0:00:41 > 0:00:43Papa has a surprise for us.
0:00:44 > 0:00:46We must look our best.
0:00:46 > 0:00:48Are you feeling better, Mama?
0:00:51 > 0:00:52Yes, my angel.
0:00:54 > 0:00:55Much better.
0:00:58 > 0:01:00And this collodion apparatus,
0:01:00 > 0:01:02is it an improvement on the daguerreotype?
0:01:02 > 0:01:05Mr Weston, your knowledge of my business shames me.
0:01:05 > 0:01:08I've always felt a kinship with photography
0:01:08 > 0:01:10despite being a mere onlooker.
0:01:11 > 0:01:13The power to hold a mirror to your subject,
0:01:13 > 0:01:16to glimpse uncompromising truths,
0:01:16 > 0:01:17illusions...
0:01:17 > 0:01:19it is extraordinary.
0:01:20 > 0:01:23Ah, my special lady.
0:01:24 > 0:01:26What a delightful surprise, darling.
0:01:26 > 0:01:27Isn't it?
0:01:27 > 0:01:33Meet Mr Cartwright, a photographer of considerable renown.
0:01:33 > 0:01:36I thought it high time for a family portrait.
0:01:37 > 0:01:39- You are very welcome. - It's my honour, Mrs Weston.
0:01:39 > 0:01:42I was just marvelling at the depths of your husband's knowledge.
0:01:42 > 0:01:45He is a man of considerable intellect.
0:01:47 > 0:01:48And I am very lucky.
0:01:48 > 0:01:50The good fortune runs both ways.
0:01:50 > 0:01:52Mama, come and stand next to me.
0:01:52 > 0:01:55Flora, I must insist you stop calling her that!
0:01:55 > 0:01:58You know full well Katherine is not your mama.
0:02:00 > 0:02:02You will stand behind me.
0:02:21 > 0:02:23"As the thick mist swept over the gardens,
0:02:23 > 0:02:27"Grace could no longer determine whether it was day or night."
0:02:27 > 0:02:29They don't have clocks, then?
0:02:30 > 0:02:38"Fearful of sleep, she resumed carving her initials into the wall with her red raw fingers."
0:02:38 > 0:02:41Well, I can think of easier ways to stay awake.
0:02:41 > 0:02:43Quiet, you! Final instalment's out this week.
0:02:43 > 0:02:45- We must make sure we're up to date. - I'm counting the days.
0:02:45 > 0:02:48How can you be so consumed by a story?
0:02:48 > 0:02:50This poor girl's on her own.
0:02:50 > 0:02:53All isolated, no-one believing a thing she says about this ghost.
0:02:53 > 0:02:57That's because everybody knows that there's no such thing as ghosts.
0:02:57 > 0:02:58Who says?
0:02:58 > 0:02:59I've seen things.
0:02:59 > 0:03:01You've imagined things.
0:03:01 > 0:03:03Welcome back.
0:03:03 > 0:03:04How's Edmund?
0:03:04 > 0:03:06They think he's over the worst of it.
0:03:06 > 0:03:08Moray was looking for you.
0:03:08 > 0:03:10Thanks.
0:03:10 > 0:03:12Is he not well? He looked a bit...
0:03:12 > 0:03:15- Clara, I don't know. - "Grace walked to the window.
0:03:15 > 0:03:21"And there, at the window, the pale apparition that tormented her soul,
0:03:21 > 0:03:23"urging her to leave this place."
0:03:35 > 0:03:36Denise!
0:03:36 > 0:03:38Denise, please!
0:03:39 > 0:03:40I've missed you.
0:03:41 > 0:03:45Whatever you're thinking couldn't be further from the truth.
0:03:45 > 0:03:48It's true that I was with Katherine, but I was there for us.
0:03:48 > 0:03:49For The Paradise.
0:03:49 > 0:03:52This situation is not what it appears.
0:03:52 > 0:03:54Nothing happened.
0:03:55 > 0:03:59When my uncle was ill, on the verge of death,
0:03:59 > 0:04:00when I needed my fiance...
0:04:02 > 0:04:05..when I needed you next to me...
0:04:05 > 0:04:07..you were with her.
0:04:07 > 0:04:09That happened.
0:04:09 > 0:04:10Apologies, sir.
0:04:10 > 0:04:12Miss Denise...
0:04:13 > 0:04:15..Mr Weston has called everyone to the Great Hall.
0:04:23 > 0:04:27Jonas, I've been interrupted at more opportune moments.
0:04:27 > 0:04:29My humblest apologies, sir.
0:04:29 > 0:04:34But if Mr Weston is gathering staff for an announcement, might it not be important?
0:04:43 > 0:04:44You look like hell.
0:04:44 > 0:04:46Apt enough.
0:04:46 > 0:04:49One feels that's exactly where I'm headed.
0:04:51 > 0:04:54Thank you, if you could just put it there, that's perfect.
0:04:55 > 0:04:57If I could have your attention, please!
0:04:58 > 0:05:01I'd like to introduce you all to someone very special.
0:05:01 > 0:05:02An artist,
0:05:02 > 0:05:03a scientist...
0:05:03 > 0:05:07one of the most celebrated photographers in all of the land...
0:05:07 > 0:05:10Mr Christian Cartwright!
0:05:14 > 0:05:16Every word a heinous untruth!
0:05:17 > 0:05:18He's gorgeous!
0:05:18 > 0:05:21He can carte de visite with me any time he likes.
0:05:21 > 0:05:25I've already taken the liberty of drawing on Christian's talents.
0:05:29 > 0:05:33I'll confess to you all that being the owner of a department store
0:05:33 > 0:05:38wasn't something that came naturally to a man more used to bayonets than bonnets...
0:05:38 > 0:05:42and it has taken a little time for us to get to know each other.
0:05:43 > 0:05:48But I've come to appreciate that this is as much your Paradise as it is mine.
0:05:48 > 0:05:56So...each of you will have your picture taken by Christian to be individually framed
0:05:56 > 0:05:58and hung in the gallery.
0:06:05 > 0:06:06Denise...
0:06:06 > 0:06:07- John.- Please...- Don't.
0:06:30 > 0:06:32I am familiar with that look.
0:06:33 > 0:06:34I have seen it in the mirror.
0:06:36 > 0:06:39Usually subsequent to an encounter with John Moray.
0:06:41 > 0:06:44I trust you enjoyed your afternoon together.
0:06:45 > 0:06:46He told you?
0:06:47 > 0:06:49Then, why do you look so dismayed?
0:06:51 > 0:06:54I do not know how you wish me to respond, Mrs Weston.
0:06:54 > 0:06:55Oh, Denise.
0:06:55 > 0:06:58Must you be so perfect at all times?
0:06:58 > 0:07:00You've won.
0:07:00 > 0:07:02Celebrate your victory.
0:07:02 > 0:07:04Moray desires only you.
0:07:05 > 0:07:08And this cursed shop, of course.
0:07:11 > 0:07:14Our kiss was nothing more than an epilogue to an arduous tale.
0:07:17 > 0:07:19Please give my best to your uncle.
0:07:46 > 0:07:48You kissed Katherine Weston?
0:07:49 > 0:07:50At her instigation.
0:07:52 > 0:07:54Have you parted company with your senses?
0:07:54 > 0:07:57At this juncture that seems as good a possibility as any.
0:07:57 > 0:08:00Denise was securing investment that could've won The Paradise.
0:08:00 > 0:08:04She sold Ballentine the dream of you and she running the place.
0:08:04 > 0:08:06He was in agreement, the money was there.
0:08:06 > 0:08:10All the investment in the world is frankly meaningless without Tom Weston's consent to sell.
0:08:12 > 0:08:15Reckless and foolhardy my plan may have been,
0:08:15 > 0:08:19- but a plan it was. - Concocted by Jonas Franks.
0:08:19 > 0:08:21How could you put your trust in that man again?
0:08:21 > 0:08:23And to think Denise was worried about keeping secrets from you!
0:08:23 > 0:08:25Dudley, I don't need a lecture!
0:08:30 > 0:08:35Then, my advice is you treat Denise in the fashion she deserves...
0:08:35 > 0:08:37perhaps starting with the truth.
0:08:44 > 0:08:48The collodion is the best of all photographic processes,
0:08:48 > 0:08:53giving your image a hitherto unseen sharpness and clarity.
0:08:53 > 0:08:59And meaning you can produce an unlimited number of prints from a single negative.
0:08:59 > 0:09:00Hear that, Sam?
0:09:00 > 0:09:04You can plaster your entire room with pictures of yourself. Sam wallpaper.
0:09:04 > 0:09:06I'll put you down for a couple of rolls then, shall I?
0:09:06 > 0:09:09How can you be an artist and a scientist?
0:09:09 > 0:09:11Oh, perceptive question, er...
0:09:11 > 0:09:12Arthur, sir.
0:09:15 > 0:09:17Take this lady here.
0:09:19 > 0:09:20Miss, please.
0:09:25 > 0:09:27The science is the process.
0:09:28 > 0:09:31Biology, how she lives and breathes.
0:09:31 > 0:09:34Chemistry, the elements in balance.
0:09:35 > 0:09:38- Physics...- How can she stay upright after a night out in the Three Crowns?
0:09:39 > 0:09:41And art...
0:09:41 > 0:09:45the contours of her face tell us she is beautiful.
0:09:46 > 0:09:50But beyond the mere physical aesthetic there lies something more.
0:09:50 > 0:09:52A depth.
0:09:52 > 0:09:54A sadness in the eyes.
0:09:54 > 0:09:57This lady's face tells the story of pain.
0:09:58 > 0:10:00Please, do not take offence.
0:10:00 > 0:10:02I intend it as the sincerest of compliments.
0:10:04 > 0:10:08It's, er, unlike any compliment I've received before.
0:10:09 > 0:10:10Allow me to make amends.
0:10:10 > 0:10:13Will you be the first to have your photograph taken?
0:10:13 > 0:10:17No...thank you.
0:10:20 > 0:10:22Do you not approve, Clara?
0:10:22 > 0:10:26I am delighted to look at pictures of other people, sir.
0:10:26 > 0:10:27But of yourself?
0:10:27 > 0:10:29I already know what I look like.
0:10:30 > 0:10:32You are so...wilful.
0:11:23 > 0:11:25- KNOCKING - Yes?
0:11:27 > 0:11:28You wanted to see me, sir?
0:11:29 > 0:11:33Mr Cartwright's presence here is an opportunity not to be wasted.
0:11:33 > 0:11:36I feel certain that the popularity of photography
0:11:36 > 0:11:39can be harnessed to invigorate sales.
0:11:39 > 0:11:42So I need some of your wonderful ideas.
0:11:42 > 0:11:45I'm sure you're right, sir. But Mr Moray...
0:11:45 > 0:11:47Moray has been holding you back, Denise,
0:11:47 > 0:11:49I can see that now,
0:11:49 > 0:11:52fearful that you will outshine him. I cannot allow it.
0:11:52 > 0:11:55You're too talented and I need you to rise above it.
0:11:56 > 0:11:59We shall meet later to discuss your plans for Mr Cartwright.
0:12:00 > 0:12:02Yes, sir.
0:12:08 > 0:12:11How on this fine earth did you come to know such things?
0:12:11 > 0:12:15There was a portrait photographer three streets down from where I grew up.
0:12:15 > 0:12:17Badgered the old man silly... Thank you.
0:12:17 > 0:12:20- ..Till he gave in.- An apprenticeship?
0:12:20 > 0:12:22Taught me everything.
0:12:23 > 0:12:25And you still work together?
0:12:25 > 0:12:31Our lives, well, they took on the same composition as the old man's portraits.
0:12:31 > 0:12:32Every day the same.
0:12:32 > 0:12:35So I went my own way.
0:12:35 > 0:12:39Fascinating. So you just travel around, from place to place?
0:12:39 > 0:12:42Mmm. Searching for that unique something.
0:12:42 > 0:12:44A raw influence to absorb and inspire.
0:12:46 > 0:12:47I believe I've found it.
0:12:47 > 0:12:50- What here, at The Paradise? - Mmm, my muse.
0:12:51 > 0:12:53You don't mean Clara?
0:12:54 > 0:12:57I absolutely must photograph her, Sam.
0:12:58 > 0:12:59Help me.
0:12:59 > 0:13:01What can I do to convince her?
0:13:02 > 0:13:05I'm not sure any amount of musing would convince Clara of anything!
0:13:09 > 0:13:10Please.
0:13:26 > 0:13:29She is really quite splendid, isn't she?
0:13:30 > 0:13:32Denise, I mean.
0:13:32 > 0:13:36In her future, I see only rise upon promotion.
0:13:36 > 0:13:39Yes...she is a rarity.
0:13:42 > 0:13:43You're obviously busy in here.
0:13:43 > 0:13:45I talked with Mr Fenton.
0:13:45 > 0:13:47A highly informative conversation.
0:13:48 > 0:13:50Enlightening, you might say.
0:13:52 > 0:13:54And it seems you've overplayed your hand.
0:13:57 > 0:14:00You've gambled and lost everything.
0:14:01 > 0:14:05Do you know, and this may sound outlandish,
0:14:05 > 0:14:11but it wouldn't surprise me if Denise ran The Paradise one day.
0:14:13 > 0:14:15Oh, the irony of it all!
0:14:16 > 0:14:19For a long time I actually wanted rid of this place.
0:14:52 > 0:14:54MORAY: I once made you a promise...
0:14:55 > 0:14:56..that we would never be parted...
0:14:56 > 0:14:58as we were when I left for Paris.
0:14:58 > 0:15:04But even when I was in France I felt close, connected to you.
0:15:05 > 0:15:07Because I knew you were waiting.
0:15:07 > 0:15:09But now...
0:15:10 > 0:15:12..I feel further away from you than ever...
0:15:12 > 0:15:13KNOCKING
0:15:16 > 0:15:19Apologies for interrupting, Mr Moray, sir.
0:15:20 > 0:15:22It is a sensitive matter...
0:15:23 > 0:15:27..as regards Mr Weston and his time in India.
0:15:28 > 0:15:30- We've discussed this before. - Yes, sir.
0:15:30 > 0:15:33Of course, as a man of honour you were reluctant
0:15:33 > 0:15:38but have we not reached the time to employ such information to your advantage?
0:15:38 > 0:15:39No!
0:15:39 > 0:15:44No, these unscrupulous, wily tactics are the reason I am where I am.
0:15:45 > 0:15:47Just leave me in peace!
0:15:47 > 0:15:49Allow me to make amends, sir.
0:15:50 > 0:15:53Am I not making myself clear, Jonas?
0:16:21 > 0:16:24Is there something I can assist you with...sir?
0:16:24 > 0:16:26Do you have this in emerald green?
0:16:26 > 0:16:28To complement my eyes?
0:16:29 > 0:16:32- You're in the wrong department. - I disagree.
0:16:32 > 0:16:35And there is most definitely something you can do for me.
0:16:35 > 0:16:37Certainly, sir.
0:16:37 > 0:16:40As long as it's not to question why I don't want my portrait taken.
0:16:40 > 0:16:41Oh, that? No.
0:16:42 > 0:16:44I already know why.
0:16:46 > 0:16:49You presume too much, sir.
0:16:49 > 0:16:51Not so much a presumption,
0:16:51 > 0:16:55as an eye trained to perceive what lies beyond the surface.
0:16:57 > 0:16:58Clara...
0:16:58 > 0:17:01I apologise most sincerely for my ill-judged comments.
0:17:01 > 0:17:04But the reason you do not want me to take your photograph
0:17:04 > 0:17:09is the precise reason yours is the one I'm absolutely obliged to take.
0:17:10 > 0:17:13You may be obliged, but I am not.
0:17:13 > 0:17:16Please! Meet with me and I'll show you.
0:17:16 > 0:17:18Show me? I can't just...
0:17:18 > 0:17:19I'll send word. Please!
0:17:29 > 0:17:34I regret to inform you the emerald green bonnet is sadly out of stock.
0:17:38 > 0:17:40I was thinking about what you asked,
0:17:40 > 0:17:44and then I had the idea to open the photography booth up to the public.
0:17:44 > 0:17:47But most people already have a portrait.
0:17:47 > 0:17:49What we need is something different.
0:17:49 > 0:17:52And you're going to tell me what that is.
0:17:52 > 0:17:54Paradise Postcards.
0:17:58 > 0:18:02We create a Paradise backdrop as the setting for your postcard.
0:18:02 > 0:18:04Customers have their photograph taken as a souvenir of their visit.
0:18:04 > 0:18:08And on their mantelpiece, in their home...
0:18:08 > 0:18:09A photograph of The Paradise.
0:18:09 > 0:18:12For all their friends to see when they come round for Sunday lunch.
0:18:12 > 0:18:14It would extend The Paradise's reach across the street.
0:18:14 > 0:18:18And customers could shop while they wait for their portrait to be developed.
0:18:18 > 0:18:22Perhaps an incentive, say ten per cent off everything they purchase.
0:18:23 > 0:18:25And since my uncle left me as custodian of his shop...
0:18:25 > 0:18:27How long until this can be up and running?
0:18:31 > 0:18:33Oh!
0:18:37 > 0:18:39It's fantastic.
0:18:39 > 0:18:40That is quite something.
0:18:48 > 0:18:50There's someone in mine!
0:18:51 > 0:18:52It's a ghost!
0:18:52 > 0:18:53Look!
0:18:57 > 0:18:59Did anyone else feel that?
0:19:00 > 0:19:02The coldness.
0:19:02 > 0:19:03It went right up the back of my neck!
0:19:03 > 0:19:05The front doors are open!
0:19:05 > 0:19:07It's in The Paradise.
0:19:08 > 0:19:10What if we're haunted?
0:19:11 > 0:19:12I think you're a bit suggestible.
0:19:12 > 0:19:15It might be time for a break from The House On The Hill.
0:19:16 > 0:19:18What on earth is that?
0:19:18 > 0:19:23Mr Cartwright, will you please talk some sense into these unworldly gullible types?
0:19:23 > 0:19:27Yes, I forgot to mention there was, er, a problem with the exposure.
0:19:27 > 0:19:29Why is it in mine and no-one else's?
0:19:29 > 0:19:33Well, someone, a customer perhaps, must have momentarily walked into view.
0:19:33 > 0:19:36It creates a ghostly trace of their presence.
0:19:36 > 0:19:38I thought you might like to see it.
0:19:38 > 0:19:40These spooky apparitions are all the fashion in London.
0:19:40 > 0:19:42It's just looking down on me, all threatening.
0:19:42 > 0:19:44Mr Cartwright's telling you it's not real.
0:19:44 > 0:19:47Ghosts, spirits, ghouls, it's all in your head.
0:19:47 > 0:19:50- You can sit for another one just as soon as I fix the...- No!
0:19:53 > 0:19:55It's this magazine sending them barmy.
0:19:56 > 0:19:59The House On The Hill, the whole city's obsessed with it.
0:20:00 > 0:20:02Yeah, well, it's very good.
0:20:02 > 0:20:05Look how the people react to the very notion of the supernatural.
0:20:06 > 0:20:09This is a fantastic business opportunity.
0:20:15 > 0:20:18I propose The Paradise takes 80 per cent...
0:20:18 > 0:20:21seeing as we're providing the paying customers.
0:20:21 > 0:20:24Without me, you wouldn't have the apparatus nor the expertise.
0:20:24 > 0:20:28I propose The Paradise takes 60 per cent.
0:20:28 > 0:20:31We're supplying the floor space and The Paradise is the backdrop.
0:20:32 > 0:20:3370 per cent.
0:20:36 > 0:20:38Will you negotiate on my behalf in future?
0:20:38 > 0:20:40Denise...
0:20:40 > 0:20:42might I speak with you, please?
0:20:43 > 0:20:45I have somewhere I need to be.
0:20:45 > 0:20:47Excuse me.
0:20:57 > 0:20:59It's time for you to hear the truth.
0:21:01 > 0:21:05Fenton agreed to put up the funds to buy The Paradise.
0:21:05 > 0:21:10For my part, I was to use my connection with Katherine
0:21:10 > 0:21:13to drive a wedge between her and her husband,
0:21:13 > 0:21:16remind her of the closeness we once shared,
0:21:16 > 0:21:20make their situation so unbearable that they might sell.
0:21:22 > 0:21:26But the deeper I sank, the more the waters became muddied.
0:21:26 > 0:21:33And I realised I am not a man who can willingly treat people's feelings with such contempt.
0:21:35 > 0:21:40I listened to Jonas and I took an option presented to me.
0:21:40 > 0:21:41It was a mistake.
0:21:43 > 0:21:44- And that's the truth?- Yes!
0:21:45 > 0:21:52Sweetheart, you must know the only reason I became embroiled in this mess was for The Paradise,
0:21:52 > 0:21:54for us,
0:21:54 > 0:21:56for our dream...
0:21:57 > 0:21:58Because I love you.
0:21:59 > 0:22:01And there's nothing more to tell?
0:22:01 > 0:22:03No.
0:22:04 > 0:22:05No more secrets.
0:22:05 > 0:22:07You're lying, John.
0:22:08 > 0:22:12Mrs Weston informed me there was a kiss.
0:22:16 > 0:22:18Where are we going?
0:22:18 > 0:22:20I must be back in half an hour.
0:22:20 > 0:22:22Why concern yourself with a future that might never happen?
0:22:22 > 0:22:25Because I'll lose my position.
0:22:27 > 0:22:29A pond!
0:22:29 > 0:22:33A scene of natural beauty is a story written over many years,
0:22:33 > 0:22:35of good days and bad...
0:22:35 > 0:22:39each storm leaving its indelible mark.
0:22:39 > 0:22:42Without those turbulent times,
0:22:42 > 0:22:47this landscape would not possess its unique character.
0:22:48 > 0:22:51- And this is supposed to tell me...? - To embrace your past.
0:22:52 > 0:22:55You try to hide your pain, but it flows from every part of you.
0:22:56 > 0:22:58And it gives you beauty.
0:22:58 > 0:23:02Is this an elaborate way of enticing girls into your bed?
0:23:02 > 0:23:04I wish only to capture you in print.
0:23:07 > 0:23:08Come.
0:23:12 > 0:23:14I'll get dirt on my clothes.
0:23:15 > 0:23:17Lean out as far as you can.
0:23:23 > 0:23:25Trust me.
0:23:27 > 0:23:28There!
0:23:28 > 0:23:30What am I looking at?
0:23:30 > 0:23:32Yourself, Clara.
0:23:32 > 0:23:34Such is your preoccupation with what's happened in the past,
0:23:34 > 0:23:37or what may transpire in the future,
0:23:37 > 0:23:40you are missing out on this present...
0:23:41 > 0:23:43..here and now.
0:23:44 > 0:23:47You make it sound so simple.
0:23:47 > 0:23:50Because it is simple... we are what we are.
0:23:53 > 0:23:55This moment.
0:23:56 > 0:23:58Here, now.
0:23:58 > 0:24:00And that's all a photograph is.
0:24:02 > 0:24:03A memento.
0:24:04 > 0:24:07Do you now see how beautiful you are?
0:24:22 > 0:24:24Quite the attraction.
0:24:25 > 0:24:28And my heartfelt thanks to you, Mr Cartwright
0:24:28 > 0:24:30for agreeing to stay and make it possible.
0:24:30 > 0:24:31The pleasure's all mine.
0:24:31 > 0:24:34Delighted to be a part of it.
0:24:34 > 0:24:35As am I.
0:24:54 > 0:24:58I'm beginning to understand Moray's obsession with this place.
0:25:01 > 0:25:03There is something about this domain...
0:25:04 > 0:25:06..a kingdom in microcosm.
0:25:07 > 0:25:10And every kingdom has its all-powerful ruler.
0:25:10 > 0:25:15Though we don't usually find them wandering into the kitchen in the dead of night!
0:25:15 > 0:25:21Well, how could I resist when there are such delights to be stumbled upon?
0:25:23 > 0:25:25Well, thank you, kind sir.
0:25:25 > 0:25:27Will you have a drink with me, Clara?
0:25:49 > 0:25:51To your health.
0:25:51 > 0:25:52To yours.
0:26:02 > 0:26:04Are you all right, sir?
0:26:06 > 0:26:07Clara...
0:26:08 > 0:26:10..forever showing me kindness.
0:26:11 > 0:26:14We are kindred spirits, you and I, Clara.
0:26:15 > 0:26:18We conceal our true selves...
0:26:18 > 0:26:21our scars hidden from view.
0:26:21 > 0:26:24I take comfort in the shadows.
0:26:25 > 0:26:27You know...
0:26:29 > 0:26:32..if you ever needed anything...
0:26:35 > 0:26:37Would you like to be in safe hands...
0:26:40 > 0:26:41..protected...
0:26:42 > 0:26:44..sheltered from harm...?
0:26:53 > 0:26:56I could be...kind to you.
0:27:03 > 0:27:05Consider my proposal.
0:27:17 > 0:27:19You should not be in here, Jonas.
0:27:20 > 0:27:24It seems to be my way, sir, to intrude where I have no place.
0:27:24 > 0:27:29Your touching sense of self-knowing comes too late, Jonas.
0:27:29 > 0:27:35When you permitted me to return, sir, I had every good intention of serving you by honest means.
0:27:35 > 0:27:42I imagined that the consequences of my meddling would have taught me restraint.
0:27:42 > 0:27:46It seems that once I sense any manner of threat,
0:27:46 > 0:27:51some kind of animal cunning consumes my thinking.
0:27:52 > 0:27:57Denise will not speak to me, she will not even look at me.
0:27:57 > 0:28:00Do you imagine your apology can help us now?
0:28:00 > 0:28:03You know well enough what I am made of, Mr Moray...
0:28:05 > 0:28:07..yet you choose to have me by your side.
0:28:08 > 0:28:10Yes...I know.
0:28:11 > 0:28:14You have rid yourself of me once...
0:28:15 > 0:28:19You will remain here, so that I can keep my eyes on you.
0:28:19 > 0:28:24The sight of you reminds me of why I find myself in such dire circumstances.
0:28:24 > 0:28:27I would not wish to lose that for the world.
0:28:40 > 0:28:42You won't get a wink if you do all those.
0:28:43 > 0:28:45You told me it would catch up with me...
0:28:46 > 0:28:48..and that I'd learn my lesson.
0:28:49 > 0:28:52If you think I take any kind of pleasure in your sorrow, then...
0:28:54 > 0:28:55..well, maybe just a little.
0:28:58 > 0:28:59They kissed.
0:29:06 > 0:29:07I'm sorry.
0:29:07 > 0:29:14The one thing I keep wondering, how can I still work here and us not be together?
0:29:15 > 0:29:17Seeing him every day...
0:29:17 > 0:29:20But I can't bear to be apart.
0:29:20 > 0:29:21Then, reconcile.
0:29:24 > 0:29:26I refuse to be second prize.
0:29:26 > 0:29:30He still wants you, there are worse predicaments to endure!
0:29:33 > 0:29:39Denise, there are two types of women in love stories.
0:29:39 > 0:29:41The leading ladies and the mistresses,
0:29:41 > 0:29:43and we both know what you are.
0:29:43 > 0:29:46The leading lady's man does not take a mistress.
0:29:46 > 0:29:51Honestly, did you really believe Katherine would be jilted at the altar for a shop girl
0:29:51 > 0:29:53and not have her revenge?
0:29:53 > 0:29:56Be thankful a kiss is all it was.
0:29:57 > 0:30:02Hey, think about what you've endured to reach this point.
0:30:03 > 0:30:06If you walk away and let her win, it'll plague you.
0:30:11 > 0:30:12She used to need me.
0:30:12 > 0:30:19Despite all the independence, Denise's qualities, to a certain extent she relied on me.
0:30:20 > 0:30:23Now I feel she's altogether forgotten loving me at all.
0:30:27 > 0:30:28Dudley...
0:30:31 > 0:30:33I feel I've trusted the wrong people...
0:30:34 > 0:30:35..heeded the wrong advice.
0:30:35 > 0:30:38And now I feel I am done for.
0:30:38 > 0:30:41Please, tell me what to do.
0:30:42 > 0:30:46The way I see it, there is only one path you can take.
0:30:46 > 0:30:48Its virtues are twofold.
0:30:48 > 0:30:50Firstly, it'll take your mind off all this.
0:30:50 > 0:30:55Secondly, just maybe Denise'll catch a glimpse of the man she fell in love with.
0:30:57 > 0:30:59You get on with your job.
0:31:01 > 0:31:04The circulation of this magazine is greater than that of the London Times.
0:31:04 > 0:31:07The final issue is about to be released.
0:31:07 > 0:31:12This is an opportunity the man Denise fell in love with would exploit to its fullest degree.
0:31:13 > 0:31:15My mind is blank.
0:31:17 > 0:31:19I don't think I can do anything without her.
0:31:20 > 0:31:22I've never doubted you, Moray.
0:31:26 > 0:31:31But his is entirely of your own making and yours to fix.
0:31:44 > 0:31:49"The greyness of the weather had permeated the inner most reaches of Grace's mind.
0:31:49 > 0:31:51"All was a fog.
0:31:51 > 0:31:56"Perception and reality morphing into femoral long-forgotten concepts.
0:31:56 > 0:32:00"An impenetrable blanket lay over the hill as she tried to remember...
0:32:00 > 0:32:07"..Old Jim was hanging from a tree, the force of life having long since departed his body."
0:32:07 > 0:32:10Oh, my heavens above! Poor Grace.
0:32:10 > 0:32:11Wait! I've not finished.
0:32:15 > 0:32:17What's she going to do?
0:32:17 > 0:32:20She's all alone now the groundskeeper's killed himself.
0:32:20 > 0:32:21Did he, though?
0:32:21 > 0:32:23I'll wager the ghost drove him to it.
0:32:23 > 0:32:25Oh, Henry has to believe her in time.
0:32:25 > 0:32:27Henry who wants to have her committed? I don't think so.
0:32:31 > 0:32:33Susy, your clothes are moving.
0:32:33 > 0:32:34Clara! Don't encourage her!
0:32:37 > 0:32:38I'm not joking...
0:32:39 > 0:32:40Oh!
0:32:40 > 0:32:42Oh, it is!
0:32:43 > 0:32:45Aieee!
0:32:45 > 0:32:47It's here! It's here!
0:32:47 > 0:32:49SCREAMING
0:32:51 > 0:32:52Sam?
0:32:55 > 0:32:56What are you doing?
0:33:05 > 0:33:07You are a dead man!
0:33:07 > 0:33:09Dead!
0:33:14 > 0:33:15Oh, my...
0:33:18 > 0:33:20Come here.
0:33:27 > 0:33:29I'm fine.
0:33:29 > 0:33:31You don't need to pretend.
0:33:48 > 0:33:50I have been thinking.
0:33:51 > 0:33:52You could do with a rest.
0:33:53 > 0:33:57A change of scenery, somewhere abroad.
0:33:57 > 0:34:00Perhaps you could spend the autumn in the Alps.
0:34:01 > 0:34:05Recuperate, get back to your old self.
0:34:05 > 0:34:07That sounds wonderful.
0:34:08 > 0:34:10After all, you seemed so...
0:34:11 > 0:34:14..distracted over this business with Moray...
0:34:16 > 0:34:18It would do you good, don't you agree?
0:34:20 > 0:34:25Flora and I were just talking the other day about taking a trip somewhere.
0:34:27 > 0:34:29Flora won't be going. She'll remain here.
0:34:30 > 0:34:34But for all our sakes... you need some time away.
0:34:35 > 0:34:39I think it would be best for Flora to be with me.
0:34:41 > 0:34:48Do you know how humiliating it was for me to have to endure the gory details of Mr Fenton's plan,
0:34:48 > 0:34:53how he and Moray fabricated his interest in you as part of their ploy...
0:34:55 > 0:34:57..and you were duped into believing Moray...
0:34:59 > 0:35:02..actually desired you?
0:35:05 > 0:35:07I shall make the arrangements.
0:35:10 > 0:35:12There you go.
0:35:14 > 0:35:17It wouldn't half warm Edmund's cockles to see Lovett's like this.
0:35:17 > 0:35:19Thank you, Myrtle.
0:35:19 > 0:35:22Brisk trade you've drummed up there, Miss Denise.
0:35:22 > 0:35:24Your services are now required back in The Paradise.
0:35:25 > 0:35:29- Why?- There's an urgent venture with which Mr Moray needs your help.
0:35:30 > 0:35:31What sort of venture?
0:35:31 > 0:35:33I'll leave that to him.
0:35:34 > 0:35:35But this is my...
0:35:36 > 0:35:38Please, Mr Dudley.
0:35:39 > 0:35:41Being in his presence in unbearable.
0:35:41 > 0:35:44Denise, if you're not capable of doing your job,
0:35:44 > 0:35:48then what exactly is the purpose of your employment at The Paradise?
0:35:50 > 0:35:52Excellent.
0:35:56 > 0:35:58I'm finished with Mrs Harrington.
0:35:58 > 0:36:00I'll send Mrs Peters in.
0:36:00 > 0:36:01Thank you.
0:36:02 > 0:36:04Mrs Peters.
0:36:11 > 0:36:14He's going to fire me for neglecting my duties, I know it.
0:36:19 > 0:36:21What are you doing back here?
0:36:21 > 0:36:22I'm not entirely sure.
0:36:22 > 0:36:25Has he seen me reading on the job?
0:36:26 > 0:36:32Susy, I'm reliably informed the amount of time you've spent reading these surpasses anyone.
0:36:33 > 0:36:35It's true, I admit it.
0:36:35 > 0:36:38I read them every chance I get.
0:36:38 > 0:36:39Good.
0:36:39 > 0:36:42Because I met with the publishers of The House On The Hill,
0:36:42 > 0:36:45and The Paradise will host the launch to the final instalment.
0:36:45 > 0:36:47There'll be copies, here?
0:36:47 > 0:36:49Thousands of them, before anywhere else,
0:36:49 > 0:36:54and I require someone who has an intimate knowledge of the series.
0:36:56 > 0:36:59- Poisoned plum pudding, sir. - Poisoned...?
0:36:59 > 0:37:01They're what everyone knows in the story.
0:37:01 > 0:37:03The lead character believes she is being poisoned.
0:37:03 > 0:37:05Perfect!
0:37:05 > 0:37:07Perfect! We offer them to customers as they enter the Great Hall...
0:37:07 > 0:37:10or as an enticement on the street.
0:37:10 > 0:37:11Nightdresses, sir.
0:37:11 > 0:37:16Grace's nightdress is described in such intimate and luxurious detail,
0:37:16 > 0:37:19I doubt there's a lady out there that doesn't desire one.
0:37:19 > 0:37:21Thank you, Susy.
0:37:22 > 0:37:24Er, Denise is here to help with the launch of the magazine.
0:37:25 > 0:37:27Wonderful.
0:37:28 > 0:37:30Shall we go and discuss it?
0:37:40 > 0:37:44If we can make this a success, if we can sell enough copies,
0:37:44 > 0:37:48the publisher has promised me the launch of the first instalment of the next series,
0:37:48 > 0:37:51and a double-page advertisement in the inside cover.
0:37:52 > 0:37:54Sounds wonderful.
0:37:54 > 0:37:57I'm just trying to ascertain what you need me for.
0:37:58 > 0:38:01Well, the very same qualities for which I always need you.
0:38:01 > 0:38:03Everything seems taken care of.
0:38:03 > 0:38:04Susy's ideas are perfect.
0:38:04 > 0:38:08Susy's ideas were exactly what people will expect.
0:38:08 > 0:38:11We must deliver more, the unexpected, the spectacular...
0:38:12 > 0:38:14..as you have with your photographer.
0:38:15 > 0:38:18I believe I should leave you two to discuss.
0:38:18 > 0:38:19No, Dudley. You stay just there.
0:38:19 > 0:38:24Neither Denise nor I would allow personal wrangles to affect vital Paradise business,
0:38:24 > 0:38:26would we, Denise?
0:38:27 > 0:38:28No.
0:38:29 > 0:38:32How much time do we have before the launch?
0:38:57 > 0:38:58Mrs Weston.
0:38:58 > 0:39:00I implore you not to think me vain.
0:39:00 > 0:39:03A second time is an honour and a privilege.
0:39:03 > 0:39:05Flora. Please.
0:39:05 > 0:39:09I just hope your presence here doesn't indicate dissatisfaction with the first photograph.
0:39:09 > 0:39:11On the contrary.
0:39:11 > 0:39:14I found it so delightful I'm compelled to sit for you again.
0:39:14 > 0:39:16Will Papa be joining us?
0:39:16 > 0:39:19This is just for you and me, my darling.
0:39:21 > 0:39:25If we are ever apart, you'll have one and I'll have one.
0:39:26 > 0:39:28That means we will always be close to each other.
0:39:28 > 0:39:30But you promised that we would never be apart.
0:39:31 > 0:39:32I know...
0:39:33 > 0:39:36..and I shall do everything possible to keep that promise.
0:39:36 > 0:39:38This is just in case.
0:39:41 > 0:39:43Watch Mr Cartwright at work.
0:39:43 > 0:39:45See how adroit he is.
0:39:45 > 0:39:47I am practiced, Flora.
0:39:47 > 0:39:48That is all.
0:39:49 > 0:39:51Take heed.
0:39:51 > 0:39:53Practice makes perfect.
0:39:56 > 0:39:59Flora, what say we remove your chair?
0:39:59 > 0:40:00Mmm?
0:40:09 > 0:40:10There.
0:40:38 > 0:40:40I've never seen Mrs Weston look like this.
0:40:40 > 0:40:43You're not the only one with a share of suffering, Clara.
0:40:45 > 0:40:47You haven't known me more than five minutes.
0:40:47 > 0:40:50What gives you the right to speak to me like that?
0:40:50 > 0:40:54Perhaps...cos I like you.
0:40:57 > 0:40:58Well, you've a strange way of showing it.
0:41:03 > 0:41:04Was it a man?
0:41:08 > 0:41:10Yes, it was.
0:41:11 > 0:41:17Just some pathetic little dalliance that ruined my life.
0:41:19 > 0:41:20- I am only trying to underst...- What?
0:41:21 > 0:41:23What do you want to know?
0:41:23 > 0:41:25He was married.
0:41:26 > 0:41:27I had his child.
0:41:33 > 0:41:34I, er...
0:41:36 > 0:41:38..I gave up...
0:41:39 > 0:41:41..my little girl...
0:41:44 > 0:41:45..because I couldn't look after her.
0:41:50 > 0:41:52Every day I tell myself...
0:41:54 > 0:41:56..I did it for her...
0:42:00 > 0:42:02..but I don't believe it.
0:42:08 > 0:42:13Will that feed your curiosity enough, Christian?
0:42:15 > 0:42:17I wish you could be kinder to yourself.
0:42:25 > 0:42:30I thought we would stack the issues here in great towers, unmissable from the street.
0:42:30 > 0:42:34As long as we publicise adequately, the name alone should be enough to draw people through the door.
0:42:35 > 0:42:39But what stops people from buying their copy and walking right out again?
0:42:39 > 0:42:42Precisely. Once they come through the door, we need to keep them here.
0:42:42 > 0:42:45You've seen first-hand the allure of photography.
0:42:45 > 0:42:48Perhaps there's some way we can harness that same spirit.
0:42:49 > 0:42:52Is it possible to create fog?
0:42:52 > 0:42:53Fog?
0:42:53 > 0:42:55Christian says life is about experiences.
0:42:55 > 0:43:01And a photograph is about capturing a moment so you can return to that experience whenever you wish.
0:43:01 > 0:43:05I suppose that's the reason people become so enchanted with these stories.
0:43:05 > 0:43:06It's an escape to another world.
0:43:08 > 0:43:11What if we were to give them that world?
0:43:13 > 0:43:16If we had fog here, in the Great Hall...?
0:43:16 > 0:43:22As they come through group by group, it would be as if they were walking into The House On The Hill itself.
0:43:22 > 0:43:24I'd wager Christian could create something.
0:43:26 > 0:43:32What we would need would be darkness bringing the forest indoors, leading the way to the house.
0:43:35 > 0:43:38I've started on the plum pudding recipe, Mr Moray.
0:43:38 > 0:43:41And the customers will come in here and take them directly from the tray.
0:43:41 > 0:43:43Come into my kitchen?
0:43:43 > 0:43:45Yes, but you are no longer Myrtle...
0:43:45 > 0:43:49you are, er... What's the name of the cook in the story?
0:43:49 > 0:43:50- Mary.- Mary!
0:43:50 > 0:43:55For the launch of the magazine, The Paradise is going to be transformed into The House On The Hill.
0:43:55 > 0:43:57Every room a different experience.
0:43:57 > 0:44:00And Mary will bake her poisoned plum pudding!
0:44:01 > 0:44:05They'll want a ghost... so we must give them one.
0:44:05 > 0:44:07- Christian, can it be done? - Yes, it's possible.
0:44:07 > 0:44:11Their journey will end at the same place as the final instalment, in Grace's bedroom.
0:44:11 > 0:44:13Then they must wait until they arrive here,
0:44:13 > 0:44:16and then they're given the chance to purchase the final edition.
0:44:16 > 0:44:17Once they've walked through the entire store.
0:44:17 > 0:44:20And Christian will be here to capture a memento of their experience.
0:44:23 > 0:44:25Thank you, Denise.
0:44:25 > 0:44:27- We haven't done it yet.- But we will.
0:44:40 > 0:44:42I just wanted to bid you good night.
0:44:42 > 0:44:44Why are you dressed so extravagantly?
0:44:45 > 0:44:47For The Paradise's big event.
0:44:47 > 0:44:49I hear they've transformed the place.
0:44:49 > 0:44:51Oh, did I not inform you?
0:44:51 > 0:44:54You'll remain here while Flora accompanies me.
0:44:55 > 0:44:57But it's an important business event for you,
0:44:57 > 0:45:00and without me to look after her, Flora may get in the way.
0:45:00 > 0:45:02Martha will take care of Flora.
0:45:02 > 0:45:05You're the one more likely to get in the way.
0:45:05 > 0:45:08And you're looking a little tired.
0:45:08 > 0:45:10Perhaps you need the rest.
0:45:42 > 0:45:45EXCITED HUBBUB
0:45:47 > 0:45:49I know, I can't wait...
0:46:07 > 0:46:09How much longer can we wait?
0:46:09 > 0:46:11Just a little more.
0:46:13 > 0:46:14There they are.
0:46:14 > 0:46:16The publishers?
0:46:21 > 0:46:23Whenever you're ready, Miss Denise.
0:46:35 > 0:46:36Miss Denise.
0:46:36 > 0:46:37Mr Moray, sir.
0:46:42 > 0:46:44So, ladies and gentlemen...
0:46:44 > 0:46:52inside this here building resides the final instalment of The House On The Hill.
0:46:52 > 0:46:54Oh, I'm so excited as well.
0:46:54 > 0:46:56Do you believe in ghosts?
0:46:56 > 0:46:58HUBBUB
0:46:58 > 0:47:01Will Henry save Grace's life before it's too late?
0:47:04 > 0:47:05Be our guests...
0:47:06 > 0:47:08..if you'd be so bold.
0:47:43 > 0:47:45Grace and Henry foresaw a blissful life together.
0:47:47 > 0:47:54But on the eve of their wedding this mist, a mist, a mist so thick and unnatural, they say...
0:47:55 > 0:47:59..settled... on the house on the hill...
0:47:59 > 0:48:02CLAP OF THUNDER ..trapping Grace as its prisoner.
0:48:03 > 0:48:06Each time she tried to escape, she was prevented...
0:48:08 > 0:48:12..a ghostly figure watching her every move.
0:48:20 > 0:48:22GASPS OF EXCITEMENT
0:48:30 > 0:48:34Do you believe, as Gracie did, that her food was poisoned?
0:48:38 > 0:48:42Madam, would you dare dine with Henry?
0:48:51 > 0:48:53Would you like to know what's for pudding?
0:48:54 > 0:48:56Mary!
0:48:57 > 0:48:58Pudding.
0:48:59 > 0:49:02It's the plum pudding!
0:49:02 > 0:49:04Yes, it's the plum pudding!
0:49:04 > 0:49:06Which one will you take?
0:49:07 > 0:49:08Beware...
0:49:09 > 0:49:11..you must choose wisely.
0:49:12 > 0:49:16When Moray proposed this to me, I must admit I wasn't convinced.
0:49:17 > 0:49:20But it has turned out to be quite the theatrical event.
0:49:21 > 0:49:24Later I will send Flora home.
0:49:25 > 0:49:28When I have concluded my business with the publishers...
0:49:29 > 0:49:31..you'll find my carriage waiting outside.
0:49:52 > 0:49:54What if it isn't scary enough?
0:49:55 > 0:49:56Have faith. They're coming.
0:49:58 > 0:50:00It would serve you best to keep up.
0:50:01 > 0:50:03Follow the ghost.
0:50:04 > 0:50:07She leads the way to Grace's bedroom.
0:50:14 > 0:50:18And Grace retreated here, to this bedroom,
0:50:18 > 0:50:23after months of suffering, of wretched mental torment,
0:50:23 > 0:50:28as nobody believed that she was being haunted by the ghost of Henry's dead wife.
0:50:30 > 0:50:33Worse, much worse,
0:50:33 > 0:50:37was Gracie began to doubt what she was seeing with her own eyes.
0:50:40 > 0:50:42She began to wonder whether she was losing her mind.
0:50:42 > 0:50:46If you look closely here, madam...
0:50:49 > 0:50:54..you'll see where, using only her fingernails, she scratched her initials into the wall.
0:50:59 > 0:51:02Now, without further ado, ladies and gentlemen,
0:51:02 > 0:51:05who would like to be the first lucky person in all the land
0:51:05 > 0:51:10to own the final instalment of The House On The Hill?
0:51:10 > 0:51:11EXCITED HUBBUB
0:51:11 > 0:51:13There we go! Fantastic!
0:51:13 > 0:51:17Now, don't forget to have your photo taken with the ghost on the way out.
0:51:18 > 0:51:19Thank you.
0:51:36 > 0:51:38The world's not a fair place.
0:51:38 > 0:51:40All your doing and who takes the credit?
0:51:40 > 0:51:42Do not concern yourself, Dudley.
0:51:42 > 0:51:45Let him take the battle...
0:51:45 > 0:51:46because my war is won.
0:51:47 > 0:51:49You were right.
0:51:49 > 0:51:53I needed to remind Denise of the man she fell in love with in the first place.
0:51:54 > 0:51:56The Paradise needs you both.
0:51:56 > 0:51:58Look at what you can achieve together.
0:52:58 > 0:53:04I am considering whether I might accept your offer of a photograph.
0:53:07 > 0:53:08"Considering"?
0:53:09 > 0:53:11You might have the good grace
0:53:11 > 0:53:13to let a girl believe she's still to be won over.
0:53:14 > 0:53:15It was clumsy of me. I'm sorry.
0:53:16 > 0:53:18Can I try again?
0:53:18 > 0:53:22Or we could just take the photograph.
0:53:45 > 0:53:47- HE KNOCKS - Drive on!
0:53:55 > 0:53:58"She scrambled her way into the cellar, bolting the door behind her, breathless,
0:53:58 > 0:54:00"she looked up, confused..."
0:54:02 > 0:54:03It was Henry!
0:54:08 > 0:54:09Hello?
0:54:12 > 0:54:14Hello?
0:54:19 > 0:54:21Who's there?
0:54:23 > 0:54:25Arggh!
0:54:30 > 0:54:36Mmm, I feel like royalty, sitting here, posing.
0:54:37 > 0:54:38I think you rather like it.
0:54:38 > 0:54:43Oh, yes, yes, I will hang a portrait of myself above my bed
0:54:43 > 0:54:45so I can see it every morning when I wake.
0:54:45 > 0:54:48- You make a joke of everything that matters.- Do I?
0:54:48 > 0:54:52- Mmm...- Well, you speak as if you know every inch of my soul.
0:54:53 > 0:54:54You don't.
0:54:54 > 0:54:56And neither do your pictures.
0:54:58 > 0:54:59Are you laughing at me now?
0:55:00 > 0:55:02At myself.
0:55:02 > 0:55:04I've always been a know-it-all.
0:55:04 > 0:55:06I can't seem to help myself.
0:55:07 > 0:55:08I wish I could.
0:55:08 > 0:55:12Yes, you might be an attractive man if you just shut up for five minutes.
0:55:28 > 0:55:30I should button my lip more often.
0:55:31 > 0:55:33But I will say one thing...
0:55:33 > 0:55:35You see, I can't help myself.
0:55:36 > 0:55:38Go on, then, say it...
0:55:44 > 0:55:45The most beautiful thing about you
0:55:45 > 0:55:48is that you have no idea how beautiful you are.
0:56:11 > 0:56:15Mr Weston says the publishers thought it spectacular beyond their wildest dreams.
0:56:15 > 0:56:18I saw one of them actually jump when Sam revealed the ghost.
0:56:19 > 0:56:21All the plum puddings sold.
0:56:21 > 0:56:24Ah, thank God. It means we don't have to eat them ourselves.
0:56:24 > 0:56:26We still make a formidable team, Moray.
0:56:26 > 0:56:28That we do, Denise.
0:56:30 > 0:56:31Denise...
0:56:32 > 0:56:34..I'm so sorry.
0:56:34 > 0:56:35I know.
0:56:36 > 0:56:38Can you ever forgive me?
0:56:40 > 0:56:42Of course I can.
0:56:46 > 0:56:48You do know...
0:56:48 > 0:56:51the kiss, it was a horrible mistake.
0:56:52 > 0:56:56I know it sounds absurd, but genuinely I was acting for us.
0:56:56 > 0:56:58I only went to such lengths
0:56:58 > 0:57:02because I was so desperate for what we had today to be our future.
0:57:02 > 0:57:04Why did you feel the need to act alone?
0:57:04 > 0:57:05To hide your plans from me?
0:57:05 > 0:57:08From a desire to protect you.
0:57:08 > 0:57:11But I do not want nor do I need protection.
0:57:11 > 0:57:14You must make allowances for a man shielding his love
0:57:14 > 0:57:17from the murkiness of men and business.
0:57:18 > 0:57:23You are my most prized possession, even over The Paradise.
0:57:27 > 0:57:29I fear you will never understand.
0:57:30 > 0:57:33No matter the depth of your love, it does not equate to ownership.
0:57:33 > 0:57:35I am not your possession.
0:57:35 > 0:57:39I refuse to live in a box marked "My little champion".
0:57:40 > 0:57:42I'm sorry, John.
0:57:58 > 0:57:59Clemence!
0:57:59 > 0:58:01There were debts... prison even...
0:58:01 > 0:58:03if I could not pay, and I could not.
0:58:03 > 0:58:04So I ran.
0:58:04 > 0:58:06The priest can wait.
0:58:06 > 0:58:08This cannot!
0:58:08 > 0:58:10Why cannot you and him find a way to be together?
0:58:10 > 0:58:12Clemence, please!
0:58:12 > 0:58:15I'm sorry, cherie, it is just that I must believe in love.
0:58:15 > 0:58:17I'll play you for them.
0:58:17 > 0:58:18You would need a stake.
0:58:18 > 0:58:20If you win, I go...
0:58:20 > 0:58:25away from The Paradise, the city, the country.
0:58:25 > 0:58:27No!
0:58:37 > 0:58:41Subtitles by Red Bee Media Ltd