0:00:02 > 0:00:07This programme contains some strong language and contains scenes which some viewers may find disturbing.
0:00:07 > 0:00:11- Take it carefully cos that's what we go near a snake pit.- It's our job though, isn't it?
0:00:11 > 0:00:13He just gave us the heads-up on Harvey.
0:00:13 > 0:00:16- He's done us a favour. - A favour? A tom-tit?
0:00:16 > 0:00:18How come Harvey was driving home alone?
0:00:18 > 0:00:20- He wasn't. He was picked up.- Who by?
0:00:20 > 0:00:21We don't know yet.
0:00:21 > 0:00:24If Andy calls you, tell him to contact Joseph Bede.
0:00:24 > 0:00:27I worked with Harvey and I'm the man he needs to speak to.
0:00:27 > 0:00:32- Where you going?- A hospital appointment.- Oh, yeah? Cracking up already?- For my wife.
0:00:32 > 0:00:35And as we know, Julie, your mother had Alzheimer's.
0:00:35 > 0:00:36What about other treatments?
0:00:36 > 0:00:39We've explored all the possibilities. And now we're here.
0:00:39 > 0:00:42You never be sorry to me.
0:00:42 > 0:00:44You're my wife.
0:00:47 > 0:00:50- What the fuck do you want? - We want our fucking money.
0:00:50 > 0:00:52- Where are you going? - Delaney's family.
0:00:52 > 0:00:56The bullet that killed him. It's in your brain.
0:00:56 > 0:00:58This...amnesia...
0:00:58 > 0:01:00- You think I'm faking it?- Are you?
0:01:03 > 0:01:05DULL THUD
0:01:18 > 0:01:19Bang.
0:01:22 > 0:01:23Bang.
0:01:29 > 0:01:30Bang.
0:01:31 > 0:01:33Bang.
0:01:33 > 0:01:34Bang.
0:01:35 > 0:01:37Bang.
0:01:37 > 0:01:39Bang.
0:01:48 > 0:01:49Automatic?
0:01:53 > 0:01:54Singles.
0:01:56 > 0:01:57Sure?
0:01:57 > 0:02:00In two positions. First from the back point there.
0:02:00 > 0:02:02Two rounds, almost instantaneous.
0:02:02 > 0:02:04Both to the head.
0:02:04 > 0:02:07Second set from the front point.
0:02:07 > 0:02:09Five to the torso.
0:02:10 > 0:02:12Professional?
0:02:12 > 0:02:14The security of each point of fire.
0:02:14 > 0:02:15The killer's hand hardly moved.
0:02:15 > 0:02:17If he's not a professional,
0:02:17 > 0:02:19he'd be winning a lot of gonks in the fairground.
0:02:21 > 0:02:23Lot of shots for a professional, single fire.
0:02:23 > 0:02:27Certainly wanted to make sure the job was done.
0:02:27 > 0:02:28So which one killed him?
0:02:30 > 0:02:32First. No doubt.
0:02:32 > 0:02:36Entered his left eye and exited via the lower right side occipital bone.
0:02:36 > 0:02:39The bit of the brain that supports breathing, well...
0:02:39 > 0:02:41that's all over the rear right seat.
0:02:41 > 0:02:42So he'd...
0:02:45 > 0:02:47- He turned towards the gun?- Yep.
0:02:47 > 0:02:49That's how the trajectories match up.
0:02:52 > 0:02:53Why'd you shut the door?
0:02:53 > 0:02:55Because that's the way it was.
0:02:55 > 0:02:57No, when I got there the door was open.
0:02:57 > 0:03:00- That was for you to view the body. - Are you sure?
0:03:00 > 0:03:01Look at the second point.
0:03:01 > 0:03:04It's a sharper angle. The killer stepped forward...
0:03:04 > 0:03:07- to avoid the door. - So where's the glass?
0:03:07 > 0:03:09What glass?
0:03:09 > 0:03:13If he'd shot him through the window...
0:03:13 > 0:03:14where's the glass?
0:03:14 > 0:03:15There wasn't any.
0:03:24 > 0:03:25He'd put his window down.
0:03:31 > 0:03:33They talked.
0:03:35 > 0:03:42# I'm a featherless bird
0:03:42 > 0:03:50# In a sky so absurd
0:03:50 > 0:03:56# Why oh why
0:03:56 > 0:04:06# Is there so much movement
0:04:07 > 0:04:15# Oh, hide me deeper
0:04:16 > 0:04:23# In your peace further... #
0:04:38 > 0:04:41- Maurice.- Julie.
0:04:42 > 0:04:43OK?
0:04:51 > 0:04:52Trouble?
0:04:55 > 0:04:57- Bulkat Babur wants his money. - What money?
0:04:57 > 0:05:00When Harvey got caught, it was their shipment got busted.
0:05:02 > 0:05:05- How much? - A million, delivery payment.
0:05:06 > 0:05:08Well, tell Jay to pay him. He led the police in.
0:05:08 > 0:05:09A million pounds?
0:05:11 > 0:05:13The thing is, Joseph, without Harvey and Glickman,
0:05:13 > 0:05:15we haven't got it either.
0:05:19 > 0:05:20How was it?
0:05:28 > 0:05:30- Glickman's gone, hasn't he?- Yeah.
0:05:32 > 0:05:33And he's not coming back?
0:05:33 > 0:05:35Not in time, no.
0:05:42 > 0:05:43Set up a meeting with Babur.
0:05:44 > 0:05:45Who else?
0:05:45 > 0:05:47Just me.
0:05:47 > 0:05:49What about, Jay?
0:05:49 > 0:05:51No. Just me.
0:05:55 > 0:05:56Joseph.
0:06:02 > 0:06:05- I don't think it was a cold kill. - Because?
0:06:05 > 0:06:07The first shot killed him, second shot made sure.
0:06:07 > 0:06:11Bang, bang, point blank, all over, walk away. Except he didn't.
0:06:11 > 0:06:14This guy waited, for Wratten to slump into the footwell.
0:06:14 > 0:06:17- How long would that take? - Couple of seconds.
0:06:17 > 0:06:18A couple of seconds, so what?
0:06:18 > 0:06:20Seconds count, don't they?
0:06:20 > 0:06:23To a professional. Especially those.
0:06:23 > 0:06:27But this one, he waits, just to put five more bullets, five bullets,
0:06:27 > 0:06:31single fire, into a body he surely would've known was already dead.
0:06:31 > 0:06:34All that noise, all that risk. Why'd he do that?
0:06:37 > 0:06:38Maybe he didn't like him.
0:06:38 > 0:06:41If he didn't like him, he knew him.
0:06:54 > 0:06:57So do you know who shot you?
0:06:59 > 0:07:02- Sir?- Well, do you?
0:07:04 > 0:07:07I can't remember, sir, as I think you know.
0:07:09 > 0:07:13I only ask because when they found you with that bullet in your head...
0:07:13 > 0:07:15you'd lowered your window too.
0:07:22 > 0:07:24- You all right?- Yeah.
0:07:24 > 0:07:27Is there anything you want to tell me?
0:07:28 > 0:07:29Yeah.
0:07:31 > 0:07:32Find that driver.
0:07:44 > 0:07:46I've told you everything I know.
0:07:46 > 0:07:49- I've told the other fella everything I know.- Who, Joseph Bede?
0:07:49 > 0:07:51Yeah. What else can I say?
0:07:51 > 0:07:53Was he polite?
0:07:54 > 0:07:57I bet he was polite. He's very polite.
0:07:57 > 0:07:58But then he is a florist.
0:07:58 > 0:08:02I think he might even be a little bit light in the loafers.
0:08:02 > 0:08:04But who knows, eh?
0:08:04 > 0:08:09But that's not me, is it, sweetheart?
0:08:09 > 0:08:11CAT HISSES
0:08:16 > 0:08:20If you think it's hurting him, then it is also hurting me.
0:08:29 > 0:08:31CAT YOWLS
0:08:37 > 0:08:38That's not my cat.
0:08:38 > 0:08:42No. But next time it will be your son.
0:08:43 > 0:08:46And if Andy Dixon even thinks about calling you
0:08:46 > 0:08:50and you don't let me know a moment afterwards...
0:08:51 > 0:08:52All right?
0:09:18 > 0:09:22First Glickman tells me to wait for Harvey, then Harvey tells me
0:09:22 > 0:09:23to wait till he's got out.
0:09:23 > 0:09:26Now Harvey's dead, Glickman's disappeared
0:09:26 > 0:09:29and you are telling me to wait some more.
0:09:29 > 0:09:31And who are YOU to tell me?
0:09:31 > 0:09:33The one who has most to lose.
0:09:33 > 0:09:37We gave Jay Wratten 200 kilos and he went and lost it.
0:09:37 > 0:09:39He had a shadow on him, it wasn't his fault.
0:09:39 > 0:09:42CROCKERY CLINKS
0:09:43 > 0:09:45It wasn't ours.
0:09:46 > 0:09:49You owe us the delivery payment.
0:09:49 > 0:09:50One million.
0:09:51 > 0:09:53And I am done with waiting.
0:09:55 > 0:09:57I don't have a million to give you.
0:10:00 > 0:10:04Then maybe it's me who needs to find a way...
0:10:05 > 0:10:06to pay you back.
0:10:08 > 0:10:10Then you'll never see your money.
0:10:10 > 0:10:11And nor will I.
0:10:15 > 0:10:17Harvey Wratten had me set up a brand-new line.
0:10:17 > 0:10:18Completely clean.
0:10:18 > 0:10:23He had me invest everything I own to make it look that way.
0:10:23 > 0:10:24Everything.
0:10:24 > 0:10:25But now Harvey's dead.
0:10:27 > 0:10:30And the only way you can make back your money
0:10:30 > 0:10:31is to allow me to make back mine.
0:10:33 > 0:10:35And the only way we can do that
0:10:35 > 0:10:37is if we set up that line together.
0:10:40 > 0:10:44So, come after me, you'll get nothing.
0:10:45 > 0:10:48Work with me and you'll make far more than a million.
0:10:48 > 0:10:50We both will.
0:10:51 > 0:10:52I guarantee it.
0:10:52 > 0:10:54I'll let you know.
0:10:56 > 0:10:57But I haven't told you how.
0:10:57 > 0:11:00You've had me waiting for two years.
0:11:00 > 0:11:02Now it's your turn.
0:11:19 > 0:11:22That's it. Five hours before Wratten got picked up.
0:11:22 > 0:11:25- You want me to send uniform? - No. I'll go.
0:11:31 > 0:11:33'Ello, 'ello.
0:11:33 > 0:11:35Is your boss in?
0:11:41 > 0:11:43Doesn't ring any bells.
0:11:43 > 0:11:46- But you'll let me go through your employee list, won't you? - Not without a warrant.
0:11:49 > 0:11:54Three names. Jason Ayolo, Andy Dixon and Daniel Cordel.
0:12:00 > 0:12:04Should you be doing this all on your own, pretty girl like you?
0:12:04 > 0:12:07I think I can handle it, fat fuck like you.
0:12:20 > 0:12:21Got you.
0:12:21 > 0:12:22His name's Andy Dixon.
0:12:22 > 0:12:26We had him up on a minor drug charge last year. This is his home address.
0:12:26 > 0:12:28Got it.
0:12:28 > 0:12:30Sussex Gardens, E1.
0:12:30 > 0:12:32PHONE RINGS
0:12:41 > 0:12:44PHONE RINGS
0:12:51 > 0:12:52Hello?
0:12:52 > 0:12:54The police are on their way to you.
0:12:54 > 0:12:56Tell them nothing.
0:12:56 > 0:12:59- Nothing at all, do you understand? - Yeah.
0:13:08 > 0:13:10KNOCKING AT DOOR
0:13:44 > 0:13:47- I'm looking for Andy Dixon. - He's not here.
0:13:47 > 0:13:52- Do you know where he is? - The last time I saw him were yesterday morning.
0:13:52 > 0:13:53Has he called you?
0:13:54 > 0:13:55Are you the police?
0:13:57 > 0:13:58Why?
0:14:00 > 0:14:02Are you expecting them?
0:14:05 > 0:14:07You're expecting them.
0:14:13 > 0:14:16If Andy contacts you, tell him to call this number.
0:14:16 > 0:14:17Immediately.
0:14:17 > 0:14:19Say it's Gatehouse.
0:14:25 > 0:14:28Someone else has asked the same.
0:14:28 > 0:14:29Who?
0:14:32 > 0:14:33Jay Wratten?
0:14:38 > 0:14:39Someone else?
0:14:41 > 0:14:42Interesting.
0:14:44 > 0:14:45So after the police have called,
0:14:45 > 0:14:48you'll have three numbers to choose from.
0:14:51 > 0:14:52Difficult choice.
0:14:58 > 0:15:00Is it his?
0:15:01 > 0:15:04- Yes.- Do you love him?
0:15:05 > 0:15:08Yes.
0:15:08 > 0:15:11Then what I am about to tell you
0:15:11 > 0:15:14is the most important thing you'll ever hear.
0:15:14 > 0:15:16Ever.
0:15:18 > 0:15:21If Andy calls anyone else but me,
0:15:21 > 0:15:23he'll be a dead man.
0:15:25 > 0:15:28If you call anyone else but me,
0:15:28 > 0:15:30he'll be a dead man.
0:15:34 > 0:15:41Cops, robbers, either way, you cannot trust them.
0:15:43 > 0:15:47So, you see, really you have no choice at all.
0:15:58 > 0:16:01Gatehouse.
0:16:58 > 0:17:02TURKISH TV CHANNEL PLAYS IN CAR
0:17:02 > 0:17:05SIREN WAILS IN DISTANCE
0:17:20 > 0:17:23I picked a good night.
0:17:23 > 0:17:26It's like this every night.
0:17:27 > 0:17:29The reception. Mostly it's terrible.
0:17:31 > 0:17:35- Is that coming in from Turkey? - If only it were that easy, eh?
0:17:35 > 0:17:38HE CHUCKLES If only everything were that easy.
0:17:39 > 0:17:43You know, some kid in Croydon boosts the signal. I don't know how it works.
0:17:43 > 0:17:47All I know, mostly I have to park facing south.
0:17:53 > 0:17:58My family are watching this show right now, back home in Turkey
0:17:58 > 0:18:03and it's nice because, at least, I feel we are watching it together. Hm?
0:18:04 > 0:18:08Does this mean anything to you, Mr Bede?
0:18:08 > 0:18:10Of course.
0:18:10 > 0:18:12You have family?
0:18:12 > 0:18:14- My wife.- And children?
0:18:14 > 0:18:17No. Just my wife.
0:18:18 > 0:18:24- And you are happy together? - You mean do I love her? I...
0:18:24 > 0:18:27We've been married for 30 years now.
0:18:27 > 0:18:29I wish every day was the first.
0:18:29 > 0:18:31Hmm.
0:18:31 > 0:18:32Hmm.
0:18:34 > 0:18:38You know there are many people who want to work with me.
0:18:38 > 0:18:40And when they do, they always say the same thing.
0:18:40 > 0:18:45They've seen a movie or something. They always say, "It's just business."
0:18:45 > 0:18:49I think they want me to think they're professional, cold.
0:18:49 > 0:18:55But for me, for what I do, it's never JUST business...
0:18:56 > 0:19:01cos everything I do, I do for my family, and anyone who threatens me threatens them. You understand?
0:19:05 > 0:19:07You understand?
0:19:14 > 0:19:15TURNS TV OFF
0:19:15 > 0:19:20So...what's your plan?
0:19:20 > 0:19:26- To turn the £1 million that I owe you into ten in three months. - And how will you do this?
0:19:26 > 0:19:31To begin with, I'll need a single shipment from you of 200 kilos, on account.
0:19:31 > 0:19:32HE SCOFFS
0:19:32 > 0:19:35You know how much that is worth to me?
0:19:35 > 0:19:37Three million at 15 grand a kilo.
0:19:39 > 0:19:44But I'm willing to pay you back at 20, which would create an extra £1 million on that shipment.
0:19:44 > 0:19:48- As it would a fourfold increase in your debt.- Correct.
0:19:48 > 0:19:50£4 million.
0:19:50 > 0:19:54The loss of one million, we are talking. The loss of four,
0:19:54 > 0:19:58- the talking would be over. - That's not going to happen.
0:19:58 > 0:20:01It's taken me five years to set up this line. I'm completely legit.
0:20:01 > 0:20:04I'm taxed, regulated and inspected like clockwork.
0:20:04 > 0:20:09As long as I keep the rhythm, nobody will notice the addition of a few extra beats.
0:20:09 > 0:20:13- 200 kilos.- 600 in all.
0:20:13 > 0:20:16And how will you make this work?
0:20:16 > 0:20:21As well as the first, you have to guarantee me two more shipments of 200 kilos each, once a month.
0:20:21 > 0:20:25I'll buy those two off you at 15 grand a kilo.
0:20:25 > 0:20:29They have to be at least 70% pure because I'll be bashing each of them
0:20:29 > 0:20:36up to 250 kilos, then cutting them into 1,000 corners and moving each one on at five grand a corner.
0:20:36 > 0:20:40At the end of the three shipments, we'll have turned over 15 million.
0:20:40 > 0:20:42Ten to you, five to me.
0:20:42 > 0:20:46- In three months?- In three months. - And who will you move it on to?
0:20:46 > 0:20:49Bob Harris.
0:20:49 > 0:20:52- Does he trust you?- Do you?
0:20:56 > 0:20:58I'm in for this one run and then I'm out.
0:21:00 > 0:21:05- But if it's the success you say... - Then I'll have proved it works and he can buy it off me at cost.
0:21:05 > 0:21:08Or you can.
0:21:08 > 0:21:11- How much?- 1.5 million. Either way, after this I'm out.
0:21:18 > 0:21:20With 6.5 million.
0:21:22 > 0:21:24- It's not so much.- It's enough.
0:21:29 > 0:21:31What do you need it for?
0:21:31 > 0:21:36Well, like you say, it's never really about business, is it?
0:21:36 > 0:21:38Hmm.
0:21:45 > 0:21:47I'm just going to give this to Mr Babur.
0:21:53 > 0:21:56Arum lily. Just in from Holland.
0:21:56 > 0:21:58And this is the plan?
0:21:58 > 0:22:01Within the stems.
0:22:01 > 0:22:04To help disguise the smell of the shit.
0:22:04 > 0:22:07What else are flowers for?
0:22:07 > 0:22:09Beauty.
0:22:09 > 0:22:13I think you see beauty in maths, Mr Bede.
0:22:13 > 0:22:17- I used to be in insurance. - Figures are a beautiful thing. Figures always work out.
0:22:17 > 0:22:21But put human beings in your plan and you cannot be so certain.
0:22:21 > 0:22:24With humans, there will always be a flaw.
0:22:24 > 0:22:26- Not this one.- Always.
0:22:26 > 0:22:28It may work out,
0:22:28 > 0:22:30but there will be a flaw.
0:22:36 > 0:22:38What you trying to do?
0:22:38 > 0:22:42- You're hurting me! - I am now, yeah, I am.
0:22:42 > 0:22:45There's police outside. They're watching the house.
0:22:45 > 0:22:47Well, we better make this quick, then.
0:22:47 > 0:22:49- What did you tell them?- Nothing.
0:22:53 > 0:22:54- SOBBING: - I didn't tell them anything.
0:22:54 > 0:22:56I don't know where Andy is.
0:23:02 > 0:23:04Ohhh.
0:23:06 > 0:23:07Look!
0:23:16 > 0:23:17Put your hands up.
0:23:17 > 0:23:20- What?- Put your hands up.
0:23:21 > 0:23:24Up.
0:23:24 > 0:23:26Put your hands up.
0:23:28 > 0:23:29Put 'em up.
0:23:35 > 0:23:37Aww.
0:23:39 > 0:23:40Ahh.
0:23:43 > 0:23:45Is it his, then?
0:23:45 > 0:23:49Is it? A little Andy Dixon, inside there.
0:23:49 > 0:23:51Isn't that funny?
0:23:56 > 0:23:57Don't do that!
0:24:02 > 0:24:05I wonder if history will repeat itself.
0:24:05 > 0:24:08You know, in many years to come, I wonder if
0:24:08 > 0:24:12your little baby there, maybe he'll be the one to see me get shot to bits in the back of his cab
0:24:12 > 0:24:16and then he'll run away and my family won't be able to find out what happened.
0:24:16 > 0:24:18Just like his old man did to my uncle.
0:24:18 > 0:24:23And I'll be down there, burning myself to a frazzle
0:24:23 > 0:24:27and I'll be thinking, "Blimey, and to think
0:24:27 > 0:24:32"I had the chance to kill the little blighter before he was even born."
0:24:32 > 0:24:36SHE SOBS No, no, no! Stop it! No!
0:24:36 > 0:24:39Don't upset yourself.
0:24:39 > 0:24:41Because this story has a happy ending.
0:24:41 > 0:24:47Because, luckily, his mother was a very clever woman
0:24:47 > 0:24:53and she decided to tell me everything she knew.
0:24:53 > 0:24:54Aw!
0:24:58 > 0:25:00Bye.
0:25:06 > 0:25:09- Plain clothes. - Yeah, I know. She told me.
0:25:09 > 0:25:11Yeah.
0:25:11 > 0:25:13- And what else? - No, she doesn't know anything.
0:25:13 > 0:25:16But when she does, she'll call me first.
0:25:16 > 0:25:18Right, shall we go and have a cup of tea with his mum?
0:25:22 > 0:25:25Mrs Dixon, look at me.
0:25:28 > 0:25:29No...
0:25:29 > 0:25:32Look at me.
0:25:33 > 0:25:35Mrs Dixon...
0:25:37 > 0:25:39..what I'm about to tell you is the truth.
0:25:41 > 0:25:45And your son's life depends on whether or not you believe it.
0:25:47 > 0:25:48Do you understand?
0:25:51 > 0:25:58- Yeah.- The police will say your son killed Harvey Wratten.- No.
0:25:58 > 0:26:04As soon as he gives himself up or as soon as they catch him, they will charge him with Wratten's murder.
0:26:04 > 0:26:06He was just the driver.
0:26:06 > 0:26:08- That's right.- He didn't kill no-one.
0:26:08 > 0:26:10And you know that because you're his mother.
0:26:10 > 0:26:13I know that because it's true.
0:26:13 > 0:26:18And I know it because I've spent my whole life working with people like your son.
0:26:20 > 0:26:22It's what I do.
0:26:22 > 0:26:24Catch them early.
0:26:24 > 0:26:27You get to spot the killer, Mrs Dixon.
0:26:27 > 0:26:30And you're right, your son's no killer.
0:26:30 > 0:26:32So why would they say he is?
0:26:32 > 0:26:36Because they've got to put someone's head on a plate
0:26:36 > 0:26:39and your son's is the only one they'll get to fit.
0:26:39 > 0:26:42But what about the real killer?
0:26:42 > 0:26:48Harvey Wratten ran a criminal underworld so deep the police couldn't even hope to see the sides.
0:26:50 > 0:26:53So they're going to use your son instead...
0:26:54 > 0:26:56..to drop him in it.
0:26:57 > 0:26:59Quick and neat.
0:26:59 > 0:27:03Quick and neat. That's right.
0:27:05 > 0:27:08This has happened to you before,
0:27:08 > 0:27:09hasn't it, Mrs Dixon?
0:27:14 > 0:27:16To your eldest son.
0:27:16 > 0:27:17To Tracey.
0:27:20 > 0:27:23He's in jail, isn't he?
0:27:27 > 0:27:30And the same thing happened to him,
0:27:30 > 0:27:32didn't it?
0:27:36 > 0:27:39They turned him into a scapegoat too.
0:27:39 > 0:27:42Both sides
0:27:42 > 0:27:45made sure he took the rap for something he didn't do.
0:27:45 > 0:27:49They told lies at his trial.
0:27:49 > 0:27:51All of them.
0:27:51 > 0:27:54Except with Andy, Mrs Dixon, he won't even go to trial.
0:27:56 > 0:27:58Because there won't be one.
0:27:58 > 0:28:00- There'll have to be one. - No, there won't.
0:28:00 > 0:28:02This is how it will be.
0:28:05 > 0:28:09Your son will be placed on remand, awaiting trial.
0:28:10 > 0:28:14And then, one morning, a prison guard will enter his cell
0:28:14 > 0:28:17and find him hanging by his sheet tied to the window grille.
0:28:19 > 0:28:22And the police will come and visit you and
0:28:22 > 0:28:27tell you how sorry they are but that, sadly, it isn't that uncommon.
0:28:27 > 0:28:29And how they couldn't be to blame cos up until that
0:28:29 > 0:28:32point your son had shown no signs of wanting to kill himself.
0:28:34 > 0:28:35And then they'll leave.
0:28:37 > 0:28:39And that'll be the end of it.
0:28:41 > 0:28:44Because you'll never discover the one mistake they made,
0:28:44 > 0:28:47the one the prison guard failed to spot.
0:28:49 > 0:28:53That the chair your son would have needed to reach up to that grille
0:28:53 > 0:28:58had already been neatly placed back against the opposite wall
0:28:58 > 0:29:02long before the officer entered the cell.
0:29:04 > 0:29:06That is how it will be.
0:29:18 > 0:29:20Tell Andy to call me.
0:29:22 > 0:29:25Me and only me.
0:29:36 > 0:29:40A lot of people are going to be knocking on your door now, Mrs Dixon.
0:29:40 > 0:29:41Who?
0:29:41 > 0:29:44Police.
0:29:44 > 0:29:47Harvey Wratten's men. Both sides.
0:29:47 > 0:29:49But all of them wanting the same thing.
0:29:50 > 0:29:53And none of it matters.
0:29:54 > 0:29:58All that matters now is whether or not you believe me.
0:30:22 > 0:30:25- Mrs Dixon?- Yeah?
0:30:25 > 0:30:28Police. We're here about your son.
0:30:33 > 0:30:35- She doesn't know anything. - You're sure?
0:30:35 > 0:30:37Mothers are always the last to know.
0:30:37 > 0:30:39What about his mobile number?
0:30:39 > 0:30:42She said she didn't have one. He changed it so often, she couldn't keep up.
0:30:42 > 0:30:45So when did she last speak to her son?
0:30:45 > 0:30:46- Exactly.- She couldn't remember.
0:30:46 > 0:30:49- She couldn't remember?- Well, definitely not since he disappeared.
0:30:49 > 0:30:52- And you believe her? - There's no reason not to.
0:30:52 > 0:30:55You're a police officer. You want to become a good one, you better learn
0:30:55 > 0:30:57to put that answer the other way round.
0:30:59 > 0:31:01- To not reason, no?- Huh?
0:31:01 > 0:31:04- Just putting it the other way round. - Oh, you're sharp.
0:31:04 > 0:31:06Well, I'm a police officer and I think I'm a good one,
0:31:06 > 0:31:09and I haven't got a clue what you were trying to say.
0:31:09 > 0:31:12You walk into a bar, Honey, you sit straight down or you scan it first?
0:31:12 > 0:31:14- I scan it.- She'd sit straight down.
0:31:14 > 0:31:16What's that?
0:31:16 > 0:31:19- Andy Dixon's mobile phone number. - You already had it. That's not fair.
0:31:19 > 0:31:24From the provider to which it's registered and has been registered for the past three years.
0:31:24 > 0:31:26- Oh.- And the last time he used it was half-an-hour
0:31:26 > 0:31:29after Harvey Wratten's death, and who do you think he called?
0:31:29 > 0:31:31- His mother.- Bring her back in, will you? And this time,
0:31:31 > 0:31:33I'll ask the questions.
0:31:37 > 0:31:40If I knew where he was, I'd tell you.
0:31:40 > 0:31:47- But I don't.- Well, now you know who to call when he does.
0:31:52 > 0:31:55- Yeah. I do.- Good.
0:31:57 > 0:31:59HE SNIFFS
0:32:02 > 0:32:03Hmm.
0:32:11 > 0:32:15You've got another son, haven't you, Mrs Dixon?
0:32:17 > 0:32:19- Yeah.- In jail.
0:32:19 > 0:32:22- What's his name?- Tracey.
0:32:22 > 0:32:25Oh, dear! I bet he gets a bit of jip for that on the inside!
0:32:25 > 0:32:27I know I'd give it him.
0:32:31 > 0:32:32Do I know him?
0:32:32 > 0:32:34Your uncle did.
0:32:34 > 0:32:37Oh.
0:32:38 > 0:32:40How long's he been in?
0:32:40 > 0:32:43- Three years.- Serious.
0:32:45 > 0:32:47I don't know. He didn't do it.
0:32:47 > 0:32:53Do you know what? In jail, there isn't a man who did.
0:32:57 > 0:33:01Have you got anyone else in your life?
0:33:01 > 0:33:05- No.- No Mr Dixon?
0:33:05 > 0:33:07That's sad.
0:33:07 > 0:33:10No other family?
0:33:10 > 0:33:14Just the boys.
0:33:14 > 0:33:18That's nice. You must be very close.
0:33:18 > 0:33:24Especially now Tracey's getting himself touched up by the nonces.
0:33:24 > 0:33:26If only you'd called him Peter!
0:33:28 > 0:33:33But still, I imagine little Andy looks after you now, doesn't he?
0:33:33 > 0:33:35Especially now he's the big man.
0:33:35 > 0:33:38- He's a good boy.- Yeah, I bet he is.
0:33:40 > 0:33:42So, did he buy you this carpet then, did he?
0:33:45 > 0:33:46Or that TV?
0:33:48 > 0:33:50Or that phone?
0:33:53 > 0:33:56It looks like you won the lottery, Mrs Dixon.
0:33:56 > 0:33:59Or someone else has.
0:33:59 > 0:34:02Has little Andy won the lottery, Mrs Dixon? He kept that quiet.
0:34:02 > 0:34:04Yeah.
0:34:06 > 0:34:07For a moment there...
0:34:10 > 0:34:15..I thought all I could smell was the carpet glue, but I was wrong.
0:34:17 > 0:34:20I can smell something else, can't I?
0:34:20 > 0:34:22Something much stronger.
0:34:22 > 0:34:25It's bullshit.
0:34:27 > 0:34:30So if I were you...
0:34:30 > 0:34:32bitch,
0:34:32 > 0:34:36I would start to clear the air.
0:34:38 > 0:34:40MOBILE PLAYS JINGLE
0:34:56 > 0:34:57Hello.
0:35:06 > 0:35:07OK. Thank you.
0:35:09 > 0:35:14The policemen are on their way up to come and speak to you.
0:35:14 > 0:35:16Yeah.
0:35:16 > 0:35:18You going to tell them nothing?
0:35:18 > 0:35:22- I've got nothing to tell.- Oh, good.
0:35:29 > 0:35:32- Well, when you do, be sure to call me first. You got my number?- Yeah.
0:35:32 > 0:35:34I've got your number.
0:35:34 > 0:35:37Yes. Well, I've certainly got yours.
0:35:59 > 0:36:01- Who you looking for?- What?
0:36:01 > 0:36:03I bet I find him first.
0:36:12 > 0:36:14What are you afraid of, Mrs Dixon?
0:36:15 > 0:36:17Of you.
0:36:17 > 0:36:19Of me?
0:36:19 > 0:36:22You people.
0:36:22 > 0:36:24Why?
0:36:24 > 0:36:28You're going to try and fit him up.
0:36:28 > 0:36:31Make it look easy. Make it look neat.
0:36:31 > 0:36:33Why would I do that?
0:36:33 > 0:36:36Cos you ain't got nothing otherwise.
0:36:36 > 0:36:39You're staring into an abyss.
0:36:39 > 0:36:42- I know it.- How do you know that?
0:36:42 > 0:36:48And all your puny little flashlight's going to pick up is my boy.
0:36:48 > 0:36:50Just like you did his brother.
0:36:50 > 0:36:52Tracey Dixon?
0:36:52 > 0:36:57- It wasn't like your people said it was.- Six years, Mrs Dixon.
0:36:57 > 0:37:01- It must've been like something. - He was set up. You set him up.
0:37:01 > 0:37:02It wasn't my case.
0:37:02 > 0:37:07And it is certainly immaterial to this one.
0:37:09 > 0:37:12I'm sure you'll still find a way of putting it in.
0:37:12 > 0:37:14For colour.
0:37:15 > 0:37:18Mrs Dixon,
0:37:18 > 0:37:22it is very probable that Andy is the sole witness to a murder.
0:37:23 > 0:37:26And all I want to know from him
0:37:26 > 0:37:28is exactly what he saw.
0:37:28 > 0:37:30- So why aren't you talking to him? - Because we can't find him.
0:37:30 > 0:37:35- So why are you wasting time talking to his mother? - Because he called you, Mrs Dixon,
0:37:35 > 0:37:38approximately 35 minutes after the event.
0:37:38 > 0:37:40That's not true.
0:37:40 > 0:37:43It's here. I can even give you the timings.
0:37:43 > 0:37:45Two minutes, 12 seconds.
0:37:45 > 0:37:48What did he say to you, Mrs Dixon?
0:37:48 > 0:37:51What did he say the night Harvey Wratten was murdered?
0:37:51 > 0:37:54You don't have to answer that. She doesn't have to answer that and you know it.
0:37:54 > 0:37:58Then be sure to explain to her how assisting an offender is a criminal offence.
0:37:58 > 0:38:01Don't be stupid, Honey. Anyone could have picked up that phone.
0:38:01 > 0:38:03What did he say, Mrs Dixon?
0:38:05 > 0:38:07What did he see?
0:38:09 > 0:38:12Why did you say abyss?
0:38:14 > 0:38:17What abyss am I staring into?
0:38:19 > 0:38:24Because if I am, doesn't that mean your boy's already there?
0:38:29 > 0:38:31Do you want me to save him?
0:38:32 > 0:38:36Do you want me to go down there and get him out?
0:38:36 > 0:38:38Because I will...
0:38:42 > 0:38:44But you've got to throw me a line.
0:38:46 > 0:38:49You've got to throw me a line.
0:38:51 > 0:38:54You don't have children, do you?
0:38:57 > 0:39:01- What?- You don't have children.
0:39:06 > 0:39:08No.
0:39:08 > 0:39:13Because if you did, you would already know
0:39:13 > 0:39:16that I would do anything...
0:39:16 > 0:39:20anything, to save my child.
0:39:22 > 0:39:25- Including lie to me? - You don't have to answer that.
0:39:27 > 0:39:29Anything.
0:40:03 > 0:40:08- Hey.- Hey.
0:40:11 > 0:40:14What time is it?
0:40:14 > 0:40:16It's late.
0:40:18 > 0:40:20Early...I don't know.
0:40:22 > 0:40:25Well, then it's definitely time for bed.
0:40:34 > 0:40:36I'm so sorry, Laura.
0:40:40 > 0:40:43- For what?- Everything...
0:40:46 > 0:40:47..the babies.
0:40:52 > 0:40:55I know you want to try again.
0:40:55 > 0:40:58The clinic said we could, that we should.
0:40:58 > 0:41:00They've said that before, haven't they?
0:41:00 > 0:41:01Five times.
0:41:04 > 0:41:07We've tried five times, Laura, and every time the same cycle -
0:41:07 > 0:41:12hope, loss, hope, loss.
0:41:12 > 0:41:14In the end, I'd stopped hoping at all.
0:41:17 > 0:41:20I hadn't.
0:41:20 > 0:41:23And when you got shot,
0:41:23 > 0:41:27when they said you wouldn't pull through, I didn't then either.
0:41:30 > 0:41:33- And here you are. - With a bullet in my head.
0:41:33 > 0:41:34Which didn't kill you.
0:41:34 > 0:41:37- Which still might.- Hasn't yet.
0:41:37 > 0:41:39But is that what you're afraid of?
0:41:41 > 0:41:42That it will?
0:41:44 > 0:41:46Is that why you want to do this?
0:41:50 > 0:41:53We're all going to die, Jonah.
0:41:53 > 0:41:56A bullet or an unseen bus.
0:41:56 > 0:41:59Your name's no further up the list than mine.
0:42:02 > 0:42:05But yes...
0:42:05 > 0:42:08I would like the chance to make a life before we go.
0:42:09 > 0:42:12Be our sixth time, Laura.
0:42:12 > 0:42:15Or the first...
0:42:15 > 0:42:18after a second chance.
0:42:39 > 0:42:41Hey, come on.
0:42:41 > 0:42:44Go on, clear off. I'm trying to open up here.
0:42:44 > 0:42:46Come on.
0:43:02 > 0:43:03MOBILE BEEPS
0:43:38 > 0:43:40PHONE RINGS
0:43:47 > 0:43:52We got a fix on Andy Dixon's mobile when it went up at 4.51 this morning.
0:43:52 > 0:43:56- And then it went off?- Yeah. By the time anyone got there, he was gone.
0:43:56 > 0:44:00- You sure it was him?- Cafe owner kicked him out of his doorway.
0:44:00 > 0:44:02- So he's sleeping rough.- Exactly.
0:44:02 > 0:44:05He needs help and bets are, he'll be calling for it.
0:44:05 > 0:44:09But when he does, whoever he calls will be calling me.
0:44:09 > 0:44:11Because you scared the shit out of them.
0:44:11 > 0:44:16Yeah, well, maybe you'd like to send them a nice little bouquet when all this is worked out.
0:44:17 > 0:44:20It's not Stanley knives keeps people loyal, Jay.
0:44:20 > 0:44:26It's them putting that in there and us giving them the means to do it.
0:44:26 > 0:44:30Yeah, well. Let's just see who they call, shall we?
0:44:32 > 0:44:34All this just to find Andy Dixon?
0:44:37 > 0:44:41- He was there. - What if he's got nothing to say?
0:44:41 > 0:44:43Oh, he will.
0:44:43 > 0:44:45And when he does,
0:44:45 > 0:44:49I want him telling it to me and not them.
0:45:28 > 0:45:30It's me.
0:45:32 > 0:45:33He's up!
0:45:36 > 0:45:41- We're picking it up from a mast on the corner of Jacob Street and Parkside.- Post code?
0:45:41 > 0:45:43E9 5JV.
0:45:43 > 0:45:46Get an India 99 in the air now! Can you listen in?
0:45:46 > 0:45:49Yep. He's talking to a female.
0:45:49 > 0:45:52- Why didn't you call?- I couldn't.
0:45:52 > 0:45:55I didn't know what to do.
0:45:55 > 0:45:58- I didn't know where to go. - Everyone's looking for you.
0:45:58 > 0:46:00- Who?- Everyone.
0:46:00 > 0:46:03SIREN BLARES
0:46:03 > 0:46:05Have you spoken to the police?
0:46:05 > 0:46:07- Don't.- Why not?
0:46:07 > 0:46:10He threatened to kill the baby.
0:46:10 > 0:46:13- Who?- Jay Wratten.
0:46:13 > 0:46:15Ah, shit!
0:46:15 > 0:46:18You have to speak to him, Andy.
0:46:18 > 0:46:22He said he's going to kill the baby if you don't. It's my baby!
0:46:26 > 0:46:28What's happening, Andy? What are you in?
0:46:30 > 0:46:33I don't know. I don't know.
0:46:33 > 0:46:35What did you see?
0:46:38 > 0:46:39Wratten gave you his number?
0:46:39 > 0:46:41Yes.
0:46:41 > 0:46:43OK.
0:46:46 > 0:46:47Give it to me.
0:46:47 > 0:46:49SIREN BLARES
0:46:53 > 0:46:55Come on.
0:46:56 > 0:46:59Come on. Come on.
0:46:59 > 0:47:01That's it, come on.
0:47:01 > 0:47:03MOBILE RINGS
0:47:03 > 0:47:05Hello?
0:47:06 > 0:47:08Who wants to know?
0:47:11 > 0:47:13Where are you?
0:47:13 > 0:47:16I'll find it.
0:47:16 > 0:47:18Have you spoken to anyone else?
0:47:19 > 0:47:20Don't.
0:47:30 > 0:47:34You really, really don't want to do that.
0:47:34 > 0:47:35STARTS CAR
0:47:58 > 0:48:01He's ringing another number.
0:48:01 > 0:48:03Are you all right?
0:48:03 > 0:48:07Listen to me, sweetheart. Has the eyes of a gun shooter.
0:48:08 > 0:48:11Stay away from him.
0:48:11 > 0:48:13And stay away from the police too.
0:48:14 > 0:48:18I don't know what to do, Mum. What shall I do?
0:48:18 > 0:48:24Just stand still! Stay where you are! Keep the phone on!
0:48:24 > 0:48:26I'll call you straight back.
0:48:27 > 0:48:32Trust me, darling. Everything will be fine.
0:49:19 > 0:49:22Fucking hell! What's going on! You idiot!!
0:49:22 > 0:49:25Don't you know what you're doing? You've gone through red lights!!!
0:49:26 > 0:49:27Oi! Do you hear me?
0:49:28 > 0:49:30Oi! Do you hear me?
0:49:30 > 0:49:35Get over yourself in your fucking Toyota Corolla!
0:49:35 > 0:49:38You went through red lights! Not me!! Where you going?
0:49:39 > 0:49:45Oi! Come back here! Oi! Fucking hell!
0:49:45 > 0:49:48No-one's talking to me! No-one's talking to me!
0:49:48 > 0:49:50It's the same mast.
0:49:50 > 0:49:52- So? - So he's not moved.
0:49:53 > 0:49:54- Honey, you know the area.- Yeah.
0:49:54 > 0:49:56All right, loop over the top of the park
0:49:56 > 0:49:59then drop down in case he runs that way. We'll stay north.
0:49:59 > 0:50:00Where's the uniform?
0:50:03 > 0:50:05PHONE RINGS
0:50:15 > 0:50:16Come on, you bastard, answer!
0:50:17 > 0:50:19Why am I standing still?
0:50:19 > 0:50:20There's a traffic incident ahead.
0:50:23 > 0:50:26- Where's that chopper? - No response yet.- What?
0:50:27 > 0:50:30Look! This is a murder enquiry!
0:50:30 > 0:50:33- No, sir.- Shit! Shit!
0:50:33 > 0:50:35I am on foot! I am on foot!
0:50:35 > 0:50:39Typical fucking British car chase!
0:51:12 > 0:51:13All right, I'm here.
0:51:35 > 0:51:37PHONE RINGS IN DISTANCE
0:51:48 > 0:51:49- Hello? - Run!
0:52:21 > 0:52:23He's moved! He's heading south.
0:52:23 > 0:52:24Honey, where are you?
0:52:24 > 0:52:26- A minute away. Eastside approach. - Got it!
0:52:35 > 0:52:37- Hello? - Where are you now?
0:52:37 > 0:52:39I'm on the park exit at...
0:52:39 > 0:52:41- Old Ford Road. - You're still being followed.
0:52:41 > 0:52:45- Not any more.- Yes, the police are tracking your phone signal.
0:52:45 > 0:52:46Stay with me! Follow my instructions!
0:52:46 > 0:52:48What?
0:52:50 > 0:52:51Shit!
0:52:56 > 0:52:58Shit! We missed him!
0:53:15 > 0:53:18Then left into Mace Street.
0:53:29 > 0:53:30Go left into Mace Street.
0:53:30 > 0:53:33Be advised Mace Street is a cul-de-sac.
0:53:34 > 0:53:37Shit!
0:53:49 > 0:53:51And right onto Roman Road.
0:54:20 > 0:54:22Picking him up now on Roman Road.
0:54:22 > 0:54:23South West.
0:54:33 > 0:54:34Lost him.
0:54:40 > 0:54:42Get the westbound train.
0:54:42 > 0:54:44Get off at Liverpool Street. Stay on the platform.
0:54:53 > 0:54:54Shit!
0:54:56 > 0:54:56Signal down!
0:54:59 > 0:55:01The tube... The tube!
0:55:12 > 0:55:15Central Line westbound!
0:55:15 > 0:55:18Westbound train towards Liverpool Street.
0:55:18 > 0:55:21Yeah. I'm en route. Five minutes.
0:55:29 > 0:55:31Shit!
0:55:32 > 0:55:33Shit!
0:55:39 > 0:55:44TANNOY: Ladies and gentleman, there is a good service operating on all London Underground lines.
0:56:17 > 0:56:18Give me your phone.
0:56:18 > 0:56:20Follow me. Keep your distance.
0:57:08 > 0:57:11He's back up. Liverpool Street Station.
0:57:25 > 0:57:28Liverpool Street entrance. And walking east.
0:57:37 > 0:57:38I can't see him.
0:58:29 > 0:58:31Subtitles by Red Bee Media Ltd
0:58:31 > 0:58:33E-mail subtitling@bbc.co.uk