0:01:46 > 0:01:47Four yards of the blue silk.
0:01:47 > 0:01:50Blue! Why blue?
0:01:50 > 0:01:53From now on everything must be scarlet and black -
0:01:53 > 0:01:54le rouge et le noir!
0:01:54 > 0:01:56Mademoiselle Clemence!
0:01:56 > 0:01:59But you are asking, "Mais pourquoi le rouge et le noir?"
0:01:59 > 0:02:03I answer, because of the passion that has taken Paris by storm
0:02:03 > 0:02:06and sweeps all before it.
0:02:06 > 0:02:08Hazard!
0:02:08 > 0:02:10France is giddy with infatuation.
0:02:10 > 0:02:14We play to see what we will wear today,
0:02:14 > 0:02:17who will we marry today!
0:02:17 > 0:02:20What do you say, madame? Will you hazard with me?
0:02:20 > 0:02:23If you win, it is a blue.
0:02:23 > 0:02:25If I win, you will try the scarlet.
0:02:25 > 0:02:27Sam, you are my good luck!
0:02:27 > 0:02:29Call a number between five and nine.
0:02:30 > 0:02:31Seven.
0:02:31 > 0:02:33Then I say
0:02:33 > 0:02:35I will cast a seven.
0:02:38 > 0:02:40Quelle malchance!
0:02:40 > 0:02:42Sam, we lose. Madame will take the blue.
0:02:42 > 0:02:45But please, not four yards only.
0:02:45 > 0:02:47Skirts will be very full next season,
0:02:47 > 0:02:50you have it from the lips of Paris.
0:02:50 > 0:02:51I'll take six yards...
0:02:51 > 0:02:53of the blue AND the scarlet.
0:02:55 > 0:02:58And where can I get those dice?
0:02:58 > 0:03:00Clemence?
0:03:00 > 0:03:03At The Paradise, madame. Only at The Paradise!
0:03:07 > 0:03:09Moray, mon cher.
0:03:09 > 0:03:12Not that I'm not delighted to see you...
0:03:12 > 0:03:13Why are you here?
0:03:13 > 0:03:15Didn't you hear, darling?
0:03:15 > 0:03:19I bring you the fever that is sweeping all Paris!
0:03:19 > 0:03:21You bring me dice that can be bought at any French port
0:03:21 > 0:03:23for five sous a piece.
0:03:23 > 0:03:25And where did you pick them up? Calais?
0:03:27 > 0:03:30Paris was becoming uncomfortable.
0:03:30 > 0:03:31Oh, dear.
0:03:31 > 0:03:33That doesn't sound good.
0:03:33 > 0:03:34It is true what they say -
0:03:34 > 0:03:37hell knows no fury like a woman scorned.
0:03:37 > 0:03:40Her tantrums and tears were insupportable.
0:03:40 > 0:03:42I wanted a change of scene quickly.
0:03:42 > 0:03:43Et voila!
0:03:43 > 0:03:45Clemence, you are incorrigible.
0:03:45 > 0:03:47These, these are clever!
0:03:48 > 0:03:50How many did you bring?
0:03:50 > 0:03:52As many as I could fit into my valise.
0:03:52 > 0:03:54I'll take them all.
0:03:54 > 0:03:55Of course!
0:03:55 > 0:03:58Now, tell me, how are all my friends?
0:03:58 > 0:03:59How is Denise?
0:03:59 > 0:04:01Yes, she's very well.
0:04:01 > 0:04:03She's...
0:04:03 > 0:04:06She's, er, head of Ladieswear.
0:04:06 > 0:04:08Oh, no, John. What has happened?
0:04:08 > 0:04:11You and Denise, you were made for each other.
0:04:11 > 0:04:15We...she didn't think that we could...
0:04:16 > 0:04:18Actually, Clemence. Do you mind if we don't?
0:04:18 > 0:04:22KNOCKING AT THE DOOR Yes!
0:04:22 > 0:04:23Please, Mr Moray, sir.
0:04:23 > 0:04:26Mr Dudley says the customers are asking for dice
0:04:26 > 0:04:27and we have none.
0:04:27 > 0:04:30And if this is one of your famous schemes,
0:04:30 > 0:04:32he wishes you'd told him first.
0:04:32 > 0:04:34Thank you, Arthur. Tell Dudley I'm on my way.
0:04:34 > 0:04:36Right!
0:04:40 > 0:04:43I thought you brave to risk The Paradise for love.
0:04:43 > 0:04:47But to wear such a smile when your heart is all desolation,
0:04:47 > 0:04:48that is true courage.
0:04:48 > 0:04:50Pauvre enfant,
0:04:50 > 0:04:52I could almost love you myself.
0:04:54 > 0:04:56- DENISE:- 'And you're sure it was her?'
0:04:56 > 0:04:58Mm. Large as life and twice as French.
0:04:58 > 0:05:00She's in with Mr Moray now, if you want to see her.
0:05:00 > 0:05:01I...have to get back.
0:05:01 > 0:05:03I'm sure I'll find her later.
0:05:06 > 0:05:08My feelings exactly.
0:05:08 > 0:05:10Women - unfathomable.
0:05:11 > 0:05:14She loves him, but she won't go near him.
0:05:14 > 0:05:16Whoa! You all right?
0:05:16 > 0:05:19This place takes people like that, sometimes.
0:05:19 > 0:05:21Let's get the weight off your feet.
0:05:21 > 0:05:23Here.
0:05:23 > 0:05:25Here.
0:05:25 > 0:05:27Paradise...
0:05:29 > 0:05:31It is paradise!
0:05:31 > 0:05:32Not for everyone...
0:05:32 > 0:05:34not for everyone.
0:05:43 > 0:05:46Clemence!
0:05:47 > 0:05:48I'm so happy to see you.
0:05:48 > 0:05:51And I you, cherie. But what is it I hear,
0:05:51 > 0:05:53you and Moray breaking each other's hearts. Why?
0:05:55 > 0:05:58We do not want the same thing.
0:05:58 > 0:06:00He wants you.
0:06:00 > 0:06:01You want him.
0:06:01 > 0:06:03Not in the same way.
0:06:03 > 0:06:06I am his most prized possession.
0:06:06 > 0:06:08You would be loved as you yourself love.
0:06:09 > 0:06:11Yes!
0:06:11 > 0:06:14But what if that is not possible?
0:06:14 > 0:06:16Then...
0:06:16 > 0:06:19I shall have to learn to live with a broken heart.
0:06:28 > 0:06:30It is her! It is!
0:06:30 > 0:06:33Oh, will we all go out again, like last time?
0:06:33 > 0:06:34Just the girls to the Three Crowns?
0:06:34 > 0:06:36But without question!
0:06:36 > 0:06:40We four et la merveilleuse Myrtle.
0:06:40 > 0:06:42But that is for later. Now, I have a gift for Denise.
0:06:42 > 0:06:45And not just for Denise, for Ladieswear.
0:06:45 > 0:06:48Whatever I tell them downstairs,
0:06:48 > 0:06:50this is the true vogue in Paris, today.
0:06:50 > 0:06:51Rouge.
0:06:53 > 0:06:55Only the very boldest dare wear it.
0:06:55 > 0:06:56But even those who dare not
0:06:56 > 0:07:00buy it in case one day they should find the courage.
0:07:00 > 0:07:03But women who paint their faces are not nice.
0:07:03 > 0:07:05They work on the street.
0:07:05 > 0:07:06Exactement.
0:07:06 > 0:07:09So when Madame walks into a salon with her face painted thus,
0:07:09 > 0:07:11and her head held high,
0:07:11 > 0:07:13she's telling the world,
0:07:13 > 0:07:18"I am who I say I am, let no-one else dare to define me!"
0:07:18 > 0:07:22It is a gauntlet thrown at the feet of polite society.
0:07:22 > 0:07:23This is not Paris.
0:07:23 > 0:07:27But if there is anyone who can sell Paris here, it is you, Denise.
0:07:27 > 0:07:29So these are not just a gift,
0:07:29 > 0:07:31they are a challenge.
0:07:32 > 0:07:35Your purchases will be waiting for you at the parcels desk.
0:07:35 > 0:07:38As to the hazard dice you were enquiring after,
0:07:38 > 0:07:40I believe they'll be with us later today.
0:07:45 > 0:07:46Hazard -
0:07:46 > 0:07:49a few hours ago, nobody's heard of the game.
0:07:49 > 0:07:50Now...
0:07:50 > 0:07:53I suppose that's the thing with a craze, eh?
0:07:55 > 0:07:56Eh?
0:08:03 > 0:08:05(Arthur! Arthur!)
0:08:06 > 0:08:08Arthur, find Mr Moray
0:08:08 > 0:08:10and tell him to come and tell him to come now!
0:08:10 > 0:08:12But I'm helping Mademoiselle Clemence with her dice.
0:08:12 > 0:08:15The dice can wait. This...
0:08:15 > 0:08:16cannot.
0:08:21 > 0:08:23You were up early this morning.
0:08:23 > 0:08:25I was woken by a caller.
0:08:27 > 0:08:29A caller?
0:08:29 > 0:08:30On a false errand.
0:08:30 > 0:08:33The person he sought does not live here.
0:08:33 > 0:08:37But by happy accident I was able to do some business with him myself.
0:08:37 > 0:08:39Is that damson jelly?
0:08:39 > 0:08:40Perfect.
0:08:41 > 0:08:44Is that why you are in such a jolly mood?
0:08:44 > 0:08:46Sometimes, Flora,
0:08:46 > 0:08:49life seems full of possibility and promise.
0:08:51 > 0:08:54Apparently Mademoiselle Romanis has returned to The Paradise.
0:08:57 > 0:08:58Clemence?
0:09:02 > 0:09:03I thought her in France.
0:09:05 > 0:09:07An impromptu visit, I believe.
0:09:08 > 0:09:10I shall make sure to give her your best.
0:09:15 > 0:09:17Who is he?
0:09:17 > 0:09:18I don't know!
0:09:18 > 0:09:20He looked tired so I offered him a seat,
0:09:20 > 0:09:21the next thing I know he's...
0:09:21 > 0:09:23What is it?
0:09:23 > 0:09:25He's a sailor.
0:09:25 > 0:09:26Yes.
0:09:26 > 0:09:29But not an English one, that's French.
0:09:29 > 0:09:32And this is French tailoring - the best.
0:09:34 > 0:09:37Did he sound foreign?
0:09:37 > 0:09:39I only heard him say three words.
0:09:41 > 0:09:42Mr Moray, sir.
0:09:49 > 0:09:53A French sailor, with a taste for fine tailoring,
0:09:53 > 0:09:56and the annual salary of a working man in his pocket.
0:09:56 > 0:09:57Quite a mystery.
0:10:01 > 0:10:02Er, Mr Weston!
0:10:02 > 0:10:04Dudley told me.
0:10:04 > 0:10:06I met him this morning.
0:10:06 > 0:10:07He came to the Hall.
0:10:09 > 0:10:11He'd been...misdirected.
0:10:11 > 0:10:13Er, who is he?
0:10:14 > 0:10:16He didn't give a name.
0:10:18 > 0:10:21Imagine a small group of customers, hand-picked.
0:10:21 > 0:10:25Women who feel they can lead fashion rather than be led by it.
0:10:25 > 0:10:28Now imagine a corner of Ladieswear,
0:10:28 > 0:10:30dressed as a boudoir.
0:10:31 > 0:10:34The woman who inhabits it has just stepped out
0:10:34 > 0:10:36and may return at any moment.
0:10:36 > 0:10:38Her scent lingers in the air.
0:10:40 > 0:10:42On the dressing table, a bottle of perfume.
0:10:42 > 0:10:45We imagine her dabbing it on her wrists,
0:10:45 > 0:10:47her neck...
0:10:47 > 0:10:49There's an evening stole, a fan...
0:10:51 > 0:10:53..a dance card.
0:10:53 > 0:10:54And in the middle,
0:10:54 > 0:10:57a beautiful pot of rouge.
0:10:57 > 0:11:00Beside it, a woman's necklace, carelessly cast aside,
0:11:00 > 0:11:05tangled and tumbled with a man's cuff links.
0:11:05 > 0:11:07Denise...
0:11:07 > 0:11:09may I be excused to get a glass of cold water?
0:11:09 > 0:11:11I'm feeling awfully strange.
0:11:11 > 0:11:15THEY GIGGLE A glass of cold water?
0:11:15 > 0:11:17A cold bath, more like it.
0:11:17 > 0:11:19If that doesn't sell it, nothing will.
0:11:25 > 0:11:26The parish will take him and bury him.
0:11:26 > 0:11:28But because his identity is not known,
0:11:28 > 0:11:30it must be in an unmarked grave.
0:11:30 > 0:11:33That's a pauper's burial. That man had money!
0:11:33 > 0:11:36An unmarked grave in an unknown land...
0:11:36 > 0:11:39I would not wish so solitary an end on anyone.
0:11:39 > 0:11:40Mademoiselle Clemence!
0:11:40 > 0:11:42If he's recently come from France,
0:11:42 > 0:11:44she may have encountered him on her journey.
0:11:44 > 0:11:45she may even have met him.
0:11:45 > 0:11:48Though perhaps it's not proper to show a woman a...
0:11:48 > 0:11:49(deceased person.)
0:11:51 > 0:11:53Oh, I feel sure Mademoiselle Clemence
0:11:53 > 0:11:55would be equal to the task.
0:11:56 > 0:11:57Don't you, Moray?
0:12:08 > 0:12:09Non.
0:12:09 > 0:12:12I've never seen him before. I'm sorry.
0:12:12 > 0:12:13Not at all, Clemence.
0:12:16 > 0:12:18We appreciate your trying.
0:12:23 > 0:12:25We could use his money to buy a plot and pay for a burial.
0:12:25 > 0:12:29A headstone can come later, if his identity is ever learned.
0:12:29 > 0:12:32Find somewhere to put him until arrangements can be made.
0:12:32 > 0:12:36Moray can't be expected to share his office with a corpse.
0:12:46 > 0:12:50FLORA: I love the river when it is like this, don't you?
0:12:56 > 0:12:59All deep and still and quiet,
0:12:59 > 0:13:02as if it were asleep.
0:13:02 > 0:13:05Mrs Weston, have a care. You might slip,
0:13:05 > 0:13:07the ground is dangerous here.
0:13:12 > 0:13:13I don't know what happened.
0:13:13 > 0:13:16I was feeling faint and the water...
0:13:18 > 0:13:19I'm very grateful to you.
0:13:21 > 0:13:23I've walked by that river many times
0:13:23 > 0:13:26when my thoughts have been turbulent.
0:13:26 > 0:13:28I walked there this morning for that reason.
0:13:30 > 0:13:31I fear I have...
0:13:33 > 0:13:35..nothing.
0:13:35 > 0:13:37Everything I had, I cast away.
0:13:37 > 0:13:38It is lost.
0:13:38 > 0:13:40You have the child.
0:13:42 > 0:13:44I have her on sufferance only.
0:13:46 > 0:13:48He can take her from me.
0:13:51 > 0:13:52He WILL take her from me.
0:13:54 > 0:13:58I have destroyed everything I set out to protect.
0:13:58 > 0:14:00I've hurt those that I sought to shield.
0:14:03 > 0:14:05I have become the harm I feared.
0:14:08 > 0:14:10And yet today, you were my salvation.
0:14:17 > 0:14:18Then there is hope
0:14:18 > 0:14:20for both of us.
0:14:26 > 0:14:28My husband was a soldier.
0:14:30 > 0:14:32He has suffered as other men have not.
0:14:33 > 0:14:35He has wounds...
0:14:35 > 0:14:36terrible wounds,
0:14:36 > 0:14:39his back laid open by swords.
0:14:42 > 0:14:45And he bears this pain alone,
0:14:45 > 0:14:46in secret.
0:14:49 > 0:14:51I thought once to be his comfort.
0:14:53 > 0:14:56You make me believe such a thing could yet be possible.
0:15:07 > 0:15:09Mama, will you come? I have made a daisy chain.
0:15:09 > 0:15:12Of course, my darling.
0:15:12 > 0:15:13Oh!
0:15:13 > 0:15:16Only I do...I do feel so strange.
0:15:16 > 0:15:18Have you that grown-up sickness again, Mama?
0:15:18 > 0:15:20It is so long since you had it last -
0:15:20 > 0:15:22weeks and weeks.
0:15:55 > 0:15:58Miss Clemence said we would all go to the Three Crowns again.
0:15:58 > 0:16:00And she asked for you by name.
0:16:00 > 0:16:02- She never did!- "Marvellous Myrtle" she called you.
0:16:02 > 0:16:04At least, I think that's what she said.
0:16:04 > 0:16:06Well, if that is not cause to crack out a party dress,
0:16:06 > 0:16:07I don't know what is!
0:16:07 > 0:16:09For a girls' night out in the Three Crowns?
0:16:09 > 0:16:10Who's going to care?
0:16:10 > 0:16:13Excuse me! The girls will care.
0:16:13 > 0:16:16P'raps I shall take the opportunity to christen my new bustier.
0:16:16 > 0:16:18God help us all!
0:16:18 > 0:16:19Denise?
0:16:21 > 0:16:23I know you don't sleep, but if you don't eat either
0:16:23 > 0:16:26you're not going to last long enough to start selling that rouge!
0:16:29 > 0:16:31I've had an idea...
0:16:31 > 0:16:32about our French friend.
0:16:34 > 0:16:35Edmund Lovett's shop.
0:16:37 > 0:16:40We cannot put a corpse in a man's shop without his knowledge.
0:16:40 > 0:16:44Denise has the keys and authority to act for her uncle.
0:16:44 > 0:16:46Perhaps if you were to talk to her.
0:16:46 > 0:16:47Dudley!
0:16:47 > 0:16:50Explain the situation!
0:16:50 > 0:16:52She will help, I am sure of it.
0:16:55 > 0:16:57The powder is so light,
0:16:57 > 0:16:59it requires the softest touch.
0:17:00 > 0:17:02A dusting on the lips
0:17:02 > 0:17:04and on the cheeks...
0:17:07 > 0:17:09Like the flush of love
0:17:09 > 0:17:12or the first time you looked in a glass
0:17:12 > 0:17:15and knew you were beautiful.
0:17:15 > 0:17:17The effect is...
0:17:17 > 0:17:18lovely.
0:17:19 > 0:17:21But it is impossible.
0:17:21 > 0:17:23A painted face?
0:17:24 > 0:17:26My husband would never allow it.
0:17:31 > 0:17:33Perhaps, your husband would not know.
0:17:33 > 0:17:36He thinks such preparations gaudy and brash.
0:17:38 > 0:17:42But this is sweet and delicate
0:17:42 > 0:17:43and gentle...
0:17:46 > 0:17:47..like a kiss on your skin.
0:17:49 > 0:17:50Denise,
0:17:50 > 0:17:52I'm sorry to interrupt.
0:17:54 > 0:17:56It makes no difference. They weren't going to buy.
0:17:58 > 0:17:59How can I help?
0:18:00 > 0:18:04I have a favour to ask, concerning your uncle's shop.
0:18:04 > 0:18:06We do not know his name
0:18:06 > 0:18:08or who his people might be.
0:18:08 > 0:18:09But I wish for him to be buried
0:18:09 > 0:18:12with the care and consideration I would give a friend.
0:18:12 > 0:18:16But until arrangements can be made...
0:18:16 > 0:18:18he needs a place to rest.
0:18:23 > 0:18:25My uncle's keys are inside.
0:18:38 > 0:18:39You could have come in.
0:18:44 > 0:18:46Thank you.
0:18:46 > 0:18:49We should at least try to find a way of being normal with each other.
0:18:53 > 0:18:54Denise, I...
0:18:56 > 0:19:00It is hard for me even to be near you, at the moment.
0:19:00 > 0:19:03But to be in the same room,
0:19:03 > 0:19:05to be so close
0:19:05 > 0:19:07and not be able to touch you...
0:19:11 > 0:19:13I will learn, I'm sure I will learn.
0:19:13 > 0:19:15Just...
0:19:15 > 0:19:16not yet.
0:19:34 > 0:19:36Jonas. I was looking for you today.
0:19:36 > 0:19:37You were not to be found.
0:19:37 > 0:19:40I am sorry, sir. I will not be from my station again.
0:19:43 > 0:19:46Moray. I hear we have a hit -
0:19:46 > 0:19:47dice.
0:19:47 > 0:19:50Yes, yes, we've already sold out.
0:19:50 > 0:19:51There's a waiting list.
0:19:51 > 0:19:54Hm, a fad. It'll be over before it has begun.
0:19:54 > 0:19:56But the gain to our reputation will remain.
0:19:56 > 0:19:59People are saying if you want to know what London will be doing tomorrow,
0:19:59 > 0:20:01look in The Paradise today.
0:20:01 > 0:20:02Hm, very neat.
0:20:02 > 0:20:06Perhaps you should have that engraved on a plaque.
0:20:06 > 0:20:08I was thinking perhaps a tattoo(!)
0:20:16 > 0:20:19There she is!
0:20:19 > 0:20:22Myrtle! Don't tell me - a new bustier.
0:20:22 > 0:20:24You look magnificent.
0:20:26 > 0:20:29You see! Women dress for other women because other women notice.
0:20:29 > 0:20:31Oh, we shall have a night of it, tonight!
0:20:31 > 0:20:33It's women only, lads! It is women only!
0:20:33 > 0:20:35Small mercies.
0:20:35 > 0:20:38Unless you'd prefer an evening with the gentlemen.
0:20:38 > 0:20:40I see one of them, at least, has his eye on you.
0:20:40 > 0:20:43This is what I give for an evening with a gentleman!
0:20:43 > 0:20:46Ils n'en valent vraiment pas la peine!
0:20:46 > 0:20:49I don't know what she's saying but I like the way she says it!
0:20:50 > 0:20:52So, what is it to be?
0:20:52 > 0:20:54The Three Crowns and perhaps a little dinner,
0:20:54 > 0:20:56a little dancing?
0:20:56 > 0:20:59Mademoiselle Romanis.
0:20:59 > 0:21:02I wonder, might I beg the favour of a word?
0:21:06 > 0:21:08It is delightful to see you back.
0:21:08 > 0:21:10Oh, I am delighted to be back.
0:21:10 > 0:21:12And delighted, I am sure,
0:21:12 > 0:21:14to have escaped all that unpleasantness in Paris.
0:21:16 > 0:21:18An acquaintance of yours called at the Hall this morning
0:21:18 > 0:21:21under the mistaken impression he would find you with us.
0:21:21 > 0:21:23I had to disappoint him,
0:21:23 > 0:21:25but we got talking.
0:21:25 > 0:21:27He said he was...
0:21:27 > 0:21:30Oh, what was the word he used?
0:21:30 > 0:21:33Ah, yes, a sangsue -
0:21:33 > 0:21:36a blood sucker.
0:21:36 > 0:21:40Though I believe debt collector is the more common term.
0:21:43 > 0:21:45What do you want?
0:21:45 > 0:21:48Oh, I already have what I want.
0:21:48 > 0:21:50My debts? He sold them to you?
0:21:51 > 0:21:55I'm only sorry he never got to enjoy his ill-gotten gains.
0:21:56 > 0:21:58What will you do with them?
0:21:58 > 0:22:01Well, I thought we might discuss that over dinner.
0:22:03 > 0:22:07Of course, you will have to tell your...friends
0:22:07 > 0:22:09that you're now unavailable.
0:22:10 > 0:22:11Tomorrow. Please.
0:22:13 > 0:22:14But I am hungry now.
0:22:21 > 0:22:23I am sorry.
0:22:23 > 0:22:26I had forgotten a prior engagement.
0:22:41 > 0:22:44See, a bad mood of this magnitude,
0:22:44 > 0:22:46I'd normally say too much drink,
0:22:46 > 0:22:48but seeing as your evening was cancelled...
0:22:48 > 0:22:53Four lasses stood up by the same person at the same time.
0:22:53 > 0:22:54You've got to hand it to the French.
0:22:54 > 0:22:55Stop it, Sam.
0:22:55 > 0:22:58Oh, let him! It's true, isn't it?
0:22:58 > 0:22:59She made fools of all of us.
0:22:59 > 0:23:02"That for an evening with the men."
0:23:02 > 0:23:03My arse!
0:23:03 > 0:23:06I didn't like her anyway. I think women should be more...
0:23:06 > 0:23:07modest.
0:23:07 > 0:23:10We don't know why Clemence did what she did.
0:23:10 > 0:23:12I don't think she looked very happy about it.
0:23:12 > 0:23:14She can look after herself, that one, trust me.
0:23:14 > 0:23:18Knows exactly what side her bloody brioche is buttered.
0:23:18 > 0:23:23DIE ROLLS ON TABLE And get that bloody French dice out of my refectory!
0:23:31 > 0:23:35I was wondering what your plans were for this evening.
0:23:35 > 0:23:36I'm dining out.
0:23:38 > 0:23:40What a shame.
0:23:40 > 0:23:42It has been so long since we dined together.
0:23:44 > 0:23:45Too long.
0:23:47 > 0:23:50Do you remember, when we were first married,
0:23:50 > 0:23:54how you would send the servants away in the evening?
0:23:54 > 0:23:57You would sit by me and pour my wine.
0:24:00 > 0:24:01I do.
0:24:02 > 0:24:04I do remember.
0:24:05 > 0:24:07You were so tender,
0:24:07 > 0:24:10yet so...withheld.
0:24:13 > 0:24:17I thought I had a lifetime to fathom the secrets in your eyes.
0:24:20 > 0:24:21But then we came here.
0:24:23 > 0:24:25And I learned the secret had a name...
0:24:27 > 0:24:28Moray.
0:24:29 > 0:24:33And little by little I watched,
0:24:33 > 0:24:37as his nearness turned your tenderness to anguish.
0:24:40 > 0:24:45I don't doubt you've endured the destruction of your dreams.
0:24:45 > 0:24:47We have that in common, at least.
0:24:48 > 0:24:50But do not...
0:24:50 > 0:24:54do not insult the hopes I once cherished
0:24:54 > 0:24:55by trying now to resurrect
0:24:55 > 0:24:58what you so thoroughly laid to waste.
0:25:02 > 0:25:04I have found someone else to comfort me.
0:25:09 > 0:25:10I no longer need you.
0:25:36 > 0:25:38If only it weren't so red.
0:25:38 > 0:25:40I think you'll find the clue's in the name.
0:25:42 > 0:25:45You're just going to have to admit defeat on this one, Denise.
0:25:45 > 0:25:49But it's gorgeous! It feels like silk when you brush it on.
0:25:49 > 0:25:51- It even smells divine. - What's that?
0:25:53 > 0:25:56Mm, otto of roses.
0:25:56 > 0:25:58How do you know it's otto of roses?
0:25:58 > 0:26:02Otto of roses, white starch, a bit of carmine for the colour.
0:26:02 > 0:26:03I'm a cook.
0:26:03 > 0:26:05I know what goes in most things by smelling 'em.
0:26:05 > 0:26:08My mother, now, she'd a nose like a bloodhound.
0:26:08 > 0:26:10Made her own preparations, too.
0:26:10 > 0:26:12She'd a cream would turn your skin to satin.
0:26:12 > 0:26:15Face like an old boot, God rest her, but to touch...
0:26:15 > 0:26:17Oh! You have never known anything so soft.
0:26:17 > 0:26:19And do you know what she put in these creams?
0:26:19 > 0:26:21I know WHAT she put in.
0:26:21 > 0:26:22Just don't know how much.
0:26:22 > 0:26:24Kept her quantities close to her chest.
0:26:24 > 0:26:27Myrtle, how do you feel about
0:26:27 > 0:26:29a little after-hours experimenting?
0:26:31 > 0:26:32I've spoken to the undertaker.
0:26:32 > 0:26:35The body will be moved to Edmund's shop
0:26:35 > 0:26:38and lie there until the burial takes place, tomorrow.
0:26:38 > 0:26:39You should inform Denise.
0:26:39 > 0:26:41What? Why?
0:26:41 > 0:26:43Because it's her uncle's shop.
0:26:43 > 0:26:45Because she gave us the keys.
0:26:47 > 0:26:50- Because if the two of you could only talk to each other...- Dudley,
0:26:50 > 0:26:52I know you mean it as a kindness
0:26:52 > 0:26:54but to be always putting us in each other's paths,
0:26:54 > 0:26:56it is a torment.
0:26:56 > 0:26:59I can't just stand by and watch you suffer.
0:26:59 > 0:27:00It'll get easier.
0:27:00 > 0:27:03It is getting easier, I can feel it.
0:27:09 > 0:27:10You'll need the water hotter
0:27:10 > 0:27:13if you want the spermaceti to melt this time.
0:27:13 > 0:27:14It's already burning my hands!
0:27:14 > 0:27:16Beauty comes at a price.
0:27:18 > 0:27:20Now the rose water and the oils.
0:27:22 > 0:27:24Slowly...
0:27:24 > 0:27:26Oh, and to think, I could be at the pub.
0:27:28 > 0:27:30Stop! Now into the cold water.
0:27:40 > 0:27:42Perfect!
0:27:42 > 0:27:43Not quite.
0:27:45 > 0:27:46What are you doing?
0:27:46 > 0:27:51The scent of roses and the faintest hint...
0:27:51 > 0:27:52of a blush.
0:27:57 > 0:28:00Myrtle, you are beautiful.
0:28:00 > 0:28:02- Oh, you...- I know, I know!
0:28:02 > 0:28:05And before you say it, I deserve every word.
0:28:05 > 0:28:07But what if I told you that tomorrow night
0:28:07 > 0:28:10is my very last night of freedom
0:28:10 > 0:28:13and that I have come to ask you all to spend it with me.
0:28:13 > 0:28:15What are you talking about?
0:28:15 > 0:28:19I was not honest with Moray about my reasons for leaving France.
0:28:19 > 0:28:20There were debts,
0:28:20 > 0:28:22prison if I could not pay, and I could not.
0:28:22 > 0:28:24So I ran.
0:28:24 > 0:28:26But someone came after me.
0:28:26 > 0:28:28I don't blame him, he was doing his job.
0:28:28 > 0:28:31He sold my debts to Tom Weston.
0:28:31 > 0:28:34And now Weston gives me a choice -
0:28:34 > 0:28:37become his mistress or face prison.
0:28:39 > 0:28:40Oh, no, please!
0:28:40 > 0:28:42I don't want your pity,
0:28:42 > 0:28:43I want your company.
0:28:43 > 0:28:46Tomorrow night at the Three Crowns?
0:28:46 > 0:28:48Won't you come and drink with me?
0:28:48 > 0:28:50I bloody will.
0:28:50 > 0:28:52Bloody need a bloody drink after that!
0:29:14 > 0:29:16His last night above ground.
0:29:16 > 0:29:18I didn't think he should spend it alone.
0:29:19 > 0:29:23Death raises questions about life,
0:29:23 > 0:29:25about purpose...
0:29:25 > 0:29:28If we're going to talk about life, death and purpose,
0:29:28 > 0:29:29I'm going to need another drink.
0:29:29 > 0:29:31Luckily, I know where Edmund keeps his brandy.
0:29:35 > 0:29:37DOOR OPENS, BELL JINGLES
0:29:38 > 0:29:41I saw the light.
0:29:41 > 0:29:43Oh, welcome to the party.
0:29:43 > 0:29:45It is a vigil.
0:29:45 > 0:29:48With refreshments.
0:30:01 > 0:30:04But it's wrong. It's so wrong.
0:30:04 > 0:30:06Yes, it is wrong.
0:30:06 > 0:30:10But if you play with fire - and I do - sometimes, you will get burnt.
0:30:10 > 0:30:15So what should I do - curse the fire? Curse myself?
0:30:15 > 0:30:18Or hold on to the things that make life worth living?
0:30:18 > 0:30:22Liberty, friendship, love...
0:30:22 > 0:30:24I'll raise a glass to that.
0:30:24 > 0:30:26Enough of my story!
0:30:26 > 0:30:30Tell it to your daughters, to scare them into obedience.
0:30:30 > 0:30:33I want to know what potion were three of you
0:30:33 > 0:30:35brewing like witches last night.
0:30:35 > 0:30:38Myrtle's mother's cream,
0:30:38 > 0:30:42which Denise has tinted with your rouge.
0:30:42 > 0:30:45A secret between you and your skin.
0:30:45 > 0:30:51Oh! I could take this to any shop in any city in the world
0:30:51 > 0:30:54and, by tomorrow, there would be queues in the street.
0:30:55 > 0:30:57You are a genius.
0:30:59 > 0:31:01No, I mean it.
0:31:01 > 0:31:04You are a genius.
0:31:04 > 0:31:05But not in love.
0:31:05 > 0:31:08Why, with all your flair and passion and elan,
0:31:08 > 0:31:11why cannot you and he find a way to be together?
0:31:11 > 0:31:12Clemence, please.
0:31:12 > 0:31:14Please don't make it any harder.
0:31:14 > 0:31:16I'm sorry, cherie.
0:31:16 > 0:31:18It is just that I must believe in love.
0:31:18 > 0:31:20Now more than ever.
0:31:20 > 0:31:23I must believe that Tom Weston's way is not the only way
0:31:23 > 0:31:26and that love - real love - can triumph.
0:31:30 > 0:31:34I shall have to speak to Edmund about the quality of his brandy.
0:31:34 > 0:31:37I am carrying quite a head this morning.
0:31:37 > 0:31:39At least he was not alone.
0:31:39 > 0:31:42See, I don't know why you think this man's death was such
0:31:42 > 0:31:44a sad and solitary affair.
0:31:44 > 0:31:47If I had to venture an opinion, I'd say he died happy.
0:31:47 > 0:31:49"It is paradise."
0:31:49 > 0:31:51He looked about, that's what he said.
0:31:51 > 0:31:54Perhaps he could already see something you couldn't.
0:31:54 > 0:31:57Or perhaps he was exactly where he wanted to be.
0:31:57 > 0:31:59Just happy.
0:32:00 > 0:32:03What would it take to be so fulfilled?
0:32:05 > 0:32:08Every man has to decide for himself what it is
0:32:08 > 0:32:09that makes life worth living.
0:32:09 > 0:32:11And if a man loses the things
0:32:11 > 0:32:14that makes his life worth living, what then?
0:32:16 > 0:32:18That would depend on the man.
0:32:25 > 0:32:27I have lost The Paradise.
0:32:28 > 0:32:30I've lost Denise.
0:32:31 > 0:32:34I've not been able to win either of them back.
0:32:34 > 0:32:37I thought that this would grow easier,
0:32:37 > 0:32:40but every day, the pain, it gets worse.
0:32:42 > 0:32:45Moray, I've never been the one with the answers.
0:32:45 > 0:32:48Dudley...
0:32:48 > 0:32:49I am...
0:32:50 > 0:32:52..lost.
0:32:53 > 0:32:55I'm asking you.
0:32:55 > 0:32:58You're my closest friend.
0:32:58 > 0:33:00What would you have me do?
0:33:03 > 0:33:05Very well.
0:33:06 > 0:33:08I would not have you as you are now,
0:33:08 > 0:33:11as you have been these past weeks.
0:33:11 > 0:33:15Resigned, accepting, defeated.
0:33:15 > 0:33:17I would have you fight.
0:33:17 > 0:33:18Fight on.
0:33:18 > 0:33:20With what? I have nothing.
0:33:20 > 0:33:23You have everything you started with.
0:33:23 > 0:33:26Dudley, that was nothing.
0:33:26 > 0:33:28Exactly.
0:33:46 > 0:33:49Come on. Time to go home.
0:33:49 > 0:33:52No, please! Please stay.
0:33:52 > 0:33:55It is so mournful to drink alone.
0:33:55 > 0:33:56We're not leaving you.
0:33:56 > 0:33:58You're coming with us.
0:33:58 > 0:33:59I am?
0:34:13 > 0:34:15Perhaps Papa learned that we were having fish
0:34:15 > 0:34:17and that is why he stayed away.
0:34:17 > 0:34:19It is his least favourite, you know.
0:34:19 > 0:34:23Then someone should have told him there is syllabub for dessert.
0:34:23 > 0:34:25Everyone loves syllabub.
0:34:28 > 0:34:31Please remove Mr Weston's place setting.
0:34:48 > 0:34:51Tell me the truth. Am I drunk?
0:34:51 > 0:34:52Just a little.
0:34:57 > 0:35:00But I have agreed to meet Tom Weston.
0:35:00 > 0:35:01I have to give him my answer.
0:35:01 > 0:35:03You have to lie down first.
0:35:08 > 0:35:10We can't let this happen, Clara.
0:35:10 > 0:35:11We can't.
0:35:15 > 0:35:19There's such an ache of loneliness about Tom Weston, Denise.
0:35:19 > 0:35:21It could break your heart.
0:35:21 > 0:35:25What he's doing is wrong, but God knows, there's been times
0:35:25 > 0:35:28when I'd have done whatever I could to feel someone's arms around me
0:35:28 > 0:35:30and know I wasn't alone.
0:35:30 > 0:35:33Something in him is broken.
0:35:33 > 0:35:36I don't know what it is, but be careful.
0:35:44 > 0:35:46Jonas!
0:35:46 > 0:35:49I...I couldn't sleep.
0:35:49 > 0:35:53Nor I. So many comings and goings.
0:35:54 > 0:35:56How is Mademoiselle Romanis?
0:35:56 > 0:35:57She's...
0:35:59 > 0:36:01She's in trouble.
0:36:01 > 0:36:04Mr Weston has acquired letters of promise that she is unable
0:36:04 > 0:36:08to honour and he is using them to coerce her into...
0:36:08 > 0:36:11- an arrangement. - And you would seek to help her?
0:36:11 > 0:36:13I can't stand by and watch.
0:36:13 > 0:36:14Then I will come with you.
0:36:14 > 0:36:17No! Jonas, I'm truly grateful,
0:36:17 > 0:36:21but what Mr Weston would see as a plea coming from a woman,
0:36:21 > 0:36:24he would see as a challenge coming from a man.
0:36:24 > 0:36:25Then you must go armed.
0:36:25 > 0:36:27Tom Weston has a secret.
0:36:27 > 0:36:31The pain of it and the shame of it are what drives him.
0:36:31 > 0:36:34- It will also be the undoing of him. - I don't understand.
0:36:34 > 0:36:37He was a young officer in the Indian Mutiny.
0:36:37 > 0:36:40The city of Delhi was besieged. Many men died.
0:36:40 > 0:36:42Tom Weston survived, a hero.
0:36:42 > 0:36:45But he had secret wounds.
0:36:45 > 0:36:47Sword cuts to his back.
0:36:47 > 0:36:51As if he had tried to run and was set upon by one of his own...
0:36:51 > 0:36:52You can't know that.
0:36:52 > 0:36:54I know men.
0:36:54 > 0:36:56Tom Weston is a man in torment.
0:36:56 > 0:36:58He is a man who met himself one terrible day
0:36:58 > 0:37:00and despises the coward he found himself to be.
0:37:00 > 0:37:02Do you understand, Denise?
0:37:02 > 0:37:05That is why he looks for comfort, for escape,
0:37:05 > 0:37:08to lose himself within another.
0:37:08 > 0:37:11Because the pain of who he is is so unendurable to him.
0:37:11 > 0:37:15I want you to use this knowledge as a weapon against him.
0:37:15 > 0:37:17You must use it as you will.
0:37:34 > 0:37:36Denise!
0:37:36 > 0:37:38You're waiting for Mademoiselle Romanis.
0:37:40 > 0:37:43She's at The Paradise, indisposed.
0:37:43 > 0:37:45I'm her messenger.
0:37:47 > 0:37:50Has she reached a decision?
0:37:50 > 0:37:52She accepts your proposal.
0:37:54 > 0:37:57But I wish you would reconsider.
0:37:57 > 0:38:00There are some feelings which are so unendurable
0:38:00 > 0:38:03we would do anything to escape them.
0:38:03 > 0:38:07But we cannot. We can only distract ourselves for a while.
0:38:09 > 0:38:12If I could buy my way out of the ache in my heart, I would.
0:38:13 > 0:38:16But some things cannot be bought.
0:38:16 > 0:38:19And to try to buy that which can only be given freely
0:38:19 > 0:38:21would be a comfortless thing.
0:38:21 > 0:38:24Did Mademoiselle Romanis send you here to negotiate with me?
0:38:24 > 0:38:28No. I act for myself.
0:38:29 > 0:38:31You're a daring strategist for a shop girl.
0:38:33 > 0:38:35And you are a good businessman, for a soldier.
0:38:35 > 0:38:39A woman's life for a few debts?
0:38:39 > 0:38:40That's a hard bargain.
0:38:40 > 0:38:42HE LAUGHS
0:38:44 > 0:38:45Sir!
0:38:45 > 0:38:47WESTON GASPS
0:38:47 > 0:38:49Mr Weston! Sir!
0:38:52 > 0:38:54I'm sorry.
0:38:54 > 0:38:56I have wounds.
0:38:56 > 0:38:58Old wounds.
0:39:00 > 0:39:01From India?
0:39:04 > 0:39:06What do you know of India?
0:39:07 > 0:39:09Nothing, I...
0:39:09 > 0:39:12You cannot spend a lifetime punishing yourself
0:39:12 > 0:39:15for a moment's lapse driven by fear.
0:39:15 > 0:39:19But don't you see? Nor can you escape it by punishing another.
0:39:19 > 0:39:22You dare to tell me what can and cannot be?
0:39:22 > 0:39:25You dare presume to know me?!
0:39:25 > 0:39:27You tell Mademoiselle Romanis to be ready.
0:39:27 > 0:39:30You tell her I am coming for her!
0:39:39 > 0:39:40Mr Weston.
0:39:43 > 0:39:45Jonas.
0:39:46 > 0:39:48Turn back, sir.
0:39:48 > 0:39:51Go home to your family.
0:39:51 > 0:39:53No-one will ever know what passed here.
0:39:53 > 0:39:55You came here with Denise.
0:39:55 > 0:39:58I did. Though she did not know it.
0:40:00 > 0:40:01You!
0:40:02 > 0:40:04It was you who told her!
0:40:07 > 0:40:09WESTON LAUGHS
0:40:10 > 0:40:14How long did it take you to piece my story together?
0:40:14 > 0:40:16Watching from the shadows,
0:40:16 > 0:40:18listening at doors.
0:40:18 > 0:40:20You spoke to me as a friend.
0:40:20 > 0:40:22You let me believe you were my man!
0:40:22 > 0:40:25I serve The Paradise.
0:40:25 > 0:40:27I am The Paradise!
0:40:28 > 0:40:30No, sir, you are not.
0:40:30 > 0:40:34And I will not allow you to avenge yourself on those who are.
0:40:36 > 0:40:37Get out of my way.
0:40:41 > 0:40:43Get out of my way!
0:41:06 > 0:41:08Susy, sh. Go back to bed.
0:41:08 > 0:41:09- But...- Sh.
0:41:24 > 0:41:27- My luggage... - We collected it from the hotel.
0:41:27 > 0:41:29I don't understand.
0:41:29 > 0:41:31There's enough in there for a train to the port
0:41:31 > 0:41:32and a ticket on the boat.
0:41:32 > 0:41:34France means prison, I can't go back.
0:41:34 > 0:41:36The boat to America.
0:41:39 > 0:41:41Money. This is your money?
0:41:44 > 0:41:45I can't take it.
0:41:45 > 0:41:48You can and you will.
0:41:49 > 0:41:50I went to Tom Weston.
0:41:50 > 0:41:55I tried to make things better and I made them so much worse.
0:41:55 > 0:41:59He will know I had help. He will know who helped me.
0:41:59 > 0:42:01There are other places to work.
0:42:01 > 0:42:05Not sure we could carry on, anyway, knowing what he was doing to you.
0:42:05 > 0:42:07Knowing he was doing what to her?
0:42:12 > 0:42:14FLORA WEEPS
0:42:14 > 0:42:16Flora, my darling, what is it?
0:42:16 > 0:42:18Was it a bad dream?
0:42:18 > 0:42:21It is not a dream! Papa will send you away.
0:42:21 > 0:42:24He will send you away and I will be alone!
0:42:27 > 0:42:29Flora, listen to me.
0:42:29 > 0:42:31We belong to each other, now.
0:42:31 > 0:42:34Do you understand? All of us.
0:42:34 > 0:42:37We belong to each other and we will be together.
0:42:39 > 0:42:40Come.
0:42:40 > 0:42:41What are we doing?
0:42:44 > 0:42:47Are you brave enough to venture out into such a black night?
0:42:47 > 0:42:49I am never scared with you.
0:42:49 > 0:42:51That is because you make me brave.
0:42:53 > 0:42:55And when you are with me, there is
0:42:55 > 0:42:57no-one in the world stronger than I am.
0:43:04 > 0:43:05There.
0:43:05 > 0:43:06- DENISE:- He's coming for her.
0:43:06 > 0:43:08If she's going to get away, she has to go now.
0:43:08 > 0:43:10- You can say you saw nothing, sir. - Please, John.
0:43:10 > 0:43:12He cannot do this! He cannot own you.
0:43:12 > 0:43:13You are not...
0:43:15 > 0:43:17You are not his possession.
0:43:20 > 0:43:23Mademoiselle Romanis.
0:43:23 > 0:43:26Denise. Clara.
0:43:26 > 0:43:29She didn't know. The noise woke her, she tried to stop us.
0:43:29 > 0:43:31Go, Clara.
0:43:41 > 0:43:45You should've reined her in while you had the chance, Moray.
0:43:45 > 0:43:49Your creature, your little champion.
0:43:49 > 0:43:51She is not MY anything.
0:43:51 > 0:43:55She is her own. As is Clemence.
0:43:55 > 0:43:59Oh, no, Mademoiselle Romanis is bought and paid for.
0:43:59 > 0:44:01Her debts are bought and paid for.
0:44:03 > 0:44:05Give me 24 hours.
0:44:05 > 0:44:08I'll find the money. I'll buy them back.
0:44:10 > 0:44:12They are not for sale.
0:44:13 > 0:44:15Then...
0:44:16 > 0:44:18I'll play you for them.
0:44:18 > 0:44:22Hazard? You would need a stake,
0:44:22 > 0:44:24and you have nothing that I want.
0:44:27 > 0:44:29You want me gone.
0:44:31 > 0:44:36If I win, you'll return Clemence's debts to her.
0:44:37 > 0:44:39If you win...
0:44:39 > 0:44:41I go.
0:44:41 > 0:44:43Where?
0:44:43 > 0:44:45Away.
0:44:45 > 0:44:48Away from The Paradise,
0:44:48 > 0:44:51the city, the country!
0:44:51 > 0:44:52- No!- Moray...
0:44:52 > 0:44:54And you will not return?
0:44:54 > 0:44:58I will not return. You have my word.
0:45:01 > 0:45:02Very well.
0:45:04 > 0:45:07But let us dispense with the notion that this is a game.
0:45:08 > 0:45:10One throw each.
0:45:12 > 0:45:13Highest roll wins.
0:46:20 > 0:46:22Clemence?
0:46:24 > 0:46:25Merci.
0:46:32 > 0:46:34Your past is none of my affair,
0:46:34 > 0:46:39but your actions today, they were the work of a true coward.
0:46:42 > 0:46:44Wait!
0:46:48 > 0:46:50I will play you again.
0:46:53 > 0:46:56I will play you for The Paradise.
0:46:59 > 0:47:02Department by department.
0:47:04 > 0:47:07And my stake?
0:47:07 > 0:47:10The same every time - your exile.
0:47:13 > 0:47:17Or are you too much the coward to risk so much?
0:47:21 > 0:47:23John, please, don't.
0:47:23 > 0:47:25This is not brave, this is insane.
0:47:25 > 0:47:28You'd have to win every throw. Every throw.
0:47:28 > 0:47:30Denise...
0:47:30 > 0:47:33I had The Paradise, I had you.
0:47:33 > 0:47:35I've lost them both.
0:47:35 > 0:47:38Don't you see? I have nothing more to lose.
0:47:57 > 0:47:59The Great Hall.
0:48:00 > 0:48:02The Great Hall.
0:48:15 > 0:48:16I have come for my husband.
0:48:16 > 0:48:18He's inside with Moray.
0:48:18 > 0:48:20They are playing dice for The Paradise.
0:48:30 > 0:48:31Two in a row.
0:48:33 > 0:48:34But your luck will not hold.
0:48:34 > 0:48:36It cannot.
0:48:36 > 0:48:38You have lost half your shop.
0:48:38 > 0:48:40Would you really rather bring down your own world
0:48:40 > 0:48:42than see him prosper, just a little?
0:48:42 > 0:48:43Your cast.
0:48:45 > 0:48:46Get out! Throw.
0:48:46 > 0:48:47Not before the child!
0:48:47 > 0:48:50- Throw!- Not before the child!
0:48:50 > 0:48:52Flora, go with Denise.
0:49:07 > 0:49:12Miss Flora, have you ever seen The Paradise at night time?
0:49:12 > 0:49:17I did, once, have a dream of Moray.
0:49:19 > 0:49:22But, I promise you...
0:49:22 > 0:49:23that dream is dead.
0:49:25 > 0:49:27I am free of it.
0:49:32 > 0:49:34There was a kindness between us once.
0:49:37 > 0:49:39Could we not look for it again?
0:49:41 > 0:49:43That dream is also dead.
0:49:46 > 0:49:47Then we must make a new dream.
0:49:49 > 0:49:50For Flora's sake.
0:49:53 > 0:49:55And the sake of the child that is coming.
0:50:01 > 0:50:02Come home.
0:50:03 > 0:50:07I will send away the servants and I will sit beside you.
0:50:08 > 0:50:10And we will talk.
0:50:15 > 0:50:18Let me be your comfort now.
0:50:32 > 0:50:34It is like a secret world.
0:50:36 > 0:50:39If I lived here, I'd wander around all night.
0:50:39 > 0:50:42- Do you?- I used to.
0:51:12 > 0:51:14I thought you would lose.
0:51:15 > 0:51:17I thought I would lose you.
0:51:19 > 0:51:21What would you have done?
0:51:21 > 0:51:23Followed.
0:51:23 > 0:51:27To hear you say those things and know that you meant them.
0:51:27 > 0:51:29You don't know how much I've longed for that.
0:51:31 > 0:51:34You are my equal
0:51:34 > 0:51:36and more.
0:51:36 > 0:51:40I look at you now and I see myself.
0:51:41 > 0:51:44That is how I know
0:51:44 > 0:51:47you will never be content in my shadow.
0:51:47 > 0:51:49It is not my Paradise you need,
0:51:49 > 0:51:52it is your own.
0:51:52 > 0:51:55No! I want you.
0:51:55 > 0:51:58I want to work with you and grow with you.
0:51:58 > 0:51:59It's yours.
0:51:59 > 0:52:02Everything I won from Weston, I give you,
0:52:02 > 0:52:05gladly, freely, with all my heart.
0:52:07 > 0:52:08Yours.
0:52:14 > 0:52:16Sweetheart, don't you see?
0:52:16 > 0:52:19You will never be happy,
0:52:19 > 0:52:21you will never be happy with me
0:52:21 > 0:52:26until you've built something that is yours and yours alone.
0:52:27 > 0:52:29But to do that I'd have to go.
0:52:29 > 0:52:31I'd have to leave you.
0:52:31 > 0:52:32Yes, you would.
0:52:34 > 0:52:35You will.
0:52:37 > 0:52:41I would rather see you walk away
0:52:41 > 0:52:42than keep you beside me,
0:52:42 > 0:52:45only to watch the light go out of your eyes.
0:52:50 > 0:52:52I love you too much.
0:53:27 > 0:53:29Jonas.
0:53:34 > 0:53:36Is it over, sir?
0:53:38 > 0:53:42Yes, it's... It's over.
0:54:52 > 0:54:53Arthur! I need you to deliver this
0:54:53 > 0:54:56and bring the answer back as fast as you can.
0:54:56 > 0:54:58- Can you do that?- Yes!
0:55:31 > 0:55:33Clara, take charge!
0:56:22 > 0:56:24My uncle's shop.
0:56:25 > 0:56:29But not as a drapery any more, as a beauty emporium with
0:56:29 > 0:56:34creams for the complexion and oils and powders and scented balms.
0:56:34 > 0:56:38Mr Ballantine has agreed to invest in me. He will be my backer.
0:56:41 > 0:56:43And I will be here.
0:56:44 > 0:56:46I will be here.
0:56:48 > 0:56:50And when I've made my name...
0:56:50 > 0:56:52Not your fortune?
0:56:52 > 0:56:54Both.
0:56:54 > 0:56:56I will come to you
0:56:56 > 0:57:00and ask you, most humbly,
0:57:00 > 0:57:03if you will do me the honour of becoming my husband.
0:57:05 > 0:57:06Will you say yes?
0:57:06 > 0:57:08Yes.
0:57:08 > 0:57:10- Do you promise?- Yes.
0:57:13 > 0:57:14Yes.
0:57:46 > 0:57:49Subtitles by Red Bee Media Ltd