0:00:02 > 0:00:05This programme contains strong language
0:00:05 > 0:00:09This programme contains some scenes of a sexual nature
0:00:09 > 0:00:12Can you positively identify the body?
0:00:12 > 0:00:15Perhaps our baby will be born and we'll never see her, never care for her.
0:00:15 > 0:00:20- We're going to find your baby. - Your mummy, has she been asking questions?
0:00:20 > 0:00:23- I want you to leave Mary alone. - Like you did for 18 years? - I am her mother. Not "too".
0:00:23 > 0:00:27No, we don't have guns in here, so you...put the gun down.
0:00:27 > 0:00:28SCREAMING
0:00:28 > 0:00:30GUNSHOT
0:01:04 > 0:01:06DEEP BREATHING
0:01:06 > 0:01:09PHONE RINGING
0:01:17 > 0:01:19PHONE CONTINUES RINGING
0:01:25 > 0:01:27Who is it?
0:01:27 > 0:01:29- ON PHONE:- Please, let us out. - Hello, Mary.
0:01:29 > 0:01:31- ON PHONE:- You'd better not query this fare...
0:01:31 > 0:01:34What does she want?
0:01:34 > 0:01:35Hello?
0:01:35 > 0:01:38MUFFLED VOICES ARGUING
0:01:38 > 0:01:41- Don't open the doors until we get some money.- Sir, please unlock...
0:01:41 > 0:01:42- Hello?- No, it's not unlocked
0:01:42 > 0:01:44and it won't be unlocked until you pay the fare.
0:01:44 > 0:01:46- He has a gun.- A gun?
0:01:46 > 0:01:48- Who are you calling? Hang up the phone.- Just let us out.
0:01:48 > 0:01:50SHE SCREAMS
0:01:50 > 0:01:52DIAL TONE
0:01:52 > 0:01:53Mary?
0:01:56 > 0:01:57Mary?
0:01:59 > 0:02:01- Shit.- What is it?
0:02:01 > 0:02:03Did she hang up?
0:02:03 > 0:02:06Oh, I can't think.
0:02:06 > 0:02:07- I'm drunk. - BEEPING
0:02:07 > 0:02:09- Shit.- She's turned it off.
0:02:09 > 0:02:11PHONE RINGING
0:02:17 > 0:02:19- Hilmarson? ON PHONE:- You awake?
0:02:19 > 0:02:21Yeah.
0:02:21 > 0:02:25There's been a shooting at Silk 41. They say Brett Iles, OK?
0:02:26 > 0:02:29Robin, he took Mary hostage.
0:02:29 > 0:02:31- Oh, shit.- Where is she?
0:02:31 > 0:02:34We don't know. She and the shooter left in a taxi.
0:02:34 > 0:02:37- She called a moment ago.- Really?
0:02:37 > 0:02:39It's just coming through.
0:02:39 > 0:02:41- The taxi's at Bondi Beach. - Bondi?
0:02:41 > 0:02:44- I'll come and get you now. - I'm not at home.
0:02:44 > 0:02:46Where are you? Do you need a lift?
0:02:46 > 0:02:48- No, I'll leave now.- Are you OK?
0:02:48 > 0:02:49SHE RETCHES OK, shit. Here.
0:02:56 > 0:02:58- I can drive.- No.
0:02:58 > 0:03:00- I can drive!- No, you're drunk.
0:03:03 > 0:03:05PHONE RINGS
0:03:07 > 0:03:08Where is it?
0:03:08 > 0:03:10Here.
0:03:10 > 0:03:11Thank you.
0:03:11 > 0:03:14Yes, are you there?
0:03:14 > 0:03:16Yeah, ah, no-one saw what happened.
0:03:16 > 0:03:20There are three police units, maybe four, and an ambulance.
0:03:20 > 0:03:22The shooter's gone.
0:03:22 > 0:03:24Who was hurt?
0:03:25 > 0:03:27Who is in the ambulance?
0:03:29 > 0:03:31Miranda, hello?
0:03:31 > 0:03:33- Hello?- Is it flat?
0:03:33 > 0:03:35Fuck.
0:03:35 > 0:03:37Oh, come on. Fuck, fuck.
0:03:49 > 0:03:51Who's hurt?
0:03:51 > 0:03:53They're not releasing information. I can't get in.
0:04:08 > 0:04:10Hey, hey, out, out.
0:04:10 > 0:04:11Don't touch me!
0:04:27 > 0:04:29HE SIGHS
0:04:31 > 0:04:33HELICOPTER BLADES WHIR
0:04:33 > 0:04:36- SHE RETCHES - Oh!
0:04:39 > 0:04:42It's not Mary. It's not Mary.
0:04:42 > 0:04:44Hey.
0:04:53 > 0:04:55CLATTERING, MAN GIVES ORDERS
0:05:02 > 0:05:05HELICOPTER BLADES WHIR
0:05:14 > 0:05:16That guy Pyke?
0:05:16 > 0:05:18Yes. The father.
0:05:18 > 0:05:20He's gone to tell Mary's mother.
0:05:21 > 0:05:23Her mother?
0:05:23 > 0:05:24Yeah, I don't know her name.
0:05:26 > 0:05:28I'm her mother.
0:05:31 > 0:05:32She called me.
0:05:32 > 0:05:34I know.
0:05:34 > 0:05:35I gave birth to her.
0:05:37 > 0:05:40Where is he?
0:05:40 > 0:05:41He's gone.
0:05:41 > 0:05:44He wanted to tell her before she heard about it on the news.
0:05:45 > 0:05:47I'm drunk!
0:05:57 > 0:05:58BREATHALYSER BEEPS
0:05:58 > 0:06:00Well?
0:06:00 > 0:06:02Yeah.
0:06:02 > 0:06:04I told you.
0:06:32 > 0:06:34CAMERA SHUTTER CLICKS
0:06:36 > 0:06:38Come on, ladies, you're making this very difficult.
0:06:38 > 0:06:41Let's just get a simple and clear explanation
0:06:41 > 0:06:43as to what happened, all right?
0:06:43 > 0:06:47The boy. He come. He... he want Puss. He have a gun.
0:06:47 > 0:06:49He... He tried to shoot.
0:06:49 > 0:06:53- Puss go and Mary here and... And then...- He crazy!
0:06:53 > 0:06:57- Maybe one hour, he... He crazy! - We didn't ask you ...
0:06:57 > 0:06:59We didn't ask you what time.
0:06:59 > 0:07:03- We asked you who saw the gunman shooting.- He's so crazy!
0:07:03 > 0:07:06We all saw the girl, they working. Normal, normal day here.
0:07:06 > 0:07:09- I see on the monitor. I come in... - Has Adrian left?
0:07:09 > 0:07:11No, he's out the back with the security cam.
0:07:11 > 0:07:13- You're confusing me, ladies. - Yeah, slow it down a little.
0:07:13 > 0:07:14Just simple.
0:07:14 > 0:07:17I can't figure it out. There's like 30 minutes missing.
0:07:17 > 0:07:20They've deleted the footage and it's from all of the cameras.
0:07:20 > 0:07:21Did you turn it off?
0:07:22 > 0:07:24The camera. Did you turn it off?
0:07:24 > 0:07:27No. Not me. I call the police.
0:07:27 > 0:07:30That call came in 30 minutes after the shooting.
0:07:30 > 0:07:33We've got it covered here, do you see that? That's the time.
0:07:34 > 0:07:36Hey.
0:07:36 > 0:07:38Babe, let me charge your phone.
0:07:40 > 0:07:42I'll play back the shooting for you, Robin.
0:07:42 > 0:07:44There's Mary.
0:07:49 > 0:07:51OK, this.
0:07:51 > 0:07:52This guy.
0:07:52 > 0:07:54Where is he?
0:07:54 > 0:07:56Oh, it's Bootie.
0:07:56 > 0:07:57Yeah, where? Where is he?
0:07:57 > 0:07:59Maybe in hospital.
0:07:59 > 0:08:03Hey, he's not in a hospital, OK? So you moved him.
0:08:03 > 0:08:06Did you move him? Put him in a bed somewhere?
0:08:06 > 0:08:08- No. Not here.- Great.
0:08:08 > 0:08:11Well, then, we've got a problem. We don't have a victim.
0:08:11 > 0:08:14Hey, boss, it looks like somebody's woken up.
0:08:16 > 0:08:18It's Mahlee!
0:08:20 > 0:08:22Ah, she can't sleep.
0:08:25 > 0:08:27Oh, my darling.
0:08:28 > 0:08:29Where is it?
0:08:29 > 0:08:31Joy, where's the room?
0:08:31 > 0:08:33Joy, where is it?
0:08:33 > 0:08:35Joy, what is the address?
0:08:35 > 0:08:37In Sydney somewhere.
0:08:37 > 0:08:40- Puss knows street number. - Where did Puss go?
0:08:40 > 0:08:43He just left. He was the real target.
0:08:43 > 0:08:46He take two best cat and gone, very quick.
0:08:46 > 0:08:49- We've got the footage of Alexander. Do you want to see that?- Yes.
0:08:54 > 0:08:57OK, we got a time on that?
0:08:57 > 0:08:58Yeah, just up there.
0:08:58 > 0:09:01So that places it five minutes after the gunman left with Mary.
0:09:11 > 0:09:14God, she must be so scared.
0:09:16 > 0:09:18Look at her. She looks so calm.
0:09:24 > 0:09:27Can I play that back again? The end, please.
0:09:27 > 0:09:28Sure.
0:09:33 > 0:09:34Stop.
0:09:46 > 0:09:48SIRENS WAILING
0:10:03 > 0:10:05Jesus Christ, what's he doing here?
0:10:06 > 0:10:08OK, Moynaugh, let's expand the crime scene
0:10:08 > 0:10:11- right back from where we've come, OK?- That's a lot of tape.
0:10:11 > 0:10:13Yeah, it is. Let's get some photos happening.
0:10:15 > 0:10:18Oi, that creepy little shit. What was his name?
0:10:18 > 0:10:19Brett. Iles.
0:10:19 > 0:10:21We got a home address?
0:10:21 > 0:10:23Yes. Ah, Hilmarson tried his mobile.
0:10:23 > 0:10:24He's gone off-grid.
0:10:24 > 0:10:26CAMERA CLICKS
0:10:26 > 0:10:28Real fuckin' mess, this is.
0:10:30 > 0:10:31WOMAN WHIMPERS
0:10:31 > 0:10:33Sorry, ma'am. We need to preserve this for evidence.
0:10:33 > 0:10:35Sorry, ma'am. Sorry.
0:10:35 > 0:10:37WOMAN WAILS
0:10:44 > 0:10:47- Bernard.- Evening, Ray.
0:10:47 > 0:10:49WHISTLING
0:10:50 > 0:10:51New customer?
0:10:51 > 0:10:53Yeah, brothel shooting.
0:10:53 > 0:10:55OK, let's put him straight into Op 1.
0:10:56 > 0:10:58Robbie?
0:10:59 > 0:11:01Ray.
0:11:01 > 0:11:03I came in with the contractor.
0:11:05 > 0:11:07I didn't think you'd still be here.
0:11:07 > 0:11:10Well, I was awake. I was Skyping, so I came in.
0:11:10 > 0:11:11What have you got?
0:11:12 > 0:11:14Corpse.
0:11:16 > 0:11:17Gun wound.
0:11:18 > 0:11:20You all right?
0:11:24 > 0:11:25Drunk.
0:11:26 > 0:11:28Think I'm still drunk.
0:11:30 > 0:11:34Actually, Ray, can... Can you just hold me?
0:11:34 > 0:11:37Hey, Bernard, just fuck off for a minute, will you, mate?
0:11:37 > 0:11:39Thanks.
0:11:39 > 0:11:43All right, all right, all right. Love troubles?
0:11:46 > 0:11:48Well, you've been having sex.
0:11:50 > 0:11:53Are you asking or do you know?
0:11:53 > 0:11:55HE SNIFFS
0:11:55 > 0:11:58- You can't smell it! - HE CHUCKLES
0:11:58 > 0:12:00No, really?
0:12:01 > 0:12:03It's embarrassing.
0:12:03 > 0:12:07Is it? No, no, no, it's lovely.
0:12:07 > 0:12:10- It is.- Mm.
0:12:10 > 0:12:13So it must be something else.
0:12:15 > 0:12:17It'll be your daughter, eh?
0:12:17 > 0:12:19Your beautiful girl.
0:12:20 > 0:12:23She got to you, eh? Told you she would.
0:12:25 > 0:12:26Oh, she's lovely, Ray.
0:12:29 > 0:12:31I'm just crazy about her.
0:12:31 > 0:12:33I'm her biggest fan.
0:12:34 > 0:12:36Is she all right?
0:12:39 > 0:12:41Hey! Hey, hey, hey, hey, hey!
0:12:41 > 0:12:43Hey.
0:12:43 > 0:12:45Now listen, bottom line...
0:12:45 > 0:12:48she's not here, so she's alive.
0:12:49 > 0:12:52As you are my queen, I am your servant.
0:12:52 > 0:12:55I tell you, she is not going to die.
0:12:58 > 0:13:00OK.
0:13:01 > 0:13:06OK. I just need to look on the... the bright side.
0:13:06 > 0:13:08Yeah. Yeah, yeah. Yeah, you do.
0:13:11 > 0:13:13Ray, can I sleep here?
0:13:14 > 0:13:16Just for an hour?
0:13:18 > 0:13:20I'll sleep on the floor, OK?
0:13:35 > 0:13:37KNOCKING AT DOOR
0:13:44 > 0:13:47- Shit, you gave me a fright. - Has Mary rung?
0:13:47 > 0:13:49No, nobody has.
0:13:49 > 0:13:51She's asleep. Can you tell me what's up?
0:13:51 > 0:13:54We don't do the hysteria parenting thing here.
0:13:54 > 0:13:55I need to speak to Julia.
0:13:55 > 0:13:57If you don't want me in the bedroom, wake her up.
0:14:08 > 0:14:10- Hey, Julia?- Mm?
0:14:14 > 0:14:18- Hey, Jules. - What is it? What happened?
0:14:20 > 0:14:21Pyke, are you OK?
0:14:23 > 0:14:26Pyke!
0:14:26 > 0:14:28It's Mary?
0:14:28 > 0:14:30What? What?
0:14:30 > 0:14:34Apparently she's been taken hostage by some young guy with a gun.
0:14:34 > 0:14:37Oh, God! So she's alive.
0:14:37 > 0:14:40- Is she alive? - I don't know. I don't know.
0:14:40 > 0:14:44- Oh, no. Oh, Pyke. - They're missing.
0:14:46 > 0:14:49Hold on, let me check. Let me check if she called me.
0:14:49 > 0:14:51Let me...
0:14:51 > 0:14:55No, nothing. Um...
0:14:55 > 0:15:00All right, someone needs to be at home in case she calls.
0:15:00 > 0:15:02Ah, she, um, she tried to ring Robin.
0:15:04 > 0:15:07She rang her? OK. OK, that's smart. That's good.
0:15:08 > 0:15:10- She's, um, she's a detective.- Yeah.
0:15:10 > 0:15:13- TELEVISION:- Overnight, a shooting at a brothel in the eastern suburbs
0:15:13 > 0:15:17has left one man dead and another in a critical condition.
0:15:18 > 0:15:22The young gunman, who it's believed has taken a sex worker hostage,
0:15:22 > 0:15:25later shot a taxi driver at a Bondi Beach car park.
0:15:25 > 0:15:27Police are warning people not to approach him...
0:15:27 > 0:15:31Is that Mary? They're calling Mary a sex worker?
0:15:31 > 0:15:32What the...?
0:15:32 > 0:15:34- ..joins us now. Matt? - Yes, hi, Georgie...
0:15:34 > 0:15:37I'll call the school. You can't work today.
0:15:37 > 0:15:39- Ah, yes.- ..putting together the details of a night
0:15:39 > 0:15:40gone horribly wrong.
0:16:03 > 0:16:04I'm your driver.
0:16:21 > 0:16:24Adrian got Puss's number from Dang.
0:16:24 > 0:16:27It's switched off - it's an old Nokia, no GPS.
0:16:31 > 0:16:34BEEPING
0:16:34 > 0:16:37You're sober. You look sober.
0:16:37 > 0:16:380.03.
0:16:40 > 0:16:41I feel like shit.
0:16:58 > 0:17:00Three buses will take us down to Bondi.
0:17:00 > 0:17:03There, we'll off-load at Campbell Parade, taking up positions
0:17:03 > 0:17:05and keeping as low a profile as possible.
0:17:05 > 0:17:08At the moment, this is an observational exercise only.
0:17:08 > 0:17:12He's around, guys. We have knowledge now that he has gun experience.
0:17:12 > 0:17:15Apparently he was placed in the New South Wales under-21s
0:17:15 > 0:17:17pistol shooting event.
0:17:17 > 0:17:19Uh, does that mean he's carrying a pistol?
0:17:19 > 0:17:22He may be. What we do know is he's used a sawn-off automatic shotgun,
0:17:22 > 0:17:26most probably a Remington 870 Express Magnum cut down,
0:17:26 > 0:17:27so look out for that.
0:17:27 > 0:17:30He's also holding an 18-year-old female hostage.
0:17:30 > 0:17:31Do we have a name?
0:17:31 > 0:17:33Mary Edwards.
0:17:33 > 0:17:35Has he made contact?
0:17:35 > 0:17:38No. If he feels like me, he's sleeping, which is the point.
0:17:38 > 0:17:41Now, the uniforms will sweep back from the beach towards
0:17:41 > 0:17:42Old South Head Road.
0:17:42 > 0:17:43So the beach is open?
0:17:43 > 0:17:45Yes, Geoff, as you can see.
0:17:45 > 0:17:47Oh, nice time-lapse, Sophie.
0:17:47 > 0:17:50So, we've checked the north and southern rocks by helicopter
0:17:50 > 0:17:53and sight swept the beach last night. So far, nothing.
0:17:53 > 0:17:56It's going to be 35 degrees, so there's going to be a crowd.
0:17:56 > 0:17:59We don't want to panic anyone, so here's the fun part.
0:17:59 > 0:18:0220 of you are going uncovered, in beachwear,
0:18:02 > 0:18:04watching all the access ramps.
0:18:04 > 0:18:05Thommo, take us through the teams.
0:18:05 > 0:18:06OK, Chief.
0:18:06 > 0:18:08OK, guys, deployment teams are...
0:18:08 > 0:18:10- What are we looking at? - ..Sizzla, you're with Badger...
0:18:10 > 0:18:13- This. Here.- Mm-hmm.
0:18:13 > 0:18:15Can you zoom in there? See this box?
0:18:15 > 0:18:17- Yep.- On the right.- OK. - ..Got that?
0:18:17 > 0:18:19Yeah, we had it cleared, not cleaned.
0:18:23 > 0:18:25Is that a shoe?
0:18:25 > 0:18:28OK, Amanda's in the TOU bus, which is just down by the lifeguard tower.
0:18:28 > 0:18:31OK, people, if you're not one of the 20 on the list,
0:18:31 > 0:18:34you're moving over to your right, pairing up. Please, be smart.
0:18:38 > 0:18:40KNOCKING
0:18:42 > 0:18:43Have a look at this.
0:18:43 > 0:18:46Sophie's hacked into the live stream.
0:18:46 > 0:18:48Give me a sec.
0:18:49 > 0:18:52Oh, good girl, eating cereal.
0:18:52 > 0:18:55OK, I've got control of the camera.
0:18:58 > 0:19:01We still don't know where that fucking room is.
0:19:01 > 0:19:04Dang said she's never been, but Puss knows.
0:19:04 > 0:19:07Guys...I think they can see the camera moving.
0:19:25 > 0:19:27Mahlee, it's Miranda.
0:19:27 > 0:19:28Who?
0:19:28 > 0:19:30Miranda.
0:19:30 > 0:19:32Where are you? What's your address?
0:19:32 > 0:19:33I've got a...
0:19:33 > 0:19:35I've got a gift for you.
0:19:39 > 0:19:41Shit!
0:19:43 > 0:19:46I'm sorry, we've got to go.
0:19:46 > 0:19:47We'll find her. We've got to go.
0:19:51 > 0:19:53Has anybody heard from her?
0:19:55 > 0:19:58No? Nobody's heard from her? No?
0:20:00 > 0:20:02I'm sorry.
0:20:02 > 0:20:06Can I give it a try?
0:20:06 > 0:20:09I'm, um, Julia, Mary's mother.
0:20:11 > 0:20:14This is difficult.
0:20:14 > 0:20:19Um, I love Mary very much, but right now, I'm ...
0:20:19 > 0:20:24I'm certain that you know her better than I do.
0:20:24 > 0:20:28I know loyalty is very important to Mary, as I'm sure it is to you.
0:20:29 > 0:20:34If you have secrets, you depend on each other to keep them, yes?
0:20:34 > 0:20:36ASSEMBLY: Yes.
0:20:36 > 0:20:39So I'm going to begin by sharing a secret with you.
0:20:42 > 0:20:45Something very frightening has happened to Mary.
0:20:47 > 0:20:50She is being held hostage by a gunman.
0:20:51 > 0:20:54Is that the shooter at Bondi Beach? On the news?
0:20:56 > 0:20:57It is.
0:21:00 > 0:21:03Have you heard anything from her?
0:21:03 > 0:21:04Have you received a text? Any of you?
0:21:04 > 0:21:06ASSEMBLY: No.
0:21:06 > 0:21:08Do you know a favourite place she might be?
0:21:10 > 0:21:16A friend, that we might not know about? Anything? Anything at all.
0:21:21 > 0:21:23OK, girls, back to class.
0:21:23 > 0:21:25Julia...
0:21:25 > 0:21:26I'm sorry.
0:21:26 > 0:21:28- Come on.- Thank you.
0:21:28 > 0:21:29Let's go.
0:21:31 > 0:21:35OK, let's go from the F, OK? So we'll go after four.
0:21:35 > 0:21:37One, two, three, four.
0:21:37 > 0:21:40GENTLE GUITAR MUSIC
0:21:40 > 0:21:42Up to the G.
0:21:45 > 0:21:47Mrs Edwards! Mrs Edwards!
0:21:49 > 0:21:51Cafe Stasi.
0:21:51 > 0:21:54We used to go there after school. It's really weird.
0:21:54 > 0:21:56That's where she met Puss.
0:21:56 > 0:21:57Maybe he even works there, I don't know.
0:21:57 > 0:21:59We could never figure it out.
0:21:59 > 0:22:01But Mary would play chess with him.
0:22:01 > 0:22:03Thank you. Thank you.
0:22:03 > 0:22:05Uh, Cafe...
0:22:05 > 0:22:06Stasi. It's on Liverpool Street.
0:22:06 > 0:22:08Liverpool.
0:22:08 > 0:22:10We will find her.
0:22:10 > 0:22:11OK.
0:22:37 > 0:22:39I had sex with her dad.
0:22:45 > 0:22:47We got drunk and...
0:22:52 > 0:22:54Am I crazy?
0:22:55 > 0:22:56No.
0:22:56 > 0:22:58No, you're pulling it together.
0:23:08 > 0:23:09Right.
0:23:10 > 0:23:12Where's Wally?
0:23:40 > 0:23:42Rob. Hey.
0:23:42 > 0:23:43Liam, hi.
0:23:43 > 0:23:45Hey, I've been looking for you all morning.
0:23:45 > 0:23:46Why haven't you answered my calls?
0:23:46 > 0:23:48Sorry, I've been busy.
0:23:48 > 0:23:51It's Mary they're talking about, isn't it?
0:23:51 > 0:23:53Yeah, it is.
0:23:54 > 0:23:57- Any news?- No, nothing yet.
0:23:59 > 0:24:00Uh, Detective Sergeant?
0:24:00 > 0:24:02Boss is asking for you.
0:24:02 > 0:24:03OK, call you later.
0:24:03 > 0:24:05- Got to go.- See ya.
0:24:05 > 0:24:07Contact me, yeah?
0:24:07 > 0:24:09Like, you have to.
0:24:09 > 0:24:12No, I want you to hold that position. Now, we've searched
0:24:12 > 0:24:14from the beach all the way back to Old South Head Road and
0:24:14 > 0:24:16we've checked the garages and the laneways there
0:24:16 > 0:24:18and the result was negative.
0:24:18 > 0:24:20OK, copy that.
0:24:20 > 0:24:23I think he's here. On the beach.
0:24:23 > 0:24:25It's the perfect hiding place.
0:24:27 > 0:24:29All he needs is a T-shirt, a pair of shorts.
0:24:54 > 0:24:56Sophie, get me the box.
0:24:56 > 0:24:57The time-lapse footage, yeah?
0:24:57 > 0:24:58Yes. I want to locate it.
0:24:58 > 0:25:00Oh, yeah, the box again.
0:25:00 > 0:25:03OK, listen up, all units. I'm moving the alert rating to high.
0:25:03 > 0:25:05Get in as close as you can and get me a printout.
0:25:05 > 0:25:07OK, will do.
0:25:10 > 0:25:12Right, well, I'm either pissed or I need glasses.
0:25:12 > 0:25:14What is that, a beer carton? Craft beer?
0:25:14 > 0:25:16I'm going out.
0:25:16 > 0:25:17Not in uniform you're not.
0:25:19 > 0:25:21KNOCKING
0:25:25 > 0:25:26He says he's here to see Griffin.
0:25:26 > 0:25:29He's all right. Let him in.
0:25:29 > 0:25:32Hey, Rob. Brought you these.
0:25:36 > 0:25:37Uh, anyone else?
0:25:37 > 0:25:39No, mate.
0:25:39 > 0:25:40Actually I need a change of clothes.
0:25:40 > 0:25:43Um, I'll need your shirt and, um...
0:25:43 > 0:25:45- Righto.- Yeah, and I'm going to need your shorts.
0:25:48 > 0:25:50No worries.
0:25:50 > 0:25:52Chill out, mate.
0:25:52 > 0:25:53I'm not getting my dick out.
0:25:57 > 0:25:59- Thank you.- Uh...
0:26:01 > 0:26:03I'll call you, as soon as I hear anything.
0:26:03 > 0:26:07Yeah, yeah. Uh...appreciate that.
0:26:16 > 0:26:18It should be down there.
0:26:22 > 0:26:24Stally to Griffin.
0:26:24 > 0:26:26- It's Griffin.- Yeah, g'day Robin.
0:26:26 > 0:26:28Hey, if you do find that case of beer of yours,
0:26:28 > 0:26:31make sure you bring us up a six pack.
0:26:32 > 0:26:34They're yours, Stally.
0:26:34 > 0:26:36Thank you.
0:26:44 > 0:26:48Base, sending you a pic. Person of interest near the flagged area.
0:26:48 > 0:26:50Got eyes on me?
0:26:50 > 0:26:53The suspect's flat out on his back, wearing boxer shorts.
0:26:53 > 0:26:55T-shirt covering his face.
0:26:55 > 0:26:57Do I have permission to approach?
0:26:57 > 0:27:00No, no, no, you'll need assistance.
0:27:00 > 0:27:02Griffin, Hilmarson, are you in that sector?
0:27:02 > 0:27:04Got eyes on him. One minute.
0:27:04 > 0:27:06Yeah, that's the image there, sir.
0:27:06 > 0:27:07Can you zoom in a little on that?
0:27:18 > 0:27:19Permission to approach?
0:27:19 > 0:27:21- Do you have assistance?- Check.
0:27:21 > 0:27:22All right, go ahead.
0:27:25 > 0:27:26We're police, stay down.
0:27:26 > 0:27:28- Hey, what's going on? - Negative. No match.
0:27:31 > 0:27:33Continuing to sweep south.
0:27:40 > 0:27:41Heading north, Sizzla. You got anything?
0:27:43 > 0:27:44No, nothing here.
0:27:58 > 0:28:01Robin. Robin.
0:28:09 > 0:28:12Adrian, we've located what could be the box.
0:28:12 > 0:28:14I'm going out there.
0:28:19 > 0:28:22Hold your hands up. I can't see you.
0:28:25 > 0:28:29Yeah, yeah, I've got you. All right, clear it, but take it easy.
0:28:36 > 0:28:38Griffin, we've got backup coming.
0:28:51 > 0:28:52Hello, Eastern Coast Police.
0:28:52 > 0:28:54I need you to clear the area, please, immediately.
0:28:54 > 0:28:56Immediately, thanks so much.
0:28:58 > 0:29:00Clear the area, please. Thank you very much.
0:29:00 > 0:29:01Clear the area, please.
0:29:01 > 0:29:03Thank you.
0:29:03 > 0:29:05Please clear the area immediately, thank you very much.
0:29:05 > 0:29:06Eastern Coast Police.
0:29:06 > 0:29:08We need you to clear the area, thank you.
0:29:09 > 0:29:11Morning, Eastern Coast Police.
0:29:12 > 0:29:14Where's backup?
0:29:14 > 0:29:18- Wait for the backup. - En route, Sarge.
0:29:18 > 0:29:19Eastern Coast Police.
0:29:19 > 0:29:21Clear the area immediately, thank you.
0:29:21 > 0:29:22Why, what's going on?
0:29:24 > 0:29:28Please clear the area immediately. Thank you.
0:29:37 > 0:29:40Going to need you to pack your things up now. Now.
0:29:40 > 0:29:42No, no. We just got here.
0:29:42 > 0:29:44Please clear the area. Thank you so much.
0:30:00 > 0:30:02- Robin? - Oh.- Hey...
0:30:02 > 0:30:04- Robin!- Hey. What's going on here?
0:30:05 > 0:30:06Draw your weapon.
0:30:06 > 0:30:08Constable, draw your weapon!
0:30:10 > 0:30:12GUNSHOT
0:30:12 > 0:30:14SCREAMING
0:30:14 > 0:30:16Drop it! Drop your weapon now!
0:30:16 > 0:30:18Is she OK?
0:30:18 > 0:30:20Where is she?
0:30:20 > 0:30:23Tell me. Where's Mary?
0:30:24 > 0:30:27Brett, where is she? Where is she?
0:30:49 > 0:30:52VOICES IN DISTANCE
0:31:04 > 0:31:06FRIDGE DOOR BANGS
0:31:21 > 0:31:25Oh, my God. You're all right.
0:31:25 > 0:31:27Oh! Are you all right? I ...
0:31:30 > 0:31:33- Is the gunman here? - No. I'm alone.
0:31:37 > 0:31:38I can't stay.
0:31:41 > 0:31:43Why?
0:31:45 > 0:31:48- I don't trust you to tell you. - Please don't go. Just... Just...
0:31:48 > 0:31:50I mean, this is your home. I'll go.
0:31:50 > 0:31:54You don't want me here, I'll go. I...
0:31:55 > 0:31:58- What are you doing? - Ah, just calling your dad.
0:31:58 > 0:32:00Don't, Mum. Don't. Put it down.
0:32:00 > 0:32:02I have to, please. I have to call the police, Mary.
0:32:02 > 0:32:03Put it down.
0:32:10 > 0:32:13Can we sit down and you tell me what happened?
0:32:13 > 0:32:15No, if I told you what happened, you wouldn't listen.
0:32:15 > 0:32:18You'd get hysterical.
0:32:20 > 0:32:23I want to learn. I'll learn.
0:32:23 > 0:32:25I can learn.
0:32:25 > 0:32:28I mean, I want to know how to speak to you.
0:32:28 > 0:32:32I'm... That's blood.
0:32:32 > 0:32:34It's blood, isn't it? Are you cut?
0:32:34 > 0:32:37No, it's the taxi driver's blood.
0:32:37 > 0:32:40- Oh, what?- What, what?- Nothing.
0:32:40 > 0:32:43- What?- Nothing, I just...- What?!
0:32:43 > 0:32:47- What you've been through and I... - No, I'm going to change.
0:32:47 > 0:32:50- I'm going to change and wash before I go out...- OK, OK.
0:32:50 > 0:32:53I don't care what you do. Please, please, just don't leave.
0:32:53 > 0:32:54No! I already told you.
0:32:54 > 0:32:57I already told you that I can't stay.
0:32:57 > 0:33:00It's true, you did. Yeah, it's true, it's true.
0:33:01 > 0:33:02SHE SIGHS
0:33:07 > 0:33:09Can I hug you?
0:33:09 > 0:33:11Can I hug you, please?
0:33:11 > 0:33:13SHE SOBS
0:33:18 > 0:33:22- TV:- Two people are dead and two left critically injured as a day
0:33:22 > 0:33:25of tragedy unfolded across the city and onto Bondi Beach.
0:33:25 > 0:33:29In a dramatic end to a police pursuit, a gunman shot
0:33:29 > 0:33:33a female police officer before being subdued and taken into custody.
0:33:33 > 0:33:38A schoolgirl hostage is safe and unharmed. In other news...
0:33:52 > 0:33:54Adrian, what?
0:33:56 > 0:33:57Not good.
0:33:58 > 0:34:00Not really good.
0:34:01 > 0:34:03HE SNIFFS
0:34:10 > 0:34:11So Mary turned up?
0:34:13 > 0:34:17Yeah. It's great. I just... I wish she'd call.
0:34:17 > 0:34:20Do you want to see her?
0:34:20 > 0:34:22Yeah.
0:34:24 > 0:34:27MONITORS BEEP
0:34:50 > 0:34:51Hey, beautiful.
0:34:56 > 0:34:58I'm telling everyone.
0:34:58 > 0:35:01I want our families to know that we love each other,
0:35:01 > 0:35:03and I'll take whatever comes.
0:35:03 > 0:35:05HE SNIFFS
0:35:05 > 0:35:07Will you cover for me?
0:35:08 > 0:35:12Phone Mahlee and offer her whatever she wants.
0:35:12 > 0:35:17This baby means everything. Call me and I'll come.
0:35:17 > 0:35:21- I've just got to get her through tonight.- Yes, of course.
0:35:40 > 0:35:43Shit.
0:35:43 > 0:35:45Shit, shit, shit.
0:35:58 > 0:36:01Please. Please live.
0:36:04 > 0:36:05Please.
0:36:57 > 0:36:59DOOR CLOSES Julia, you there?
0:37:19 > 0:37:20Her passport's gone.
0:37:20 > 0:37:25- Mary's?- Yes, Mary's. I should have stopped her.
0:37:25 > 0:37:28Why didn't I stop her leaving?
0:37:28 > 0:37:30Because you trusted her.
0:37:30 > 0:37:35Look, she needs your confidence to step outside the family home
0:37:35 > 0:37:37and into her independent life.
0:37:37 > 0:37:38Where's my phone?
0:37:38 > 0:37:40It's the beginning of every hero myth.
0:37:40 > 0:37:41Find me my phone!
0:37:41 > 0:37:47Leaving home, the village. Of course she faces obstacles, we all do.
0:37:47 > 0:37:48God.
0:37:52 > 0:37:56She just let her leave? Where is she now?
0:37:56 > 0:37:57With Puss?
0:38:18 > 0:38:20So this is where they met?
0:38:20 > 0:38:21Yeah.
0:38:23 > 0:38:25No sign of him?
0:38:26 > 0:38:29No, but she's OK. That's the main thing.
0:38:30 > 0:38:32How's your partner?
0:38:32 > 0:38:35Critical. She was shot in the abdomen.
0:38:45 > 0:38:46It's a good sign.
0:39:08 > 0:39:09TEXT ALERT
0:39:16 > 0:39:18Oh, shit, I've gotta go.
0:39:18 > 0:39:20What?
0:39:20 > 0:39:23Mary's passport's missing.
0:39:23 > 0:39:25Julia's at home. She's frantic.
0:39:27 > 0:39:28Shit.
0:39:28 > 0:39:30Has Mary got money?
0:39:30 > 0:39:32Um, no.
0:39:32 > 0:39:36I... I don't... Maybe he does. I'll call you, OK?
0:39:36 > 0:39:38Do you have to go?
0:39:38 > 0:39:40I think so. I'm sorry.
0:40:28 > 0:40:29Where's Mary?
0:40:31 > 0:40:33Where the fuck is she going?!
0:40:41 > 0:40:45I'll take that, thank you. Go to your mum.
0:40:49 > 0:40:53Look, Mary is 18 years old and in love.
0:40:53 > 0:40:55She does whatever she likes.
0:40:55 > 0:40:56So do I.
0:40:56 > 0:40:57Argh! Argh!
0:40:57 > 0:40:59You pimped my daughter!
0:40:59 > 0:41:00Argh! Argh!
0:41:00 > 0:41:02Oh, you crazy bitch!
0:41:02 > 0:41:04You almost got her shot!
0:41:04 > 0:41:08That idiot, he was trying to shoot me. I was the target.
0:41:08 > 0:41:10He thought I killed his prostitute.
0:41:10 > 0:41:11Argh!
0:41:11 > 0:41:15No, what did he ever do for her? Fuck her, that's all.
0:41:15 > 0:41:17I am the one that tried to help Cinnamon.
0:41:17 > 0:41:23Day after day I try to talk sense into her and then one day I gave up.
0:41:23 > 0:41:27I told her, work it out for herself. Stop wasting my time.
0:41:27 > 0:41:29Live, die, do what you like.
0:41:29 > 0:41:31Silly bitch go hung herself.
0:41:34 > 0:41:36And put herself in a suitcase?
0:41:36 > 0:41:37Yes, well, no, they did that.
0:41:37 > 0:41:40It's clumsy but now look what happened.
0:41:40 > 0:41:41I'm arresting you.
0:41:42 > 0:41:44I tried to help the girl. Don't you hear me?
0:41:44 > 0:41:47Where's the apartment with the surrogates?
0:41:47 > 0:41:51The one with the security screen. I want Mahlee.
0:41:51 > 0:41:53I want Mahlee with the panda.
0:41:55 > 0:41:57Yes, well, no, they are all together.
0:41:59 > 0:42:01Are you their boss?
0:42:01 > 0:42:03Boss? Come on, no, I'm not their boss.
0:42:03 > 0:42:05I try to help them. Here, you go.
0:42:05 > 0:42:06Go take a look.
0:42:08 > 0:42:11Has it not ever occurred to you?
0:42:11 > 0:42:12What?
0:42:14 > 0:42:15That you are a surrogate, too.
0:42:21 > 0:42:23Wait. Come on. Come on.
0:42:23 > 0:42:25Come on, wait.
0:42:26 > 0:42:28Wait.
0:42:29 > 0:42:33Here, East Wind Apartments. It's in Darlinghurst.
0:42:40 > 0:42:42You're wrong...about Mary.
0:42:45 > 0:42:47She's not in love.
0:42:50 > 0:42:52She's scared of you.
0:42:55 > 0:42:57I think she hates you.
0:43:17 > 0:43:18SIREN WAILS
0:43:26 > 0:43:28What the fuck?
0:43:35 > 0:43:38The surrogates called their parent couples to meet 'em here.
0:43:38 > 0:43:41Looking for the manager cos apparently he's got the keys.
0:43:58 > 0:44:00I need you guys to hang back, please.
0:44:43 > 0:44:46They're not here, Mike. They're not here.
0:45:26 > 0:45:29- PA SYSTEM:- Last boarding call for Temple Airways flight 416,
0:45:29 > 0:45:32- rows 50 to 85...- Puss! Puss!
0:45:32 > 0:45:35..travellers may board at any time.
0:45:37 > 0:45:40No, not the fucking panda.
0:45:56 > 0:45:59No, no. Not for you.
0:45:59 > 0:46:01Worrying me like that all day, huh?
0:46:05 > 0:46:07What is it, you hate me now. Is that correct?
0:46:12 > 0:46:14What's the matter? Are you scared of me?
0:46:16 > 0:46:17I could have been shot.
0:46:19 > 0:46:21No, I was the target.
0:46:21 > 0:46:24You haven't been hurt, huh? Not a single hair.
0:46:24 > 0:46:26You shut the lift on me.
0:46:26 > 0:46:28Oh, come on.
0:46:28 > 0:46:30It closed, OK? The door closed.
0:46:30 > 0:46:32Come on, you spoiled bitch.
0:46:32 > 0:46:35- Get on the plane! - What about the babies?
0:46:35 > 0:46:38- What?- Who's going to love them?
0:46:38 > 0:46:41They are - the people who pay for them, you know?
0:46:41 > 0:46:43The people who made them. They will...
0:46:47 > 0:46:50- SHE YELLS - Hey! Oww!
0:46:50 > 0:46:52Mary, relax!
0:47:00 > 0:47:02- CARAMEL:- Mary!
0:47:07 > 0:47:09Get in the plane!
0:47:21 > 0:47:24Good evening. Please sit down, be comfortable.
0:47:24 > 0:47:26I will be your host.
0:47:26 > 0:47:31My name is not important, and neither, of course, is yours.
0:47:31 > 0:47:35Every second, 4.3 babies arrive
0:47:35 > 0:47:39through a vagina onto this planet.
0:47:39 > 0:47:42Soon, your babies will be arriving,
0:47:42 > 0:47:45but not through your vaginas.
0:47:45 > 0:47:49For too long, the West has exploited the poor
0:47:49 > 0:47:52and improvised women of Asia.
0:47:52 > 0:47:54Girls as young as 12 years old
0:47:54 > 0:47:58are sold as virgins to gratify the appetite of the wealthy.
0:47:58 > 0:48:02- I'm going to the airport. - But what sort of life is that, huh?
0:48:02 > 0:48:06Fucked to feed? Come on.
0:48:06 > 0:48:10And now you all want to grow your vile DNAs,
0:48:10 > 0:48:14your precious little babies inside
0:48:14 > 0:48:18the slave wombs of enslaved women,
0:48:18 > 0:48:20too poor to choose. But...
0:48:22 > 0:48:26..just one of these little bundles of happiness
0:48:26 > 0:48:29will bring enough money
0:48:29 > 0:48:33to support a whole village in the Third World
0:48:33 > 0:48:35for years and years to come.
0:48:37 > 0:48:40Now the shoe is on the other foot.
0:48:42 > 0:48:44The tide has turned.
0:48:46 > 0:48:49Your babies have flown away,
0:48:49 > 0:48:52and now it's your turn to cry.
0:48:58 > 0:49:00Is he saying they've left?
0:49:00 > 0:49:03Mate, stop this. This is theft.
0:49:03 > 0:49:04These are our babies.
0:49:04 > 0:49:08- Dan, what's the legal situation with a surrogate gone Awol?- It's our DNA.
0:49:08 > 0:49:12You're the police, call the airport and detain them.
0:49:12 > 0:49:15This is kidnapping. They're our babies.
0:49:15 > 0:49:17No.
0:49:17 > 0:49:19No, actually, legally, the babies belong to them.
0:49:20 > 0:49:23How? How is that possible?!
0:49:25 > 0:49:28Their bodies, their wombs.
0:49:28 > 0:49:30What's inside them belongs to them.
0:49:30 > 0:49:31It's the law.
0:49:31 > 0:49:35- FELICITY CRIES - I can't...
0:50:11 > 0:50:13PHONE RINGS
0:50:17 > 0:50:19Robin Griffin.
0:50:19 > 0:50:22Hey, it's me. Good news.
0:50:22 > 0:50:24I have Mary.
0:50:27 > 0:50:29- Really?- Yeah.
0:50:29 > 0:50:31We're just driving back from the airport now.
0:50:31 > 0:50:34Why don't you drop on by?
0:50:34 > 0:50:37- May I?- Yeah.- WHISPERS:- Is that OK?
0:50:37 > 0:50:39She's very tired, Pyke.
0:50:40 > 0:50:44Yeah, yeah, we'll be there in ten minutes. Just come on by.
0:50:45 > 0:50:48OK. OK, thanks, bye.
0:51:42 > 0:51:45So, you did come. She's asleep.
0:51:48 > 0:51:51- She actually just nodded off.- Hey.
0:51:54 > 0:51:56Come in.
0:51:56 > 0:51:59- You want a drink or something? - No, thanks.
0:51:59 > 0:52:01You sure? Water? Tea?
0:52:03 > 0:52:06I want to see Mary, but if I'm disturbing her...
0:52:06 > 0:52:09No, no. No. Come on. Come on, have a look in.
0:52:09 > 0:52:13Yeah, I'll take you through.
0:52:13 > 0:52:15Get her some water, Pyke.
0:52:31 > 0:52:34She gave me the biggest hug at the airport.
0:52:34 > 0:52:36She said, um...
0:52:36 > 0:52:39"You're my mum...
0:52:39 > 0:52:42"and I really need you."
0:52:46 > 0:52:50I think it's unlocked something in me, you know?
0:52:50 > 0:52:51In us.
0:52:56 > 0:52:59Now I'm crying again.
0:53:16 > 0:53:18Um... You, um...
0:53:18 > 0:53:21You really stepped up during our troubles, and I want to thank you.
0:53:23 > 0:53:25Thank you.
0:53:25 > 0:53:28Really, thank you.
0:53:28 > 0:53:29You, ah...
0:53:29 > 0:53:32You helped us get some balance back again into our family.
0:53:37 > 0:53:40Um, I've...
0:53:40 > 0:53:44I've asked Pyke to give me two months.
0:53:46 > 0:53:48We've been through hell this last year,
0:53:48 > 0:53:50and I think we owe it to ourselves.
0:53:54 > 0:53:58Oh, no, thanks. I have an appointment.
0:54:00 > 0:54:01There is one thing.
0:54:01 > 0:54:04I wanted to borrow the birthday DVD of little Mary.
0:54:04 > 0:54:06- Yeah.- OK.
0:54:09 > 0:54:12Ah, that's our only copy, isn't it?
0:54:14 > 0:54:18You know what, I'll pick it up as soon as she's finished.
0:54:19 > 0:54:22When are you watching it?
0:54:24 > 0:54:25Tonight.
0:55:26 > 0:55:28YOUNG MARY SINGS AND HUMS
0:55:35 > 0:55:37ROBIN LAUGHS
0:55:37 > 0:55:41# Father says she has to have a name
0:55:41 > 0:55:44# Not the same as her mum's
0:55:44 > 0:55:47# But a name just the same
0:55:49 > 0:55:52# A little ray of sunshine
0:55:53 > 0:55:56# Has come into the world
0:55:58 > 0:56:02# A little ray of sunshine
0:56:02 > 0:56:05# In the shape of a girl... #
0:56:05 > 0:56:08KNOCK ON DOOR
0:56:10 > 0:56:13# We'll show her the dress
0:56:13 > 0:56:17# That she'll wear with the gold flowing hair
0:56:17 > 0:56:20# That nature provided
0:56:22 > 0:56:27# A little ray of sunshine
0:56:27 > 0:56:31# Has come into the world
0:56:32 > 0:56:36# A little ray of sunshine
0:56:36 > 0:56:39# In the shape of a girl. #