The Edge of the Universe

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0:00:02 > 0:00:04- We've identified a suspect.- Who?- You know Zanic, the Austrian fella?

0:00:04 > 0:00:06He's a convicted paedophile.

0:00:06 > 0:00:08- That's Tui.- Yeah. Tui.

0:00:08 > 0:00:11Someone said they heard crying. I need to look through the house.

0:00:11 > 0:00:12HE ROARS, GUNSHOT

0:00:12 > 0:00:16There's more here, and there's more here. And it's not going away.

0:00:16 > 0:00:17You don't remember me?

0:00:17 > 0:00:20What's the past? It's history? Leave it there.

0:00:21 > 0:00:23She's not here, lady. That's for free.

0:00:23 > 0:00:27- Who's signature is this? - It wasn't possible, mate.

0:00:27 > 0:00:32Hey, if you want to use the toilet, you can use my en suite.

0:00:32 > 0:00:37- Wolfie's hung himself. He left a suicide note.- What about Tui, Al?

0:00:44 > 0:00:49This programme contains some violent scenes, very strong language

0:00:49 > 0:00:52and scenes which some viewers may find disturbing.

0:01:11 > 0:01:14# I don't know why she's leaving Or where she's gonna go

0:01:14 > 0:01:17# I guess she's got her reasons But I just don't want to know

0:01:17 > 0:01:21# Cos for 24 years, I've been living next door

0:01:21 > 0:01:23HE GRUNTS # To Alice. #

0:01:28 > 0:01:30Why did he put the panties on his head?

0:01:30 > 0:01:33- Let's go. - SIRENS APPROACH

0:01:53 > 0:01:55Hey! Hey! What are you doing here?

0:01:55 > 0:01:58- Get off the path.- He was helping me, Detective Sergeant.

0:01:58 > 0:02:00- Right. It's Sarge, isn't it? - Yeah.

0:02:00 > 0:02:03- Well, get off the path, now.- I fucking found him down on the tree.

0:02:03 > 0:02:05- You what? You found him, did you?- Yeah.

0:02:05 > 0:02:07On the tree with the fucking undies on his head.

0:02:07 > 0:02:09- Is that right?- Yeah.- Well, you're a suspect.

0:02:09 > 0:02:13You're in a lot of trouble, son. Howe, take him back to the car.

0:02:13 > 0:02:15Oh, a suspect? What are you, Einstein?

0:02:15 > 0:02:17Just going to pick the first bloke who shows up?

0:02:17 > 0:02:21- Brilliant police work, that is.- Hey! Come on, Paul. Come on.

0:02:21 > 0:02:22Fuckin' arsehole!

0:02:31 > 0:02:32Robin?

0:02:36 > 0:02:38"I am sorry for what I done.

0:02:38 > 0:02:42"I sorry to mother who must know I die happily in sleep."

0:02:42 > 0:02:44Died in your sleep.

0:02:54 > 0:02:55Howe!

0:02:57 > 0:03:00- When's the photographer coming? - He's on his way, sir.

0:03:03 > 0:03:06- Any sign of that girl?- No.

0:03:35 > 0:03:36Detective sergeant.

0:03:56 > 0:03:58He's got a pile of video equipment, sir.

0:03:58 > 0:04:00- Any tapes? - Yeah, boxes of them.

0:04:00 > 0:04:02Now, you're OCCS tonight, OK?

0:04:02 > 0:04:05- Sir, I'll have nightmares.- No, you won't, you'll be awake.

0:04:05 > 0:04:08Sausage on the Barbie, if you want.

0:04:08 > 0:04:11There's no need for an ESR. It's pretty clear it's a suicide.

0:04:11 > 0:04:12Put those in the car, mate.

0:04:14 > 0:04:16Al.

0:04:51 > 0:04:53Tell me it's too small for her.

0:04:58 > 0:05:00Pete, make a new perimeter, and call the ESR.

0:05:00 > 0:05:02I want them here as soon as they can.

0:05:02 > 0:05:04Tell the others it's a negative on removing the male body.

0:05:04 > 0:05:07Don't cut him down. Leave him up there. GUNSHOTS

0:05:07 > 0:05:08Oi!

0:05:35 > 0:05:37There's a grave.

0:05:42 > 0:05:43We have to wait for forensics.

0:05:51 > 0:05:52Have you got company?

0:05:58 > 0:06:00No, not now.

0:06:04 > 0:06:06DOGS BARKING

0:06:13 > 0:06:16- Tea?- Wrapping paper. Do we have any wrapping paper?

0:06:16 > 0:06:20- Hello? - Yep, right down the bottom.

0:06:25 > 0:06:27BELL RINGS, DOGS BARK

0:06:27 > 0:06:29Dad, the girls are here.

0:06:29 > 0:06:32Right. Well, I want them to finish those trimmings.

0:06:32 > 0:06:34There's a lamp at the back. Tell them It needs fixed.

0:06:34 > 0:06:37And get them to clean those beakers out, OK?

0:06:37 > 0:06:39Dad, should I let them in?

0:06:40 > 0:06:41They'd better not fuck me about.

0:06:41 > 0:06:44Haven't got time for it this morning.

0:06:50 > 0:06:52Morning.

0:06:52 > 0:06:53Narelle, do we have any sugar?

0:06:53 > 0:06:56- Straight downstairs. - Morning.

0:06:57 > 0:06:59Morning, Delia.

0:06:59 > 0:07:02Yeah, she got hit by a fucking car.

0:07:02 > 0:07:04She's in the hospital, mate. Not doing too good, either.

0:07:04 > 0:07:07He completely lost it. He spent all the money.

0:07:07 > 0:07:11The deal we had is if it's not paid for, it doesn't leave here.

0:07:11 > 0:07:15Cos otherwise what you're asking me is to trust you.

0:07:15 > 0:07:19And all I can say to that is you must be fucking joking me.

0:07:19 > 0:07:21Get the fucking money.

0:07:42 > 0:07:44A GRASS STRIMMER WHIRS

0:08:19 > 0:08:23Hi. I was wondering if you'd, uh,

0:08:23 > 0:08:27- Like these?- No! No! No, no, no, no.

0:08:45 > 0:08:48So you want to come have dinner with me?

0:08:48 > 0:08:50Yeah, why not?

0:08:51 > 0:08:54- GUITAR MUSIC PLAYS - What's that, band practise?

0:08:54 > 0:08:57Oh, we have these meetings.

0:08:57 > 0:09:00Everyone's welcome, you know. You can come if you want to.

0:09:00 > 0:09:03- Is she going to be there? - Maybe.

0:09:08 > 0:09:11SHE SOBS

0:09:11 > 0:09:15Why are these people closing their eyes?

0:09:15 > 0:09:17They're meditating, GJ.

0:09:17 > 0:09:19Wake up!

0:09:27 > 0:09:32I've got a question. Is there such a thing

0:09:32 > 0:09:36- as the human mind? - Human mind, wow.

0:09:36 > 0:09:38Is someone speaking?

0:09:41 > 0:09:46What is the nature of the human mind?

0:09:47 > 0:09:52Plotting and scheming. Planning and calculating.

0:09:52 > 0:09:57That is the nature of mind. Constant thought.

0:09:57 > 0:10:01Recent research tells us that the Universe is not infinite.

0:10:01 > 0:10:05- so what I want to know is... - Who's this guy?

0:10:05 > 0:10:08- Matt Mitcham, the girl's father. - Matt Mitcham.

0:10:08 > 0:10:12What I want to know is, when you get

0:10:12 > 0:10:16to the edge of the Universe,

0:10:16 > 0:10:18What's there, hmm?

0:10:18 > 0:10:21Don't know. Not going there any time soon.

0:10:26 > 0:10:28What do you see?

0:10:28 > 0:10:30Ask something a little bit more personal.

0:10:30 > 0:10:34- THIS is personal. - My guess?

0:10:34 > 0:10:36You're not going to like it, mister.

0:10:39 > 0:10:41So what is it?

0:10:41 > 0:10:46What's beyond the void that's so frightening?

0:10:46 > 0:10:48What's so scary?

0:10:49 > 0:10:51A lost little girl.

0:10:51 > 0:10:55Your girl, Mr Matt. Your kid.

0:10:55 > 0:10:58With a secret growing inside.

0:11:40 > 0:11:42Would you call the photographer, please?

0:11:42 > 0:11:44Where the bloody hell's Lee?

0:11:44 > 0:11:45HOWE: They headed off towards the lake.

0:11:45 > 0:11:48- What? Well, get him immediately. - Taking a piss, sir.

0:11:48 > 0:11:51I don't care what he's doing. Get him here now.

0:11:51 > 0:11:53Robin?

0:12:02 > 0:12:04All right, everyone. Mic on?

0:12:06 > 0:12:08Peeling back the bloodstained towel.

0:12:12 > 0:12:15What the bloody hell is that?

0:12:15 > 0:12:17- Looks like an animal. - It's a dog.

0:12:17 > 0:12:19CAMERA CLICKS

0:12:25 > 0:12:26Robin? Go get four of the guys and

0:12:26 > 0:12:29check the property for any further burials.

0:12:29 > 0:12:32You can go, um, 100 metres beyond this boundary.

0:12:32 > 0:12:34You still think he's done something?

0:12:34 > 0:12:37Well, his note said he's sorry for something

0:12:37 > 0:12:39And I'm sure it's not for euthanizing his dog.

0:12:39 > 0:12:43Come on, Al. Someone's obviously been harassing him.

0:12:43 > 0:12:45Look at his house.

0:12:45 > 0:12:47What do you expect? He was exposed.

0:12:47 > 0:12:49No wonder he hung himself.

0:13:12 > 0:13:16You might want to look at this. Zanic's video.

0:13:18 > 0:13:20FOLK MUSIC PLAYS ON THE TAPE Hey. Up.

0:13:32 > 0:13:35- Can I have it? - 'Ja! Ja, that is so good.'

0:13:56 > 0:13:59Does Wolfie have a blue hoodie?

0:13:59 > 0:14:02- Whoever shot this did. - Doesn't everyone have one?

0:14:02 > 0:14:06# Well, darling, haven't you changed? #

0:14:06 > 0:14:11TUI CONTINUES TO SING ON THE TAPE

0:14:17 > 0:14:18Have you got kids?

0:14:22 > 0:14:24Can I be left alone, please?

0:14:24 > 0:14:26# A memory... #

0:14:32 > 0:14:35SHE WHISTLES

0:15:02 > 0:15:05SHE LISTENS TO THE RECORDING OF TUI SINGING

0:15:16 > 0:15:19TUI CONTINUES TO SING

0:15:23 > 0:15:25# A memory... #

0:15:38 > 0:15:40KNOCK ON THE DOOR

0:15:48 > 0:15:52Uh, I've brought my Canadian. You want to go out on the lake?

0:15:54 > 0:15:56All right.

0:16:01 > 0:16:03You know, Tui sings really well.

0:16:07 > 0:16:10We should have brought the wine.

0:16:10 > 0:16:13Be nice to have a glass out here.

0:16:13 > 0:16:16- Yeah, I don't drink.- What about the other night at the bar?

0:16:16 > 0:16:19- No, that was a soft drink. - So you've no excuses.

0:16:25 > 0:16:28So...

0:16:29 > 0:16:32- Are we going to do it again? - It's complicated.

0:16:35 > 0:16:37Don't you think?

0:16:39 > 0:16:41No.

0:16:44 > 0:16:45Going to fish?

0:16:48 > 0:16:51Can't we do a bit more of the wrong thing

0:16:51 > 0:16:52Before we do the right thing?

0:17:01 > 0:17:04I found a place. There's this old teak opium house.

0:17:04 > 0:17:07It's up near the Thai-Cambodian border.

0:17:07 > 0:17:10And the rivers there run right down out of the mountains,

0:17:10 > 0:17:13and there are these small poppy plantations

0:17:13 > 0:17:16Scattered out there through the rainforest.

0:17:16 > 0:17:19People there were really good to me.

0:17:19 > 0:17:25But, after a time, I just became an addict. Just a fucking arsehole.

0:17:25 > 0:17:29I ran out of money. I ran away.

0:17:29 > 0:17:32They caught me trying to get across the border.

0:17:32 > 0:17:36I got processed. Ended up in this...

0:17:38 > 0:17:40This hell hole.

0:17:40 > 0:17:44Just concrete wall and floors, and a hole in the ground for the toilet.

0:17:44 > 0:17:47Dad, He just said, "stuff you."

0:17:49 > 0:17:52- How many years was it? - It was eight.

0:17:52 > 0:17:56The last few there were a lot easier. My mum,

0:17:56 > 0:18:02she really stepped up. She helped me pay for food, medicine.

0:18:02 > 0:18:04I was able to study law.

0:18:07 > 0:18:08Shocked?

0:18:10 > 0:18:11No.

0:18:22 > 0:18:23What do you think?

0:18:38 > 0:18:41You know, you were my first kiss.

0:18:43 > 0:18:46- Was I yours? - First long kiss.

0:18:58 > 0:19:01Can I do this properly? Like in bed?

0:19:01 > 0:19:03I don't know. I don't want to fall for you.

0:19:03 > 0:19:05We can make it the last time.

0:19:06 > 0:19:08Do you have to work in the morning?

0:19:08 > 0:19:11- Why?- I want to go for coffee.

0:19:13 > 0:19:15No. No coffee.

0:19:17 > 0:19:21I'm about to get married. I don't want to fall in love.

0:19:26 > 0:19:28Wear it.

0:19:38 > 0:19:41BLUES MUSIC PLAYS IN THE BACKGROUND

0:20:00 > 0:20:01Here.

0:20:10 > 0:20:13LOUD MUSIC CONTINUES IN THE BACKGROUND

0:20:13 > 0:20:16Hey, turn the music down.

0:20:16 > 0:20:18Sara.

0:20:18 > 0:20:20Turn the fucking music down!

0:20:21 > 0:20:24What is it?

0:20:24 > 0:20:26Oh, yeah.

0:20:26 > 0:20:28- Fertiliser. - Awesome. I want some of that, eh.

0:20:32 > 0:20:33It's mephedrone, bro.

0:20:40 > 0:20:42Here. There you go. "Gives three to four hours' stimulus,

0:20:42 > 0:20:45"Mild euphoria, enhanced appreciation of music,

0:20:45 > 0:20:49- "Some erotic overtones." - Who's this old fucker?

0:20:49 > 0:20:52Mate, that's Dr Shulgin. Berkeley, California legend, OK?

0:20:52 > 0:20:56He discovered and experimented with over 230 psychoactive drugs.

0:20:56 > 0:20:57Living legend.

0:20:59 > 0:21:03Good man. Yeah, that's nice.

0:21:03 > 0:21:05- That's nice. - Where'd the shit come from?

0:21:07 > 0:21:08It's good.

0:21:12 > 0:21:15You reckon the old man'll go for it, Marky?

0:21:24 > 0:21:28Hey, just do a halvie ya, bro. We'll be peeling you off the walls.

0:21:28 > 0:21:31- Oh! What'd I just say? - I'll be all right, mate.

0:21:31 > 0:21:33- THEY LAUGH - No, you won't, bro.

0:21:34 > 0:21:36No, you won't, bro.

0:21:53 > 0:21:55This is really good.

0:21:55 > 0:21:56THEY LAUGH

0:21:59 > 0:22:01ALL: No!

0:22:02 > 0:22:05- My first date in years. - Uh, this is not a date.

0:22:05 > 0:22:09It's an apology. If I wanted a date, I would have asked Bunny.

0:22:09 > 0:22:12OK, I'm... I'm kind of confused.

0:22:13 > 0:22:16So how did Bunny get in with that, uh...?

0:22:16 > 0:22:18- GJ?- GJ. GJ, yeah.

0:22:18 > 0:22:20- Oh, they met in rehab.- Who was in rehab? GJ was in rehab?

0:22:20 > 0:22:24- No, no, no, she was visiting someone.- Hmm.

0:22:24 > 0:22:28And they got talking. Bunny said, "you're the first person

0:22:28 > 0:22:30"who's ever really spoken the truth.

0:22:30 > 0:22:32"wherever you want to go, wherever you want to be,

0:22:32 > 0:22:35"I'll pay for it."

0:22:35 > 0:22:37GJ said, "let's see if you really mean it."

0:22:37 > 0:22:39And she put her finger on the map...

0:22:39 > 0:22:42like that.

0:22:42 > 0:22:46And now here we are, Paradise.

0:22:46 > 0:22:48She put her finger on a map?

0:22:48 > 0:22:52Yeah. Yeah. Here we are.

0:22:52 > 0:22:55How are you handling Paradise?

0:22:55 > 0:22:57- Beautiful.- Yeah.

0:22:57 > 0:23:00Got quite a history, you know.

0:23:00 > 0:23:03No, I didn't know.

0:23:03 > 0:23:06Adam and Eve, Garden of Eden.

0:23:06 > 0:23:09- Hmm. - The coming of the serpent.

0:23:09 > 0:23:14- Serpent. Wow. Right. - No, not me.

0:23:17 > 0:23:20- No, not you. - No, the first guy that moved in

0:23:20 > 0:23:22there killed his wife and kids.

0:23:22 > 0:23:24Burned the house down.

0:23:24 > 0:23:28Next family, the silence nearly drove them mad.

0:23:28 > 0:23:33Thought they could hear the kids wailing through the walls.

0:23:33 > 0:23:36One day, they just got up and left.

0:23:39 > 0:23:42- Is it really true? - You should tell Bunny.

0:23:42 > 0:23:45I bet you Bob Platt didn't.

0:23:45 > 0:23:49- Why don't you tell her yourself?- OK.

0:23:49 > 0:23:52So how do I get a date with Bunny?

0:23:52 > 0:23:57I think it's time to go home. To your place.

0:23:58 > 0:24:00That's what I want to do.

0:24:01 > 0:24:03You have some of that, eh, you'll be fucked for work tomorrow.

0:24:03 > 0:24:05OK, don't talk to me unless you're

0:24:05 > 0:24:07going to keep to the present tense, OK?

0:24:07 > 0:24:10Don't want to hear about anything else. Just pisses me off.

0:24:10 > 0:24:12Just say what's happening now, OK?

0:24:12 > 0:24:13Right now. Whatever's happening now.

0:24:13 > 0:24:16Anything else, just keep to yourself.

0:24:16 > 0:24:18I don't want to hear about it.

0:24:18 > 0:24:19Here's Dad.

0:24:19 > 0:24:23Yeah, see, that's good. Hey? Yeah, that's good, see?

0:24:23 > 0:24:26He's coming. He's right here.

0:24:26 > 0:24:27Hey, Dad!

0:24:27 > 0:24:29Dad.

0:24:30 > 0:24:32- It's Luke! - Wonder where the fuck he's been.

0:24:32 > 0:24:34Well, see, that's not what I want to know about.

0:24:34 > 0:24:36I don't want to know where he's fucking been.

0:24:36 > 0:24:39Hey, hey, it's here.

0:24:39 > 0:24:40Here!

0:24:40 > 0:24:41Hi.

0:24:41 > 0:24:44- What's the matter with him? - He's high.

0:24:44 > 0:24:47Living in the present. It's a problem for some people.

0:24:47 > 0:24:48Hi.

0:24:50 > 0:24:52Was that the chimp lady?

0:24:52 > 0:24:56IS that the chimp lady? "IS".

0:25:14 > 0:25:16Jesus, you came prepared.

0:25:16 > 0:25:18Oh, yeah.

0:25:20 > 0:25:24Listen, Anita, there's a confession I have to make.

0:25:27 > 0:25:29I can get hard, OK?

0:25:29 > 0:25:32I CAN get hard. I've got the chemicals.

0:25:32 > 0:25:34It's just the thing is...

0:25:35 > 0:25:38I need warning, OK?

0:25:39 > 0:25:41OK.

0:25:41 > 0:25:43Well,

0:25:43 > 0:25:46we don't need to make love tonight.

0:25:46 > 0:25:49You're not disappointed?

0:25:49 > 0:25:51No.

0:25:51 > 0:25:54- You sure? - Yeah, come on.

0:25:57 > 0:26:00Come on. I won't bite.

0:26:10 > 0:26:14My last wife was Thai.

0:26:14 > 0:26:16Thai, right.

0:26:16 > 0:26:17She was a good woman,

0:26:17 > 0:26:21apart from the fact that she didn't love me.

0:26:21 > 0:26:25- Yeah.- Which I didn't think mattered, but obviously it did.

0:26:28 > 0:26:31"Oh, Matthew,

0:26:31 > 0:26:35"You take too long, you got no power."

0:26:35 > 0:26:38"You take too long, you got no power."

0:26:38 > 0:26:40THEY LAUGH

0:26:41 > 0:26:45It wasn't funny at the time.

0:26:45 > 0:26:46Sorry.

0:26:53 > 0:26:55Let's just play together.

0:26:56 > 0:26:58Get to know each other.

0:27:01 > 0:27:02Touch.

0:27:06 > 0:27:07Cuddle.

0:27:20 > 0:27:22I bet you've never been here before, huh?

0:27:22 > 0:27:26- The arse end of Paradise. - I've NEVER been here.

0:27:27 > 0:27:30Hey, Luke gave me an E.

0:27:30 > 0:27:31- Oh, did he now? - Yeah. Well, actually,

0:27:31 > 0:27:35He gave me two Es. Do you want one?

0:27:35 > 0:27:38I've... I've taken mine.

0:27:38 > 0:27:40Come on. Come here.

0:27:45 > 0:27:46Come on.

0:27:46 > 0:27:48Give me your tongue.

0:27:48 > 0:27:50Come on.

0:28:15 > 0:28:19Oh, you're really beautiful.

0:28:19 > 0:28:25You're really... Oh, God, you're really real.

0:28:28 > 0:28:30You're so beautiful.

0:28:46 > 0:28:49THEY GIGGLE

0:29:26 > 0:29:27Want to meet Mum?

0:29:29 > 0:29:30Your mum?

0:29:34 > 0:29:35You're beautiful.

0:29:42 > 0:29:44Mum...

0:29:44 > 0:29:47This is Anita.

0:29:47 > 0:29:49Anita, Mum.

0:29:49 > 0:29:53Hi, Mrs Mitcham.

0:29:54 > 0:29:56Fuck. Poor Mum.

0:29:56 > 0:30:00Once again, where she doesn't belong.

0:30:00 > 0:30:05No. No, Matt, look. She's... She's so at peace.

0:30:05 > 0:30:09Not with you fucking standing on her, she's not.

0:30:09 > 0:30:11- What? - Get the fuck off her!

0:30:11 > 0:30:15- Oh.- Get off her.- Sorry.

0:30:15 > 0:30:17What the fuck is wrong with you?

0:30:31 > 0:30:33I promise you...

0:30:37 > 0:30:38I will fix this.

0:30:40 > 0:30:42Oh!

0:30:42 > 0:30:44I promise you,

0:30:44 > 0:30:46you will rest

0:30:46 > 0:30:50in my land.

0:30:50 > 0:30:52On the hilltop, Mum.

0:31:48 > 0:31:52- Hello? - Al, it's Robin.

0:31:52 > 0:31:55I think I've got it. I think I understand what Tui meant.

0:31:55 > 0:31:58- Can I drive over now? - No. Not now.

0:31:58 > 0:32:02Hey, what are you doing tomorrow? How about Sunday dinner?

0:32:02 > 0:32:05Did you find anything else at Zanic's?

0:32:05 > 0:32:07Just two dead sheep.

0:32:07 > 0:32:10Are you able to make it 7:30?

0:32:10 > 0:32:11- Bye.- Good night.

0:32:53 > 0:32:55- May I take your coat? - I'll keep it on, thanks.

0:32:55 > 0:32:59Oh, you won't be cold, I just lit the fire.

0:32:59 > 0:33:01I'll take it off later.

0:33:04 > 0:33:08- I'm not really dressed for this. - There you are.

0:33:09 > 0:33:11- Cheers.- Cheers.

0:33:11 > 0:33:15I don't have any salad dressing. Can you whip one up?

0:33:15 > 0:33:16OK.

0:33:16 > 0:33:19Do you have garlic?

0:33:19 > 0:33:21Yeah, got a lot of garlic.

0:33:29 > 0:33:32Shall I tell you what I came up with last night?

0:33:32 > 0:33:34Yeah, sure.

0:33:34 > 0:33:36I'll just get these out of the way.

0:33:39 > 0:33:40- I'll fill your glass. - Thanks.

0:33:48 > 0:33:53I think I know what Tui was trying to tell me.

0:33:53 > 0:33:57Look, I think she meant literally "no, one".

0:33:57 > 0:33:59As in three or four.

0:33:59 > 0:34:01Not one, I think she was

0:34:01 > 0:34:03multiple raped.

0:34:09 > 0:34:12When you think of Tui, what do you see?

0:34:13 > 0:34:15SHE SIGHS

0:34:16 > 0:34:19A very lonely, frightened little girl.

0:34:21 > 0:34:22Why?

0:34:25 > 0:34:29- What do you see? - Well, yeah, I see that, but

0:34:29 > 0:34:32I'm looking at that frightened, lonely little girl.

0:34:35 > 0:34:39You know, sometimes, maybe once in your career a case comes along that

0:34:39 > 0:34:42fits so tightly that you can't let go.

0:34:42 > 0:34:45You know? That's when things start to go crazy.

0:34:45 > 0:34:48You dream about it, you can't stop thinking about it and

0:34:48 > 0:34:51Everything around starts to be a sign.

0:34:55 > 0:34:58Why do you say that?

0:34:59 > 0:35:01Well, because I think that, um,

0:35:01 > 0:35:04Tui's case is triggering history in your life.

0:35:10 > 0:35:12I didn't run away from home.

0:35:14 > 0:35:16We got those lads, you know.

0:35:19 > 0:35:2415 years ago we brought those little hard-ons in.

0:35:24 > 0:35:27It was right after you left for Sydney with your mother.

0:35:29 > 0:35:30Now, a few of us,

0:35:30 > 0:35:32older guys, Matt Mitcham included, we, um,

0:35:32 > 0:35:35brought them in and whacked them around, we stripped them and

0:35:35 > 0:35:38gave them a hiding on their skinny little arses.

0:35:38 > 0:35:41You know, Mitcham figured out

0:35:41 > 0:35:43that Sarge was the dirty little start-up

0:35:43 > 0:35:45So he made him lick the other guys' arseholes.

0:35:48 > 0:35:52So does everyone know?

0:35:56 > 0:35:57Does Officer Joy know?

0:35:57 > 0:36:00(SOFTLY) Yeah.

0:36:00 > 0:36:02The whole police station?

0:36:02 > 0:36:05It wasn't your fault, you know. What happened should never have happened.

0:36:05 > 0:36:07We only did what we did because

0:36:07 > 0:36:11your father wasn't around to teach those dirty little shits a lesson.

0:36:17 > 0:36:19Hey...

0:36:21 > 0:36:23Are you OK?

0:36:27 > 0:36:31Hey, I know this can't be easy for you.

0:36:31 > 0:36:35So everyone knows I've been raped.

0:36:38 > 0:36:42And those... Those arses are just...

0:36:42 > 0:36:44They're just walking about.

0:36:44 > 0:36:46No, they were bloody well punished.

0:36:49 > 0:36:51Yeah...

0:36:54 > 0:36:56And I had a baby.

0:36:58 > 0:37:02Oh, Jesus, I didn't know that. How old were you?

0:37:06 > 0:37:08Just 16.

0:37:08 > 0:37:11Mum was Catholic.

0:37:13 > 0:37:14Didn't have a choice.

0:37:20 > 0:37:22My girl wrote to me a few months ago.

0:37:27 > 0:37:33She wrote on pink notepaper with two doves in one corner.

0:37:35 > 0:37:38She really wanted to know a few things about her

0:37:38 > 0:37:41biological parents.

0:37:41 > 0:37:43You know, like, were we into sport or

0:37:43 > 0:37:48books like her.

0:37:53 > 0:37:55What the fuck could I say?

0:37:59 > 0:38:01Cos if I was her...

0:38:03 > 0:38:05If I was her and I found out

0:38:05 > 0:38:08that my father

0:38:08 > 0:38:13was one of four rapists and my mother,

0:38:13 > 0:38:16their 15-year-old victim...

0:38:20 > 0:38:21I would want to kill myself.

0:38:30 > 0:38:33I would want to blow my fucking brains out.

0:38:41 > 0:38:44And that she doesn't know.

0:38:45 > 0:38:47Never has to know.

0:38:51 > 0:38:52That's it.

0:38:55 > 0:38:57That's all I have to give her.

0:38:59 > 0:39:01Every birthday,

0:39:01 > 0:39:03every Christmas...

0:39:04 > 0:39:07Her fucking right to innocence.

0:39:09 > 0:39:12Fuck the truth, Al.

0:39:12 > 0:39:14SHE CHUCKLES

0:39:18 > 0:39:20Fuck the truth.

0:39:31 > 0:39:33Was Johnno involved?

0:39:33 > 0:39:36- SHE LAUGHS - No.

0:39:36 > 0:39:37No.

0:39:38 > 0:39:40No, he was... He was my date.

0:39:43 > 0:39:46- He was my date. - I need some more wine.

0:39:50 > 0:39:51And you?

0:39:57 > 0:40:01Most of those guys have left now.

0:40:01 > 0:40:03They're not around any more.

0:40:07 > 0:40:09Not Sarge.

0:40:09 > 0:40:11Oh, so you recognised him, eh?

0:40:11 > 0:40:14I wondered if you would.

0:40:14 > 0:40:16Oh, yeah.

0:40:16 > 0:40:18Now that he's driving an old rust bucket,

0:40:18 > 0:40:21- you should pull him over and book him.- OK.

0:40:23 > 0:40:24And after that can I kill him?

0:40:30 > 0:40:35- This is fucking stupid. - Hey, hey. Hey.

0:40:35 > 0:40:38My sense is that you're just working this too hard.

0:40:40 > 0:40:43I think she just didn't want to say.

0:40:44 > 0:40:48No. She's afraid to say.

0:40:55 > 0:40:58Hey, hey!

0:40:58 > 0:40:59I'm going home.

0:40:59 > 0:41:03This is stupid. You don't get it.

0:41:07 > 0:41:09- Are you OK? - I'm fine.

0:41:09 > 0:41:11You're not gonna drive home. Where's your keys?

0:41:11 > 0:41:15- I'm all right. I'm all right. - OK, you're not gonna drive.

0:41:15 > 0:41:17Come on, up you get. SHE GROANS

0:41:46 > 0:41:49DRIER WHIRRS

0:42:06 > 0:42:08PHONE RINGING

0:42:11 > 0:42:12Yeah.

0:42:14 > 0:42:15Hello, there. You feeling OK?

0:42:18 > 0:42:19Sure.

0:42:20 > 0:42:21Come in.

0:42:25 > 0:42:27You might want to shut the door.

0:42:35 > 0:42:39- What's up?- I woke up in your shirt in your bed.

0:42:41 > 0:42:42How did I get there?

0:42:43 > 0:42:45Well, you had blacked out,

0:42:45 > 0:42:48you threw up on your clothes, so I washed them.

0:42:51 > 0:42:55Well, why didn't you put me on the couch?

0:42:55 > 0:42:57It's completely inappropriate.

0:42:57 > 0:42:58Completely.

0:43:00 > 0:43:03What's the alcohol content of that red? I never pass out.

0:43:03 > 0:43:06Oh, this is masterful. Stop drinking, it works.

0:43:06 > 0:43:08Zanic's credit card statement.

0:43:09 > 0:43:11Look at March.

0:43:11 > 0:43:13There's five dental billings in Auckland.

0:43:13 > 0:43:15He wasn't here when Tui got pregnant.

0:43:15 > 0:43:18He was getting his teeth done.

0:43:18 > 0:43:22Why haven't you asked who wrote the slogans on his hut?

0:43:22 > 0:43:25Yeah, OK, Miss Marple, I know this, all right?

0:43:25 > 0:43:27We're on to it. It's happening.

0:43:28 > 0:43:31- So where did you sleep? - On the freaking couch.

0:43:31 > 0:43:34Robin, you passed out. It was my obligation to look after you.

0:43:34 > 0:43:37Then why don't I feel like saying thank you?

0:43:37 > 0:43:40Oh, my guess? You embarrassed yourself.

0:43:43 > 0:43:45SLAMS DOOR

0:44:03 > 0:44:05HORN HONKING

0:44:11 > 0:44:13Excuse me! Excuse me.

0:44:13 > 0:44:15Can I speak to you?

0:44:15 > 0:44:20- I'm looking for a Jamie, Tui's friend.- Who are you?

0:44:20 > 0:44:23Sorry. Detective Robin Griffin, Southern Lakes Police.

0:44:23 > 0:44:25He doesn't have any friends. He doesn't talk to anyone.

0:44:25 > 0:44:27He texts.

0:44:27 > 0:44:3030, 35 texts.

0:44:30 > 0:44:32I've got to go to work.

0:44:32 > 0:44:34- OK. Where? - Mitcham's.

0:44:52 > 0:44:55ANITA SOBBING

0:45:10 > 0:45:11Tui?

0:45:16 > 0:45:17Tui?

0:45:20 > 0:45:23What are you doing here? SOBBING

0:45:23 > 0:45:25This is Tui's room.

0:45:25 > 0:45:29She could come back any time. Nobody comes in here. Nobody!

0:45:29 > 0:45:33- Get out. Get out! - Matt, I'm... I'm so sorry.

0:45:33 > 0:45:36You must be... You must be feeling terrible.

0:45:36 > 0:45:38Why would I feel terrible? I've not done anything.

0:45:38 > 0:45:42You don't mention Tui and I won't mention your boyfriend, Brad.

0:45:42 > 0:45:44Brad wasn't my boyfriend. He was a pet, but he...

0:45:44 > 0:45:46That's enough, enough. I've heard enough of this.

0:45:46 > 0:45:47- Pack your things and go. - No, no.

0:45:47 > 0:45:50No, Matt. We can sort this in the morning.

0:45:50 > 0:45:55You don't put the cups back properly!

0:45:55 > 0:45:57The handles face out!

0:46:05 > 0:46:07Excuse me.

0:46:36 > 0:46:37I'll get it.

0:46:50 > 0:46:52HORN HONKING

0:46:52 > 0:46:55Hurry up, you stupid bitch.

0:46:55 > 0:46:57HORN HONKING

0:47:07 > 0:47:09- There!- Ahh!

0:47:09 > 0:47:13SHE CRIES OUT Stupid bitch!

0:47:13 > 0:47:15See what you made me fucking do.

0:47:24 > 0:47:26- What are you looking at? - Where's Anita?

0:47:29 > 0:47:31Bunny! Bunny!

0:47:31 > 0:47:34Hello! Where's Anita?

0:47:35 > 0:47:38How long do you think you're going to last here, eh?

0:47:38 > 0:47:40You fucking...

0:47:40 > 0:47:42You are talking through your arsehole!

0:47:42 > 0:47:44- You won't last in this land.- Shit's coming out of your mouth.

0:47:44 > 0:47:47- What? What did you say?- Yeah, you. I'm talking to you, arsehole.

0:47:47 > 0:47:50- Talk about arseholes... - Shit, just shit, you have shit for brains.

0:47:50 > 0:47:52- Excuse me.- Where do you put your piss and your shit?

0:47:52 > 0:47:54You put it in MY FUCKING LAND!

0:47:54 > 0:47:57- That's where you fucking put it. - Oh, bullshit!

0:47:57 > 0:47:59- Your fucking menstrual waste. - Excuse me!

0:47:59 > 0:48:02Your fucking... Your scum is going right in there.

0:48:02 > 0:48:05Menstrual waste? We don't even get our fucking periods!

0:48:05 > 0:48:09Of course you don't. You know why? You're unfuckable.

0:48:09 > 0:48:11- What's he say? - You're unfuckable.

0:48:11 > 0:48:14You're a dry, useless, fucking bitch! SHE SCREAMS

0:48:14 > 0:48:16- You, you, unfuckable. - Yes!

0:48:16 > 0:48:18- Unfuckable. - Oh, please!

0:48:18 > 0:48:20Unfuckable... Utterly unfuckable!

0:48:20 > 0:48:21I'm calling the police.

0:48:21 > 0:48:24Oh, and you are so fuckable, you shit-for-brains.

0:48:24 > 0:48:26- Oh, my god! Anita! - Come back!

0:48:26 > 0:48:31- Wait, fucker! Do not... Get out of the car!- I'll go!

0:48:31 > 0:48:32Anita, has he hurt you?

0:48:32 > 0:48:35- Is she all right? - No, she's not all right.

0:48:35 > 0:48:38ALL TALKING INDISTINCTLY

0:48:38 > 0:48:41Fucker! Just fuck you!

0:48:41 > 0:48:43Is she all right? Get her in here.

0:48:43 > 0:48:45INDISTINCT TALKING CONTINUES

0:49:22 > 0:49:24I know I'm not supposed to say it,

0:49:24 > 0:49:26but I want to meet my granddaughter.

0:49:32 > 0:49:33She's got a family.

0:49:37 > 0:49:40This is what's killing me.

0:49:44 > 0:49:48You may not want to see her, but I do and I'm going to look for her.

0:51:24 > 0:51:27MOBILE CHIMING

0:51:37 > 0:51:39Tui!

0:51:42 > 0:51:43Tui!

0:51:46 > 0:51:48Tui!

0:51:54 > 0:51:56I got lost.

0:51:56 > 0:51:59Left the path, I couldn't find it again.

0:52:01 > 0:52:04We were just about to call the police.

0:52:05 > 0:52:09I have to get home. This is uncomfortable.

0:52:09 > 0:52:12I'm sorry about earlier.

0:52:12 > 0:52:15My emotion surprised me.

0:52:15 > 0:52:17It's the medications.

0:52:20 > 0:52:22Do you really have to go?

0:52:22 > 0:52:24Why didn't you call if you got lost?

0:52:24 > 0:52:28I couldn't, I... When I tried, my phone died.

0:52:30 > 0:52:32I'm sorry, Mum.

0:52:33 > 0:52:34OK.

0:52:36 > 0:52:38ENGINE STARTING

0:52:45 > 0:52:47MAN: Have you seen Zanic's place?

0:52:48 > 0:52:51- Guess what? - What?

0:52:51 > 0:52:54- Not there? - Not there.

0:52:54 > 0:52:57- Ah, she'll be dead, but. - Yeah...

0:52:57 > 0:53:00I'm not saying she's alive or anything.

0:53:00 > 0:53:04They just didn't find her.

0:53:04 > 0:53:06Well, you didn't find any bodies at Eel Creek, did you?

0:53:11 > 0:53:13Not playing tonight?

0:53:18 > 0:53:20HE CHUCKLES

0:53:22 > 0:53:24Hey!

0:53:24 > 0:53:28- Do you know what the perfect murder weapon is?- No!

0:53:28 > 0:53:29- Get fucked, that's what I do. - HE LAUGHS

0:53:29 > 0:53:32Go on, you tell her then, Sarge.

0:53:32 > 0:53:35An icicle stalagmite. Ta-da!

0:53:38 > 0:53:42Cos after you stab them, it melts.

0:53:42 > 0:53:45It self destructs.

0:53:45 > 0:53:46- OLD MAN:- You're a good man, eh?

0:53:46 > 0:53:49You're buddy's mate. You're buddy's mate.

0:53:49 > 0:53:52I've got some words for you, eh?

0:53:52 > 0:53:54There you go.

0:53:54 > 0:53:57Fuck off.

0:53:57 > 0:54:00I know you from somewhere, don't I?

0:54:00 > 0:54:03You're not a Sydney girl? Hmm?

0:54:03 > 0:54:05Too classy for you to be a Sydney girl.

0:54:05 > 0:54:10I reckon it's like a picnic races or something.

0:54:10 > 0:54:12You don't remember me, do you?

0:54:12 > 0:54:14BOTH CHUCKLING

0:54:17 > 0:54:21Probably the Royal Easter Show, I'm thinking.

0:54:21 > 0:54:23- No.- Yeah?

0:54:27 > 0:54:29Did we fuck or something?

0:54:30 > 0:54:32We fucking did, didn't we?

0:54:38 > 0:54:41- HE SCREAMS - You remember me now, arsehole?

0:54:41 > 0:54:44You remember me now, arsehole? Do you remember me now?

0:54:44 > 0:54:46Do you remember me now, you motherfucker?!

0:54:46 > 0:54:50- Get the fuck out of here.- Fuck you, piece of fucking shit!

0:54:50 > 0:54:52- HE GROANS - Fuck you!

0:54:52 > 0:54:54Piece of fucking shit!

0:54:57 > 0:54:59SHE SCREAMING

0:54:59 > 0:55:01- SHOUTING:- Fucking remember me now?

0:55:01 > 0:55:04Do you fucking remember me?

0:55:05 > 0:55:08You piece of shit!

0:55:08 > 0:55:10SHE CRIES

0:55:14 > 0:55:17What the fuck is happening to me?

0:55:20 > 0:55:24- SHE GASPS - What the fuck is happening?

0:56:23 > 0:56:24KNOCKING ON DOOR

0:56:29 > 0:56:31CONTINUES KNOCKING

0:57:28 > 0:57:31I want to know the bad thing you were going to tell me.

0:57:32 > 0:57:35- Sarge! - SHOUTING AND ROARING

0:57:37 > 0:57:40Things are going to change when we find Tui and bring her back here.

0:57:41 > 0:57:45- I lost it. It won't happen again. - No.

0:57:45 > 0:57:46Cos you're stood down.

0:57:49 > 0:57:51Can you talk to my boy Jamie?

0:57:51 > 0:57:55Lie low and we'll see a lot about how this place operates.

0:57:56 > 0:57:58SCREAMING