0:00:04 > 0:00:07'So, I'm going to shut this show down right now.'
0:00:07 > 0:00:12- Unless you have anything else. - I don't believe that Andy Dixon killed Harvey Wratten.
0:00:12 > 0:00:16- Where's Glickman? - Not at the house. It's empty. - Go and see Glickman's family.
0:00:16 > 0:00:20- He's got a son. An accountant. Winchmore Hill way. - He puts things in boxes.
0:00:20 > 0:00:22You, me, everything.
0:00:22 > 0:00:24Which one are you in?
0:00:24 > 0:00:26I'm in the one marked, "Knows Nothing".
0:00:26 > 0:00:28- All right, Joseph.- Bob.
0:00:28 > 0:00:30So what do you want to talk about?
0:00:30 > 0:00:33The future. Yours and mine.
0:00:33 > 0:00:36Oh, by the way, how is it with you and that journalist?
0:00:36 > 0:00:40Whoever gets to wring that fucker's neck gets a free pass from me.
0:00:40 > 0:00:43Probably best if I handle the press, then. Au solo.
0:00:43 > 0:00:48It was a funny thing, him going to all that trouble to tell us that the case was closed
0:00:48 > 0:00:52and yet here you are, still struggling with the latches.
0:00:52 > 0:00:53Who's that?
0:00:53 > 0:00:55What are you doing here?
0:00:55 > 0:00:57I'm not sure, Jay, aren't you going to tell me?
0:01:01 > 0:01:03Argh!
0:01:05 > 0:01:09Who's your SIO? I'll find out. And when I do, expect a visit.
0:01:09 > 0:01:12Be sure to make an appointment. Hate you to get stopped at the door.
0:01:12 > 0:01:17- I bet you didn't expect you'd have to knock me out to get me pregnant. - Six times.
0:01:17 > 0:01:19And it'll be the last.
0:01:23 > 0:01:25It's Daddy!
0:01:35 > 0:01:39This programme contains some strong language and scenes which some viewers may find disturbing.
0:01:39 > 0:01:41Argh!
0:01:55 > 0:01:56Nah, nah, nah, nah.
0:01:56 > 0:01:58Not yet.
0:01:59 > 0:02:08THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE AND SCENES WHICH SOME VIEWERS MAY FIND DISTURBING.
0:02:11 > 0:02:17# I'm a featherless bird
0:02:18 > 0:02:24# In a sky so absurd
0:02:26 > 0:02:31# Why, oh, why
0:02:31 > 0:02:41# Is there so much movement?
0:02:43 > 0:02:50# Oh, hide me deeper
0:02:51 > 0:02:58# In your peace further... #
0:03:10 > 0:03:12So, where'd you get that accent, son?
0:03:14 > 0:03:15Sleeping my way to the top.
0:03:15 > 0:03:20You must've done an awful lot of that then, looking at where you started.
0:03:20 > 0:03:24Well, when you've only got yourself to look out for.
0:03:26 > 0:03:28Oh, I see.
0:03:28 > 0:03:31Bit of a, "rugged individualist", are we?
0:03:32 > 0:03:36I can be anything you want me to be...
0:03:36 > 0:03:37Sergeant.
0:03:37 > 0:03:40You're certainly a clever fucker, aren't you?
0:03:40 > 0:03:44When you're not absconding from secure units.
0:03:44 > 0:03:47Says here you got an A star in maths.
0:03:47 > 0:03:50Where the hell did you learn that?
0:03:50 > 0:03:53- Working out the odds.- Yeah?
0:03:53 > 0:03:55Well, work this one out.
0:03:58 > 0:03:59You're free to go.
0:04:01 > 0:04:03What?
0:04:03 > 0:04:06- The charge has been dropped. - Why?
0:04:06 > 0:04:07Seems someone wants you out.
0:04:07 > 0:04:10- Who? - Well, not me, that's for sure.
0:04:10 > 0:04:13Lucky for you, you're out of my hands.
0:04:14 > 0:04:18But I catch you again, I don't care which fucker says you should walk,
0:04:18 > 0:04:22I'll be breaking both your legs before you go.
0:04:26 > 0:04:30You'd still want to kiss me first, though, wouldn't you?
0:04:32 > 0:04:34Before you did it.
0:05:05 > 0:05:07Mr Harris.
0:05:07 > 0:05:11- How come they picked you up? - They think I go to bed too late.
0:05:11 > 0:05:12How come they let you go?
0:05:13 > 0:05:16Promised to take him with me.
0:05:20 > 0:05:22Get in.
0:05:26 > 0:05:28ENGINE STARTS
0:05:46 > 0:05:51- I'm afraid the Wratten release files are restricted.- I know, that's why I'm here, to find out why.
0:05:51 > 0:05:54Why do you feel you can do that?
0:05:54 > 0:05:56Because you're from Serious Crime?
0:05:56 > 0:05:58I'm investigating a murder.
0:05:58 > 0:06:01And we're just the bum feelers from the Border Agency!
0:06:01 > 0:06:05- Isn't that what you people think? - SHE LAUGHS
0:06:07 > 0:06:09I'd just like to see the files.
0:06:09 > 0:06:13I have agents in the field, detective inspector. I have to protect them.
0:06:13 > 0:06:16Or it might be their murder you investigate next.
0:06:16 > 0:06:20- Are you saying this is an ongoing operation?- I don't think so.
0:06:20 > 0:06:25- From what I understand, you got your man. Congratulations! Case closed. - And what if it's the wrong man?
0:06:25 > 0:06:28But I read it in the papers.
0:06:28 > 0:06:30So it must be true.
0:06:34 > 0:06:35So, what have you got?
0:06:35 > 0:06:38OK, it took me a while, but here it is.
0:06:38 > 0:06:40Ross! Wife. Line one.
0:06:40 > 0:06:41Thanks.
0:06:42 > 0:06:44Hey, darling.
0:06:44 > 0:06:46Yes, I know.
0:06:46 > 0:06:47Baby, I'll be there.
0:06:47 > 0:06:49Seven sharp, I promise.
0:06:49 > 0:06:50Me too.
0:06:54 > 0:06:57You're the most loved woman in the universe.
0:06:59 > 0:07:00Goodbye.
0:07:00 > 0:07:02Ah.
0:07:02 > 0:07:04Yeah, it's about time I got a home life.
0:07:04 > 0:07:07And from the smell of you, you should do the same!
0:07:07 > 0:07:10I'm not about to become City Editor, though, am I?
0:07:10 > 0:07:13I think you'll find he's top of that particular list.
0:07:13 > 0:07:18- Anyway, what you got? - It's just trench work, really. I took the photos you took of your man.
0:07:18 > 0:07:23- Trawled through the dailies outside court at Wratten's trial, looking for a match.- Which you found?
0:07:23 > 0:07:26- Da-da!- Fantastic!
0:07:26 > 0:07:30Then it's just the witness manifests for that day, and this is what I got.
0:07:37 > 0:07:38Well, what do you know?
0:07:40 > 0:07:42Piggies in the trough!
0:08:13 > 0:08:15Shit!
0:08:15 > 0:08:18You and I need to talk.
0:08:27 > 0:08:31I'm with Customs. Investigations. It was my team busted Harvey Wratten.
0:08:31 > 0:08:37We had a shadow on Jay Wratten, then he did us a favour, lost his head and we followed him in.
0:08:37 > 0:08:40- Congratulations.- Thank you! Except it didn't stay that way.
0:08:40 > 0:08:41No. Clearly not.
0:08:41 > 0:08:46- Two years later, they're out. - Royal Prerogative of Mercy. - And how do you think they got that?
0:08:46 > 0:08:49- Not by fencing a couple of rollers for Her Maj.- Two reasons.
0:08:49 > 0:08:52One, drug stashes. Big ones. They gave us the heads up where to find them.
0:08:52 > 0:08:56- I knew about that. - That's the bit you're supposed to. The other bit's more sensitive.
0:08:56 > 0:09:00Getting a Royal Pardon, it's like a two-part test.
0:09:00 > 0:09:05First, you show the authorities you're willing to help, like Wratten did. Then there's this tricky bit.
0:09:05 > 0:09:09You've got to have saved someone's life. Someone on the other side of the line.
0:09:09 > 0:09:13If you're a member of the IRA, it would be soldiers. Give information to save a soldier's life
0:09:13 > 0:09:15and you might get yourself a Royal Pardon.
0:09:15 > 0:09:16A couple of them did.
0:09:17 > 0:09:21Except in the case of Harvey Wratten, it was me. He saved me.
0:09:21 > 0:09:23How?
0:09:23 > 0:09:24Car bomb.
0:09:24 > 0:09:29My car. He gave us the tip off. Even then, they nearly didn't make it.
0:09:29 > 0:09:31I had the keys in my hand and my family in the car.
0:09:31 > 0:09:33And for that he was released?
0:09:33 > 0:09:35That and the drugs, yeah.
0:09:35 > 0:09:39It didn't occur to you that Wratten could have been the one who had the bomb put there?
0:09:39 > 0:09:42You know, funnily enough, I did get a vague glimmer of that, yes.
0:09:42 > 0:09:47- I'm sure it would have struck you like a bolt of lightening. - I'm not the one with the burn.
0:09:47 > 0:09:51In my job, I'm used to that. I've had four attempts on my life in 12 years.
0:09:51 > 0:09:54It's why I travel armed and with eyes in the back of my head.
0:09:54 > 0:09:57So a lot of people could have had reason to put a bomb under your car.
0:09:57 > 0:10:00- That's how my boss sees it. - But you don't.
0:10:01 > 0:10:03I see something.
0:10:03 > 0:10:04Just not sure what.
0:10:07 > 0:10:08What about you?
0:10:08 > 0:10:10Case is closed.
0:10:10 > 0:10:13What are you still looking for?
0:10:13 > 0:10:16A chance to see those files.
0:10:19 > 0:10:21It's a beautiful boat.
0:10:21 > 0:10:23Thank you.
0:10:23 > 0:10:25Can I give you a hand?
0:10:25 > 0:10:28I'm fine, thank you.
0:10:33 > 0:10:35That's, er... That's very neat.
0:10:35 > 0:10:38It comes with practise.
0:10:38 > 0:10:39You do this a lot?
0:10:39 > 0:10:42Most days.
0:10:45 > 0:10:46Can I help you?
0:10:46 > 0:10:49It's Commander Penney, right?
0:10:49 > 0:10:52- Retired. - Yeah, yeah, actually that's, er...
0:10:52 > 0:10:56That's exactly what I wanted to ask you a few questions about.
0:10:56 > 0:10:58I have nothing to say.
0:10:58 > 0:11:01But you don't know what I'm going to ask yet.
0:11:01 > 0:11:08- I could be from Saga, wondering if you'd like to be our next poster boy!- But you're not.
0:11:08 > 0:11:10No, you're right. I'm not.
0:11:11 > 0:11:15I hope you don't mind me saying, but you look very good for your age.
0:11:15 > 0:11:18Particularly when illness
0:11:18 > 0:11:21was quoted as the reason for your retirement.
0:11:21 > 0:11:23You've clearly made a full recovery.
0:11:25 > 0:11:29I guess it must be something to do with the rarefied air round here.
0:11:29 > 0:11:31It's, er...
0:11:31 > 0:11:34It's certainly a little rich for my blood.
0:11:34 > 0:11:37I have nothing to say.
0:11:39 > 0:11:43I am right, aren't I, if I say that it's, what, er,
0:11:43 > 0:11:4512 months since you stepped down?
0:11:45 > 0:11:47Just after DS Delaney...
0:11:47 > 0:11:49You must remember DS Delaney?
0:11:49 > 0:11:50Yes.
0:11:50 > 0:11:53He's the one who went from, er, what was it?
0:11:53 > 0:11:55A DI to DS for no apparent reason.
0:11:55 > 0:11:57It was...
0:11:57 > 0:11:59Anyway, just after he was, er...
0:11:59 > 0:12:01He was shot.
0:12:01 > 0:12:02Dead.
0:12:02 > 0:12:05And, I don't know.
0:12:05 > 0:12:08I was just wondering if, by any chance,
0:12:08 > 0:12:10those two events were connected.
0:12:12 > 0:12:15I mean, you having to retire, not shooting him, obviously.
0:12:25 > 0:12:29You see, the thing is, I keep asking DI Gabriel, he keeps losing his memory.
0:12:31 > 0:12:33Isn't that unfortunate?
0:12:33 > 0:12:35Maybe...
0:12:35 > 0:12:38Maybe he'll have to retire soon, too, like you, on health grounds.
0:12:42 > 0:12:44- This is private property. - Is it?
0:12:44 > 0:12:46OK.
0:12:48 > 0:12:50I can see why.
0:12:51 > 0:12:55It's very... It's very nice, very...exclusive.
0:12:55 > 0:12:58Did the credit crunch not reach you guys down here?
0:12:58 > 0:13:03Or have you just got one of those pensions guaranteed to see you through
0:13:03 > 0:13:06whatever, whatever storms may threaten?
0:13:06 > 0:13:09I have nothing to say and you won't get me to say it.
0:13:09 > 0:13:11OK.
0:13:12 > 0:13:16No, that's OK, I think I get the picture.
0:13:16 > 0:13:17I tell you what.
0:13:19 > 0:13:21Could you give me a call if you, er...
0:13:23 > 0:13:26..if you ever want to do some colouring in?
0:13:26 > 0:13:28Great.
0:13:28 > 0:13:31I really should have dressed up, shouldn't I?
0:13:44 > 0:13:45So what do you see?
0:13:47 > 0:13:51Not much if this is all there is.
0:13:51 > 0:13:52But what's there?
0:13:52 > 0:13:55Well...evidence to support what you were saying.
0:13:55 > 0:14:00Wratten gave information that led to your people picking up six huge drug drops and to saving you
0:14:00 > 0:14:05- from getting your arse blown off. Exactly what's needed for a Royal Pardon.- Correct. So what's not there?
0:14:11 > 0:14:13No arrests.
0:14:15 > 0:14:19Not one. And my bet is there won't be any either. Because?
0:14:22 > 0:14:24Because the drugs were already his.
0:14:24 > 0:14:28And someone, somewhere, already knew that.
0:14:32 > 0:14:34Hi!
0:14:35 > 0:14:39- Why were there no arrests? - I think you already know my answer.
0:14:39 > 0:14:42Is that because you already knew they were his drugs you were picking up?
0:14:45 > 0:14:48Are you a policeman or a journalist?
0:14:48 > 0:14:50Should I be talking to a journalist?
0:14:50 > 0:14:54- That would be very unwise.- Who for? - I think even you can work that one out.
0:14:57 > 0:14:59Do you mind?
0:15:01 > 0:15:02Actually, I...
0:15:04 > 0:15:06I do.
0:15:12 > 0:15:16I've just had Customs crawling up my arse.
0:15:16 > 0:15:19Why? You exceed your cigarette allowance?
0:15:20 > 0:15:23Actually, it was you they were interested in.
0:15:23 > 0:15:27Apparently, you've taken to stalking one of their senior officers.
0:15:27 > 0:15:28Laing.
0:15:28 > 0:15:31And I'm sure it's not just because she's such a handsome woman.
0:15:31 > 0:15:36- She won't release the files on how Harvey Wratten got his Royal Pardon. - So what did you do?
0:15:36 > 0:15:38I saw them anyway.
0:15:39 > 0:15:41How?
0:15:48 > 0:15:50Oh, bravo!
0:15:50 > 0:15:51And what did you see?
0:15:51 > 0:15:53It's more what I didn't.
0:15:53 > 0:15:55Why were there no arrests?
0:15:55 > 0:15:57I wouldn't know, I haven't seen the files.
0:15:57 > 0:16:00- But it's significant, don't you think?- What?
0:16:00 > 0:16:01You think it was a set up?
0:16:01 > 0:16:05I think, to get himself out of jail, Wratten gave Customs drugs he already owned.
0:16:05 > 0:16:08Great. So what?
0:16:08 > 0:16:13What does it matter why he was doing what he was doing? All that matters is that he did it!
0:16:13 > 0:16:17Customs got to lift a huge weight of drugs off the street. Huge.
0:16:17 > 0:16:22More, apparently, in those six consignments than in the previous three years together.
0:16:22 > 0:16:24So even if they were his, who cares?
0:16:24 > 0:16:28Means he had to buy them first before he gave them up - that's a double bubble!
0:16:28 > 0:16:31They don't care if he got himself a fucking knighthood.
0:16:31 > 0:16:34He did his job and they did theirs. And that's all that matters to them.
0:16:34 > 0:16:39Sir. I feel that whatever got Wratten out of jail got him killed.
0:16:39 > 0:16:42"Feel"!
0:16:42 > 0:16:44I don't give a fuck what you feel!
0:16:44 > 0:16:46It's what you know that counts.
0:16:46 > 0:16:49And what do you know? You see, I gave you extra time
0:16:49 > 0:16:53because I thought you might know something, or you might find it out.
0:16:53 > 0:16:54But you don't, do you?
0:16:56 > 0:16:57I think I'm getting close.
0:16:57 > 0:16:59To what?
0:17:00 > 0:17:03What's happening, Jonah? Hmm?
0:17:05 > 0:17:07Where's the real deviation?
0:17:07 > 0:17:08Is it actually out here?
0:17:08 > 0:17:15Or is it in there? Inside, with you.
0:17:15 > 0:17:19Because if this is all just about you and some sort of identity crisis,
0:17:19 > 0:17:21then that's just so much piss in the wind!
0:17:21 > 0:17:25And if that's the case, do you know what I'm beginning to "feel"?
0:17:25 > 0:17:28I'm beginning to feel the spray.
0:17:40 > 0:17:41That's almost 23 minutes.
0:17:52 > 0:17:54Phew!
0:17:54 > 0:17:56It's so hot in here!
0:17:57 > 0:17:59What do you reckon it is?
0:17:59 > 0:18:02It must be about 40 degrees centigrade!
0:18:02 > 0:18:05That's got to clean out your pores!
0:18:05 > 0:18:06Want to cool things down?
0:18:06 > 0:18:08MECHANICAL GRATING
0:18:12 > 0:18:14Well, what do you know?
0:18:14 > 0:18:17Seems like something's blocking the air-conditioning.
0:18:17 > 0:18:18On such an expensive vehicle.
0:18:21 > 0:18:23Yeah, I already know where it is.
0:18:23 > 0:18:26It's in the ducting for the air-con.
0:18:29 > 0:18:34So, I'm going to arrest you now and when you give me all those, "No comments",
0:18:34 > 0:18:38to protect your friends, just let this thought play in your mind.
0:18:38 > 0:18:43Which one was it... that told me where to look?
0:18:53 > 0:18:55I don't talk to coppers.
0:18:55 > 0:18:57That's lucky, cos I'm not one. What about these?
0:19:02 > 0:19:04Exhibit H.
0:19:04 > 0:19:05They don't prove anything.
0:19:05 > 0:19:09Just says he was driving the car. Doesn't mean he knew what was in it.
0:19:13 > 0:19:15Who's that then, Stephen?
0:19:17 > 0:19:21I mean, that's you on the left but who's that you're walking with?
0:19:21 > 0:19:22No comment.
0:19:22 > 0:19:24That's OK, we already know.
0:19:24 > 0:19:27That's Bob Harris and we all know who Bob Harris is, don't we?
0:19:27 > 0:19:29You and Bob Harris.
0:19:29 > 0:19:32Hmmm.
0:19:32 > 0:19:33Wait!
0:19:33 > 0:19:34Here's another.
0:19:36 > 0:19:37And another...
0:19:40 > 0:19:42And another.
0:19:42 > 0:19:46I mean, that's not just Strangers On A Train, that's Bonnie And Clyde!
0:19:46 > 0:19:49You and Bob Harris, drugs baron.
0:19:49 > 0:19:51Is that an accusation?
0:19:51 > 0:19:53And there's you in a car full of drugs.
0:19:53 > 0:19:56See the picture? Because if you don't, the jury will.
0:19:56 > 0:19:58Say nothing!
0:19:58 > 0:20:00You know what?
0:20:00 > 0:20:04Now's the time for you to give that one a serious rethink.
0:20:07 > 0:20:11I do wish you wouldn't do that.
0:20:11 > 0:20:14Not exactly the most illegal thing I've done today.
0:20:14 > 0:20:17But it's murder to a man who's trying to give it up.
0:20:17 > 0:20:19What does that make me then?
0:20:19 > 0:20:22Your nicotine substitute?
0:20:22 > 0:20:25Right now, I'd do anything
0:20:25 > 0:20:28to take my mind off things.
0:20:30 > 0:20:33A little birdy told me
0:20:33 > 0:20:36you've got a line bust open.
0:20:39 > 0:20:41Yeah?
0:20:45 > 0:20:47Who told you that, then?
0:20:51 > 0:20:54Want exclusive use? You'll have to buy me a flat.
0:20:57 > 0:21:00Too late anyway.
0:21:00 > 0:21:04By now, every bastard street corner knows I've been turned over.
0:21:07 > 0:21:10But they don't know who by.
0:21:16 > 0:21:19And that's a name I can give you.
0:21:39 > 0:21:42CAR ENGINE
0:21:46 > 0:21:47Bob?
0:21:49 > 0:21:51You've probably heard.
0:21:51 > 0:21:52I had a line bust open.
0:21:55 > 0:21:56Had you heard?
0:21:59 > 0:22:01Lifted one of my best men.
0:22:01 > 0:22:03No lucky strike, neither.
0:22:03 > 0:22:06Couldn't have been. They knew exactly where to look.
0:22:06 > 0:22:07I'm sorry to hear that.
0:22:07 > 0:22:09Yeah. Me too.
0:22:09 > 0:22:11Because I heard it was...
0:22:11 > 0:22:14Jay Wratten gave them the heads up.
0:22:14 > 0:22:15Why would he do that?
0:22:15 > 0:22:17You tell me.
0:22:17 > 0:22:20We're about to go into business together.
0:22:20 > 0:22:22Maybe that's why.
0:22:24 > 0:22:26I don't think so.
0:22:26 > 0:22:27But you don't know.
0:22:29 > 0:22:32I'll look into it.
0:22:32 > 0:22:35You've said that to me before.
0:22:35 > 0:22:37You having second thoughts?
0:22:37 > 0:22:39Joseph,
0:22:39 > 0:22:41I'm on my 50th!
0:22:45 > 0:22:48CAR IGNITION
0:22:55 > 0:22:57- How could I know that? - People talk.
0:22:57 > 0:23:01Not to me, they don't. Especially not his lot. Look at last time!
0:23:01 > 0:23:05- You want him out. - Yeah, I do, but not in that way.
0:23:05 > 0:23:08Anyway, we've got an arrangement, haven't we?
0:23:08 > 0:23:11I sit this one out and wait for you to leave the stage.
0:23:13 > 0:23:16That is, unless you suddenly want an encore?
0:23:16 > 0:23:18No.
0:23:19 > 0:23:21I don't talk to coppers.
0:23:23 > 0:23:26It's different worlds, ain't it? Us and them.
0:23:37 > 0:23:39BABY GURGLES
0:23:51 > 0:23:53You have to say something.
0:23:55 > 0:23:59Or you will? Is that it?
0:23:59 > 0:24:03We made a mistake. That's over.
0:24:03 > 0:24:06But we have a child.
0:24:06 > 0:24:09You have to tell your wife.
0:24:24 > 0:24:26Why?
0:24:27 > 0:24:29What's the alternative?
0:24:29 > 0:24:33For him. For me. For you. For her.
0:24:33 > 0:24:36What's the alternative?
0:24:36 > 0:24:39She wants a baby.
0:24:39 > 0:24:41So?
0:24:42 > 0:24:44We've lost so many.
0:24:44 > 0:24:48But he's already yours!
0:24:50 > 0:24:52You have to tell your wife.
0:25:02 > 0:25:05I'm willing to move on, Jonah.
0:25:07 > 0:25:09And that means leaving you behind.
0:25:12 > 0:25:17But our son deserves to know his past.
0:25:17 > 0:25:19And if you don't claim it, I'll have to do it for you.
0:25:22 > 0:25:25I won't let him live his life in the shadows.
0:25:30 > 0:25:32I'm in hell.
0:25:35 > 0:25:37No.
0:25:37 > 0:25:39We are in limbo.
0:25:41 > 0:25:43And you need to let us out.
0:25:56 > 0:25:57Watch it!
0:25:57 > 0:25:59Sorry!
0:26:15 > 0:26:16Where you been?
0:26:16 > 0:26:17Domestic stuff.
0:26:17 > 0:26:20Yeah? What kind of domestic stuff?
0:26:20 > 0:26:23If I told you my wife and I are trying again for a baby
0:26:23 > 0:26:26and we have to get the timing of sexual intercourse right,
0:26:26 > 0:26:29would that be enough information for you?
0:26:29 > 0:26:32- You take a shower afterwards? - You want to do some work?
0:26:32 > 0:26:33Have you got any?
0:26:33 > 0:26:36When we chased Andy Dixon down Bethnal Green tube,
0:26:36 > 0:26:41- where did we pick up the guy with his phone?- Outside Great Eastern Hotel.
0:26:41 > 0:26:43Anyone review the CCTV on the underground?
0:26:43 > 0:26:45For what?
0:26:45 > 0:26:46For Dixon!
0:26:46 > 0:26:48Why? Six hours later we found him.
0:26:48 > 0:26:51He shot himself dead. No need to look.
0:26:51 > 0:26:55- We should have been across this. - You blaming me?
0:26:55 > 0:26:58- You call the shots, even if you're firing them elsewhere.- What!?
0:26:58 > 0:27:01It's not my fault.
0:27:01 > 0:27:05Dixon got on at Bethnal Green. That guy got out Liverpool Street
0:27:05 > 0:27:09if he was by the Great Eastern Hotel. That's one stop with them together.
0:27:09 > 0:27:11- Andy must've swapped the phones immediately.- So?
0:27:11 > 0:27:13So what kind of kid does that?
0:27:13 > 0:27:16Months ago, he's a teenage asthmatic, barely got his licence.
0:27:16 > 0:27:19Suddenly he'd give Mossad a run. Central Line,
0:27:19 > 0:27:21Liverpool Street, west-bound.
0:27:21 > 0:27:24We need the CCTV.
0:27:30 > 0:27:33That's Dixon. But watch this.
0:27:37 > 0:27:39HE GROANS
0:27:41 > 0:27:43You all right?
0:27:47 > 0:27:49I told you! Spooky.
0:27:50 > 0:27:54And this...is the drop.
0:27:57 > 0:27:59There he goes.
0:27:59 > 0:28:01Do we ever get a clearer image?
0:28:01 > 0:28:04Never. I've checked all the way out.
0:28:04 > 0:28:08This is the best you get.
0:28:35 > 0:28:37OK, Stephen.
0:28:38 > 0:28:41I just want to go over this one more time.
0:28:42 > 0:28:43OK.
0:28:44 > 0:28:46So...
0:28:46 > 0:28:4918 months ago, Harvey Wratten cut a deal with us to get him out of jail.
0:28:49 > 0:28:51And one of the things he did was,
0:28:51 > 0:28:54he gave us a tip-off on six drug consignments
0:28:54 > 0:28:55which we went and picked up.
0:28:55 > 0:28:57Exhibit J.
0:28:57 > 0:29:00One, two, three...
0:29:00 > 0:29:04four, five,
0:29:04 > 0:29:06six.
0:29:06 > 0:29:11The first two look like they've been cobbled together but the last four look organised.
0:29:11 > 0:29:15So, were you working for Bob Harris?
0:29:15 > 0:29:16Yes.
0:29:16 > 0:29:20And was he in the market for selling wholesale smack at that time?
0:29:20 > 0:29:21Yeah, we were.
0:29:21 > 0:29:24And does what we see there match the level of your sales?
0:29:25 > 0:29:27Yeah, they do.
0:29:27 > 0:29:28And who were you selling to?
0:29:28 > 0:29:30Ultimately, Harvey Wratten.
0:29:31 > 0:29:33That's a lot of drugs.
0:29:33 > 0:29:36Do you know why he was buying them?
0:29:36 > 0:29:39We knew he wanted to get out of jail so it might have something to do with that.
0:29:39 > 0:29:41- And you wanted to help him out. - We wanted to sell.
0:29:41 > 0:29:44What you want to do with what we sell, that's up to you.
0:29:46 > 0:29:48You said ultimately Harvey Wratten.
0:29:48 > 0:29:52Who actually set up the deal?
0:29:52 > 0:29:53Peter Glickman.
0:29:58 > 0:30:00And he made the exchange?
0:30:00 > 0:30:03Leather soled shoes slip easy on greasy streets.
0:30:03 > 0:30:07- So who did you deal with? - Some guy. I'd never seen him before.
0:30:07 > 0:30:09- What did he look like?- Old.
0:30:09 > 0:30:11What's old? 50, 60?
0:30:11 > 0:30:13Somewhere there.
0:30:13 > 0:30:17- Didn't act like it, though.- Why not?
0:30:17 > 0:30:18One of the lads with me
0:30:18 > 0:30:20thought they'd try and spook him a bit,
0:30:20 > 0:30:22because he looked like a pensioner.
0:30:22 > 0:30:25They asked him what was stopping them from taking the money right off him.
0:30:25 > 0:30:27The old man had a wire round his neck
0:30:27 > 0:30:29before they'd even finished the question.
0:30:29 > 0:30:32- What colour was he?- White.- How tall?
0:30:32 > 0:30:35- Quite tall.- Weight?
0:30:35 > 0:30:39- Medium. Not big.- Describe his face. - Average.- Average? What's average?
0:30:39 > 0:30:42Clean shaven. Glasses.
0:30:42 > 0:30:44Old fashioned.
0:30:44 > 0:30:46Bit like an uncle.
0:30:46 > 0:30:49Jaguar, gin and tonic, that sort of thing.
0:30:49 > 0:30:51- Because of the glasses? - Well, that and the hat.
0:30:51 > 0:30:52What kind of hat was it?
0:30:52 > 0:30:55Pork-pie, trilby.
0:30:55 > 0:30:57Looked like a bookie.
0:30:57 > 0:31:01- And he always wore it?- Always.
0:31:01 > 0:31:03Same with the overcoat.
0:31:03 > 0:31:05If it wasn't for the piano wire,
0:31:05 > 0:31:07it felt like selling smack to an undertaker.
0:31:07 > 0:31:11- That and he was obviously loaded. - What was the price on the deal?
0:31:13 > 0:31:15All told?
0:31:15 > 0:31:179 million.
0:31:17 > 0:31:20Oh, yeah. This guy was rolling in it.
0:31:20 > 0:31:23It was weird though cos he wasn't a player or anything.
0:31:23 > 0:31:26After that last drop,
0:31:26 > 0:31:27I never saw him again.
0:31:39 > 0:31:41It's him.
0:31:41 > 0:31:43He looks like a vicar.
0:31:43 > 0:31:45Well, if he is,
0:31:45 > 0:31:49he had Andy Dixon in his flock and a shit load of drugs off Bob Harris.
0:31:49 > 0:31:53- Is that the best you've got?- Of these? Yes.- That's not going to stand up in court.
0:31:53 > 0:31:58- You can't even see his face.- I can get the positive ID off the guy who sold him Harris's drugs.
0:32:00 > 0:32:02Is this another one of your feelings?
0:32:02 > 0:32:05- Whatever got Wratten out of jail got him killed. That I know.- How?
0:32:05 > 0:32:07Because of him!
0:32:07 > 0:32:09He's the connection between the drugs and the murder.
0:32:09 > 0:32:12So what are you going to do about it?
0:32:12 > 0:32:14I'm going to find him.
0:32:14 > 0:32:16I certainly look forward to seeing that line-up.
0:32:16 > 0:32:18Is Derek Nimmo still alive?
0:32:23 > 0:32:26I've got a man in the cells saying Harvey Wratten bought those drugs.
0:32:26 > 0:32:29But he didn't actually sell them to Wratten, I mean physically.
0:32:29 > 0:32:31How could he? Wratten was in jail.
0:32:31 > 0:32:34That's why he was doing all this -
0:32:34 > 0:32:36the drugs, the bomb under my car.
0:32:36 > 0:32:40He had them all laid out for us to find in order to get himself a royal pardon.
0:32:40 > 0:32:43So all you've actually got is one man who says he sold
0:32:43 > 0:32:50those drugs to another man who wasn't Harvey Wratten. It's not much, is it? In fact, it's not anything.
0:32:50 > 0:32:52Whereas what I've got
0:32:52 > 0:32:59is 849 kilos of 70% pure heroin out of kids' veins and into my warehouse.
0:32:59 > 0:33:00And that is all I need.
0:33:03 > 0:33:05You still here?
0:33:17 > 0:33:19Shit!
0:33:25 > 0:33:27Who are you?
0:33:35 > 0:33:38I was Peter Glickman's girlfriend.
0:33:43 > 0:33:48I AM his girlfriend. Have been for three years.
0:33:51 > 0:33:53So, why come here?
0:33:53 > 0:33:56- The flowers.- Hm?
0:33:56 > 0:33:59He'd always...
0:34:00 > 0:34:03He used to send me flowers.
0:34:05 > 0:34:07Birthday, anniversary.
0:34:11 > 0:34:14It was our third anniversary last week.
0:34:18 > 0:34:21- They didn't come. - Do you know where he's gone?
0:34:21 > 0:34:25Assuming we even know who you're talking about.
0:34:25 > 0:34:27I know you know him.
0:34:27 > 0:34:29How?
0:34:29 > 0:34:35The flowers were delivered every time from a shop near where he lives... lived.
0:34:38 > 0:34:42I went there, I asked them for help.
0:34:42 > 0:34:44Details of a credit card, anything.
0:34:44 > 0:34:46And what did they give you?
0:34:47 > 0:34:49You.
0:34:52 > 0:34:57- They gave me you.- Why?
0:34:57 > 0:34:58You supply them.
0:34:58 > 0:35:01So?
0:35:01 > 0:35:05Peter had them sent for free because of his connection with you.
0:35:05 > 0:35:07Classy!
0:35:20 > 0:35:22I've never heard of you.
0:35:24 > 0:35:27Well, I hadn't heard of you.
0:35:30 > 0:35:34- It's the way Peter was. He liked to keep his worlds...- Separate.
0:35:38 > 0:35:40Yes.
0:35:44 > 0:35:46Except ours was special.
0:35:46 > 0:35:48Is that what he told you?
0:35:58 > 0:36:01I don't know where else to turn.
0:36:05 > 0:36:07I just want to know what's happened.
0:36:11 > 0:36:14I've already told you, I don't know anything.
0:36:14 > 0:36:17- Not a postcard?- Nothing.
0:36:17 > 0:36:19Or a text, or an email?
0:36:22 > 0:36:23As I told you before,
0:36:23 > 0:36:25my father put us all in boxes
0:36:25 > 0:36:28and I'm in the one marked "knows nothing".
0:36:29 > 0:36:32Because he wanted to keep you safe.
0:36:32 > 0:36:35Well, if we're talking boxes it seems to me
0:36:35 > 0:36:39he left his business in one marked "free for all".
0:36:39 > 0:36:41And unless someone warns him,
0:36:41 > 0:36:46there is a man named Joseph Bede...
0:36:49 > 0:36:51..who is about to take him at his word.
0:36:51 > 0:36:54I'm sure my father knew exactly what he was leaving behind.
0:36:54 > 0:36:57Did he know about her?
0:36:59 > 0:37:01No.
0:37:01 > 0:37:03She's only just been born.
0:37:05 > 0:37:08Do you want to keep her safe too?
0:37:10 > 0:37:13Of course.
0:37:13 > 0:37:16But how can you be sure,
0:37:16 > 0:37:18if you're sitting in a box marked "knows nothing"?
0:37:20 > 0:37:22Eh?
0:37:24 > 0:37:27Cos if I were you,
0:37:27 > 0:37:30I would start crawling out of that one.
0:38:38 > 0:38:42No. Now listen to me. Just calm down.
0:38:42 > 0:38:44I'm telling you there's nothing.
0:38:44 > 0:38:46Nothing, OK?
0:38:46 > 0:38:50- Darling, are you OK?- I'm not sure.
0:38:50 > 0:38:52'Listen to me. You have to be.
0:38:52 > 0:38:53'Do you understand?
0:38:53 > 0:38:57'There's nothing anyone can find out because there's nothing that you know.
0:38:57 > 0:39:02'Whether they call, whether they turn up at the house. Nothing. OK?'
0:39:02 > 0:39:04'OK.'
0:39:04 > 0:39:06Why don't we just call the police?
0:39:06 > 0:39:11Because Dad doesn't want to be found so I don't want them needing to look.
0:39:11 > 0:39:13Trust me. Trust him.
0:39:13 > 0:39:15Do you know where he is?
0:39:15 > 0:39:18Darling, listen to me.
0:39:18 > 0:39:23There's nothing to say. And if there's nothing to say,
0:39:23 > 0:39:26there's nothing for anyone else to find out.
0:39:26 > 0:39:32- That way we're safe. You hear me?- Yes.
0:39:36 > 0:39:40'Darling, if you're worried about anything, call me.'
0:39:40 > 0:39:43'OK. Bye.'
0:40:19 > 0:40:22Your father-in-law and I go back.
0:40:22 > 0:40:25Well, we almost started out together.
0:40:25 > 0:40:27We're old friends.
0:40:27 > 0:40:31And I think he might be in trouble.
0:40:31 > 0:40:34If he is, I think I can help.
0:40:34 > 0:40:37I don't know where he is. No-one does.
0:40:37 > 0:40:38I'm sorry.
0:40:38 > 0:40:41Could you get a message to him?
0:40:41 > 0:40:43I wish we could, but I can't.
0:40:43 > 0:40:44Because you're not allowed?
0:40:44 > 0:40:47Because I don't know.
0:40:47 > 0:40:50- Please.- I'm sorry.
0:40:50 > 0:40:52This must be very distressing for you.
0:40:54 > 0:40:56It is. It absolutely is.
0:40:56 > 0:41:00And here I am adding to your troubles. I do apologise.
0:41:00 > 0:41:03It's a difficult time for everyone.
0:41:06 > 0:41:08I wonder,
0:41:08 > 0:41:11do you have a lavatory I may use?
0:41:13 > 0:41:15- Um...- It's the curse of my age.
0:41:15 > 0:41:19These days I have to time my visits to Sainsbury's.
0:41:22 > 0:41:23Yes, of course.
0:41:25 > 0:41:27Thank you.
0:41:38 > 0:41:40Wonderful smell.
0:41:40 > 0:41:43- It's just there.- You're very kind.
0:41:43 > 0:41:45BABY GURGLES ON MONITOR
0:42:26 > 0:42:28BABY CRIES
0:42:28 > 0:42:31- Oh, I didn't wake... - No, that's the monitor.
0:42:31 > 0:42:33I'm letting her settle.
0:42:37 > 0:42:39So I'll leave you in peace,
0:42:39 > 0:42:42or as much as you can get with a newborn child.
0:42:45 > 0:42:47I'm sorry I can't be of more help.
0:42:50 > 0:42:53Mrs Glickman.
0:42:53 > 0:42:56- I'll see myself out.- Bye.
0:43:05 > 0:43:08No, I've never seen him before.
0:43:08 > 0:43:09No, I don't think so.
0:43:12 > 0:43:15Actually, he was quite sweet.
0:43:15 > 0:43:17Sort of old fashioned.
0:43:17 > 0:43:19BABY CRIES
0:43:19 > 0:43:21When are you coming home?
0:43:24 > 0:43:26Oh, listen. The baby's crying. I'll have to call you back.
0:43:38 > 0:43:42Coming, darling. It's OK, darling.
0:43:42 > 0:43:45Mummy's coming.
0:43:45 > 0:43:48It's all right, darling.
0:43:48 > 0:43:51Analise?
0:43:56 > 0:43:59Analise? Analise! Analise!
0:43:59 > 0:44:01Analise! Analise!
0:44:06 > 0:44:08Analise!
0:44:35 > 0:44:37Analise!
0:44:48 > 0:44:51If I had wanted to kill her, I'd have done so already.
0:44:53 > 0:44:56But if I have to I still will.
0:44:59 > 0:45:02Call no-one but your husband.
0:45:02 > 0:45:05Tell him to contact no-one but his father.
0:45:05 > 0:45:09Get him to tell Peter that I'll kill your baby unless he contacts me.
0:45:09 > 0:45:11Do you understand?
0:45:15 > 0:45:17Do you understand?
0:45:23 > 0:45:25Analise.
0:45:25 > 0:45:27Such a pretty name.
0:45:29 > 0:45:31Go.
0:45:41 > 0:45:44SMOKE ALARM BEEPS
0:45:51 > 0:45:53'Now!
0:45:53 > 0:45:54'Call him now.'
0:46:13 > 0:46:17PHONE RINGS
0:46:19 > 0:46:21Hello?
0:46:21 > 0:46:23'Aaaargh!'
0:46:29 > 0:46:31No! Don't call the police.
0:46:31 > 0:46:34Ten minutes. Ten minutes.
0:48:12 > 0:48:14'You've got to do something! Please!
0:48:14 > 0:48:16'Please, do something now!'
0:48:26 > 0:48:28'The person you are calling is unable to take your call.
0:48:28 > 0:48:31'Please leave your message after the tone.'
0:48:31 > 0:48:33'Dad, it's me.
0:48:33 > 0:48:36'There's a man called Gatehouse.
0:48:36 > 0:48:39'He's threatened to kill the baby, Dad.
0:48:39 > 0:48:41'You're a grandfather.
0:48:41 > 0:48:44'Her name's Analise,
0:48:44 > 0:48:48'and this man is going to kill her unless you contact him.
0:48:48 > 0:48:51'Please, Dad, please. Contact Gatehouse.'
0:48:58 > 0:49:02RECORDING REWINDS AND BLEEPS
0:49:23 > 0:49:26MOBILE RINGS
0:49:32 > 0:49:34Hello?
0:49:34 > 0:49:37Don't do this.
0:49:37 > 0:49:39I know, but this is not the way to do it.
0:49:39 > 0:49:41I do.
0:49:41 > 0:49:44- I will, but not like this.- Oh!
0:49:44 > 0:49:46I've got to go.
0:49:46 > 0:49:49It's good! Is it good?
0:49:49 > 0:49:52- It's good!- Yeah! Ha-ha!
0:49:52 > 0:49:54It's wonderful.
0:49:56 > 0:50:00PHONE RINGS
0:50:00 > 0:50:01Ross McGovern.
0:50:03 > 0:50:05OK.
0:50:06 > 0:50:09Sorry, do I know you?
0:50:09 > 0:50:13Then it would have to be in a public space.
0:50:13 > 0:50:17Yes. Yes, I do, of course.
0:50:17 > 0:50:22OK. No, no, I can find it.
0:50:22 > 0:50:27I can be with you in 40 minutes.
0:50:27 > 0:50:28Hello?
0:50:49 > 0:50:50Ross. The very man.
0:50:50 > 0:50:52Caroline. Sir?
0:50:52 > 0:50:56This is THE Ross McGovern.
0:50:56 > 0:50:59- I'll get the next one. - No, no, step on in.
0:51:05 > 0:51:06Doors closing.
0:51:06 > 0:51:10So, where you off to, Ross?
0:51:10 > 0:51:13Oh, you know, to bring down the Government.
0:51:13 > 0:51:16Good for you. Can you be back by six?
0:51:16 > 0:51:18- Sorry?- Well, can you?
0:51:18 > 0:51:20- Er, yes, sure.- Good. Be back by six.
0:51:20 > 0:51:22Board room. Top floor.
0:51:22 > 0:51:27- OK.- Nice to see you, Ross.
0:51:27 > 0:51:28Yeah, you too.
0:51:39 > 0:51:41Hello.
0:51:41 > 0:51:45Hello, is Ross McGovern there?
0:51:47 > 0:51:49Ah. Well, I have a driver outside his house trying
0:51:49 > 0:51:53to make a delivery but there doesn't appear to be anyone home.
0:51:54 > 0:51:58It says on the form here that someone would be there.
0:51:59 > 0:52:05It's a shame, really, because it's a large package, electrical,
0:52:05 > 0:52:07we couldn't possibly leave it
0:52:07 > 0:52:11but we're not due to deliver in that area for another...
0:52:14 > 0:52:17..two weeks.
0:52:17 > 0:52:18Ah, well, can't be helped.
0:52:20 > 0:52:23Oh, I suppose I should just check the address again.
0:52:23 > 0:52:25Sometimes they come out wrong from the shop.
0:52:27 > 0:52:29Would you? Thank you so much.
0:52:31 > 0:52:34Ah! Well, that will explain it.
0:52:34 > 0:52:36Wrong house.
0:52:36 > 0:52:37We're out by a digit.
0:52:39 > 0:52:42Thank you. So sorry to trouble.
0:53:07 > 0:53:09So how was Deep Throat?
0:53:09 > 0:53:12- Didn't show. - Never happened to Robert Redford.
0:53:12 > 0:53:14Don't rub it in.
0:53:14 > 0:53:16Well, this should cheer you up.
0:53:18 > 0:53:23- What's that for? - Ross McGovern, City Editor.
0:53:23 > 0:53:27I like it. And you got it.
0:53:27 > 0:53:30- You're kidding me?- I don't do jokes. This is a serious business.
0:53:34 > 0:53:37- I don't know what to say.- Thank you.
0:53:37 > 0:53:39Although even though I'd love to say it was a bitch of a pitch,
0:53:39 > 0:53:43so you'd be forever in my debt, in fairness, you were the old man's choice.
0:53:43 > 0:53:45Wow. I didn't think he even knew who I was.
0:53:45 > 0:53:47Listen, if he can find his dick, it's a good day.
0:53:47 > 0:53:50- Congratulations.- When do I start?
0:53:50 > 0:53:51We'll announce it tomorrow.
0:53:54 > 0:53:56Wow.
0:53:56 > 0:53:59- I'm...I'm growing a great story.
0:53:59 > 0:54:03- Yeah, what's that? - It's police corruption, but...
0:54:03 > 0:54:05Oh, yeah, yeah. I heard about that.
0:54:05 > 0:54:07What? How?
0:54:07 > 0:54:09Everyone's got ambitions, Ross.
0:54:09 > 0:54:11No such thing as a vacuum, not in a newsroom.
0:54:11 > 0:54:14You'd better learn that one.
0:54:14 > 0:54:15Er, what do you think of it?
0:54:15 > 0:54:19- About what?- The story. - Um, not for us.
0:54:20 > 0:54:24- What?- What? I've seen so many people play that role already.
0:54:24 > 0:54:27Doesn't mean we should just ignore it.
0:54:27 > 0:54:29It does when it means your readership will.
0:54:29 > 0:54:32Do you know what the greatest danger to our democracy is right now?
0:54:32 > 0:54:34And it's not your story. It's public apathy.
0:54:34 > 0:54:36They already know your story.
0:54:36 > 0:54:41If you just keep supplying them with what they've already heard, they're just going to listen less and less.
0:54:41 > 0:54:44So by the time the really big story comes along,
0:54:44 > 0:54:46they've stopped listening altogether.
0:54:46 > 0:54:50OK. And what if this is the really big story?
0:54:50 > 0:54:51You haven't even got a small one.
0:54:51 > 0:54:55From what I hear, the one that got shot, the police had already stripped him a rank.
0:54:55 > 0:54:57The other guy, you won't prove anything.
0:54:57 > 0:55:00And the third, you've fingered the wrong guy. He put Wratten down.
0:55:00 > 0:55:02So no story. No, sir.
0:55:02 > 0:55:04How do you know all this?
0:55:04 > 0:55:07By doing the job you're about to do for seven years
0:55:07 > 0:55:10better than anyone else. I thank you.
0:55:10 > 0:55:13Being City Editor is all about judgement, Ross.
0:55:13 > 0:55:16Please, show me you have some.
0:55:16 > 0:55:20MOBILE VIBRATES
0:55:20 > 0:55:21Oh, incidentally,
0:55:21 > 0:55:26it's also about a hundred grand price hike, a fabulous pension,
0:55:26 > 0:55:29and you can stop dressing like Darth Vader because from next week,
0:55:29 > 0:55:31you've got your own driver.
0:55:31 > 0:55:34So, you know, be sure to judge all that too.
0:55:36 > 0:55:38I'll tell you what you're going to do.
0:55:38 > 0:55:42You're going home to that perfect little country cottage of yours
0:55:42 > 0:55:44and you're going to tell the wife the good news,
0:55:44 > 0:55:46see that look in her eye,
0:55:46 > 0:55:50tuck the kids into bed, and screw each other's brains out.
0:55:50 > 0:55:53That's what you do with a promotion, Ross.
0:55:53 > 0:55:56MOBILE VIBRATES
0:55:56 > 0:55:58Which reminds me,
0:55:58 > 0:56:00time I got another.
0:56:21 > 0:56:23Hey, Haydn.
0:56:23 > 0:56:26- Fuck you very much.- Oh, come on.
0:56:26 > 0:56:28It's just a job.
0:57:41 > 0:57:43METALLIC THUD, SKIDDING
0:58:51 > 0:58:54Subtitles by Red Bee Media Ltd
0:58:54 > 0:58:58E-mail subtitling@bbc.co.uk