0:00:02 > 0:00:04This programme contains some strong language.
0:00:04 > 0:00:07Your Honour, opposing counsel has had two weeks with this request.
0:00:07 > 0:00:09Why does it have to take place here and not in the brief?
0:00:09 > 0:00:11Your Honour, my client has taken Ms Clark's request
0:00:11 > 0:00:14for increased child support very seriously and thus...
0:00:14 > 0:00:16SHE SIGHS LOUDLY
0:00:16 > 0:00:19I'm sorry, Your Honour, may we ascertain whether Ms Clark
0:00:19 > 0:00:22- has some sort of respiratory issue? - Oh, objection.
0:00:22 > 0:00:25- Sustained. Oh, wait, wait... - Your Honour, Ms Clark cannot object.
0:00:25 > 0:00:28Ms Clark, please remember your place in this courtroom.
0:00:28 > 0:00:30And it's not as an officer of the court.
0:00:30 > 0:00:33Of course, yes, my apologies to the court, Your Honour.
0:00:33 > 0:00:35Counsel, continue.
0:00:35 > 0:00:37My client has more time than money.
0:00:37 > 0:00:38He is being reasonable.
0:00:38 > 0:00:41Rather than pay added child-support to pay strangers
0:00:41 > 0:00:44- to take care of the children... - Oh, the God's sake.
0:00:44 > 0:00:48Ms Clark, if you continue to express yourself outside of protocol,
0:00:48 > 0:00:50I'm going to hold you in contempt.
0:00:50 > 0:00:52I'm not Lance Ito.
0:00:52 > 0:00:55- Continue.- Thank you, Your Honour.
0:01:08 > 0:01:09(Oh, God.)
0:01:16 > 0:01:18Excuse me. I'm so sorry.
0:01:18 > 0:01:20I'm sorry.
0:01:26 > 0:01:28I'm really very late.
0:01:29 > 0:01:31Thank you.
0:01:31 > 0:01:33- Here you go.- Thank you very much.
0:01:33 > 0:01:35I'm sorry.
0:01:51 > 0:01:54Honoured that you could join us today, Ms Clark.
0:01:54 > 0:01:56My apologies to the court, Your Honour.
0:02:01 > 0:02:03You OK?
0:02:10 > 0:02:12And after the toast with the tequila,
0:02:12 > 0:02:15what did the defendant say to your sister?
0:02:15 > 0:02:18OJ grabbed Nicole's crotch and he said,
0:02:18 > 0:02:22"This is where babies come from and this belongs to me."
0:02:24 > 0:02:26Nicole just acted like...
0:02:26 > 0:02:28like it was normal, like she was used to that kind of treatment.
0:02:28 > 0:02:30Objection!
0:02:30 > 0:02:32Calls for speculation.
0:02:32 > 0:02:33Overruled.
0:02:33 > 0:02:36SHE CRIES
0:02:38 > 0:02:40Was he angry?
0:02:40 > 0:02:44When he grabbed her crotch in front of everyone and said that?
0:02:44 > 0:02:45No.
0:02:46 > 0:02:48That's just the kind of person he was.
0:02:50 > 0:02:53He wanted everyone to know that she was his property.
0:02:55 > 0:02:57This is ridiculous. What's this got to do with anything?
0:02:57 > 0:02:59- I can stop this. - It's too much.
0:02:59 > 0:03:02She's crying on cue and they feel it. It's backfiring.
0:03:04 > 0:03:06Are you OK, Miss Brown?
0:03:07 > 0:03:08Yes.
0:03:09 > 0:03:11It's just so hard...
0:03:15 > 0:03:18Court will resume Monday at 9am. We stand in recess.
0:03:24 > 0:03:26That was strong.
0:03:29 > 0:03:31You know, Johnnie, it's Friday.
0:03:31 > 0:03:35What that jury just heard, it's going to sit with them all weekend.
0:03:35 > 0:03:37I certainly hope so, Chris. I certainly hope so.
0:03:41 > 0:03:46MUSIC: Chained And Bound by Otis Redding
0:04:09 > 0:04:12- TV:- 'In the OJ trial, Nicole's sister, Denise Brown,
0:04:12 > 0:04:16'on the stand today. Emotional, a stirring testimony.
0:04:16 > 0:04:18'Will it make a difference?
0:04:18 > 0:04:20'We'll get into that after the break but first,
0:04:20 > 0:04:22'let's get into a subject in the OJ trial
0:04:22 > 0:04:25'that's got front pages sizzling.
0:04:25 > 0:04:28'Marcia Clark and the clothing that she wears.
0:04:28 > 0:04:30'Dolly Sugarman, style expert and author of
0:04:30 > 0:04:33'Looks Aren't Everything, They're The Only Thing,
0:04:33 > 0:04:37'here to tell us what thinks about how Marcia Clark prosecutes style.'
0:04:37 > 0:04:40- Oh, Jesus. - 'Dolly Sugarman, what gives?
0:04:40 > 0:04:43'Well, what we see with Marcia Clark is frump incarnate.
0:04:43 > 0:04:46- 'Guilty as charged, Larry.' - 'It's a look, that's for sure.'
0:04:46 > 0:04:49'This is not a look. This is a cry for help.
0:04:49 > 0:04:51- 'And can we talk about that hair?' - Mommy!
0:04:51 > 0:04:53Hi, sweetie.
0:04:53 > 0:04:57I knew you were home because I could smell smoking.
0:04:57 > 0:05:00- Travis, what are you doing up?- Mom, when I got home from school today,
0:05:00 > 0:05:03I ate the rest of my lunch because it was still in my bag
0:05:03 > 0:05:06- cos I forgot all about it. - Is that so?
0:05:06 > 0:05:09Do you ever eat just some of your lunch sometimes
0:05:09 > 0:05:12- and then the rest later? - You know what?
0:05:12 > 0:05:15- I do.- Me too.
0:05:15 > 0:05:17Do you want me to come give you a hug?
0:05:19 > 0:05:22Travis, there is nothing I would like more in the world.
0:05:30 > 0:05:32You give such a good hug.
0:05:35 > 0:05:37I'll be right in.
0:05:39 > 0:05:42- Smoking is gross, Mom.- Mm-hm.
0:05:42 > 0:05:43That it is.
0:05:45 > 0:05:50# You walk with your head in the sky
0:05:50 > 0:05:54# Darling, don't ever pass me by
0:05:54 > 0:05:57# I ain't going no further
0:05:57 > 0:06:00# Because you got me chained and bound
0:06:00 > 0:06:03# Oh, now
0:06:03 > 0:06:07# Taller than the tallest sky
0:06:07 > 0:06:10# Sweeter than a grape on a vine
0:06:10 > 0:06:14# Can't go no further
0:06:14 > 0:06:20# Because you got me chained and bound right now, now, now
0:06:20 > 0:06:24# So glad, I'm so glad, I'm so glad
0:06:25 > 0:06:27# I'm chained, I'm chained to your love. #
0:06:38 > 0:06:40- What?- You're not going to like this...
0:06:42 > 0:06:44Really, Gordon?
0:06:44 > 0:06:46A petition for primary custody?
0:06:46 > 0:06:49Come on, Marcia, you keep calling me, asking me to pitch in.
0:06:49 > 0:06:51It's only temporary until your trial of the century is over.
0:06:51 > 0:06:53Marcia, please just let the lawyers handle it.
0:06:53 > 0:06:56I AM a lawyer. Why should I be penalised for doing my job?
0:06:56 > 0:06:58Why should the kids be?
0:06:58 > 0:07:00I am more than a great mother to them, you know that.
0:07:00 > 0:07:02- You said it. - Sure, when you're there.
0:07:02 > 0:07:04Right now they spend all their time with baby-sitters.
0:07:04 > 0:07:07Now, how is that their best interest?
0:07:07 > 0:07:10Do you know why I have to work so hard?
0:07:10 > 0:07:12Because I have a family to support.
0:07:12 > 0:07:14At least they know one of us is there for them.
0:07:23 > 0:07:26Carl, take a look at the two of these note cards of Shaun's.
0:07:26 > 0:07:30Police disciplinary actions based on race.
0:07:30 > 0:07:32Those points fit out narrative.
0:07:32 > 0:07:33Anything else...
0:07:33 > 0:07:35DOOR OPENS
0:07:35 > 0:07:37I'm so sorry I'm late.
0:07:37 > 0:07:40I ran into Geffen and the whole Sue Mengers thing...
0:07:40 > 0:07:42I... I'm sorry.
0:07:43 > 0:07:45Johnnie, you were saying?
0:07:45 > 0:07:47I just wanted to impress upon everyone and I'm sure Bob
0:07:47 > 0:07:51would agree that the most important thing is the story.
0:07:51 > 0:07:54Now Marcia's got the ball and she's telling a story
0:07:54 > 0:07:57but instead of responding to her story or refuting the story,
0:07:57 > 0:07:59we need to be telling a more credible one.
0:07:59 > 0:08:03We need to gather the jury around a fire and tell a better story.
0:08:03 > 0:08:06We need to make them believe.
0:08:06 > 0:08:08Now, where's that folder?
0:08:08 > 0:08:11The one with the Three Stooges at Rockingham that night.
0:08:11 > 0:08:14Do you remember this story?
0:08:15 > 0:08:17I don't remember a thing about it.
0:08:17 > 0:08:18Why is that?
0:08:18 > 0:08:20And so what did you do next at Rockingham
0:08:20 > 0:08:23after seeing the blood in the Bronco?
0:08:23 > 0:08:26Well, at that point we went from the intention of notifying
0:08:26 > 0:08:29Mr Simpson of the death of his ex-wife to a concern
0:08:29 > 0:08:32that his residence might be a crime scene.
0:08:32 > 0:08:35We were concerned for the wellbeing of Mr Simpson himself.
0:08:35 > 0:08:36Thank you, Detective.
0:08:36 > 0:08:38Good morning, Detective.
0:08:38 > 0:08:39And a question.
0:08:39 > 0:08:42Is it normal procedure for three detectives
0:08:42 > 0:08:46to rush from an ongoing crime scene investigation
0:08:46 > 0:08:48to the home of the former spouse of the victim,
0:08:48 > 0:08:50simply to notify that person
0:08:50 > 0:08:55that someone whom they used to be married to has been killed?
0:08:55 > 0:08:58Well, every situation is different.
0:08:58 > 0:08:59And there were children involved.
0:08:59 > 0:09:02Hm. And at the Bundy scene,
0:09:02 > 0:09:07didn't Detective Fuhrman inform you that Mr Simpson and the victim
0:09:07 > 0:09:09had a history as domestic violence?
0:09:09 > 0:09:12- Is that not right?- Yes.
0:09:12 > 0:09:15And so you all find out and proceed to Rockingham
0:09:15 > 0:09:19because Mr Simpson became a suspect for you at that time,
0:09:19 > 0:09:25not simply, what, an ex-husband to be notified?
0:09:25 > 0:09:27Is that fair to say?
0:09:29 > 0:09:31No. That's not why we were there.
0:09:38 > 0:09:41Is it normal for so many of them to go for a notification?
0:09:41 > 0:09:42I have no idea.
0:09:42 > 0:09:45I've never heard a point made of something like that.
0:09:45 > 0:09:47It made the detective sound shady.
0:09:47 > 0:09:48Shit.
0:09:49 > 0:09:50I don't know.
0:09:51 > 0:09:54The jury thinks the cops cut corners to convict a guilty man.
0:09:54 > 0:09:57He's still guilty. It's not going to get them to acquit.
0:09:57 > 0:09:59No, it's not. But that's not today.
0:09:59 > 0:10:03Today, we make them think these cops lie about little things
0:10:03 > 0:10:06so that tomorrow we can show them they lie about big things,
0:10:06 > 0:10:09even if they're doing it for what they think is right.
0:10:09 > 0:10:11That's why we pull, that's where the daylight's at.
0:10:11 > 0:10:15Now, if right now they think he did it, that's fine by me.
0:10:16 > 0:10:18We'll get to that later.
0:10:21 > 0:10:22LAUGHTER
0:10:22 > 0:10:24Do you remember this?
0:10:24 > 0:10:25Sergeant Tommy!
0:10:25 > 0:10:28THEY LAUGH
0:10:28 > 0:10:30I haven't thought about him in years.
0:10:30 > 0:10:34You remember how they use to set him up at Papa Christo's?
0:10:34 > 0:10:36- The ouzo!- Ouzo!
0:10:36 > 0:10:39Yeah, they'd fill a whole goddamned coffee mug with ouzo for him,
0:10:39 > 0:10:41he'd be bombed by noon.
0:10:41 > 0:10:43- What is he doing?- No idea.
0:10:43 > 0:10:46I never run into Tommy D since we moved out to Simi Valley.
0:10:46 > 0:10:49Oh, yeah? Simi, is that, is that nice?
0:10:49 > 0:10:51Fantastic. Quiet.
0:10:51 > 0:10:54You spend all day in this mess and then you get home and...
0:10:54 > 0:10:55That is wonderful.
0:11:01 > 0:11:02Court is now in session.
0:11:10 > 0:11:14Detective, in regards to taking Mr Simpson's shoes,
0:11:14 > 0:11:17you did not book them into evidence that night, is that correct?
0:11:18 > 0:11:20That night I couldn't have, no.
0:11:22 > 0:11:23What did you do with them?
0:11:23 > 0:11:27Where were they until you booked them into evidence the next day?
0:11:29 > 0:11:31I put them in the trunk of my car.
0:11:34 > 0:11:38So you took them home with you?
0:11:38 > 0:11:39I did.
0:11:42 > 0:11:44Detective, where exactly do you live?
0:11:50 > 0:11:52Simi Valley.
0:11:52 > 0:11:56Really? So you took this evidence home to Simi Valley?
0:11:58 > 0:12:00Simi Valley,
0:12:00 > 0:12:03the home of the officers involved in the Rodney King beating.
0:12:05 > 0:12:07That is correct.
0:12:09 > 0:12:16How long were Mr Simpson's shoes in your home in Simi Valley?
0:12:17 > 0:12:19Approximately six hours.
0:12:23 > 0:12:25Six hours...
0:12:25 > 0:12:27in Simi Valley.
0:12:38 > 0:12:42Detective Lange, remind me, how long have you been with the LAPD?
0:12:42 > 0:12:4528 years, 18 as detective.
0:12:45 > 0:12:47Hm, a long time.
0:12:47 > 0:12:51So something was said earlier that is confusing to me.
0:12:51 > 0:12:55In your lengthy career, how many times have you taken evidence
0:12:55 > 0:12:57from a crime scene home with you overnight?
0:13:00 > 0:13:03- Difficult to say. - OK, I'll rephrase it.
0:13:03 > 0:13:06Have you ever taken home evidence overnight,
0:13:06 > 0:13:08other than the night in question?
0:13:11 > 0:13:13No, not that I can recall.
0:13:13 > 0:13:17So, let's be clear, in all your years as a detective,
0:13:17 > 0:13:20this is the only instance that you took evidence from a crime scene,
0:13:20 > 0:13:22you put it in your car, you drove it home
0:13:22 > 0:13:25and didn't book it until the next day?
0:13:29 > 0:13:30- Yes.- Hm.
0:13:34 > 0:13:36(Shit.)
0:13:39 > 0:13:40'I say we think big.'
0:13:40 > 0:13:43Pre-empt our entire daytime programming.
0:13:43 > 0:13:45Proctor & Gamble just doubled their buys at ABC
0:13:45 > 0:13:50after they announced they were going live with OJ.
0:13:50 > 0:13:51How many shows did ABC pre-empt?
0:13:51 > 0:13:54Everything, the entire daytime slate.
0:13:56 > 0:13:59This is a better daytime soap than anything we've got.
0:13:59 > 0:14:01I'd sure as hell rather watch OJ then some dumb doctor
0:14:01 > 0:14:03having an affair with a nurse.
0:14:04 > 0:14:05Let's do it. Clear the slate.
0:14:07 > 0:14:10Simi Valley.
0:14:14 > 0:14:18Look on the bright side - at least Fuhrman doesn't live there.
0:14:18 > 0:14:20Yeah, but...
0:14:22 > 0:14:24- What?- I don't know.
0:14:24 > 0:14:26See...
0:14:26 > 0:14:29I think they're looking forward to Fuhrman.
0:14:29 > 0:14:30Well, they shouldn't be.
0:14:30 > 0:14:33Fuhrman is a far from perfect human being
0:14:33 > 0:14:35but his procedure that night was pretty damn perfect.
0:14:35 > 0:14:38He can describe the events in question three times in a row
0:14:38 > 0:14:42- without missing a note. He's going to come off like Jack Webb.- Hm.
0:14:43 > 0:14:45Oh, Darden, don't.
0:14:45 > 0:14:49- You need to be confident in the strength of what we have, OK?- Hm.
0:14:54 > 0:14:57What you need is some study break.
0:14:58 > 0:15:00- Oh, no, no, no. - TURNS RADIO ON
0:15:00 > 0:15:03Turn it down.
0:15:03 > 0:15:07# I'm taking care of business, woman, can't you see?
0:15:07 > 0:15:10# I've gotta make it for you
0:15:10 > 0:15:13- # I've gotta make it for me... # - Stop! Stop it.
0:15:13 > 0:15:14TURNS RADIO DOWN
0:15:14 > 0:15:17I cannot afford to be accused of having a good time right now.
0:15:17 > 0:15:19Who's going to begrudge you of having a good time?
0:15:19 > 0:15:20- Oh, who?- Hm.
0:15:20 > 0:15:22Um, everyone.
0:15:22 > 0:15:25Ito, Gil, Larry King.
0:15:25 > 0:15:28My pain-in-the-ass ex-husband who's looking for any excuse
0:15:28 > 0:15:30to take my kids away from me.
0:15:31 > 0:15:34Well, at least he wants to help raise them right.
0:15:34 > 0:15:35It's better than some dads.
0:15:38 > 0:15:40You know I've got a daughter?
0:15:42 > 0:15:44- Really?- Yep.
0:15:44 > 0:15:48She's 15, really beautiful. Lives up in Oakland.
0:15:48 > 0:15:49I wish I'd...
0:15:51 > 0:15:55I wasn't exactly around as much as I wished I'd been.
0:15:55 > 0:15:58Had to move down here for my big job.
0:16:00 > 0:16:03I guess as I got older,
0:16:03 > 0:16:05I started to have some regrets.
0:16:07 > 0:16:09Saw things more clearly.
0:16:13 > 0:16:14That's what happens.
0:16:16 > 0:16:17Or is supposed to happen.
0:16:19 > 0:16:21I'm trying to fix things.
0:16:22 > 0:16:24And now that I'm on TV, I'm the cool dad.
0:16:24 > 0:16:27SHE CHUCKLES
0:16:27 > 0:16:29RADIO PLAYS WHO'S THAT LADY BY THE ISLEY BROTHERS
0:16:29 > 0:16:31Ooh, ooh. Now, see...
0:16:32 > 0:16:33..I like this one.
0:16:41 > 0:16:43Come here, woman.
0:16:47 > 0:16:49SHE LAUGHS
0:17:00 > 0:17:04- # Who's that lady? - Who's that lady?
0:17:04 > 0:17:06# Beautiful lady
0:17:06 > 0:17:08# Who's that lady?
0:17:08 > 0:17:10# Lovely lady
0:17:10 > 0:17:11# Who's that lady?
0:17:11 > 0:17:13# Real fine lady
0:17:13 > 0:17:15# Who's that lady?
0:17:15 > 0:17:18# Hear me callin' out to you cos it's all that I can do
0:17:18 > 0:17:20# Your eyes tell me to pursue
0:17:20 > 0:17:22# But you say, look, yeah
0:17:22 > 0:17:25- # But don't touch, baby - But don't touch
0:17:25 > 0:17:29# No, no, no, don't touch... #
0:17:30 > 0:17:32- RADIO:- 'OK, we're taking a poll.
0:17:32 > 0:17:34'Is Marcia Clark a bitch or a babe?
0:17:34 > 0:17:37'Come on, let me know! Call in and ring my bell.
0:17:37 > 0:17:39'A bitch or a babe.'
0:17:39 > 0:17:41'YAKK...'
0:17:41 > 0:17:44DIALS ON PHONE
0:17:44 > 0:17:46PHONE RINGS OUT
0:17:46 > 0:17:47I vote babe.
0:17:53 > 0:17:56# Who's that lady?
0:17:57 > 0:17:59# Sexy lady. #
0:17:59 > 0:18:00MARCIA LAUGHS
0:18:00 > 0:18:02- Good morning.- Morning.
0:18:02 > 0:18:04You seem ready to rumble.
0:18:04 > 0:18:06That I am. Prepped all night.
0:18:06 > 0:18:09Only got two hours of sleep, but I can tell you every single moment
0:18:09 > 0:18:11of what's going to happen in that court today.
0:18:11 > 0:18:13I'm ready for anything.
0:18:19 > 0:18:22Your Honour, the people will now call Detective Mark Fuhrman.
0:18:22 > 0:18:24Your Honour, may counsel approach the bench?
0:18:24 > 0:18:26We have a situation, an incredibly urgent matter.
0:18:29 > 0:18:32Your Honour, we have a crisis regarding our witness,
0:18:32 > 0:18:33Ms Rosa Lopez.
0:18:33 > 0:18:36- Ms Lopez has left the state. - Counsel, what are you asking for?
0:18:36 > 0:18:38We need to hear her testimony out of order.
0:18:38 > 0:18:41- Wait, what?- She's here now, but we can't compel her to stand.
0:18:41 > 0:18:44No way. I'm in the middle of presenting the People's case.
0:18:44 > 0:18:47That's the way this works. People make the case, Defence response.
0:18:47 > 0:18:49You don't get to override that because you've got witness problems.
0:18:49 > 0:18:52- We've all got witness problems. - Yes, Marcia.
0:18:52 > 0:18:54I look forward to you parading out your witness problems.
0:18:54 > 0:18:57Your Honour, I don't know how we don't have grounds for a mistrial.
0:18:57 > 0:19:00Your Honour, this is silly. They're just trying to kill my momentum.
0:19:00 > 0:19:03All right, I think we need a hearing to establish.
0:19:03 > 0:19:06I'm going to dismiss the jury for the day so we can do that.
0:19:15 > 0:19:17All right, it's 3.10 now.
0:19:17 > 0:19:19I think we're going to be going late tonight.
0:19:25 > 0:19:27Your Honour...
0:19:27 > 0:19:29I cannot go late tonight.
0:19:30 > 0:19:32May I ask why not?
0:19:34 > 0:19:38- I have to take care of my kids. - Your Honour...
0:19:38 > 0:19:41are we really going to risk losing this witness
0:19:41 > 0:19:43because of a baby-sitting problem?
0:19:43 > 0:19:45Ms Clark, I've just dismissed the jury.
0:19:45 > 0:19:47I'm sorry, Your Honour.
0:19:47 > 0:19:50I do have the power to have my courtroom open late if need be.
0:19:50 > 0:19:51Of course, Your Honour.
0:19:57 > 0:19:59We'll recess until tomorrow.
0:19:59 > 0:20:02- Mr Cochran...- Your Honour. - Make sure Ms Lopez is here.
0:20:03 > 0:20:05All right, we stand in recess.
0:20:05 > 0:20:06GAVEL BANGS
0:20:17 > 0:20:20- It makes us appear unprepared.- How could we be prepared for Rosa Lopez?
0:20:20 > 0:20:23We weren't expecting to cross-examine her for another five months.
0:20:23 > 0:20:26- Who is she again? - She's the housekeeper, the one for Simpson's neighbour.
0:20:26 > 0:20:30She says she saw the Bronco outside Simpson's house at 10.15.
0:20:30 > 0:20:32- What does that do to your timeline? - I will handle it.
0:20:32 > 0:20:35- Well, it looks like you're losing control in there.- Me?
0:20:35 > 0:20:38Ito is the one who's lost control. He's a total media whore.
0:20:38 > 0:20:40If you want to know which way he'll tilt, just watch the talk shows...
0:20:40 > 0:20:43That is something you can't control. Stop watching so much TV.
0:20:43 > 0:20:47If you listen to all that noise, you're just going to start bringing it into the courtroom.
0:20:47 > 0:20:50The trial's in here, it's not out there.
0:20:50 > 0:20:54Now, that...that thing about not going late. Is that true?
0:20:54 > 0:20:56Yes, I have to get home, like, now.
0:20:56 > 0:20:59I will put the boys down and I can work from there.
0:20:59 > 0:21:00- I can.- OK, well...
0:21:00 > 0:21:03if you think you can cram all that prep into one night
0:21:03 > 0:21:05without the resources you have here, it...
0:21:08 > 0:21:09It's your call.
0:21:10 > 0:21:12Listen, this...
0:21:12 > 0:21:16The stuff in the media about your parents, I'm sorry.
0:21:16 > 0:21:19It's... It's awful. It's inappropriate. It's sexist.
0:21:19 > 0:21:20It's horrifying.
0:21:20 > 0:21:23And Sukey and I are just... We're appalled when it comes on TV.
0:21:23 > 0:21:26- It doesn't make things easier. - I'm sure.
0:21:26 > 0:21:28Having said that, I...
0:21:29 > 0:21:30Maybe you c... I...
0:21:32 > 0:21:35I can put you together with a couple of terrific media consultants,
0:21:35 > 0:21:37and...
0:21:37 > 0:21:39Uh... Yeah.
0:21:52 > 0:21:53Get back to work.
0:21:56 > 0:21:59Hi, Sugar Bear.
0:21:59 > 0:22:02No, I'm sorry, I can't come home yet.
0:22:03 > 0:22:05What's wrong?
0:22:06 > 0:22:07Well, why is he crying?
0:22:08 > 0:22:10Well, sweetie...work it out.
0:22:10 > 0:22:13Tell him he can watch his cartoons for 30 minutes
0:22:13 > 0:22:14and then it's your turn.
0:22:16 > 0:22:19You know how to read a clock, he doesn't.
0:22:24 > 0:22:27OK. Have fun and I will call you in a little while.
0:22:27 > 0:22:28I love you, too.
0:22:40 > 0:22:42KEYPAD PEEPS
0:22:45 > 0:22:46Gordon...
0:22:48 > 0:22:50I have a favour to ask of you.
0:22:52 > 0:22:54Yes. Tonight.
0:22:54 > 0:22:56Now, actually.
0:22:59 > 0:23:02Look, can you do it or not?
0:23:06 > 0:23:08Thank you.
0:23:10 > 0:23:11Very much.
0:23:31 > 0:23:34Scott, Lucy, in the conference room. Let's go over the Lopez prep.
0:23:36 > 0:23:39Mr Cochran, is Ms Lopez present here today?
0:23:39 > 0:23:41She is, Your Honour.
0:23:41 > 0:23:44And do you anticipate that we can hear what she has to say in one day?
0:23:44 > 0:23:46I would expect so, Your Honour,
0:23:46 > 0:23:49barring any acts of God or further childcare crisises from Miss Clark.
0:23:54 > 0:23:55Your Honour.
0:23:57 > 0:24:01I am offended by Mr Cochran's remarks, as a woman and as a mother.
0:24:01 > 0:24:05Mr Cochran may not know what it's like to work a 70-hour work-week
0:24:05 > 0:24:07and also take care of a family, but I do.
0:24:09 > 0:24:11And many other people do, too.
0:24:11 > 0:24:13To belittle my childcare issues in your courtroom
0:24:13 > 0:24:16is unconscionable and totally out of line.
0:24:35 > 0:24:37Ms Lopez, just to confirm your occupation,
0:24:37 > 0:24:39you are the housekeeper of Mr Simpson's neighbour,
0:24:39 > 0:24:40is that correct?
0:24:40 > 0:24:41Yes.
0:24:43 > 0:24:45Mr Cochran has moved the court to disrupt our schedule
0:24:45 > 0:24:47because you threatened to leave the country,
0:24:47 > 0:24:49since you're being hounded by the press.
0:24:49 > 0:24:51I stay just for today for Mr Johnnie.
0:24:51 > 0:24:53Tomorrow, I fly.
0:24:53 > 0:24:54Uh-huh.
0:24:54 > 0:24:58So, when did you make this flight reservation for El Salvador?
0:24:58 > 0:25:00This morning.
0:25:00 > 0:25:01Really?
0:25:01 > 0:25:04Yesterday, Mr Cochran stated that you had had one then.
0:25:04 > 0:25:06I did.
0:25:06 > 0:25:08And I didn't.
0:25:08 > 0:25:10I make it today.
0:25:10 > 0:25:12Ms Lopez, we called the airlines.
0:25:12 > 0:25:15They don't show any reservation for you at all.
0:25:15 > 0:25:18Not for yesterday, not for today,
0:25:18 > 0:25:19not for tomorrow.
0:25:19 > 0:25:23Because I'm going to reserve it, as soon as I leave here.
0:25:23 > 0:25:25So, then, Ms Lopez, could you please explain to the court
0:25:25 > 0:25:28why you were filing for unemployment when you say you were
0:25:28 > 0:25:29leaving the country forever?
0:25:29 > 0:25:33(We need to get this woman off the stand. What the hell is goin' on?)
0:25:33 > 0:25:36In your first statements, you saw the Bronco at 10pm,
0:25:36 > 0:25:39but now you say it's 10:15, so, which is it?
0:25:39 > 0:25:42Did you see the Bronco at 10 or 10:15?
0:25:42 > 0:25:44- Does it matter?- Yes, it matters, very much.
0:25:44 > 0:25:46It's why you're here. Please, answer the question.
0:25:47 > 0:25:50Ms Lopez, a shrug is not an answer.
0:25:50 > 0:25:54So, which is it? 10 or 10:15?
0:25:54 > 0:25:56Whatever Mr Johnnie says I said.
0:25:56 > 0:26:01No, not what Mr Cochran says, we need to be told what you saw.
0:26:05 > 0:26:06No me recuerdo.
0:26:06 > 0:26:09Ms Lopez, in English, please, unless you need a translator.
0:26:09 > 0:26:12I say I don't remember.
0:26:12 > 0:26:13You don't remember.
0:26:13 > 0:26:15Hm.
0:26:16 > 0:26:18Good enough for me.
0:26:19 > 0:26:20No further questions.
0:26:24 > 0:26:27("Mr Johnnie." Jesus.)
0:26:27 > 0:26:30Go, Marcia! Go, Marcia!
0:26:32 > 0:26:35Marcia, that was a gut-punch you gave in there today. Any comment?
0:26:35 > 0:26:38The stuff about my childcare, Johnnie was what out of line.
0:26:38 > 0:26:40I got a little hot, but he can take it.
0:26:40 > 0:26:44- Johnnie!- Are you happy with Lopez's testimony?- Johnnie!
0:26:44 > 0:26:46Absolutely, we're here for the truth.
0:26:46 > 0:26:49Would you have time to speak about your history of domestic abuse?
0:26:49 > 0:26:53Considering the issues presented in this case, particularly the impact of domestic violence,
0:26:53 > 0:26:57- my editor thinks that you and your past are fair game. I'm giving you a chance here.- Thank you.
0:26:57 > 0:26:59We're printing it soon! Call me!
0:27:01 > 0:27:03- TV:- Hello, my name is Gordon Clark,
0:27:03 > 0:27:05I'm the former husband of Marcia Clark.
0:27:05 > 0:27:07This thing about needing to
0:27:07 > 0:27:10get home from court early yesterday was a fraud.
0:27:10 > 0:27:11I was with the kids.
0:27:11 > 0:27:13She worked late.
0:27:13 > 0:27:15Classic Marcia.
0:27:15 > 0:27:16I'm telling you this because
0:27:16 > 0:27:18I am sick of her using our children as pawns.
0:27:18 > 0:27:21Jesus, Gordon.
0:27:21 > 0:27:22This is our private life.
0:27:33 > 0:27:34INTERCOM BUZZES
0:27:34 > 0:27:36- SECRETARY:- Mr Cochran? She's on line one.
0:27:48 > 0:27:50Barbara. It's Johnnie.
0:27:54 > 0:27:55Hello?
0:27:55 > 0:27:56- ON PHONE:- I'm here.
0:27:57 > 0:28:00The LA Times reached out to me today, about us,
0:28:00 > 0:28:04and I thought I'd discuss it with you, because they may be calling.
0:28:05 > 0:28:07They've called.
0:28:07 > 0:28:08You talked to them?
0:28:09 > 0:28:14I told them I'd call them back after I got my recollections together.
0:28:14 > 0:28:17Funny thing is, I was going to call you anyway.
0:28:18 > 0:28:22I sold the apartment building on South Vermont last month,
0:28:22 > 0:28:27and, even though I got it in the divorce, it occurred to me that,
0:28:27 > 0:28:29maybe, you should get the profit,
0:28:29 > 0:28:32seeing how it was your pet project.
0:28:37 > 0:28:39It's a lot of profit, Barbara.
0:28:39 > 0:28:42It could make you quite...
0:28:43 > 0:28:45..you know...
0:28:46 > 0:28:47..quite comfortable.
0:28:50 > 0:28:52BUZZER
0:28:52 > 0:28:55Now, I know Lopez didn't go as planned, but we couldn't risk...
0:28:55 > 0:28:56D-d-didn't go as planned?
0:28:56 > 0:28:59Oh, the crazy cleaning lady wasn't as planned?
0:28:59 > 0:29:02I certainly hope that shit in there wasn't as planned, Johnnie!
0:29:02 > 0:29:05OJ, it's a blip, it'll be out of the papers by Wednesday.
0:29:05 > 0:29:06Good to hear, Lee, good to hear.
0:29:08 > 0:29:10But I won't be out of this jail by next Wednesday, now, will I?
0:29:10 > 0:29:12Will I?
0:29:12 > 0:29:13Huh?
0:29:13 > 0:29:16What I just saw up there, that ridiculous woman up there,
0:29:16 > 0:29:18was completely avoidable!
0:29:18 > 0:29:20OJ, these things happen.
0:29:20 > 0:29:22Oh, don't give me that "shit happens" routine, Bob!
0:29:24 > 0:29:28Look, on the football field, in life, in my businesses,
0:29:28 > 0:29:31when I see an absence performance, I deal with it.
0:29:31 > 0:29:34I deal with it harshly and directly, you know why?
0:29:34 > 0:29:36Cos I'm for real. Hear me?
0:29:36 > 0:29:37I'm the Juice.
0:29:37 > 0:29:42And when I see an absence like a lack of leadership, I lead.
0:29:44 > 0:29:46Is that what I'm gonna have to do here? Huh?
0:29:49 > 0:29:50Huh? Mr Johnnie?
0:29:54 > 0:30:00I want to know... I need to know, in advance, what you guys are doing.
0:30:01 > 0:30:02You hear me?
0:30:02 > 0:30:05I want to know what happens next from now on so I can weigh in on it.
0:30:05 > 0:30:07I'm sure that Johnnie's associates
0:30:07 > 0:30:09will arrange a briefing for you every day.
0:30:09 > 0:30:10All right, fine, I'll go, I'm done.
0:30:10 > 0:30:12When I have pent-up anger, what I use is...
0:30:12 > 0:30:15When I want to hear from you I'll rattle my zipper.
0:30:15 > 0:30:16Now get the hell out of here, Bob!
0:30:26 > 0:30:27What do you really want, Marcia?
0:30:27 > 0:30:29I'll do anything for you.
0:30:29 > 0:30:31Something different.
0:30:32 > 0:30:34Softer.
0:30:34 > 0:30:37I've never had to think about anything like this before, so...
0:30:38 > 0:30:39I'm a little nervous.
0:30:39 > 0:30:42The only thing you need to be is the best version of yourself,
0:30:42 > 0:30:44and that's what we're here to discover.
0:30:46 > 0:30:47Oh, I've got it.
0:30:48 > 0:30:51I did it for Farrah, and I'm gonna do it for you.
0:30:52 > 0:30:57- Farrah?- World, prepare to meet the new, real, Marcia Clark.
0:30:57 > 0:30:59# Kiss from a rose on the gray
0:30:59 > 0:31:05# Oh, the more I get of you The stranger it feels, yeah
0:31:05 > 0:31:09# And now that your rose is in bloom
0:31:09 > 0:31:13# A light hits the gloom on the gray. #
0:31:22 > 0:31:23Good morning, my brother.
0:31:23 > 0:31:25Yeah, about that.
0:31:25 > 0:31:27Your readers must think these are the only two black men
0:31:27 > 0:31:29in the courtroom who are trying to do their jobs.
0:31:29 > 0:31:32- Oh, come on, now, Chris. - Why the double standard?
0:31:32 > 0:31:35You don't think a black prosecutor contributes to the black community?
0:31:35 > 0:31:37How? By helping the racist LAPD
0:31:37 > 0:31:39enslave a strong, black brother up from the ghetto?
0:31:39 > 0:31:42Symbol of success, superstar athlete, entrepreneur?
0:31:42 > 0:31:45Who spends his days playing golf with old white men,
0:31:45 > 0:31:47and spends his nights sleeping with young white girls.
0:31:47 > 0:31:49I mean, OJ is a symbol of getting the hell away
0:31:49 > 0:31:51from other black people as fast as he can.
0:31:51 > 0:31:52Whatever!
0:31:52 > 0:31:55We all have our peccadilloes.
0:31:55 > 0:31:57You miss the point.
0:31:57 > 0:32:00The police are trying to pull him down and put him in chains,
0:32:00 > 0:32:02like they do with any black man who rises up.
0:32:02 > 0:32:04I'm sorry, Dennis, excuse me for
0:32:04 > 0:32:07interrupting this black thing, but come on,
0:32:07 > 0:32:10cops out to get OJ?
0:32:10 > 0:32:14- OJ hosted pool parties for them. - Thank you, sir.
0:32:14 > 0:32:15Fellas, you all keep not getting it.
0:32:15 > 0:32:17And you ignore this shit at your own peril.
0:32:20 > 0:32:21Oh, Lord.
0:32:21 > 0:32:26# Ba-da da, da-da da-da-da, da, da-da-da
0:32:26 > 0:32:28# Ba-da da, da-da... #
0:32:28 > 0:32:30Good morning.
0:32:33 > 0:32:34See you guys in there.
0:32:38 > 0:32:40Goddamn, who turned on the Rick James?
0:32:41 > 0:32:42Thank you.
0:33:14 > 0:33:15Good morning, Miss Clark.
0:33:15 > 0:33:17I think.
0:33:17 > 0:33:18LAUGHTER
0:33:49 > 0:33:50COUGHING
0:34:06 > 0:34:10Uh-oh! I guess the defence is in for one hell of a week, huh?
0:34:12 > 0:34:16MUSIC: Sour Times by Portishead
0:34:44 > 0:34:46MUSIC CONTINUES
0:35:17 > 0:35:20Detective Fuhrman, how do you feel about testifying today?
0:35:21 > 0:35:24- Good. Maybe a little nervous. - Why is that?
0:35:24 > 0:35:26A great deal of attention seems to have been diverted from
0:35:26 > 0:35:29the evidence and the facts into more personal issues.
0:35:31 > 0:35:32I couldn't agree more.
0:35:35 > 0:35:38What did you see when you first arrived at Bundy?
0:35:38 > 0:35:40From the approach, we could see the female victim,
0:35:40 > 0:35:43and there was a great deal of blood in the cracks of the tiled walkway.
0:35:43 > 0:35:46Officer Riske used his flashlight to point out several items.
0:35:46 > 0:35:49And, what did he point out to you, sir?
0:35:49 > 0:35:51The male victim, for one, and an area where he said
0:35:51 > 0:35:53there was a knit cap, and, also a glove.
0:35:53 > 0:35:56We entered the scene from the rear, as there was so much blood.
0:35:56 > 0:35:58Not disturbing the evidence was paramount.
0:35:58 > 0:36:01It's a very careful process, isn't it?
0:36:01 > 0:36:03Dealing with a scene like this.
0:36:03 > 0:36:06Yes, it is. Very. It's methodical and deliberate.
0:36:06 > 0:36:09And when you entered the rear of the Bundy residence,
0:36:09 > 0:36:12did these bloody shoe-prints go all the way out to the alley?
0:36:12 > 0:36:16They did. I then noticed a blood smudge around the door-knob
0:36:16 > 0:36:18on the interior of the gate,
0:36:18 > 0:36:20as well as a partial possible fingerprint
0:36:20 > 0:36:22around the knob area itself.
0:36:22 > 0:36:25- And what did you make of that?- What any detective would make of it.
0:36:25 > 0:36:26Someone had fled the scene, bleeding.
0:36:26 > 0:36:28And, while detectives Vannatter and Lange
0:36:28 > 0:36:31were at the gate of the Simpson residence on Rockingham,
0:36:31 > 0:36:34attempting to reach someone inside, you noticed the white Bronco.
0:36:34 > 0:36:38- Is that right?- Yes, it was parked strangely, jutting out.
0:36:38 > 0:36:39As I got closer, I noticed a small spot
0:36:39 > 0:36:41above the driver side door handle.
0:36:41 > 0:36:43And what did this spot look like?
0:36:43 > 0:36:45It had the visual properties of blood.
0:36:45 > 0:36:47And did you look inside the vehicle?
0:36:47 > 0:36:50I did. I then noticed a package with a shipping label.
0:36:50 > 0:36:52It said, "OJ Simpson."
0:36:52 > 0:36:55I then showed detectives Lange and Vannatter what I had observed,
0:36:55 > 0:36:57and, in discussing the situation,
0:36:57 > 0:37:00we became concerned that it was possible Mr Simpson himself
0:37:00 > 0:37:03might also be in danger - injured or worse.
0:37:05 > 0:37:06Well, that makes total sense.
0:37:06 > 0:37:11What did you do in response to this reasonable concern?
0:37:11 > 0:37:15I went over the wall and around to the gate, and manually opened it.
0:37:15 > 0:37:17Mr Kaelin then mentioned that he
0:37:17 > 0:37:19had heard a crash of a thump on his rear wall,
0:37:19 > 0:37:21he thought it was an earthquake.
0:37:21 > 0:37:22Que esta hablando Kato!
0:37:22 > 0:37:25They should bring Kato back on the show, he was so great!
0:37:25 > 0:37:26'All right, all right'
0:37:26 > 0:37:29What do you call a lawyer gone bad?
0:37:29 > 0:37:31Senator!
0:37:31 > 0:37:33LAUGHTER
0:37:33 > 0:37:34That's good!
0:37:34 > 0:37:35All right, OK, that's good.
0:37:36 > 0:37:38- Know what that is?- Lunch.
0:37:41 > 0:37:43No, that right there,
0:37:43 > 0:37:46is Detective Mark Fuhrman's tombstone.
0:37:46 > 0:37:49I've already planned his funeral.
0:37:49 > 0:37:52He'll be dead and buried before he even knows what hit him.
0:37:55 > 0:37:57What are you talking about?
0:37:59 > 0:38:01I'm talking about "nigger".
0:38:02 > 0:38:03Excuse me?
0:38:03 > 0:38:07I'm going to ask that racist son of a bitch Fuhrman, point blank,
0:38:07 > 0:38:11in a courtroom, under oath, if he ever uses the word.
0:38:11 > 0:38:13If he ever has used the word.
0:38:13 > 0:38:17If he denies it, the jury will call bullshit, they won't trust him.
0:38:17 > 0:38:20If he admits it, it's even worse. Check and mate.
0:38:20 > 0:38:22He'll be chasing teenage shoplifters
0:38:22 > 0:38:25around the Beverly Center by Christmas.
0:38:25 > 0:38:27That's actually not half bad.
0:38:27 > 0:38:28Damn right.
0:38:30 > 0:38:32It's the most powerful word in the English language.
0:38:33 > 0:38:35And I'm going to impale him on it.
0:38:35 > 0:38:39Well, uh, you just make sure you can walk, Lee.
0:38:39 > 0:38:41LAUGHTER
0:38:47 > 0:38:51Detective, could you tell us what you see here?
0:38:51 > 0:38:54These are photographs of the area I was inspecting
0:38:54 > 0:38:56behind Mr Kaelin's residence,
0:38:56 > 0:38:59and, in them, is what I then identified as a possible glove.
0:38:59 > 0:39:01What did you do then?
0:39:01 > 0:39:03I approached it and I looked at it.
0:39:03 > 0:39:05Did you touch it?
0:39:06 > 0:39:08I didn't touch it, I looked at it.
0:39:10 > 0:39:11Could you describe its appearance?
0:39:11 > 0:39:14It appeared somewhat moist and sticky,
0:39:14 > 0:39:16parts of it sticking to other parts.
0:39:16 > 0:39:19OK, and what significance did you attach to the glove when you saw it?
0:39:19 > 0:39:22Well, it looked very similar to the glove at the Bundy scene.
0:39:22 > 0:39:24And the sticky substance seemed blood-like.
0:39:43 > 0:39:47So, Detective, as an MP in the Marine Corps,
0:39:47 > 0:39:49what were your responsibilities?
0:39:49 > 0:39:52- They were varied. - A lot of hacking D&Ds?
0:39:52 > 0:39:54What does that mean, Mr Bailey?
0:39:54 > 0:39:58Oh, that means arresting drunk and disorderlies, sorry, Your Honour.
0:39:58 > 0:40:00Slipped into some marine to marine talk, there.
0:40:00 > 0:40:03Detective, did you take a glove from the Bundy scene,
0:40:03 > 0:40:06and then wipe it on the interior of the Bronco?
0:40:06 > 0:40:08- No.- You did not?
0:40:08 > 0:40:09No, I did not.
0:40:09 > 0:40:11Couldn't you have fit this
0:40:11 > 0:40:14into a plastic bag and put it in your sock?
0:40:14 > 0:40:18And then place it at Mr Simpson's home, so that you could find it?
0:40:19 > 0:40:21Uh, no, that's nuts.
0:40:21 > 0:40:23I object to this line, Your Honour.
0:40:23 > 0:40:25This has no part in any search for the truth.
0:40:25 > 0:40:27That's not the glove from this case.
0:40:27 > 0:40:29It's a different size and a different make.
0:40:29 > 0:40:33This seems to be some fantasy woven by the defence,
0:40:33 > 0:40:35for which there is no factual or logical basis.
0:40:35 > 0:40:38It's as dishonest as any number of Mr Bailey's tactics have been.
0:40:38 > 0:40:40Excuse me.
0:40:40 > 0:40:42Are you accusing me of lying in a courtroom?
0:40:42 > 0:40:45- How dare you?- You can't get away with lying, Mr Bailey.
0:40:45 > 0:40:47There are too many people watching.
0:40:47 > 0:40:50Miss Clark, may I please see those gloves that you have over there?
0:41:02 > 0:41:05This is a Brooks brothers size small.
0:41:05 > 0:41:07They were out of extra large, Your Honour.
0:41:07 > 0:41:10Size small. Must be Mr Bailey's.
0:41:10 > 0:41:12SNICKERING
0:41:25 > 0:41:28Let me state very clearly, and I should point out that if
0:41:28 > 0:41:31Miss Clark thinks that hand and this glove would ever work together
0:41:31 > 0:41:34then her eyesight is as bad as her memory.
0:41:34 > 0:41:37Your Honour, the prosecution has opened this door,
0:41:37 > 0:41:42- rather deliberately...- I would advise caution. Please, continue.
0:41:45 > 0:41:46Lee.
0:41:50 > 0:41:52I will ask a different question.
0:41:55 > 0:41:57In describing people, Detective Fuhrman,
0:41:57 > 0:41:59do you use the word nigger?
0:42:02 > 0:42:05No, sir. I do not use that word to describe people.
0:42:05 > 0:42:08Have you ever used the word nigger in the past ten years?
0:42:08 > 0:42:12- Not that I recall, no.- You mean, if you called someone a nigger, you have forgotten it?
0:42:12 > 0:42:16- I'm not sure I can answer the question the way that you phrased it, sir.- Let me put it simply.
0:42:16 > 0:42:18Are you saying, under oath,
0:42:18 > 0:42:21that you have not addressed any black person as a nigger,
0:42:21 > 0:42:22or spoken about black people as niggers
0:42:22 > 0:42:25in the past ten years, Detective Fuhrman?
0:42:25 > 0:42:27Yes, that's what I'm saying.
0:42:27 > 0:42:30Oh, my God, this is insane!
0:42:30 > 0:42:32Can you say the word nigger on TV?
0:42:32 > 0:42:34So, anyone who comes to this court and quotes you
0:42:34 > 0:42:37as using that word in dealing with African-Americans would be a liar,
0:42:37 > 0:42:39- would they not, Detective Fuhrman? - Yes, they would.
0:42:39 > 0:42:42- All of them? Correct? - All of them.
0:42:43 > 0:42:45Thank you. No further questions.
0:42:50 > 0:42:53All right, at this time I would like to recess for lunch.
0:42:53 > 0:42:56Court will resume at 1.30pm.
0:42:56 > 0:42:57We now stand in recess.
0:42:59 > 0:43:02Call up Brokaw. I want a one-hour special tonight.
0:43:02 > 0:43:04Prime time.
0:43:04 > 0:43:06- KNOCKING - Yeah.
0:43:06 > 0:43:09- You wanted to...- Marcia, yeah. Close the door, please.
0:43:15 > 0:43:16What's up?
0:43:17 > 0:43:19Have you seen this?
0:43:19 > 0:43:22Fuhrman says he never said the world. They've got nothing on him.
0:43:22 > 0:43:23No, it's not that, it's, uh...
0:43:24 > 0:43:26The picture of you on a beach.
0:43:27 > 0:43:28Naked.
0:43:28 > 0:43:30Huh?
0:43:35 > 0:43:36That's not possible.
0:43:42 > 0:43:43Oh, my God.
0:43:44 > 0:43:47This is a fake, right? We can hit them with a lawsuit so fast...
0:43:47 > 0:43:48No, it's real.
0:43:52 > 0:43:54It's my ex-husband.
0:43:54 > 0:43:56We were on vacation.
0:43:59 > 0:44:00Gordon did this?
0:44:00 > 0:44:01No.
0:44:05 > 0:44:07I had a husband before Gordon.
0:44:12 > 0:44:14Oh, OK.
0:44:14 > 0:44:16All right, well, listen, we can...
0:44:16 > 0:44:18We can...
0:44:18 > 0:44:20I'm due downstairs.
0:45:04 > 0:45:05This court...
0:45:06 > 0:45:09..will recess until tomorrow morning at 9am.
0:45:09 > 0:45:11All right, we stand in recess.
0:45:34 > 0:45:36DISTANT SOBBING
0:45:45 > 0:45:48SOBBING
0:46:09 > 0:46:11I'm not a public personality.
0:46:12 > 0:46:14This isn't what I do.
0:46:15 > 0:46:17I don't know how to do this.
0:46:19 > 0:46:24Those other guys, they're...flashy hotshots.
0:46:24 > 0:46:26They're used to it.
0:46:27 > 0:46:28But, I...
0:46:30 > 0:46:32I just can't take it.
0:46:33 > 0:46:36- You'll do fine.- No, I won't!- Yeah.
0:46:37 > 0:46:38I know it.
0:46:52 > 0:46:54And, if it helps any,
0:46:55 > 0:46:58you do look mighty good in that picture.
0:46:58 > 0:47:00LAUGHTER
0:47:02 > 0:47:05# ..cos you got me
0:47:06 > 0:47:08# Oh, now
0:47:09 > 0:47:12# I'm so glad, I'm so glad, I'm so glad
0:47:13 > 0:47:16# Oh, I don't have to worry no more
0:47:18 > 0:47:20# Oh, my, my, my... #