0:00:02 > 0:00:03- I love you.- Go now! - SHE SCREAMS
0:00:03 > 0:00:06400 kilos, that's a heavy weight. Flowers won't cover it.
0:00:06 > 0:00:09- I don't expect them to. - What do you expect?
0:00:09 > 0:00:11- A change of plan. - Why are you doing this?
0:00:11 > 0:00:15Ours is a dog-eat-dog world, and this dog's getting too tired to run.
0:00:22 > 0:00:25- I might have a shadow on a line. Are you interested?- I'll need a name.
0:00:25 > 0:00:29- Joseph Bede.- Never heard of him. - Isn't that the point?
0:00:29 > 0:00:30It's a police code, Laura.
0:00:30 > 0:00:33This money is from our side.
0:00:33 > 0:00:36That's five million. I'll need 48 hours to get you the rest.
0:00:36 > 0:00:40For that kind of a turnover, it's only polite to wait.
0:00:40 > 0:00:43Maybe it's what you don't know that's keeping you alive.
0:00:43 > 0:00:44Counterpoint.
0:00:45 > 0:00:47Oh, my baby!
0:00:50 > 0:00:53- Be sure to take your ashtray with you when you go.- What?
0:00:53 > 0:00:55Richard, you've no-one to blame...
0:00:55 > 0:00:57but yourself.
0:00:57 > 0:00:58Beep!
0:01:07 > 0:01:15This programme contains some strong language
0:01:15 > 0:01:23This programme contains scenes which some viewers may find disturbing
0:01:35 > 0:01:41# I'm a featherless bird
0:01:41 > 0:01:47# In a sky so absurd
0:01:49 > 0:01:55# Why, oh why
0:01:55 > 0:02:02# Is there so much movement?
0:02:07 > 0:02:15# Oh, hide me deeper
0:02:15 > 0:02:22# In your peace further. #
0:02:22 > 0:02:25STEADY BEEPING
0:02:25 > 0:02:28It was designed to keep you breathing but you never wake up again.
0:02:28 > 0:02:30Having fizzed your brain, it clears your system in minutes.
0:02:30 > 0:02:33So if things had gone to plan, we would never have even known
0:02:33 > 0:02:36to look because we would never have known it had happened.
0:02:36 > 0:02:41She was going to piggyback his heartbeat while it took effect, then rig him back up once it had.
0:02:41 > 0:02:45Clever plan, except sadly for her, it turned out to be a game of two halves.
0:02:45 > 0:02:48- And her identity? - We were hoping that you might be able to help us with that.
0:02:48 > 0:02:52Me? How?
0:02:52 > 0:02:54There were no guards at the door.
0:02:54 > 0:02:57Now, again, if nobody had known anything had happened,
0:02:57 > 0:03:01no-one would have any reason to ask why the guards weren't there.
0:03:01 > 0:03:03But that's not how it worked out, is it?
0:03:03 > 0:03:05And now we have.
0:03:06 > 0:03:08It was you, sir.
0:03:09 > 0:03:12And what do you intend to do with that information?
0:03:12 > 0:03:15I think more importantly, what is it that YOU intend to do?
0:03:15 > 0:03:20Because one of the cleverest killers since the Borgias knows that you just tried to kill him.
0:03:20 > 0:03:23So what do you think he's going to do next?
0:03:23 > 0:03:26It's time to call the cops, sir!
0:03:26 > 0:03:29Be careful who you call. Around here, no-one's who they seem.
0:03:32 > 0:03:34Be with you in a second, Gabriel.
0:04:11 > 0:04:15- Who is she? In the hospital. - One of mine.
0:04:15 > 0:04:17The one you had on Glickman?
0:04:17 > 0:04:22A little extra tab. And looking for him when he disappeared?
0:04:25 > 0:04:29And I presume she's the one who "found" him?
0:04:38 > 0:04:40Why'd you try to kill Gatehouse?
0:04:40 > 0:04:42Things are getting messy.
0:04:42 > 0:04:45Was it going to be me next?
0:04:47 > 0:04:49You should never have let him get so close.
0:04:49 > 0:04:53Wanted to see where he led. And here we are...
0:04:54 > 0:04:56..sitting in your office.
0:05:00 > 0:05:03Time to put your pictures in a box, don't you think?
0:05:10 > 0:05:11Oh, and, er, whatever you do...
0:05:13 > 0:05:15..don't make a fuss before you leave.
0:05:18 > 0:05:20I could certainly make a noise about you.
0:05:20 > 0:05:24But then it will just be me giving the eulogy at your funeral,
0:05:24 > 0:05:27and I only want to be thinking nice thoughts.
0:05:28 > 0:05:31See, that's the trouble with you and your "fast track".
0:05:31 > 0:05:35When you hit a dead end, it's too late to brake.
0:05:42 > 0:05:43You're out, David.
0:05:43 > 0:05:47And if you want to start enjoying the benefits of your efforts
0:05:47 > 0:05:49in your charming little cottage in the Dales...
0:05:51 > 0:05:53..stay in line.
0:05:53 > 0:05:54Or start running.
0:05:56 > 0:06:01You've got no-one to blame but yourself.
0:06:05 > 0:06:07What did you tell him?
0:06:07 > 0:06:11Take an early bath. His pay scale, he can afford it.
0:06:11 > 0:06:13- You going to throw another blanket on this?- No. No.
0:06:13 > 0:06:17You can pick him up, give him a couple of days to collect his thoughts.
0:06:17 > 0:06:19- I sense a promotion.- For you?
0:06:19 > 0:06:22For both of us. You've got your man, Gabriel.
0:06:22 > 0:06:24What if it doesn't end here?
0:06:25 > 0:06:28Oh, but it does.
0:06:28 > 0:06:30It ends. Here.
0:06:33 > 0:06:36I've supported you up to now because I knew he was a bad fucker.
0:06:36 > 0:06:39But go any further, you'll start fucking with me.
0:06:43 > 0:06:47You've done brilliantly. Brilliantly.
0:06:47 > 0:06:50Just like I knew you would.
0:06:50 > 0:06:52But you should also know when to quit.
0:06:53 > 0:06:55So quit now.
0:06:59 > 0:07:02I think you're going to look pretty good in my suit.
0:07:10 > 0:07:12What the fuck happened to you?
0:07:15 > 0:07:17Well, I need the next payment, yeah?
0:07:17 > 0:07:20- When?- Wednesday.
0:07:20 > 0:07:21You'll have it.
0:07:24 > 0:07:26So are we back in business?
0:07:28 > 0:07:29I was never out.
0:07:39 > 0:07:41You sitting this one out?
0:07:41 > 0:07:45Yeah. Just like you told me. Do you remember?
0:07:45 > 0:07:48It's interesting, though, isn't it?
0:07:48 > 0:07:54Harris's death, Ratallack's deal, you taking over.
0:07:54 > 0:08:00- It's almost like you planned the whole thing. - Shh, don't be so noisy.
0:08:03 > 0:08:05What's your plan for me, Jay?
0:08:05 > 0:08:08I ain't got one, Joe.
0:08:08 > 0:08:10Just as long as you stick to yours.
0:08:16 > 0:08:17Do you remember that rowing fella
0:08:17 > 0:08:24who won all them Olympic medals, and he said that if he ever got back in a boat again,
0:08:24 > 0:08:26then we should shoot him.
0:08:26 > 0:08:29JOSEPH SIGHS Yeah.
0:08:29 > 0:08:30He did though, didn't he?
0:08:35 > 0:08:36Just so you know,
0:08:36 > 0:08:39if he'd had said that to me,
0:08:39 > 0:08:42I would've.
0:08:56 > 0:08:59PHONE RINGS
0:09:01 > 0:09:03Yeah?
0:09:03 > 0:09:05We're on.
0:09:26 > 0:09:27She didn't fall, Joseph.
0:09:27 > 0:09:30Yes, she did. The nurse said she fell down the stairs.
0:09:30 > 0:09:32She said she threw herself.
0:09:34 > 0:09:35- No.- It does happen.
0:09:35 > 0:09:41- I've seen it before. - But when I left her this morning she wasn't confused. She was quite calm.
0:09:41 > 0:09:45Sometimes at this stage of the illness, the mist is kinder than when it clears.
0:09:45 > 0:09:50But I'm not sure this is the right place for her any more.
0:09:50 > 0:09:52You want to take her away.
0:09:54 > 0:10:00This time it's a fall, next time it could be worse.
0:10:00 > 0:10:02I think we should put her in care now, yes.
0:10:02 > 0:10:05- I'm so sorry.- But I'm nearly there.
0:10:05 > 0:10:06Nearly where?
0:10:06 > 0:10:08I've got a plan.
0:10:08 > 0:10:13- You can't beat this, Joseph. - We've got a plan.
0:10:15 > 0:10:18Change it.
0:10:18 > 0:10:20Change it now.
0:10:33 > 0:10:36You know that journalist, McGovern?
0:10:36 > 0:10:40He got killed. Motorbike.
0:10:40 > 0:10:42Yeah.
0:10:44 > 0:10:46Makes you think, though, doesn't it?
0:10:50 > 0:10:51What of?
0:10:51 > 0:10:55PHONE RINGS
0:10:55 > 0:10:56Gabriel.
0:11:00 > 0:11:01Oh.
0:11:03 > 0:11:05Yeah, I'll be there.
0:11:09 > 0:11:11I've got to go.
0:11:12 > 0:11:15- Alone.- Why?
0:11:15 > 0:11:17- It's Laura.- Oh.
0:11:42 > 0:11:44- Commander Penney. - Are you alone?- Out here?
0:11:59 > 0:12:01PENNEY SIGHS
0:12:03 > 0:12:06It was me who gave Gatehouse the money.
0:12:06 > 0:12:07Why?
0:12:07 > 0:12:10- Because he worked for us.- Us?
0:12:10 > 0:12:12Counterpoint.
0:12:12 > 0:12:14I thought you worked for the police.
0:12:16 > 0:12:17A secret cell.
0:12:20 > 0:12:21Who set it up?
0:12:24 > 0:12:25Paul Travis.
0:12:25 > 0:12:26When he was Commissioner?
0:12:26 > 0:12:29Head of Special Branch.
0:12:29 > 0:12:32- Nineteen-seventy...- Nine.
0:12:32 > 0:12:34- Oh.- No, it's not what you think.
0:12:34 > 0:12:38We used the change of government to cover it, but they weren't involved.
0:12:42 > 0:12:45- Although we did turn to Section Five.- What for?
0:12:46 > 0:12:49- People.- Gatehouse.
0:12:49 > 0:12:52- He's Secret Service.- Was.
0:12:54 > 0:12:57He's Counterpoint. He has been for 30 years.
0:12:57 > 0:12:59He runs it?
0:12:59 > 0:13:02The field, yes. We run the money.
0:13:02 > 0:13:04I thought you were retired.
0:13:05 > 0:13:07I am now.
0:13:07 > 0:13:09Khokar.
0:13:09 > 0:13:12- And a man named Halton.- From Five?
0:13:13 > 0:13:17- Moonlit.- And Paul Travis?
0:13:17 > 0:13:20Dead. Years ago.
0:13:20 > 0:13:22Cancer.
0:13:22 > 0:13:24So just Khokar and this Halton.
0:13:24 > 0:13:27No-one else?
0:13:27 > 0:13:28What did it do?
0:13:28 > 0:13:30Counterpoint?
0:13:30 > 0:13:33- Initially, money laundering. - Who for?
0:13:36 > 0:13:38It was set up to be a sting.
0:13:38 > 0:13:41Gatehouse started with small dealers,
0:13:41 > 0:13:44no idea who we were, but he'd gain their trust, turn their money.
0:13:44 > 0:13:46Word spread, it grew.
0:13:46 > 0:13:51Like a card game, as it got bigger, so did the players.
0:13:51 > 0:13:55Finally we got to a deal of 70 million and with that...
0:13:55 > 0:13:58we thought we could bring the house down.
0:13:58 > 0:14:00So we went to the DPP, like good cops should.
0:14:00 > 0:14:03For a strategy of arrest.
0:14:03 > 0:14:07- What did he do?- He shut you down.- He said it would never stick in court.
0:14:07 > 0:14:08Well, it's entrapment.
0:14:08 > 0:14:13And as we'd shown him our hand, he told us to fold it with immediate effect.
0:14:13 > 0:14:17So officially, we did as we were told.
0:14:17 > 0:14:20- We shut it down.- Unofficially?
0:14:22 > 0:14:23We made the deal.
0:14:25 > 0:14:2670 million.
0:14:28 > 0:14:32Into an account that didn't exist. And then what?
0:14:35 > 0:14:37We decided to play again.
0:14:37 > 0:14:41- But this time we decided to stack the deck in our favour.- How?
0:14:41 > 0:14:43By buying the players in the first place.
0:14:45 > 0:14:49- Harvey Wratten.- Actually, it was his money man, Peter Glickman.
0:14:49 > 0:14:50Gatehouse found him.
0:14:50 > 0:14:54We gave him the cash flow, he linked up with Wratten,
0:14:54 > 0:14:57didn't tell him about us, and away they went.
0:14:57 > 0:15:00200 million, turnover.
0:15:00 > 0:15:02- Per annum?- Mostly.
0:15:02 > 0:15:0340 million net.
0:15:03 > 0:15:05Of which you took?
0:15:06 > 0:15:0810% of all sales.
0:15:10 > 0:15:14- Into Counterpoint.- Correct. It became completely self-financing.
0:15:14 > 0:15:18- You still had to clean the money. - Oh, yes, and we did that too.
0:15:18 > 0:15:20How?
0:15:21 > 0:15:24Trust me, one day you're going to thank me for this.
0:15:24 > 0:15:26Pensions. Insurance schemes.
0:15:26 > 0:15:29Yours. Mine.
0:15:29 > 0:15:31Everyone's who worked for the force.
0:15:31 > 0:15:33This whole thing is about pensions?
0:15:33 > 0:15:35For the benefit of all.
0:15:36 > 0:15:38Really?
0:15:38 > 0:15:42So does everyone get a boat like this, or did you tell yourself that when you bought it?
0:15:42 > 0:15:44Without us to plug the gap,
0:15:44 > 0:15:46the whole fund collapses.
0:15:46 > 0:15:47It's government backed.
0:15:47 > 0:15:50How many schemes need to fail before it isn't?
0:15:50 > 0:15:53We look to the future, son,
0:15:53 > 0:15:54which nobody else does.
0:15:54 > 0:15:57You're dressing this up as altruism. How sick is that?
0:15:57 > 0:15:58We provide. For the future.
0:15:58 > 0:16:02- Your future.- Harvey Wratten didn't get one and he was one of yours.
0:16:02 > 0:16:05Gatehouse gave him an opportunity to retire. He didn't take it.
0:16:05 > 0:16:08So you made him by putting him in jail.
0:16:08 > 0:16:11But then Glickman had this crisis of loyalty
0:16:11 > 0:16:13and told him about us.
0:16:13 > 0:16:18And Harvey threatened to tell everybody else unless we got him out, so get him out we did.
0:16:18 > 0:16:20So then you gave the money to Gatehouse.
0:16:20 > 0:16:23To buy drugs to give to Customs to get Harvey a royal pardon.
0:16:23 > 0:16:25And when he got it,
0:16:25 > 0:16:28I think we might have left it at that.
0:16:28 > 0:16:31Everybody was so compromised, but Gatehouse...
0:16:31 > 0:16:34decided to close Harvey's book.
0:16:34 > 0:16:36So that's what he did.
0:16:36 > 0:16:38And we've been cleaning up ever since.
0:16:54 > 0:16:55So who had the money marked?
0:16:59 > 0:17:00I did.
0:17:00 > 0:17:04- Why?- Gatehouse. He was starting to behave like he was his own boss.
0:17:04 > 0:17:08I thought he might be setting the whole thing up just to run away with it.
0:17:08 > 0:17:11Turns out money wasn't his primary concern.
0:17:11 > 0:17:14For him, it's all about control.
0:17:16 > 0:17:18Isn't it ironic?
0:17:18 > 0:17:20One bit of police work I actually did,
0:17:20 > 0:17:22it's the bit that catches me out.
0:17:22 > 0:17:24Because if you hadn't marked the money...
0:17:24 > 0:17:28- Delaney wouldn't have spotted it. - And he wouldn't have told me.
0:17:29 > 0:17:30And we wouldn't be here.
0:17:39 > 0:17:41He's starting it again, you know.
0:17:43 > 0:17:44Who?
0:17:44 > 0:17:47Gatehouse. A whole new set of players.
0:17:47 > 0:17:49Who are they?
0:17:49 > 0:17:52You think you can stop this? He'll kill you.
0:17:52 > 0:17:55- He hasn't yet.- You can't stop this.
0:17:55 > 0:17:56That's what we were trying to do.
0:17:56 > 0:17:59Look what's happened to me.
0:17:59 > 0:18:00I can protect you.
0:18:00 > 0:18:06It was foolish of me to think you'd even try.
0:18:17 > 0:18:19I didn't want a cup of tea anyway.
0:18:25 > 0:18:26No! NO!
0:18:26 > 0:18:28GUN SHOT
0:18:30 > 0:18:33KETTLE WHISTLES
0:18:45 > 0:18:47That was pretty low, Gabriel.
0:18:47 > 0:18:48I had to go alone.
0:18:48 > 0:18:52You wouldn't have taken any other excuses.
0:18:52 > 0:18:56- Don't you trust me?- Should I? Round here, no-one's who they seem.
0:18:56 > 0:18:59- I'm a police officer. - Oh, yeah, that card thing.
0:18:59 > 0:19:02- It doesn't really rub, though, does it?- Does with me.
0:19:02 > 0:19:04Yeah?
0:19:06 > 0:19:09- Me too.- Then we're together on this?
0:19:10 > 0:19:12I thought, for you, this was just a job.
0:19:12 > 0:19:15It is. With you.
0:19:15 > 0:19:17Every step of the way.
0:19:30 > 0:19:33Sir Richard Halton.
0:19:33 > 0:19:35- Who are they?- I'm handing over.
0:19:35 > 0:19:37What? Why?
0:19:37 > 0:19:42Section Five. He was, they are.
0:19:42 > 0:19:44So what have you got?
0:19:44 > 0:19:46Well, it's been over 24 hours.
0:19:46 > 0:19:50- He's suffered a blow to the rear left side of his head. - What kind of blow?
0:19:54 > 0:19:55What kind?
0:19:55 > 0:19:58It may well be consistent with a fall.
0:19:58 > 0:20:00Consistent but not conclusive.
0:20:00 > 0:20:03After they've finished there won't even be blood.
0:20:03 > 0:20:05You know how they are with their own.
0:20:15 > 0:20:17- What the fuck?! Where's Khokar? - He's disappeared.
0:20:17 > 0:20:19- Put a CAW out on him. - I already have.
0:20:19 > 0:20:23If we don't find him, that fucking lunatic-looking vicar will.
0:20:23 > 0:20:25- Honey's your gun girl, right?- Yes.
0:20:25 > 0:20:29- Have her stick to you like tassels to a stripper's nipples. - Sir, we should go to the press.
0:20:29 > 0:20:32What with? A suicide and a domestic accident?
0:20:32 > 0:20:33Find that fucking Gatehouse...
0:20:35 > 0:20:36..before he buries us all.
0:20:48 > 0:20:50What's going on here?
0:20:54 > 0:20:57He's got a potential shadow on a line.
0:20:57 > 0:21:00- Whose?- Harvey Wratten's successor.
0:21:00 > 0:21:03His name's Joseph Bede. He runs a flower import business.
0:21:03 > 0:21:07- He's clean, but he would be. - He'll bring it in in the flowers.
0:21:07 > 0:21:11The trick is knowing which shipment. Get it wrong, you'll never get it right.
0:21:11 > 0:21:12So who's the shadow?
0:21:12 > 0:21:16- He's right at the centre, so he has to disappear for good. - How much is he looking for?
0:21:16 > 0:21:18A quarter of a million.
0:21:18 > 0:21:21I'm looking to shag Barack Obama, but some things we'll never get.
0:21:21 > 0:21:26I thought we could get together - cops, customs - like the happy family we're supposed to be.
0:21:26 > 0:21:30- If it's any consolation, I also hate my brother.- What's he bringing in?
0:21:30 > 0:21:32400 kilos of heroin. Single shipment.
0:21:32 > 0:21:34Street value, 22 million.
0:21:37 > 0:21:40- He's starting it again...- Who?
0:21:41 > 0:21:43What if I could get you the money?
0:21:45 > 0:21:46All of it?
0:21:46 > 0:21:49What if I could?
0:21:49 > 0:21:51Then we get ourselves a shadow.
0:21:54 > 0:21:58Mmm. Come, please sit down.
0:22:02 > 0:22:04- You want some food?- No.
0:22:05 > 0:22:08- You need to eat. - You sound like my dad.
0:22:08 > 0:22:10THEY LAUGH
0:22:10 > 0:22:15- Do I know your dad? - He was an arsehole.
0:22:15 > 0:22:18An arsehole who wanted to see his son eat.
0:22:20 > 0:22:23The thing is, I'm not much with family.
0:22:23 > 0:22:25- No?- No.
0:22:25 > 0:22:30Because with me it's either business or family. It can't be both.
0:22:30 > 0:22:33Then you and I, I think, will have little in common.
0:22:33 > 0:22:37Because you inherited your business from your father?
0:22:39 > 0:22:41But the thing is, you didn't, though, did you?
0:22:51 > 0:22:53You know, I've known you since I was like...
0:22:55 > 0:22:56..like that big.
0:22:56 > 0:23:01- And the truth is you've always been a bit of a hero of mine.- Hmmm.
0:23:01 > 0:23:04If I could window my house with flattery, I wouldn't need the glass.
0:23:07 > 0:23:09And I remember...
0:23:09 > 0:23:11you had an elder brother.
0:23:11 > 0:23:14Didn't you?
0:23:14 > 0:23:16That's who your father left the business to.
0:23:20 > 0:23:21But he was noisy, wasn't he?
0:23:21 > 0:23:25Everywhere he went, everyone knew he was coming.
0:23:25 > 0:23:27Until one day...
0:23:27 > 0:23:31he just didn't turn up... ever again.
0:23:31 > 0:23:33And then there you were. Shhh.
0:23:33 > 0:23:38(Quietly taking control.
0:23:40 > 0:23:45(Just like your family should have given it to you in the first place.
0:23:46 > 0:23:49(It's hard though, isn't it?
0:23:50 > 0:23:52(Waiting for that moment to come.
0:23:54 > 0:23:56(I mean, that is strength.
0:23:58 > 0:24:01(Real strength.)
0:24:08 > 0:24:11Maybe you should have taken a little strength for yourself
0:24:11 > 0:24:14before you went clucking back to your uncle with the cops in tow.
0:24:14 > 0:24:18The thing is though, Mr Babur... Mr Babur...
0:24:20 > 0:24:23..maybe I'd taken it already.
0:24:23 > 0:24:27Maybe that's what I was doing all along.
0:24:27 > 0:24:29Taking your lead.
0:24:32 > 0:24:38It's never nice to watch an old man refusing to leave a disco, is it?
0:24:38 > 0:24:44And I cannot tell you how many times Harvey had been asked to call it a night.
0:24:44 > 0:24:47But he just kept on wiggling.
0:24:47 > 0:24:49Silly old sod.
0:24:51 > 0:24:52Until in the end,
0:24:52 > 0:24:55someone had to bundle him off the dance floor.
0:24:59 > 0:25:01You.
0:25:03 > 0:25:06By leading the cops to him.
0:25:06 > 0:25:08You understand, though, don't you?
0:25:08 > 0:25:10Hmmm.
0:25:10 > 0:25:15Family OR business.
0:25:19 > 0:25:21So...
0:25:21 > 0:25:23let's talk business.
0:25:47 > 0:25:49You're giving it in.
0:25:49 > 0:25:51I'm taking it back.
0:25:51 > 0:25:53Where to?
0:25:53 > 0:25:55Where it came from in the first place.
0:25:55 > 0:25:57Jonah...
0:26:06 > 0:26:08Laura, I still don't know who I am...
0:26:11 > 0:26:13..or what I am.
0:26:15 > 0:26:17What I've done to you is...
0:26:19 > 0:26:21..unforgivable. I know that.
0:26:24 > 0:26:26I want to start to make it better.
0:26:28 > 0:26:30I want to make it all better for you.
0:26:33 > 0:26:34And the baby.
0:26:39 > 0:26:42Doing this
0:26:42 > 0:26:44is the way I can.
0:26:49 > 0:26:50I love you.
0:27:29 > 0:27:31I thank you.
0:27:34 > 0:27:35There's 230 there.
0:27:36 > 0:27:38He can whistle for the rest.
0:27:39 > 0:27:41Where did you get it from?
0:27:41 > 0:27:42From where this all began.
0:27:42 > 0:27:46But as far as you're concerned it doesn't exist. Do you understand?
0:27:46 > 0:27:50Ooh. Are you offline on this then, Detective Inspector?
0:27:52 > 0:27:54No, I'm right back on it.
0:27:54 > 0:27:55ENGINE STARTS
0:28:11 > 0:28:13200 minus my 10%.
0:28:14 > 0:28:16What?
0:28:19 > 0:28:23And if Julie Christie offered you one, would you still pull that face?
0:28:25 > 0:28:28- OK.- Ah, ah, ah!
0:28:28 > 0:28:31There's someone else you've got to kiss first.
0:28:46 > 0:28:47So what's the story?
0:28:49 > 0:28:51It's whatever you want it to be.
0:29:12 > 0:29:13'Clear!
0:29:19 > 0:29:22'Clear!
0:29:25 > 0:29:27'Clear!'
0:29:45 > 0:29:48Ohhh... I could arrest you for that.
0:29:48 > 0:29:52You arrest someone? Now that is a laugh!
0:29:52 > 0:29:53You knew it was a set-up!
0:29:53 > 0:29:54No! How could I have known?
0:29:54 > 0:29:57He's been working me for months. I'd have put my life on it.
0:29:57 > 0:30:00Yeah. Well, maybe you just have!
0:30:01 > 0:30:03Where is he?
0:30:03 > 0:30:07You seriously expect me to know that?
0:30:09 > 0:30:11Move on! Move on!
0:30:15 > 0:30:16Yes, move on.
0:30:21 > 0:30:24- I'm going to bust your arse! - FOLEY GROANS
0:30:26 > 0:30:28You've been stung.
0:30:28 > 0:30:29I have.
0:30:29 > 0:30:31We all have.
0:30:32 > 0:30:33It hurts,
0:30:33 > 0:30:36but it happens.
0:30:36 > 0:30:39You must know something. People like you always do!
0:30:43 > 0:30:48Ooh, I think you've bust a rib.
0:30:53 > 0:30:55Have you got a wife?
0:30:57 > 0:30:59What?
0:30:59 > 0:31:01Kids?
0:31:01 > 0:31:03Are you threatening them?
0:31:03 > 0:31:06No, but you are.
0:31:06 > 0:31:10It's just a job, Beatty, it's just a job.
0:31:10 > 0:31:13Yeah, and this is me doing it.
0:31:16 > 0:31:19You just don't get it, do you, boy?
0:31:22 > 0:31:24Do you know how long I've been in this business?
0:31:26 > 0:31:33Almost 30 years now. And do you know how I get to survive this long?
0:31:33 > 0:31:35It's by not knowing.
0:31:38 > 0:31:40It's knowing gets you killed.
0:31:40 > 0:31:44So do you know what I think you should do now?
0:31:44 > 0:31:46You should go home.
0:31:46 > 0:31:50Just go home in that car you're always checking,
0:31:50 > 0:31:53but this time don't even bother to look.
0:31:53 > 0:31:57When you get there, tell them you love them and that you're the luckiest man alive.
0:31:57 > 0:32:00And it'll be true. Do you know why?
0:32:06 > 0:32:09Because you never even got close.
0:32:16 > 0:32:18FOLEY SPITS
0:32:21 > 0:32:22Shit.
0:32:41 > 0:32:42Magic.
0:32:42 > 0:32:45It's all about getting them to look elsewhere.
0:32:45 > 0:32:49- And never telling anyone how the trick was done.- Never.
0:32:50 > 0:32:52Good.
0:32:54 > 0:32:56And finally we are done.
0:32:56 > 0:32:58We are.
0:33:00 > 0:33:02What about your end buyer?
0:33:02 > 0:33:04- Have you exchanged yet? - I do that next.
0:33:04 > 0:33:06Five million.
0:33:06 > 0:33:07Five million.
0:33:07 > 0:33:09You don't want to go again?
0:33:09 > 0:33:11No.
0:33:13 > 0:33:15- Stick to the plan.- Yes.
0:33:15 > 0:33:17It was a clever one.
0:33:21 > 0:33:23Thank you.
0:33:33 > 0:33:34How is your wife?
0:33:38 > 0:33:41These are the ties to bind.
0:33:41 > 0:33:43My daughter makes them.
0:33:43 > 0:33:45Give one to your wife. Keep one yourself.
0:33:45 > 0:33:49Then when you are alone, you will never be apart.
0:33:51 > 0:33:56Remember I warned you if there is a human in a plan there will always be a flaw?
0:33:56 > 0:33:58Yours is Jay Wratten
0:33:58 > 0:34:00and he knows how your trick worked, so watch out.
0:34:00 > 0:34:03I think he means to play one on you before you go.
0:34:03 > 0:34:04Why?
0:34:04 > 0:34:09Was it your Johnny Cash who said I'm giving up right before he came back?
0:34:09 > 0:34:10It certainly wasn't me.
0:34:10 > 0:34:12Isn't that what they all say?
0:34:15 > 0:34:18Good luck, Joseph Bede.
0:34:34 > 0:34:37- What you going to do with it?- Jay.
0:34:38 > 0:34:40You're not...
0:34:40 > 0:34:43No, but he's likely to try it on me.
0:34:45 > 0:34:47I always knew he would.
0:34:50 > 0:34:52You know you can't use that.
0:34:54 > 0:34:56- It's marked. - So what are you going to do with it?
0:34:59 > 0:35:02- You know, I was born near here. - Yeah?
0:35:02 > 0:35:04Yeah.
0:35:05 > 0:35:08Not like this.
0:35:08 > 0:35:10It's a shithole.
0:35:16 > 0:35:19I'm sorry I got too old.
0:35:19 > 0:35:21At least you got there.
0:35:24 > 0:35:26What am I going to do when you're gone?
0:35:26 > 0:35:28Stick to the flowers.
0:35:31 > 0:35:33No, it's a cut-throat business, that one.
0:35:57 > 0:35:59Hello?
0:36:03 > 0:36:06INAUDIBLE
0:36:06 > 0:36:08ENTRY SYSTEM BUZZES
0:36:16 > 0:36:18JOSEPH SOBS
0:36:18 > 0:36:20She's in our care now.
0:36:20 > 0:36:24- I'm sorry, Joseph. - I-I-It's not over.
0:36:25 > 0:36:27It's not.
0:36:49 > 0:36:51(It's all right, darling. I'm here.
0:36:53 > 0:36:55(Let go of me.
0:36:57 > 0:37:00(Let go.
0:37:12 > 0:37:13(Please.
0:37:14 > 0:37:15(Please.
0:37:16 > 0:37:18(Let me go.)
0:38:08 > 0:38:10JOSEPH DROPS THE KNIFE
0:38:15 > 0:38:17JOSEPH SOBS
0:38:29 > 0:38:30BANGING ON DOOR
0:38:47 > 0:38:49Have you lost something?
0:38:54 > 0:38:55Well?
0:38:55 > 0:39:02With all the money you're about to collect, there is nothing you won't be able to buy.
0:39:02 > 0:39:04Nothing.
0:39:08 > 0:39:11Ready when you are...Joseph Bede.
0:39:13 > 0:39:14Just a minute.
0:40:51 > 0:40:53(I love you.)
0:41:08 > 0:41:10You should go home.
0:41:13 > 0:41:14This is my home.
0:41:16 > 0:41:18PHONE RINGS
0:41:25 > 0:41:28PHONE CONTINUES TO RING
0:41:38 > 0:41:39Gabriel.
0:41:39 > 0:41:42Working late, detective inspector?
0:41:45 > 0:41:46It's you that keeps me up.
0:41:48 > 0:41:52I can tell you where Khokar is, if that'll help you sleep.
0:41:52 > 0:41:55If you can it means he's already dead.
0:41:56 > 0:41:58There's more where he came from.
0:41:58 > 0:42:00Like who?
0:42:01 > 0:42:02We should meet.
0:42:02 > 0:42:04You really think?
0:42:04 > 0:42:06Yes, I really do.
0:42:08 > 0:42:13The lines have changed, Gabriel.
0:42:13 > 0:42:16Penney and Khokar, they tried to have me killed.
0:42:17 > 0:42:21So now, my enemy's enemy...
0:42:23 > 0:42:25Isn't that ironic...
0:42:26 > 0:42:29..me calling you?
0:42:29 > 0:42:30Where?
0:43:46 > 0:43:52People don't do bad things just because they want to stroke a white cat.
0:43:54 > 0:43:59All they thought they were doing was protecting their family.
0:43:59 > 0:44:02And if you'd stayed within it, they would have protected you.
0:44:04 > 0:44:06With a pension.
0:44:07 > 0:44:09No-one else is going to pay it.
0:44:09 > 0:44:12That's why they had to start it again.
0:44:12 > 0:44:13To make sure it would continue.
0:44:19 > 0:44:20You shot Harvey Wratten.
0:44:23 > 0:44:25I shot Harvey Wratten.
0:44:26 > 0:44:28And who did you get to take his place?
0:44:28 > 0:44:32The one that got Harvey busted in the first place.
0:44:34 > 0:44:35Jay Wratten.
0:44:35 > 0:44:40Hidden depths, that one.
0:44:40 > 0:44:44Plus a kid over on Bob Harris's side, quite a whizz with numbers.
0:44:46 > 0:44:50The new Wratten and Glickman. And who's going to run them?
0:44:57 > 0:44:59Why didn't you kill me when I was in hospital?
0:44:59 > 0:45:04- You seem so good at it.- I would have.
0:45:04 > 0:45:07- Khokar told me not to.- Why?
0:45:07 > 0:45:10He'd been urged to change his mind.
0:45:10 > 0:45:12By who?
0:45:18 > 0:45:19Patterson.
0:45:22 > 0:45:24Most people, they just see the surface.
0:45:24 > 0:45:30Him, he looks to the bottom of the pond.
0:45:30 > 0:45:32He certainly saw inside of you.
0:45:34 > 0:45:36You work for him.
0:45:36 > 0:45:39We've come to share the same sense of order.
0:45:42 > 0:45:45By putting him up there?
0:45:45 > 0:45:47And you beneath.
0:45:53 > 0:45:54And how are you going to do that?
0:45:56 > 0:45:57How are you going to stop me?
0:46:00 > 0:46:01A gun.
0:46:04 > 0:46:07Trained on you.
0:46:07 > 0:46:08Now.
0:46:08 > 0:46:11And all I have to do...
0:46:13 > 0:46:15..is wave my hand...
0:46:17 > 0:46:19..and she will shoot you.
0:46:33 > 0:46:35Why are you doing this?
0:46:36 > 0:46:38Because it matters.
0:46:38 > 0:46:41For other people to see you?
0:46:43 > 0:46:46Standing out there in all that bright, white light.
0:46:48 > 0:46:51I'm sure it does matter.
0:46:51 > 0:46:55The problem is, Jonah Gabriel,
0:46:55 > 0:46:57that kind of glare...
0:46:59 > 0:47:01..it just turns you blind.
0:47:04 > 0:47:08Because all I have to do is this...
0:47:13 > 0:47:16..and your light goes out.
0:47:27 > 0:47:29No!
0:48:37 > 0:48:38You'll get over it.
0:48:40 > 0:48:43I'll live with that for the rest of my life.
0:48:43 > 0:48:47Well, at least now when you hit 55, you'll be able to do it in style.
0:48:49 > 0:48:53Leave the gun at Khokar's feet. Then come back here and get in the car.
0:48:53 > 0:48:55Why?
0:48:55 > 0:48:56It doesn't belong here.
0:51:21 > 0:51:23Questions, questions...
0:51:23 > 0:51:26which I'm sure Detective Inspector Honey can answer.
0:51:26 > 0:51:29We are not looking for anyone else in pursuit of this inquiry.
0:51:29 > 0:51:34So you believe Commander Khokar shot Detective Inspector Gabriel before hanging himself?
0:51:34 > 0:51:37Yes. We do.
0:51:37 > 0:51:38Because?
0:51:41 > 0:51:43Because, Detective Inspector?
0:51:43 > 0:51:47- You're really trying to rub it in, aren't you, Michelle? - It would be nice.
0:51:47 > 0:51:51Because, as you have read in our statement, it appears DI Gabriel discovered
0:51:51 > 0:51:56- that Commander Khokar had stolen a considerable sum of money from the department.- How much?
0:51:56 > 0:51:58£250,000.
0:51:58 > 0:52:00All in bent coppers?
0:52:00 > 0:52:02TITTERING
0:52:02 > 0:52:06We found Gabriel's car outside a remote cottage owned by Khokar
0:52:06 > 0:52:10and the casings from the bullets used to kill him near a pathway leading up to it.
0:52:10 > 0:52:15So whatever way YOU want to add it up, Michelle, it still cost one of my best officers his life.
0:52:15 > 0:52:18And where is this money now?
0:52:18 > 0:52:22We believe it was thrown from a rooftop in Central London, so where it is now...
0:52:22 > 0:52:25Well, quite frankly, it could be in any one of our pockets.
0:52:25 > 0:52:28So, you know, feel free to have a whip round!
0:52:28 > 0:52:31Do you have any comment on the murder of Joseph Bede?
0:52:32 > 0:52:35- The, er... The flower man? No. - But it is true that Customs
0:52:35 > 0:52:38conducted an unsuccessful raid on his premises?
0:52:38 > 0:52:41You'll have to ask them. They can give you a much fuller answer.
0:52:41 > 0:52:46- Wasn't Bede murdered in the same way as Harvey Wratten? - When you're shot, you're shot.
0:52:46 > 0:52:50- You don't think there's a connection? - Between what?- Between Bede's murder
0:52:50 > 0:52:55and DI Gabriel's, given it was Harvey Wratten's murder Gabriel was investigating at the time?
0:52:55 > 0:52:57We'd long since turned that particular page.
0:52:57 > 0:53:02- I believe I was reading your newspaper when we did so.- So you don't see there's a connection?
0:53:02 > 0:53:05Are you meaning all this in a Jungian sense?
0:53:05 > 0:53:07You know what I mean, Commander.
0:53:09 > 0:53:15Then for the record, there is absolutely no connection between Jonah Gabriel and Joseph Bede.
0:53:24 > 0:53:26So now it's our turn.
0:53:26 > 0:53:28Yeah.
0:53:28 > 0:53:31How long's that going to last?
0:53:31 > 0:53:34I think you know the answer to that already.
0:53:34 > 0:53:36And if you don't, you should.
0:53:36 > 0:53:39Twenty years,
0:53:39 > 0:53:42then a head shot in the back of a car?
0:53:42 > 0:53:44Not if you remember the rule.
0:53:44 > 0:53:45Yeah...
0:53:47 > 0:53:49..and what exactly is that?
0:53:49 > 0:53:51Simple.
0:53:51 > 0:53:55You, you're the threads.
0:53:55 > 0:53:57But me...
0:53:59 > 0:54:00..I'm the rope.
0:54:04 > 0:54:07OK, Laura, you're doing really well. It's almost here.
0:54:07 > 0:54:09I need one more big push from you.
0:54:09 > 0:54:11Give me a push now.
0:54:11 > 0:54:15LAURA SCREAMS
0:54:15 > 0:54:17BABY CRIES
0:54:17 > 0:54:18It's out.
0:54:23 > 0:54:25Here's your boy.
0:54:29 > 0:54:31Hello.
0:54:32 > 0:54:34Hello.
0:54:38 > 0:54:41LAURA SOBS
0:54:53 > 0:54:56It's funny, but in my business you can't ever wash them enough!
0:54:58 > 0:55:01Now then...
0:55:01 > 0:55:03Let's take a look at you, little fella.
0:55:11 > 0:55:13PATTERSON CHUCKLES
0:55:22 > 0:55:23There you go.
0:55:28 > 0:55:33Now, I look forward to welcoming you, little man.
0:55:33 > 0:55:34You can't have him now.
0:55:34 > 0:55:39No, well, let's wait a few years, at least until we can buy him a playsuit.
0:55:39 > 0:55:40Jonah.
0:55:40 > 0:55:42Mmm?
0:55:42 > 0:55:44You can't have him now.
0:55:44 > 0:55:46I don't follow.
0:55:46 > 0:55:48He's mine.
0:55:48 > 0:55:50In here.
0:55:51 > 0:55:52In my memory.
0:55:52 > 0:55:56And all I choose to remember
0:55:56 > 0:55:58is the best of him.
0:55:58 > 0:56:01And you can't take that from me.
0:56:01 > 0:56:04Ever.
0:56:04 > 0:56:06And you will never take my son.
0:56:13 > 0:56:15I didn't kill your husband.
0:56:15 > 0:56:17But it's what you represent that did.
0:56:17 > 0:56:20And is that how you're going to bring him up?
0:56:20 > 0:56:24- With Jonah on one side and us on the other? - He'll know right from wrong, yes.
0:56:24 > 0:56:26And is it really that simple?
0:56:28 > 0:56:30Yes, it is.
0:56:35 > 0:56:39Do you know what, Mrs Gabriel, I don't think there's anyone -
0:56:39 > 0:56:43you, me, your husband, even this little fellow here when he grows up - who can absolutely say,
0:56:43 > 0:56:48without any shadow of a doubt, what side of the line they stand.
0:56:53 > 0:56:56No, I think the best that any of us can ever hope for is...
0:56:59 > 0:57:00..just to walk it.
0:57:14 > 0:57:16I hope you like the room.
0:57:18 > 0:57:19Jonah paid for it.
0:57:19 > 0:57:22Yes, yes, he did. Of course, he did.
0:57:22 > 0:57:24That's what insurance is for.
0:57:26 > 0:57:29And it doesn't stop here, as you know.
0:57:29 > 0:57:34So whatever you choose to tell him, we'll still make sure his every need is catered for.
0:57:34 > 0:57:39Because if there's one thing you can be absolutely assured of, Mrs Gabriel...
0:57:41 > 0:57:44..we always look after our own.
0:57:48 > 0:57:53# I'm a featherless bird
0:57:57 > 0:58:03# In a sky so absurd
0:58:07 > 0:58:13# Why, oh, why
0:58:13 > 0:58:23# Is there so much movement?
0:58:24 > 0:58:31# Oh, hide me deeper
0:58:32 > 0:58:39# In your peace further. #
0:58:46 > 0:58:49Subtitles by Red Bee Media Ltd
0:58:49 > 0:58:52E-mail subtitling@bbc.co.uk