0:25:32 > 0:25:34An unwanted child touches something in them.
0:25:35 > 0:25:38I would have thought that obvious.
0:25:38 > 0:25:41You are quite the expert on my customers.
0:25:41 > 0:25:43Hardly that,
0:25:43 > 0:25:47but I do feel you are missing an opportunity.
0:25:47 > 0:25:49Indeed?
0:25:51 > 0:25:55Naturally, my own experience is of the froth and frivolity variety.
0:25:55 > 0:26:00But having spent the day attempting to outfit 40 infants,
0:26:00 > 0:26:02I can assure you,
0:26:02 > 0:26:05a department supplying ready-made items for the young
0:26:05 > 0:26:08would be a godsend for their carers
0:26:08 > 0:26:10and a goldmine for you.
0:26:14 > 0:26:17A children's department?
0:26:19 > 0:26:21Splendid notion, Moray.
0:26:21 > 0:26:23What can have brought it to mind?
0:26:25 > 0:26:28Though, in good conscience, I can't claim credit for the idea.
0:26:28 > 0:26:31One of your shop girls was talking about it.
0:26:31 > 0:26:34I feel sure you would have caught up with her,
0:26:34 > 0:26:36at some point.
0:26:45 > 0:26:48Aren't you the pretty one?
0:26:48 > 0:26:50Yes.
0:26:51 > 0:26:54I bet there's not a princess in the land bonnier than you.
0:27:06 > 0:27:08Well. That's another one done.
0:27:17 > 0:27:19What are you doing?
0:27:21 > 0:27:24Same as you, just clearing up.
0:27:24 > 0:27:27All done. Goodnight.
0:27:44 > 0:27:48Mr Adler! I thought you had gone.
0:27:48 > 0:27:52Well, unfortunately, without this. Hence my return.
0:27:55 > 0:27:59Would you share your thoughts for the customary penny?
0:28:01 > 0:28:04Oh, they are not worth so much.
0:28:09 > 0:28:12I was thinking about a dress.
0:28:12 > 0:28:14Thus proving Moray right.
0:28:17 > 0:28:20I think Moray likes to vex you.
0:28:20 > 0:28:22And you him.
0:28:25 > 0:28:26Was it a nice dress?
0:28:27 > 0:28:32Exquisite. My first, truly grown-up gown.
0:28:32 > 0:28:35Black silk crepe, buttoned high to the throat.
0:28:35 > 0:28:38Black? You were in mourning?
0:28:38 > 0:28:40For my mother.
0:28:42 > 0:28:44They hadn't told me she would die.
0:28:46 > 0:28:47I was...
0:28:49 > 0:28:50..lost.
0:28:53 > 0:28:56I could neither be what I had been before,
0:28:56 > 0:28:58nor see what I must become.
0:29:00 > 0:29:02And then they put the dress on me.
0:29:04 > 0:29:06And I knew exactly who I was.
0:29:09 > 0:29:12I was sorrow incarnate.
0:29:12 > 0:29:14I was grief.
0:29:16 > 0:29:18I was my father's solace.
0:29:22 > 0:29:24Ever since then,
0:29:24 > 0:29:27I have used clothes to declare who I am.
0:29:27 > 0:29:31And if, on a particular day, who I am is not who I've a mind to be,
0:29:31 > 0:29:35why, then, I use clothes to transform myself.
0:29:36 > 0:29:41And these last days, in my company,
0:29:41 > 0:29:43who have you been, then?
0:29:46 > 0:29:48These last days...
0:29:50 > 0:29:52..I have been...
0:29:56 > 0:29:57..someone I rather liked...
0:30:02 > 0:30:04..someone I would like to be more often.
0:30:05 > 0:30:08Well.
0:30:10 > 0:30:14I am glad that provoking Moray's jealousy has not been my only value.
0:30:18 > 0:30:20Miss Glendenning.
0:30:23 > 0:30:24Katherine.
0:30:26 > 0:30:29I have seen your kindness, I know you would not wish me pain.
0:30:31 > 0:30:35If my attentions would be unwelcome,
0:30:35 > 0:30:38if your affections are already engaged.
0:30:40 > 0:30:46I would ask you, in kindness, to speak now.
0:31:01 > 0:31:04Thief! You thief! Give it back or I'll kill you.
0:31:04 > 0:31:06I swear, I'll kill you.
0:31:06 > 0:31:08BABY CRIES
0:31:18 > 0:31:21It was a nightmare. Clara had a nightmare.
0:31:21 > 0:31:26- It was the baby crying worked into her dream.- Yes.
0:31:26 > 0:31:30I'm sorry for waking you, Miss Audrey. I'm all right now.
0:31:43 > 0:31:46I don't know what it is you think I've taken.
0:31:46 > 0:31:48The money! You saw me, you knew I had it.
0:31:48 > 0:31:51- What money?- You knew I wouldn't be able to go to anyone.- What money?
0:31:54 > 0:31:56From the collecting tin.
0:31:56 > 0:31:58You stole money from the foundlings?
0:31:58 > 0:32:02It was given for a child! What does it matter whose child?
0:32:07 > 0:32:10She's yours. Isn't she?
0:32:10 > 0:32:11That little girl, Grace.
0:32:12 > 0:32:14She's yours.
0:32:21 > 0:32:26I pay bed and board.
0:32:26 > 0:32:30She can't be adopted if she's paid for.
0:32:30 > 0:32:33But my commission's gone down since you came, and the money's due.
0:32:33 > 0:32:35Clara, I swear to you. I didn't take it.
0:32:35 > 0:32:36Then who did?
0:32:36 > 0:32:37I don't know.
0:32:42 > 0:32:46Well, then I've lost her.
0:32:48 > 0:32:50I've lost her.
0:33:04 > 0:33:08Denise. The collecting tin is full again.
0:33:08 > 0:33:12When you have finished, take it down to the office.
0:33:12 > 0:33:14Yes, Miss Audrey.
0:33:24 > 0:33:27- Girl!- Miss Audrey.
0:33:27 > 0:33:30You are dallying with a baby.
0:33:30 > 0:33:33- Oh, he likes the pretty glass. - Enough!
0:33:33 > 0:33:34I have had enough!
0:33:34 > 0:33:37He cries, he disrupts.
0:33:37 > 0:33:41There are nightmares and birds and glass.
0:33:41 > 0:33:44It is not for us to understand what he likes, but the other way around!
0:33:44 > 0:33:50Infants are as wax - to be imprinted with the proper way of things.
0:33:50 > 0:33:52What is needed is method.
0:34:01 > 0:34:05Now, then, master...
0:34:08 > 0:34:09..baby.
0:34:10 > 0:34:13Let us see.
0:34:35 > 0:34:39Nine pounds, seven shillings and ten pence.
0:34:39 > 0:34:41And still they give.
0:34:41 > 0:34:44Bank it with the rest.
0:34:46 > 0:34:48He has that effect on all of us.
0:34:48 > 0:34:50I sometimes think if I were left alone with him too long,
0:34:50 > 0:34:52I would find myself confessing to murder.
0:34:54 > 0:34:57By the way, Mr Moray would like to see you.
0:34:57 > 0:34:58Do you know why?
0:34:58 > 0:35:00There is to be a public presentation.
0:35:00 > 0:35:02Our baby and the money collected for him,
0:35:02 > 0:35:04are to be given over the Foundling home.
0:35:04 > 0:35:07I presume Mr Moray wants you to finish what you started.
0:35:12 > 0:35:15A children's department, Denise?
0:35:20 > 0:35:22How dare you?
0:35:23 > 0:35:29How dare you move behind my back, using my connections,
0:35:29 > 0:35:31laying me open to ridicule.
0:35:31 > 0:35:33How dare you manipulate me!
0:35:33 > 0:35:37- No, sir. I...- I gave you encouragement.
0:35:37 > 0:35:39I gave you licence -
0:35:39 > 0:35:42too much, it seems.
0:35:46 > 0:35:49You may be clever,
0:35:49 > 0:35:51but know this -
0:35:54 > 0:35:55I am not to be played.
0:35:57 > 0:35:59I am never to be played.
0:35:59 > 0:36:00Do you understand?
0:36:00 > 0:36:01KNOCK ON DOOR Yes?
0:36:04 > 0:36:07Miss Glendenning. She asks for you.
0:36:07 > 0:36:08Tell her...
0:36:10 > 0:36:11..I am on my way.
0:36:29 > 0:36:30I'm sorry.
0:36:48 > 0:36:50Can we talk?
0:36:50 > 0:36:52Not here.
0:36:57 > 0:37:00Peter Adler wishes to pay court to me.
0:37:06 > 0:37:09I told him that his attentions would not be unwelcome.
0:37:12 > 0:37:14I see.
0:37:18 > 0:37:21I wished you to hear it from me.
0:37:22 > 0:37:23Well.
0:37:23 > 0:37:26Why allow someone else the pleasure?
0:37:26 > 0:37:28Oh, you are impossible!
0:37:28 > 0:37:34I offer you honesty and you turn it into something - tainted.
0:37:34 > 0:37:37You make me feel like something tainted.
0:37:39 > 0:37:43And you wonder why I am choosing Adler over you.
0:38:03 > 0:38:07(Hello, darling. Hello, baby.)
0:38:09 > 0:38:11KNOCK ON DOOR
0:38:19 > 0:38:20Miss Audrey!
0:38:20 > 0:38:24Oh, Arthur. Lurking! Again!
0:38:24 > 0:38:26I am not lurking. I'm waiting!
0:38:28 > 0:38:31I've been waiting hours to talk to you - days!
0:38:31 > 0:38:33When I was born, you told Mr Moray's wife.
0:38:33 > 0:38:35But how did you know?
0:38:40 > 0:38:41Know what?
0:38:41 > 0:38:45About me! Were you there?
0:38:45 > 0:38:49All I've got is a story!
0:38:49 > 0:38:52I want to talk to someone who was actually there.
0:39:05 > 0:39:06It's yours.
0:39:07 > 0:39:10He must remember his mother's face, still.
0:39:10 > 0:39:12But he will forget.
0:39:13 > 0:39:15He will be like you.
0:39:17 > 0:39:20I was not present at your birth.
0:39:20 > 0:39:23I was told of it.
0:39:23 > 0:39:25By someone who knew your grandfather.
0:39:38 > 0:39:39Come!
0:39:48 > 0:39:51- You were right.- Sorry?
0:39:52 > 0:39:56Miss Glendenning and Adler.
0:39:56 > 0:39:59And what are you going to do?
0:39:59 > 0:40:01Nothing. Wish them well.
0:40:01 > 0:40:03DUDLEY SIGHS
0:40:03 > 0:40:07Oh, what would you... Pistols at dawn?
0:40:07 > 0:40:10If she wants him, let her have him!
0:40:10 > 0:40:12And if you are worrying about the effect
0:40:12 > 0:40:14this will have on my relationship with her father...
0:40:14 > 0:40:18I am worried about what effect it will have on you!
0:40:18 > 0:40:20When I asked you, about the baby,
0:40:20 > 0:40:24whether it could be yours, you said you had "slipped".
0:40:24 > 0:40:27You knew that! I told you at the time.
0:40:27 > 0:40:29"Slipped", Moray?
0:40:30 > 0:40:31It is not a crime.
0:40:31 > 0:40:33Why do you punish yourself for it?
0:40:33 > 0:40:34Because...
0:40:36 > 0:40:39..it...it felt like infidelity!
0:40:41 > 0:40:44That time, with Clara.
0:40:47 > 0:40:50It felt like infidelity.
0:40:54 > 0:40:58And is it for the same reason that you refuse to fight for the comfort
0:40:58 > 0:40:59and companionship of a woman
0:40:59 > 0:41:02any man would feel proud to call his wife?
0:41:06 > 0:41:08Helene is three years gone, Moray.
0:41:08 > 0:41:10You are still here.
0:41:10 > 0:41:13Clinging to your grief as if it were a lifeline.
0:41:13 > 0:41:15And if Alice died?
0:41:15 > 0:41:18Would you grieve?
0:41:18 > 0:41:21Three years. It...
0:41:23 > 0:41:25It is nothing!
0:41:25 > 0:41:27It is yesterday.
0:41:27 > 0:41:28It is not.
0:41:31 > 0:41:33Forgive me, but...
0:41:33 > 0:41:36I sometimes think you cleave to her memory with more passion
0:41:36 > 0:41:38than you ever felt for her living.
0:41:40 > 0:41:43A man who would so wed himself to the past,
0:41:43 > 0:41:46is either ready for the grave himself,
0:41:46 > 0:41:51or looking for a way to escape the pain of the present.
0:41:51 > 0:41:53And I don't think you are ready for the grave.
0:41:53 > 0:41:55What would you have me do?
0:41:57 > 0:41:59I would have you be happy.
0:42:13 > 0:42:14Mister Lovett knew my grandfather?
0:42:14 > 0:42:17I'm sure your grandfather deserved better.
0:42:21 > 0:42:24- But what should I do?- Ask.
0:42:43 > 0:42:45It is time for you to take your turn.
0:42:54 > 0:42:56BABY GURGLES
0:42:57 > 0:43:01The longer one has been holding him, the emptier one's arms.
0:43:01 > 0:43:04For this reason, if no other, do not give him back to Pauline.
0:43:17 > 0:43:19'And I was taken in,'
0:43:19 > 0:43:22by one of the yard-men's families and then another,
0:43:22 > 0:43:25until Mister Moray turned Emmerson's into the Paradise
0:43:25 > 0:43:26and gave me a place for life.
0:43:26 > 0:43:32Well, the story had a happy ending then, didn't it?
0:43:32 > 0:43:33But I want to know how it began!
0:43:35 > 0:43:37My ma, she was the drayman's daughter.
0:43:37 > 0:43:41- She was.- And she died in the epidemic, along with my grandad.
0:43:41 > 0:43:43She did.
0:43:43 > 0:43:46And my father, he was a soldier.
0:43:49 > 0:43:50No.
0:43:54 > 0:43:56He was a drayman.
0:43:59 > 0:44:05But, if he wasn't killed, then why didn't he want to know me?
0:44:08 > 0:44:11Well, there wasn't a lot left of him
0:44:11 > 0:44:13when your grandfather had finished with him.
0:44:15 > 0:44:18Big men, as a whole, draymen, all that lifting and shifting.
0:44:20 > 0:44:22And your grandfather was the biggest.
0:44:28 > 0:44:32It was on account of your mother being so young.
0:44:35 > 0:44:36How old was she?
0:44:38 > 0:44:41About the age you are now. Give or take.
0:44:43 > 0:44:45And my pa?
0:44:48 > 0:44:49Older.
0:44:51 > 0:44:53She couldn't fight him off, you see.
0:44:57 > 0:45:00He wanted to give you away, your grandfather.
0:45:00 > 0:45:02But the lass was having none of it.
0:45:02 > 0:45:06She said the situation was none of your doing.
0:45:06 > 0:45:09Pretty little thing, she was.
0:45:09 > 0:45:11You favour her, you know.
0:45:11 > 0:45:14Anyone who'd seen her would know you belonged to her.
0:45:32 > 0:45:35I heard a noise. I didn't know it was...
0:45:35 > 0:45:38He sleeps when I hold him.
0:45:38 > 0:45:41When I put him down, he wakes.
0:45:45 > 0:45:46Sorry.
0:45:46 > 0:45:47Denise!
0:46:01 > 0:46:03Why a go-between?
0:46:03 > 0:46:06Of all people, Miss Glendenning?
0:46:09 > 0:46:12I told you to come to me.
0:46:12 > 0:46:14I gave you licence - an invitation.
0:46:14 > 0:46:17But Miss Audrey is my every day.
0:46:18 > 0:46:20You are only my high days and holidays.
0:46:22 > 0:46:23I think I see.
0:46:26 > 0:46:29You find yourself in a difficult situation -
0:46:29 > 0:46:34conflicting demands, loyalties, pulling you this way and that.
0:46:34 > 0:46:36But, you are Denise.
0:46:36 > 0:46:38You are resourceful.
0:46:38 > 0:46:40You find a way and then
0:46:40 > 0:46:42I crush you for it.
0:46:44 > 0:46:45Yes?
0:46:50 > 0:46:51Yes.
0:46:54 > 0:46:58It must have seemed...very unfair.
0:47:00 > 0:47:04I wish I had half your ingenuity to apply to my own predicaments.
0:47:07 > 0:47:09I am sorry if you are troubled, sir.
0:47:14 > 0:47:18My uncle always said, the only thing that matters, really matters,
0:47:18 > 0:47:20is that you can meet your eyes in the mirror
0:47:20 > 0:47:22each day and know you've been true to yourself.
0:47:25 > 0:47:27Your uncle is a wise man
0:47:27 > 0:47:29and a shockingly bad poet.
0:47:56 > 0:47:59- Well. Good...goodnight. - Goodnight.
0:48:00 > 0:48:02By the way...
0:48:04 > 0:48:07..Adler has asked that we might name the baby.
0:48:07 > 0:48:11Since they both share an early start in the Paradise,
0:48:11 > 0:48:14I thought perhaps "Arthur".
0:48:16 > 0:48:17What do you think?
0:48:17 > 0:48:22Arthur. Yes.
0:48:30 > 0:48:33Arthur, Arthur. Arthur.
0:48:36 > 0:48:40Did you do something to Clara cos of what she said about your ma?
0:48:40 > 0:48:41Did you take something from her?
0:48:43 > 0:48:46You have to give it back. You know that, don't you?
0:48:46 > 0:48:49I don't have it any more.
0:48:49 > 0:48:50I only took it to pay her out.
0:48:50 > 0:48:53I didn't want to keep it!
0:48:53 > 0:48:55So, I put it in the tin -
0:48:55 > 0:48:57for the foundlings.
0:49:24 > 0:49:27Don't ask.
0:49:42 > 0:49:46From the staff and customers of the Paradise,
0:49:46 > 0:49:49with our best wishes, now and for the future.
0:49:49 > 0:49:52APPLAUSE
0:49:53 > 0:49:55Thank you very much.
0:49:59 > 0:50:02I also wish to announce that as from next month,
0:50:02 > 0:50:05the Paradise will be the first and only store in Europe
0:50:05 > 0:50:09to provide its customers with a dedicated children's department.
0:50:14 > 0:50:16An innovation for which I must thank
0:50:16 > 0:50:18Miss Katherine Glendenning.
0:50:18 > 0:50:22APPLAUSE
0:50:24 > 0:50:27Arthur?
0:50:27 > 0:50:31Bye, little Arthur. Be good. Don't forget us.
0:50:33 > 0:50:35Thank you, Arthur.
0:50:35 > 0:50:37APPLAUSE
0:50:49 > 0:50:52Sir? We've all written things in it.
0:50:52 > 0:50:56Things he might want to know - when he's older, about his time here.
0:50:56 > 0:50:58Pauline, she's done ten pages!
0:50:58 > 0:51:01But some of it's hard to read because of all the crying.
0:51:01 > 0:51:06And if he ever does want to visit, could he ask for me?
0:51:06 > 0:51:08I could show him where he was found!
0:51:08 > 0:51:10Cos I'll still be here. I'll always be here.
0:51:10 > 0:51:14I shall be sure to let him know, Arthur. Thank you.
0:51:16 > 0:51:20Oh, dear, I'm afraid I'm finding this all a little heartbreaking.
0:51:20 > 0:51:23Oh! Not on this little chap's account.
0:51:23 > 0:51:24He won't be with us long.
0:51:24 > 0:51:27We've already had enquiries.
0:51:27 > 0:51:30No, break your heart for children like Grace.
0:51:30 > 0:51:34We could have found her a loving home many times over,
0:51:34 > 0:51:35were we free to do so.
0:51:35 > 0:51:37But she is wanted!
0:51:37 > 0:51:40You told me when circumstances change she will be reclaimed.
0:51:40 > 0:51:4499 times out of 100, circumstances do not change.
0:51:44 > 0:51:47And in the meantime, she is denied everything,
0:51:47 > 0:51:51because someone, somewhere would rather hold to a fantasy
0:51:51 > 0:51:54than look the truth in the face.
0:51:54 > 0:51:57Filthy little things.
0:52:27 > 0:52:30I saw you in the street earlier.
0:52:30 > 0:52:31Standing at my door.
0:52:31 > 0:52:34Gave me quite a turn.
0:52:37 > 0:52:39Made me think that these last years were a dream.
0:52:41 > 0:52:45That you had said "yes" that last time I asked you.
0:52:45 > 0:52:46That you were my wife,
0:52:46 > 0:52:50coming home with our children.
0:52:51 > 0:52:52I came to tell you,
0:52:52 > 0:52:55that if you've had enough of making yourself ridiculous
0:52:55 > 0:52:58with your dolls and your verses, you can take them down now.
0:52:59 > 0:53:01The child's gone to the foundling home.
0:53:04 > 0:53:08It was only ever meant to be the joke of a moment.
0:53:09 > 0:53:14It was Denise, the way she looked at me.
0:53:14 > 0:53:19It made me realise where her heart lies,
0:53:19 > 0:53:21even if she does not know it herself.
0:53:23 > 0:53:25And it is not here.
0:53:25 > 0:53:27It's for her I have fought on, only for her
0:53:27 > 0:53:30- and now I don't know whether there's any fight left in me.- Enough!
0:53:32 > 0:53:33Denise, Denise, Denise!
0:53:35 > 0:53:37She cannot stop herself.
0:53:37 > 0:53:41I see that now, ideas flow from her like water from a spring.
0:53:41 > 0:53:42And the longer it goes on,
0:53:42 > 0:53:45the more he will see the difference between us.
0:53:45 > 0:53:49Your niece and her ideas will be the death of me, in the end.
0:53:49 > 0:53:52But the end is not yet come,
0:53:52 > 0:53:54for either of us.
0:53:56 > 0:53:58Your standards are slipping.
0:53:58 > 0:54:00I needed someone to keep me in line.
0:54:03 > 0:54:06Someone I could write real verses for.
0:54:07 > 0:54:10As I recall, you were prevented from versifying as you wished
0:54:10 > 0:54:13by your inability to find anything other than the word "tawdry"
0:54:13 > 0:54:15to rhyme with my name.
0:54:17 > 0:54:20Don't delude yourself, Edmund.
0:54:20 > 0:54:22We wouldn't have suited.
0:54:25 > 0:54:27Well.
0:54:27 > 0:54:30We'll never know now, will we?
0:55:25 > 0:55:27Clara!
0:55:32 > 0:55:34Where have you been?
0:55:34 > 0:55:36Out.
0:55:57 > 0:55:59What happened to the money?
0:55:59 > 0:56:03Oh, a lot of drinks. A lot of friends.
0:56:04 > 0:56:05I hate you.
0:56:05 > 0:56:08Not just saying it cos I'm drunk.
0:56:09 > 0:56:14I really, really hate you.
0:56:36 > 0:56:42WOMAN SOBS
0:58:08 > 0:58:11Miss Audrey? Are you unwell? You look afflicted.
0:58:11 > 0:58:12Miss Audrey?
0:58:12 > 0:58:15I'm so glad that we've come through the bad times and we can be friends.
0:58:15 > 0:58:16I am glad, as well.
0:58:16 > 0:58:19You'll make no effort to tempt Catherine back
0:58:19 > 0:58:21into some sort of reconciliation.
0:58:21 > 0:58:23Denise will be in charge until further notice.
0:58:23 > 0:58:25I will not let you undermine me.
0:58:25 > 0:58:28You will face who you are and what you do to people who love you.
0:58:36 > 0:58:41Subtitles by Red Bee Media Ltd