Episode 4

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0:00:43 > 0:00:47OLD BERT: Do you know how many weddings I've been to?

0:00:47 > 0:00:49You'll never guess.

0:00:49 > 0:00:51142!

0:00:51 > 0:00:54142 weddings,

0:00:54 > 0:00:59so that's 284 lives coming together. But those two weddings,

0:00:59 > 0:01:04a week apart in the spring of 1924, they were about much more

0:01:04 > 0:01:06than lives coming together.

0:01:06 > 0:01:09There you go. Very handsome.

0:01:09 > 0:01:12Not handsome enough for anyone to marry you.

0:01:12 > 0:01:13Not long, though, eh, Bert?

0:01:14 > 0:01:16Can I go now?

0:01:16 > 0:01:17Oh.

0:01:17 > 0:01:21It's the bride that's supposed to be late, not the best man.

0:01:21 > 0:01:23Only be a minute. There you go.

0:01:23 > 0:01:24See you at chapel.

0:01:30 > 0:01:31A chair, John.

0:01:43 > 0:01:44Thank you.

0:01:46 > 0:01:49Edmund will be the fifth Member of Parliament

0:01:49 > 0:01:50to be married in this chapel.

0:01:54 > 0:01:57OLD BERT: If love is reckless and unstoppable at the same time,

0:01:57 > 0:01:59then perhaps we shouldn't be surprised

0:01:59 > 0:02:01when the world's turned upside down by it.

0:02:02 > 0:02:05But this, this blew all our socks off.

0:02:06 > 0:02:10- Oi! You're trespassing. - I'm best man. No ring, no wedding.

0:02:10 > 0:02:14Wedding's not till Saturday - and I bet YOU'RE not invited.

0:02:14 > 0:02:16Don't come this way again!

0:02:21 > 0:02:24- I said ten o'clock.- It's 10.05. Wedding's not for another hour.

0:02:24 > 0:02:2655 minutes.

0:02:30 > 0:02:31Perfect.

0:02:37 > 0:02:40I want you to know, I'll never forget him.

0:02:43 > 0:02:45He'd have wanted you to be happy.

0:02:46 > 0:02:48And I will be.

0:02:51 > 0:02:56So, I'm not going to be your mother-in-law.

0:02:56 > 0:02:58I'm going to be your mother, instead.

0:03:02 > 0:03:03Beautiful.

0:03:08 > 0:03:11- It's for the Big House wedding. - And for Gilbert and Agnes'?

0:03:20 > 0:03:23He's my son. He's getting married.

0:03:23 > 0:03:27If you can't support them, I'm asking you to be quiet.

0:03:31 > 0:03:33Leave that. We'll be late, John.

0:03:34 > 0:03:36- You go.- What?

0:03:36 > 0:03:40I promised Hankin I'd make that milk quota, no matter what.

0:03:40 > 0:03:43Weddings, funerals, christenings - they all come second now.

0:03:43 > 0:03:47Monday, I saw three women and children cross the road

0:03:47 > 0:03:49to avoid Agnes and her pram.

0:03:49 > 0:03:51They held their children close in to them,

0:03:51 > 0:03:55so they didn't catch a sight of baby Sophie - the bastard.

0:03:57 > 0:03:59This is more than just another wedding.

0:04:03 > 0:04:06I'm not prepared to lose what we've made on this farm, Grace.

0:04:06 > 0:04:08- Not for nothing. - And what about our grandson?

0:04:08 > 0:04:11- What are you going to you say to him?!- Don't talk about that.

0:04:11 > 0:04:14Cross the road, in case you catch something from the bastard?!

0:04:14 > 0:04:18- You're too angry, Grace. - No, I'm not nearly angry enough!

0:04:18 > 0:04:19Come on, Mary, get your coat.

0:04:35 > 0:04:37CHURCH BELLS PEAL

0:04:40 > 0:04:43- Is Gilbert all right? - Only two hours early.

0:04:44 > 0:04:47I love this chapel. It's honest.

0:04:49 > 0:04:50I'm so glad we married here.

0:04:52 > 0:04:54Did you get married here?

0:04:54 > 0:04:5921st of June. Hm, long time ago.

0:04:59 > 0:05:01Did you get married here, Margaret?

0:05:01 > 0:05:05I did, sweetheart. May 6, 1899.

0:05:05 > 0:05:09- Last century?- I'm afraid it was!

0:05:09 > 0:05:12I was baptised here, married here

0:05:12 > 0:05:15and we'll be buried here, the lot of us. Dust to dust.

0:05:18 > 0:05:22If there be any person here who knows of any lawful impediment

0:05:22 > 0:05:26to this marriage, speak now or for ever hold your peace.

0:05:28 > 0:05:30BABY CRIES

0:05:30 > 0:05:33LAUGHTER

0:05:33 > 0:05:36BABY'S CRYING INTENSIFIES

0:05:44 > 0:05:45(I, Gilbert.)

0:05:45 > 0:05:47I, Gilbert Arnold Hankin,

0:05:47 > 0:05:53take you, Agnes Scrivener, to be my...

0:06:02 > 0:06:03Agnes...

0:06:05 > 0:06:08I...love you with all my heart.

0:06:09 > 0:06:11Will you please be my wife?

0:06:14 > 0:06:15I will.

0:06:19 > 0:06:21I, Agnes Scrivener...

0:06:21 > 0:06:23I, Agnes Scrivener...

0:06:23 > 0:06:26..take you, Gilbert Arnold Hankin...

0:06:26 > 0:06:30..take you, Gilbert Arnold Hankin...

0:06:30 > 0:06:32..to be my wedded husband.

0:06:32 > 0:06:34..to be my wedded husband.

0:06:34 > 0:06:37To have and to hold, from this day forward...

0:06:37 > 0:06:41To have and to hold, from this day forward...

0:06:41 > 0:06:43..in plenty and in want...

0:06:43 > 0:06:45..in plenty and in want...

0:06:45 > 0:06:47..in joy and in sorrow...

0:06:47 > 0:06:48..in joy and in sorrow...

0:06:50 > 0:06:51..to love and to cherish...

0:06:51 > 0:06:54..to love and to cherish...

0:06:54 > 0:06:56..as long as we both shall live.

0:06:56 > 0:06:58..as long as we both shall live.

0:07:00 > 0:07:06It is my enormous pleasure to pronounce you husband and wife.

0:07:06 > 0:07:10APPLAUSE

0:07:12 > 0:07:13You MAY kiss the bride!

0:07:22 > 0:07:23You next.

0:07:40 > 0:07:43CHURCH BELLS PEAL

0:07:54 > 0:07:57CHEERING

0:08:06 > 0:08:08Margaret, could I... Could I hold her?

0:08:08 > 0:08:10- Do you know how to hold her?- Aye!

0:08:10 > 0:08:14Hey, come to Grandad, again. Hey, that's it.

0:08:14 > 0:08:16You want to say hello to Grandma?

0:08:16 > 0:08:19Look at them. They're happy. What else matters?

0:08:21 > 0:08:26Ladies and gentlemen, what's the point of a wedding?

0:08:26 > 0:08:29It's to make private feelings public.

0:08:29 > 0:08:34It's an announcement of love that takes no heed what the world thinks.

0:08:34 > 0:08:38I'm not very articulate with words.

0:08:38 > 0:08:41I do my best, but they never seem enough or feel enough, somehow.

0:08:41 > 0:08:45But I know how we can make it better - our public announcement.

0:08:45 > 0:08:47With dancing!

0:08:47 > 0:08:48CHEERING

0:08:48 > 0:08:50To the dance hall!

0:09:01 > 0:09:04CHEERING AND APPLAUSE

0:09:14 > 0:09:17CROWD CLAP IN TIME WITH MUSIC

0:09:32 > 0:09:35CHEERING AND APPLAUSE

0:09:39 > 0:09:42LIVELY SWING MUSIC

0:09:45 > 0:09:46Get it down you.

0:09:59 > 0:10:00We could...go for a walk.

0:10:15 > 0:10:17I've an article to finish for the morning.

0:10:18 > 0:10:20Do you mind if I stay?

0:10:20 > 0:10:23Not at all... Enjoy yourself.

0:10:46 > 0:10:48Why are we walking so fast?

0:10:48 > 0:10:49I'm sorry.

0:10:52 > 0:10:53Sorry.

0:11:07 > 0:11:09- Talking shop?- I'm afraid so.

0:11:13 > 0:11:17The children of this village are very lucky to have you two.

0:11:20 > 0:11:26- Um...I have some things that I have to do at school.- Now?

0:11:28 > 0:11:33When I think of something that has to be done, I know I'll forget.

0:11:33 > 0:11:35So, I have to do it now.

0:11:39 > 0:11:41Such dedication.

0:12:06 > 0:12:08What's wrong?

0:12:09 > 0:12:12- I got this today.- Who's it from?

0:12:12 > 0:12:14- Ghana Jones.- What does he say?

0:12:14 > 0:12:19Just, his life outside the village, it's another world.

0:12:19 > 0:12:22You can hear it in the way he writes.

0:12:22 > 0:12:25It's full of hope and excitement and...

0:12:29 > 0:12:31Are you leaving?

0:12:33 > 0:12:37- I didn't...- Yes...you did.

0:12:40 > 0:12:42You!

0:12:42 > 0:12:45What are you doing? Speak up, lad.

0:12:45 > 0:12:47What were you doing?

0:12:51 > 0:12:54Dirty business, was it? Filthy dirty?

0:12:54 > 0:13:00Talking. It's a conversation that matters. We're doing no harm.

0:13:00 > 0:13:02Let your father be the judge of that.

0:13:04 > 0:13:05CLICKING

0:13:05 > 0:13:06Go on!

0:13:22 > 0:13:25- It couldn't wait?- No.- What is it?

0:13:25 > 0:13:27HE CLEARS THROAT

0:13:27 > 0:13:31"Tomorrow and tomorrow and tomorrow.

0:13:31 > 0:13:33"Out, out, brief candle."

0:14:14 > 0:14:16Stay there.

0:14:19 > 0:14:20Bert?

0:14:23 > 0:14:26- What's going on? - These two belong to you, do they?

0:14:26 > 0:14:27- He's my son.- Phoebe?

0:14:27 > 0:14:31I found these two intertwining on Allingham land.

0:14:31 > 0:14:35That's what he wanted it to be. Is that right?

0:14:35 > 0:14:38- Were you hoping for something dirty? - Shut up.- We were talking.

0:14:38 > 0:14:40Talking? Nobody goes there for talking.

0:14:43 > 0:14:44No crime in that.

0:14:44 > 0:14:46If it's on Allingham land, it is.

0:14:46 > 0:14:50It's called trespass, isn't it, Vicar?

0:14:50 > 0:14:53It's Minister, not Vicar.

0:14:54 > 0:14:57Now you've said your piece, you can be on your way.

0:14:57 > 0:14:58You heard him.

0:15:08 > 0:15:09And don't come back an' all.

0:15:20 > 0:15:23HAMMERING

0:15:31 > 0:15:33So, the sign is at the old bridge?

0:15:35 > 0:15:37What were you and Phoebe REALLY doing?

0:15:37 > 0:15:39They were courting, Mary.

0:15:39 > 0:15:41What does that mean?

0:15:41 > 0:15:43The old bridge is...

0:15:43 > 0:15:45Well, somewhere couples go...

0:15:45 > 0:15:50Well, have always gone, to hold hands and...

0:15:50 > 0:15:52hold conversations.

0:15:52 > 0:15:54Did you and father do intertwining?

0:15:54 > 0:15:55SHE LAUGHS

0:15:55 > 0:15:57- Yes, we did.- Urrgh!

0:15:57 > 0:15:58Go on!

0:16:10 > 0:16:11Hello?

0:16:25 > 0:16:26Mrs Hankin.

0:16:26 > 0:16:29THEY GIGGLE

0:16:29 > 0:16:32- It sounds silly. - It isn't silly, though.

0:16:42 > 0:16:44No, it isn't.

0:16:49 > 0:16:51- Is it your first?- No.

0:16:55 > 0:16:57I love you.

0:17:18 > 0:17:20You shouldn't have had the party.

0:17:23 > 0:17:26- You wouldn't have had the wedding at all.- No. I wouldn't.

0:17:26 > 0:17:31So, what do you see when you look at them - Gilbert, Agnes and Sophie?

0:17:33 > 0:17:36A fool, a whore

0:17:36 > 0:17:37and a bastard.

0:17:42 > 0:17:44They're a family.

0:17:46 > 0:17:48So, that's a family?

0:17:50 > 0:17:52Then, what are we?!

0:18:06 > 0:18:07I'm back.

0:18:07 > 0:18:10THEY GIGGLE

0:18:16 > 0:18:18After you, Lady Allingham.

0:18:18 > 0:18:19How was Westminster?

0:18:19 > 0:18:23Good to be back on the right side of the House again, where we belong.

0:18:23 > 0:18:25Hmm, I've had a tremendous idea.

0:18:25 > 0:18:28How about we make this moment, right now, the very last reference

0:18:28 > 0:18:30to politics until after the wedding?!

0:18:30 > 0:18:32- Drink?- Good idea.

0:18:37 > 0:18:39Has it been ghastly?

0:18:39 > 0:18:41On the contrary, I've been having rather a time of it.

0:18:42 > 0:18:45Well, you know what she wants, don't you?

0:18:45 > 0:18:47- She wants the past. - She wants a fiction.

0:18:47 > 0:18:50I love fiction and I love friction. Plenty of both here.

0:18:50 > 0:18:52Anyway, what about you?

0:18:52 > 0:18:54Apart from the happy return of Conservative bottoms

0:18:54 > 0:18:59- to where they rightfully belong? - I found some time to enjoy myself.

0:19:01 > 0:19:02Robert well, then, is he?

0:19:10 > 0:19:11You and Phoebe?

0:19:13 > 0:19:14What?

0:19:14 > 0:19:15Well...

0:19:17 > 0:19:19Do you love her?

0:19:19 > 0:19:20Don't embarrass him, Mother.

0:19:22 > 0:19:24Remember the old bridge, John?

0:19:27 > 0:19:30- Grace.- Don't embarrass him, Mother.

0:19:30 > 0:19:33It isn't just about Bert and Phoebe, is it?

0:19:33 > 0:19:36- Isn't it? - No. It's an attack on our history.

0:19:36 > 0:19:39It's telling anyone who has stood on that bridge and held hands

0:19:39 > 0:19:45with a future, that it's not theirs. Our history, chased off at gunpoint.

0:19:45 > 0:19:49They were on their land. That's the end of it.

0:20:03 > 0:20:04DOOR OPENS

0:20:05 > 0:20:08Eh, look who I found on the doorstep?

0:20:08 > 0:20:12We wanted to thank you for the party.

0:20:12 > 0:20:13Aye, best day of our lives.

0:20:13 > 0:20:17BABY CRIES

0:20:17 > 0:20:19I'll have to feed her.

0:20:19 > 0:20:21Right, we'll, er, leave you women to it.

0:20:37 > 0:20:40CRYING CEASES

0:20:40 > 0:20:41When will you tell her?

0:20:43 > 0:20:45- What?- You know.

0:20:46 > 0:20:47What?

0:20:48 > 0:20:49Her history.

0:20:54 > 0:20:57Arnold went to a lot of expense last night.

0:20:57 > 0:20:59And there's a lot of tidying up to do!

0:21:05 > 0:21:07How did the Shakespeare go?

0:21:10 > 0:21:11Honestly?

0:21:12 > 0:21:15The mistake us teachers make with children and Shakespeare

0:21:15 > 0:21:18is Midsummer Night's Dream, because we think that

0:21:18 > 0:21:20cos it's all full of magic they're all going to love it.

0:21:20 > 0:21:23But they don't. They want Macbeth,

0:21:23 > 0:21:27because it's bloody and it's short and there's more poetry

0:21:27 > 0:21:30in him and her than in all of Bottom and Puck.

0:21:30 > 0:21:32They loved it.

0:21:37 > 0:21:39What are we going to do?

0:21:40 > 0:21:41I don't know.

0:21:48 > 0:21:50Thank you, Portis.

0:21:52 > 0:21:54So...who's coming?

0:21:54 > 0:21:58Oh... Erm, two Mauds.

0:21:58 > 0:21:59Right.

0:21:59 > 0:22:01One Edith and two Ernests.

0:22:03 > 0:22:05- And what are they...- Like?

0:22:05 > 0:22:07They are bold and fast.

0:22:07 > 0:22:12Actually, one of the Ernests is, eh...

0:22:12 > 0:22:14is eligible.

0:22:20 > 0:22:22Do you remember what you said?

0:22:22 > 0:22:25- She's still a child, in a way. - Yes, why is that?

0:22:27 > 0:22:29She had some unhappiness.

0:22:32 > 0:22:34And now she needs some fun.

0:23:02 > 0:23:05Here he is - our vicar on a mission.

0:23:05 > 0:23:08I've counted at least three more paths you intend to block off.

0:23:08 > 0:23:12I don't understand your problem. The way the Allinghams see it,

0:23:12 > 0:23:16you can cycle where you like. You're married in, aren't you?

0:23:16 > 0:23:17You're one of them.

0:23:20 > 0:23:22OTHER MEN LAUGH

0:23:42 > 0:23:43Would an Allingham do that?

0:23:49 > 0:23:51- Wouldn't you miss this?- Yeah.

0:23:51 > 0:23:55But I don't want to look at it every day for the rest of my life.

0:23:57 > 0:23:58These are good.

0:24:00 > 0:24:04Thomas likes his without butter. And Louis won't touch egg.

0:24:06 > 0:24:09I look after them, Bert. I'm the only mother they've known.

0:24:14 > 0:24:17I used to think I couldn't leave, either.

0:24:17 > 0:24:21Not after Joe. Not with the farm how it was.

0:24:21 > 0:24:26But...my father's got Henry now and the farm...

0:24:29 > 0:24:30..it works.

0:24:33 > 0:24:34You can't stay here, can you?

0:24:36 > 0:24:38Then...neither can I.

0:24:58 > 0:25:01BABY CRIES

0:25:07 > 0:25:09Agnes?

0:25:12 > 0:25:13Hey.

0:25:16 > 0:25:19My granddaughter will be needing a feed. Go on.

0:25:28 > 0:25:31This one was only trying to clean up after her own wedding.

0:25:31 > 0:25:33Was she now?

0:25:34 > 0:25:38You've done so much for us. I just... I just wanted to do my bit.

0:25:40 > 0:25:42Your bit in life will be making my son happy,

0:25:42 > 0:25:44not skivvying at a dance hall.

0:25:47 > 0:25:49You're no Cinderella.

0:25:49 > 0:25:50You're not wrong there, Arnold.

0:25:53 > 0:25:55APPROACHING FOOTSTEPS

0:25:55 > 0:25:58Well, he's lucky he's got friends in high places.

0:25:59 > 0:26:00Right, here he is.

0:26:06 > 0:26:09Rest assured, Andrew will be dealt with.

0:26:09 > 0:26:12He can be over-zealous at times, but he works hard.

0:26:14 > 0:26:17We don't have to tell Martha. Nobody need know.

0:26:18 > 0:26:21Is that what you think I want?

0:26:21 > 0:26:22We all make mistakes.

0:26:23 > 0:26:25It wasn't a mistake.

0:26:26 > 0:26:29LIVELY VOCAL SWING MUSIC

0:26:36 > 0:26:38What is that?

0:26:38 > 0:26:42Coon Sanders Original Nighthawk Orchestra, Lady Allingham.

0:26:44 > 0:26:47You'll be familiar with it by the end of the weekend,

0:26:47 > 0:26:51- if Harriet's crowd have any say. - Well, whatever the music...

0:26:52 > 0:26:55- ..it's a good match. - No question of it.

0:26:56 > 0:26:59Yes, come the next reshuffle, I'm sure Kilmartin will see to it

0:26:59 > 0:27:02that his new son-in-law is in the right place.

0:27:09 > 0:27:13Men can push against a mother's guidance now and again.

0:27:14 > 0:27:18But he sees that you're right and when he's the new Home Secretary,

0:27:18 > 0:27:20he'll see that even more clearly.

0:27:22 > 0:27:26Your assistance in, er, helping him to see it,

0:27:26 > 0:27:28hasn't gone unnoticed.

0:27:29 > 0:27:31One big happy family.

0:27:34 > 0:27:36He is happy, isn't he?

0:27:39 > 0:27:40Oh, yes.

0:27:43 > 0:27:46Ghana Jones. Where's he now?

0:27:46 > 0:27:50Liverpool. They won't let him fight championship bouts,

0:27:50 > 0:27:53- so he's doing something about it. - What do you mean? What can he do?

0:27:53 > 0:27:56America. He's going to America.

0:27:56 > 0:28:01When we're grey and old, this'll be us -

0:28:01 > 0:28:04drinks in The Lamb and a good woman at home.

0:28:06 > 0:28:10Speaking of which, any deeper "conversations" with Miss Rundle?

0:28:10 > 0:28:11- No!- Right.

0:28:14 > 0:28:17You're in good company. You and him.

0:28:21 > 0:28:23Arrested, apparently.

0:28:26 > 0:28:28I wonder who he was intertwining with?

0:28:28 > 0:28:31TRIO STIFLE LAUGHTER

0:28:32 > 0:28:35HE CLEARS THROAT TELLINGLY

0:28:35 > 0:28:37HE CLEARS THROAT TELLINGLY AGAIN

0:28:37 > 0:28:39- What?- A changed man, right enough.

0:28:39 > 0:28:43Ah, you two are lovely and all that, just not as lovely

0:28:43 > 0:28:45as my wife and daughter.

0:28:49 > 0:28:50He's found it, hasn't he?

0:28:50 > 0:28:52It's all he ever wanted.

0:28:59 > 0:29:00And you?

0:29:01 > 0:29:03Hmm? Oh, I'm fine.

0:29:05 > 0:29:06Wedded to teaching.

0:29:09 > 0:29:11I wish I was Ghana Jones.

0:29:15 > 0:29:17Then go, Bert.

0:29:17 > 0:29:23Stop talking about it and act. Leave the village

0:29:23 > 0:29:26and go after whatever it is that you want.

0:29:26 > 0:29:28Cos if you don't then...

0:29:33 > 0:29:34Out.

0:29:44 > 0:29:47He's a good man - Mr Eyre.

0:29:47 > 0:29:49Yes, he is.

0:29:52 > 0:29:53He knows his own mind.

0:29:55 > 0:29:56Yes.

0:30:00 > 0:30:02The kind of man you could take advice from.

0:30:02 > 0:30:05Why are you telling me this?

0:30:06 > 0:30:08And what are you not telling me?

0:30:11 > 0:30:13Is everything all right...

0:30:13 > 0:30:15between you and father?

0:30:16 > 0:30:20Everything's fine. Is that what you've been worrying about?

0:30:20 > 0:30:22The farm is good?

0:30:24 > 0:30:26The farm is good.

0:30:36 > 0:30:37I'm proud of you all.

0:30:38 > 0:30:42And I know that I'll be proud of you all tomorrow.

0:30:45 > 0:30:46The sunshine is coming back.

0:30:49 > 0:30:54The life that was lived here when I was a child is here again.

0:31:22 > 0:31:23You didn't ask.

0:31:23 > 0:31:25What?

0:31:26 > 0:31:31I looked at you and I looked at you and I waited.

0:31:32 > 0:31:35The moment was there, Bert, and you, you didn't take it.

0:31:39 > 0:31:41I can't come with you anyway.

0:31:41 > 0:31:44And it's not just cos of the boys.

0:31:44 > 0:31:48I don't want to leave. You can't be here.

0:31:48 > 0:31:53I can hear it and see it in everything you do and say.

0:31:53 > 0:31:54And I can't be anywhere else.

0:32:00 > 0:32:01But I love you.

0:32:05 > 0:32:06And you love me.

0:32:13 > 0:32:14It's not enough.

0:32:26 > 0:32:31Well, what a delight to have you back in our midst, Lord Kilmartin.

0:32:31 > 0:32:33The pleasure is all mine, Lady Allingham. And if I may?

0:32:33 > 0:32:35- Oh!- Mm.

0:32:36 > 0:32:38Is your wife joining us?

0:32:38 > 0:32:40Teaching, I'm afraid.

0:32:40 > 0:32:43Martha has a job, Daddy. Impressive, isn't it?

0:32:43 > 0:32:44The modern women.

0:32:44 > 0:32:48Well, a toast. To Eddie and Harry, a modern pair.

0:32:48 > 0:32:51SOME OTHERS: A modern pair.

0:32:53 > 0:32:56And to the union of our two families.

0:32:56 > 0:32:58ALL: Hear, hear!

0:32:58 > 0:33:00CAR HORN OUTSIDE

0:33:00 > 0:33:03Oh! They're here!

0:33:04 > 0:33:07LAUGHTER OUTSIDE

0:33:13 > 0:33:16Oh, do you mind if my friends join us for lunch?

0:33:16 > 0:33:17Of course not.

0:33:21 > 0:33:23Which one is Ernest?

0:33:39 > 0:33:42CHILDREN SING

0:34:02 > 0:34:04I'm taking your advice.

0:34:08 > 0:34:09You're leaving?

0:34:09 > 0:34:12I've not told my parents. Not yet.

0:34:12 > 0:34:14Well you'll have to.

0:34:17 > 0:34:19- Where are you...? - Liverpool.

0:34:19 > 0:34:20Ghana.

0:34:22 > 0:34:23- He's erm ...- America.

0:34:27 > 0:34:30Er... Look, it's not much...

0:34:30 > 0:34:32- Oh, no, no.- Take it.

0:34:32 > 0:34:34For me.

0:34:47 > 0:34:50- Have you told Phoebe? - She told me, really.

0:34:52 > 0:34:53Are you all right?

0:34:56 > 0:34:57I wanted to thank you.

0:34:58 > 0:35:00Why?

0:35:00 > 0:35:02You've given me the push I needed.

0:35:02 > 0:35:05The right advice from a good man.

0:35:05 > 0:35:07What was it that American President said?

0:35:07 > 0:35:09Which one?

0:35:09 > 0:35:11You told us about it. Ideas shared...

0:35:13 > 0:35:19"He who receives an idea from me receives it without lessening me,

0:35:19 > 0:35:25"as he who lights his candle at mine receives light without darkening me."

0:35:25 > 0:35:27Thomas Jefferson.

0:35:40 > 0:35:42GUNSHOTS

0:35:44 > 0:35:47HE WHIMPERS

0:35:50 > 0:35:51Pull!

0:35:56 > 0:35:59- She's a crack shot. - Did you teach her to shoot?

0:35:59 > 0:36:01Oh, yes.

0:36:01 > 0:36:02Watch this.

0:36:02 > 0:36:03Pull!

0:36:08 > 0:36:10LAUGHTER

0:36:11 > 0:36:14You bastards! All of you!

0:36:16 > 0:36:18Good shot!

0:36:19 > 0:36:21I'm sorry!

0:36:22 > 0:36:24I'll get you a new one, of course.

0:36:24 > 0:36:26HE LAUGHS

0:36:26 > 0:36:30Well done, girl! Don't wait for the old man!

0:36:35 > 0:36:37Margaret, you got your finery laid out for tomorrow?

0:36:37 > 0:36:42Oh! Lady Allingham is terribly disappointed that I cannot attend(!)

0:36:42 > 0:36:46But I'll tell you what I told her - "Lady Allingham," I said,

0:36:46 > 0:36:48"it's wash day.

0:36:48 > 0:36:51"Even if it were the wedding of the Prince of Wales his-self,

0:36:51 > 0:36:54"my Henry's dirty smalls wait for no man."

0:36:54 > 0:36:55LAUGHTER

0:36:55 > 0:36:58I expect you'll be going though, eh?

0:37:01 > 0:37:03Er, Peter, I'll get this.

0:37:03 > 0:37:07A man jailed for his principles deserves a drink.

0:37:07 > 0:37:09Man needs his lemonade.

0:37:12 > 0:37:14The old bridge is just the start.

0:37:17 > 0:37:18Look.

0:37:18 > 0:37:19Bloody hell.

0:37:19 > 0:37:23- Excuse me, I'm going to have a word. - I won't stop going. They can keep arresting me.

0:37:23 > 0:37:27BARTENDER: Aye, and they'll keep letting you out and all. The revolving Reverend!

0:37:27 > 0:37:28LAUGHTER

0:37:28 > 0:37:31Let's see.

0:37:31 > 0:37:35The Edge, Snake Pass, the top path to the Chinley Road,

0:37:35 > 0:37:37all to be fenced and gated.

0:37:37 > 0:37:39I drive my sheep over Snake Pass.

0:37:39 > 0:37:41Not this winter.

0:37:41 > 0:37:43Will you be walking that way again?

0:37:43 > 0:37:44Tomorrow.

0:37:44 > 0:37:48- Well, would you like someone to walk alongside you?- Aye.

0:37:48 > 0:37:50Me an' all.

0:37:50 > 0:37:52They can't arrest us all, can they?

0:37:52 > 0:37:55Here, I thought you said tomorrow were wash day.

0:37:55 > 0:37:57Well, it is. But this is important, isn't it?

0:37:58 > 0:38:00I'd say it was.

0:38:03 > 0:38:05Grace. Grace.

0:38:06 > 0:38:08Why are you running away?

0:38:08 > 0:38:1111 months! And not a word.

0:38:11 > 0:38:16I was in Westminster, Grace. We were trying to stay in power with a minority government.

0:38:16 > 0:38:18You made this village matter.

0:38:18 > 0:38:23You said you felt at home here, that we were your people.

0:38:23 > 0:38:25I was representing you - down there.

0:38:25 > 0:38:27It's what I was doing day and night.

0:38:27 > 0:38:30- Well, you never came back. Not once. - I'm here now.

0:38:30 > 0:38:31Yeah, now it's over!

0:38:31 > 0:38:34Now you're not in power anymore. Now you've got time to...

0:38:34 > 0:38:36I came to see you.

0:38:40 > 0:38:41What?

0:38:41 > 0:38:46I came to see you, Grace. Answer me this. One question.

0:38:46 > 0:38:47That's all.

0:38:48 > 0:38:50Are you pleased to see me?

0:38:53 > 0:38:55I've got to get home.

0:39:05 > 0:39:06MUFFLED CHAT

0:39:10 > 0:39:12DOORBELL

0:39:15 > 0:39:20They let Robin out. The trespassing Minister is free to trespass again.

0:39:20 > 0:39:23It's a clever move.

0:39:23 > 0:39:27The Left love a martyr and a man of God jailed for walking this

0:39:27 > 0:39:31green and pleasant land is as good as martyrs get.

0:39:31 > 0:39:33Are you drunk, Arnold?

0:39:36 > 0:39:37Yes.

0:39:39 > 0:39:41You should have more sense.

0:39:41 > 0:39:45Men of God, they know what they want and they stick to it.

0:39:45 > 0:39:49He's trespassing again tomorrow. The Allinghams have got a fight on with God.

0:39:49 > 0:39:52HE LAUGHS

0:39:52 > 0:39:55Why's it so funny? I thought you voted Conservative.

0:39:55 > 0:39:59Oh, come on, Norma. Enough deference to the Big House.

0:39:59 > 0:40:01Don't use big words with me, Arnold Hankin.

0:40:01 > 0:40:04We're to be guests at their wedding.

0:40:04 > 0:40:07And you think to sit there accepting their hospitality while all

0:40:07 > 0:40:10the time you're supporting those that would trespass on their land?

0:40:10 > 0:40:13Oh, you sound like the Lord's Prayer.

0:40:13 > 0:40:16Like I said - enough deference.

0:40:16 > 0:40:18What's the answer to my question?

0:40:21 > 0:40:24And you're right. So I won't go...

0:40:24 > 0:40:26to the wedding.

0:41:06 > 0:41:09CHATTER AND LAUGHTER

0:41:20 > 0:41:23- Are they keeping you awake?- Oh!

0:41:25 > 0:41:27Are you not joining in?

0:41:30 > 0:41:31No, not really my thing.

0:41:45 > 0:41:47CAR HORN

0:41:47 > 0:41:50LAUGHTER AND SHOUTING

0:41:55 > 0:41:57- Robert!- Yes!

0:42:03 > 0:42:05Oh! Look, darling, it...

0:42:13 > 0:42:14Dear chap!

0:42:14 > 0:42:16How are you?

0:42:16 > 0:42:18Of course. Come in, come in, come in.

0:42:44 > 0:42:46We're off.

0:42:47 > 0:42:51- Where are you going? - To show Allinghams that their fences won't keep us off the land.

0:42:51 > 0:42:54- I want to show you something. - Well, won't it wait?

0:43:28 > 0:43:29You've seen sense?

0:43:32 > 0:43:33It's very lovely.

0:43:35 > 0:43:36You look beautiful.

0:43:40 > 0:43:42What is it, Norma? Why are you so angry?

0:43:42 > 0:43:44Don't you listen?

0:43:44 > 0:43:47Yes, but what you're feeling goes beyond what you're saying.

0:43:49 > 0:43:53I'm your husband. You can talk to me.

0:43:59 > 0:44:01Not that tie. Wear the blue one.

0:44:58 > 0:45:01Oh, lost your way, Robert?

0:45:01 > 0:45:04Just wanted to wish the groom good luck.

0:45:04 > 0:45:06Oh! Of course.

0:45:14 > 0:45:16- Darling...- Oh! Mother!

0:45:27 > 0:45:29Do you enjoy embarrassing me, Edmund?

0:45:33 > 0:45:35I'm not sure what you mean.

0:45:36 > 0:45:39I've only ever wanted to secure your future.

0:45:42 > 0:45:43The future of this family.

0:45:45 > 0:45:48You have. I'm marrying Harriet.

0:45:51 > 0:45:53You do still want it, don't you?

0:45:53 > 0:45:55Yes, but you have to do it properly!

0:45:56 > 0:46:02You, you and Harriet... You...

0:46:02 > 0:46:04You have to BE married.

0:46:06 > 0:46:07You mean you want grandchildren.

0:46:09 > 0:46:11- Well... - And homo sex won't give you one.

0:46:11 > 0:46:14I don't believe you have to be an invert!

0:46:17 > 0:46:22I... I think that...you can conquer it.

0:46:25 > 0:46:30Harry's a cure(!) A good dose of wife, will sort out the queer in me(?)

0:46:30 > 0:46:38This house, this family, this line.

0:46:39 > 0:46:43You'll only know what it means when it's left to you to protect it.

0:46:44 > 0:46:48And you'll only understand me... when I'm gone.

0:47:04 > 0:47:06It's a good turnout.

0:47:07 > 0:47:09Looks like there's more coming.

0:47:11 > 0:47:13It's Bill Gibby.

0:47:17 > 0:47:22FOOTSTEPS

0:47:22 > 0:47:24Guests are arriving.

0:47:28 > 0:47:32You never married, Mr Bairstow? Why is that?

0:47:36 > 0:47:37Never had the need.

0:47:40 > 0:47:43I'm not a queer. In case you were asking.

0:47:48 > 0:47:54I married here myself, you know. An unseasonably cold day in June.

0:47:59 > 0:48:04Even at 19, I knew it wasn't for love.

0:48:08 > 0:48:11The future Home Secretary is about to get a wife.

0:48:13 > 0:48:15And the sun is shining.

0:48:28 > 0:48:29What's in the bag?

0:48:29 > 0:48:31Clothes.

0:48:32 > 0:48:34Why?

0:48:35 > 0:48:37I'm going to carry on walking, Mother.

0:48:39 > 0:48:46- What? - I'm with you for this and then... I'm the other way down Chinley Road.

0:48:48 > 0:48:50Why?

0:48:50 > 0:48:51I'm leaving.

0:48:53 > 0:48:55Bert...

0:48:55 > 0:48:56Liverpool.

0:48:56 > 0:49:02Ghana's going to be there next week and the way he speaks, Mother,

0:49:02 > 0:49:04about his life...

0:49:07 > 0:49:09- Bert, I... - Grace.

0:49:11 > 0:49:13Bert Middleton, the boxer. How are you, son?

0:49:13 > 0:49:17I'm... I'm just say going to say hello to Mr Eyre.

0:49:19 > 0:49:24- I thought you'd like some support. - We appreciate it. Thank you.

0:49:24 > 0:49:27- They're not going to be able to ignore us now, eh, Grace?- Yeah.

0:49:29 > 0:49:31Please be upstanding for the bride.

0:49:31 > 0:49:36MUSIC: "Bridal Chorus" by Wagner

0:50:00 > 0:50:01Please be seated.

0:50:05 > 0:50:06Dearly beloved...

0:50:06 > 0:50:08They're the thieves.

0:50:08 > 0:50:12This is our land and we'll walk on it when we want to. What do you say?

0:50:12 > 0:50:13ALL: Yes!

0:50:13 > 0:50:17Bill, I don't usually go that way. Besides, it overlooks Allingham Hall.

0:50:17 > 0:50:22What's the point of a protest if no-one sees it! Let's go!

0:50:22 > 0:50:26- Mother...- Let's not speak about it.

0:50:26 > 0:50:32I want our last hours together to be good ones. Come on.

0:50:39 > 0:50:44MUSIC: "Wedding March" by Mendelssohn

0:50:50 > 0:50:52I will make him happy.

0:50:55 > 0:50:57For better or for worse.

0:51:08 > 0:51:10Get yourself up the Big House.

0:51:20 > 0:51:24CHATTER AND LAUGHTER

0:51:40 > 0:51:41White Russian.

0:51:43 > 0:51:45Rescued from the Bolsheviks?

0:51:48 > 0:51:49Hmm!

0:51:49 > 0:51:51HE CHUCKLES

0:51:59 > 0:52:00Excuse me.

0:52:01 > 0:52:03Oh, for God's sake!

0:52:05 > 0:52:08Was he laughing at me? Did I say something wrong?

0:52:08 > 0:52:09Nothing.

0:52:09 > 0:52:11Oh, come on, Norma.

0:52:13 > 0:52:15People have been laughing at me for years.

0:52:15 > 0:52:18No. They haven't.

0:52:19 > 0:52:21And do you know why?

0:52:22 > 0:52:26Because I want to be something more, something better.

0:52:31 > 0:52:32I want this.

0:52:32 > 0:52:35What is wrong with that?

0:52:36 > 0:52:39Is that it? Is that all?

0:52:40 > 0:52:43Then why have you been so angry with Gilbert and Agnes?

0:52:47 > 0:52:50Because I am jealous. Because I want what they have.

0:52:52 > 0:52:55I want a child. I want a baby, Arnold.

0:52:57 > 0:52:59I know.

0:53:04 > 0:53:07Stop them looking. Stop them laughing at me.

0:53:16 > 0:53:20- Come on, George, you're a soldier, finish your milk.- Go.

0:53:40 > 0:53:42You can't come through here.

0:53:44 > 0:53:47And what are you going to do? Arrest all of us?

0:53:47 > 0:53:49How much are you paid for your work?

0:53:49 > 0:53:53Is it enough for this? Where does your loyalty lie, man?

0:53:53 > 0:53:56Your employer or your class? Come on!

0:54:02 > 0:54:04From one small protest.

0:54:04 > 0:54:05Grows a movement.

0:54:12 > 0:54:14What are you doing?

0:54:14 > 0:54:18Come on, George, you're not a pansy, are you?

0:54:18 > 0:54:19What's wrong with you?

0:54:22 > 0:54:25HE PANTS

0:54:27 > 0:54:29Turn around.

0:54:29 > 0:54:30No, we're going for a walk.

0:54:30 > 0:54:34You've been told once. We won't go easy a second time.

0:54:34 > 0:54:36It's a peaceful protest.

0:54:36 > 0:54:39Take it elsewhere. You're not coming through here.

0:54:39 > 0:54:42CLAMOUR

0:54:42 > 0:54:44And you three intend to stop us?

0:54:44 > 0:54:45We do.

0:54:47 > 0:54:49You can't stop us.

0:54:49 > 0:54:51And neither will that.

0:54:51 > 0:54:54CLAMOUR

0:54:54 > 0:54:56GUNSHOT

0:54:57 > 0:54:59SILENCE

0:55:04 > 0:55:08A FEW VOICES

0:55:10 > 0:55:11Bill...

0:55:24 > 0:55:26Now! Come on!

0:55:26 > 0:55:30ROAR

0:55:33 > 0:55:39GUNSHOTS

0:55:47 > 0:55:51Listen to me! I suggest you all go home!

0:55:51 > 0:55:55- Bert!- Or my next shot will be more than a warning.

0:55:58 > 0:55:59Bolsheviks!

0:56:02 > 0:56:04GUNSHOT

0:56:07 > 0:56:11HE PANTS

0:56:11 > 0:56:13GUNSHOT

0:56:18 > 0:56:20HE WHIMPERS AND SOBS

0:56:29 > 0:56:31SHOUTING

0:56:31 > 0:56:32Bert!

0:56:52 > 0:56:54Grace!

0:57:17 > 0:57:19John! John!

0:57:20 > 0:57:21John!

0:57:27 > 0:57:29John! John!

0:57:33 > 0:57:38Go on. Keep going. Keep going. John! John!

0:57:41 > 0:57:47John, John, can you hear me? John, it's Grace.

0:57:47 > 0:57:49John, John.

0:57:49 > 0:57:53Come on, John. John, listen to me. John.

0:57:55 > 0:57:56John. Can you hear me, John?

0:57:58 > 0:58:00John.

0:58:00 > 0:58:03HE WHIMPERS AND SCREAMS

0:58:05 > 0:58:09John, John. Come on. John.

0:58:09 > 0:58:11John!