0:00:02 > 0:00:05Your wife is ill. In three months, if your plan fails she will be dead.
0:00:05 > 0:00:09But this is not something you will hear about because I would have killed you first.
0:00:09 > 0:00:12- This...amnesia. - You think I'm faking it, sir?
0:00:12 > 0:00:13Are you?
0:00:14 > 0:00:16I know who shot you.
0:00:16 > 0:00:18- Who is this? - 'My name's Peter Glickman.'
0:00:18 > 0:00:23Follow the drugs, Detective Inspector, and then we'll meet.
0:00:23 > 0:00:27I was Peter Glickman's...girlfriend.
0:00:27 > 0:00:28I am his girlfriend.
0:00:28 > 0:00:30I just want to know what's happened.
0:00:35 > 0:00:39That's the first code. Our code. It means this brick has been here before.
0:00:39 > 0:00:42- Someone took it out. - You offered to cut Delaney a deal,
0:00:42 > 0:00:44strip him a rank and give him to me to put back in line.
0:00:44 > 0:00:47But that's not how it worked out, is it?
0:00:47 > 0:00:50It was 30 kilos in total. 30. Guess where the last 4 were found?
0:00:50 > 0:00:52In the back of the car in which you both got shot.
0:00:52 > 0:00:55You may have started out getting Delaney to walk the line,
0:00:55 > 0:00:58but looks like he pulled you into the shadows.
0:00:58 > 0:00:59You think I'm a bad cop.
0:00:59 > 0:01:02I think you're a good one. It comes with the card.
0:01:02 > 0:01:03God!
0:01:06 > 0:01:08It's daddy.
0:01:08 > 0:01:11You have to tell your wife.
0:01:11 > 0:01:14- I'm in hell.- No, we are in limbo
0:01:14 > 0:01:17and you need to get us out.
0:01:17 > 0:01:25This programme contains some strong language and scenes which some viewers may find disturbing.
0:01:53 > 0:01:54You can read my mind.
0:01:54 > 0:01:57Not quite. At least, not yet.
0:01:57 > 0:02:02But we can evaluate your reaction to the photos and that gives us an insight into brain function.
0:02:04 > 0:02:06- Or lack of.- Hmm...
0:02:06 > 0:02:08Well, it's interesting.
0:02:08 > 0:02:13The scan images above the pictures are from three months ago, beneath the pictures are now.
0:02:13 > 0:02:17What's interesting is that most of them have remained consistent.
0:02:17 > 0:02:20So your response to your childhood...
0:02:23 > 0:02:26..schooling, etc.
0:02:27 > 0:02:30All these have remained the same.
0:02:30 > 0:02:32There's been a change in response to your wife.
0:02:35 > 0:02:37There's more orange in it now.
0:02:37 > 0:02:39Hmm...
0:02:40 > 0:02:44- Meaning?- We don't know what the change means yet, just that there's been one.
0:02:44 > 0:02:49Your response to your colleague who was killed...
0:02:49 > 0:02:51also remains unchanged.
0:02:53 > 0:02:57However, and this is what's particularly interesting,
0:02:57 > 0:03:00your response to the scene of the killing and where you were shot,
0:03:00 > 0:03:02that has changed considerably.
0:03:06 > 0:03:09If you look at the scan from three months ago,
0:03:09 > 0:03:12there's hardly any reaction at all.
0:03:12 > 0:03:14Because of the injury?
0:03:14 > 0:03:20This is what interests us. Whereas, today's scan...
0:03:20 > 0:03:22shows distinctly more activity.
0:03:22 > 0:03:25You think my memory's coming back?
0:03:25 > 0:03:28Starting to, maybe.
0:03:36 > 0:03:38Through a glass, darkly.
0:03:38 > 0:03:40Ah, yes.
0:03:40 > 0:03:44- But later...- Yeah.
0:03:44 > 0:03:46Later.
0:03:50 > 0:03:57# I'm a featherless bird
0:03:57 > 0:04:05# In a sky so absurd
0:04:05 > 0:04:11# Why oh why
0:04:11 > 0:04:21# Is there so much movement?
0:04:22 > 0:04:30# Oh, hide me deeper
0:04:31 > 0:04:38# In your peace further... #
0:04:39 > 0:04:41PHONE RINGS
0:04:49 > 0:04:53It's all right. Go back to sleep.
0:04:53 > 0:04:55Everything's fine.
0:05:34 > 0:05:36Laura, there's something I have to tell you.
0:06:11 > 0:06:12Don't worry.
0:06:12 > 0:06:14Whatever happens, it'll be all right.
0:06:14 > 0:06:17Why do you say that?
0:06:17 > 0:06:20Why do you always say that?
0:06:20 > 0:06:24It will not be all right to lose this baby. It will not be!
0:06:24 > 0:06:26- I didn't...- Stop it, Jonah!
0:06:26 > 0:06:29Stop always hedging your fucking bets!
0:06:29 > 0:06:31When are you going to want something?!
0:06:31 > 0:06:34Want something so much, you can't bear to lose it? Say it!
0:06:34 > 0:06:36Say you want this!
0:06:37 > 0:06:39- Of course I do.- Good!
0:06:39 > 0:06:43Because sometimes wanting something so much that you can't live...
0:06:43 > 0:06:46you can't even see a future if you lose it...
0:06:46 > 0:06:48is the only reason you get it!
0:06:48 > 0:06:51So, for once, want it!
0:06:52 > 0:06:55Like you have never wanted anything else!
0:07:04 > 0:07:08It's all right! It's there! HEART BEATS ON MONITOR
0:07:18 > 0:07:20See!
0:07:20 > 0:07:22Want it!
0:07:25 > 0:07:27I do.
0:07:34 > 0:07:36(I do.)
0:07:43 > 0:07:47Jonah Gabriel.
0:07:51 > 0:07:53Peter Glickman.
0:07:53 > 0:07:56So where did the drugs lead you?
0:08:00 > 0:08:02To me.
0:08:02 > 0:08:06So does that mean you've stopped looking?
0:08:09 > 0:08:14- What else is there to find? - You think this is all about you - good cop, bad cop?
0:08:14 > 0:08:17You think that's what this is all about?
0:08:17 > 0:08:23You, drugs, dead cops, royal pardons, Harvey Wratten...
0:08:23 > 0:08:26It's not about you, it's not about any of you.
0:08:26 > 0:08:29You're all just threads,
0:08:29 > 0:08:32little tiny threads.
0:08:32 > 0:08:37But if you want to find the rope, there's only one line for you to follow.
0:08:38 > 0:08:39The money.
0:08:40 > 0:08:41What money?
0:08:41 > 0:08:44Talk to Commissioner Penney.
0:08:44 > 0:08:47Ask him about...Counterpoint.
0:08:49 > 0:08:51- What's Counterpoint? - Say you're looking for answers
0:08:51 > 0:08:54and you won't stop till you've found them.
0:08:54 > 0:08:55He won't give you any,
0:08:55 > 0:08:58but then he'll get in contact with someone who can.
0:09:00 > 0:09:01Who?
0:09:01 > 0:09:03Gatehouse.
0:09:03 > 0:09:06How do I find him?
0:09:06 > 0:09:09Oh, you won't need to.
0:09:09 > 0:09:11Once he knows you're looking, he'll find you.
0:09:15 > 0:09:17So...
0:09:17 > 0:09:19tell me your secret.
0:09:22 > 0:09:25- I don't have one. - Everyone has a secret. Everyone.
0:09:25 > 0:09:27And that's what he will find.
0:09:27 > 0:09:29And that's where he will find you -
0:09:29 > 0:09:31at your most vulnerable.
0:09:31 > 0:09:33I don't...
0:09:33 > 0:09:35have a secret.
0:09:35 > 0:09:38You want to know who you are, Gabriel?
0:09:38 > 0:09:43You want to know what side of the line you really stand?
0:09:43 > 0:09:46Then tell me your secret,
0:09:46 > 0:09:51because once he finds it, I'm the only one who can save you.
0:09:55 > 0:09:57Good boy.
0:10:21 > 0:10:25- I'm not doing it. - You have to trust me on this.
0:10:25 > 0:10:26A new hotel every night?!
0:10:26 > 0:10:29- It's just for a short time. - What's a short time?
0:10:29 > 0:10:30- It's not long!- Shhh!
0:10:32 > 0:10:36- Is that what she is doing?- No. - Why not?
0:10:36 > 0:10:41- Because she's your wife, because she's pregnant? - Because she's not the one in danger.
0:10:41 > 0:10:43- And we are?!- You may be, yes.
0:10:43 > 0:10:45If you stay here.
0:10:45 > 0:10:47Why?
0:10:47 > 0:10:51Because if this man comes looking for me, he may well come here.
0:10:51 > 0:10:53I'll just tell him where to go!
0:11:03 > 0:11:05Why would he come here?
0:11:05 > 0:11:08Because...
0:11:11 > 0:11:18- Because...we are your weakness.- Yes.
0:11:19 > 0:11:24- Is he trying to blackmail you?- No.
0:11:26 > 0:11:27Threaten us?
0:11:34 > 0:11:38- Call her! Tell her! Tell everyone! - I will.
0:11:38 > 0:11:42Not will! Do it now! Then he'll have nothing because everything will be out in the open.
0:11:42 > 0:11:44- That won't work.- It'll work for me!
0:11:44 > 0:11:47It'll work for him!
0:11:47 > 0:11:50It's what I've been asking you for a long time!
0:11:52 > 0:11:54It looks like this guy's doing me a favour!
0:11:54 > 0:11:58- It will make it worse.- Worse for who? For you? For your wife?!
0:11:58 > 0:12:01Yes! For Laura, for you, for me, for Conrad,
0:12:01 > 0:12:03- for everyone!- Why?
0:12:03 > 0:12:08Because if this man thinks my secret is here, this is where he'll come.
0:12:08 > 0:12:10So you're using us as bait?!
0:12:10 > 0:12:14No, because you won't be here!
0:12:14 > 0:12:17You'll be safe!
0:12:17 > 0:12:20And all he'll find...
0:12:20 > 0:12:24All he'll find...is me.
0:12:26 > 0:12:27Who is this man?
0:12:30 > 0:12:32I don't know.
0:12:32 > 0:12:36That's what I'm going to find out.
0:12:50 > 0:12:54That's five million. I'll need 48 hours to get you the rest.
0:12:54 > 0:12:58For that kind of a turnover, it's only polite to wait.
0:13:01 > 0:13:02You're in the game now.
0:13:02 > 0:13:05Better than being on it.
0:13:19 > 0:13:22You want the next two shipments in one go?
0:13:22 > 0:13:24400 kilos at 15 grand a kilo.
0:13:24 > 0:13:27- Then I need three million up front. - It's in the bag...
0:13:27 > 0:13:30along with the four I already owe you.
0:13:34 > 0:13:36Seven.
0:13:40 > 0:13:42- Seven million. - Plus three on delivery,
0:13:42 > 0:13:44gives you your ten, as I promised.
0:13:45 > 0:13:49400 kilos, that's a heavy weight. Flowers won't cover it.
0:13:49 > 0:13:51- I don't expect them to. - Then what do you expect?
0:13:51 > 0:13:54A change of plan.
0:13:54 > 0:13:55Hmmm.
0:13:58 > 0:14:00So what have you got?
0:14:00 > 0:14:02400 kilograms, brown,
0:14:02 > 0:14:06at least 70%, import.
0:14:06 > 0:14:08- When?- Within three weeks.
0:14:08 > 0:14:09Who?
0:14:09 > 0:14:11Joseph Bede.
0:14:11 > 0:14:13How much do you want?
0:14:13 > 0:14:14250,000.
0:14:14 > 0:14:16What?
0:14:16 > 0:14:20With a street value of 20-odd million, I reckon your people will wear it.
0:14:20 > 0:14:23Why are you doing this?
0:14:23 > 0:14:25Ours is a dog-eat-dog world...
0:14:27 > 0:14:29..and this dog's getting too tired to run.
0:14:57 > 0:14:58You didn't come.
0:15:07 > 0:15:08It was good...
0:15:11 > 0:15:13..but it would have been better with you.
0:15:14 > 0:15:17I'm sorry.
0:15:36 > 0:15:38You ought to tell me.
0:15:38 > 0:15:40About what?
0:15:40 > 0:15:43Whatever it is you want to say.
0:16:06 > 0:16:07Tell me.
0:16:07 > 0:16:11I wish I could, but I can't.
0:16:11 > 0:16:12Is there something you know?
0:16:12 > 0:16:15- About Peter?- Yes.
0:16:15 > 0:16:17No.
0:16:18 > 0:16:22I meant about you and me. I wish...
0:16:24 > 0:16:26But I can't.
0:16:30 > 0:16:32- Because of your wife. - Because of everything.
0:16:53 > 0:16:57It would be a shame to lose you completely.
0:17:00 > 0:17:02I mean, we've only just met.
0:17:06 > 0:17:08Then next time I'll come.
0:17:08 > 0:17:11- Next time it's Bach.- I like Bach.
0:17:13 > 0:17:16Yes, I think I saw that about you.
0:17:16 > 0:17:18SHE CHUCKLES
0:17:29 > 0:17:31Then Bach it shall be.
0:17:34 > 0:17:35As friends.
0:17:38 > 0:17:39As friends.
0:17:44 > 0:17:46Where's the harm in that?
0:17:46 > 0:17:49No harm...
0:17:52 > 0:17:53..at all.
0:18:07 > 0:18:09- Jonah.- Commander.
0:18:09 > 0:18:12Not any more.
0:18:12 > 0:18:15Just plain mister.
0:18:15 > 0:18:17And why was that, exactly?
0:18:20 > 0:18:22You still lost your memory, Detective Inspector?
0:18:22 > 0:18:26I'm yet to get the full picture, if that's what you mean, sir.
0:18:26 > 0:18:28How convenient.
0:18:28 > 0:18:29It hasn't been.
0:18:31 > 0:18:34But I'm starting to pull some threads together.
0:18:34 > 0:18:37Well, be careful they don't form into a noose.
0:18:37 > 0:18:39For whose neck?
0:18:41 > 0:18:44- You're not the first, you know. - To do what?
0:18:44 > 0:18:47Stand there.
0:18:47 > 0:18:49Who else is there?
0:18:49 > 0:18:51Was.
0:18:51 > 0:18:52That journalist.
0:18:54 > 0:18:56- McGovern.- Asking questions.
0:18:56 > 0:18:58- About you?- About you, actually.
0:18:58 > 0:19:00Look what happened to him.
0:19:04 > 0:19:05I don't ride bikes.
0:19:06 > 0:19:10No. It's too dangerous.
0:19:10 > 0:19:14It's not worth the risk.
0:19:14 > 0:19:16But what is?
0:19:16 > 0:19:20- The truth. - Because you're a policeman?
0:19:25 > 0:19:26It's who I am.
0:19:26 > 0:19:29You don't know who you are.
0:19:31 > 0:19:32I think I might be about to find out.
0:19:32 > 0:19:36Be careful what you wish for.
0:19:36 > 0:19:40Maybe it's what you don't know that's keeping you alive.
0:19:48 > 0:19:49Counterpoint.
0:19:53 > 0:19:55What's Counterpoint?
0:19:55 > 0:19:57It's music, isn't it? It's...
0:19:57 > 0:19:59It's by Bach.
0:20:01 > 0:20:03Gatehouse.
0:20:03 > 0:20:05Who's Gatehouse?
0:20:06 > 0:20:08And what about the money?
0:20:14 > 0:20:18- Safe journey, Detective Inspector. - See you when I get there, Mr Penney.
0:20:20 > 0:20:25MUSIC: "Toccata And Fugue In D Minor" by JS Bach
0:20:34 > 0:20:37HE SWEARS UNDER HIS BREATH
0:20:37 > 0:20:40Well, that's great men for you.
0:20:40 > 0:20:45In my world, Commander, when everyone knows who you are, you haven't done your fucking job.
0:21:02 > 0:21:03So?
0:21:03 > 0:21:05Gabriel.
0:21:05 > 0:21:08Well, he wasn't faking it.
0:21:08 > 0:21:10And if he doesn't know, he hasn't told anyone else.
0:21:10 > 0:21:13Except now he wants to find out for himself.
0:21:13 > 0:21:19Well, if you're walking around with a bullet in your head, it's all just a matter of time.
0:21:19 > 0:21:22- Sir Richard...- I know, I know.
0:21:22 > 0:21:24Very moving.
0:21:27 > 0:21:28How?
0:21:29 > 0:21:33He has an ex-mistress
0:21:33 > 0:21:36and a love child he wants to keep secret.
0:21:36 > 0:21:39They argue...often.
0:21:39 > 0:21:42Neighbours have heard them.
0:21:42 > 0:21:47So when your people finally break in, because she's missed an appointment or whatever,
0:21:47 > 0:21:49and find two bodies...
0:21:51 > 0:21:52..hers will be murdered,
0:21:52 > 0:21:56and his will have turned the gun on himself - silenced, of course -
0:21:56 > 0:22:00and, incidentally, stolen from his department a few days previously.
0:22:06 > 0:22:10But, when asked, it will be the arguments the neighbours remember
0:22:10 > 0:22:14and not the unnoticed visit from a stranger the night before.
0:22:14 > 0:22:17- And the child?- Hmmm.
0:22:17 > 0:22:19Lucky to be alive.
0:22:21 > 0:22:24Like the rest of us,
0:22:24 > 0:22:25don't you think?
0:22:45 > 0:22:48When it's your time...
0:22:50 > 0:22:52It's your time.
0:22:52 > 0:22:54No matter where you look.
0:22:58 > 0:23:01- I might have a shadow on a line. Are you interested?- Whose?
0:23:01 > 0:23:04Where Harvey Wratten left off.
0:23:05 > 0:23:08- How much for it? - Quarter of a million.
0:23:08 > 0:23:09HE TUTS
0:23:09 > 0:23:12400 kilos Turkish Brown, 70% pure.
0:23:12 > 0:23:15- When?- I need a quick decision. - I'll need a name.
0:23:17 > 0:23:19Without a target there's nothing to aim at.
0:23:23 > 0:23:25- Bede. Joseph Bede. - Never heard of him.
0:23:25 > 0:23:28Isn't that the point?
0:23:35 > 0:23:38HE WHISTLES A TUNE
0:23:41 > 0:23:44DANCE MUSIC THUMPS WITHIN ROOM
0:23:44 > 0:23:48- Mama... - Come on, darling, we're going.
0:24:06 > 0:24:08DOOR OPENS
0:24:27 > 0:24:29DOOR OPENS
0:24:30 > 0:24:33DOOR CLOSES
0:24:49 > 0:24:52- What are you doing here?! - What are YOU doing here?!
0:24:52 > 0:24:53This is my home!
0:24:53 > 0:24:55You have to go.
0:24:56 > 0:24:59Alison! You have to go! BABY CRIES
0:24:59 > 0:25:02Oh, go on! Just you try it.
0:25:05 > 0:25:07Don't go in there.
0:25:07 > 0:25:08Alison!
0:25:08 > 0:25:10Too late.
0:25:10 > 0:25:11Here we are.
0:25:11 > 0:25:13Here we are, my darling.
0:25:13 > 0:25:15SHE KISSES HIM
0:25:15 > 0:25:17Safe and sound.
0:25:17 > 0:25:21Yes, now it's time to go to sleep.
0:25:21 > 0:25:25Mummy's going to go out and I'll come back and give you a kiss, OK?
0:25:32 > 0:25:35Shhh...
0:25:35 > 0:25:39CAT MEOWS
0:25:56 > 0:25:57FOOTSTEPS
0:26:00 > 0:26:01DOOR CLOSES Shhh...
0:26:01 > 0:26:04- (He's here?- Go in the kitchen.
0:26:04 > 0:26:07- (Don't open the door! - It's too late.)
0:26:07 > 0:26:08Don't call anyone.
0:26:09 > 0:26:12- I'm not...- Go in the kitchen.
0:26:12 > 0:26:13Don't come out.
0:26:58 > 0:27:00Jonah Gabriel.
0:27:01 > 0:27:02Who are you?
0:27:02 > 0:27:06- We need to talk.- What about?
0:27:07 > 0:27:10- May I come in?- No.
0:27:10 > 0:27:13I have something very important to tell you.
0:27:13 > 0:27:14Then say it here.
0:27:14 > 0:27:16I can't do that.
0:27:16 > 0:27:17- Why not?- It's a secret.
0:27:17 > 0:27:19Then whisper.
0:27:19 > 0:27:22You want to protect your family.
0:27:24 > 0:27:25I understand.
0:27:27 > 0:27:28Good.
0:27:28 > 0:27:31But then, you see, if I'd wanted to kill them,
0:27:31 > 0:27:34I could have done it at the hotel.
0:27:39 > 0:27:41And if I'd needed to kill you...
0:27:44 > 0:27:46..I could have done it long before now.
0:27:57 > 0:27:59You...
0:28:44 > 0:28:46GUNSHOT
0:28:54 > 0:28:55Where are they?
0:28:55 > 0:28:58Why do you need to know?
0:28:58 > 0:29:01It would be best if they didn't see me.
0:29:02 > 0:29:04He's in his room, she's in the kitchen.
0:29:04 > 0:29:07- Tell her to stay there.- I have.
0:29:07 > 0:29:12- When?- Before I came to the door.
0:29:12 > 0:29:13Why?
0:29:15 > 0:29:16It's my job.
0:29:20 > 0:29:23Do you call it a living room or a lounge?
0:29:26 > 0:29:27Neither.
0:29:27 > 0:29:30Then let's go there.
0:29:40 > 0:29:42Come in.
0:29:59 > 0:30:01Sit down.
0:30:03 > 0:30:07That's your choice. This is mine.
0:30:11 > 0:30:15- Will she come in?- No.
0:30:20 > 0:30:22So you want to know why I shot you.
0:30:24 > 0:30:26I want to know why I was there.
0:30:28 > 0:30:30Because you're afraid you'd come to sell me drugs
0:30:30 > 0:30:32like Delaney had before.
0:30:35 > 0:30:37That somehow he'd...
0:30:39 > 0:30:40..corrupted you.
0:30:41 > 0:30:43Had he?
0:30:46 > 0:30:48You really don't know?
0:30:52 > 0:30:53But what do you think?
0:30:55 > 0:31:00- I don't.- Because you can't remember?
0:31:02 > 0:31:04That's what your bullet did to me.
0:31:08 > 0:31:11But people just know.
0:31:12 > 0:31:14Don't they?
0:31:14 > 0:31:17Instinctively.
0:31:17 > 0:31:19Whether they're good or bad.
0:31:21 > 0:31:23Why don't you?
0:31:25 > 0:31:28Is it here?
0:31:28 > 0:31:30Is it her?
0:31:30 > 0:31:32Is it your son?
0:31:36 > 0:31:39Is it the lies you tell your wife?
0:31:44 > 0:31:48What is it that makes you so unsure?
0:31:50 > 0:31:54Because whatever it is, it's not just the bullet in your head
0:31:54 > 0:31:56that makes you need to ask.
0:32:03 > 0:32:05May I?
0:32:05 > 0:32:06What?
0:32:06 > 0:32:09I have something to give you.
0:32:10 > 0:32:12What?
0:32:14 > 0:32:15It's what you want to know.
0:32:18 > 0:32:20It's in my breast pocket. May I?
0:32:23 > 0:32:26It's all right. Finger and thumb.
0:32:26 > 0:32:28Finger and thumb.
0:32:41 > 0:32:42It's Delaney's notebook,
0:32:42 > 0:32:46the one I took from him after he'd been shot.
0:32:47 > 0:32:49It's all written down.
0:32:52 > 0:32:53Like what?
0:32:55 > 0:32:57You weren't selling drugs.
0:32:59 > 0:33:02The line you walked was straight.
0:33:02 > 0:33:05You even got Delaney to walk it with you,
0:33:05 > 0:33:09right to its very end.
0:33:15 > 0:33:17It's all right.
0:33:19 > 0:33:20You were a good cop.
0:33:23 > 0:33:25But whether you're a good person...
0:33:27 > 0:33:31Well, that's not for me to say.
0:33:35 > 0:33:37But here.
0:33:41 > 0:33:43Find out for yourself.
0:33:51 > 0:33:53No, I don't think I'll be doing that.
0:33:56 > 0:34:00No? Why not?
0:34:03 > 0:34:04Because you're wearing gloves.
0:34:22 > 0:34:26ALISON SCREAMS
0:34:26 > 0:34:31- No!- My baby!
0:34:31 > 0:34:32GUNSHOT No!
0:34:34 > 0:34:38ALISON AND JONAH SCREAM
0:34:38 > 0:34:40SCREAMING CONTINUES
0:34:47 > 0:34:50ALISON SHOUTS INCOHERENTLY
0:34:57 > 0:34:59SCREAMING CONTINUES
0:35:33 > 0:35:35PHONE RINGS
0:35:40 > 0:35:42Hello?
0:35:42 > 0:35:44ENGINE STARTS
0:36:21 > 0:36:22Petra?
0:36:30 > 0:36:32- HE SOBS - It's all right. It's all right.
0:36:32 > 0:36:34It's all right, it's all right.
0:36:35 > 0:36:36Shhh...
0:36:39 > 0:36:42Shhhh, it's all right. It's all right.
0:36:45 > 0:36:46It's all right.
0:36:46 > 0:36:48It'll be all right.
0:36:50 > 0:36:51It'll be all right.
0:36:52 > 0:36:54It'll be all right.
0:39:33 > 0:39:35Thank you for coming.
0:39:36 > 0:39:38I didn't think I should.
0:39:39 > 0:39:41I wanted you to.
0:39:43 > 0:39:46I needed you to.
0:39:50 > 0:39:51I have to tell you something.
0:39:58 > 0:40:02These past three years I have been living a lie.
0:40:04 > 0:40:08And there came a point I decided that I would do anything...
0:40:09 > 0:40:11..anything to make it stop.
0:40:18 > 0:40:20Two weeks ago I told Jonah
0:40:20 > 0:40:25that if he didn't tell you about Connie then I would.
0:40:27 > 0:40:29This week.
0:40:30 > 0:40:34Maybe even today, who knows?
0:40:37 > 0:40:39And if I had done that...
0:40:40 > 0:40:42..I would have ruined your life.
0:40:44 > 0:40:46But I would have done it willingly.
0:40:48 > 0:40:50Willingly, you know...
0:40:52 > 0:40:56..because that's how we feel about truth, isn't it?
0:40:56 > 0:41:00It has to be known, no matter what.
0:41:01 > 0:41:05Even if it means wrecking an innocent woman's life...
0:41:08 > 0:41:15..or opening the door to a man he should never have let in.
0:41:20 > 0:41:26But standing here today,
0:41:26 > 0:41:28I can tell you
0:41:28 > 0:41:33I would rather live with an eternity of lies
0:41:33 > 0:41:36than a second
0:41:36 > 0:41:38without my son.
0:41:42 > 0:41:45You must tell your husband to do the same,
0:41:45 > 0:41:47because if he doesn't,
0:41:47 > 0:41:52I'm very afraid the next person to be standing here
0:41:52 > 0:41:54will be you.
0:42:16 > 0:42:18CAMERA SHUTTERS CLICK Detective, this way.
0:42:18 > 0:42:20Detective, look this way a moment?
0:42:20 > 0:42:22Detective Inspector. Just one more.
0:42:22 > 0:42:24This way.
0:42:25 > 0:42:27How much do they know?
0:42:29 > 0:42:31They certainly smell a story.
0:42:31 > 0:42:34A corrupt police officer selling drugs to criminals.
0:42:34 > 0:42:37- They don't know that.- Not yet.
0:42:41 > 0:42:43What other choice have I got?
0:42:43 > 0:42:47That's going to make things very difficult for me.
0:42:47 > 0:42:49You should have thought of that
0:42:49 > 0:42:51before you insisted on bringing him back in.
0:42:55 > 0:42:59I'll need time...to tidy up.
0:43:02 > 0:43:04Be sure to take your ashtray with you when you go.
0:43:04 > 0:43:06What?
0:43:06 > 0:43:10Richard, you've no-one to blame... but yourself.
0:43:18 > 0:43:20Inspector.
0:43:20 > 0:43:21This way.
0:43:50 > 0:43:52We are ready to deliver.
0:43:52 > 0:43:54My end buyer needs notice.
0:43:54 > 0:43:56I can give you up to one week.
0:43:56 > 0:43:58- I'll take that.- Three million.
0:43:58 > 0:44:00You'll have it.
0:44:00 > 0:44:01How's your wife?
0:44:02 > 0:44:04Don't speak about my wife!
0:44:06 > 0:44:09It was you who put her in the deal.
0:44:16 > 0:44:17What did he mean by that?
0:44:25 > 0:44:28Jesus, Joseph! What have you done?
0:44:30 > 0:44:32Tell the boy we need that money.
0:44:39 > 0:44:41Yeah, that's fine.
0:44:41 > 0:44:44Fine? Is that like OK? Because it's got to be more than that.
0:44:44 > 0:44:46It's got to be definite.
0:44:46 > 0:44:49Don't worry, I'll get you the money.
0:44:49 > 0:44:52We're not talking about a visit to the sweet shop.
0:44:52 > 0:44:53You going to watch me make the call?
0:44:53 > 0:44:55You know what?
0:44:55 > 0:45:01When both the cops AND the criminals begin to look like kids, it really is time to leave the game.
0:45:02 > 0:45:05Well, that's a call only you can make, Granddad.
0:45:05 > 0:45:07Just get that money.
0:45:18 > 0:45:19(Shit!)
0:45:19 > 0:45:22HEART MONITOR BEEPS
0:45:29 > 0:45:32Apparently he's got the heartbeat of a 20-year-old.
0:45:32 > 0:45:35That's Benecol for you.
0:45:35 > 0:45:36Can I have a word?
0:45:45 > 0:45:49So what did he have to tell you that was so important you let him in?
0:45:51 > 0:45:53You were a good cop?
0:45:56 > 0:45:58Hmmm. At least I'm not alone.
0:46:00 > 0:46:02Doesn't make it true.
0:46:02 > 0:46:04Judge yourself by your actions, Jonah.
0:46:04 > 0:46:07If you weren't, you'd have given up long before now.
0:46:07 > 0:46:11That's why Khokar wants to have you thrown to the wolves.
0:46:13 > 0:46:19And if I let the press rip you to bits, pretty soon they're going to start licking their chops at me.
0:46:19 > 0:46:23Then maybe you and your boss should think that through more carefully.
0:46:23 > 0:46:26And maybe HE already has.
0:46:28 > 0:46:30You know how to survive?
0:46:30 > 0:46:36It's not just the first blow you've got to look out for, it's knowing where the next one will come.
0:46:37 > 0:46:40So if Khokar's happy enough to have my arse stripped out,
0:46:40 > 0:46:44whatever he's got to hide must look like a whole fucking abattoir.
0:46:47 > 0:46:51And that's the stench he obviously thinks you've caught a whiff of.
0:46:56 > 0:46:59You talked to the wrong guy, Jonah.
0:47:01 > 0:47:04So if there's anything you know, now's the time to tell me,
0:47:04 > 0:47:07because then we can beat this together.
0:47:17 > 0:47:18I met with Peter Glickman.
0:47:18 > 0:47:22Ah. When?
0:47:23 > 0:47:25Before he was killed, sir.
0:47:25 > 0:47:27What did he tell you?
0:47:37 > 0:47:39Where did you get it from?
0:47:40 > 0:47:43DS Delaney.
0:47:43 > 0:47:44When?
0:47:44 > 0:47:47Just before he died, must've been.
0:47:48 > 0:47:49Is it your share?
0:47:51 > 0:47:52What of?
0:47:52 > 0:47:55A drug's deal.
0:47:56 > 0:47:59I think it was his share.
0:47:59 > 0:48:01Of the drugs that got him busted.
0:48:01 > 0:48:03So why's it in OUR wardrobe?
0:48:11 > 0:48:12Because I wanted to know why...
0:48:16 > 0:48:18Seems pretty obvious, doesn't it?
0:48:29 > 0:48:30What have you done, Jonah?
0:48:33 > 0:48:37No, Laura, it's them.
0:48:38 > 0:48:40What have they done?
0:48:40 > 0:48:41Who?
0:48:43 > 0:48:44Look.
0:48:48 > 0:48:51What is it?
0:48:52 > 0:48:55- It's a code.- Whose?
0:48:55 > 0:48:57Ours.
0:48:58 > 0:49:00I've been looking in the wrong direction.
0:49:00 > 0:49:05It's not the drugs, it's the money - the money used to buy them!
0:49:05 > 0:49:08- Jonah, I... - It's a police code, Laura.
0:49:09 > 0:49:11What?
0:49:11 > 0:49:15This money...is from our side.
0:49:17 > 0:49:19- So give it back. - But that's not how it got here.
0:49:20 > 0:49:23If Delaney got this from selling drugs, then who was buying?
0:49:25 > 0:49:28- I don't know...- The police, Laura.
0:49:28 > 0:49:33He was selling it to us.
0:49:41 > 0:49:43So whose side are we on?
0:49:50 > 0:49:52Can I have a private word?
0:50:01 > 0:50:03I've been offered a shadow on a line.
0:50:05 > 0:50:08- Whose line?- A guy called Joseph Bede.
0:50:10 > 0:50:12- Never heard of him. - Isn't that the point?
0:50:15 > 0:50:16What's he looking to bring in?
0:50:16 > 0:50:20400 kilos of heroin, 70% pure.
0:50:23 > 0:50:24Who's the shadow?
0:50:27 > 0:50:31- How much does he want? - A quarter of a million.
0:50:32 > 0:50:33Baked beans?
0:50:33 > 0:50:35Pounds.
0:50:35 > 0:50:39Hang on, there's a phrase people use for this.
0:50:39 > 0:50:41It's funny, it's, em...
0:50:41 > 0:50:43"Fuck you!" Yeah, that's it.
0:50:44 > 0:50:45Fuck you!
0:51:02 > 0:51:05COMPUTER KEYS CLICK
0:51:07 > 0:51:09- Yes, that's one of our codes.- When?
0:51:09 > 0:51:12- May the 5th last year. - How much was marked?
0:51:13 > 0:51:15- I can't tell you that. - What can you tell me?
0:51:15 > 0:51:17Whatever's not classified.
0:51:17 > 0:51:19Is this operation still ongoing?
0:51:23 > 0:51:27- We were never asked to locate the money.- Why not?
0:51:27 > 0:51:29It was never initiated.
0:51:29 > 0:51:30What does that mean?
0:51:32 > 0:51:35Well, whoever had it smudged never asked us to trace them.
0:51:35 > 0:51:36And who was that?
0:51:41 > 0:51:43You lost a son.
0:51:47 > 0:51:49(Yes, I did.)
0:51:49 > 0:51:52That's terrible.
0:51:56 > 0:51:58You log every access request?
0:51:58 > 0:52:01- Yes.- Can you tell me the last person to ask to access that file?
0:52:05 > 0:52:07Well, you were...
0:52:09 > 0:52:12- ..and a... - BOTH: Detective Sergeant Delaney.
0:52:12 > 0:52:14See? They're geeks.
0:52:14 > 0:52:18The reason no-one's here is cos they can talk to each other without even speaking.
0:52:29 > 0:52:32I know why I got shot.
0:52:36 > 0:52:38Harvey Wratten needed to get himself out of jail.
0:52:38 > 0:52:43To do that, he got Gatehouse to buy up a huge amount of drugs and pass them on to Customs.
0:52:43 > 0:52:45Delaney found out and wanted to get in on the act,
0:52:45 > 0:52:49so he stole 30 kilos of heroin from a leaky property room and sold them on to Gatehouse
0:52:49 > 0:52:53and when Customs got them, they gave them back to you.
0:52:53 > 0:52:56How'd you know it was Delaney?
0:52:56 > 0:52:59Silly boy tried to do it again.
0:52:59 > 0:53:01One should always know when to quit.
0:53:01 > 0:53:04So you decided to throw a blanket over it,
0:53:04 > 0:53:08and that's where the story should have ended, and it would have
0:53:08 > 0:53:11if Delaney hadn't decided to take a second chance to heart,
0:53:11 > 0:53:13because that's when he showed me this.
0:53:18 > 0:53:20The cash he got for the drugs was marked.
0:53:20 > 0:53:22Gatehouse had been buying it all with police money.
0:53:22 > 0:53:26So if Gatehouse was working for Harvey Wratten,
0:53:26 > 0:53:29then Harvey Wratten was working for us.
0:53:32 > 0:53:35And that's why I didn't log the operation the night we went out.
0:53:35 > 0:53:39I didn't want anyone from our side to know we were looking,
0:53:39 > 0:53:41but, as it turned out...
0:53:41 > 0:53:43Someone already did.
0:53:48 > 0:53:50And that's what got me shot.
0:53:50 > 0:53:52Whoever it was had the money marked.
0:53:52 > 0:53:55And his name will be on that file.
0:53:55 > 0:53:56You pull the cord on that
0:53:56 > 0:53:59and by the time you get to see it, it won't even exist.
0:54:00 > 0:54:05No, your judgement was right in the first place.
0:54:05 > 0:54:06The key to this...
0:54:10 > 0:54:12..is Gatehouse.
0:54:12 > 0:54:15HEART MONITOR BEEPS
0:54:46 > 0:54:48Don't worry.
0:54:50 > 0:54:52It'll be over in a heartbeat.
0:56:07 > 0:56:09Beep...
0:56:12 > 0:56:13Beep...
0:56:15 > 0:56:16Beep...
0:56:16 > 0:56:18Beep!
0:56:21 > 0:56:22BONES CRUNCH
0:56:24 > 0:56:25BONES CRACK
0:58:25 > 0:58:33# Oh, hide me deeper
0:58:33 > 0:58:42# In your peace further... #
0:58:48 > 0:58:51Subtitles by Red Bee Media Ltd
0:58:51 > 0:58:54E-mail subtitling@bbc.co.uk