0:00:41 > 0:00:42What are you doing, Uncle?
0:00:42 > 0:00:46To have your name above a shop, it's no small thing.
0:00:46 > 0:00:48Have you only just noticed?
0:00:51 > 0:00:53You've forgotten, haven't you?
0:00:53 > 0:00:56Clearly I have or I'd know what you're talking about.
0:00:56 > 0:00:58Five years.
0:00:58 > 0:01:00This week.
0:01:00 > 0:01:03Five years since that sign went up,
0:01:03 > 0:01:07this place stopped being Emmerson's Drapery and became The Paradise.
0:01:25 > 0:01:26Flora?
0:01:28 > 0:01:29Where are you, darling?
0:01:29 > 0:01:31SHE GIGGLES
0:01:34 > 0:01:35Flora?
0:01:37 > 0:01:38Flora?
0:01:42 > 0:01:44- Flora?- Ssh.
0:01:51 > 0:01:52Flora?
0:02:00 > 0:02:02- KNOCK AT THE DOOR - John?
0:02:28 > 0:02:30SHE LAUGHS NERVOUSLY
0:02:30 > 0:02:31You caught me.
0:02:32 > 0:02:34I'm sorry, sweetheart. I couldn't resist.
0:02:34 > 0:02:37I've always wondered what it would feel like to sit there.
0:02:37 > 0:02:40Perhaps I ought to be careful where I leave my trousers lying.
0:03:00 > 0:03:02It's a game.
0:03:02 > 0:03:06- Whatever Katherine says, we don't speak to her.- Heavens! What a trick.
0:03:06 > 0:03:09I might have been searching for you the whole day.
0:03:09 > 0:03:11It has quite jangled my nerves.
0:03:11 > 0:03:14Tom, darling, did you hear me?
0:03:14 > 0:03:16Flora...
0:03:16 > 0:03:19- Shall we go and play in the maze?- Yes, Papa.
0:03:22 > 0:03:23Tom.
0:03:24 > 0:03:25Flora.
0:03:29 > 0:03:30I'm talking to you.
0:03:30 > 0:03:33Flora, sweetheart, will you chase me or shall I chase you?
0:03:33 > 0:03:35You chase after me, Papa.
0:03:38 > 0:03:40Do I not exist today?
0:03:42 > 0:03:44I demand that you speak to me!
0:03:48 > 0:03:50Tom, you have been like this for days.
0:03:50 > 0:03:53Like a ghost staring at me but, but saying nothing.
0:03:54 > 0:03:56What is the matter?
0:04:12 > 0:04:13Ma'am.
0:04:15 > 0:04:19- Good morning.- Sir. - Of course we must mark the occasion.
0:04:20 > 0:04:23Window displays, flags and bunting throughout the place.
0:04:23 > 0:04:25All manner of decorations.
0:04:25 > 0:04:29I thought, perhaps, birds of paradise hung from the ceiling.
0:04:29 > 0:04:31I appreciate the sentiment, Dudley,
0:04:31 > 0:04:34- but are these times for us to revel in our position?- Sir.- Morning.
0:04:34 > 0:04:38Every bright bauble will be a poke in the eye of Tom Weston.
0:04:38 > 0:04:41I like the thought of him seeing what we have achieved here.
0:04:41 > 0:04:42Yes.
0:04:42 > 0:04:45- Then let's do it.- Mr Moray.- Morning.
0:04:45 > 0:04:46Good morning.
0:04:46 > 0:04:49I feel like I'm wrapped in butter, It's heavenly!
0:04:51 > 0:04:53Is it heavenly?
0:04:53 > 0:04:56I mean, do I look foolish in it? Should I buy it?
0:04:56 > 0:04:58It-it's perfect, ma'am, I think.
0:04:58 > 0:05:01Perhaps... What do you think, Clara?
0:05:01 > 0:05:06Ma'am I promise you, it is a most tasteful and fashionable choice.
0:05:06 > 0:05:10When do I wear it? I know some dresses are for evening...
0:05:10 > 0:05:13Ma'am, this dress can be worn at any time.
0:05:13 > 0:05:17Oh, but this is such fun and you're so kind to help me.
0:05:17 > 0:05:19What shoes does a lass wear with this dress?
0:05:19 > 0:05:21What kind of shoes would you prefer, madam?
0:05:25 > 0:05:29I'd prefer you to choose. Everything you've chosen so far, it's just...
0:05:29 > 0:05:30Perfect.
0:05:30 > 0:05:32What about...
0:05:32 > 0:05:35The grey button boots?
0:05:35 > 0:05:36Would you like to try a pair?
0:05:38 > 0:05:42If you can have them wrapped up, my husband will come in to pay.
0:05:42 > 0:05:44Of course, Mrs Ballentine.
0:05:44 > 0:05:47Darling Ballentine. He does love to spoil me.
0:05:47 > 0:05:50It's not too much, is it?
0:05:50 > 0:05:53It's not coarse and unladylike to buy so much?
0:05:53 > 0:05:56Not at all, Madam. We will have it all ready for you.
0:05:57 > 0:06:00I was a nurse, you know,
0:06:00 > 0:06:03with hardly a pair of boots to my name. Look at me now.
0:06:03 > 0:06:04Who would have dreamed?
0:06:04 > 0:06:08I never dreamed I'd have such a fine uniform to wear every day
0:06:08 > 0:06:10and such fond friends to share a dorm with.
0:06:13 > 0:06:14Who will deliver the parcels?
0:06:14 > 0:06:19- Oh, the delivery lads deliver, ma'am, on their delivery wagon.- Oh.
0:06:19 > 0:06:22I was rather hoping it would be you, Susy.
0:06:23 > 0:06:26Or you, Clara.
0:06:26 > 0:06:28then I could try them all on and you could tell me...
0:06:28 > 0:06:31And you could see our chandeliers
0:06:31 > 0:06:33and feel how thick the carpets are.
0:06:33 > 0:06:37If you would care for a morning fitting at home, Mrs Ballentine, I'm sure that could be arranged.
0:06:37 > 0:06:40Yes.
0:06:40 > 0:06:43I like the sound of a fitting. We could have tea and scones.
0:06:43 > 0:06:45Or, perhaps scones are only eaten in the afternoon?
0:06:45 > 0:06:50- Forgive me, ma'am. What I meant to say was an afternoon fitting.- Oh.
0:06:50 > 0:06:52THEY LAUGH
0:06:52 > 0:06:54Yes!
0:07:04 > 0:07:08Uncle Edmund, this is the third time I've seen you at the inn this week. Won't Audrey be missing you?
0:07:08 > 0:07:10Don't fret, our Denise.
0:07:10 > 0:07:13Hell's teeth, I've sent her a note telling her I'm on my way back home.
0:07:13 > 0:07:16Far be it for me to interfere in another man's marriage,
0:07:16 > 0:07:18- but why didn't you just take her the note yourself?- Yes.
0:07:18 > 0:07:20Then you would have been there,
0:07:20 > 0:07:23you wouldn't have needed to send a note to say why you're... not there.
0:07:23 > 0:07:27Have a sit down, Susy. Rest your mind a while.
0:07:27 > 0:07:30- You must admit, Mr. Lovett, you don't have any cause to stay... - Yes, I do.
0:07:30 > 0:07:34I'm not one to meddle in the affairs of a marital nature, but,
0:07:34 > 0:07:36what are your reasons, Edmund?
0:07:36 > 0:07:41I can't sell the shop because it looks so worn down and decrepit.
0:07:41 > 0:07:42Now, if I paint it up, you'll see,
0:07:42 > 0:07:46it'll make it a more agreeable proposition for any buyer.
0:07:46 > 0:07:50A few days sweat and toil will make all the difference. You'll see.
0:07:50 > 0:07:53- Come on, Edmund!- I'll prove to the lot of you,
0:07:53 > 0:07:56I'm only here because I intend to leave!
0:07:56 > 0:07:59- THEY LAUGH - Ah, Edmund!
0:08:01 > 0:08:02BACKGROUND LAUGHTER
0:08:06 > 0:08:09She's done it, hasn't she?
0:08:09 > 0:08:11Mrs Ballentine.
0:08:11 > 0:08:14She's got what we all hanker after.
0:08:14 > 0:08:18She's bagged herself a wealthy husband, living the grand life.
0:08:18 > 0:08:20I don't. I want a kind husband.
0:08:20 > 0:08:24Susy, think on. If he's not well-off, what good is his kindness?
0:08:24 > 0:08:27We all say what we dream of is love,
0:08:27 > 0:08:30but, let's admit it, what we really want is love and riches.
0:08:31 > 0:08:35Every fine-dressed woman who walks through that door,
0:08:35 > 0:08:37we just long for what she has.
0:08:37 > 0:08:40- That's why we come to work in a department store.- Hmm.
0:08:40 > 0:08:42You're quiet, Denise.
0:08:42 > 0:08:45What do you say about Mrs Ballentine's good fortune?
0:08:45 > 0:08:47I don't envy our customers.
0:08:47 > 0:08:51I can't say I long to come to The Paradise to shop and to spend.
0:08:51 > 0:08:53Oh, here we go.
0:08:53 > 0:08:55What do you want, Denise?
0:08:55 > 0:08:59I dream of a world where a woman doesn't need a rich husband.
0:08:59 > 0:09:01Oh, yes.
0:09:01 > 0:09:04And I'm looking forward to the day when a woman is Prime Minister,
0:09:04 > 0:09:07and a woman is a priest in the pulpit
0:09:07 > 0:09:10and a woman is in charge of The Paradise!
0:09:10 > 0:09:12THEY LAUGH
0:09:15 > 0:09:16CREAKING STEP
0:09:24 > 0:09:25Tom?
0:09:34 > 0:09:36Tom?
0:09:40 > 0:09:43His proposal to send Denise to Paris...
0:09:43 > 0:09:45I have little doubt he did it to antagonise me.
0:09:45 > 0:09:47He took your father's watch from the store
0:09:47 > 0:09:49without so much as a by-your-leave.
0:09:49 > 0:09:52It was as if he knew what you and I had spoken about,
0:09:52 > 0:09:54your father's wishes for the watch...
0:09:54 > 0:09:57TWIGS BREAK AND BIRDS FLUTTER ..to be left to the man you married.
0:09:58 > 0:10:00What is it?
0:10:00 > 0:10:03Will you come back tomorrow?
0:10:03 > 0:10:04We can speak then.
0:10:06 > 0:10:07Of course.
0:10:08 > 0:10:10Please, tell me.
0:10:13 > 0:10:15- SHE WHISPERS - God, help me.
0:10:15 > 0:10:17God, please help me.
0:10:23 > 0:10:26He is capable of such cruelty.
0:10:26 > 0:10:28I never imagined!
0:10:30 > 0:10:34We married in such haste. I hardly knew him.
0:10:36 > 0:10:39I live in terror of upsetting him.
0:10:40 > 0:10:43I dare not speak for fear of how he will react.
0:10:45 > 0:10:47There are times I think he hates me.
0:10:49 > 0:10:52He wishes only to punish me.
0:10:55 > 0:10:58I cannot bear one more day!
0:11:05 > 0:11:07Oh!
0:11:07 > 0:11:08Oh, thank you.
0:11:11 > 0:11:12Thank you.
0:11:16 > 0:11:18You cannot live like this, Katherine.
0:11:19 > 0:11:21What else can I do?
0:11:26 > 0:11:30Promise me you will come to me when you need someone.
0:11:49 > 0:11:52It's her. It's Mrs Ballentine! She's here with her husband.
0:11:52 > 0:11:54And he's, well, he's, well he's not...
0:11:54 > 0:11:58- What I'm trying to say is, he's not...- Here they are, my darling!
0:11:58 > 0:12:00My new friends.
0:12:00 > 0:12:04- They've been looking after me so sweetly.- Thank you, girls,
0:12:04 > 0:12:08for making my wife the happiest woman in the whole city.
0:12:08 > 0:12:10Well, show them, Ballentine.
0:12:10 > 0:12:14- Show them how obliged we are. - Oh, yes!
0:12:25 > 0:12:27Perhaps you might come with me to the Cashier desk,
0:12:27 > 0:12:29Mr Ballentine, to settle your account?
0:12:29 > 0:12:31I'll wager it's down all those stairs!
0:12:31 > 0:12:36- And I've just climbed up them! Thank you, dear!- This way.
0:12:41 > 0:12:44I need you to show me how to walk in my new dresses.
0:12:45 > 0:12:48I know what you're thinking. You're thinking,
0:12:48 > 0:12:49"Here's a man who's
0:12:49 > 0:12:53"so in love with his wife that he will indulge her every whim."
0:12:53 > 0:12:55Oh, how your sales will soar!
0:12:57 > 0:13:00Mr Moray, sir, might I introduce you to Mr Ballentine?
0:13:00 > 0:13:02Campbell Ballentine? We met once before, sir.
0:13:02 > 0:13:06- I believe it was at the race course. - Oh, yes, of course!
0:13:06 > 0:13:09- I lost a fortune that day! - BOTH CHUCKLE
0:13:09 > 0:13:13Well, I am pleased to see you in my...in The Paradise.
0:13:13 > 0:13:15If you'll excuse me, sir?
0:13:15 > 0:13:17This way.
0:13:19 > 0:13:21Mr Ballentine's accounts, please.
0:13:25 > 0:13:28What a splendid enterprise!
0:13:28 > 0:13:30We've recently opened a Food Hall.
0:13:30 > 0:13:34We have an Oriental Room which has proved very popular.
0:13:34 > 0:13:36We try to stock items at a range of prices
0:13:36 > 0:13:38to attract all manner of customers.
0:13:38 > 0:13:41Those who can't afford the finer goods
0:13:41 > 0:13:42can still come in to gaze at them.
0:13:42 > 0:13:45We have a Childrenswear department
0:13:45 > 0:13:49Bedding, Menswear and Furniture. We're always looking to expand.
0:13:49 > 0:13:51I have a brewery.
0:13:51 > 0:13:53I started out with one ale,
0:13:53 > 0:13:56and now, I supply more than half the inns and hostelries of the city.
0:13:56 > 0:13:59And beyond.
0:13:59 > 0:14:02I may get short of breath, but I still go to work every day,
0:14:02 > 0:14:06and I still know each employee by their first name.
0:14:06 > 0:14:08I know what you're thinking.
0:14:08 > 0:14:11We ought to supply those ales of yours in our Food Hall!
0:14:11 > 0:14:13BOTH LAUGH
0:14:13 > 0:14:17The idea...is to walk as though your feet were on wheels.
0:14:17 > 0:14:20Oh. Like this?
0:14:20 > 0:14:22Not up and down, no hands.
0:14:22 > 0:14:25Er, "tripping", we call it. ..Susy?
0:14:29 > 0:14:31Wonderful!
0:14:31 > 0:14:35Place your hands in front, like this. And...
0:14:35 > 0:14:36Susy?
0:14:38 > 0:14:40Long strides are not feminine.
0:14:40 > 0:14:42Short strides. Yes?
0:14:42 > 0:14:44Short...strides.
0:14:45 > 0:14:51Every step is meant to draw attention for its grace and poise.
0:14:51 > 0:14:53I'm not sure I can do grace and poise!
0:14:53 > 0:14:55Perhaps try poise and worry about grace later.
0:14:55 > 0:14:56ALL LAUGH
0:14:56 > 0:14:59We must all go out together. Be my treat. Where shall we go?
0:14:59 > 0:15:02What's the most lavish night out we could possibly have?
0:15:02 > 0:15:05- Er, Mrs Ballentine... - Please, call me Lucille...
0:15:05 > 0:15:08Lucille, there's no need for extravagance.
0:15:11 > 0:15:14Ballentine's so handsome, isn't he?
0:15:15 > 0:15:20- Your husband clearly adores you, madam.- He can be so funny sometimes.
0:15:22 > 0:15:24I've never known a kinder man.
0:15:28 > 0:15:31I'm going to invite you all out to the house,
0:15:31 > 0:15:33and it will be the jolliest party of the year.
0:15:33 > 0:15:36- Please, say you'll come! - Oh, we'd love to come.
0:15:36 > 0:15:38We want to look at your chandeliers. Don't we, Clara?
0:15:38 > 0:15:43Or, sometimes we have a picnic on Sundays.
0:15:43 > 0:15:46I am so glad I found you.
0:15:46 > 0:15:49The only women I've met so far have been those well-to-do society wives
0:15:49 > 0:15:51who look down their noses at me.
0:15:51 > 0:15:54I love picnics. Come and sit in my garden.
0:15:54 > 0:15:56We'll have champagne
0:15:56 > 0:15:59and roasted meats and oranges...
0:16:00 > 0:16:03We would all...love to come, Lucille.
0:16:04 > 0:16:06SHE GIGGLES
0:16:10 > 0:16:15- Can I offer you a glass of brandy, sir?- I must be rid of him.
0:16:15 > 0:16:21- Perhaps we should speak inside, sir. - Yes. Yes of course.
0:16:23 > 0:16:27I can't bear to watch him lord it about this place for one more day.
0:16:27 > 0:16:30Haste will not serve you well, Mr Weston.
0:16:30 > 0:16:34If you are determined to dispose of Mr Moray, do not do so on his terms.
0:16:34 > 0:16:37If you dismiss him now, you will play into his hands.
0:16:37 > 0:16:39- He would come out on top. - What do you mean?
0:16:40 > 0:16:43There are things I have heard, sir.
0:16:43 > 0:16:46Will you trust that I know best in this?
0:16:46 > 0:16:48Let me make some arrangements
0:16:48 > 0:16:51and a proposal will be laid before you that will finish Moray.
0:16:53 > 0:16:57A five-year celebration! We will deck the halls with ribbons, bunting
0:16:57 > 0:17:00and a bird of paradise for every customer.
0:17:00 > 0:17:04Mr Moray, sir, your messages.
0:17:04 > 0:17:06Dudley can deal with these.
0:17:09 > 0:17:11I'm only borrowing it, I'm not going to steal it!
0:17:11 > 0:17:13I need it to get the job done, don't I?
0:17:13 > 0:17:16Well, next time ask Mr Moray or Mr Dudley,
0:17:16 > 0:17:19or someone else higher up the ladder.
0:17:19 > 0:17:21You see this street?
0:17:21 > 0:17:23I look up and down it,
0:17:23 > 0:17:25there's nobody that was here before me.
0:17:25 > 0:17:29- That means something.- Aye. It means you've been here a long time
0:17:29 > 0:17:32- and it's your turn to pull up the ladder.- Our Denise...
0:17:32 > 0:17:35Coming to the inn to chide me. She wants rid of me.
0:17:35 > 0:17:38She might as well push me down the road.
0:17:38 > 0:17:40She just wants you to be happy, that's all, Edmund.
0:17:40 > 0:17:42Surely you can see that.
0:17:42 > 0:17:45I'll paint my shop from top to bottom. And then...
0:17:48 > 0:17:51I can help you out if you want, on Sunday.
0:17:51 > 0:17:53I'd only spend it chasing girls up the river.
0:17:53 > 0:17:55Or chasing girls down the river.
0:17:56 > 0:17:59Everything I know in this world is right here.
0:18:35 > 0:18:37I am concerned for Katherine.
0:18:37 > 0:18:40Her husband's jealousy is telling on her. I fear she might fall ill.
0:18:40 > 0:18:43Well, that is all to the good.
0:18:43 > 0:18:46Your courting of her has w-worked to our favour.
0:18:46 > 0:18:49What I am trying to make clear to you is that
0:18:49 > 0:18:51I cannot continue with this deception.
0:18:51 > 0:18:55Tom Weston is a dangerously volatile man.
0:18:55 > 0:18:57The pressure is telling on him.
0:18:57 > 0:19:00- I have seen it.- All to the good.
0:19:00 > 0:19:03Mr Moray, sir, if I may.
0:19:03 > 0:19:06- You have played your part. - And played it handsomely.
0:19:06 > 0:19:10- Now, we will approach Tom Weston with our proposal.- What proposal?
0:19:10 > 0:19:12KNOCK AT DOOR
0:19:12 > 0:19:14< John? John?
0:19:14 > 0:19:17Jonas, take him through this way. I don't want her to find you here.
0:19:17 > 0:19:18Sir.
0:19:20 > 0:19:23- < Are you in there? - KNOCKING
0:19:24 > 0:19:26< John, are you in there?
0:19:36 > 0:19:38Who were you talking to?
0:19:38 > 0:19:42It has finally come to it. I must have been talking to myself.
0:19:45 > 0:19:48Ballentine? He's spending all of his money
0:19:48 > 0:19:50on a wife who's young enough to be his daughter.
0:19:50 > 0:19:54- The man's mind is addled with love. - And what's wrong with that?
0:19:54 > 0:19:56Nothing. Nothing's wrong with that.
0:19:56 > 0:19:58When it comes to business matters,
0:19:58 > 0:20:01his mind is as sharp as the best of us.
0:20:01 > 0:20:03I believe if we came to him with a proposal...
0:20:03 > 0:20:06He has a pretty bride who's taken a fancy to the store, darling,
0:20:06 > 0:20:09those are not grounds for us to believe the man is a suitable investor.
0:20:09 > 0:20:13- Are you opposed to the idea because I suggested it to you?- I'm sorry.
0:20:13 > 0:20:19- I'm not at my best.- Why are you so irritable, so distracted?
0:20:21 > 0:20:23Is it Katherine?
0:20:25 > 0:20:27What do you mean?
0:20:27 > 0:20:32I saw how she was when we went to dinner. She hardly said a word.
0:20:32 > 0:20:34She was festering with rage.
0:20:34 > 0:20:37I think she's unhappy in her marriage.
0:20:37 > 0:20:39She almost said as much.
0:20:41 > 0:20:43You went to see her?
0:20:44 > 0:20:48Yes. Yes. To plead with her to rein in her husband.
0:20:48 > 0:20:52His dabbling in the business of the store is making life here quite impossible.
0:20:53 > 0:20:57But you did not tell me you were going to see Katherine.
0:20:57 > 0:21:02While they are our masters, we must deal with them, as best we can.
0:21:02 > 0:21:04Be careful John.
0:21:06 > 0:21:10Katherine has not forgotten. She'll never forget.
0:21:14 > 0:21:16You do not wish to sell. I accept that.
0:21:16 > 0:21:19We shall both of us proceed on that understanding.
0:21:19 > 0:21:22But it would be duplicitous of me
0:21:22 > 0:21:25were I not to advise you of my intentions.
0:21:25 > 0:21:29My brother and I have a store in Manchester and one in Liverpool.
0:21:29 > 0:21:33We wish to expand south and, indeed, n-north.
0:21:33 > 0:21:37Our intention is to be the first and, sir,
0:21:37 > 0:21:40the only, national formation of emporiums.
0:21:40 > 0:21:47- And you propose to build here?- We have a site. Plans are being drawn.
0:21:47 > 0:21:49Up until now, Mr Weston,
0:21:49 > 0:21:53the battle has been between the small stores and The Paradise.
0:21:53 > 0:21:55That war was easily won.
0:21:55 > 0:21:57If I build there will be an almighty clash
0:21:57 > 0:22:02on an altogether different scale. A price war.
0:22:02 > 0:22:07Some of your best staff might well be tempted by better offers.
0:22:07 > 0:22:11Customers will be, at the very least, divided.
0:22:11 > 0:22:13Why would you wish to forewarn me?
0:22:16 > 0:22:21It means that I might arm myself against your intentions.
0:22:22 > 0:22:24It is a battle I W-WILL win.
0:22:26 > 0:22:30But it will be a costly affair. I would prefer you...
0:22:30 > 0:22:33To accept defeat now? In the comfort of my own home.
0:22:33 > 0:22:38Not defeat, no. Perhaps a more personal triumph.
0:22:38 > 0:22:40You will appreciate that a businessman must be,
0:22:40 > 0:22:43shall we say, "single-minded"?
0:22:43 > 0:22:48If I build, I intend to employ Moray as my store manager
0:22:48 > 0:22:52and I will provide him with whatever funds are needed to succeed.
0:22:52 > 0:22:54If you sell The Paradise to me,
0:22:54 > 0:22:57I will cast Moray into the wilderness
0:22:57 > 0:22:58never to return.
0:23:08 > 0:23:09No.
0:23:12 > 0:23:17I understand that emotion might get the better of judgment, sir,
0:23:17 > 0:23:22so I will wait for one week whilst you allow yourself some
0:23:22 > 0:23:26re-reflection on the matter.
0:23:26 > 0:23:29Let me explain.
0:23:29 > 0:23:31What you describe,
0:23:31 > 0:23:34Mr Fenton, are the circumstances.
0:23:34 > 0:23:36What you are dealing with is a man.
0:23:36 > 0:23:40If I surrender to your demand,
0:23:40 > 0:23:43it will be...
0:23:43 > 0:23:44HE LAUGHS
0:23:47 > 0:23:49..because I am a coward.
0:23:52 > 0:23:54STREET BUSTLE AND HUBBUB
0:23:58 > 0:24:02- Once you take the name down, that really is the end, isn't it?- It is.
0:24:03 > 0:24:06Yeah, well, you have to. Take it down.
0:24:06 > 0:24:09I mean, you can't paint Edmund Lovett back up there again
0:24:09 > 0:24:12in bright new colours, cos what's that going to look like?
0:24:12 > 0:24:14Yeah, but if my name's not above the shop,
0:24:14 > 0:24:16what is it I'm supposed to be selling?
0:24:16 > 0:24:18Anyone interested is going to want to know
0:24:18 > 0:24:20they're buying a going concern.
0:24:20 > 0:24:23- You could just write up there - "Draper's Shop".- There, you see!
0:24:23 > 0:24:26- Straight from the mouths of babes. - Yeah... Well...
0:24:26 > 0:24:28It's for you to have opinions.
0:24:29 > 0:24:31It's for me to decide.
0:24:34 > 0:24:37- Oh, a little more, thank you.- You have such a lovely garden, Lucille.
0:24:37 > 0:24:39Eat up, girls.
0:24:39 > 0:24:43You're not allowed to leave until you are properly indulged.
0:24:43 > 0:24:46Four shop girls on a blanket and not a man in sight!
0:24:46 > 0:24:48No-one's going to be indulged today.
0:24:48 > 0:24:51THEY GIGGLE
0:24:51 > 0:24:53Have some meat.
0:24:53 > 0:24:55There's peasant.
0:24:57 > 0:24:59I mean "pheasant".
0:25:01 > 0:25:03Where I come from, "peasant" is a delicacy.
0:25:03 > 0:25:05We have it with an egg on top!
0:25:05 > 0:25:07ALL CHUCKLE
0:25:09 > 0:25:11I'm a peasant.
0:25:13 > 0:25:14As good as.
0:25:15 > 0:25:18I know you all know it.
0:25:18 > 0:25:21I don't know how to dress, how to walk, how to talk.
0:25:21 > 0:25:25You must be wondering how I got myself a husband like Ballentine!
0:25:27 > 0:25:30Well, it's none of our business, Lucille.
0:25:31 > 0:25:32I was wondering.
0:25:34 > 0:25:36He was sick.
0:25:36 > 0:25:38I was nursing him and, er...
0:25:38 > 0:25:42Men always fall for the nurses.
0:25:42 > 0:25:45There. Now, we know. He's a lucky man to have you.
0:25:45 > 0:25:47Any fried mongrel to go with that peasant?
0:25:47 > 0:25:52- Did he court you whilst he was sick in hospital?- I let him woo me.
0:25:52 > 0:25:55Why should I not? I've had my heart broke plenty of times.
0:25:58 > 0:26:01Men get well and they move away...
0:26:03 > 0:26:05..and they forget they were in love.
0:26:08 > 0:26:09I thought my time had passed.
0:26:09 > 0:26:12But Ballentine didn't forget. He wanted to marry me,
0:26:12 > 0:26:16and I know what all the wives around here think of me.
0:26:17 > 0:26:19You must be thinking the same.
0:26:22 > 0:26:24I'm no more than a pretty face...
0:26:34 > 0:26:37The only difference between you and us, Lucille,
0:26:37 > 0:26:39is that you chased after a good man.
0:26:39 > 0:26:41Isn't that right, girls?
0:26:41 > 0:26:46You found a husband whose only desire is to make you happy.
0:26:46 > 0:26:49If you think we're here to judge you for that,
0:26:49 > 0:26:51then you're wrong.
0:26:51 > 0:26:53SHE SIGHS
0:27:00 > 0:27:02Thank you. Thank you, Clara.
0:27:06 > 0:27:10It truly is a comfort to me to have you to turn to, Moray.
0:27:10 > 0:27:13I hope that you appreciate how grateful I am.
0:27:13 > 0:27:17Katherine, Tom is punishing you because I'm here to remind him
0:27:17 > 0:27:20of how things were between us.
0:27:20 > 0:27:22It is a provocation to him.
0:27:23 > 0:27:27If we see one another, I can't help thinking it will make this worse.
0:27:29 > 0:27:33Be honest with me, be honest with yourself.
0:27:35 > 0:27:38Do you suppose it will make things better if we continue like this?
0:27:41 > 0:27:44I brought you back here to punish you.
0:27:44 > 0:27:46It wasn't enough to ruin you.
0:27:47 > 0:27:50That could never match the hurt I felt when you abandoned me.
0:27:51 > 0:27:54I put you back in that place so that I could watch you with Denise and...
0:27:56 > 0:27:58..I didn't care how long it might take...
0:28:00 > 0:28:01I wanted her to feel as I felt.
0:28:02 > 0:28:04To be terrified of losing you.
0:28:04 > 0:28:06And then, to lose you.
0:28:08 > 0:28:09But now...
0:28:10 > 0:28:13A few moments alone with you, to feel your tenderness,
0:28:13 > 0:28:16your protection... I don't want to hurt anyone now.
0:28:18 > 0:28:21I only want to know that sometimes we can be like this.
0:28:23 > 0:28:26- Don't take that away from me. - Tom will destroy you...
0:28:26 > 0:28:28Denise will destroy you.
0:28:28 > 0:28:30Have you thought of that?
0:28:30 > 0:28:32HE SIGHS
0:28:33 > 0:28:36Tom told me what he sees in the store.
0:28:36 > 0:28:39Denise has such ambition.
0:28:39 > 0:28:42I saw her face when he suggested that she might go to Paris.
0:28:42 > 0:28:45He says she will outrun you...
0:28:48 > 0:28:50You asked me to be honest with you, Moray.
0:28:50 > 0:28:52I implore you to meet truth with truth.
0:28:54 > 0:28:56What I describe,
0:28:56 > 0:28:58is that what you see?
0:29:05 > 0:29:08You have comforted me.
0:29:08 > 0:29:09Can't I comfort you?
0:29:20 > 0:29:26You have such a splendid home, a good life, a lovely wife,
0:29:26 > 0:29:27but...
0:29:27 > 0:29:30Why do I not retire? Why should I?
0:29:32 > 0:29:35Oh, I've had several opportunities to sell my brewery,
0:29:35 > 0:29:38but I've never been tempted.
0:29:38 > 0:29:41It's what keeps me going, work.
0:29:41 > 0:29:43Keeps me sharp.
0:29:43 > 0:29:46Every new challenge takes ten years off my age!
0:29:46 > 0:29:49Well, maybe five.
0:29:50 > 0:29:54I make beer, and I feel I've done all I can
0:29:54 > 0:29:56selling ales to the nation.
0:29:56 > 0:30:01I want one more business conquest to make me young again.
0:30:03 > 0:30:08Now I hear that Moray is trying to raise funds to buy back his store
0:30:08 > 0:30:10without much success.
0:30:10 > 0:30:12How did he come to lose it?
0:30:15 > 0:30:17He...fell in love.
0:30:18 > 0:30:21He gave up all that he had to be true to his girl.
0:30:22 > 0:30:24Aye, I've heard the stories.
0:30:26 > 0:30:28It rather endears him to me.
0:30:28 > 0:30:32But then, I have become something of a romantic in my old age,
0:30:32 > 0:30:35as you can see, Denise.
0:30:35 > 0:30:38Mr Ballentine, might you meet with Mr Moray
0:30:38 > 0:30:41so that he might put before you a proposal to invest in The Paradise?
0:30:41 > 0:30:45It is a sound enterprise, with potential for extensive expansion.
0:30:45 > 0:30:48We are not vulnerable to the whims of fashion,
0:30:48 > 0:30:51in fact, we are always ahead of our customers.
0:30:51 > 0:30:54As modern manufacturing creates new goods,
0:30:54 > 0:30:56we are the first to offer them.
0:30:56 > 0:30:58More and more people are coming to the city,
0:30:58 > 0:31:00as I did, as your wife did,
0:31:00 > 0:31:02and what they want is the new, the glamorous,
0:31:02 > 0:31:04foreign goods.
0:31:04 > 0:31:06People want betterment, and The Paradise is a haven
0:31:06 > 0:31:08for all that they wish for.
0:31:09 > 0:31:13Why would I want Moray to present to me when you do it so admirably?
0:31:13 > 0:31:17Oh! I'm sorry, I got carried away...
0:31:17 > 0:31:20Nae, don't apologise for what you're good at.
0:31:20 > 0:31:22I wanted a son.
0:31:22 > 0:31:25Someone who would take on my business
0:31:25 > 0:31:27and make it flourish for his own generation.
0:31:28 > 0:31:30If I'd had the son I'd wished for,
0:31:30 > 0:31:32he'd have been just like you, Denise.
0:31:33 > 0:31:36Now, you put together a formal proposition
0:31:36 > 0:31:38and I'll consider it.
0:31:42 > 0:31:45It's a fine job you're doing, Edmund. It has to be said.
0:31:45 > 0:31:48Yes, so fine you know what's coming, don't you, Myrtle?
0:31:48 > 0:31:51I do. When he's finished the outside, it'll cross his mind to do the inside.
0:31:51 > 0:31:54- Just so they're all the same, like. - And when he's done the inside...
0:31:54 > 0:31:57He'll step back and admire his handiwork and say...
0:31:57 > 0:32:01"Seems a shame to leave the place when I've got it looking so splendid!"
0:32:01 > 0:32:03Come on, Edmund, eat your cake.
0:32:03 > 0:32:06- Edmund?- Come on, eat your cake. - Edmund...?
0:32:06 > 0:32:09Moray, Denise may well have found exactly what you are looking for.
0:32:09 > 0:32:11Mr Ballentine as good as said he's willing to invest.
0:32:11 > 0:32:13He'd like you to meet with him.
0:32:13 > 0:32:16Katherine and Tom are not minded to sell. It would antagonise them
0:32:16 > 0:32:18if they thought we were manoeuvring against them.
0:32:18 > 0:32:20Surely there's no harm in having the funding in place?
0:32:20 > 0:32:23We must find investment that is from the best source
0:32:23 > 0:32:25that comes at the most favourable time.
0:32:25 > 0:32:27Mr Moray, sir, your messages.
0:32:28 > 0:32:31I know, sir. Mr Dudley will deal with them.
0:32:38 > 0:32:39HE SIGHS
0:32:40 > 0:32:45I long to go back to that time of innocence between us.
0:32:45 > 0:32:47The two of us just talking in the dark.
0:32:48 > 0:32:51Sweetheart, it was never innocent.
0:32:51 > 0:32:55You were engaged to be married, and I was a shop girl working for you.
0:32:55 > 0:32:57Things have always been difficult,
0:32:57 > 0:32:59but we persevered because we love one another.
0:32:59 > 0:33:01It's the same now.
0:33:01 > 0:33:05Sometimes, I wish you just didn't work here.
0:33:05 > 0:33:07I wish we'd met in the street.
0:33:07 > 0:33:10I just want us to be able to love one another
0:33:10 > 0:33:12and for it all to be simple. What is wrong with that?
0:33:12 > 0:33:14There's nothing wrong with that.
0:33:14 > 0:33:16I think they call it romance.
0:33:21 > 0:33:23You think we should defy Moray?
0:33:23 > 0:33:24Let's not call it that.
0:33:24 > 0:33:28Let's call it helping. Without his knowledge.
0:33:28 > 0:33:33Or consent. But helping nonetheless. If we can secure workable funds...
0:33:35 > 0:33:38The Westons are crushing John, Dudley.
0:33:40 > 0:33:43We have to do something. Even if it only amounts
0:33:43 > 0:33:46to giving him a little bit of hope to carry on.
0:33:48 > 0:33:51I'm not sure that acting secretly is the best way, Denise.
0:33:54 > 0:33:56I don't know what Myrtle puts in her pastry,
0:33:56 > 0:33:58she says she has a secret ingredient.
0:33:58 > 0:34:01Provided it's not her toenails,
0:34:01 > 0:34:04I don't need to know as long as it tastes good.
0:34:04 > 0:34:06Eh, Denise, what is eating up your uncle?
0:34:06 > 0:34:09I couldn't even get him to eat my cake today.
0:34:09 > 0:34:12I must go across and see him, I've been so busy.
0:34:12 > 0:34:14Perhaps he's wise to what you put in your recipe, Myrtle.
0:34:14 > 0:34:17HE CHUCKLES
0:34:21 > 0:34:24I see people looking at me when I'm with Ballentine.
0:34:24 > 0:34:27I saw it on your face when I brought him into the store.
0:34:27 > 0:34:31- What does it matter what others think of you?- Because it's true.
0:34:31 > 0:34:32It must be true.
0:34:34 > 0:34:37The more kindness he shows to me, the more guilty I feel.
0:34:37 > 0:34:40I made a mistake. I have to admit it, I have to.
0:34:46 > 0:34:47I will leave him.
0:34:48 > 0:34:51Isn't that a cruel thing to do to a man who loves you?
0:34:53 > 0:34:55It's more cruel if I stay.
0:35:00 > 0:35:02KNOCK AT DOOR
0:35:03 > 0:35:05DOOR RATTLES
0:35:08 > 0:35:10LOCKS RATTLE
0:35:10 > 0:35:13Katherine? KNOCK AT DOOR
0:35:13 > 0:35:15DOOR RATTLES
0:35:16 > 0:35:18Katherine?
0:35:22 > 0:35:25Don't pretend to know or understand anything you don't.
0:35:25 > 0:35:28He's a businessman of many years' experience. He will know.
0:35:28 > 0:35:32Keep the figures simple - don't inflate or exaggerate.
0:35:32 > 0:35:34If he catches you out, then you've lost him.
0:35:35 > 0:35:38Wouldn't it be better if you came with me?
0:35:38 > 0:35:40No, it wouldn't.
0:35:40 > 0:35:41But, why wouldn't it?
0:35:43 > 0:35:46Because you found Ballentine, he's your conquest.
0:35:46 > 0:35:48BOARDS CREAK
0:35:54 > 0:35:56There's no-one here.
0:35:57 > 0:36:00What you just told me, Mr Dudley, that's not the true reason, is it?
0:36:01 > 0:36:05I would present Mr Ballentine with figures, and he would see in me
0:36:05 > 0:36:08a man who could be trusted with his investment. You?
0:36:09 > 0:36:12You would light up the room, Denise.
0:36:12 > 0:36:16I'm good at what I do. The best at my own job.
0:36:16 > 0:36:19But something like this takes an entrepreneur.
0:36:19 > 0:36:21I just want to see the look on John's face
0:36:21 > 0:36:23when I tell him we have a way out.
0:36:23 > 0:36:25And you will, Denise. You will.
0:36:27 > 0:36:28Go on, go.
0:36:28 > 0:36:31Go to bed. And good luck.
0:36:39 > 0:36:41SCRAPING
0:36:48 > 0:36:50SHE KNOCKS DRIVER: Walk on!
0:36:50 > 0:36:51Denise...
0:36:53 > 0:36:55HOOVES RECEDE
0:37:06 > 0:37:10There is something about Mr Weston's time in the army, sir.
0:37:10 > 0:37:14Something he cannot bear to speak about.
0:37:14 > 0:37:17Denise has just left the street in a carriage. Where has she gone?
0:37:17 > 0:37:20You might be better asking Mr Dudley about that, sir.
0:37:25 > 0:37:26Clara? Clara?
0:37:26 > 0:37:28I don't know what possessed me
0:37:28 > 0:37:30to say such things to you about my husband.
0:37:30 > 0:37:32I couldn't sleep for fear that...
0:37:33 > 0:37:36You didn't tell anyone what I said to you, did you?
0:37:36 > 0:37:38There was nothing to tell.
0:37:38 > 0:37:40I couldn't bear it if Ballentine found out.
0:37:40 > 0:37:43- I mean, found out what I'd been saying.- But your mind is made up?
0:37:46 > 0:37:49Oooh! I've not seen these shawls before.
0:37:51 > 0:37:54Do you like them? We must both have one, Clara.
0:37:54 > 0:37:57There's no need for that, Mrs Ballentine.
0:37:57 > 0:38:00I just want to show you what you mean to me. I have a friend.
0:38:00 > 0:38:02I have a true friend.
0:38:04 > 0:38:06I want you to have this.
0:38:06 > 0:38:09- I can't accept that from you. - Please. You must. To show you.
0:38:09 > 0:38:11Friends. Trusted friends.
0:38:11 > 0:38:13There are rules about such things in the store.
0:38:13 > 0:38:16If I accept that, I could lose my position.
0:38:16 > 0:38:18Then don't tell them. Be between us.
0:38:18 > 0:38:22Do you think you can buy my sympathy, my silence?
0:38:22 > 0:38:24Buy my friendship?
0:38:24 > 0:38:25You're a customer.
0:38:25 > 0:38:27You are no more to me than that.
0:38:34 > 0:38:36SHE SIGHS
0:39:07 > 0:39:08Flora?
0:39:11 > 0:39:15- The projected income for the next year...- Yes, sir?
0:39:16 > 0:39:19I imagined it might be more. Is there a problem?
0:39:19 > 0:39:21I have erred on the side of caution.
0:39:21 > 0:39:24False expectations create disappointment
0:39:24 > 0:39:25and a sense of failure.
0:39:25 > 0:39:27What I have predicted and what we reach for
0:39:27 > 0:39:29are not the same thing.
0:39:29 > 0:39:33And do you have figures for what you might reach for, Denise?
0:39:38 > 0:39:40HE CHUCKLES
0:39:40 > 0:39:44Why did Moray not make this presentation himself?
0:39:45 > 0:39:48Please, don't hold this one small omission against him, sir.
0:39:48 > 0:39:51Moray has built The Paradise from nothing.
0:39:51 > 0:39:54He knows better than anyone how to make the store a success.
0:39:56 > 0:39:59Your proposal meets with my satisfaction, Denise.
0:40:00 > 0:40:03But I have other considerations to take into account.
0:40:06 > 0:40:09- I will not keep you waiting too long for an answer.- Thank you, sir.
0:40:11 > 0:40:13He's a very fortunate fellow.
0:40:13 > 0:40:15I hope he knows it.
0:40:16 > 0:40:18'I found her sitting in my chair...'
0:40:18 > 0:40:21As though she were trying out the throne.
0:40:21 > 0:40:24Do you suppose I haven't done the same? And Sam?
0:40:24 > 0:40:27I once found Arthur sitting there.
0:40:27 > 0:40:29We're all allowed to daydream, Moray.
0:40:29 > 0:40:31There's no harm in it.
0:40:33 > 0:40:37I'm sorry, I seem to be jumping at shadows, don't I?
0:40:37 > 0:40:40You know why? You're consumed with such underhand business
0:40:40 > 0:40:43with Jonas and Fenton that you refuse to notice
0:40:43 > 0:40:46that Ballentine's the perfect financier for you. Why is that?
0:40:48 > 0:40:52Because Denise...found him.
0:40:53 > 0:40:56- She wooed him.- She brought you a gift! She did it for you!
0:40:56 > 0:40:58Because she loves you.
0:41:00 > 0:41:02You've lost sight of what really matters.
0:41:02 > 0:41:04Instead you prefer to dally with Katherine Weston
0:41:04 > 0:41:07in the hope that you can...who knows what.
0:41:10 > 0:41:11HE SIGHS
0:41:11 > 0:41:14I've been an almighty fool, Dudley.
0:41:14 > 0:41:17You have. And what do you propose to do about it?
0:41:25 > 0:41:27GUNSHOT
0:41:39 > 0:41:43I did not come to your room to frighten you, Katherine.
0:41:46 > 0:41:48I came to look at you.
0:41:54 > 0:41:57I've received an offer to sell The Paradise.
0:41:58 > 0:42:01Why would you want to do such a thing?
0:42:01 > 0:42:02I've decided it is for the best.
0:42:04 > 0:42:07- No. You can't. - I can. I'm your husband.
0:42:09 > 0:42:11What I decide will prevail.
0:42:11 > 0:42:13But it makes no sense...
0:42:19 > 0:42:23Last night, Katherine, I came to your room to tell you...
0:42:25 > 0:42:26..I don't want to lose you.
0:42:28 > 0:42:31What if we were to stop?
0:42:32 > 0:42:34Stop...
0:42:35 > 0:42:37..punishing one another.
0:42:39 > 0:42:41What if we were to say...
0:42:42 > 0:42:43..we are married now.
0:42:45 > 0:42:47We can make a life.
0:42:50 > 0:42:53Flora adores you.
0:42:55 > 0:42:57We have a child to care for.
0:43:16 > 0:43:19I promise you, I will always be here.
0:43:19 > 0:43:20I will not break my word.
0:43:28 > 0:43:31'My dear Moray.
0:43:31 > 0:43:33'I must put upon your good nature
0:43:33 > 0:43:36'and your kindness towards me once more, and ask that you
0:43:36 > 0:43:38'come to meet with me urgently.'
0:43:46 > 0:43:49'Please forgive my haste, I will explain when I see you.
0:43:49 > 0:43:52'Katherine.'
0:43:53 > 0:43:55John?
0:43:55 > 0:43:57Are you going out?
0:43:57 > 0:44:01Darling, I have an appointment to see Campbell Ballentine.
0:44:01 > 0:44:04- I took your advice and approached him.- That's wonderful.
0:44:05 > 0:44:07I'm so pleased.
0:44:28 > 0:44:31- It's Clara, isn't it?- It is, sir.
0:44:31 > 0:44:33- If you'll excuse me. - I'd like a word with you, Clara.
0:44:38 > 0:44:40HUSHED CONVERSATION
0:44:45 > 0:44:48- Did you tell him?- I wouldn't do such a thing.- You did. I saw you.
0:44:48 > 0:44:50I saw you speaking with my husband.
0:44:50 > 0:44:54He was inviting me, inviting all of the girls, to his birthday party,
0:44:54 > 0:44:55to please YOU.
0:44:56 > 0:44:59There! Do you see now? Do you see now why I must leave him?
0:44:59 > 0:45:03- WHAT is there to see? - I don't deserve a man like him.
0:45:03 > 0:45:05The more devoted he is to me,
0:45:05 > 0:45:08the more I wait for the day when he sees me as I truly am.
0:45:08 > 0:45:11- I tricked him. I bewitched him. - What do you mean?
0:45:14 > 0:45:17When I was nursing him, there was one night...
0:45:19 > 0:45:23He looked so handsome, when he was sleeping and...
0:45:24 > 0:45:26..I couldn't seem to stop myself.
0:45:28 > 0:45:29I kissed him.
0:45:31 > 0:45:34I feel like I've stolen his soul in his sleep
0:45:34 > 0:45:35and that's why he loves me.
0:45:37 > 0:45:40Why would you torment yourself with such superstition?
0:45:40 > 0:45:44Do you really think he's so easily fooled?
0:45:44 > 0:45:48You did not steal his love, you did not trick him.
0:45:48 > 0:45:50Look, listen to me.
0:45:50 > 0:45:52- Do you love him?- Of course!
0:45:52 > 0:45:54Then LOVE him.
0:45:54 > 0:45:56That's all he wants from you.
0:45:56 > 0:45:58Love him and you'll be rid of your torments.
0:46:00 > 0:46:05If you leave him, you will curse yourself for the rest of your days.
0:46:05 > 0:46:08To hell with what other people think of you.
0:46:08 > 0:46:10Your husband adores you.
0:46:10 > 0:46:14You've been lucky in finding such a man.
0:46:14 > 0:46:16Why not just accept your luck?
0:46:25 > 0:46:27Yes, thank you.
0:46:27 > 0:46:29FOOTSTEPS APPROACH
0:46:31 > 0:46:34Don't look so startled, Denise.
0:46:34 > 0:46:37I thought you'd be pleased to see me.
0:46:37 > 0:46:39I am, Mr Ballentine. It's just...
0:46:42 > 0:46:44I am glad to see you.
0:46:44 > 0:46:46I had hoped that Moray would have the good grace
0:46:46 > 0:46:48to send me a note at least.
0:46:48 > 0:46:51He's made no contact with you?
0:46:51 > 0:46:53Perhaps that is just as well.
0:46:54 > 0:46:57I am tempted by this place, Denise.
0:46:57 > 0:46:59I want to invest.
0:46:59 > 0:47:03Well, that is wonderful news. Thank you.
0:47:03 > 0:47:07But one of the things I've had to consider is this -
0:47:07 > 0:47:11I could just as well buy the store. Put in a manager.
0:47:11 > 0:47:14Someone I could trust, someone I have faith in.
0:47:14 > 0:47:17Someone with vision, ambition...
0:47:17 > 0:47:21Please, sir, before any such considerations,
0:47:21 > 0:47:24I implore you to meet with Moray,
0:47:24 > 0:47:26hear him talk about this place.
0:47:26 > 0:47:30I am certain you'll want to do business with him.
0:47:30 > 0:47:31Very well.
0:47:33 > 0:47:36- I will trust your judgment in this, Denise.- Thank you, sir!
0:47:36 > 0:47:37And...
0:47:40 > 0:47:41Thank you.
0:47:48 > 0:47:51You could take on a new calling, Edmund. My house needs painting(!)
0:47:55 > 0:47:57I know I can't stay here.
0:47:59 > 0:48:01I know I'm a married man.
0:48:03 > 0:48:05I have a new life. I know it.
0:48:13 > 0:48:16I feel like my old life's been taken away from me.
0:48:17 > 0:48:19I've been robbed of it.
0:48:22 > 0:48:23I can't let it go.
0:48:25 > 0:48:27Not yet.
0:48:28 > 0:48:30Not like this.
0:48:30 > 0:48:32HE GROANS
0:48:32 > 0:48:33- Edmund! - EDMUND GROANS
0:48:33 > 0:48:37Edmund, what's wrong? Easy, easy! Edmund!
0:48:37 > 0:48:38HE GASPS
0:48:38 > 0:48:39You all right?
0:48:39 > 0:48:41Edmund!
0:48:43 > 0:48:44Uncle!
0:48:46 > 0:48:47Edmund. Go!
0:48:47 > 0:48:49Uncle!
0:48:49 > 0:48:51Get help!
0:48:51 > 0:48:53Uncle Edmund? It's Denise!
0:49:03 > 0:49:05He will recover from this.
0:49:06 > 0:49:10He'll need rest. A lifetime of rest.
0:49:13 > 0:49:15He's been like a father to me.
0:49:17 > 0:49:21I was so caught up in my own concerns, I had no time for him.
0:49:23 > 0:49:27- TEARFULLY:- The last time I spoke to him, I was chiding him.
0:49:29 > 0:49:33Then next time you speak to him, be sure to make him laugh.
0:49:33 > 0:49:34SHE SNIFFLES
0:49:36 > 0:49:38FOOTSTEPS APPROACH
0:49:53 > 0:49:55- Where's John? - If he knew what had happened,
0:49:55 > 0:49:58I am certain he would want to be with you here.
0:50:01 > 0:50:04You haven't answered my question, Dudley.
0:50:05 > 0:50:06Where is he?
0:50:25 > 0:50:27Thank you for coming.
0:50:39 > 0:50:41- Katherine... - Will you allow me to speak
0:50:41 > 0:50:43while it is all clear to me and I have the resolve?
0:50:47 > 0:50:49I am a mother now.
0:50:49 > 0:50:52I have the responsibility of a child.
0:50:54 > 0:50:56I can't bear to think that my actions
0:50:56 > 0:50:58might cause fear for that dear girl.
0:51:02 > 0:51:04Do you see?
0:51:05 > 0:51:07I must forbid myself from seeing you alone.
0:51:10 > 0:51:11Yes.
0:51:13 > 0:51:15Yes, I see.
0:51:15 > 0:51:17This must be the last time.
0:51:20 > 0:51:24Then I would not want to burden you with any more anxiety, Katherine.
0:51:26 > 0:51:28- I will go...- Perhaps...
0:51:30 > 0:51:31..a few moments more.
0:51:40 > 0:51:44When I am alone my thoughts are governed by reason.
0:51:48 > 0:51:50But when I am with you, it is different.
0:51:53 > 0:51:58I am overcome with the wish just to look at you, to touch your hand.
0:52:05 > 0:52:08I said I wanted you to come to me in your distress.
0:52:11 > 0:52:15My concern for you, Katherine, has been entirely genuine.
0:52:16 > 0:52:18I want you to know that.
0:52:18 > 0:52:20- When I came here today...- No!
0:52:52 > 0:52:53I love Denise.
0:52:55 > 0:52:58- I cannot in any way... - You were always true to her?
0:52:58 > 0:53:00With all my heart, yes.
0:53:07 > 0:53:09SHE GASPS
0:53:21 > 0:53:22I will stand on my own.
0:53:42 > 0:53:44Katherine?
0:53:52 > 0:53:54SHE SOBS
0:54:00 > 0:54:02SOBBING
0:54:04 > 0:54:05SHE SOBS
0:54:08 > 0:54:09Did HE do this to you?
0:54:13 > 0:54:15SHE SNIFFLES
0:54:20 > 0:54:22I can't help myself.
0:54:29 > 0:54:31FOOTSTEPS APPROACH
0:54:36 > 0:54:37Denise...
0:54:43 > 0:54:45I'm sorry I wasn't here with you.
0:54:47 > 0:54:50You were with Katherine, weren't you?
0:54:53 > 0:54:56Look at me and tell me where you've been.
0:54:58 > 0:55:00I've...
0:55:01 > 0:55:03I've been with Katherine.
0:55:11 > 0:55:12I've not betrayed you.
0:55:16 > 0:55:17I wish to be alone with my uncle.
0:55:22 > 0:55:25Please, let me sit in peace with my uncle.
0:55:37 > 0:55:40FOOTSTEPS
0:55:43 > 0:55:45SHE SOBS
0:55:52 > 0:55:55CHEERING AND APPLAUSE
0:55:55 > 0:55:57It really is. It's wonderful.
0:55:58 > 0:56:01- All is well?- All is well.
0:56:32 > 0:56:35I think it's about time I retired, isn't it?
0:56:35 > 0:56:40I am not going to chide you, if that's what you want.
0:56:40 > 0:56:41What I want is a cup of tea.
0:56:41 > 0:56:44You always said I make the worst tea in the world.
0:56:44 > 0:56:47Then I want a cup of the worst tea in the world.
0:56:49 > 0:56:53Why is it that pain has to teach us what is right under our noses?
0:56:54 > 0:56:5623 years I've loved Audrey,
0:56:56 > 0:56:58never believing it would be.
0:56:58 > 0:57:01Now, she's waiting for me and I fight it
0:57:01 > 0:57:03to hold on to a bit of pride.
0:57:06 > 0:57:08Well...
0:57:08 > 0:57:11I'm done fighting now, Denise.
0:57:11 > 0:57:12HE SIGHS
0:57:31 > 0:57:34Denise, I don't want you to...
0:57:37 > 0:57:39I know this must be...
0:57:42 > 0:57:44You must not think of leaving.
0:57:44 > 0:57:47I am not going to leave. I belong here.
0:58:01 > 0:58:04I'd like to introduce you all to someone very special.
0:58:04 > 0:58:07One of the most celebrated photographers in all of the land.
0:58:07 > 0:58:10- You look like hell.- One feels that's exactly where I'm headed.
0:58:10 > 0:58:14Our case was nothing more than an epilogue to an arduous tale.
0:58:14 > 0:58:16- I've seen things. - You've imagined things.
0:58:16 > 0:58:17Oh, it is!
0:58:17 > 0:58:20- SCREAMING - It's here!
0:58:20 > 0:58:22SHE SCREAMS
0:58:32 > 0:58:35Subtitles by Red Bee Media Ltd