0:01:13 > 0:01:15Have you been out, Denise?
0:01:15 > 0:01:17Running an errand, sir, for Miss Audrey.
0:01:17 > 0:01:20You seem to have run rather a few errands for Miss Audrey lately.
0:01:20 > 0:01:21I don't mind, sir.
0:01:21 > 0:01:24Gives me a chance to take a look at the other shops,
0:01:24 > 0:01:25see what they're up to.
0:01:25 > 0:01:27I think it's beginning to irk Miss Audrey that
0:01:27 > 0:01:30I rather like the errands.
0:01:30 > 0:01:32Let humility be your friend, Denise.
0:01:32 > 0:01:34Miss Audrey can be forgiving,
0:01:34 > 0:01:39she'll soon forget you were in charge of her department for a short while.
0:01:39 > 0:01:44You may not see it yet, but she could be your greatest ally.
0:01:44 > 0:01:48I do see that, sir. I would like for her to like me.
0:01:50 > 0:01:52Thank you, sir.
0:02:04 > 0:02:07Your Lordship?
0:02:07 > 0:02:10The expansion, how is it proceeding?
0:02:10 > 0:02:14The barber is proving a little difficult, sir.
0:02:14 > 0:02:17But we need his premises to extend along the street.
0:02:17 > 0:02:19We have made him a generous offer.
0:02:19 > 0:02:23Well, clearly not generous enough. You have the funds, Moray.
0:02:23 > 0:02:27If you are seen to stall it will look like impotence,
0:02:27 > 0:02:30the little shops will appear to be ruling the roost.
0:02:30 > 0:02:33The whole city knows I am backing you.
0:02:33 > 0:02:35I'll be taken for a fool.
0:02:35 > 0:02:38I assure you, sir, it will all be settled as soon as I...
0:02:38 > 0:02:40Good. Because it must.
0:02:40 > 0:02:44Take up the loan soon, Moray, or the funds will be withdrawn.
0:02:47 > 0:02:49Your Lordship, may I say,
0:02:49 > 0:02:54I did exactly as you bid me with Katherine.
0:02:54 > 0:02:56I have made no approach,
0:02:56 > 0:03:00I have not attempted to interfere with her and Peter Adler.
0:03:00 > 0:03:03Good, however,
0:03:03 > 0:03:09my daughter is no longer enjoying the company of Mr Adler.
0:03:11 > 0:03:16I'm sorry. I, I didn't know that.
0:03:16 > 0:03:21It appears you can win her even by leaving her alone.
0:03:21 > 0:03:26Perhaps even more when you stay away from her.
0:03:26 > 0:03:30She will contact you, I dare say.
0:03:32 > 0:03:36I'll leave you to decide how you must respond.
0:04:42 > 0:04:46Now there's something mighty puzzling to set your eyes on!
0:04:46 > 0:04:48Why would she go shopping at them shops,
0:04:48 > 0:04:52when she knows Mr Moray won't be happy about that?
0:04:52 > 0:04:54Would he?
0:05:00 > 0:05:02The funds from Glendenning are in place,
0:05:02 > 0:05:05we must conclude the purchase quickly.
0:05:05 > 0:05:08The barber is one of the few shops on the street still prospering,
0:05:08 > 0:05:10so it will require a generous offer
0:05:10 > 0:05:12to press him into a speedy agreement.
0:05:12 > 0:05:13Have the papers ready.
0:05:13 > 0:05:17Dudley, you look to me like a man in need of a close shave.
0:05:21 > 0:05:24Put them by the door, girls.
0:05:24 > 0:05:27I want to create a crush that spills out onto the street.
0:05:27 > 0:05:30It is the little inspirations which keep us
0:05:30 > 0:05:33ticking over till we find the next big idea to make us flourish.
0:05:43 > 0:05:45DOOR OPENS
0:05:50 > 0:05:54Madam? Miss Glendenning.
0:05:54 > 0:05:56Do come in. Well...
0:05:58 > 0:06:01What a charming little store you have, Mr Lovett.
0:06:01 > 0:06:02Thank you, ma'am. Yes.
0:06:02 > 0:06:05I am assured I can expect the finest stitching.
0:06:05 > 0:06:07You wish me to...you would like me to?
0:06:07 > 0:06:09My own dressmaker is indisposed.
0:06:09 > 0:06:13I have taken a fancy to something particularly elegant. Simple.
0:06:15 > 0:06:18Look at that velvet.
0:06:18 > 0:06:23Heavens, and such organdy and taffeta.
0:06:23 > 0:06:26I can see I will require more than one garment.
0:06:26 > 0:06:29Miss Glendenning, ma'am, may I ask,
0:06:29 > 0:06:32I'm very grateful you should come into my shop.
0:06:32 > 0:06:35I am sure you could call on any store hereabouts.
0:06:35 > 0:06:39I consider it my public duty to favour enterprises like yours,
0:06:39 > 0:06:43the old craft shops that have served our community since I was a girl.
0:06:43 > 0:06:45We do not want to lose you, do we?
0:06:45 > 0:06:50And we mustn't let Mr Moray believe that he rules the world.
0:06:50 > 0:06:54I can't begin to tell you, ma'am, what this means to me.
0:06:54 > 0:06:57May I suggest we begin with the organdy?
0:06:59 > 0:07:04What you are doing next door, Mr Moray, it's a marvel.
0:07:04 > 0:07:08I said to myself, that man will own the whole street.
0:07:08 > 0:07:09Nothing less than a true marvel.
0:07:09 > 0:07:13Opportunity, sir, that's what this is for me.
0:07:13 > 0:07:15- What are your plans, Bradley? - I'm going to take me apron off.
0:07:15 > 0:07:18I've been listening to the same old stories
0:07:18 > 0:07:20from the same old faces, day after day.
0:07:20 > 0:07:22I want more.
0:07:22 > 0:07:25Then I suggest we conclude our business swiftly.
0:07:25 > 0:07:27That we will.
0:07:27 > 0:07:32I was, erm, thinking, sir, perhaps, you know rather than
0:07:32 > 0:07:36you just buying me shop, there might be another way.
0:07:36 > 0:07:39Another way?
0:07:39 > 0:07:43If I could come into The Paradise, a kind of partner in the business.
0:07:43 > 0:07:45HE SNORTS
0:07:45 > 0:07:49That is not possible. The Paradise is mine, alone.
0:07:49 > 0:07:54No, no, I'm not saying I'll be your equal or nothing like that. No.
0:07:54 > 0:07:57I just want to wear a suit every day.
0:07:59 > 0:08:03I see you fellers, you get respect from...people.
0:08:03 > 0:08:05Huh?
0:08:05 > 0:08:08Bradley Burroughs, Junior Partner.
0:08:08 > 0:08:10Hah? I might be admired as a man of the world.
0:08:14 > 0:08:18Bradley, with an offer like this, you could set yourself up anywhere.
0:08:18 > 0:08:21I stand in me shop every day, watching them coming and going,
0:08:21 > 0:08:24walking right past me heading into The Paradise.
0:08:24 > 0:08:26This is me chance, you see?
0:08:29 > 0:08:31Those are my terms.
0:08:34 > 0:08:39I think, what you need, Mr Burroughs,
0:08:39 > 0:08:42is some time to reconsider your position.
0:08:46 > 0:08:48I bid you good day.
0:08:54 > 0:08:58If I do not get Burroughs to sell now, I will lose the funds.
0:08:58 > 0:09:02I must have the barber-shop, it is the only way for us
0:09:02 > 0:09:04to begin our development along the street.
0:09:04 > 0:09:08Sir, if I may? Burroughs holds all the cards.
0:09:08 > 0:09:11He could easily sit in his shop for years.
0:09:11 > 0:09:14Perhaps you should give him what he wants. For now.
0:09:16 > 0:09:18Once he is made partner, once he has signed papers,
0:09:18 > 0:09:21do we really want to say The Paradise has a dolt like him
0:09:21 > 0:09:23in a position of authority?
0:09:23 > 0:09:26Let us just hear Jonas out, Dudley.
0:09:26 > 0:09:30If I might suggest. Burroughs is little more than a child.
0:09:30 > 0:09:34He sees The Paradise as a playground.
0:09:34 > 0:09:37He has little business aspirations.
0:09:37 > 0:09:41If you could bear it, sir, we'll keep him on the shop floor
0:09:41 > 0:09:46and help him see how he's not made for The Paradise.
0:09:49 > 0:09:51I have no other course.
0:09:51 > 0:09:55Now is the moment to expand and I must grasp it.
0:09:55 > 0:09:57So I will agree to Burroughs' terms,
0:09:57 > 0:10:00but I need something that protects The Paradise.
0:10:00 > 0:10:03Sir, we could quite simply insert a clause into his contract,
0:10:03 > 0:10:07to say that as soon as Burroughs steps over the line
0:10:07 > 0:10:11we will pay him what you promised and remove him.
0:10:12 > 0:10:17Dudley, I need you to keep check on Burroughs.
0:10:17 > 0:10:20And keep him away from me.
0:10:27 > 0:10:30I always said, didn't I say?
0:10:30 > 0:10:33If we hold on, the best of times will be with us.
0:10:33 > 0:10:37An order like this, bespoke work and not cheap, Denise,
0:10:37 > 0:10:40it will keep me going.
0:10:40 > 0:10:44That's wonderful, Uncle. A true sign of faith.
0:10:44 > 0:10:48Quality, see. People will always come back to quality.
0:10:48 > 0:10:51Miss Glendenning told me,
0:10:51 > 0:10:54if she is happy with her dress she has a mind to order more.
0:10:54 > 0:10:57If she is a customer then, do you see what this means?
0:10:57 > 0:10:59Yes.
0:10:59 > 0:11:03I will admit, I let myself lose heart a little,
0:11:03 > 0:11:06your own uncle unable to give you work.
0:11:06 > 0:11:10I've let it torment me. But this order.
0:11:10 > 0:11:13It's not just the money, Denise. Do you see?
0:11:13 > 0:11:16This is a sign of things to come.
0:11:16 > 0:11:17Yes.
0:11:20 > 0:11:22The best of times.
0:11:23 > 0:11:25The best of times.
0:11:30 > 0:11:32Denise.
0:11:33 > 0:11:38Oh. Mr Moray, sir. I was visiting my uncle.
0:11:38 > 0:11:40I hope Edmund is well?
0:11:40 > 0:11:44He is, sir. His spirits are greatly improved. Because he has work.
0:11:44 > 0:11:45Orders from...
0:11:45 > 0:11:48What is it you are trying to tell me, Denise?
0:11:48 > 0:11:51She has been placing orders at the shops up and down the street, sir.
0:11:51 > 0:11:53No-one knew if you were aware of it.
0:11:53 > 0:11:55She has ordered a dress from my uncle.
0:11:55 > 0:11:57Who has?
0:11:57 > 0:11:59Miss Glendenning, sir.
0:12:02 > 0:12:04She was going down the street, shop to shop.
0:12:04 > 0:12:08She had her well-to-do friends with her. Dripping with furs. Dripping.
0:12:08 > 0:12:12Why would Miss Glendenning do that? Mr Moray won't be, will he? Pleased.
0:12:12 > 0:12:15Doesn't sound too smart, does it?
0:12:15 > 0:12:18We're expanding The Paradise and she's taking her trade elsewhere.
0:12:22 > 0:12:25Miss Audrey, I had a notion, for our department,
0:12:25 > 0:12:27I was looking into the barber-shop window...
0:12:29 > 0:12:31Gentlemen?
0:12:31 > 0:12:34The idea is, ma'am, on the quietest afternoon of the week...
0:12:34 > 0:12:37Gentlemen in Ladieswear? Have you lost your senses, girl?
0:12:37 > 0:12:40There would be no ladies present, Miss Audrey.
0:12:40 > 0:12:42We would open the department only to gentlemen,
0:12:42 > 0:12:45so they might be assisted in finding gifts for their wives.
0:12:45 > 0:12:47I cannot imagine anything more vulgar.
0:12:47 > 0:12:52The lingerie, it was a considerable cost to import it,
0:12:52 > 0:12:57it is intended to draw in refined ladies, we have not sold any yet.
0:12:57 > 0:13:01We must think of ways to light up the quiet times.
0:13:02 > 0:13:04Indeed, sir...
0:13:05 > 0:13:08I do have a notion.
0:13:09 > 0:13:12The Gentlemen's Afternoon.
0:13:12 > 0:13:16Thursdays from 1.00, I thought we might banish the ladies
0:13:16 > 0:13:19to let their husbands can come into the department
0:13:19 > 0:13:20to browse for gifts for them.
0:13:22 > 0:13:25Yes. Yes, that might be something different.
0:13:25 > 0:13:27It is certainly worth a try.
0:13:27 > 0:13:29Thank you, Mr Moray, sir.
0:13:29 > 0:13:33Inspiration came to me deep in the night, as it so often does.
0:13:33 > 0:13:35Let's try it out, tomorrow.
0:13:35 > 0:13:37I will invite some men from The Club.
0:13:37 > 0:13:40We must give the gentlemen a warm welcome, girls.
0:13:40 > 0:13:42Oh, we will, sir.
0:13:42 > 0:13:45Put them at their ease, recommend expensive trinkets to them.
0:13:49 > 0:13:51Mr Moray, sir,
0:13:51 > 0:13:57I believe Gentlemen's Afternoon is such a sorrowful notion.
0:13:57 > 0:13:58And why is that, Clara?
0:13:58 > 0:14:01Gentlemen need pleasures, too, sir.
0:14:01 > 0:14:04They so often deny themselves comforts.
0:14:04 > 0:14:07Why do you suppose that is?
0:14:08 > 0:14:13Perhaps it is that some pleasures, Clara, leave the Devil to pay.
0:14:16 > 0:14:21He will hardly look at me now. Since she turned up.
0:14:21 > 0:14:25He wasn't looking at you anymore anyway. It was one night, Clara.
0:14:25 > 0:14:28It's gone. So's my milk teeth and they're not coming back.
0:14:28 > 0:14:31No. He was like a broken boy child in my arms.
0:14:31 > 0:14:34That means something. It has to.
0:14:34 > 0:14:37He was sobbing, Pauline, and whispering about his wife.
0:14:37 > 0:14:40Clara. I don't like it when you talk about his wife.
0:14:40 > 0:14:41It scares me. It is forbidden.
0:14:41 > 0:14:46Did you see her? Miss Audrey. I can't believe it.
0:14:46 > 0:14:50Everyone knows it was my idea and she stood there, smiling!
0:14:50 > 0:14:54It is...dishonest!
0:14:54 > 0:14:58- MIMICKING - But it is...dishonest!
0:14:58 > 0:15:01She thinks we're no more that halfwits from Weebles.
0:15:01 > 0:15:03Peeb. It's Peebles. Peeb.
0:15:03 > 0:15:06Yeah, well, she plays the innocent, that's what.
0:15:06 > 0:15:08She has her eyes set on Moray and I'm not going to let her steal him.
0:15:08 > 0:15:10Oh, steal him from Miss Glendenning?
0:15:10 > 0:15:11Steal him from me.
0:15:11 > 0:15:14I saw Jonas Franks writing about her in that black book of his.
0:15:14 > 0:15:17There will be something in there, I know it.
0:15:17 > 0:15:18I can feel it.
0:15:18 > 0:15:21Something shows she's not the little virgin cherub girl.
0:15:21 > 0:15:25Clara. Why must you think like this? Denise is Denise. That's all.
0:15:25 > 0:15:28I've talked to her and all she is, is Denise.
0:15:28 > 0:15:32No, there'll be something in that book, then you'll all see.
0:15:36 > 0:15:39Because Mr Moray is purchasing the barber-shop,
0:15:39 > 0:15:42Bradley Burroughs will be working with us, in the store.
0:15:42 > 0:15:45I'm depending on you both to help him along.
0:15:45 > 0:15:48Yes, Mr Dudley, sir. So we are to like him?
0:15:48 > 0:15:50It is all to enable Mr Moray to expand
0:15:50 > 0:15:52The Paradise in a peaceful way.
0:15:52 > 0:15:55So let us all tread carefully and all will be well with the world.
0:15:55 > 0:15:58Sir. Might I say something?
0:15:58 > 0:16:00He is a barber.
0:16:02 > 0:16:05A barber in a suit is still a barber.
0:16:05 > 0:16:09But we are to tread, Sam, carefully.
0:16:10 > 0:16:12Bradley. Welcome.
0:16:12 > 0:16:15Now, I was wondering, do I get my own office?
0:16:15 > 0:16:18Ah. Office. We will get to that.
0:16:18 > 0:16:22The challenge for a Junior Partner is to master the shop floor.
0:16:22 > 0:16:23This is where the real work is done,
0:16:23 > 0:16:25where the excitement and delight is to be found.
0:16:25 > 0:16:28Ah, right, yeah, I see that now.
0:16:28 > 0:16:30So, erm, when do I get to see Mr Moray?
0:16:30 > 0:16:32As we are partners.
0:16:32 > 0:16:35Soon. Soon enough. Soon.
0:16:35 > 0:16:37Isn't this grand.
0:16:37 > 0:16:40I have arranged for Sam here, to take you through the rudiments.
0:16:40 > 0:16:43There is nothing about the subtle art of sales
0:16:43 > 0:16:45that Sam doesn't know about.
0:16:49 > 0:16:54We are about to embark, girls, your attention, if you please.
0:16:54 > 0:16:56We are soon to commence
0:16:56 > 0:16:59on what could be an historical day for Ladieswear.
0:16:59 > 0:17:01Perhaps we will all look back
0:17:01 > 0:17:03and remember the day that Gentlemen descended upon us.
0:17:03 > 0:17:06It's almost time. Step to it.
0:17:06 > 0:17:12Girls! No, no! Decorum! Decorum!
0:17:12 > 0:17:15Gentlemen want seemliness and respectability.
0:17:15 > 0:17:17Not the gentlemen I know.
0:17:17 > 0:17:19Bosoms must not be accentuated.
0:17:22 > 0:17:25All displays must be moderated.
0:17:28 > 0:17:30There. There.
0:17:40 > 0:17:43I'd like to clear up any misunderstandings there might be
0:17:43 > 0:17:46about the Gentlemen's Afternoon, Denise.
0:17:46 > 0:17:49What misunderstandings might there be, Miss Audrey?
0:17:49 > 0:17:52What you must appreciate, Denise is that what truly matters is
0:17:52 > 0:17:55that Ladieswear shines in Mr Moray's eyes.
0:17:55 > 0:17:59Ma'am, you said the thought of gentlemen in ladieswear was vulgar.
0:17:59 > 0:18:02Do not be impudent, girl. It was, as you presented it.
0:18:02 > 0:18:05In my presentment all will be decorum. There.
0:18:05 > 0:18:09The matter is settled. I am sure you will agree.
0:18:11 > 0:18:12Yes, Miss Audrey.
0:18:19 > 0:18:21Girls, remember, decorum.
0:18:21 > 0:18:25Come this way, gentlemen, we'll show you our corsets.
0:18:25 > 0:18:26Girls!
0:18:26 > 0:18:28Girls!
0:18:28 > 0:18:29Girls!
0:18:30 > 0:18:35So, before we consider the customer, we must consider ourselves.
0:18:35 > 0:18:36How is my appearance?
0:18:36 > 0:18:40Well, to be honest, Sam, your shave is not the best I have ever seen.
0:18:40 > 0:18:46When I say "my appearance" what I mean is YOUR appearance.
0:18:46 > 0:18:47Oh.
0:18:47 > 0:18:49Oh? Grand.
0:18:53 > 0:18:58It's Pauline, isn't it? I've seen you passing me shop.
0:18:58 > 0:19:00I seen you watching.
0:19:00 > 0:19:02I'm here now.
0:19:04 > 0:19:09What we have here is feathers and ribbons and all manner of notions.
0:19:09 > 0:19:13You probably don't know what a notion is. It's everything.
0:19:13 > 0:19:18Things that get attached to clothes, snaps and collar stays.
0:19:18 > 0:19:22And buttons, of course and needles and notions.
0:19:22 > 0:19:25And pins and seam rippers. There.
0:19:25 > 0:19:29Excuse me, I have a sudden passion to sort buttons.
0:19:29 > 0:19:33It suits you. Haberdashery.
0:19:33 > 0:19:37Oh, a girl might swoon with such compliments(!)
0:19:37 > 0:19:42Er, there's a dog fight tonight. I thought we might go, together.
0:19:42 > 0:19:48Oh. Thank you so much. Let me consider your captivating proposal.
0:19:50 > 0:19:54There, I have considered it. No, thank you.
0:19:56 > 0:19:58Have you considered something like this?
0:20:07 > 0:20:14Sir, if I may, your lucky lady will swoon, sir,
0:20:14 > 0:20:16swoon, sir,
0:20:16 > 0:20:20I promise you, if you were to spoil her with feathers.
0:20:20 > 0:20:22THEY GASP
0:20:24 > 0:20:26Miss Audrey! What is this?
0:20:26 > 0:20:28We have heard those who say The Paradise is no more
0:20:28 > 0:20:30than a Palace of Sin!
0:20:30 > 0:20:31But we expected better of you!
0:20:31 > 0:20:32Ladies, let me...
0:20:32 > 0:20:36It is no wonder that you wish to keep us excluded.
0:20:36 > 0:20:38But they have purchased many gifts.
0:20:38 > 0:20:40For you!
0:20:40 > 0:20:43If this is the sordid manner in which you conduct your business,
0:20:43 > 0:20:46we must consider whether we wish to frequent your establishment.
0:20:50 > 0:20:55What is Mr Moray going to suppose when he sees what a calamity
0:20:55 > 0:20:57Gentlemen's Afternoon turned out to be?
0:21:08 > 0:21:11I can't believe how much progress you have made, uncle.
0:21:11 > 0:21:12Oh, yes.
0:21:12 > 0:21:14There were times in the old days
0:21:14 > 0:21:17when we had to produce a dress overnight.
0:21:17 > 0:21:20The trick is to be fast and splendid.
0:21:20 > 0:21:23It is more than splendid, it is beautiful.
0:21:23 > 0:21:27A dressmaker, Denise, a real dressmaker, an artist,
0:21:27 > 0:21:30he needs to know flawless stitching, how to cut finely,
0:21:30 > 0:21:32has to have a delicate eye
0:21:32 > 0:21:35but more than anything else, we need to know people.
0:21:35 > 0:21:37A woman will love her dress
0:21:37 > 0:21:41because it was made to fit her character , not just her body.
0:21:41 > 0:21:47Now, some girls want to get lost in the crowd, to be pretty and no more.
0:21:47 > 0:21:51There are certain types who want to attract only one man.
0:21:51 > 0:21:54Their dress must have a secret, hidden beauty.
0:21:54 > 0:21:58So, we need to study them all.
0:21:58 > 0:22:01What about Katherine Glendenning? What does she want?
0:22:01 > 0:22:04She needs to be adored.
0:22:05 > 0:22:08Oh, tomorrow evening I have arranged for Miss Glendenning
0:22:08 > 0:22:09to come for a fitting.
0:22:09 > 0:22:12I am on my own now. I need a woman to do the fitting.
0:22:12 > 0:22:13You will help me, won't you?
0:22:13 > 0:22:16I'd like to but it is forbidden to take on work.
0:22:16 > 0:22:17Denise, we are family,
0:22:17 > 0:22:21you'd not wish to see me lose this opportunity to survive?
0:22:21 > 0:22:23Girls are dismissed if they are caught.
0:22:23 > 0:22:27And I might lose everything I have if you won't help me.
0:22:30 > 0:22:35It was a disgrace. Those girls were flaunting themselves.
0:22:35 > 0:22:36They were virtually canoodling.
0:22:36 > 0:22:40The idea of it. Gentlemen in the proximity of...
0:22:40 > 0:22:44Undergarments, in public.
0:22:44 > 0:22:48One can't help but wonder if Moray has lost his touch.
0:22:48 > 0:22:51Perhaps we should join you, Katherine,
0:22:51 > 0:22:53in your rebuffing of The Paradise.
0:22:53 > 0:22:56Yes. What are you doing, Katherine?
0:22:56 > 0:22:59Oh, it is nothing. I am simply entertaining myself.
0:22:59 > 0:23:02Hardly. It has the look of provocation.
0:23:02 > 0:23:04Does it? I do hope so.
0:23:06 > 0:23:08Why would you want to provoke Moray?
0:23:08 > 0:23:11Perhaps I enjoy the joust.
0:23:11 > 0:23:15There is such pleasure in seeing Moray riled.
0:23:16 > 0:23:18We were expecting you to announce a date
0:23:18 > 0:23:21for your engagement to Mr Adler.
0:23:21 > 0:23:25And now you provoke Moray, by shopping along the street?
0:23:25 > 0:23:27Oh, that is simply to get his attention.
0:23:27 > 0:23:31My real weapon is much more powerful.
0:23:31 > 0:23:36I am avoiding him, ignoring him, abandoning him.
0:23:36 > 0:23:39The day will come soon
0:23:39 > 0:23:43when he will realise that he must devote himself to me.
0:23:43 > 0:23:49Katherine. Dear Katherine. Isn't there a hazard in your plan?
0:23:49 > 0:23:52Oh. What is that?
0:23:52 > 0:23:55What if Moray does not come?
0:23:55 > 0:23:59Then I must provoke him some more.
0:23:59 > 0:24:01THEY TITTER
0:24:07 > 0:24:10Everyone's talking, sir, about Gentlemen's Afternoon,
0:24:10 > 0:24:13how so many wives are complaining.
0:24:13 > 0:24:15The whole city is laughing at us, so I hear.
0:24:15 > 0:24:17It was rather unfortunate.
0:24:17 > 0:24:20Poor Miss Audrey will be blamed but, it wasn't her making.
0:24:20 > 0:24:22Sir, it was Denise.
0:24:22 > 0:24:25That girl, sir, she's been here five minutes
0:24:25 > 0:24:27and she behaves like she owns the place.
0:24:27 > 0:24:30She plays the coy country girl,
0:24:30 > 0:24:34but we all know she has her eyes set on Mr Moray. It's not gossip, sir.
0:24:34 > 0:24:38If you don't believe me, it will be in Mr Jonas's book.
0:24:38 > 0:24:40Ask him, sir. He puts everything in that book of his.
0:24:40 > 0:24:44I do believe he does. Now, Clara, back to work.
0:24:44 > 0:24:46Yes, sir.
0:24:46 > 0:24:53Sir, erm, did Mr Jonas appear before Mr Moray's wife died, or after?
0:24:53 > 0:24:57Before, just, not long before.
0:24:58 > 0:25:04Do you suppose he wrote about Mrs Moray, her death in that book?
0:25:04 > 0:25:07You are dallying, Clara. You know what Miss Audrey will say.
0:25:07 > 0:25:08A sin, sir.
0:25:10 > 0:25:13Hands as lovely as these.
0:25:13 > 0:25:16Ah, they should not be hidden inside of gloves.
0:25:19 > 0:25:22Fingers this delightful should be dangled for the world to see.
0:25:22 > 0:25:26Excuse me, Madam. Mr Burroughs, may I speak with you?
0:25:27 > 0:25:30What are you doing at the glove counter?
0:25:30 > 0:25:32Well, I know all there is to know about men's grooming.
0:25:32 > 0:25:34If you imagine you can touch a customer in this way
0:25:34 > 0:25:36- I will take you off the shop floor. - I am a partner here.
0:25:36 > 0:25:38No! You are a novice.
0:25:38 > 0:25:41We work hard to maintain the best of standards.
0:25:41 > 0:25:43And I will not let you put that at risk by man-handling...
0:25:43 > 0:25:48I am a partner in this business. I have a contract that says so.
0:25:48 > 0:25:51What are you a partner in? Huh? Nothing.
0:25:54 > 0:25:56You. Fetch a cup of tea.
0:25:56 > 0:25:58Yes, sir.
0:25:59 > 0:26:01Pauline.
0:26:01 > 0:26:02HE CLEARS THROAT
0:26:02 > 0:26:05I realise, dog fights might not be a girl's idea of romance.
0:26:05 > 0:26:08But er, I thought you might be grateful,
0:26:08 > 0:26:10a young man asking you to walk out.
0:26:10 > 0:26:12Why should I be grateful?
0:26:12 > 0:26:16You're not exactly the prettiest girl in the shop, that's all.
0:26:16 > 0:26:18Oh! Is that so?
0:26:18 > 0:26:23Well, let me tell you what you are, a suit don't make a man.
0:26:23 > 0:26:27Especially one that don't fit. Go to your dog fight.
0:26:27 > 0:26:30Try some of your romancing on one of the dogs.
0:26:36 > 0:26:39We must learn from our mistakes,
0:26:39 > 0:26:44and Gentlemen's Afternoon was a mistake.
0:26:44 > 0:26:45Mr Moray, sir,
0:26:45 > 0:26:48I always said there was a danger that this event lacked decorum.
0:26:48 > 0:26:51Let me apologise most humbly and gravely.
0:26:51 > 0:26:52It should never have happened.
0:26:52 > 0:26:54When I come to think about it,
0:26:54 > 0:26:58I do believe one of the girls might have ventured this proposal to me.
0:26:58 > 0:27:00I will look into who is to blame.
0:27:01 > 0:27:04We've lost sight of what our purpose is here.
0:27:04 > 0:27:07It is the ladies' desires we must appeal to.
0:27:07 > 0:27:10Oh! You, you echo my thoughts exactly, sir.
0:27:10 > 0:27:13I said as much to the girls this morning,
0:27:13 > 0:27:16"We must stir the passions of the ladies.
0:27:16 > 0:27:19"That is our one devotion." Didn't I say just that, girls?
0:27:19 > 0:27:21We must do more than that.
0:27:21 > 0:27:24We must put right what we have done wrong.
0:27:24 > 0:27:27Our task is to make a gesture to the ladies,
0:27:27 > 0:27:33to show them that it is their dreams which The Paradise caters for.
0:27:33 > 0:27:37Let us conjure something tantalising for them.
0:27:37 > 0:27:42Splendid! You have inspired us, Mr Moray, sir.
0:27:42 > 0:27:45We are inspired.
0:27:45 > 0:27:48So... What shall we do for them?
0:27:52 > 0:27:54Anyone?
0:27:58 > 0:28:00Rest assured, Mr Moray,
0:28:00 > 0:28:03we will provide you with something irresistible.
0:28:03 > 0:28:06Very good. Thank you, girls.
0:28:09 > 0:28:10Denise.
0:28:12 > 0:28:15What about you? Do you have any ideas?
0:28:19 > 0:28:21No, sir.
0:28:44 > 0:28:48Are you going to tell me what's troubling you, Moray?
0:28:50 > 0:28:54I almost let Clara back into my rooms.
0:28:54 > 0:28:57Back into your rooms? Is that what you call it?
0:28:57 > 0:29:01I don't know what came over me.
0:29:01 > 0:29:06I simply felt an overwhelming need to be in a woman's arms.
0:29:08 > 0:29:09HE SIGHS
0:29:09 > 0:29:11It is weakness.
0:29:14 > 0:29:17If you carry on like this, it will only get worse.
0:29:18 > 0:29:22You could put a stop to all of it, if you will settle down.
0:29:23 > 0:29:25It's too late for that.
0:29:31 > 0:29:34Your work is exceptional, Mr Lovett.
0:29:34 > 0:29:39Thank you, ma'am. And your custom is valued indeed.
0:29:39 > 0:29:42This material is so light. It doesn't feel like a dress at all.
0:29:42 > 0:29:45I feel as though I might be wearing a night dress.
0:29:45 > 0:29:47I took the liberty, ma'am,
0:29:47 > 0:29:50the material is somewhat darker than the shade you chose,
0:29:50 > 0:29:52but I felt it befits your complexion.
0:29:52 > 0:29:54It does.
0:29:54 > 0:29:56What do you think, Denise?
0:29:56 > 0:29:59I think you look adorable, ma'am.
0:30:01 > 0:30:04I expect you consider it rather odd that
0:30:04 > 0:30:06I should come to your uncle for a dress?
0:30:06 > 0:30:08He is a fine dressmaker, ma'am.
0:30:08 > 0:30:13You know what I mean. With The Paradise right across the street.
0:30:13 > 0:30:15It is not for me to say, ma'am.
0:30:16 > 0:30:19And have the staff at The Paradise been talking?
0:30:19 > 0:30:22It must have caused something of a stir.
0:30:24 > 0:30:29Your work is so exquisite, Mr Lovett, a dress as fine as this,
0:30:29 > 0:30:32it's a wonder you don't display it in your window,
0:30:32 > 0:30:34for all the world to see.
0:30:34 > 0:30:37Why, if this city could know that I had made a dress for you,
0:30:37 > 0:30:40I mean, with your permission?
0:30:54 > 0:30:59Denise, it is forbidden for employees of The Paradise
0:30:59 > 0:31:02to seek sewing outside of the store.
0:31:02 > 0:31:05Sir, I was helping my uncle, because...
0:31:10 > 0:31:14On this occasion, I will not see you dismissed.
0:31:14 > 0:31:16Thank you, Mr Jonas, sir.
0:31:16 > 0:31:19Mr Moray expects loyalty.
0:31:20 > 0:31:24Do you understand why that loyalty has to be total?
0:31:24 > 0:31:29From all of us? If loyalty is not absolute, then it is nothing.
0:31:56 > 0:31:59Bradley, Mr Burroughs, sir.
0:31:59 > 0:32:02After the embarrassing incident at the glove counter it seems
0:32:02 > 0:32:05clear to us that things might not work out for you here.
0:32:05 > 0:32:09Might I suggest you permit Mr Moray to buy you out,
0:32:09 > 0:32:12and for you to find some other...destiny?
0:32:12 > 0:32:15I know what you and Dudley think of me.
0:32:15 > 0:32:17I know what it is you whisper behind your hands.
0:32:17 > 0:32:18"Well, now we have him.
0:32:18 > 0:32:21"We'll use the incident with the gloves to be rid of him."
0:32:21 > 0:32:24Is it time to throw your clause at me?
0:32:24 > 0:32:27The one in the contract that says, "Any partner who brings The Paradise
0:32:27 > 0:32:31"into disrepute forfeits all rights and all status as an associate."
0:32:32 > 0:32:33Your contract doesn't scare me.
0:32:33 > 0:32:36I know what a partner is and I know what a partner does
0:32:36 > 0:32:38and I want to be treated as such.
0:32:38 > 0:32:40That is for Mr Moray to decide.
0:32:40 > 0:32:41You tell him this.
0:32:41 > 0:32:45Now, I have lived next door a long old time.
0:32:45 > 0:32:49I was next door when Helene so tragically and mysteriously died.
0:32:52 > 0:32:54Mr Burroughs,
0:32:54 > 0:32:58do I detect a suggestion of threat in your mention of Mr Moray's wife?
0:32:58 > 0:33:01That Sunday when Moray brought his wife here,
0:33:01 > 0:33:05when there was no-one else around,
0:33:05 > 0:33:09I was right next door when she had a little...accident.
0:33:11 > 0:33:16You tell him that and you see if he is still so keen to throw us out.
0:33:16 > 0:33:19Might I suggest you tread extremely carefully
0:33:19 > 0:33:22when making accusations against Mr Moray?
0:33:22 > 0:33:25And might I suggest that you tell him I am here to stay?
0:33:27 > 0:33:30Moray and I will be the best of friends.
0:33:30 > 0:33:32Like I said, we should celebrate.
0:33:37 > 0:33:40I heard that Burroughs was indiscrete with a customer,
0:33:40 > 0:33:42how long before we can remove him?
0:33:42 > 0:33:45Sir, if I may, Burroughs is a nuisance,
0:33:45 > 0:33:47but let us not react too swiftly.
0:33:47 > 0:33:50Do I have your permission to deal with him?
0:33:50 > 0:33:54Yes, yes, deal with him.
0:34:00 > 0:34:03Darling, you're here at last! I have missed you, Moray.
0:34:03 > 0:34:05Katherine, I must speak with you.
0:34:05 > 0:34:08Moray, I don't think you have met Charles and Margaret.
0:34:08 > 0:34:09Come and say hello.
0:34:09 > 0:34:12Your dress is in the window of Lovett's shop.
0:34:12 > 0:34:15Oh, darling, you take everything so personally.
0:34:15 > 0:34:19You haven't even got a refreshment. I am a disgrace.
0:34:19 > 0:34:22You think you can waltz up and down the street,
0:34:22 > 0:34:24half the city is talking about it!
0:34:27 > 0:34:30Juliet, Moray wants me all to himself for a while.
0:34:33 > 0:34:35I want you to leave.
0:34:35 > 0:34:38You will leave now.
0:34:40 > 0:34:43If you will not behave like a gentleman then...
0:34:43 > 0:34:46It is cruel, what you are doing!
0:34:46 > 0:34:51You toy with those shopkeepers, as you toy with everyone.
0:34:51 > 0:34:53You use them to tease me.
0:34:53 > 0:34:56You let them believe they might survive
0:34:56 > 0:34:59when you know it is hopeless.
0:35:00 > 0:35:04You are a spoilt child. You always will be.
0:35:29 > 0:35:32I lost two customers because he said the stupidest things.
0:35:32 > 0:35:35- His breath could clear the store. - He's too busy peering at the girls.
0:35:35 > 0:35:36The matter is in hand.
0:35:36 > 0:35:38Burroughs will not be with us for much longer.
0:35:38 > 0:35:41He says he is a partner, sir. That can't be right.
0:35:41 > 0:35:42So it must be wrong.
0:35:42 > 0:35:44Such things are not your concern, Pauline.
0:35:44 > 0:35:47There have been some dealings made necessary by Mr Moray
0:35:47 > 0:35:48to expand the store.
0:35:48 > 0:35:51Will there be new departments, sir? I do hope so.
0:35:51 > 0:35:53Will I get a new counter, sir?
0:35:53 > 0:35:55DOOR OPENS
0:36:04 > 0:36:05Did you tell Burroughs?
0:36:05 > 0:36:08It is not possible to remove him at this time.
0:36:08 > 0:36:10Then we must make it possible.
0:36:10 > 0:36:12I spoke to Mr Moray.
0:36:12 > 0:36:16He has granted me authority to deal with Burroughs as I see fit.
0:36:18 > 0:36:23What is going on? Why has that man suddenly become untouchable?
0:36:23 > 0:36:27You know as well as I do, sir, expansion.
0:36:27 > 0:36:29Now, if you'll excuse me?
0:36:36 > 0:36:38I wish to pay you the full amount, Mr Lovett.
0:36:38 > 0:36:41I have changed my mind. I no longer like the shade, the cut...
0:36:41 > 0:36:44I won't be needing the dress.
0:36:44 > 0:36:48You never wanted a garment from me, did you, ma'am?
0:36:48 > 0:36:50I am sorry if I have caused you...
0:36:50 > 0:36:55I do not wish to waste your time. There. The full amount.
0:36:57 > 0:37:01Men like me, you can buy and sell at your pleasure.
0:37:02 > 0:37:06You are paid in full. What more can you want?
0:37:06 > 0:37:10Do you truly have no idea what this means?
0:37:10 > 0:37:15Can you not even begin to see? A man's pride...
0:37:16 > 0:37:20My whole life... It means nothing to you.
0:37:22 > 0:37:28This is not about work. It's not money. It is love.
0:37:30 > 0:37:32It is what I am.
0:37:39 > 0:37:42I will take your money, Miss Glendenning.
0:37:42 > 0:37:45But I will finish your order because I said I would.
0:37:45 > 0:37:48And then I can look myself in the mirror
0:37:48 > 0:37:50and know I am a man of my word.
0:37:53 > 0:37:55Very well.
0:37:55 > 0:37:59Gentlemen's Afternoon was your idea, wasn't it?
0:37:59 > 0:38:02Yes, sir. It was, sir.
0:38:02 > 0:38:05And you know why it wouldn't work, don't you?
0:38:05 > 0:38:06I do now, sir.
0:38:06 > 0:38:10And you have an idea how I might remedy my reputation
0:38:10 > 0:38:11with the ladies.
0:38:15 > 0:38:20Your loyalty is to me, not to Miss Audrey. Isn't it?
0:38:21 > 0:38:23Yes, sir.
0:38:23 > 0:38:25Then you must tell me.
0:38:31 > 0:38:37The lingerie you brought from Paris, the garments are so beautiful.
0:38:37 > 0:38:39So...seductive.
0:38:41 > 0:38:46But the ladies find it discomfiting to be seen considering them.
0:38:46 > 0:38:50If we were to make it fun, entertaining.
0:38:51 > 0:38:53Sir, what I thought was...
0:38:56 > 0:38:58Ladies After Dark.
0:39:00 > 0:39:01Ladies After Dark?
0:39:01 > 0:39:04After the store is closed, it would be by invitation only.
0:39:04 > 0:39:06- Exclusive.- The ladies would have the store to themselves.
0:39:06 > 0:39:09- We could decorate Ladieswear for them.- Yes, candles, low lamps.
0:39:09 > 0:39:11So they can try on the lingerie.
0:39:11 > 0:39:14Or have it modelled for them. We might make quite an event of it.
0:39:14 > 0:39:17Because what women want is to be desired.
0:39:17 > 0:39:18To be adored.
0:39:23 > 0:39:25Ladies After Dark.
0:39:27 > 0:39:31Denise, you are my little champion.
0:39:43 > 0:39:46Mr Moray's not in his office, sir. He's not nowhere to be found.
0:39:46 > 0:39:49He was here a while ago. He must have gone out.
0:39:49 > 0:39:52No matter. Please tell him I called by and I will see him tonight.
0:39:52 > 0:39:53Certainly, Miss Glendenning.
0:39:57 > 0:40:00He was there, sir, but he said he wasn't there.
0:40:00 > 0:40:02Back to work, Arthur.
0:40:04 > 0:40:09Usually when we advertise an event, we do it with banners and trumpets.
0:40:09 > 0:40:15Ladies After Dark will be different. There will be no posters.
0:40:15 > 0:40:18There will be no announcements.
0:40:18 > 0:40:22We must conjure up the idea that most of us are missing out
0:40:22 > 0:40:26on something so seductive that it can only be done in secret.
0:40:26 > 0:40:30Miss Audrey, I'd like you to draw up a list of ladies
0:40:30 > 0:40:33we might present with exclusive invitations.
0:40:33 > 0:40:35Sir, I shall personally see to it that
0:40:35 > 0:40:38the personal invitations are...indeed personal.
0:40:39 > 0:40:42We must create a sense of mystique and curiosity,
0:40:42 > 0:40:47the whole occasion must be shrouded in tantalising secrecy.
0:40:48 > 0:40:52If this event is a success, as it most surely will be,
0:40:52 > 0:40:55it will become a regular feature.
0:41:02 > 0:41:07It's Clara, isn't it? I've noticed you coming and going.
0:41:07 > 0:41:11Suppose I, er, told you that I might fall for you?
0:41:13 > 0:41:15I look at a pretty girl like you...
0:41:15 > 0:41:19I just want my chance, you see, to take a girl out dancing.
0:41:21 > 0:41:24Don't you realise? Isn't it obvious?
0:41:24 > 0:41:27No girl in this store will ever walk out with you.
0:41:27 > 0:41:31I have a position here. Partner. Moray's partner.
0:41:31 > 0:41:35I have known him since he were married.
0:41:35 > 0:41:39I know things that mean I won't be laughed at and humiliated.
0:41:49 > 0:41:51Pauline.
0:41:53 > 0:41:56If a man like Mr Moray, or Mr Dudley were to court you,
0:41:56 > 0:42:00you would not wish to offend them, or spurn them.
0:42:00 > 0:42:03They are gentlemen. You are a barber.
0:42:03 > 0:42:07No, no, I'm not a barber. Not anymore. Look at this.
0:42:07 > 0:42:08I'm wearing a suit.
0:42:08 > 0:42:11Hey! Look will ya spurn me still? Will ya? Will ya?
0:42:11 > 0:42:14- Let go of me. - Look, I'm not a barber!
0:42:14 > 0:42:16Get off her! Leave her alone!
0:42:18 > 0:42:20HE GROANS
0:42:27 > 0:42:31It don't hurt that much, sir. Only most of the time.
0:42:32 > 0:42:36Moray, you asked me to manage Burroughs,
0:42:36 > 0:42:40you suggested it was vital I keep him in check,
0:42:40 > 0:42:46but in no time I was left powerless. you gave all authority to Jonas.
0:42:47 > 0:42:50When will you put a stop it?
0:42:50 > 0:42:53Jonas, I want Burroughs dismissed immediately.
0:42:55 > 0:42:57Arthur. You can go now.
0:43:06 > 0:43:08Mr Moray, sir, if I may?
0:43:08 > 0:43:12I have the distinct impression that Mr Burroughs would not take well
0:43:12 > 0:43:15to being removed from The Paradise so quickly.
0:43:15 > 0:43:19What does it matter what he feels? He is a danger to our business.
0:43:19 > 0:43:21We have good cause.
0:43:21 > 0:43:26What you say is true enough, gentlemen, but if I may?
0:43:26 > 0:43:29Let us suppose we dispose of Burroughs.
0:43:29 > 0:43:32He would most certainly take his tale of ill-treatment
0:43:32 > 0:43:34up and down the street.
0:43:34 > 0:43:38Next time you wish to purchase a property, Mr Moray, sir,
0:43:38 > 0:43:42you would undoubtedly face suspicion and resistance.
0:43:44 > 0:43:46What do you suggest, Jonas?
0:43:48 > 0:43:52If you could permit me a few days with Burroughs, to work on him,
0:43:52 > 0:43:57perhaps he might get to a place where he concludes of his own accord
0:43:57 > 0:43:59that it is time for him to depart.
0:44:45 > 0:44:46Papa.
0:44:46 > 0:44:51Yes. I'm afraid it's your Papa. Moray isn't coming, Katherine.
0:44:51 > 0:44:55You have toyed with him and now it is his turn to toy with you.
0:44:55 > 0:44:57Not at all. We had no arrangements.
0:44:57 > 0:45:00Moray will be busy with his store, that is all.
0:45:00 > 0:45:01I find it puzzling,
0:45:01 > 0:45:05why you should pursue a man who will have nothing to do with you.
0:45:05 > 0:45:09I find it still more baffling why I should let you.
0:45:09 > 0:45:11Because you can't stop me.
0:45:13 > 0:45:14Now you are toying with me.
0:45:41 > 0:45:43Denise.
0:45:44 > 0:45:47What are you doing here?
0:45:47 > 0:45:48I'm sorry, sir,
0:45:48 > 0:45:51I know I shouldn't be in the store at this time, I'll go now.
0:45:51 > 0:45:53Wait.
0:45:53 > 0:45:57All the other girls have gone out for the evening,
0:45:57 > 0:46:00you're here, at work.
0:46:00 > 0:46:02It isn't work, sir.
0:46:05 > 0:46:08You are a curiosity, Denise.
0:46:12 > 0:46:14What brought you here?
0:46:17 > 0:46:24Since I was a girl, living in a small town, it wasn't enough.
0:46:24 > 0:46:26I always wanted...more.
0:46:29 > 0:46:33It is a wonderful feeling, more.
0:46:34 > 0:46:37I know it well.
0:46:37 > 0:46:41I feel as though I belong in The Paradise.
0:46:41 > 0:46:48I feel as though I am part of something, something so thrilling,
0:46:48 > 0:46:52it's as though I can see the world changing before my eyes,
0:46:52 > 0:46:56and I can touch it, I can...make it happen.
0:47:02 > 0:47:04I shall have to keep my eye on you, Denise,
0:47:04 > 0:47:08or you'll be the one who steals my throne from me.
0:47:08 > 0:47:10Come on.
0:47:10 > 0:47:12We must put Ladieswear back in proper order,
0:47:12 > 0:47:16or you will be in terrible trouble with Miss Audrey in the morning.
0:47:25 > 0:47:27All I said to him was "barber".
0:47:27 > 0:47:30I thought he would strangle me.
0:47:31 > 0:47:35His hands were on my neck like strangler's hands.
0:47:35 > 0:47:40But he is still here in The Paradise, isn't he?
0:47:40 > 0:47:42Why is that?
0:47:42 > 0:47:47"I have known Moray since he's been married." That's what he said to me.
0:47:47 > 0:47:50"I know things that mean I shan't be shifted from here."
0:47:50 > 0:47:52What could he know?
0:47:52 > 0:47:55Moray's wife, of course.
0:47:55 > 0:47:57You're not going to ask him, are you?
0:47:57 > 0:47:59Clara, he might strangle again.
0:47:59 > 0:48:01Burroughs doesn't frighten me.
0:48:01 > 0:48:04All you have to do is smile at him and he is a puppy dog.
0:48:17 > 0:48:18Mr Jonas, sir. >
0:48:36 > 0:48:39- There you go, sir.- Thank you, Arthur.
0:48:46 > 0:48:47Clara.
0:48:47 > 0:48:51Sir. I saw you'd left your book here.
0:48:51 > 0:48:53I was about to fetch it to you.
0:48:53 > 0:48:54Thank you.
0:48:57 > 0:49:02Sir. I came to The Paradise after Mr Moray's wife died.
0:49:02 > 0:49:05They talk of her like she was a saint.
0:49:05 > 0:49:07You know it is forbidden to speak of her.
0:49:07 > 0:49:11Allow me one question only, sir. Please.
0:49:11 > 0:49:15Was Helene as tender-hearted as they say?
0:49:15 > 0:49:17Peerless.
0:49:20 > 0:49:24Inspiration came to me deep in the night, Madam, as it so often does.
0:49:24 > 0:49:28I suddenly thought to myself, wouldn't it be wonderful
0:49:28 > 0:49:32if the Ladies might consider lingerie in a, shall we say,
0:49:32 > 0:49:35mischievous atmosphere?
0:49:36 > 0:49:42Only those who have invitations know that they have invitations.
0:49:42 > 0:49:47So we must ask you to keep word of the gathering
0:49:47 > 0:49:49shrouded in the deepest mystery.
0:49:56 > 0:50:01Mr Burroughs, has Mr Moray spoken to you?
0:50:01 > 0:50:06Moray? Ah, no, no. What about?
0:50:06 > 0:50:08He felt it more fitting to invite you himself,
0:50:08 > 0:50:12but he must be engaged in urgent business.
0:50:12 > 0:50:14- Invite me?- A party.
0:50:14 > 0:50:17It is an occasion of a rather private nature,
0:50:17 > 0:50:20so best keep knowledge of this to yourself.
0:50:21 > 0:50:25Like, er, Ladies After Dark?
0:50:25 > 0:50:28Like Ladies After Dark.
0:50:28 > 0:50:32Mr Moray and some of his friends, once a month or so they...
0:50:34 > 0:50:37It is a private club, where there is entertainment.
0:50:37 > 0:50:39Girls?
0:50:39 > 0:50:42We can travel in the same carriage.
0:50:42 > 0:50:44Mr Burroughs, sir, it is vital
0:50:44 > 0:50:47that you tell no-one where we are going tonight.
0:50:47 > 0:50:49Mr Moray's reputation depends upon it.
0:50:51 > 0:50:53Meet me in the alleyway at 8.00.
0:50:53 > 0:50:558.00.
0:52:00 > 0:52:02Splendid.
0:52:02 > 0:52:05Well done, girls.
0:52:08 > 0:52:11I'm sorry, sir, I don't quite know how to say this.
0:52:11 > 0:52:16You have my permission to say whatever you wish, Denise.
0:52:16 > 0:52:20Sir, the ladies will be here soon. Gentlemen aren't allowed in here.
0:52:22 > 0:52:23HE CHORTLES
0:52:23 > 0:52:25Then I had best be on my way.
0:52:32 > 0:52:34Good luck, ladies.
0:52:49 > 0:52:51EXCITED CHATTERING
0:52:54 > 0:52:57LOUD GASPS
0:52:57 > 0:53:01If you should see anything that appeals, ladies,
0:53:01 > 0:53:06simply speak privately with myself or one of the girls.
0:53:08 > 0:53:11Confidentiality is totally assured.
0:53:16 > 0:53:18THEY GASP
0:53:24 > 0:53:29Don't you wish Mr Moray could be here to see your success?
0:53:29 > 0:53:34You see it, Clara, perhaps that's enough for me this time.
0:54:08 > 0:54:11I'm not sure my husband deserves such glamour,
0:54:11 > 0:54:14but I do rather like the thought of wearing it.
0:54:14 > 0:54:17At least your husband will notice.
0:54:17 > 0:54:21Perhaps I will take the silk, as well as the lace.
0:54:29 > 0:54:31Denise.
0:55:05 > 0:55:08Two days, sir. He can't simply vanish.
0:55:08 > 0:55:11We can't just leave the counter unattended.
0:55:11 > 0:55:13I'll put Williams on Men's Grooming.
0:55:13 > 0:55:15Mr Burroughs didn't say nothing to no-one, sir.
0:55:15 > 0:55:19About going nowhere. Did he say something to you, Mr Dudley, sir?
0:55:19 > 0:55:21Has Mr Moray fired him, sir?
0:55:21 > 0:55:24Perhaps Bradley decided The Paradise wasn't for him after all.
0:55:31 > 0:55:32Threats?
0:55:32 > 0:55:34Explicit threats, sir.
0:55:34 > 0:55:36What sort of threats?
0:55:36 > 0:55:40I would go as far as to call it blackmail, sir.
0:55:40 > 0:55:43Mr Burroughs insisted on staying here or
0:55:43 > 0:55:46he would cause great harm to you personally.
0:55:46 > 0:55:50Well, spit it out, Jonas. What trouble?
0:55:50 > 0:55:53He alluded to living next door, sir.
0:55:54 > 0:55:58He also alluded to your wife's death.
0:56:02 > 0:56:06Burroughs told me. He heard screams.
0:56:06 > 0:56:09He ran into The Paradise.
0:56:09 > 0:56:13He saw you, sir, in particular distress,
0:56:13 > 0:56:17looking down at where your wife lay and you said...
0:56:17 > 0:56:19Why didn't you tell me about this?
0:56:19 > 0:56:24Since I'm responsible for us letting Burroughs into the store,
0:56:24 > 0:56:28I thought it might be better if I rectify the problem.
0:56:30 > 0:56:32Where is he?
0:56:32 > 0:56:38I'd rather you did not ask that, Mr Moray, sir.
0:56:38 > 0:56:43Rest assured, Burroughs no longer presents a danger to you.
0:56:43 > 0:56:46What have you done, Jonas?
0:56:48 > 0:56:55Only my duty, sir. My loyalty to you is assured.
0:56:59 > 0:57:02You may go now, Jonas.
0:57:19 > 0:57:20DOOR OPENS AND CLOSES
0:57:27 > 0:57:31Thank you, darling, for coming so quickly.
0:57:31 > 0:57:35From your note, I thought perhaps you were ill.
0:57:38 > 0:57:42I'm sorry, Moray. I want to stop this.
0:57:44 > 0:57:47Stop hurting people, stop hurting you.
0:57:49 > 0:57:52I just want to devote myself to loving you.
0:57:56 > 0:57:57Will you let me do that?
0:58:11 > 0:58:15You imagine you can do to the rest of us what you've done to Burroughs.
0:58:15 > 0:58:17I saw him getting into your carriage, sir,
0:58:17 > 0:58:19on the night he vanished.
0:58:19 > 0:58:20Young Arthur is afraid of Jonas.
0:58:20 > 0:58:23The boy does not know the meaning of what he saw.
0:58:24 > 0:58:26Heavens! Mr Jonas.
0:58:39 > 0:58:42Subtitles by Red Bee Media Ltd