0:00:35 > 0:00:36LADIES GIGGLE
0:00:39 > 0:00:44- Where are you young ladies off to? - Wedding shopping.- Katherine...
0:00:44 > 0:00:46It is just to be a quiet affair.
0:00:46 > 0:00:53- Nothing too ostentatious. Don't worry, Papa.- Enjoy yourself.
0:01:03 > 0:01:07I think you've chosen very well. Thank you for your custom, madam.
0:01:07 > 0:01:08Good day.
0:01:08 > 0:01:12Psst! Psst!
0:01:16 > 0:01:17Here!
0:01:17 > 0:01:25- Mr Chisholm?- Lovett?- Inside, sir. With a customer.- Business is brisk.
0:01:25 > 0:01:29- There's been a small upturn. - Sufficient to justify an employee. A girl.
0:01:29 > 0:01:33- Would that I knew his secret. - There's no secret, Mr Chisholm.
0:01:33 > 0:01:34We're selling neckties.
0:01:34 > 0:01:38- You're free to look.- Neckties? I see he did not hire you for your brains.
0:01:38 > 0:01:41What good are neckties to me? I'm a milliner.
0:01:41 > 0:01:47A milliner, girl. An artist, trained in the Quartier Sentier.
0:01:47 > 0:01:51And now there's the ignominy of seeing my customers desert me
0:01:51 > 0:01:55for the cheap thrill of a glued felt hat or a machine-stitched bonnet across the street.
0:01:55 > 0:01:58You shall not find me peddling knick-knacks.
0:01:58 > 0:02:02It is simply a case of seeking custom rather than waiting for it.
0:02:02 > 0:02:04Not blaming The Paradise,
0:02:04 > 0:02:07but using it as a reliable source of passing trade.
0:02:07 > 0:02:11Which, with a little thought, might benefit all of us.
0:02:11 > 0:02:14- Lovett said this?- Denise? We have customers.
0:02:14 > 0:02:16There's no time for talking to him.
0:02:19 > 0:02:23It's not the same, is it, without her? It definitely feels lonely.
0:02:23 > 0:02:26- You know, strange. - Can you stop harking on about it?
0:02:26 > 0:02:28- It's all I've had for a week now. - Even the room feels colder.
0:02:28 > 0:02:32I could have sworn this morning there was more of a chill about the bed.
0:02:32 > 0:02:36Denise this, Denise that. Like she was Saint Miss Perfect.
0:02:36 > 0:02:39- She was no saint, believe me. - Even the counter.
0:02:39 > 0:02:42- What's wrong with the counter? - It's too quiet.
0:02:42 > 0:02:46- Denise used to drum her fingers on it just a touch.- Come on, Clara.
0:02:46 > 0:02:50It's poetic. The pining of a true friend for her companion.
0:02:50 > 0:02:54Seeing her absence in everything - a counter, a cold breeze,
0:02:54 > 0:02:55a chamber pot.
0:02:55 > 0:02:59- You see. If Denise had been here, she'd have stood up for me.- Oh, Lord.
0:02:59 > 0:03:02- Heaven above!- Denise used to make me feel positive about any situation.
0:03:02 > 0:03:05If it's positive you want, you see laughing boy over there?
0:03:05 > 0:03:09With Denise out of the way, he's all yours for the taking.
0:03:18 > 0:03:22Darling little glasses. We shall need a dozen at least. No, two.
0:03:22 > 0:03:26And the same with the champagne flutes.
0:03:26 > 0:03:32Look. The butter dishes are beautifully engraved. How adorable!
0:03:32 > 0:03:37I shall take four and these darling butter knives.
0:03:37 > 0:03:38- Katherine?- Don't look.
0:03:38 > 0:03:41There are surprises here that you in particular should not see.
0:03:41 > 0:03:45Everything we shall need for our wedding breakfast.
0:03:45 > 0:03:49- Really?- I shall need an assistant. It's an awfully long list.
0:03:49 > 0:03:54- Where is that girl, the clever one? Denise.- She has left the store.
0:03:54 > 0:03:56- No scandal, I trust?- No.
0:03:56 > 0:03:58She's gone to work for her uncle across the street.
0:03:58 > 0:04:02- Emily, you have met my fiance? - Lady Fortescue.
0:04:02 > 0:04:04He is in no way to be trusted.
0:04:04 > 0:04:07Moray cannot bear to have things kept from him.
0:04:07 > 0:04:10We must have these wrapped immediately.
0:04:10 > 0:04:11Might I speak with you?
0:04:14 > 0:04:16Throughout our courtship, you barely purchased
0:04:16 > 0:04:19so much as a hatpin from my store.
0:04:19 > 0:04:23Now this? With your friends accompanying? What new game is this?
0:04:23 > 0:04:27Moray, why do you always assume that everything
0:04:27 > 0:04:32I do has some kind of ulterior motive?
0:04:34 > 0:04:39In the past, The Paradise has been all about you. Now it is about us.
0:04:40 > 0:04:42You and me.
0:04:42 > 0:04:46If it is success here that you want, then I shall give it to you, my love.
0:04:48 > 0:04:53- You, girl. What is your name? - Pauline, ma'am.- Follow me. - Yes, ma'am.
0:05:02 > 0:05:08- Uncle? I've had an idea.- Another one? - I'm still adjusting to the first.
0:05:08 > 0:05:11We have to keep moving forward, keep evolving.
0:05:11 > 0:05:12We can't afford to stand still.
0:05:14 > 0:05:16Uncle, look at this street.
0:05:18 > 0:05:24Not as pretty as it used to be. Milliner, dressmaker, shoemaker, canemaker.
0:05:25 > 0:05:27They've all felt the heat.
0:05:27 > 0:05:29Bear the scars.
0:05:29 > 0:05:32If we can co-operate, we can offer our customers something unique.
0:05:32 > 0:05:37Hat, dress, shoes, umbrella - a complete outfit.
0:05:37 > 0:05:39Co-operate? You mean work together?
0:05:39 > 0:05:43- Why not? - Denise, we're small businessmen.
0:05:43 > 0:05:48Independence, self-reliance are at the core of our being.
0:05:48 > 0:05:49Too much change, too fast.
0:05:49 > 0:05:51Mr Chisholm approached me this morning.
0:05:51 > 0:05:55There's another reason. What man would voluntarily work with him?
0:05:55 > 0:05:58- It's already done. You've invited them to a meeting.- What?
0:05:58 > 0:06:02A meeting. They're joining us this afternoon. I've written it all down.
0:06:02 > 0:06:03Your speech.
0:06:03 > 0:06:06I've told them this is your idea.
0:06:06 > 0:06:08Uncle, you said it yourself, change is hard for them
0:06:08 > 0:06:11and it would be harder still coming from a woman.
0:06:11 > 0:06:13You've trusted me this far, and I've not let you down.
0:06:13 > 0:06:16Please?
0:06:16 > 0:06:18What do you think of this?
0:06:24 > 0:06:27It's very nice, Miss Glendenning. Very.
0:06:27 > 0:06:30They say a perfume only comes to life when worn on this skin.
0:06:30 > 0:06:33The warmth of the human body gives it its heartbeat.
0:06:37 > 0:06:38It reminds me of something...
0:06:38 > 0:06:40- warm.- Apple pie.
0:06:42 > 0:06:46- Yes, maybe.- Or a baby's head when they've bathed.
0:06:46 > 0:06:49Otherwise, with the nursing, they reek.
0:06:49 > 0:06:53I'm one of 11. You never forget the smell. Wet wool and cheesy milk.
0:06:53 > 0:06:54SHE SNEEZES
0:06:54 > 0:06:57Oh, sorry.
0:06:57 > 0:06:59I'm sensitive. That's one of the reasons I'm stuck on buttons.
0:06:59 > 0:07:03- How long have you worked here?- Ages. - And you like working for Mr Moray?
0:07:03 > 0:07:05Oh, yes. Very much.
0:07:05 > 0:07:09For a successful man, he's a kind man and he loves this place.
0:07:09 > 0:07:12The only thing he loves more is his wife.
0:07:13 > 0:07:16I mean his ex-wife... Dead wife.
0:07:16 > 0:07:20That's the other reason I'm suck on buttons.
0:07:20 > 0:07:23Sometimes it's hard to think as fast as I speak.
0:07:25 > 0:07:30You'll make a very good Mrs Moray. An even better Mrs Moray, no doubt.
0:07:30 > 0:07:34If only I had a ounce of your charm and elegance.
0:07:34 > 0:07:35No wonder he fell for you.
0:07:35 > 0:07:38But you have a wealth of elegance and charm, my dear.
0:07:39 > 0:07:44And with your ability to flatter, I'm sure you could turn any boy's head.
0:07:51 > 0:07:53We have much in common.
0:07:53 > 0:07:57We are all purveyors of quality, master craftsmen.
0:07:57 > 0:07:59We all trade on the same street.
0:07:59 > 0:08:03Together, we would have dressed the customer from top to toe
0:08:03 > 0:08:06before they'd even set foot in The Paradise
0:08:06 > 0:08:07if we put our minds to it.
0:08:07 > 0:08:12They can do that now, but I can hardly see them beating down the doors.
0:08:12 > 0:08:15- That's a fair point. - More ale, Mr Chisholm?
0:08:15 > 0:08:17I would rather wine.
0:08:24 > 0:08:25SHE MOUTHS
0:08:25 > 0:08:29There will be turnover.
0:08:32 > 0:08:39Inventives... Incentives. Every customer will...
0:08:40 > 0:08:43I'm sorry. I cannot do this.
0:08:43 > 0:08:46I cannot sell what I do not believe in.
0:08:46 > 0:08:50- It's not me.- If it isn't you, Edmund, why did you bring us here?
0:08:50 > 0:08:52THEY MURMUR IN AGREEMENT
0:08:52 > 0:08:55He did not. It was me.
0:08:56 > 0:09:00I've wasted quite enough time. Gentlemen.
0:09:00 > 0:09:02The customers will be given an incentive.
0:09:04 > 0:09:11A discount. 10% of the sum total of all purchases.
0:09:11 > 0:09:14We will advertise, decorate, make the shop fronts more attractive.
0:09:14 > 0:09:16At whose cost?
0:09:16 > 0:09:19I do wish women were as good at making money
0:09:19 > 0:09:21- as they are at spending it. - LAUGHTER
0:09:21 > 0:09:25All expenses will be recouped through increased sales.
0:09:25 > 0:09:28Something I believe you all lack.
0:09:28 > 0:09:31Gentlemen, ask yourselves honestly -
0:09:31 > 0:09:34what poses the greater risk?
0:09:34 > 0:09:37A small sum invested to attract custom
0:09:37 > 0:09:40or continuing on the current path
0:09:40 > 0:09:43of certain decline and eventual bankruptcy?
0:09:45 > 0:09:50Tollgate Street Traders - competitively priced,
0:09:50 > 0:09:52tradition and quality.
0:09:52 > 0:09:54Not bad.
0:09:54 > 0:09:58Although I fear that in the haze of girlish enthusiasm,
0:09:58 > 0:10:01you've missed the point.
0:10:01 > 0:10:04We are here to provide an alternative to The Paradise,
0:10:04 > 0:10:07not to become a department store in miniature.
0:10:07 > 0:10:09That is not what I meant.
0:10:09 > 0:10:13Regardless, you shall not convince anyone
0:10:13 > 0:10:16to invest in scheme your own uncle doesn't believe in.
0:10:19 > 0:10:20Good day to you, gentlemen.
0:10:20 > 0:10:24Good day.
0:10:54 > 0:10:56May I offer you some assistance, ma'am?
0:11:00 > 0:11:04Yes. It is heavier than I had imagined.
0:11:08 > 0:11:10I hope to freshen Moray's office a little.
0:11:11 > 0:11:14This painting of his wife is very dear to him.
0:11:17 > 0:11:18Tell me your name.
0:11:19 > 0:11:21Jonas Franks.
0:11:21 > 0:11:25Well, Jonas, I must remind you to whom you are speaking.
0:11:27 > 0:11:29I am soon to become Mrs Moray.
0:11:29 > 0:11:34May I offer you my most sincere congratulations, ma'am?
0:11:34 > 0:11:37Still, for now, Miss Glendenning, I do not think that is a wise move.
0:11:40 > 0:11:45You realise there are 10, 20 men on that street right now
0:11:45 > 0:11:47more willing and more able to do this job than you?
0:11:49 > 0:11:53Value your position here and you shall alter the way you speak to me.
0:11:55 > 0:11:56Yes, ma'am.
0:11:58 > 0:12:00Thank you.
0:12:05 > 0:12:07Madam, neckties?
0:12:07 > 0:12:10Sir, very nice neckties.
0:12:25 > 0:12:27HE KNOCKS AT THE DOOR
0:12:30 > 0:12:34Jonas Franks - why on earth do you employ such a character?
0:12:34 > 0:12:38- Maria has the final say on all staffing, Miss Glendenning. - Katherine, please.
0:12:38 > 0:12:44But you are the manager. He cannot be good for business. He scares me.
0:12:44 > 0:12:46He must surely scare the customers.
0:12:56 > 0:12:57Mr Moray, sir.
0:12:57 > 0:13:01I have something unfortunate to report of a personal nature.
0:13:01 > 0:13:05- What is it, Jonas?- It is regarding Miss Glendenning, sir.
0:13:05 > 0:13:09I found her in your office trying to move the portrait of Helene.
0:13:10 > 0:13:13Rest assured, sir, I dealt with the matter as swiftly
0:13:13 > 0:13:16and as firmly as I felt able.
0:13:16 > 0:13:19I do not know which is more worrying -
0:13:19 > 0:13:24your determination to overstep the line or your inability to see it?
0:13:24 > 0:13:28Can you not understand that there are things that are private between people?
0:13:28 > 0:13:32If that is too much for you, then you should stay out of my way.
0:13:32 > 0:13:34- Thank you.- Sir.
0:13:40 > 0:13:43Katherine, you must be quite exhausted.
0:13:43 > 0:13:46In one day, you've managed to turn my store upside down.
0:13:50 > 0:13:52Don't drop 'em.
0:13:55 > 0:13:59- Uncle?- I...had a word.
0:14:01 > 0:14:06Told them the truth, that if anybody can breathe life back into this street, it's you, Denise.
0:14:06 > 0:14:10And despite our differences, we're willing to give it a go.
0:14:13 > 0:14:14As you say, it's do or die.
0:14:17 > 0:14:20Nothing to be gained by standing still in business.
0:14:25 > 0:14:30Papa, you must try smiling. I have read it is good for the circulation.
0:14:30 > 0:14:33The rest will be delivered to Belville Hall this evening.
0:14:33 > 0:14:35There's more?!
0:14:39 > 0:14:40It is that girl.
0:14:40 > 0:14:44Really, Moray, you should fight to get her back.
0:14:44 > 0:14:46The one you gave me today was no replacement.
0:14:46 > 0:14:48Poor service will not do
0:14:48 > 0:14:50now we are to cater for customers of a higher class.
0:14:59 > 0:15:03My daughter does not care to do anything by halves.
0:15:03 > 0:15:07Believe me, Moray, to ensure her happiness
0:15:07 > 0:15:10will require a husband's undivided attention.
0:15:25 > 0:15:29The mannequin will be placed outside beside your stalls,
0:15:29 > 0:15:31each wearing a different ensemble.
0:15:31 > 0:15:34Outside? You wish to place my hats on the street,
0:15:34 > 0:15:38- expose them to the elements? - I believe that's what happens when they're worn on the head.
0:15:38 > 0:15:42And there is always one of Mr Jackson's fine umbrellas
0:15:42 > 0:15:45to be worked imaginatively into the display.
0:15:54 > 0:15:56I fear you've missed a patch.
0:16:01 > 0:16:05You're renovating... and you're not alone, I see.
0:16:05 > 0:16:09Times are hard for the small store - we must adapt to survive.
0:16:09 > 0:16:13You're marketing your products as an ensemble.
0:16:13 > 0:16:14Yes.
0:16:14 > 0:16:16With a discount?
0:16:16 > 0:16:1710%.
0:16:17 > 0:16:23Oh? It is most enterprising and the least I would expect.
0:16:23 > 0:16:25Edmund will feel the benefit of your presence
0:16:25 > 0:16:27almost as keenly as we feel the loss of it.
0:16:27 > 0:16:30- You do?- Of course.
0:16:30 > 0:16:35My little champion, I fear sales in Ladieswear shall plummet.
0:16:38 > 0:16:41You should wear green more often.
0:16:41 > 0:16:43It's most becoming.
0:16:50 > 0:16:52Fraternising with the enemy?
0:16:52 > 0:16:56Rest assured, Mr Chisholm, there is certainly no conspiracy between us.
0:16:56 > 0:17:00Then, girl,
0:17:00 > 0:17:03why does he raise such a blush?
0:17:03 > 0:17:07From now on, Mr Chisholm, you will refer to me as Denise
0:17:07 > 0:17:09or Miss Lovett.
0:17:18 > 0:17:20Hello.
0:17:20 > 0:17:21Mr Moray.
0:17:21 > 0:17:22Miss Audrey.
0:17:22 > 0:17:25I've been meaning to ask how you're coping in Ladieswear,
0:17:25 > 0:17:27in the wake of recent departures.
0:17:27 > 0:17:29Oh?
0:17:29 > 0:17:31Denise?
0:17:33 > 0:17:35Sir, you will find that all in Ladieswear
0:17:35 > 0:17:38is just as it should be - a tightly run ship.
0:17:38 > 0:17:41I pride myself on running a department
0:17:41 > 0:17:43ready to weather any storm.
0:17:43 > 0:17:45Yes, yes, of course. Thank you, Miss Audrey.
0:17:45 > 0:17:50Losing an assistant was always bound to be more of a squall than a tempest,
0:17:50 > 0:17:54no matter how special she seemed at the time.
0:17:54 > 0:17:57You have eased my mind.
0:17:59 > 0:18:01May I add, sir...
0:18:02 > 0:18:05..how delighted we all are by your engagement
0:18:05 > 0:18:08and that you've found happiness at last.
0:18:18 > 0:18:22Ladies, I presume this seat's not taken.
0:18:22 > 0:18:25I don't see what the fuss is about. Katherine Glendenning was born into it.
0:18:25 > 0:18:27She hasn't actually done anything.
0:18:27 > 0:18:29She's taught me plenty.
0:18:29 > 0:18:32Sam, what gristly meat.
0:18:32 > 0:18:34I should think the cook gave you that on account of your lovely teeth.
0:18:38 > 0:18:41- Lovely teeth? - Not a rotten molar in sight.
0:18:41 > 0:18:43Nearly.
0:18:46 > 0:18:48Would you kindly excuse me?
0:18:52 > 0:18:54Would you like to tell me what she's on about?
0:18:54 > 0:18:55What do you think?
0:18:55 > 0:18:58When are you going to put the poor girl out of her misery?
0:19:18 > 0:19:20I was about to lock up.
0:19:20 > 0:19:24There is no need. I will be here for a while.
0:19:24 > 0:19:26I have some business to finish.
0:19:28 > 0:19:30Perhaps you could help.
0:19:31 > 0:19:35HE CHUCKLES
0:19:35 > 0:19:37Always so easily shocked, Dudley.
0:19:37 > 0:19:39I can't believe that even you
0:19:39 > 0:19:42have not watched a man drink away his troubles.
0:19:42 > 0:19:45I've watched many men try.
0:19:45 > 0:19:46I believed you were teetotal.
0:19:48 > 0:19:54What matter? I'm lost to this world.
0:19:54 > 0:19:56All I have is this job,
0:19:56 > 0:19:58and even that will soon be taken from me.
0:20:00 > 0:20:02Katherine Glendenning.
0:20:03 > 0:20:05The woman cares only for herself. She is a viper.
0:20:07 > 0:20:11She poisoned Mr Moray against me.
0:20:11 > 0:20:14Jonas, you must stop this. They are to be married.
0:20:15 > 0:20:18Why can't you try and be happy for them?
0:20:18 > 0:20:22She sees me as distasteful, a monster.
0:20:25 > 0:20:27Such easy judgement
0:20:27 > 0:20:31with so little knowledge of the beast she set out to slaughter.
0:20:33 > 0:20:35Before this, I was a safety miner.
0:20:37 > 0:20:40There was an explosion one day.
0:20:40 > 0:20:44Eight men were trapped underground. They told us to leave them.
0:20:44 > 0:20:48I refused, went back.
0:20:48 > 0:20:52Before I could reach them, the shaft collapsed.
0:20:53 > 0:20:54My arm crushed.
0:20:56 > 0:20:58The others were not so fortunate.
0:21:00 > 0:21:05When I signed on that morning,
0:21:05 > 0:21:07just a wee lad of 12.
0:21:16 > 0:21:19They gave me a certificate for bravery.
0:21:19 > 0:21:21And the sack.
0:21:21 > 0:21:24I was no longer suitable.
0:21:24 > 0:21:27It was much the same everywhere until I came here.
0:21:29 > 0:21:31Helene Moray asked me nothing.
0:21:33 > 0:21:37Katherine Glendenning will attempt to usurp her memory,
0:21:37 > 0:21:39by casting me back out again.
0:21:43 > 0:21:45I'm sorry.
0:22:16 > 0:22:18I need to talk to you about Katherine.
0:22:19 > 0:22:23This show she's making of herself.
0:22:23 > 0:22:25The endless shopping.
0:22:25 > 0:22:28Well, she's certainly keeping us busy.
0:22:30 > 0:22:35I've long been aware of my daughter's tendency towards obsession.
0:22:35 > 0:22:36I blame myself.
0:22:37 > 0:22:44After her mother died, I actively encouraged her...passions.
0:22:44 > 0:22:46And my indulgence resulted instead
0:22:46 > 0:22:51in a child both headstrong and stubborn.
0:22:53 > 0:22:57Of course, her obsession now is you, Moray.
0:22:57 > 0:23:01A desire to prove herself to you.
0:23:01 > 0:23:06Once you're married, you'll have a different job.
0:23:06 > 0:23:08The job of reining her in.
0:23:10 > 0:23:16And I trust you will perform that role more successfully than I.
0:23:25 > 0:23:30Denise, I've been working on something for a while.
0:23:30 > 0:23:33I was going to save it for your birthday, but...
0:23:40 > 0:23:41Thank you!
0:23:44 > 0:23:47A dress befitting the businesswoman you have become.
0:24:13 > 0:24:15The accounts for Ladieswear.
0:24:15 > 0:24:18Thank you.
0:24:18 > 0:24:21It's remarkable what she's doing.
0:24:21 > 0:24:25I pass her every morning. A sore reminder of what we've lost.
0:24:25 > 0:24:27Such determination.
0:24:27 > 0:24:30I fear I should have fought harder to keep her on.
0:24:30 > 0:24:35She made up her mind. Besides, this is Jonas's doing.
0:24:35 > 0:24:36If he hadn't provoked her uncle.
0:24:36 > 0:24:40I'm starting to believe you were right all along, Dudley.
0:24:40 > 0:24:43This is music to my ears,
0:24:43 > 0:24:45but what do you mean?
0:24:45 > 0:24:49I warned him, but still he thinks it's his rightful place
0:24:49 > 0:24:51to involve himself in my affairs.
0:24:53 > 0:24:54I can no longer trust him.
0:24:58 > 0:25:00Jonas is eager,
0:25:00 > 0:25:03perhaps too much so at times...
0:25:05 > 0:25:07..but we must not judge him too harshly.
0:25:10 > 0:25:12We should give him another chance.
0:25:14 > 0:25:16Hey up.
0:25:32 > 0:25:35Ready?
0:25:35 > 0:25:37Ready.
0:25:37 > 0:25:40Hello, madam. How may I help you?
0:25:40 > 0:25:42If it is the dress on Carruthers' stall,
0:25:42 > 0:25:45I can also make it in a silk organza.
0:25:45 > 0:25:49And Jackson's sell a very nice ebony-handled umbrella
0:25:49 > 0:25:51which would look quite the part.
0:25:54 > 0:25:56There you are.
0:25:58 > 0:26:03Merci, and not goodbye, I trust, but au revoir.
0:26:03 > 0:26:04And in the meantime,
0:26:04 > 0:26:07perhaps you might like to sample the pleasures next door?
0:26:09 > 0:26:11Off!
0:26:21 > 0:26:24- Bye.- Bye.
0:26:24 > 0:26:25Excuse me?
0:26:28 > 0:26:31You are eligible for our discount, 10%.
0:26:31 > 0:26:34That makes your total £4 and 17 shillings.
0:26:35 > 0:26:41No, no, Samuel, it is all wrong. Have you not read the paper?
0:26:41 > 0:26:43Miss Glendenning is visiting us today
0:26:43 > 0:26:47to purchase her wedding gown, we must showcase our very finest.
0:26:47 > 0:26:49And with the doors about to open.
0:26:49 > 0:26:53This is too bright, too showy. Good Lord, Samuel, really!
0:26:53 > 0:26:57Oh, people of true class have subtlety in their blood.
0:26:57 > 0:26:59Here. Now stock up on it.
0:26:59 > 0:27:02There's bound to be a run on whichever one she chooses.
0:27:02 > 0:27:04Hurry, girls, hurry. There's a quite a throng forming.
0:27:04 > 0:27:08See. It's Katherine Glendenning who's done this.
0:27:08 > 0:27:10You'll like her more come bonus time.
0:27:10 > 0:27:12Is that "Guillotine!" I hear them cry?
0:27:12 > 0:27:15Oh, it's an ugly emotion, jealousy.
0:27:15 > 0:27:18Me jealous? I've no reason to be.
0:27:18 > 0:27:20I visited his rooms a couple of weeks back,
0:27:20 > 0:27:23right before they got engaged.
0:27:23 > 0:27:25She hasn't got anything I haven't had already.
0:27:46 > 0:27:49It all seems to be going surprisingly well.
0:27:49 > 0:27:52The advertisement you put in the paper is doing the trick.
0:27:57 > 0:27:59You've never shied away from publicity before.
0:27:59 > 0:28:01I thought you would have liked the article.
0:28:01 > 0:28:04To be in the society pages and gossip columns?
0:28:04 > 0:28:07The Paradise was referenced constantly.
0:28:07 > 0:28:09You are marrying into the aristocracy.
0:28:09 > 0:28:10"The wedding of the year"!
0:28:10 > 0:28:13Glendenning will think I'm responsible for it.
0:28:13 > 0:28:14It's an embarrassment.
0:28:14 > 0:28:16The woman is taking over my store.
0:28:26 > 0:28:30Now that's what I call a hat.
0:28:38 > 0:28:41CROWD CHATTERS
0:29:15 > 0:29:18Darling! I see you've brought quite a crowd along with you.
0:29:18 > 0:29:21I trust they're not all your close acquaintances.
0:29:21 > 0:29:24I should like to say it is good taste,
0:29:24 > 0:29:26but I fear it is something more prurient that draws them in.
0:29:26 > 0:29:29Or perhaps it's the article you put in the newspaper.
0:29:29 > 0:29:31You liked it?
0:29:33 > 0:29:37Do you know, I think I am beginning to understand.
0:29:37 > 0:29:41This playing shops is quite an entertaining distraction.
0:29:41 > 0:29:45Er, Katherine, we do not PLAY here. This is business.
0:29:45 > 0:29:49You know, today, I think I could sell you anything.
0:29:49 > 0:29:53One day of sales does not an expert in retail make.
0:29:53 > 0:29:55No? Then choose something.
0:29:56 > 0:29:59Don't you think you have proven yourself already?
0:29:59 > 0:30:01Anything.
0:30:01 > 0:30:03Let ME show you how it's done.
0:30:07 > 0:30:09Very well. Sam.
0:30:09 > 0:30:10Mr Moray, sir.
0:30:10 > 0:30:12I am looking for a cloth.
0:30:12 > 0:30:16Something...special, something...different.
0:30:16 > 0:30:19Miss Audrey's put out what she deems to be our very finest silks.
0:30:19 > 0:30:22No. No. Erm...
0:30:45 > 0:30:47Sir, that's old lining satin.
0:30:47 > 0:30:49Mmm. Its name?
0:30:50 > 0:30:53I believe that's known as Midnight Ink.
0:31:03 > 0:31:04Midnight Ink.
0:31:08 > 0:31:11Six yards. Then take it up to Ladieswear.
0:31:11 > 0:31:13It is the perfect cloth...
0:31:14 > 0:31:17..the only cloth, for my wedding dress.
0:31:17 > 0:31:18MURMURING
0:31:18 > 0:31:19Midnight Ink.
0:31:25 > 0:31:27Er, ma'am?
0:31:27 > 0:31:29No. Your services shall not be needed today.
0:31:29 > 0:31:33Oh, good. Er, I mean, very good, your honourable, ma'am!
0:31:51 > 0:31:54One might use the lull to tidy a little, Mr Lovett.
0:31:54 > 0:31:58You are sprawled halfway across my bench.
0:31:58 > 0:32:01Chisholm, I spent all morning with your feathers batting my face.
0:32:01 > 0:32:04My feathers do not bat.
0:32:04 > 0:32:08And I do not sprawl. Certainly not over your bench!
0:32:08 > 0:32:09Uncle?
0:32:18 > 0:32:19I'll have that,
0:32:19 > 0:32:21made in Midnight Ink.
0:32:21 > 0:32:24If you step this way, I can measure you up.
0:32:24 > 0:32:25Clara.
0:32:28 > 0:32:29Clara.
0:32:32 > 0:32:33Maybe not...you.
0:32:34 > 0:32:39Miss Audrey, Katherine is with you? All is progressing?
0:32:39 > 0:32:41Oh, yes, Mr Moray, sir,
0:32:41 > 0:32:43but I'm afraid you cannot stay here!
0:32:43 > 0:32:46The bride-to-be must have her privacy respected.
0:32:46 > 0:32:48Very well.
0:33:01 > 0:33:02DOOR OPENS
0:33:05 > 0:33:08Jonas, are you waiting for Moray?
0:33:16 > 0:33:20I did not sleep last night, for thinking of our conversation.
0:33:22 > 0:33:25The fear that I have misjudged you,
0:33:25 > 0:33:29not understanding the difficulties you have faced.
0:33:32 > 0:33:35I should like your permission to talk with Moray.
0:33:36 > 0:33:39If I could explain to him the importance The Paradise
0:33:39 > 0:33:43holds for you, then, I am sure he will guarantee
0:33:43 > 0:33:45your position here as safe.
0:33:47 > 0:33:49He and I are old friends.
0:33:52 > 0:33:55Let me reassure you.
0:33:55 > 0:33:57Not a word of this shall be uttered to anyone else.
0:33:59 > 0:34:02You overestimate your authority.
0:34:02 > 0:34:04How do you know that I was telling you the truth?
0:34:05 > 0:34:10You need to learn, Mr Dudley, you cannot trust anyone.
0:34:10 > 0:34:16All around you, people utter lies and hold secrets that make men shudder.
0:34:16 > 0:34:21Do not presume to know me or anyone else...even those closest to you.
0:34:27 > 0:34:31It is Clara, did I hear her say?
0:34:31 > 0:34:32Yes, ma'am.
0:34:32 > 0:34:36I confess I am terrible with names and with so many staff...
0:34:36 > 0:34:39I am trying to make an effort, for Moray.
0:34:39 > 0:34:42Oh, I'm sure he will appreciate that, ma'am.
0:34:42 > 0:34:45Mr Moray has always placed great emphasis on getting
0:34:45 > 0:34:48to know his staff...individually.
0:34:49 > 0:34:51Moray is a very modern man.
0:34:51 > 0:34:56I should say. Although, it has its disadvantages,
0:34:56 > 0:34:58being so involved.
0:34:58 > 0:35:01He's miserable when some of them go.
0:35:01 > 0:35:03Denise was a REAL favourite.
0:35:05 > 0:35:06Really?
0:35:06 > 0:35:10Oh, look at that! We're the same around the chest.
0:35:13 > 0:35:15Clara.
0:35:19 > 0:35:23Miss Glendenning, if I might humbly suggest an alternative fabric.
0:35:23 > 0:35:27The satin you have selected is not one we would normally use
0:35:27 > 0:35:29for a wedding dress - the quality, the colour.
0:35:29 > 0:35:32The colour is appropriate for mourning,
0:35:32 > 0:35:35as a mark of respect for Mr Moray's first wife.
0:35:35 > 0:35:36SURPRISED SWOONS
0:35:36 > 0:35:40It is the custom and one that I am willing to embrace.
0:35:41 > 0:35:43As for the quality, it matters not.
0:35:43 > 0:35:45My real dress is crafted
0:35:45 > 0:35:48of snow-white Russian silk.
0:35:48 > 0:35:51It is but a ruse, Miss Audrey.
0:35:51 > 0:35:53A game.
0:35:53 > 0:35:55Oh, I see.
0:35:56 > 0:35:58Well, thank you for informing me.
0:36:04 > 0:36:08Clara, take this to the seamstresses and have it made up immediately.
0:36:08 > 0:36:11Miss Glendenning has graced us with her custom.
0:36:11 > 0:36:14Let us thank her with our professionalism.
0:36:14 > 0:36:16APPROVING SWOONS
0:36:16 > 0:36:18One at a time, please, one at a time.
0:36:18 > 0:36:23Yes, Midnight Ink - Encre de Minuit -
0:36:23 > 0:36:27an exceedingly elegant fabric of singularly good taste.
0:36:27 > 0:36:31The intensity is a product of the pigmentation process.
0:36:31 > 0:36:36See, it's not the silk that's dyed, but the silkworm's feed.
0:36:36 > 0:36:40The blend of dyes mixed to replicate exactly the sash
0:36:40 > 0:36:43- on his first wife's wedding dress. - 'Copper sulphate...'
0:36:44 > 0:36:47..with just a pinch of ground sapphires thrown in.
0:36:47 > 0:36:49They buried her in it.
0:36:50 > 0:36:51She told you what?
0:36:51 > 0:36:56Madam, I'm sorry, but someone's been telling your friends fibs.
0:36:56 > 0:36:59The truth is, Mr Moray chose it.
0:36:59 > 0:37:02The name reminds him of the hour in which he pens his courtship letters
0:37:02 > 0:37:05to Miss Glendenning, so full of her that he cannot sleep.
0:37:05 > 0:37:07Aw...
0:37:07 > 0:37:09How many yards was it?
0:37:14 > 0:37:16EXCITED CHATTER
0:37:31 > 0:37:33Oh.
0:37:35 > 0:37:38No point getting shop girl's feet.
0:37:47 > 0:37:49KNOCKING
0:37:55 > 0:37:59- I've missed you so much! Can I come in?- Of course!
0:37:59 > 0:38:02She's in the store all day, all over him, cooing.
0:38:02 > 0:38:06Pauline. We're very busy. Lots to do before the morning.
0:38:06 > 0:38:09It's all right, I can talk standing.
0:38:09 > 0:38:11- Mr Lovett.- Pauline.
0:38:11 > 0:38:15She's changing everything in The Paradise. And I mean everything!
0:38:15 > 0:38:18And what she's buying, everyone else is buying.
0:38:18 > 0:38:20It's like, well, madness, really. For her wedding dress today,
0:38:20 > 0:38:24she chose this horrible satin, Midnight Ink. Next thing you know,
0:38:24 > 0:38:27we've as good as sold out. No wonder Mr Moray's swooning.
0:38:27 > 0:38:30If she can shift stock like that, she's the perfect match for him.
0:38:30 > 0:38:33Mind, that's nothing. Then there's what Clara told me.
0:38:33 > 0:38:38- Pauline...- I'll burst if I don't tell someone. She...with Moray.
0:38:38 > 0:38:41I don't know what exactly but something.
0:38:41 > 0:38:45It was just before he got engaged to Katherine, when Miss Audrey was ill.
0:38:45 > 0:38:47Of course. She'll win in the end - Katherine.
0:38:47 > 0:38:49In fact, she's given me a few tips.
0:38:49 > 0:38:51This morning, when I said hello to Sam, he smiled back at me
0:38:51 > 0:38:53and told me to inspect his teeth.
0:38:53 > 0:38:55Not that it did much good,
0:38:55 > 0:38:56come to think of it.
0:38:56 > 0:39:00That dress is lovely. But you want to get your uncle to loosen it a bit.
0:39:00 > 0:39:01You're white as a sheep.
0:39:03 > 0:39:05DOOR OPENS
0:39:07 > 0:39:08Darling?
0:39:10 > 0:39:13I hear the sales figures for today are extraordinary.
0:39:13 > 0:39:15Isn't that wonderful?
0:39:21 > 0:39:23After all I have done for you.
0:39:26 > 0:39:29We are due to be married.
0:39:29 > 0:39:31I do not think it is too much to ask.
0:39:33 > 0:39:36Please...
0:39:36 > 0:39:37take it down.
0:39:40 > 0:39:42I want to be the only Mrs Moray.
0:39:45 > 0:39:46Not yet.
0:39:51 > 0:39:53She is there to remind me, Katherine...
0:39:55 > 0:39:57..not just of who she was,
0:39:57 > 0:39:59but...
0:39:59 > 0:40:01of who I am.
0:40:06 > 0:40:08In that case, I shall return home.
0:40:10 > 0:40:12I am tired.
0:40:13 > 0:40:15It is late.
0:40:27 > 0:40:30We are a long way off making back our initial investment.
0:40:30 > 0:40:32You cannot expect to get your money back after one day.
0:40:32 > 0:40:36Just an observation, Edmund. There's no need to be so touchy.
0:40:36 > 0:40:38I was merely stating fact, Charles.
0:40:38 > 0:40:40A matter of opinion, surely?
0:40:41 > 0:40:43I have an idea.
0:40:43 > 0:40:45There is a fabric called Midnight Ink
0:40:45 > 0:40:48that The Paradise have been trading on strongly.
0:40:48 > 0:40:49We should order it.
0:40:49 > 0:40:54The Paradise would simply order more, sell it more cheaply.
0:40:54 > 0:40:56If my memory serves me correctly,
0:40:56 > 0:40:58Midnight Ink is a discontinued satin
0:40:58 > 0:41:01from a manufacturer that folded in January.
0:41:01 > 0:41:04If there's any left, it will be limited stock.
0:41:04 > 0:41:06We could buy the lot and be the only shop
0:41:06 > 0:41:08able to offer the material
0:41:08 > 0:41:12that Katherine Glendenning has chosen for her wedding outfit.
0:41:12 > 0:41:15- Is that not a little underhand? - Would The Paradise do different?
0:41:15 > 0:41:17MURMURS OF AGREEMENT
0:41:17 > 0:41:22Your uncle underestimates you again. It is the best idea you've had yet.
0:41:22 > 0:41:29I do have some meagre savings. Not much, my very last few pennies.
0:41:30 > 0:41:35I might consider a loan, if you could offer me some guarantee.
0:41:37 > 0:41:39I believe we will succeed.
0:41:39 > 0:41:43Then I want 50% of all profits.
0:41:43 > 0:41:46That's my offer. Take it or leave it.
0:42:16 > 0:42:20Moray, from the suppliers. They have run out of Midnight Ink.
0:42:20 > 0:42:24Someone placed an order for the remaining fabric minutes before ours came in.
0:42:24 > 0:42:26- This is an outrage. An absolute outrage.- Katherine?
0:42:26 > 0:42:30Hurry, come and look! The insolence! The cheek!
0:42:36 > 0:42:42How dare she! She is selling my wedding dress.
0:42:43 > 0:42:45Where are you going?
0:42:45 > 0:42:47- Back to work. - But you must go and talk to her.
0:42:47 > 0:42:49Stop her.
0:42:49 > 0:42:51Well, if you won't, I shall do it myself.
0:42:51 > 0:42:53I don't think that would be a good idea.
0:42:53 > 0:42:58- That is my fabric. It is plagiarism. Theft.- No, Katherine,
0:42:58 > 0:43:01the only thing they've done wrong is beating you at your own game.
0:43:01 > 0:43:06You must stop this. You cannot have everything your way.
0:43:08 > 0:43:10Dudley, will you see me to my carriage?
0:43:10 > 0:43:12- Of course.- And deal with this.
0:43:31 > 0:43:34- Madam.- Thank you.
0:43:34 > 0:43:35How are you coping?
0:43:35 > 0:43:38Fine. I'm not so sure about him.
0:43:38 > 0:43:41Mesdames, messieurs, restrain yourselves.
0:43:41 > 0:43:43Do not swarm and claw so.
0:43:43 > 0:43:45Though your custom is most welcome,
0:43:45 > 0:43:49these hats are pieces of artistry.
0:43:49 > 0:43:51Do not finger the feathers.
0:43:54 > 0:43:58Miss Glendenning, please do not be too upset.
0:43:58 > 0:44:01Moray can forget himself when involved in matters of The Paradise.
0:44:01 > 0:44:06Those closest to him often feel in competition with the shop.
0:44:06 > 0:44:08It is never meant personally.
0:44:10 > 0:44:12Thank you, Dudley.
0:44:44 > 0:44:46Folding and tidying.
0:44:46 > 0:44:48There is no point just dawdling there, girl.
0:44:48 > 0:44:51You will put off any customers that we do have.
0:44:51 > 0:44:53- But everything's already been folded.- Then do it again.
0:44:59 > 0:45:01Mr Moray, sir.
0:45:01 > 0:45:03Miss Audrey. You're quiet.
0:45:03 > 0:45:04We are...
0:45:04 > 0:45:06quiet.
0:45:06 > 0:45:08It is the Midnight Ink.
0:45:08 > 0:45:12I find myself tempted to tell customers
0:45:12 > 0:45:14how poor the cloth really is.
0:45:14 > 0:45:16But we cannot expose Miss Glendenning.
0:45:16 > 0:45:18Indeed. Indeed.
0:45:18 > 0:45:23It is hard not to be impressed by the way Denise has played her hand at this.
0:45:23 > 0:45:27The girl always did exhibit a level of promise bordering on precocity.
0:45:35 > 0:45:39You have known me for...quite some time, Miss Audrey.
0:45:39 > 0:45:40I have, Mr Moray.
0:45:40 > 0:45:42Hmm. How would you describe me?
0:45:43 > 0:45:45- Tall...- No.
0:45:45 > 0:45:46- Quite tall...- No, no.
0:45:46 > 0:45:48Medium, strong strength...
0:45:48 > 0:45:50No. Would you say I am honest?
0:45:50 > 0:45:54Oh, very honest. You have always been very honest. Yes.
0:45:57 > 0:46:01Would you say I've changed in any way?
0:46:01 > 0:46:02You may be frank.
0:46:04 > 0:46:08I would say that, with power and responsibility, we all change,
0:46:08 > 0:46:10but the hearts of the most honourable remain true to their dreams.
0:46:13 > 0:46:17It is why you inspire such loyalty and affection in your workforce.
0:46:18 > 0:46:21Have confidence, Mr Moray.
0:46:31 > 0:46:33Thessalonians, Chapter 3, Verse 11.
0:46:33 > 0:46:35Yes, well.
0:46:35 > 0:46:39Perhaps if you'd listened as intently in Bible class.
0:46:39 > 0:46:40To work, girls!
0:46:42 > 0:46:47Gentleman, to successful co-operation!
0:46:47 > 0:46:49- ALL:- Successful co-operation.
0:46:50 > 0:46:53And that is what it looks like.
0:46:53 > 0:46:55A tidy sum, I believe.
0:46:55 > 0:46:57There's no arguing with it.
0:46:57 > 0:46:58You say that now.
0:46:58 > 0:47:03If you had your way, we'd still be stood out there, peddling neckerchiefs.
0:47:03 > 0:47:06- Neckties.- Scrabbling for tiddlers instead of bigger fish.
0:47:06 > 0:47:11This is the difference between thrive and survive. On the Rue St Denis...
0:47:11 > 0:47:13Are you saying I don't know how to run my business?
0:47:13 > 0:47:17- On recent evidence, you have little eye for an opportunity. - Mr Chisholm!
0:47:17 > 0:47:21- Last week, you were on your knees begging for my help! - Uncle!- Your help?
0:47:21 > 0:47:24We are all aware that anything that ever has been achieved here
0:47:24 > 0:47:26has been achieved by your niece.
0:47:26 > 0:47:29Mr Chisholm! Please, gentlemen,
0:47:29 > 0:47:32let us all calm down and talk of our next step.
0:47:32 > 0:47:35We must decide how we shall reinvest these profits.
0:47:35 > 0:47:36I think you mean MY profits.
0:47:36 > 0:47:40- I knew it.- Let us be honest, none of this would have been possible
0:47:40 > 0:47:41if it wasn't for my money.
0:47:41 > 0:47:44I invested all my savings in this scheme.
0:47:44 > 0:47:47Of all the self-serving, penny-pinching, manipulative...
0:47:47 > 0:47:50So, I want him to thank me for it.
0:47:50 > 0:47:54I want Lovett to recognise that he owes me for this.
0:47:54 > 0:47:57Otherwise, I'll have it back, every penny.
0:47:57 > 0:47:59With interest.
0:48:01 > 0:48:03You cannot mean that.
0:48:03 > 0:48:06Withdrawing your investment would fold the co-operative.
0:48:06 > 0:48:10Our success has made even The Paradise sit up and take notice.
0:48:10 > 0:48:13Really, Mr Chisholm, Uncle,
0:48:13 > 0:48:17it is time we put an end to this pettiness.
0:48:17 > 0:48:19If we can't see eye to eye in the good times,
0:48:19 > 0:48:21how shall we fare in the bad?
0:48:34 > 0:48:36What co-operative?
0:48:50 > 0:48:53Tant pis!
0:49:01 > 0:49:02Please!
0:49:03 > 0:49:05Please, Mr Chisholm!
0:49:08 > 0:49:11Mr Carruthers! Mr Jackson!
0:49:14 > 0:49:18I'm sorry, Denise, but I tried to warn you.
0:49:18 > 0:49:20We are cut from a very different cloth.
0:49:27 > 0:49:30You too have run out of silk.
0:49:30 > 0:49:32More than silk.
0:49:32 > 0:49:37There's no more Tollgate Street Traders, no more co-operative.
0:49:37 > 0:49:39We've run clean out of co-operation.
0:49:46 > 0:49:49And...patience, it seems.
0:49:51 > 0:49:53You have made me feel foolish.
0:49:56 > 0:49:58Your sales have made me LOOK it!
0:50:01 > 0:50:04It is pathetic. No matter how hard you try to explain,
0:50:04 > 0:50:05there's no reasoning with them.
0:50:05 > 0:50:09That is because they do not start from a position of logic.
0:50:09 > 0:50:11I wish I could say that I was surprised,
0:50:11 > 0:50:15but given your choice of partners...
0:50:15 > 0:50:17Next time, you'll have to be more selective.
0:50:17 > 0:50:20I don't know that there will be a next time.
0:50:20 > 0:50:23Sometimes we must learn from our mistakes.
0:50:23 > 0:50:27What matters is that we are never deterred from grasping opportunities,
0:50:27 > 0:50:31even if it means we are making the greatest mistake of our lives.
0:50:39 > 0:50:44My wife loved me wholeheartedly, without reservation.
0:50:44 > 0:50:48But I did not give her the love that she...deserved.
0:50:50 > 0:50:53I was driven by the need to expand the store.
0:50:54 > 0:50:58She wanted us to go away for two months,
0:50:58 > 0:51:01travel together...
0:51:01 > 0:51:02start a family.
0:51:04 > 0:51:06I...refused.
0:51:08 > 0:51:11We argued, and...
0:51:11 > 0:51:13I...
0:51:13 > 0:51:17I said some things that were...
0:51:17 > 0:51:19unforgivable.
0:51:21 > 0:51:23She ran from me.
0:51:23 > 0:51:27And now I will never know.
0:51:29 > 0:51:31Did she fall or did she...
0:51:33 > 0:51:36..with intention...?
0:51:53 > 0:51:55Why am I telling you this?
0:51:56 > 0:52:00Because what matters is that we learn from our mistakes.
0:52:07 > 0:52:08I need you to know...
0:52:08 > 0:52:12that you are my inspiration.
0:52:39 > 0:52:42- Katherine? - I am considering taking it all back.
0:52:42 > 0:52:45Much of it is of dubious quality.
0:52:54 > 0:52:55Tell me what's happened.
0:52:55 > 0:53:00It's nothing...a small exchange.
0:53:02 > 0:53:05I...just don't understand.
0:53:07 > 0:53:08After all I have done.
0:53:10 > 0:53:15I tried to help him, and he mocked me for it, chastised me,
0:53:15 > 0:53:18chose to defend some girl over his own future wife.
0:53:20 > 0:53:21What girl?
0:53:21 > 0:53:23The dressmaker's niece.
0:53:24 > 0:53:25Opposite?
0:53:25 > 0:53:27Why?
0:53:29 > 0:53:33He has demonstrated a certain leniency towards this co-operative.
0:53:33 > 0:53:37I wondered if there was reason behind it. That's all.
0:53:37 > 0:53:39What do you mean?
0:53:39 > 0:53:40Oh, nothing.
0:53:40 > 0:53:43Nothing at all to worry about.
0:53:44 > 0:53:49All lovers have the occasional squabble.
0:53:49 > 0:53:52I mean, Moray is almost certainly feeling rather nervous.
0:53:52 > 0:53:54HE CLEARS HIS THROAT
0:53:56 > 0:54:01I think we should plan a trip for you both after the wedding.
0:54:01 > 0:54:04A chance to escape these... distractions
0:54:04 > 0:54:07and concentrate instead on each other.
0:54:09 > 0:54:12Your shared future together.
0:54:12 > 0:54:15Hmm? Italy?
0:54:16 > 0:54:18Greece?
0:54:19 > 0:54:22Both wonderful at this time of year.
0:54:26 > 0:54:32It's at times like this a man needs to stand back, take stock.
0:54:32 > 0:54:36As far as I can see, things are surprisingly good.
0:54:36 > 0:54:40In fact, much as they were before all this co-operative stuff.
0:54:41 > 0:54:43We've still got our business,
0:54:43 > 0:54:45our skills,
0:54:45 > 0:54:46some orders...
0:54:46 > 0:54:50Unfortunately, Uncle, those orders were placed through the co-operative
0:54:50 > 0:54:52at a discount that we can no longer honour.
0:54:52 > 0:54:54Unless you want to sell at a loss.
0:54:54 > 0:54:56I hadn't thought.
0:54:56 > 0:54:58I often don't.
0:55:00 > 0:55:02Denise, I'm sorry.
0:55:02 > 0:55:03After all you've done.
0:55:03 > 0:55:06Giving up your job...
0:55:06 > 0:55:07The Paradise.
0:55:07 > 0:55:11That's not true. I left The Paradise of my own accord.
0:55:12 > 0:55:14It was childish.
0:55:14 > 0:55:16A foolish impulse.
0:55:16 > 0:55:17Still...
0:55:19 > 0:55:22..I've been a pig-headed, arrogant oaf.
0:55:22 > 0:55:23And stubborn as a mule.
0:55:25 > 0:55:28What matters is that we learn from our mistakes,
0:55:28 > 0:55:31not stand here licking our wounds.
0:55:31 > 0:55:32We should have confidence. We've earnt it.
0:55:32 > 0:55:34We've shown what we can do.
0:55:34 > 0:55:38And now we must be ready for the next opportunity that comes our way.
0:55:38 > 0:55:42And we will be, Uncle, we will.
0:55:47 > 0:55:48KNOCKING
0:55:51 > 0:55:54Darling? I have spoken to Papa, and he agrees.
0:55:56 > 0:55:59We must put an end to this... circus.
0:56:00 > 0:56:02Our wedding should be about love,
0:56:02 > 0:56:07a meeting of two souls, not all this...endless planning.
0:56:09 > 0:56:10We shall bring the date forward.
0:56:10 > 0:56:14Arrange a small affair. Why not?
0:56:15 > 0:56:16I cannot bear to wait.
0:56:17 > 0:56:21And listen, Papa has offered us a wedding gift.
0:56:21 > 0:56:25An extended honeymoon, just the two of us, alone, away from all of this.
0:56:26 > 0:56:28Perhaps Europe?
0:56:29 > 0:56:33I am sure Dudley will manage the store perfectly well in your absence.
0:56:38 > 0:56:40The perfect start...
0:56:40 > 0:56:43to a perfect marriage.
0:57:08 > 0:57:13I suspect there are a few things you would have changed.
0:57:13 > 0:57:16The draping of the fabric perhaps a little too...Miss Audrey?
0:57:16 > 0:57:18DENISE LAUGHS
0:57:18 > 0:57:22The overall display lacking a single focal point.
0:57:22 > 0:57:26Oh, how we must suffer for the lack of perfection.
0:57:31 > 0:57:32Denise, I, er...
0:57:32 > 0:57:36No. No, there's no need. I do not want your apology.
0:57:36 > 0:57:40There is too much of an air of finality about it.
0:57:40 > 0:57:43I should like to remain friends, Mr Moray.
0:57:43 > 0:57:48My dream is that I will make my own mark on the world, as you have.
0:57:51 > 0:57:55I see that I have lost my little champion.
0:57:55 > 0:57:58She has grown too great for me.
0:58:03 > 0:58:06The man found in the river. It's Bradley Burroughs.
0:58:06 > 0:58:08- JONAS:- 'We must keep what we know to ourselves.
0:58:08 > 0:58:09'They would use this to bring Mr Moray down.'
0:58:09 > 0:58:11I come here knowing my place, ma'am.
0:58:11 > 0:58:15So be it. You can start today. We are busy with wedding fever.
0:58:15 > 0:58:17I hope you will toast to my future.
0:58:17 > 0:58:20Is there anything in the world more romantic than a wedding veil?
0:58:22 > 0:58:25- You're back.- Yes, ma'am.
0:58:42 > 0:58:45Subtitles by Red Bee Media Ltd