Episode 3

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0:00:02 > 0:00:03It's not Ivy.

0:00:03 > 0:00:05Whatever happens, I'll be here.

0:00:05 > 0:00:06I'm getting married.

0:00:08 > 0:00:10He's taken another girl.

0:00:10 > 0:00:11Why take Phoebe?

0:00:11 > 0:00:12Maybe he plans to hole up,

0:00:12 > 0:00:14recreate what he had with Ivy.

0:00:14 > 0:00:18Everything's changed, except me and you. I love you.

0:00:18 > 0:00:20Ivy, wait!

0:00:20 > 0:00:22You don't want us to find him, do you?

0:00:22 > 0:00:26You walked up to him, your abductor, and you took his hand.

0:00:28 > 0:00:29This was ours.

0:00:29 > 0:00:32She's lying to us and making a fool of you.

0:00:33 > 0:00:34Ah!

0:00:37 > 0:00:39# Kiss your face

0:00:41 > 0:00:43# Turn your cheek

0:00:44 > 0:00:48# Lay your head down, lay your head down

0:00:50 > 0:00:54# Lay your head down, lay your head down. #

0:01:25 > 0:01:26Be quiet!

0:01:27 > 0:01:30I'm not going to hurt you. I'm not going to hurt you, Ivy.

0:01:31 > 0:01:33I'm not going to hurt you. Just take me to my daughter!

0:01:33 > 0:01:35- No!- Em, no, wait!

0:01:35 > 0:01:36Ah!

0:01:38 > 0:01:39Oh!

0:01:40 > 0:01:41Ivy?!

0:01:43 > 0:01:45Trust me. You're safe.

0:01:45 > 0:01:46Speak to me, darling.

0:02:11 > 0:02:13Are you OK, Ivy?

0:02:21 > 0:02:23You're sure you're not hurt?

0:02:27 > 0:02:28How about you, Em?

0:02:28 > 0:02:31Phoebe's father has been taken to the station.

0:02:31 > 0:02:34I'm sure it's a small comfort, but we'll make sure he's charged.

0:02:35 > 0:02:37No.

0:02:37 > 0:02:39That man deserves to be punished.

0:02:41 > 0:02:43He is being punished.

0:02:50 > 0:02:51Where are you going, darling?

0:02:52 > 0:02:54Bath, that's what's needed.

0:02:54 > 0:02:56I'll go heavy on the bubbles, I promise.

0:03:00 > 0:03:02I thought he was going to...

0:03:02 > 0:03:03Hey, hey, hey...

0:03:05 > 0:03:07You were very brave.

0:03:16 > 0:03:18I think it's how you like it.

0:03:19 > 0:03:20On the hot side of hot.

0:03:22 > 0:03:24I'll leave you to it.

0:03:25 > 0:03:26I'm sorry.

0:03:29 > 0:03:32Just shout down if you need anything.

0:03:41 > 0:03:42DOOR CLOSES

0:04:09 > 0:04:11Christina, please...

0:04:12 > 0:04:14I trusted you.

0:04:14 > 0:04:16Why was Ivy left alone out there?

0:04:16 > 0:04:19It was a...lapse of judgment.

0:04:19 > 0:04:20She...

0:04:20 > 0:04:22She was upset.

0:04:22 > 0:04:24- Upset, how?- What had you said?

0:04:26 > 0:04:30Ivy asked to be taken to Tim Hobson's on the way home.

0:04:31 > 0:04:34It doesn't matter what she asked. You shouldn't have left her.

0:04:35 > 0:04:37PHONE RINGS

0:04:37 > 0:04:39It's not so easy to explain.

0:04:39 > 0:04:40That's not us done with this, Tim.

0:04:40 > 0:04:42Not even close.

0:04:42 > 0:04:45- Hello? - 'What went on tonight, Tim?'

0:04:45 > 0:04:47- Is she OK? - 'Not really. Did something happen?'

0:04:49 > 0:04:50Ivy...

0:04:50 > 0:04:52She, erm...

0:04:52 > 0:04:54She had things she wanted to tell me.

0:04:54 > 0:04:57'What kind of things?'

0:04:57 > 0:04:59What's he... What's he saying?

0:04:59 > 0:05:00What kind of things, Tim?

0:05:02 > 0:05:04Personal...things.

0:05:06 > 0:05:08I had to tell her, I'm...

0:05:09 > 0:05:11..I'm married.

0:05:11 > 0:05:14And it took you this long to tell her?

0:05:14 > 0:05:15'Sorry, I...'

0:05:15 > 0:05:16- SHE HANGS UP THE PHONE - Shit!

0:05:23 > 0:05:25I should have asked about...

0:05:25 > 0:05:27It's not your fault.

0:05:27 > 0:05:30- I'm the one who pushed the whole Tim thing.- If Ivy had known...

0:05:31 > 0:05:33My poor, poor baby.

0:05:35 > 0:05:38MUFFLED CONVERSATION DOWNSTAIRS

0:05:50 > 0:05:53I want you removed as our FLO.

0:06:02 > 0:06:04I'm sorry I let you down.

0:06:09 > 0:06:11We've, erm...

0:06:11 > 0:06:13We've a number of brilliant liaison officers.

0:06:13 > 0:06:16We can set up a meeting and get you someone you're happy with.

0:06:16 > 0:06:19- I don't think we want anyone else. - You lot, what use are you, exactly?

0:06:19 > 0:06:24Mrs Moxam, believe me, we understand you feeling frustrated.

0:06:24 > 0:06:25A little more than that.

0:06:25 > 0:06:28Any more interviews, they take place here.

0:06:28 > 0:06:29It all comes through us now.

0:06:29 > 0:06:32- With due respect, there's a missing girl...- We understand.

0:06:33 > 0:06:36We'll contact you when we next need to speak to Ivy.

0:06:54 > 0:06:56- I mean, if we... - If we give them space...

0:06:58 > 0:07:01- Sorry, you go. - How gentlemanly of you.

0:07:03 > 0:07:04It's a missing girl investigation.

0:07:04 > 0:07:07If we're not careful, it will become a murder investigation.

0:07:07 > 0:07:09- We need total access to Ivy at all times.- Which we'll have.

0:07:10 > 0:07:14A little...delicacy was required, that's all.

0:07:15 > 0:07:18It strikes me this is good for one thing.

0:07:18 > 0:07:19Oh, yeah?

0:07:20 > 0:07:23It reminds us that Ivy's still a victim in all of this.

0:07:26 > 0:07:29HE STARTS THE CAR

0:08:14 > 0:08:16Tim...

0:08:16 > 0:08:18Ivy didn't know who I was.

0:08:21 > 0:08:23I've hurt her.

0:08:24 > 0:08:27After everything Ivy's been through...

0:08:28 > 0:08:29..I've hurt her.

0:08:35 > 0:08:38Ivy's our strongest lead to finding Phoebe.

0:08:38 > 0:08:40I'm relying on you both.

0:08:42 > 0:08:44Be Ivy's point of contact.

0:08:44 > 0:08:46Better yet...

0:08:46 > 0:08:47be her friend.

0:08:48 > 0:08:53I'd... I'd hate to appear less than professional, sir.

0:08:53 > 0:08:57A ten-year-old girl has been in the care of a rapist for two days.

0:08:57 > 0:09:00Your qualms, Elliott, don't really interest me.

0:09:01 > 0:09:03We do whatever it takes to bring Phoebe home.

0:09:14 > 0:09:17Promise me you won't do anything like that again.

0:09:17 > 0:09:19You could have been hurt.

0:09:20 > 0:09:22- I was fine.- You could have not been.

0:09:24 > 0:09:26For me.

0:09:27 > 0:09:29You're my girl.

0:09:45 > 0:09:47KNOCK ON DOOR

0:09:48 > 0:09:49Come in.

0:09:54 > 0:09:56Couldn't sleep?

0:09:58 > 0:09:59Do you want to sleep in here tonight?

0:10:04 > 0:10:06You'll be OK on the sofa?

0:10:21 > 0:10:22That's me all set, then.

0:10:26 > 0:10:28Sorry.

0:10:28 > 0:10:29DOOR CLOSES

0:10:29 > 0:10:32You've nothing to say sorry for.

0:10:33 > 0:10:36You're my sister and you come first.

0:10:49 > 0:10:51I've found Craig another duvet.

0:10:52 > 0:10:54What he had was just too tragic.

0:10:56 > 0:10:58He's a good man.

0:11:02 > 0:11:03It might help you sleep.

0:11:03 > 0:11:05I haven't slept for years.

0:11:05 > 0:11:07I remember.

0:11:11 > 0:11:13I can't stop thinking about Robert Tarl.

0:11:13 > 0:11:16- Do you think we should have talked Ivy round to a charge?- No, I don't.

0:11:16 > 0:11:19I mean, I'm angry. I'm furious about what he did. But...

0:11:20 > 0:11:23..at the same time, I can't help feeling sorry for him.

0:11:23 > 0:11:25A father is meant to protect, you know?

0:11:27 > 0:11:29To feel, and that.

0:11:31 > 0:11:34And I know how that feels.

0:11:34 > 0:11:35Angus...

0:11:37 > 0:11:38..don't.

0:11:40 > 0:11:43The pull-out will wreck your back eventually.

0:11:43 > 0:11:45Get in with me tonight.

0:12:04 > 0:12:06Thanks.

0:12:26 > 0:12:28HE SNORES GENTLY

0:12:52 > 0:12:54You slept?

0:12:55 > 0:12:57I slept.

0:12:57 > 0:12:58Well done.

0:13:05 > 0:13:08- I just need to grab my work stuff. - No, Ivy, stay put.

0:13:10 > 0:13:13- I'll see you at the restaurant later, yeah?- Yeah, sure. Great.

0:13:21 > 0:13:23DOOR CLOSES

0:13:28 > 0:13:30My coffee tastes good this morning.

0:13:32 > 0:13:35I was joking. You don't need to get me a coffee every day.

0:13:35 > 0:13:37I like getting you a coffee every day.

0:13:37 > 0:13:40- You look like you're going somewhere.- We're going somewhere.

0:13:40 > 0:13:42Eloise Wye is in the interview room.

0:13:42 > 0:13:46We need to know the truth about what happened the day Ivy was abducted.

0:13:46 > 0:13:49I told Ivy to meet me outside the corner shop.

0:13:49 > 0:13:52- Why not at your house? - Because we were bunking.

0:13:53 > 0:13:57Why, then, when you didn't show, did Ivy begin walking to your house?

0:13:57 > 0:14:00To find me, no doubt.

0:14:00 > 0:14:05Was it your idea to go to the arcade that day and skip school?

0:14:08 > 0:14:09So where were you?

0:14:11 > 0:14:14I had this friend two years above - Sarah.

0:14:14 > 0:14:16I thought she was beyond cool

0:14:16 > 0:14:19and she said to come and bunk off with her.

0:14:19 > 0:14:22But Sarah said that Ivy couldn't come.

0:14:22 > 0:14:23Said she'd cramp our style.

0:14:24 > 0:14:27But Ivy was meeting you at 9am at the corner shop

0:14:27 > 0:14:29and when you didn't show,

0:14:29 > 0:14:32she assumed you'd been held up at home and went to find you.

0:14:32 > 0:14:33- Yes?- Yes.

0:14:33 > 0:14:35SHE CLEARS HER THROAT

0:14:35 > 0:14:38Mark White worked at Sunbridge High.

0:14:39 > 0:14:41Did you know him?

0:14:42 > 0:14:44That man worked at school?

0:14:44 > 0:14:46- Did you know him?- No.

0:14:47 > 0:14:49Did Ivy?

0:14:49 > 0:14:50What?

0:14:50 > 0:14:54Maybe she talked about him or mentioned an older man?

0:14:54 > 0:14:56She didn't know him.

0:14:58 > 0:15:00He did work there.

0:15:03 > 0:15:06I understand, after everything,

0:15:06 > 0:15:09you wanting to protect your friend.

0:15:09 > 0:15:12But if Ivy was in any way involved with this man....

0:15:12 > 0:15:13Involved with...?

0:15:13 > 0:15:15You mean, like...?

0:15:18 > 0:15:20Care in the community, this is!

0:15:23 > 0:15:27Ivy had barely even kissed a boy. And you think...

0:15:28 > 0:15:29You're way off the mark.

0:15:29 > 0:15:31KNOCKING ON THE DOOR

0:15:41 > 0:15:43I think I've got something on the Carol White front.

0:15:43 > 0:15:44A neighbour from way back,

0:15:44 > 0:15:47who seems to know something about the kidnapper's background.

0:15:47 > 0:15:48Great.

0:15:48 > 0:15:50We'll get down there. Nice work.

0:16:00 > 0:16:02Mum will go mad if I leave all of this.

0:16:08 > 0:16:11There! The evidence has gone.

0:16:11 > 0:16:14They got the address right, but it's for an Alison.

0:16:18 > 0:16:20It's what he called me.

0:16:20 > 0:16:22What do you mean?

0:16:24 > 0:16:26I wasn't allowed to be Ivy.

0:16:26 > 0:16:27That man...

0:16:27 > 0:16:28Careful, Angus.

0:16:28 > 0:16:30I'll call DI Carne. Emma, get me the phone.

0:16:30 > 0:16:32Emma, phone, please.

0:16:32 > 0:16:34I'm getting it. I'm getting it.

0:17:04 > 0:17:05Ivy?

0:17:07 > 0:17:09We're going to open the letter now, OK?

0:17:29 > 0:17:30What?

0:17:30 > 0:17:33What does he say?

0:17:33 > 0:17:36"Dear Alison, my Alison,

0:17:36 > 0:17:39"I wanted to write and say I know you didn't leave me.

0:17:39 > 0:17:40"I know you'll be back.

0:17:41 > 0:17:44"Our love is as it always was.

0:17:45 > 0:17:47"As is my forgiveness. Leonard."

0:17:49 > 0:17:51And then he ends it with a kiss.

0:17:51 > 0:17:52- ANGUS:- What does he want?

0:17:52 > 0:17:54It's hubris, plain and simple.

0:17:54 > 0:17:57Good news is, he's just brought us one step closer to finding him.

0:17:57 > 0:18:01- How has he?- The letter will be analysed to death.

0:18:01 > 0:18:04Watermark, style of writing, DNA traces...

0:18:04 > 0:18:07All of which will tell us where White was when he wrote it

0:18:07 > 0:18:10and where he could be holding Phoebe.

0:18:10 > 0:18:13But yet, it gives us the chance to open a dialogue with him.

0:18:13 > 0:18:15I write back?

0:18:15 > 0:18:18- We wouldn't ask you to do that. - But it was to me.

0:18:18 > 0:18:21We'll have a trained behavioural profiler work up a response.

0:18:22 > 0:18:24The police will reply, Ivy.

0:18:24 > 0:18:26Not you.

0:18:29 > 0:18:31Let's go.

0:18:43 > 0:18:45- WOMAN:- 'Henry, please call me back.

0:18:45 > 0:18:48'You staying away doesn't look good on you.'

0:18:48 > 0:18:49HE HANGS UP

0:18:56 > 0:18:58DOORBELL RINGS

0:18:58 > 0:18:59I'll get it.

0:19:10 > 0:19:12- Ivy, wait, please...- Tim.

0:19:13 > 0:19:15Don't. I think you'd better go.

0:19:17 > 0:19:20- Please, I just want to explain. - How are you going to do that?

0:19:20 > 0:19:22Er...I don't know.

0:19:22 > 0:19:25Have you any idea how difficult it must be for Ivy to trust people?

0:19:27 > 0:19:29And you took that trust, my little girl's...

0:19:30 > 0:19:32..and you shit all over it.

0:19:42 > 0:19:44DOOR CLOSES

0:20:06 > 0:20:09I guess we were smaller back then.

0:20:09 > 0:20:10It's the same, isn't it?

0:20:12 > 0:20:14Exactly the same.

0:20:23 > 0:20:25Why can't he leave me alone?

0:20:27 > 0:20:29I just want to get on with things...

0:20:30 > 0:20:32..with my family.

0:20:35 > 0:20:36Tim shouldn't have lied.

0:20:37 > 0:20:39- No.- No-one should.

0:20:50 > 0:20:52SHE SINGS SOFTLY

0:20:56 > 0:20:58- TOGETHER:- Tic-tac-toe...

0:21:07 > 0:21:10- DI CARNE:- Surely you're not going to sulk for the next 50 miles?

0:21:10 > 0:21:12Ivy's story tallies with Eloise's.

0:21:12 > 0:21:14There's no proof Ivy knew White at the school.

0:21:14 > 0:21:16But how do you explain the rest?

0:21:16 > 0:21:19Ivy's testimony being all over the shop.

0:21:19 > 0:21:22The fact that she actively sought him out in a shopping centre.

0:21:22 > 0:21:25And now she doesn't even flinch when he writes to her.

0:21:25 > 0:21:26She's protecting him.

0:21:26 > 0:21:28She isn't.

0:21:29 > 0:21:32I'm sorry, I don't want to have the same argument we had last night.

0:21:33 > 0:21:35What, in case it ends the same way?

0:21:43 > 0:21:46You lot don't half make a racket.

0:21:47 > 0:21:50I was watching Countdown and there was this crash.

0:21:50 > 0:21:54Loads of your lot charging into Carol's house.

0:21:56 > 0:21:58And I bet you didn't find anything.

0:21:59 > 0:22:01Well, we were hoping you could help us, Mrs Tedder.

0:22:02 > 0:22:05Besides Carol, who else lived there?

0:22:05 > 0:22:07Well, it wasn't her house, you see?

0:22:07 > 0:22:09It was her fancy man, Greg's.

0:22:10 > 0:22:12She and her boy...

0:22:12 > 0:22:16Yes, yes, yes, the charmer in all the news.

0:22:16 > 0:22:19..moved in back in '78.

0:22:19 > 0:22:22Eight years on, she kicked Mark out.

0:22:22 > 0:22:24Done her bit, she said.

0:22:24 > 0:22:26White would have been 16.

0:22:28 > 0:22:32If Dylan was seven, sounds about right.

0:22:32 > 0:22:33Dylan?

0:22:33 > 0:22:35The kid she had with Greg.

0:22:36 > 0:22:38He was a mistake.

0:22:38 > 0:22:41"A bottle-of-gin-shaped one," Carol used to say.

0:22:42 > 0:22:45A bit on the slow side, though.

0:22:45 > 0:22:48It's probably not PC for me to say that.

0:22:49 > 0:22:51White has a half-brother.

0:22:54 > 0:22:57Brevity wasn't Mrs Tedder's strong suit.

0:22:57 > 0:22:59Headlines... She's given us the brother.

0:22:59 > 0:23:02The minute we know anything about him, you'll know, sir.

0:23:02 > 0:23:05Also, some useful background on White.

0:23:05 > 0:23:08Hardly an unusual one.

0:23:08 > 0:23:11A social outcast. Tricky relationship with his mum.

0:23:11 > 0:23:13Abandonment issues.

0:23:13 > 0:23:16I mean, shit parenting doesn't give you a licence.

0:23:16 > 0:23:17Or else we'd all be in trouble.

0:23:18 > 0:23:20Speak for yourself.

0:23:20 > 0:23:23We've had a profiler look at the letter to Ivy.

0:23:23 > 0:23:26There are heavy scoring points to White's state of mind.

0:23:26 > 0:23:29Erratic, working in haste, prone to mistakes

0:23:29 > 0:23:31and entirely focused on Ivy.

0:23:33 > 0:23:34Which makes me think...

0:23:34 > 0:23:37Phoebe's disposable.

0:23:38 > 0:23:41Have our man draw up a response.

0:23:41 > 0:23:43I want it out there soon as.

0:23:43 > 0:23:45If we engage White, we might stand a chance

0:23:45 > 0:23:47of getting him to hand himself in.

0:24:15 > 0:24:17We'll be as quick as is humanly possible, Mrs Moxam.

0:24:20 > 0:24:21Ivy, hello.

0:24:31 > 0:24:33Have you written your letter yet?

0:24:35 > 0:24:36Sadly, it's not quite that simple.

0:24:37 > 0:24:40We've been looking into Mark White's family set-up,

0:24:40 > 0:24:43trying to build up a better picture of him.

0:24:43 > 0:24:44Did he have a half-brother?

0:24:48 > 0:24:51- He never talked about a Dylan?- No.

0:24:52 > 0:24:54You're absolutely certain that a Dylan Hawthorne

0:24:54 > 0:24:56was never mentioned by White?

0:24:58 > 0:25:00Yes.

0:25:01 > 0:25:02Odd.

0:25:03 > 0:25:05Because he is his half-brother.

0:25:05 > 0:25:07Eight years younger.

0:25:07 > 0:25:09He never said.

0:25:09 > 0:25:11OK, Ivy. Sorry to have wasted your time.

0:25:13 > 0:25:15Listen, with Alia being, erm...

0:25:16 > 0:25:18Well, I wanted to offer to take you to your appointment

0:25:18 > 0:25:21- with Dr Young later.- No need.

0:25:22 > 0:25:24My sister's taking me.

0:25:32 > 0:25:33Are you OK?

0:25:35 > 0:25:38Did something happen with the police?

0:25:49 > 0:25:51Everything's fine.

0:25:56 > 0:25:58Can we play Snake?

0:25:59 > 0:26:01I wish.

0:26:01 > 0:26:02It doesn't have it.

0:26:03 > 0:26:06And you'd only thrash me, anyway.

0:26:08 > 0:26:09There's lots of photos of you two.

0:26:11 > 0:26:13I hadn't really noticed.

0:26:13 > 0:26:15Is that him?

0:26:15 > 0:26:16He...

0:26:17 > 0:26:19He wants them of the both of you, not...

0:26:19 > 0:26:21not just you?

0:26:23 > 0:26:25What are all these?

0:26:25 > 0:26:28- Mostly totally useless.- Show me.

0:26:29 > 0:26:31I feel left behind.

0:26:34 > 0:26:35Better yet.

0:26:42 > 0:26:44You can have your very own.

0:26:57 > 0:27:00I can't imagine my little sister driving.

0:27:00 > 0:27:02Am I safe?

0:27:02 > 0:27:04"Slow and steady wins the race" is my motto.

0:27:04 > 0:27:06So you're dangerously safe.

0:27:06 > 0:27:07SHE TAPS ON THE WINDOW

0:27:09 > 0:27:11It's that girl from the pub. But...

0:27:11 > 0:27:13It's Eloise.

0:27:17 > 0:27:18Hi.

0:27:19 > 0:27:21Hi.

0:27:22 > 0:27:23Hi, Ivy.

0:27:23 > 0:27:25Eloise.

0:27:27 > 0:27:29Hi.

0:27:29 > 0:27:31I've dicked about with my hair so much,

0:27:31 > 0:27:33even I don't know what its actual colour is.

0:27:33 > 0:27:35Let alone the metal show.

0:27:35 > 0:27:38Sorry, I'm talking too much, aren't I?

0:27:38 > 0:27:40No change there, then.

0:27:40 > 0:27:44Is it a totally ridiculous question to ask you how you are?

0:27:45 > 0:27:46Yeah, totally ridiculous question.

0:27:46 > 0:27:48I heard you moved away.

0:27:48 > 0:27:50To the Big, Unfriendly Smoke, for my sins.

0:27:51 > 0:27:53So where are you staying?

0:27:53 > 0:27:54Tim's.

0:27:56 > 0:27:58On the sofa, obviously.

0:27:58 > 0:28:00You've come to get me to talk to him, haven't you?

0:28:00 > 0:28:03- He messed up, Eloise. - No arguments from me, I...

0:28:03 > 0:28:06I don't want to talk about Tim. I don't want to talk to Tim.

0:28:06 > 0:28:09Ivy, I don't give a shit about Tim. I came to talk to you.

0:28:13 > 0:28:17- WOMAN ON TV:- 'And we go live to the scene at Sunbridge High.'

0:28:17 > 0:28:20'Headmaster Henry Stone can't be reached for comment.

0:28:20 > 0:28:22- 'Sunbidge High itself...' - SHE TURNS THE TV OFF

0:28:25 > 0:28:27Just missed them.

0:28:27 > 0:28:30I told Em to call me when she's dropped her off at Dr Young's.

0:28:30 > 0:28:32And she's not to leave her on her own.

0:28:32 > 0:28:34Nice shirt.

0:28:35 > 0:28:36What's the occasion?

0:28:36 > 0:28:38Is it? I don't...

0:28:42 > 0:28:44Seeing them get on like this, well, it's...

0:28:46 > 0:28:47..it's a relief.

0:28:49 > 0:28:51I'm going to run into the office, make a few calls,

0:28:51 > 0:28:53keep things ticking over.

0:29:00 > 0:29:02- MAN ON TV:- 'The continued silence

0:29:02 > 0:29:05'has led to a growing clamour from concerned parents.'

0:29:08 > 0:29:10Henry, I'm worried about you.

0:29:10 > 0:29:12When I don't call back,

0:29:12 > 0:29:14you should take it as a clue, Angela.

0:29:14 > 0:29:17'The Board of Governors have called a meeting tomorrow.

0:29:17 > 0:29:20'I'm worried they'll go for a no-confidence vote in you.'

0:29:44 > 0:29:46I think I've got something...

0:29:46 > 0:29:48Dylan Hawthorne's medical history.

0:29:48 > 0:29:50I even threw in a shiny new folder.

0:29:51 > 0:29:54High standards you're setting yourself, Jesse.

0:29:54 > 0:29:57I can handle it. DI CARNE COUGHS

0:29:57 > 0:29:59I think that's your cue to go.

0:30:03 > 0:30:05Born in 1978.

0:30:05 > 0:30:08Underwent investigations by a paediatric neurologist.

0:30:08 > 0:30:11There's a deficiency noted, but it's typically vague.

0:30:11 > 0:30:14Then again, it was the '70s.

0:30:14 > 0:30:15Your era.

0:30:15 > 0:30:17You know the '70s isn't my era.

0:30:17 > 0:30:19And I'll stop you there.

0:30:19 > 0:30:21Because Dylan's got a criminal record.

0:30:22 > 0:30:251993, expelled for possession of a knife.

0:30:29 > 0:30:32Emma Moxam, I can confirm I feel safe in your car.

0:30:32 > 0:30:34Good. I'm glad.

0:30:36 > 0:30:40I'll be back here by the time you're done.

0:30:40 > 0:30:41Come on in, Ivy.

0:30:51 > 0:30:54Mark White, in reaching out to Ivy Moxam,

0:30:54 > 0:30:57we believe that you're telling us you want to talk.

0:30:57 > 0:31:00We're here to listen to what you have to say.

0:31:01 > 0:31:02In responding to you directly,

0:31:02 > 0:31:06we hope the line of communication is open between us.

0:31:07 > 0:31:11Our primary concern is the safety and wellbeing of Phoebe Tarl.

0:31:13 > 0:31:15I've gone from warm to icy cold on Dylan Hawthorne.

0:31:15 > 0:31:18After his arrest, there's nothing. No trail. Nothing.

0:31:18 > 0:31:20Maybe he moved abroad.

0:31:20 > 0:31:22Yeah, well, wherever he went is nowhere useful for us.

0:31:24 > 0:31:27We've got our very own Magnum PI wanting a word.

0:31:32 > 0:31:34I really don't want this to be the second time

0:31:34 > 0:31:36you've taken up police resources, Mr Stone.

0:31:36 > 0:31:38Look, I'm not time-wasting.

0:31:38 > 0:31:41There's 40-odd testimonies from ex-staff there.

0:31:41 > 0:31:42What is it, half-baked recalls

0:31:42 > 0:31:45of how Mark White liked his tea in the morning?

0:31:45 > 0:31:47"Back in 2006,

0:31:47 > 0:31:50"a young man ran up in a panic looking for Mark.

0:31:50 > 0:31:53"When I asked who it was, he took a while to answer.

0:31:53 > 0:31:54"His brother, he said.

0:31:54 > 0:31:58"After that day, I never saw Mark again at the school."

0:31:58 > 0:31:59Is it useful?

0:32:00 > 0:32:04It puts the brothers together within the timeframe of Ivy's abduction.

0:32:04 > 0:32:06It's more than useful, Mr Stone.

0:32:06 > 0:32:07Thank you.

0:32:08 > 0:32:12I don't really go in for the Good Samaritan side of things.

0:32:13 > 0:32:16Why go to all this effort to help us?

0:32:16 > 0:32:18It seems you have enough problems of your own to solve.

0:32:21 > 0:32:24I just wanted to make it up to her.

0:32:52 > 0:32:55We've sourced an old image of Dylan as a teenager.

0:32:56 > 0:32:59I've decided to release it to the press.

0:33:00 > 0:33:03We have to consider that the brother may be hiding Mark White.

0:33:13 > 0:33:15How was your session, darling?

0:33:15 > 0:33:16Fine. Thanks.

0:33:26 > 0:33:28Is he here - Dad?

0:33:28 > 0:33:30No, he had to go to work.

0:33:30 > 0:33:32I bet he did(!)

0:33:32 > 0:33:33Are you all right?

0:33:33 > 0:33:35Did Ivy hear the news?

0:33:35 > 0:33:37Mark White's letter. The police response is all over it.

0:33:37 > 0:33:39She didn't want the radio on.

0:33:39 > 0:33:40Is she OK?

0:33:40 > 0:33:43Did she tell you what she and Dr Young talked about?

0:33:43 > 0:33:44I didn't ask.

0:33:44 > 0:33:46I think she's sick of us all asking.

0:33:47 > 0:33:48I know.

0:33:49 > 0:33:51I can't seem to help myself.

0:33:51 > 0:33:55She seems happy with you. Thank you for being so good with her.

0:33:55 > 0:33:56You're a good girl.

0:34:07 > 0:34:09It's just right.

0:34:12 > 0:34:15I remember how we used to fight over these,

0:34:15 > 0:34:17if you got a good one.

0:34:22 > 0:34:25You'd want yours for Edward Farr.

0:34:27 > 0:34:29Edward Farr...

0:34:30 > 0:34:31Oh, boy, could I pick them!

0:34:32 > 0:34:35He was the last boy I knew you liked.

0:34:41 > 0:34:44And then I came back and you were engaged.

0:34:44 > 0:34:46Sorry.

0:34:46 > 0:34:48That must've been weird.

0:34:49 > 0:34:50What's he like?

0:34:50 > 0:34:52Craig?

0:34:52 > 0:34:54How did you know he was the one?

0:34:54 > 0:34:57I don't know if I believe in "the one".

0:34:58 > 0:35:00A one, maybe.

0:35:00 > 0:35:01Maybe not, even.

0:35:01 > 0:35:04Did you have a lot of boyfriends, then?

0:35:04 > 0:35:05Just Craig.

0:35:06 > 0:35:08So he...

0:35:08 > 0:35:09He was your first?

0:35:11 > 0:35:13And only.

0:35:13 > 0:35:15Not that I'm complaining.

0:35:16 > 0:35:17You mean you...

0:35:19 > 0:35:21..like it?

0:35:21 > 0:35:23- I didn't mean to...- No, it's...

0:35:23 > 0:35:27We're sisters, we're supposed to talk about this stuff, aren't we?

0:35:27 > 0:35:29If that's what you want.

0:35:33 > 0:35:34Then, yeah.

0:35:35 > 0:35:37I do...

0:35:37 > 0:35:39like it.

0:35:39 > 0:35:41When did you know you were in love?

0:35:46 > 0:35:48It creeps up on you.

0:35:50 > 0:35:52He was just nice to me.

0:35:54 > 0:35:57It was nice to have someone be nice.

0:35:58 > 0:36:01And Mum liked him, which was...

0:36:01 > 0:36:03Well, it made a difference.

0:36:03 > 0:36:06- Did Dad?- He didn't come into it.

0:36:06 > 0:36:07Why not?

0:36:09 > 0:36:11Well, it doesn't matter.

0:36:11 > 0:36:13Your face says it does.

0:36:13 > 0:36:15It really doesn't.

0:36:15 > 0:36:17Em, what's going on?

0:36:19 > 0:36:22I haven't had a choice in not telling you.

0:36:22 > 0:36:24I mean, you have to know that.

0:36:28 > 0:36:30Dad had...

0:36:31 > 0:36:32..has...

0:36:35 > 0:36:36..another woman.

0:36:38 > 0:36:39If you'd call her that.

0:36:39 > 0:36:42What about Mum? They're together.

0:36:45 > 0:36:47Only because of me?

0:36:56 > 0:36:58Chris, what do you think of this?

0:37:07 > 0:37:10'It went on for two years.

0:37:10 > 0:37:12'Behind Mum's back.

0:37:12 > 0:37:15'And then one day, everyone just seemed to know.

0:37:16 > 0:37:18'And he left us.'

0:37:32 > 0:37:34You've a match.

0:37:34 > 0:37:35Dylan's been in the house?

0:37:35 > 0:37:38- All over it, in fact.- If the cellar hadn't been a bleach job,

0:37:38 > 0:37:40what's the betting his prints would be down there too?

0:37:40 > 0:37:42That'd be a hell of a lie from Ivy.

0:37:42 > 0:37:43Hardly the first.

0:37:43 > 0:37:46How could his brother have been there without knowing about Ivy?

0:37:58 > 0:38:02- HOOVER RUNNING - 'Police search teams have been combing the city...'

0:38:02 > 0:38:04It's not going to calm down for Ivy, is it?

0:38:04 > 0:38:06- Not until they find the bastard. - Come on.

0:38:06 > 0:38:09Even then, her whole life will be under the shadow of this

0:38:09 > 0:38:11miserable, shitty little story.

0:38:14 > 0:38:16I've, er, called Carlene.

0:38:16 > 0:38:18I thought you could have a night off.

0:38:18 > 0:38:21You know we don't smoke in here, Tim.

0:38:21 > 0:38:24Oh! Sorry, I didn't know.

0:38:24 > 0:38:26Of course you didn't know.

0:38:26 > 0:38:28Because Tim here, well...

0:38:28 > 0:38:30he's not very good at saying what needs saying.

0:38:30 > 0:38:31Are you, Tim?

0:38:44 > 0:38:46Do you know who this is?

0:38:49 > 0:38:51DS Merchant's not coming.

0:38:52 > 0:38:54It's just you and me, Ivy.

0:38:57 > 0:39:00It's White's half-brother.

0:39:00 > 0:39:02Dylan.

0:39:02 > 0:39:05You never heard anyone in the house?

0:39:05 > 0:39:09Voices, or even just a voice, one that didn't sound like White?

0:39:09 > 0:39:11Because we think that Dylan was in that house a lot

0:39:11 > 0:39:13while you were being held.

0:39:13 > 0:39:14Maybe he even lived there.

0:39:20 > 0:39:23Do you not feel like talking today?

0:39:23 > 0:39:25I just want to be left alone.

0:39:25 > 0:39:26Yeah, I get it.

0:39:26 > 0:39:28I do, I get it.

0:39:32 > 0:39:35I have to be here, asking you these questions.

0:39:35 > 0:39:39If I don't, Phoebe's still out there somewhere, in danger.

0:39:39 > 0:39:42How would you feel if someone asked you question after question?

0:39:43 > 0:39:46I probably wouldn't like it.

0:39:46 > 0:39:47But I'd do it if I needed to.

0:39:49 > 0:39:50Easy to say.

0:39:51 > 0:39:52Fine.

0:39:54 > 0:39:55Ask away.

0:39:57 > 0:39:59Why did you become a policeman?

0:40:01 > 0:40:02To help people.

0:40:03 > 0:40:06Why did you become a policeman?

0:40:10 > 0:40:12I guess I needed a...

0:40:12 > 0:40:14- a firm hand.- Where's your home?

0:40:14 > 0:40:16- Bedminster.- Not with that accent.

0:40:16 > 0:40:18HE LAUGHS

0:40:18 > 0:40:20I was born in Glasgow.

0:40:20 > 0:40:22Are your family still there?

0:40:27 > 0:40:29- You said ask away.- My dad is.

0:40:29 > 0:40:31And your mum?

0:40:32 > 0:40:34You don't know where your mum lives?

0:40:36 > 0:40:38OK, I get the point. It's not...

0:40:38 > 0:40:41Why don't you know where she is?

0:40:41 > 0:40:42I just don't.

0:40:46 > 0:40:47You don't want to talk about it.

0:40:51 > 0:40:52Why should I?

0:40:56 > 0:40:57It's my life, my past.

0:40:59 > 0:41:03So don't come into my home, acting like you are trying to help me.

0:41:07 > 0:41:10Funnily enough, I am actually trying to help you, Ivy.

0:41:22 > 0:41:26I'll put you on the record as never having seen this man.

0:41:26 > 0:41:28Never having heard mention of him,

0:41:28 > 0:41:31never having the impression he was attending on Corbridge Road. Yes?

0:41:31 > 0:41:33Yes.

0:41:52 > 0:41:54This is what you've been doing?

0:41:54 > 0:41:55Craig, I'm busy.

0:41:55 > 0:41:58So busy that I'm left like a tool at the tasting session,

0:41:58 > 0:42:01promising them over and over that my fiancee will be here any moment.

0:42:01 > 0:42:02Shit.

0:42:03 > 0:42:05I'm sorry.

0:42:05 > 0:42:08It's been a mad day. I forgot.

0:42:08 > 0:42:10I reminded you this morning.

0:42:12 > 0:42:13You weren't listening.

0:42:14 > 0:42:17Look, we're going to start losing deposits for things

0:42:17 > 0:42:18if we don't show up.

0:42:20 > 0:42:23You still want to get married, don't you?

0:42:24 > 0:42:26Of course.

0:42:26 > 0:42:28I just think...

0:42:28 > 0:42:30with everything that's going on...

0:42:31 > 0:42:33..maybe it's worth us thinking about postponing.

0:42:34 > 0:42:36There's no such thing this close.

0:42:37 > 0:42:41It's either we carry on or not have it at all, so we carry on, right?

0:42:41 > 0:42:44- I just think everything with Ivy... - Yes or no?

0:42:44 > 0:42:45I don't know.

0:42:46 > 0:42:48But I...

0:42:53 > 0:42:54Craig, just the man.

0:42:54 > 0:42:56- Grab the other end of this, will you?- I can manage.

0:42:56 > 0:43:00Don't listen to her. Stubbornness comes before a wrecked back.

0:43:05 > 0:43:06Good man.

0:43:06 > 0:43:07Thanks, Craig.

0:43:10 > 0:43:12SHE CHUCKLES

0:43:24 > 0:43:26I hope you've washed your hands.

0:43:26 > 0:43:29I'm certain you've more important things to do than to wait here

0:43:29 > 0:43:31to pass comment on my hygiene practice.

0:43:31 > 0:43:34Which, by the way, is a lot better than yours.

0:43:36 > 0:43:37I wanted to say sorry.

0:43:41 > 0:43:44I went to interview Ivy alone.

0:43:44 > 0:43:46I thought she would open up.

0:43:46 > 0:43:47She didn't.

0:43:52 > 0:43:53I don't like this.

0:43:55 > 0:43:56Us not being on the same side.

0:43:57 > 0:43:59Me neither.

0:44:03 > 0:44:08However, I promise to stop fighting you every step of the way.

0:44:15 > 0:44:17- LOUD MUSIC PLAYING - Please, Yazz, calm down.

0:44:17 > 0:44:19- Don't tell me to calm down! - Yazz, come back.

0:44:19 > 0:44:21What's she doing now?

0:44:21 > 0:44:22I can't even hear myself argue.

0:44:22 > 0:44:24But what are you doing in here?

0:44:24 > 0:44:25Cooking.

0:44:25 > 0:44:28To the best of my limited abilities.

0:44:28 > 0:44:31I wanted to make a "Sorry for being in the way" meal.

0:44:31 > 0:44:33Well, you are...

0:44:33 > 0:44:34in the way.

0:44:34 > 0:44:37Be fair, Yazz, none of this is Eloise's fault.

0:44:37 > 0:44:40Two ghosts from his past is two too many.

0:44:41 > 0:44:42I hope you understand.

0:44:44 > 0:44:46Sorry, I didn't think.

0:44:46 > 0:44:48I should have...

0:44:48 > 0:44:49I'll find somewhere else.

0:44:51 > 0:44:52Come on, Yazz!

0:44:52 > 0:44:55You are this close to following your friend here out the door.

0:45:01 > 0:45:03You see how fast she is to shake her head?

0:45:04 > 0:45:08I'd barely even got the question out about a half-brother.

0:45:13 > 0:45:15To know what's going on in there...

0:45:18 > 0:45:20Drink?

0:45:20 > 0:45:22Plans, sorry.

0:45:22 > 0:45:24Girl's got to keep hydrated.

0:45:24 > 0:45:25Night, then, Jesse.

0:45:30 > 0:45:33Care to elaborate on these "plans"?

0:45:33 > 0:45:37You know me, I like to keep a bit of mystery.

0:45:37 > 0:45:38You?

0:45:39 > 0:45:41Got to see a friend.

0:45:42 > 0:45:43You know, prove I'm still alive.

0:45:46 > 0:45:47But maybe after?

0:46:01 > 0:46:03Ivy, love? We're ready.

0:46:08 > 0:46:11Our very own cinema. Popcorn and everything.

0:46:11 > 0:46:13- Dad's found our old videos. - Come sit by me.

0:46:13 > 0:46:15We thought it might be a nice thing.

0:46:18 > 0:46:20Craig, would you dim the lights?

0:46:29 > 0:46:30BABY CRYING

0:46:33 > 0:46:35'World, meet baby Ivy Moxam.

0:46:35 > 0:46:37'Eight pounds, four ounces.

0:46:37 > 0:46:39'Ivy Moxam, meet world.'

0:46:41 > 0:46:43That was the best day of my life.

0:46:43 > 0:46:45Well, one of two.

0:46:45 > 0:46:48It feels like some low-rent This Is Your Life.

0:46:48 > 0:46:51- Do we have to? - Oh, he's gone to a lot of trouble.

0:46:51 > 0:46:55There's been endless frowning and fiddling with the TV.

0:46:58 > 0:47:01- Here we go. - 'She's waving at you.

0:47:03 > 0:47:05'I'm not sure I'll get her back!

0:47:12 > 0:47:14'She looks just like you.'

0:47:14 > 0:47:16We're a family.

0:47:16 > 0:47:17Coming into being.

0:47:19 > 0:47:20With room for one more.

0:48:06 > 0:48:09'Run, girls. Run!'

0:48:18 > 0:48:20Arty shot, was it?

0:48:20 > 0:48:21Give your dad a break.

0:48:25 > 0:48:26I'm tired, Mum.

0:48:41 > 0:48:43A week away.

0:48:43 > 0:48:44Same cottage, same beach.

0:48:44 > 0:48:48We can even see if they've got the same ropey old tennis court.

0:48:48 > 0:48:51I thought it might be good for us to get away as a family.

0:48:53 > 0:48:55As a family?

0:49:01 > 0:49:04- Is it too soon, love? - No, it's not too soon.

0:49:05 > 0:49:08I've only been stuck underground for 13 years, after all.

0:49:12 > 0:49:13I've got this wrong, haven't I?

0:49:13 > 0:49:14No change there, then.

0:49:16 > 0:49:17Talk to us.

0:49:18 > 0:49:19What is it?

0:49:24 > 0:49:27Did you ever give up hope that I'd be found?

0:49:29 > 0:49:30(Never.)

0:49:30 > 0:49:31Never!

0:49:39 > 0:49:41- Of course not.- Liar!

0:49:44 > 0:49:46Ivy, I knew you'd be back.

0:49:46 > 0:49:47I never gave up.

0:49:49 > 0:49:54You having an affair, leaving our home, proves you gave up.

0:49:56 > 0:49:58- Emma?- Classy work, Em.

0:49:58 > 0:50:00It is not her fault, it is yours!

0:50:04 > 0:50:06SHE SOBS

0:50:08 > 0:50:10- Darling...- Ivy, please.

0:50:13 > 0:50:17You have ruined the one thing I had left.

0:50:19 > 0:50:20The past, before...

0:50:30 > 0:50:33Tell me what I need to do to make this right.

0:50:35 > 0:50:36SHE SIGHS

0:51:14 > 0:51:16Your dad's got nowhere to go.

0:51:16 > 0:51:18Try back to his Spanish whore.

0:51:19 > 0:51:23He was with her today. I saw them.

0:51:23 > 0:51:24I went to end things for good.

0:51:31 > 0:51:33I never forgave myself, you know.

0:51:55 > 0:51:56Em!

0:52:21 > 0:52:23TAPPING ECHOES

0:52:32 > 0:52:35HOLLOW RINGING

0:52:49 > 0:52:51MOBILE PHONE VIBRATES

0:52:59 > 0:53:00- BANGING ON DOOR CRAIG:- Em?

0:53:00 > 0:53:01Open the door, Em.

0:53:03 > 0:53:05Get out!

0:53:05 > 0:53:07This is my room and you're my girl, or at least you were a day ago,

0:53:07 > 0:53:10- so I'm not going anywhere. - You think it's OK to do that?

0:53:10 > 0:53:12To scare us, to scare Ivy?

0:53:12 > 0:53:13Stop using her as an excuse.

0:53:13 > 0:53:16You didn't even think she was your sister in the first place.

0:53:29 > 0:53:31SHE GASPS FOR BREATH

0:53:37 > 0:53:40PHONE VIBRATES, MAN GRUNTING

0:53:41 > 0:53:46'Eloise here, leave a message and I'll hit you back.'

0:53:46 > 0:53:48It's Ivy. I need to talk to you, please.

0:53:56 > 0:53:58IVY: 'Everyone has someone.

0:53:59 > 0:54:00'Their person.

0:54:00 > 0:54:05'Tim has his wife, Em has Craig, Mum has Dad.

0:54:05 > 0:54:07'I'm glad about that, I am.

0:54:07 > 0:54:10'Even Elliott, he has someone of his own.'

0:54:10 > 0:54:13Sir, we need an excavation team down at Corbridge.

0:54:14 > 0:54:16There's something odd here.

0:54:21 > 0:54:24'I should never have left him.

0:54:24 > 0:54:28'All I want is not to be alone any more.'

0:54:29 > 0:54:33MOBILE PHONE VIBRATES

0:54:38 > 0:54:40I need you to come over.

0:54:45 > 0:54:47I can't do that, Ivy.

0:54:47 > 0:54:49It's...

0:54:49 > 0:54:51- 'I better go.' - There's someone outside!

0:54:55 > 0:54:58DRILLING

0:55:07 > 0:55:09He ran off when you came.

0:55:13 > 0:55:15Well, you're safe now.

0:55:15 > 0:55:18Everyone keeps saying that. I'm not, though, am I?

0:55:18 > 0:55:19Not when he...

0:55:21 > 0:55:24Will you stay?

0:55:24 > 0:55:26No.

0:55:26 > 0:55:27- No, I can't.- Please!

0:55:28 > 0:55:30I don't want to be on my own.

0:56:10 > 0:56:13I need you over here, Elliott.

0:56:13 > 0:56:17To be unreachable in the middle of an investigation of this scale...

0:56:17 > 0:56:19Sir, if you'd let me explain...

0:56:20 > 0:56:23Does Ivy know about this?

0:56:23 > 0:56:24Is this because of last night?

0:56:24 > 0:56:26Me asking you to stay over?

0:56:29 > 0:56:30Elliott?

0:56:30 > 0:56:32What more do you want, Yazz?

0:56:32 > 0:56:34I want to feel like you want to make it right.

0:56:34 > 0:56:37- I don't know what I'm supposed to have done.- Answer the question.

0:56:37 > 0:56:39All she's been through, and you dare to do this?

0:56:39 > 0:56:41Do you know where he is?

0:56:41 > 0:56:43Phoebe doesn't stand a chance.

0:56:47 > 0:56:48SHE GASPS

0:56:48 > 0:56:52# Don't say nothing, no

0:56:55 > 0:56:57# I can see when you're lying

0:56:57 > 0:56:58# Oh, whoa

0:57:01 > 0:57:04# When you're alone, you're so alone

0:57:08 > 0:57:11# When you're alone, you're so alone. #