Who's Your Daddy

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0:00:02 > 0:00:06So I think I know the identity of your China girl. She was my GFE.

0:00:06 > 0:00:07It's kind of a girlfriend.

0:00:07 > 0:00:10What are you...judging me, huh? Staring.

0:00:10 > 0:00:12I don't like the way this conversation is...

0:00:12 > 0:00:14- Ah! - SHE SCREAMS

0:00:14 > 0:00:16- HE GRUNTS - Alex!

0:00:16 > 0:00:18Nosy bitch!

0:00:18 > 0:00:22You can work beside your sisters, breast to breast, legs wide open.

0:00:22 > 0:00:23Can you help me?

0:00:23 > 0:00:27# So deep in my heart

0:00:27 > 0:00:29# That you're really a part of me. #

0:01:12 > 0:01:13Love you.

0:01:15 > 0:01:17I have your shoes.

0:01:25 > 0:01:33# I love my baby

0:01:37 > 0:01:45# I've loved her so long

0:01:48 > 0:01:55# I love my baby

0:01:56 > 0:01:57# I've loved her...

0:01:57 > 0:01:59KNOCK AT DOOR

0:01:59 > 0:02:02# ..since she was born

0:02:05 > 0:02:09# My sweet baby

0:02:09 > 0:02:12PHONE RINGS

0:02:14 > 0:02:21# Has gone and done me, oh, so wrong #

0:02:28 > 0:02:29Hi.

0:02:32 > 0:02:33Mary still sleeping?

0:02:54 > 0:02:55She's gone.

0:02:56 > 0:02:57Really?

0:02:58 > 0:03:00With him?

0:03:03 > 0:03:06HE SIGHS

0:03:07 > 0:03:09Did she call him or did he call her?

0:03:11 > 0:03:13She was calling him.

0:03:13 > 0:03:14Off and on all night.

0:03:20 > 0:03:23And she's given him your address.

0:03:23 > 0:03:25That's worrying.

0:03:25 > 0:03:26I'm not worried.

0:03:27 > 0:03:28You're not?

0:03:44 > 0:03:47How can Mary look at what Puss did to you and still love him?

0:03:50 > 0:03:51I need to tell you something.

0:03:54 > 0:03:57Last night I picked her up from the underpass.

0:03:58 > 0:03:59Yeah?

0:04:03 > 0:04:05Hang on, you mean...

0:04:05 > 0:04:07You mean the hookers' strip?

0:04:08 > 0:04:09Yes.

0:04:16 > 0:04:18He's prostituting her?

0:04:20 > 0:04:22HE SIGHS

0:04:30 > 0:04:32I should do these dishes.

0:04:38 > 0:04:40HE SNIFFS

0:04:44 > 0:04:45Are you breathing?

0:04:46 > 0:04:47Just breathe.

0:04:49 > 0:04:51Oh.

0:04:55 > 0:04:57How can he want to hurt Mary?

0:04:57 > 0:04:58I don't know.

0:05:04 > 0:05:05He's made a bad move there.

0:05:07 > 0:05:09Mary won't tolerate it.

0:05:09 > 0:05:12Prostituting her - it won't compute.

0:05:12 > 0:05:14I've thought about arresting him but I can't hold him.

0:05:17 > 0:05:18Or I'll kill him.

0:05:21 > 0:05:23I'll get him fucked up, I've got contacts.

0:05:25 > 0:05:28DOOR BUZZER

0:05:37 > 0:05:38Yeah. OK.

0:05:40 > 0:05:42- Got your body map?- Yup.

0:05:50 > 0:05:52Get him a seat, please.

0:06:20 > 0:06:21This is your body map?

0:06:26 > 0:06:30Describe the hair length, say what's on your drawing.

0:06:30 > 0:06:32Er, black,

0:06:32 > 0:06:35fine, one or two inches past the waist.

0:06:40 > 0:06:41Check.

0:06:44 > 0:06:45Erm...

0:06:45 > 0:06:48Two dark, almost black,

0:06:48 > 0:06:52even moles under the left breast one centimetre apart.

0:06:52 > 0:06:53The furthest left is lower.

0:06:58 > 0:06:59Check.

0:07:02 > 0:07:04Jesus.

0:07:04 > 0:07:06Anything else?

0:07:06 > 0:07:07Er...

0:07:09 > 0:07:11She always wore a small gold cross,

0:07:11 > 0:07:13which she removed before our sessions.

0:07:15 > 0:07:16Not here, mate.

0:07:16 > 0:07:19Guess she died fucking.

0:07:19 > 0:07:20She shave her muff?

0:07:23 > 0:07:24Yup.

0:07:24 > 0:07:26Close-shaven, one to two millimetres.

0:07:36 > 0:07:37Check.

0:07:40 > 0:07:41Approach the body, please.

0:07:53 > 0:07:55Can you positively identify the body?

0:07:57 > 0:07:59HE SOBS

0:08:01 > 0:08:02Yes.

0:08:09 > 0:08:12I'd like to have a moment to say goodbye.

0:08:14 > 0:08:17Yeah, you just had it, buddy.

0:08:17 > 0:08:19No.

0:08:19 > 0:08:21Cover her. It's inappropriate. You're a customer,

0:08:21 > 0:08:24not a family member. PHONE RINGS

0:08:24 > 0:08:25Hey, no phones here.

0:08:26 > 0:08:28Turn it off.

0:08:30 > 0:08:32CAMERA CLICKS Stop right there.

0:08:32 > 0:08:34Hey! You just disobeyed a direct order - that's an offence.

0:08:34 > 0:08:36- Take that.- I can delete it. - We'll keep that as evidence.

0:08:36 > 0:08:38- I can delete it.- Not now you can't.

0:08:38 > 0:08:41It's evidence, and even if you trash it, it's retrievable.

0:08:41 > 0:08:43What did you want? A souvenir?

0:08:43 > 0:08:45Get your bag, Brett. We'll take you home.

0:08:52 > 0:08:53See you, buddy.

0:09:01 > 0:09:03Hey, so what do you think?

0:09:03 > 0:09:05Shall I keep his phone or...?

0:09:05 > 0:09:06You decide.

0:09:07 > 0:09:09- Do you like him?- Like?

0:09:10 > 0:09:13Well...what?

0:09:15 > 0:09:16He knows her body by heart,

0:09:16 > 0:09:18he paid attention to her.

0:09:18 > 0:09:19He cared.

0:09:21 > 0:09:22So you think he cared.

0:09:22 > 0:09:25I want to know if he killed her.

0:09:25 > 0:09:26Well, someone did.

0:09:30 > 0:09:31I want to be with you.

0:09:31 > 0:09:34And I'm finding this quite upsetting cos I think you've got someone.

0:09:34 > 0:09:37Just fucking tell me if you've got someone.

0:09:37 > 0:09:38Hey, get the car.

0:09:40 > 0:09:41YOU get the car.

0:09:43 > 0:09:44Come on, mate.

0:09:46 > 0:09:48This is...bullshit.

0:09:53 > 0:09:57Look, just so you know, Stall can get a little fixated on women,

0:09:57 > 0:09:59so you might want to keep your distance.

0:09:59 > 0:10:01You're overseeing our case.

0:10:01 > 0:10:04See, there are noes that mean yes.

0:10:06 > 0:10:08All of us guys get plenty of yes-noes.

0:10:08 > 0:10:12Stally doesn't know a real no from a yes-no.

0:10:13 > 0:10:15Here.

0:10:15 > 0:10:16Call me if he comes around.

0:10:20 > 0:10:21Thanks, mate.

0:10:24 > 0:10:26GUNSHOTS

0:10:35 > 0:10:36Brett...

0:10:45 > 0:10:46Brett...

0:12:08 > 0:12:11I'll have dinner at the table tonight. We've got company.

0:12:11 > 0:12:13- Oh.- Oh, er, sorry, introductions.

0:12:13 > 0:12:15Cinnamon, this is my good mother.

0:12:21 > 0:12:22Who is it, dear?

0:12:24 > 0:12:26Yeah, well, you're calling it overtime but I call it

0:12:26 > 0:12:28effective police work. I need Thommo out there.

0:12:38 > 0:12:40China girl before her face was smashed.

0:12:45 > 0:12:46Her name?

0:12:46 > 0:12:48Cinnamon. Shop name.

0:12:48 > 0:12:50So...suspects?

0:12:56 > 0:12:58Either of you?

0:12:58 > 0:13:00Brett Iles - he's intense.

0:13:00 > 0:13:03I'd also look at the shop itself.

0:13:03 > 0:13:05There's rumours of a guy who rents a room above it.

0:13:09 > 0:13:10Where are you going?

0:13:10 > 0:13:12I'm leaving you two alone.

0:13:12 > 0:13:13Sit back down.

0:13:13 > 0:13:14Just wait. Will you?

0:13:16 > 0:13:20You know, you're taking a moment to see your partner's...

0:13:20 > 0:13:21Do you see she's upset?

0:13:22 > 0:13:25Look, I got your messages.

0:13:25 > 0:13:26So what is it?

0:13:29 > 0:13:31I can't stop worrying that something's wrong

0:13:31 > 0:13:32and the baby's dead.

0:13:32 > 0:13:34SHE SOBS

0:13:34 > 0:13:35Why? Are you bleeding?

0:13:39 > 0:13:41When you miscarry, you bleed.

0:13:41 > 0:13:43Ask for an ultrasound.

0:13:45 > 0:13:47It's hard to organise.

0:13:47 > 0:13:48Hey, but if it's...

0:13:49 > 0:13:52..if it stops you from worrying. Mm?

0:13:54 > 0:13:56Is she being a bitch?

0:13:56 > 0:13:57Yes!

0:13:59 > 0:14:00I'm sorry.

0:14:04 > 0:14:07I don't see you enough.

0:14:07 > 0:14:08I need you.

0:14:09 > 0:14:11I get scared, really scared.

0:14:11 > 0:14:13I know, I know.

0:14:14 > 0:14:16Sylvie!

0:14:16 > 0:14:17Oh, God.

0:14:17 > 0:14:18THEY LAUGH

0:14:18 > 0:14:20That's what I've heard on the grapevine.

0:14:20 > 0:14:22Housewives, stuff.

0:14:22 > 0:14:23Hi. Robin.

0:14:23 > 0:14:26Hey, yeah, I remember. You're back from New Zealand, are you?

0:14:26 > 0:14:28- Hi, how are you?- OK. How's Patrick?

0:14:28 > 0:14:30- Did he like his panda?- Panda?

0:14:31 > 0:14:34- Yeah, the stuffed bear. - No, I think you might be thinking

0:14:34 > 0:14:36- about another kid. Patrick doesn't have a panda.- Hey.

0:14:36 > 0:14:38- Hey!- Oh, hi.- Where are you going?

0:14:38 > 0:14:40- You left your lunch.- Right, OK.

0:14:44 > 0:14:46Hey.

0:14:54 > 0:14:56SIREN WAILS

0:15:07 > 0:15:09Are you blaming me for his wife?

0:15:09 > 0:15:11I didn't know she was coming.

0:15:11 > 0:15:13No, I blame you for enjoying it.

0:15:13 > 0:15:19And attacking me every day relentlessly. Not today - every day.

0:15:39 > 0:15:40Do you recognise her?

0:15:41 > 0:15:45Hmm... I don't know who she is.

0:15:45 > 0:15:48Pixie, we've got to stop this bullshit.

0:15:48 > 0:15:49Look at her.

0:15:51 > 0:15:52Let me help.

0:15:52 > 0:15:55She is not a student, she's a sex worker, Pixie, and she's dead.

0:15:58 > 0:15:59Oh, God.

0:16:00 > 0:16:02I don't know how I can help.

0:16:03 > 0:16:05Are you sure she's a sex worker?

0:16:05 > 0:16:07Yes.

0:16:07 > 0:16:10Get me a fucking ultrasound.

0:16:10 > 0:16:12Pick up the phone, call Dr Chatterjee...

0:16:12 > 0:16:14I can't do that, he's away.

0:16:14 > 0:16:17- He's away?- Yes.- Fuck you, Pixie! Get someone else to do it!

0:16:17 > 0:16:19Hey! PIXIE SQUEALS

0:16:19 > 0:16:21That is enough. She has heard you, she will do it.

0:16:21 > 0:16:24I want to see you fucking phone! Do something.

0:16:24 > 0:16:27- You'll do it, you'll text the appointment time.- Get off me!

0:16:27 > 0:16:30- Constable Hilmarson, you have to leave.- No.

0:16:30 > 0:16:32It's my baby.

0:16:32 > 0:16:36- It's my baby!- It's OK, you've told her, she'll do it. Leave.

0:16:36 > 0:16:39Constable... Leave. Leave.

0:16:55 > 0:16:57Erm, can we meet up and talk?

0:16:57 > 0:16:59Call me one night after seven.

0:17:15 > 0:17:16SHE GROANS

0:17:16 > 0:17:17We have to have this out.

0:17:17 > 0:17:19Yes, we do.

0:17:43 > 0:17:45Hey.

0:17:45 > 0:17:47Yeah, no, thanks.

0:17:47 > 0:17:49Wake up, you have a baby.

0:17:49 > 0:17:51You need to take care of yourself.

0:17:54 > 0:17:56Don't give me that shit.

0:17:57 > 0:17:59You don't care about me.

0:17:59 > 0:18:02You actually enjoy any opportunity to humiliate me.

0:18:14 > 0:18:15What's your excuse?

0:18:16 > 0:18:17For this?

0:18:17 > 0:18:20For kicking and screaming at the IVF clinic.

0:18:21 > 0:18:23One minute you're yelling for an ultrasound,

0:18:23 > 0:18:26the next you're smoking and killing your baby's brain cells.

0:18:26 > 0:18:29I'm going to make sure you take care of your baby.

0:18:29 > 0:18:31I will haunt you.

0:18:31 > 0:18:33Oh, you do.

0:18:33 > 0:18:34You do.

0:18:34 > 0:18:36See, I'm not your partner,

0:18:36 > 0:18:37I'm your whipping boy.

0:18:38 > 0:18:40And I have to be hopeless

0:18:40 > 0:18:42so you can be clever and you can be capable and you can...

0:18:42 > 0:18:43What's your point?

0:18:45 > 0:18:46You've no idea?

0:18:46 > 0:18:48Tell me.

0:18:48 > 0:18:49I want to hear.

0:18:53 > 0:18:54Go ahead.

0:18:56 > 0:18:57It's so, so sad.

0:18:58 > 0:19:02Because you are broken-hearted and you don't even realise.

0:19:03 > 0:19:05Everybody knows.

0:19:05 > 0:19:09Liam knows. Adrian knows. I know. Your daughter knows.

0:19:09 > 0:19:11She's reaching out to you. She's trying to heal you.

0:19:11 > 0:19:13- Can't you just hold her? - You have no idea about my life.

0:19:13 > 0:19:18- I've seen it myself. You're afraid to touch her.- I take care.

0:19:18 > 0:19:19I am careful with people.

0:19:19 > 0:19:21And I don't?

0:19:21 > 0:19:24Like you should be. Why are you fucking around with Liam?

0:19:24 > 0:19:26- We're friends.- He's fragile... - We love each other, OK?

0:19:26 > 0:19:30- That's it. It's a foreign language to you.- You're careless.

0:19:30 > 0:19:31Yeah, I'm the one that cares.

0:19:31 > 0:19:33No, I CAN translate -

0:19:33 > 0:19:35you're fucking dangerous.

0:20:01 > 0:20:03You have no idea how lucky you are.

0:20:05 > 0:20:07I've been pregnant...

0:20:07 > 0:20:10not just once with Mary. Four times.

0:20:13 > 0:20:14Three miscarriages.

0:20:18 > 0:20:20So don't you dare say that I don't care.

0:20:28 > 0:20:31- What? Is that too close?- Yeah!

0:20:31 > 0:20:35But what about this? Huh?

0:20:35 > 0:20:38- Yeah, is this better over here? - Yeah.

0:20:38 > 0:20:40ROBIN SNIFFLES

0:20:42 > 0:20:44I'm not having my baby.

0:21:18 > 0:21:20ENGINE RUMBLES OUTSIDE

0:21:28 > 0:21:31No, you don't want to know. Just picture that...

0:21:31 > 0:21:34You know, it's better for the performance.

0:21:34 > 0:21:36Hey, mate, what are you doing?

0:21:36 > 0:21:38Hey, what's that thing? Are you making a documentary about me?

0:21:38 > 0:21:42The Fuck Wizard Strikes Back? Whoo! Whoo!

0:21:42 > 0:21:43Yeah, something like that.

0:21:43 > 0:21:46All right, so first it was stand up back stairs,

0:21:46 > 0:21:48then I went through all the positions.

0:21:48 > 0:21:50You know, I got her onto the bed.

0:21:50 > 0:21:51We did some Viennese oyster,

0:21:51 > 0:21:54just some nice airy-fairy stuff, and then I fucking shocked her,

0:21:54 > 0:21:57turned around, demonic looking straight in her eyes, man.

0:21:57 > 0:21:58The Fuck Wizard's here.

0:21:58 > 0:22:00How do you remember them all?

0:22:00 > 0:22:03Like, I... You know, if I...

0:22:03 > 0:22:05Like, I get so involved in the moment, I wouldn't know,

0:22:05 > 0:22:07like, which one to do next.

0:22:07 > 0:22:09You always get too involved, because you're emotional.

0:22:09 > 0:22:10You've got to keep it...

0:22:10 > 0:22:13keep it very logical and very scientific, right?

0:22:13 > 0:22:16If you... If you get stuck, get her to go through a little dry run.

0:22:16 > 0:22:18Get her to go through them. She knows all the positions.

0:22:18 > 0:22:22- Stick deep, rodeo... Mate, it really loosens them up.- OK.

0:22:24 > 0:22:26Hey, you got a bit of a glow about you.

0:22:26 > 0:22:28Have you had a touch of the GFE?

0:22:28 > 0:22:31What? Have you been seeing Cinnamon?

0:22:31 > 0:22:34- I did.- What's she up to? - Really? Oh, she's back?

0:22:34 > 0:22:35At Silk 41?

0:22:35 > 0:22:37She must love your little rest-up sessions

0:22:37 > 0:22:40when she gets to rest up from sucking all that cock,

0:22:40 > 0:22:41just rest the old jaw.

0:22:41 > 0:22:45- WHISPERING:- That's really lovely. That's really hot.

0:22:45 > 0:22:48I hope you're not putting me on YouTube, Brett.

0:22:48 > 0:22:49I'll smash you.

0:22:49 > 0:22:51LAUGHTER

0:22:51 > 0:22:54- No, this is going to go on the news. - Really?

0:22:56 > 0:22:58- Hey.- Hi.

0:22:58 > 0:22:59Hey.

0:22:59 > 0:23:02- Another coffee? Anything? - You're putting us on the news?

0:23:02 > 0:23:06- That'd be good for me, thanks. - Yeah.- Nothing?- Coffee, caffeine...

0:23:08 > 0:23:11I've looked through her patient list and there's a lot of them.

0:23:11 > 0:23:14No, it actually shocked me, too. I had no idea.

0:23:16 > 0:23:18Well, I honestly believe Pixie's intention was to help,

0:23:18 > 0:23:20but we're in a bit of a situation now.

0:23:20 > 0:23:22I've got to walk my dog.

0:23:22 > 0:23:26Here's Pixie. It's the detective.

0:23:29 > 0:23:31I'm so sorry. I was only trying to help.

0:23:31 > 0:23:34Just to help the people have their babies...

0:23:34 > 0:23:37I wasn't paid. I just passed on a number.

0:23:37 > 0:23:38That's all I did.

0:23:38 > 0:23:42And people thanked me... Everyone thanked me.

0:23:42 > 0:23:45You've got to get them all together. Tell them to come to your place.

0:23:47 > 0:23:49Come to my apartment.

0:23:49 > 0:23:52I'll invite some couples and I can tell you all what I know.

0:23:54 > 0:23:56OK.

0:23:56 > 0:23:57That'd be good.

0:23:57 > 0:23:59All right, so you'll text me the address?

0:24:02 > 0:24:03Bye.

0:24:05 > 0:24:09OK, Pixie wants to have us over.

0:24:09 > 0:24:11She wants to tell us what she knows.

0:24:11 > 0:24:13You'll come?

0:24:13 > 0:24:15Of course.

0:24:15 > 0:24:16Thank you.

0:24:19 > 0:24:22To my one good egg -

0:24:22 > 0:24:24my A-grade blastocyst.

0:24:28 > 0:24:31To your little...

0:24:31 > 0:24:33Rosa. She's a little girl.

0:24:33 > 0:24:34To Rosa!

0:24:38 > 0:24:39Oh, did you think...?

0:24:39 > 0:24:41What? That we should stop drinking?

0:24:48 > 0:24:51No. Did you think Cinnamon...?

0:24:51 > 0:24:52Yes, I did think.

0:24:56 > 0:24:59When I saw the foetus pulled out at the morgue...

0:25:01 > 0:25:03..I was scared it was Rosa.

0:25:05 > 0:25:08But it was somebody's baby boy.

0:25:08 > 0:25:10It's not mine, but it's somebody's.

0:25:14 > 0:25:18Did Adrian give your surrogate a panda?

0:25:18 > 0:25:20Actually, yes, erm...

0:25:20 > 0:25:23Molly had morning sickness.

0:25:23 > 0:25:24Why? Tell me.

0:25:25 > 0:25:27I saw a panda at Silk 41.

0:25:31 > 0:25:32No, she's a student.

0:25:44 > 0:25:46You think she's a sex worker.

0:25:49 > 0:25:52I think she's had a miscarriage - that's why she's disappeared.

0:25:57 > 0:26:01But the worst thing is, perhaps not.

0:26:01 > 0:26:05Perhaps our baby will be born and we'll never find her.

0:26:05 > 0:26:09We'll never see her. We'll never care for her.

0:26:09 > 0:26:11MIRANDA SOBS

0:26:11 > 0:26:12Hey.

0:26:14 > 0:26:17MIRANDA STILL SOBBING We're going to find your baby.

0:26:17 > 0:26:19Hey! OK?

0:26:19 > 0:26:21I'm going to find your baby, OK?

0:26:21 > 0:26:25I'm a detective,

0:26:25 > 0:26:28but I'm also a super detective.

0:26:28 > 0:26:30MIRANDA SNIFFLES

0:26:31 > 0:26:33OK?

0:26:33 > 0:26:36- I know, I know...- I will find her.

0:26:38 > 0:26:39Thank you.

0:26:43 > 0:26:46You have a really good heart, and I'm sorry for what I said.

0:26:50 > 0:26:52ROBIN SOBS

0:26:52 > 0:26:54- Oh...- Excuse me.

0:26:54 > 0:26:58Oh, no. No, you can howl if you want to.

0:26:58 > 0:27:01Oh... Oh...

0:27:06 > 0:27:08Excuse me. I'm sorry.

0:27:20 > 0:27:24How did this happen? I've been dying to ask.

0:27:24 > 0:27:27I know that's not a dog. That's people teeth.

0:27:30 > 0:27:32Mary's boyfriend.

0:27:35 > 0:27:37He's the German from Silk 41.

0:27:38 > 0:27:41Oh, my God. Really?

0:27:41 > 0:27:43And that's why you didn't tell Adrian.

0:27:46 > 0:27:51Oh, no, poor Mary. She has to leave him. He's so dangerous.

0:27:51 > 0:27:52She's in love.

0:27:54 > 0:27:56She's really, really in love.

0:27:56 > 0:27:59Oh, fuck love. It's a disease.

0:28:00 > 0:28:03People die from it.

0:28:03 > 0:28:05- SHE EXHALES - No, not her. No, no, no, no.

0:28:05 > 0:28:06No, no.

0:28:11 > 0:28:15That's it. No, not that one. The big one. Get the big... Up the top!

0:28:15 > 0:28:16- Yeah.- That's not my bag.

0:28:16 > 0:28:20Yeah, it doesn't matter. Big one is better.

0:28:20 > 0:28:22I've paid already for the ad.

0:28:24 > 0:28:26Yeah, if you do the search, we're not on the front page.

0:28:26 > 0:28:28I'm telling you...

0:28:30 > 0:28:34I can e-mail you receipt this time, but I'm telling you,

0:28:34 > 0:28:35we made the payment.

0:28:35 > 0:28:38- I don't know whose bag that is. - It doesn't matter. That's OK.

0:28:38 > 0:28:43You'll come? Awesome. Yes, we have Jade and Joy.

0:28:45 > 0:28:48They're both active, passive - whatever you want.

0:28:48 > 0:28:49You can make booking,

0:28:49 > 0:28:52or you can come in and have a look first if you want.

0:28:53 > 0:28:55Where are you going?

0:28:55 > 0:28:58I'm leaving for holiday.

0:28:58 > 0:29:01No more sex. No more cock.

0:29:01 > 0:29:03Where?

0:29:03 > 0:29:07- You come.- Yeah. - You come to Thailand when I'm back.

0:29:07 > 0:29:08You meet my mother.

0:29:10 > 0:29:12Yeah.

0:29:24 > 0:29:25Don't go to Canberra.

0:29:27 > 0:29:28Where?

0:29:28 > 0:29:31You know, Canberra, like Cinnamon.

0:29:31 > 0:29:34Cinnamon? Oh, she... What a stupid girl!

0:29:34 > 0:29:37She's too emotional.

0:29:37 > 0:29:40She get involved, crying and crying...

0:29:42 > 0:29:43Mary...

0:29:45 > 0:29:46Do you love Puss?

0:29:46 > 0:29:48You tell me, really.

0:29:49 > 0:29:51Yes.

0:29:53 > 0:29:55I don't think I love anyone.

0:29:58 > 0:30:00Maybe you, hmm?

0:30:05 > 0:30:09Maybe this...

0:30:14 > 0:30:22But I won't do that, even if I feel it profit...

0:30:29 > 0:30:31THEY SPEAK OWN LANGUAGE

0:30:31 > 0:30:33Give it to me. Come on.

0:30:33 > 0:30:34Thank you.

0:30:34 > 0:30:36THEY SPEAK OWN LANGUAGE

0:30:51 > 0:30:54Hey, off it! Off!

0:30:54 > 0:30:55Off.

0:30:57 > 0:30:59COMPUTER BEEPS

0:31:18 > 0:31:20CAR BOOT CLICKS AND THUMPS

0:31:42 > 0:31:44DOOR CREAKS

0:31:47 > 0:31:49No, no. Wait in the car.

0:31:49 > 0:31:51I want to say goodbye to Kamon.

0:31:51 > 0:31:53Why? You've said goodbye already.

0:31:56 > 0:31:58DOOR SLAMS

0:32:12 > 0:32:14What are you doing in there?

0:32:18 > 0:32:20METAL SCREECHES

0:32:22 > 0:32:24We are cutting her throat.

0:32:27 > 0:32:28What happened to Cinnamon?

0:32:30 > 0:32:32Well, who...? Who's been asking?

0:32:33 > 0:32:36Your mummy?

0:32:36 > 0:32:37Has she been asking questions?

0:32:40 > 0:32:43You think that I killed her.

0:32:43 > 0:32:45Do you think I would do that?!

0:32:49 > 0:32:51Yeah, you go home. You walk home!

0:32:54 > 0:32:56Bloody fuck... Shite...

0:32:58 > 0:33:01SHE EXHALES

0:33:01 > 0:33:03- Yeah, all right. - You can always come back.

0:33:03 > 0:33:06- Just take what the fuck you need from upstairs.- Yeah.

0:33:06 > 0:33:08KNOCK AT DOOR

0:33:08 > 0:33:12MUSIC: Adagio In G Minor by Tomaso Albinoni

0:33:12 > 0:33:13KNOCK AT DOOR

0:33:13 > 0:33:15DOG WHIMPERS

0:33:18 > 0:33:19BARKING

0:33:19 > 0:33:21Pixie!

0:33:26 > 0:33:28PHONE RINGS

0:33:38 > 0:33:40PHONE CONTINUES RINGING

0:33:44 > 0:33:46PHONE RINGS LOUDER

0:33:53 > 0:33:55Hi. Is she not answering?

0:33:55 > 0:33:56Not yet, no.

0:33:59 > 0:34:00I can hear music. Maybe she...

0:34:00 > 0:34:03I'm just trying now.

0:34:03 > 0:34:05Where is she?

0:34:05 > 0:34:07I don't know.

0:34:07 > 0:34:10Pixie, it's Dr Campbell. Can you please let us in?

0:34:10 > 0:34:12We're at your apartment. Thanks.

0:34:16 > 0:34:18DOG WHINES

0:34:20 > 0:34:22KNOCK AT DOOR

0:34:25 > 0:34:26Hi.

0:34:26 > 0:34:30There's no response from Pixie's intercom.

0:34:30 > 0:34:31Did you try calling her?

0:34:31 > 0:34:33Yeah, there's no response.

0:34:33 > 0:34:34Are you sure she meant tonight?

0:34:34 > 0:34:36Yeah, I'm certain.

0:34:36 > 0:34:38DOG BARKS

0:34:41 > 0:34:43KNOCK AT DOOR

0:34:45 > 0:34:47DOG YAPS

0:34:51 > 0:34:53HE TAPS

0:35:02 > 0:35:04DOG BARKS

0:35:09 > 0:35:11BARKING CONTINUES

0:35:29 > 0:35:32- DOG WHINES - Anything?

0:35:32 > 0:35:35Not for a while.

0:35:35 > 0:35:37Oh, my God.

0:35:37 > 0:35:38Has she killed herself?

0:35:38 > 0:35:41Yeah, looks like she has.

0:35:49 > 0:35:53ISO, we have a deceased at 10B Victoria Avenue in Bellevue.

0:35:55 > 0:35:58It appears to be a suicide by drug overdose.

0:35:59 > 0:36:02Female, early 40s to mid-40s.

0:36:02 > 0:36:04- MIRANDA SIGHS - Next of kin haven't been informed.

0:36:04 > 0:36:07There are detectives on site and we need the crime scene here.

0:36:11 > 0:36:14Yes, we can stay here.

0:36:14 > 0:36:18We'll remain on site and wait for further notice.

0:36:18 > 0:36:21You've got my mobile.

0:36:21 > 0:36:23I'm so angry with her.

0:36:26 > 0:36:28- She was our contact.- Yeah.

0:36:28 > 0:36:29That's it.

0:36:29 > 0:36:31We're... We're in a void.

0:36:34 > 0:36:37Can we turn that music down? Cut it off?

0:36:42 > 0:36:46- MUSIC STOPS - All right, well, we've got about an hour before the DOI arrive, so...

0:36:46 > 0:36:49it might be best to let the others know that there won't be a meeting.

0:36:53 > 0:36:55DOG WHIMPERS

0:36:55 > 0:36:57Miri, she left you a letter.

0:36:59 > 0:37:00Is she blaming me?

0:37:00 > 0:37:03No, no, no, she was being besieged by parents who've lost

0:37:03 > 0:37:05contact with their surrogates.

0:37:08 > 0:37:09All these people?

0:37:11 > 0:37:12It's unbelievable.

0:37:15 > 0:37:17Who's organising this?

0:37:17 > 0:37:20Well, it's not Pixie.

0:37:20 > 0:37:23Her contact was Dr Chatterjee and he's gone back to Bangalore.

0:37:25 > 0:37:27I'm really scared.

0:37:29 > 0:37:34Hey, our baby's safe, OK?

0:37:34 > 0:37:35She's in Mali.

0:37:35 > 0:37:38She's safe, OK? She's safe.

0:37:38 > 0:37:40All right? And she's a young person.

0:37:40 > 0:37:42They don't keep contact. All right? She's bad at it.

0:37:42 > 0:37:44- DOG BARKS - Mate...

0:37:44 > 0:37:46MIRANDA SOBS

0:37:46 > 0:37:50She'll call. She'll want payment. 25K, that's a lot.

0:37:52 > 0:37:54That's a lot of money.

0:37:54 > 0:37:56There's a couple who are desperate to talk,

0:37:56 > 0:37:57and they know we're cops.

0:37:58 > 0:38:02What about the dummy? Shall we leave it?

0:38:02 > 0:38:04MIRANDA BREATHES HEAVILY

0:38:04 > 0:38:05Are you OK?

0:38:08 > 0:38:10DOG YAPS

0:38:18 > 0:38:19What was her name?

0:38:19 > 0:38:21Pathma.

0:38:21 > 0:38:25We... We met her initially, and then we...

0:38:25 > 0:38:30we saw her again when she had the first ultrasound.

0:38:30 > 0:38:33And do you know how old she was?

0:38:33 > 0:38:36- I think that she said 20...- 20.

0:38:39 > 0:38:44We arranged to meet with her because I think she was lonely.

0:38:44 > 0:38:46Yeah, she was missing her family.

0:38:46 > 0:38:49She was here on a student visa.

0:38:49 > 0:38:51We wanted her to come and live with us.

0:38:51 > 0:38:53And what did she say?

0:38:53 > 0:38:56Well, she said it was impossible - that she would get into trouble.

0:38:56 > 0:38:58Trouble with who?

0:38:58 > 0:39:02Her English wasn't very good, you know?

0:39:02 > 0:39:06Actually, Paul and I think that Pathma...

0:39:09 > 0:39:11BECCY SIGHS

0:39:11 > 0:39:13Can you say?

0:39:13 > 0:39:18Yeah, at this moment in time, Beccy and Paul are wondering

0:39:18 > 0:39:22if maybe their surrogate is your murdered girl.

0:39:24 > 0:39:27We lost contact with her a month ago,

0:39:27 > 0:39:32and her phone is disconnected, and she wouldn't do that herself.

0:39:32 > 0:39:34Have you got any photographs?

0:39:34 > 0:39:38- Yeah.- Yeah, we have a lot of photos.

0:39:53 > 0:39:56We have a picture, too.

0:39:58 > 0:40:00SHE EXHALES

0:40:01 > 0:40:04This is her necklace.

0:40:04 > 0:40:05God, I...

0:40:08 > 0:40:10How did she die?

0:40:11 > 0:40:15According to the pathology report, it was strangulation.

0:40:18 > 0:40:21If it's possible, we'd like to bury our child.

0:40:21 > 0:40:27Of course, I understand, but if you admit to the surrogacy,

0:40:27 > 0:40:28the police could prosecute.

0:40:28 > 0:40:30I don't care.

0:40:30 > 0:40:33I want my child to be acknowledged.

0:40:33 > 0:40:35I want to see my child.

0:40:35 > 0:40:38I want my family to see my child.

0:40:38 > 0:40:41We have been lying for over a year.

0:40:44 > 0:40:47- I'm so sorry... - Oh, I'm going to scream.

0:40:47 > 0:40:51I'm just going to scream it out on the streets!

0:40:51 > 0:40:53I think we probably should go.

0:40:55 > 0:40:57WHISTLING

0:41:02 > 0:41:04PUSS WHISTLES

0:41:19 > 0:41:21Are you waiting for me?

0:41:24 > 0:41:25I...

0:41:28 > 0:41:32I've come to apologise for spoiling your beautiful face on the beach.

0:41:34 > 0:41:37It's a problem I have had since childhood,

0:41:37 > 0:41:40compulsive urges, and...

0:41:40 > 0:41:45Well, it doesn't excuse me, and I'm so sorry.

0:41:46 > 0:41:48I want you to leave Mary alone.

0:41:48 > 0:41:50Like you did for 18 years?

0:41:52 > 0:41:56Yeah, well, I understand it must be difficult for the mother, you know?

0:41:56 > 0:41:58The daughter fucking some old guy...

0:41:58 > 0:42:01I mean, but even with the young guys, it's difficult,

0:42:01 > 0:42:05you know, to think about what might happen between them

0:42:05 > 0:42:08during the night-time, but, hey, that's...that's life.

0:42:08 > 0:42:13So, when are you going to start doing your job?

0:42:13 > 0:42:15Mary tells me that Cinnamon is dead.

0:42:17 > 0:42:20Why don't you come to the shop, hmm?

0:42:20 > 0:42:21Is it because she's Thai?

0:42:21 > 0:42:24Is it because she's Asian, and then it doesn't matter?

0:42:24 > 0:42:25It matters.

0:42:27 > 0:42:28OK. I...

0:42:28 > 0:42:32I've been troubled by something I saw maybe four weeks ago.

0:42:32 > 0:42:34At the time it was nothing.

0:42:34 > 0:42:37It was just a suitcase in the hallway,

0:42:37 > 0:42:39but, in the morning, it was gone.

0:42:41 > 0:42:43Was it a pink one?

0:42:43 > 0:42:47- PUSS LAUGHS - No, it was a green one.

0:42:47 > 0:42:50And I...I wonder about that suitcase, you know?

0:42:54 > 0:42:56HE EXHALES

0:43:00 > 0:43:05You should do your job for the girl, for Pathma.

0:43:05 > 0:43:07That was her Thai name, OK?

0:43:09 > 0:43:11FOOTSTEPS MOVE AWAY

0:43:18 > 0:43:20KEYS JANGLE

0:43:25 > 0:43:27So she just never turned up?

0:43:27 > 0:43:29That's right.

0:43:29 > 0:43:34Yeah, I waited, but I thought she might be here.

0:43:34 > 0:43:37No, no, not for a few days.

0:43:37 > 0:43:40Well, that makes me feel a little better.

0:43:40 > 0:43:42What's all this?

0:43:43 > 0:43:45What are you doing? Having a date?

0:43:45 > 0:43:47No.

0:43:47 > 0:43:50- Come on, Pykey.- No, I... - Yes, you are.

0:43:50 > 0:43:53A friend's coming over.

0:43:53 > 0:43:54Robin.

0:43:56 > 0:43:57She...

0:43:57 > 0:44:00She had Mary to stay, so it's payback.

0:44:02 > 0:44:04When was that?

0:44:04 > 0:44:08Well, she stayed a couple of nights.

0:44:08 > 0:44:10- A couple of nights?- Yeah.

0:44:13 > 0:44:14JULIA SIGHS

0:44:14 > 0:44:15Hi there.

0:44:17 > 0:44:18I'm just leaving.

0:44:20 > 0:44:24I got stood up by Mary at the Sushi Train.

0:44:24 > 0:44:26You haven't heard from her, have you?

0:44:26 > 0:44:27Sorry, no.

0:44:27 > 0:44:30Pyke said that she stayed with you.

0:44:30 > 0:44:31Thanks for that.

0:44:31 > 0:44:35It's a little bit awkward right now, so all hands on deck, right?

0:44:35 > 0:44:36She's my daughter too.

0:44:39 > 0:44:42You think that, do you?

0:44:42 > 0:44:43Yes.

0:44:46 > 0:44:50- Before she was born, while she was unconscious...- Julia.

0:44:50 > 0:44:52What? Come on.

0:44:52 > 0:44:54I'm grateful, of course I am, Pyke,

0:44:54 > 0:44:57but I'm the one who cared for her every single day,

0:44:57 > 0:45:00every single night since she was a baby, so...

0:45:01 > 0:45:03Her?

0:45:03 > 0:45:05- Nine months.- That's enough.

0:45:05 > 0:45:07What, that's enough?!

0:45:07 > 0:45:09I am her mother.

0:45:11 > 0:45:13Not "too".

0:45:21 > 0:45:23Are you going to say anything?

0:45:23 > 0:45:26SHE SIGHS

0:45:34 > 0:45:36HE CLEARS HIS THROAT

0:45:41 > 0:45:45In 20 years, you were never unfaithful to Julia.

0:45:45 > 0:45:47I had a passion.

0:45:47 > 0:45:50I fell in love with a woman at work,

0:45:50 > 0:45:51but I fought it.

0:45:51 > 0:45:54That's very contained of you.

0:45:54 > 0:45:56No, I was a drama queen, actually.

0:45:56 > 0:46:00I took time off work, saw a therapist,

0:46:00 > 0:46:02saw a psychic.

0:46:02 > 0:46:04I told Julia.

0:46:06 > 0:46:08So, what happened?

0:46:08 > 0:46:11The psychic told me that Maia was not my true love,

0:46:11 > 0:46:13but my awakening.

0:46:13 > 0:46:15She said my soul lover was coming.

0:46:15 > 0:46:17I suffered.

0:46:17 > 0:46:18She suffered.

0:46:18 > 0:46:21Finally, Maia couldn't bear it.

0:46:21 > 0:46:23She decided to take a job overseas.

0:46:23 > 0:46:26She wanted one thing before she left, though.

0:46:26 > 0:46:28A kiss.

0:46:28 > 0:46:30But it had to be for as long as she wanted.

0:46:33 > 0:46:35And you agreed to that?

0:46:35 > 0:46:37Yeah.

0:46:38 > 0:46:41So, how long was it?

0:46:44 > 0:46:45Two minutes?

0:46:47 > 0:46:50- Five minutes?- Not even close.

0:46:52 > 0:46:55Longer than ten minutes?

0:46:55 > 0:46:57It was longer than an hour.

0:46:58 > 0:46:59Maybe two.

0:47:00 > 0:47:02It was pretty glorious.

0:47:05 > 0:47:07What, you don't like kissing?

0:47:07 > 0:47:09SHE LAUGHS

0:47:10 > 0:47:12I've embarrassed you.

0:47:16 > 0:47:18Oh, I've upset you.

0:47:19 > 0:47:21No.

0:47:23 > 0:47:25I like your story.

0:47:40 > 0:47:42We've got a pile of photos.

0:47:43 > 0:47:45Videos as well.

0:47:45 > 0:47:47From when Mary was small.

0:47:49 > 0:47:51This one's worth seeing.

0:47:51 > 0:47:53I think she was about three.

0:47:53 > 0:47:56I put it together for her 13th birthday.

0:48:00 > 0:48:02You know, she grew up in this house.

0:48:04 > 0:48:07You want to take a look at her room?

0:48:09 > 0:48:11- Can I?- Yeah.

0:48:11 > 0:48:13Yeah, go on.

0:48:15 > 0:48:18It's second on the left.

0:49:48 > 0:49:50Pyke?

0:49:55 > 0:49:57- What is that?- A pregnancy test.

0:50:00 > 0:50:02Negative.

0:50:05 > 0:50:07I'm putting it back.

0:50:09 > 0:50:12I shouldn't even be in here.

0:50:12 > 0:50:14So she's not using protection?

0:50:14 > 0:50:15That's a risk.

0:50:17 > 0:50:19Yeah.

0:50:23 > 0:50:25That's very good, yes.

0:50:25 > 0:50:28I think that's what we've got to have. What's this?

0:50:28 > 0:50:32You hold. You film her like this?

0:50:32 > 0:50:34No, no, no. No lipstick.

0:50:34 > 0:50:36It's supposed to be a poor village person.

0:50:36 > 0:50:39No matter! Even poor people dress up for click.

0:50:39 > 0:50:41No. No, get out of this, please.

0:50:41 > 0:50:43You wear poor village clothes.

0:50:43 > 0:50:45I have a film to make here.

0:50:45 > 0:50:47Please. I need babies.

0:50:47 > 0:50:49Where are the babies?

0:50:49 > 0:50:50I need to find the babies.

0:50:50 > 0:50:52- Puss! Hey.- Yes.- Sir.

0:50:52 > 0:50:56What if we put some lights behind the fronds to back-light them?

0:50:56 > 0:50:58I paid 600 for these plants.

0:50:58 > 0:51:00I want to see the front of them.

0:51:00 > 0:51:03- They look like office plants, though.- Yes. No. It's Thai village.

0:51:03 > 0:51:05It's Thai jungle. Get it, man.

0:51:08 > 0:51:10OK, hello, everybody.

0:51:10 > 0:51:14So, can we get some happy babies inside, please?

0:51:14 > 0:51:17CHILDREN SING

0:51:24 > 0:51:28Yeah, we actually closed today. You after girl or ladyboy?

0:51:28 > 0:51:30Tomorrow? No problem.

0:51:30 > 0:51:3110am?

0:51:36 > 0:51:40OK. Bootie, do you have the money? OK.

0:51:40 > 0:51:42Now, Bootie...

0:51:42 > 0:51:44Yeah?

0:51:46 > 0:51:47Hey...

0:51:49 > 0:51:52Not foreground! This is in the jungle!

0:51:52 > 0:51:55Here we go. Come on. No...

0:51:55 > 0:51:58CHILDREN CRY

0:51:58 > 0:51:59Let me hold this now.

0:51:59 > 0:52:02Puss, please be careful. It's the school's.

0:52:02 > 0:52:04Sad for the baby, happy for the money!

0:52:16 > 0:52:18So, what's the idea?

0:52:18 > 0:52:20Well, look, we keep it light.

0:52:20 > 0:52:22See if she wants a lift home

0:52:22 > 0:52:24or, if not, a coffee.

0:52:24 > 0:52:25OK.

0:52:25 > 0:52:28We want to check in.

0:52:28 > 0:52:29Yeah.

0:52:29 > 0:52:30Yeah, good.

0:52:34 > 0:52:36Shit. Look who's already there.

0:52:36 > 0:52:38Who?

0:52:40 > 0:52:42Oh, fuck him.

0:52:42 > 0:52:43Want to try another day?

0:52:45 > 0:52:48Nah. Here, take this.

0:52:48 > 0:52:49Careful.

0:52:49 > 0:52:51Pyke!

0:52:55 > 0:53:00Hey. Hey! Clear off and leave my daughter alone.

0:53:00 > 0:53:02- Mary... - Leave my daughter alone.

0:53:02 > 0:53:05- Go on, leave. - Look, Mary is open with her love...

0:53:05 > 0:53:08- Dad, what are you doing?- It's a good quality. You should be happy.

0:53:08 > 0:53:09Hello, baby.

0:53:09 > 0:53:11And you are not her father.

0:53:11 > 0:53:13She's not your daughter.

0:53:13 > 0:53:15No. I bathed you. I fed you. I held you. I love you.

0:53:15 > 0:53:18- I'm your father.- Yes, well... - I'm your father.

0:53:18 > 0:53:21Yes, so you have devotion. That's splendid. But let's face the facts.

0:53:21 > 0:53:23You will never be her father.

0:53:23 > 0:53:25You didn't make her. It's not your spunk.

0:53:25 > 0:53:28- No, I am her father. - He just means technically.

0:53:28 > 0:53:31- Technically, it's true. - No, it's not technical. I love you.

0:53:31 > 0:53:32I will always care for you.

0:53:32 > 0:53:34OK? I will always care for you.

0:53:34 > 0:53:36Long after he has gone, I will always help you.

0:53:36 > 0:53:38You're not getting it.

0:53:38 > 0:53:40I'd put my life down for you.

0:53:40 > 0:53:41Let's go.

0:53:48 > 0:53:49Let's get you a drink.

0:53:51 > 0:53:52Come on.

0:54:03 > 0:54:05I think this is drink number...

0:54:05 > 0:54:07Is it four?

0:54:07 > 0:54:09Oh, yeah? Are you counting?

0:54:09 > 0:54:11THEY LAUGH

0:54:12 > 0:54:15Hello. Yeah. Have a good look.

0:54:18 > 0:54:20Hey, to you.

0:54:23 > 0:54:25And the love for your daughter.

0:54:25 > 0:54:26OUR daughter.

0:54:56 > 0:55:03# These arms of mine

0:55:03 > 0:55:08# They are lonely

0:55:08 > 0:55:14# Lonely and feeling blue

0:55:14 > 0:55:20# These arms of mine

0:55:20 > 0:55:24# They are yearning

0:55:25 > 0:55:30# Yearning and wanting you

0:55:31 > 0:55:36# And if you

0:55:38 > 0:55:42# Would let them hold you

0:55:42 > 0:55:46# Oh, how grateful I will be

0:55:47 > 0:55:52# These arms of mine

0:55:52 > 0:55:56# They are burning

0:55:58 > 0:56:02# Burning from wanting you... #

0:56:02 > 0:56:04- Do you have any...?- Frangers?

0:56:04 > 0:56:06No, I haven't needed them.

0:56:06 > 0:56:09# These arms of mine

0:56:09 > 0:56:11# They are wanting... #

0:56:11 > 0:56:13Should I go buy some?

0:56:13 > 0:56:15No.

0:56:15 > 0:56:17Don't go anywhere.

0:56:17 > 0:56:20# Wanting to hold you

0:56:20 > 0:56:25# And if you

0:56:27 > 0:56:31# Would let them hold you

0:56:31 > 0:56:36# Oh, how grateful I will be

0:56:40 > 0:56:43# Come on, come on, baby

0:56:45 > 0:56:48# Just be my lover

0:56:48 > 0:56:52# Just be my lover... #

0:56:52 > 0:56:54I will restore your honour.

0:56:54 > 0:56:59# I need somebody to treat me right... #

0:56:59 > 0:57:01Thank you, Brett.

0:57:04 > 0:57:09# I need your arms to hold me tight... #

0:57:31 > 0:57:33You watch News Hour?

0:57:38 > 0:57:40You should watch it tonight.

0:57:40 > 0:57:41Why?

0:57:55 > 0:57:58Yes, we have room available in 20 minutes.

0:57:58 > 0:57:59OK.

0:57:59 > 0:58:01Sound good. We see you then.

0:58:03 > 0:58:05Customer. You tell the girl.

0:58:05 > 0:58:06Anyone.

0:58:06 > 0:58:08Anyone?

0:58:08 > 0:58:09Yeah.

0:58:09 > 0:58:12Did you get anything over five?

0:58:12 > 0:58:16- Oh, you're kidding. The majority's over five.- Really?- Yeah.

0:58:16 > 0:58:18I'd say so.

0:58:19 > 0:58:25They had some micro-brewery here. I think they had one at about 7.6.

0:58:25 > 0:58:30- Hmm.- You know, two of those and you're absolutely hammered.

0:58:30 > 0:58:32Yes.

0:58:32 > 0:58:36Of course, I think there's a system of...

0:58:36 > 0:58:38SCREAMING

0:58:43 > 0:58:45SCREAMING CONTINUES

0:58:47 > 0:58:49Where's Puss? Where's Puss?!

0:58:49 > 0:58:50Where is he?

0:59:04 > 0:59:07Hey. Hey! Hey, hey, no.

0:59:07 > 0:59:09No, we don't have guns in here.

0:59:09 > 0:59:11Put the gun down.

0:59:11 > 0:59:14No, you put the gun...

0:59:14 > 0:59:16SCREAMING

0:59:17 > 0:59:19GUNSHOT ECHOES

0:59:20 > 0:59:30# I love my baby

0:59:31 > 0:59:40# I've loved her so long

0:59:41 > 0:59:46# I love my baby... #