0:00:13 > 0:00:20This programme contains some scenes which some viewers may find upsetting
0:00:20 > 0:00:24Some sort of morphic field suspended the human race.
0:00:24 > 0:00:28Because this miracle, it's as if something is willing them to go on.
0:00:28 > 0:00:32- What's wrong with your sister? - She's not sick. She just...
0:00:33 > 0:00:36..can't cope.
0:00:36 > 0:00:40- Oh, my God. - They're ready for a war.
0:00:40 > 0:00:43No, they were ready for the miracle.
0:00:43 > 0:00:46PhiCorp knew it was coming.
0:00:46 > 0:00:51- I did visit PhiCorp and they were kind enough to offer me protection. - In exchange for what?
0:00:51 > 0:00:52The message.
0:00:55 > 0:00:57Who are you?
0:00:57 > 0:01:01- They could have traced that handset. - Let's get out of here. I think we've got them worried.
0:01:24 > 0:01:26Sarah?
0:01:28 > 0:01:30It's me. It's Esther.
0:01:33 > 0:01:35Sarah!
0:01:35 > 0:01:37Are you there?
0:01:37 > 0:01:41LOCK CLICKS
0:01:48 > 0:01:52- Hey.- These people, they were looking for you.
0:01:52 > 0:01:55- They kept asking me questions about you.- I know.
0:01:55 > 0:01:58I'm sorry. I can't stay long, but...
0:01:59 > 0:02:01What have you done with the house?
0:02:04 > 0:02:08- Where are the kids? - They're in here, with me.
0:02:08 > 0:02:11Can I see them?
0:02:11 > 0:02:13Esther, I'd never hurt them.
0:02:13 > 0:02:15- But I can't stay. - Mom!- >
0:02:15 > 0:02:18I'm leaving town. I've got to go today.
0:02:18 > 0:02:20Don't go to Boston.
0:02:20 > 0:02:24There's cholera in Boston, they said on the news.
0:02:24 > 0:02:27Don't go to Philly either - dysentery.
0:02:27 > 0:02:32- New York's got typhus and hemorrhagic fever.- Sarah...
0:02:32 > 0:02:34that's just what they're saying online.
0:02:34 > 0:02:36But we've changed,
0:02:36 > 0:02:39all of us, didn't we?
0:02:39 > 0:02:42Something in the air...infected us.
0:02:43 > 0:02:45- Made us godless.- Let me in.
0:02:45 > 0:02:50- Let me see the girls.- I'm not letting them out. They can't come outside. I won't let them!
0:02:50 > 0:02:53- Let me in, Sarah, please! - Mom, tell her to stop!
0:02:55 > 0:02:58Honey, I know this is crazy, but...
0:02:58 > 0:03:00you're safe, I promise.
0:03:04 > 0:03:09Look, I'm working with these people and we're going to stop this.
0:03:09 > 0:03:11I'm leaving town with them and we've got things to do,
0:03:11 > 0:03:15but I'll come back as soon as I can.
0:03:18 > 0:03:21Please...
0:03:21 > 0:03:23Please let me say goodbye to the girls.
0:03:23 > 0:03:26No.
0:03:26 > 0:03:28- Mom!- No.
0:03:32 > 0:03:34I'll come back...
0:03:37 > 0:03:39..as soon as I can, OK?
0:03:53 > 0:03:55DIALLING TONE
0:03:55 > 0:03:57Hello.
0:03:59 > 0:04:02Yeah, I'd like to...report...
0:04:05 > 0:04:09..there are two children that I believe might be in danger.
0:04:09 > 0:04:14Melanie and...and Alice Drummond,
0:04:14 > 0:04:16daughters of Sarah Drummond.
0:04:16 > 0:04:19Their address is...
0:04:19 > 0:04:211032...
0:04:21 > 0:04:23King Sovereign Road.
0:04:23 > 0:04:26I'm sorry. I can't give you my name.
0:04:26 > 0:04:28I just want you to help them.
0:04:30 > 0:04:32PHONE BEEPS
0:04:32 > 0:04:33ENGINE STARTS
0:04:41 > 0:04:44Confirmed. I found Esther Drummond.
0:04:44 > 0:04:46The pathway to Torchwood's open and clear.
0:04:46 > 0:04:49'Follow her to Harkness. Do what you like with the others.'
0:05:12 > 0:05:13And the miracle continues
0:05:13 > 0:05:17with healthcare throughout America now reaching a state of crisis.
0:05:17 > 0:05:21The courts have been flooded with claims and counterclaims
0:05:21 > 0:05:23as people adjust to a new form of life.
0:05:23 > 0:05:25I had a heart attack in October.
0:05:25 > 0:05:27The company replaced me, but I can still work.
0:05:27 > 0:05:29I'm not like I'm going to die, am I?
0:05:29 > 0:05:32So, if I have to sue them to get my job back, then I will.
0:05:32 > 0:05:36Who is there to speak for the living when the White House is silent,
0:05:36 > 0:05:38the Vatican is silent, the scientists are silent?
0:05:38 > 0:05:40Well, I am not.
0:05:40 > 0:05:44In business news, pharmaceutical companies are predicting record profits.
0:05:44 > 0:05:47PhiCorp has pledged a payback scheme
0:05:47 > 0:05:50in local communities around its Los Angeles headquarters.
0:06:06 > 0:06:08Ugh, 2,700 miles.
0:06:08 > 0:06:10Man, am I sick of your ugly faces!
0:06:12 > 0:06:14Ugh!
0:06:16 > 0:06:18Anyone got change for the meter?
0:06:18 > 0:06:20Last thing we need is getting a ticket.
0:06:20 > 0:06:25- No coins.- I've only got plastic. You said no plastic.
0:06:28 > 0:06:31Hey, my man. You got change for a dollar?
0:06:31 > 0:06:34Wow, look at that horizon!
0:06:34 > 0:06:36We've reached the edge of America.
0:06:36 > 0:06:38GWEN LAUGHS
0:06:38 > 0:06:40Decades since I saw the Pacific.
0:06:40 > 0:06:42Must be about 70 years.
0:06:42 > 0:06:45Are you kidding when you say things like that?
0:06:45 > 0:06:46Oh-ho-ho! I wonder.
0:06:46 > 0:06:49So, where's PhiCorp from here?
0:06:49 > 0:06:51Maybe about...ten miles that way.
0:06:51 > 0:06:53Technically, it's another city.
0:06:53 > 0:06:56PhiCorp headquarters is in Los Angeles and we're in Venice.
0:06:56 > 0:06:59We need to find somewhere to hide while we plan the assault.
0:06:59 > 0:07:01Can't we stay here, by the sea?
0:07:01 > 0:07:05Not some stinking, dirty pit for once, Jack!
0:07:06 > 0:07:08Please?
0:07:14 > 0:07:16Hey, man.
0:07:16 > 0:07:17Believe!
0:07:25 > 0:07:27DIALLING TONE
0:07:27 > 0:07:30- Can't get rid of you, can I, dead man walking?- 'Yeah, yeah.'
0:07:30 > 0:07:33What is this "Dead Is Dead" shit? I see posters all over the place.
0:07:33 > 0:07:35It's the latest campaign.
0:07:35 > 0:07:40As if Oswald Danes wasn't bad enough, this one's led by Ellis Hartley Monroe.
0:07:40 > 0:07:43A small-town mayor trying to make a name for herself. Where are you?
0:07:43 > 0:07:48Sorry, Doc, no can say. But if I wanted to know where I could get prescription drugs in Los Angeles,
0:07:48 > 0:07:51no questions asked, you could make your own conclusions.
0:07:51 > 0:07:55- And that's the only reason you called me?- Well, you are the doctor!
0:07:56 > 0:07:59- What are you doing in LA? - I never said I was in LA.
0:07:59 > 0:08:04It may surprise you that I haven't got my own private network of drug runners on the West Coast.
0:08:04 > 0:08:05'Come on, Vera.'
0:08:05 > 0:08:09I've seen what you can do with the doctor-patient relationship,
0:08:09 > 0:08:11and the Hippocratic Oath, it doesn't cover it.
0:08:11 > 0:08:15Ellis Hartley Monroe started the Dead Is Dead campaign, and do you know why?
0:08:15 > 0:08:19She thinks we should treat people who should have died as if they're already dead.
0:08:19 > 0:08:21I think she's got a point.
0:08:21 > 0:08:24- HE CHUCKLES - I'm busy. Thank you, Rex.
0:08:24 > 0:08:26You are so going to call me back.
0:08:26 > 0:08:27I'm so not.
0:08:32 > 0:08:35We don't have all day, Dr Juarez.
0:08:35 > 0:08:38'This hospital has been empty'
0:08:38 > 0:08:40since '92, '93,
0:08:40 > 0:08:44but it's still in remarkable condition, all things considered.
0:08:44 > 0:08:48So, if you could listen.
0:08:48 > 0:08:53Now, we have representatives from City General,
0:08:53 > 0:08:55St Mary's, St Helen's,
0:08:55 > 0:09:01the Open Brook, Grand Maple Forest, Attwood's and Woolsey Heights, yes?
0:09:01 > 0:09:07All of you with ICU departments stretched to the breaking point.
0:09:07 > 0:09:08This would be the solution.
0:09:08 > 0:09:12We bring them all here, all the emergency patients en masse.
0:09:12 > 0:09:17Rather than 15 hospitals at maximum capacity, we have one. This one.
0:09:17 > 0:09:20It's abandoned. We're going to need equipment and staff.
0:09:20 > 0:09:23All that taken into consideration, but the strategy would work.
0:09:23 > 0:09:26So, we just put everyone inside and close the door?
0:09:26 > 0:09:28Do you know what they called that in the old days?
0:09:28 > 0:09:30- A plague ship.- Let me stress this.
0:09:30 > 0:09:33This is a short-term measure.
0:09:33 > 0:09:36The plan itself would have to be initiated by tomorrow.
0:09:36 > 0:09:38- That's impossible. - That's not enough time.
0:09:38 > 0:09:42The people want a healthcare solution and they want it immediately.
0:09:42 > 0:09:46For most of the people, Miracle Day is just that, it's a miracle.
0:09:46 > 0:09:50People are beginning to move beyond the panic, to the possibilities of a golden age.
0:09:50 > 0:09:53- As long as the sick and the old are hidden away from sight.- Exactly.
0:09:53 > 0:09:56But let's not forget, this isn't anything new.
0:09:56 > 0:09:59The Western world has always hidden its unwanted.
0:09:59 > 0:10:03We signed on for that a long time ago, before any miracles appeared.
0:10:03 > 0:10:08And you, you said yourself - the plague ship is an old idea.
0:10:09 > 0:10:11Now...I have set up a schedule
0:10:11 > 0:10:16and I've made a list of transport liaison managers...
0:10:22 > 0:10:24Well, I'm not going to pretend it ain't nirvana.
0:10:24 > 0:10:27But this is the best I've got.
0:10:27 > 0:10:30As long as it's got electricity and a roof, this is all we need.
0:10:30 > 0:10:33- Hot water would be good. - I don't suppose it's any good asking who you are.
0:10:33 > 0:10:36- We're travelling circus folk. - And he's the clown.
0:10:36 > 0:10:39- I'm the bearded woman, but I shaved.- You missed a bit.
0:10:39 > 0:10:44Cash in hand, and there's more of that tomorrow, as long as you don't tell anyone we're here.
0:10:44 > 0:10:46If anybody does ask, you let us know straight away.
0:10:46 > 0:10:48Sure thing.
0:10:49 > 0:10:52By the way, if you get hungry,
0:10:52 > 0:10:55there's a cafe on the corner does a guava-jalapeno cheese tart that's fabulous.
0:10:55 > 0:10:57Laters.
0:10:59 > 0:11:02Fabulous? What is it with you?
0:11:02 > 0:11:04- You make everybody around you gay? - That's the plan.
0:11:04 > 0:11:09OK, now we can use this place as our delivery address, we can order that spare server.
0:11:09 > 0:11:11Then we start in on PhiCorp.
0:11:11 > 0:11:14But first thing we've got to do is lift out the security profile.
0:11:14 > 0:11:17- PHONE RINGS - I've got to take this. Sorry. Um, yeah. I...
0:11:17 > 0:11:19Sorry.
0:11:21 > 0:11:23No, you know what Torchwood's like. It's terrible.
0:11:23 > 0:11:26I mean, we're living in this...
0:11:26 > 0:11:28shed thing,
0:11:28 > 0:11:31'and there's no electricity, there's no water.'
0:11:31 > 0:11:32It's dark
0:11:32 > 0:11:34and cold and damp.
0:11:34 > 0:11:38I thought it was boiling hot in Los Angeles all year round.
0:11:38 > 0:11:40- Well, they lied, Rhys. - CHATTER IN BACKGROUND
0:11:40 > 0:11:43- What's that noise? Is that people? - 'Yeah.'
0:11:43 > 0:11:45- Street gangs. - SEAGULL CRIES
0:11:45 > 0:11:47Was that a seagull?
0:11:47 > 0:11:49Er...it's a woman,
0:11:49 > 0:11:52er...on the rampage.
0:11:52 > 0:11:54A mad woman. Anyway, so how's my little girl?
0:11:54 > 0:11:56Don't call me that, Gwen!
0:11:56 > 0:11:58You're very funny. Do I get to say hello?
0:11:58 > 0:12:03No! It took me two hours to get her to sleep. She was fretting like mad.
0:12:03 > 0:12:05- I'm not waking her, so tough. - I'm not on holiday, Rhys.
0:12:05 > 0:12:08- I'm out here working. - 'Still, tough.'
0:12:08 > 0:12:12- So, what's happening with PhiCorp, then?- 'Uh, yeah, things.'
0:12:12 > 0:12:16Esther's bouncing this signal off the Chinese satellite, so I don't want to say too much.
0:12:22 > 0:12:26There's one thing you've got to sort out, OK, and that's my dad.
0:12:26 > 0:12:28'They keep saying the hospitals are full of MRSA,'
0:12:28 > 0:12:31- so can you get him out? - That's impossible, honestly, now.
0:12:31 > 0:12:35They said on the news no-one's allowed to move. But he's safe enough, Gwen.
0:12:35 > 0:12:37I have never felt so far away.
0:12:37 > 0:12:40'Look, I just don't trust the hospitals, Rhys.'
0:12:40 > 0:12:42- There must be something you can do. - PHONE BEEPS
0:12:42 > 0:12:46Look, I've got to go, OK? I'm busy. They really need me.
0:12:46 > 0:12:51We're on a mission. Er, just get my dad out, Rhys, OK? I'll phone you tonight.
0:12:51 > 0:12:53It's already tonight.
0:12:56 > 0:12:58PHONE RINGS
0:13:04 > 0:13:06Torchwood located.
0:13:11 > 0:13:14- Sorry. Rhys. Sorry. - We've all got family.
0:13:14 > 0:13:17The sooner we get this done, the sooner we can see them.
0:13:17 > 0:13:19OK, what do you need me to do?
0:13:19 > 0:13:24We need to lift out the security protocols on Jilly Kitzinger's files.
0:13:24 > 0:13:27- Can you do that?- Got Torchwood software ready and waiting.
0:13:27 > 0:13:30- 'There is a lot of...' - You're obsessed with this bastard.
0:13:30 > 0:13:33I'll put a permanent trace on him so we always know where he is.
0:13:33 > 0:13:36- Did we find anything more on Kitzinger?- She's freelance.
0:13:36 > 0:13:39Working with PhiCorp for six months. She's not connected.
0:13:39 > 0:13:42She just happened to be at the right place at the right time.
0:13:42 > 0:13:45Just like Oswald. We're wasting our time tracking them.
0:13:45 > 0:13:50It's never a waste of time. Our greatest problem is that what's happened to the world is invisible.
0:13:50 > 0:13:54But quite by chance, Oswald's found himself right at the heart of it.
0:13:54 > 0:13:57George Eliot wrote this chapter in Middlemarch.
0:13:57 > 0:13:59She said that if you take a piece of metal
0:13:59 > 0:14:02with random scratches all over it and hold a flame up to the metal,
0:14:02 > 0:14:07the scratches look like they're forming patterns, circling around the light.
0:14:07 > 0:14:09And that's Oswald.
0:14:09 > 0:14:14He's blazing away, and patterns are starting to revolve around him.
0:14:14 > 0:14:17All we have to do is keep watching.
0:14:39 > 0:14:42SOFT FIZZ
0:14:44 > 0:14:45SOFT FIZZ
0:14:50 > 0:14:52SOFT FIZZ AND HISS
0:15:05 > 0:15:07KNOCK ON DOOR
0:15:09 > 0:15:12Change of plans. Got some statistics here. You'll need to memorise them.
0:15:12 > 0:15:17The White House is planning some sort of rally in Los Angeles.
0:15:17 > 0:15:19We might have to move by the end of the week.
0:15:19 > 0:15:25But the good news is, PhiCorp has asked me to stay at your side full time.
0:15:25 > 0:15:28Evidently someone over there believes you're important.
0:15:28 > 0:15:29Who am I to argue?
0:15:29 > 0:15:30Glorious.
0:15:30 > 0:15:35I'll bet that's killing you, Miss Kitzinger, because you can't stand the sight of me.
0:15:35 > 0:15:38No, I can't. No, sir, not at all.
0:15:38 > 0:15:39But it is not my job to like you.
0:15:39 > 0:15:41I will find your coffee,
0:15:41 > 0:15:43I will accompany you to the studio,
0:15:43 > 0:15:47recommend whether Diane Sawyer is better than Piers Morgan.
0:15:47 > 0:15:50All that and more, but between me and you, it's your hands.
0:15:52 > 0:15:57I can't look at your hands without thinking about what they did.
0:16:00 > 0:16:03You ever wonder why anyone considers me important?
0:16:03 > 0:16:05I'm sure someone's got a reason.
0:16:05 > 0:16:09- Wouldn't you like to know what it is?- Very much so.
0:16:10 > 0:16:13How much do you know about our masters at PhiCorp?
0:16:13 > 0:16:18Because I did a little searching of my own last night.
0:16:19 > 0:16:24It's been a long, long time since I was allowed online.
0:16:24 > 0:16:28I tried to find out who's above PhiCorp,
0:16:28 > 0:16:32who owns them, and the strangest thing happened.
0:16:32 > 0:16:36The information just scattered away.
0:16:36 > 0:16:41All sorts of names and tangents and diversions,
0:16:41 > 0:16:42but nothing tangible.
0:16:42 > 0:16:45That's when I recognised the pattern,
0:16:45 > 0:16:49because I've had a lot of experience perfecting how to hide myself online.
0:16:49 > 0:16:56And suddenly, I'm looking at someone else doing the same, but on a massive scale.
0:16:56 > 0:16:58Worldwide.
0:17:00 > 0:17:02I wonder why.
0:17:06 > 0:17:07Time to go.
0:17:08 > 0:17:12- What for?- Central News, 3.30. Isn't that right?
0:17:12 > 0:17:16If you would let me finish, they cancelled you.
0:17:16 > 0:17:21- Apparently they booked someone else.- Who did they get?
0:17:21 > 0:17:24Ellis Hartley Monroe, the darling of the Tea Party.
0:17:24 > 0:17:29She's been looped on Channel 55 all day long, and she's radical.
0:17:29 > 0:17:31'I think someone's got to say it.
0:17:31 > 0:17:33'Dead is dead.
0:17:33 > 0:17:35'We are surrounded by people who should have died.
0:17:35 > 0:17:40'I'm sorry for them, yes, but these people fill me with terror.
0:17:40 > 0:17:44'Am I the only one brave enough to say it? They should have perished.
0:17:44 > 0:17:45'I'm sorry, but they should.
0:17:45 > 0:17:47'And by persisting,
0:17:47 > 0:17:50'they are draining the resources of healthy, living citizens.
0:17:50 > 0:17:55'Now, I'm nobody special, but I'm a mother and a voter
0:17:55 > 0:17:59'and an American, and I'd like to think that that means something.
0:17:59 > 0:18:01'This is what I want.'
0:18:01 > 0:18:04- Looks like you've got a rival. - 'The Dead Is Dead campaign asks...'
0:18:04 > 0:18:08You'd better think of a line, or you'll be yesterday's news.
0:18:08 > 0:18:10'..and taken to a place that's safe,
0:18:10 > 0:18:12'and I mean safe for the rest of us.
0:18:12 > 0:18:18'The Dead Is Dead campaign asks that these citizens be removed from society
0:18:18 > 0:18:20'and taken to a place that's safe.'
0:18:20 > 0:18:24All I got - a couple aspirin.
0:18:24 > 0:18:26Thanks.
0:18:26 > 0:18:30Haven't you got family in California?
0:18:30 > 0:18:32No, I'm from New York.
0:18:32 > 0:18:36- But when you were injured, I went through your file... - There's no-one.
0:18:38 > 0:18:40'..don't speak ill of the dead...'
0:18:40 > 0:18:43That's the problem with this job. Family always comes second.
0:18:43 > 0:18:46I said there's no-one! OK?
0:18:46 > 0:18:48'..because dead is dead,
0:18:48 > 0:18:53'and sometimes, segregation is vital and necessary,
0:18:53 > 0:18:58'because these living deceased should not have equal rights.
0:18:58 > 0:19:00'No, sir. They should be removed.
0:19:00 > 0:19:03'They should be contained.
0:19:03 > 0:19:04'And then they should wait.
0:19:04 > 0:19:08'Because I believe their passage to the afterlife has but paused.
0:19:08 > 0:19:13'And when this miracle ends, death will find them.
0:19:13 > 0:19:16'Their time will come and they will die.'
0:19:22 > 0:19:26RAISED VOICES IN BACKGROUND
0:20:02 > 0:20:03Don't shoot!
0:20:03 > 0:20:06It's me, Dad.
0:20:06 > 0:20:09- What the hell are you doing in my place?- Getting these.
0:20:09 > 0:20:12- Put them back. Those are mine. - Looks like stolen property to me.
0:20:12 > 0:20:14So what if they are?
0:20:14 > 0:20:18- You going to arrest me? - CIA agents don't arrest people, Dad. You know that.
0:20:18 > 0:20:21Yeah, then...then what?
0:20:21 > 0:20:23You going to torture me?
0:20:23 > 0:20:28You people! You've already ruined the world and now you want to take away a man's livelihood?
0:20:28 > 0:20:31- Somehow this is my fault? - You and your precious government.
0:20:31 > 0:20:33You changed the rules on us.
0:20:33 > 0:20:36Don't tell me this ain't some damn experiment.
0:20:36 > 0:20:39I don't want to live forever, especially like this.
0:20:39 > 0:20:41Put the gun down, Dad.
0:20:41 > 0:20:45Don't you tell me what to do, not in my house! Son of a bitch!
0:20:45 > 0:20:48- Give me that back.- No. You're liable to shoot somebody.
0:20:48 > 0:20:50- It ain't even loaded.- Really?
0:20:52 > 0:20:56Well, so what if it is? I need protection living in this dump.
0:20:56 > 0:21:01But you don't have to live this way. Don't you understand that?
0:21:05 > 0:21:09- Don't you pretend to give a shit if I live or die. - Come on, don't give me that.
0:21:09 > 0:21:11- You never cared for anybody... - Don't give me that.
0:21:11 > 0:21:13That's bullshit and you know it.
0:21:13 > 0:21:15What did you come here for, Rex?
0:21:15 > 0:21:20Tell me that. What the hell did you come here for?
0:21:31 > 0:21:33I got hurt, Dad.
0:21:36 > 0:21:38I got hurt bad.
0:21:42 > 0:21:43So what?
0:21:43 > 0:21:49I've been dying out here for 15 years.
0:21:49 > 0:21:51You never once cared.
0:22:09 > 0:22:11Get the hell out.
0:22:41 > 0:22:45To recap, there's over 100 dedicated servers identical to that one
0:22:45 > 0:22:49inside the PhiCorp building, all containing corporate data.
0:22:49 > 0:22:51But according to Jilly Kitzinger's information,
0:22:51 > 0:22:56number 113 is a secure server, accessible by only the highest corporate brass.
0:22:56 > 0:23:00- That's our target.- And when PhiCorp says secure, they mean secure.
0:23:00 > 0:23:03I have never seen firewalls like this before.
0:23:03 > 0:23:06Our only option is to steal number 113, to physically take it,
0:23:06 > 0:23:09and cover our tracks by leaving a duplicate in its place.
0:23:09 > 0:23:12- Which is empty.- So, we damage it. Fire damage.
0:23:12 > 0:23:16PhiCorp will think the information's lost, not stolen, and they won't overreact.
0:23:16 > 0:23:19- PHONE RINGS - Oh, sorry. It's off.
0:23:20 > 0:23:22That's your mother, that is.
0:23:22 > 0:23:24How do you like that, eh?
0:23:24 > 0:23:27I can scout out the building. How are you going to get me inside?
0:23:27 > 0:23:32I don't think so. Not your mission, Agent Matheson. You're still on CIA lists.
0:23:32 > 0:23:34It's way too risky to pass you through security.
0:23:34 > 0:23:37- What makes you any better? - Jack wiped us off the map.
0:23:37 > 0:23:40He's got a piece of software that removes any reference to Torchwood online.
0:23:40 > 0:23:43There's no record of us, unlike you.
0:23:43 > 0:23:47- OK, dead is dead. That's me, huh? - Rex, you're a better strategist than any of us.
0:23:47 > 0:23:51Maybe you can figure out what to do next. Check this out.
0:23:51 > 0:23:54This is the IT centre where the servers are housed.
0:23:54 > 0:23:57Floor 33, maximum security, completely enclosed.
0:23:57 > 0:24:02We need to gain access, but it's restricted, with some heavy duty biometrics.
0:24:02 > 0:24:05Only one man can gain total access.
0:24:05 > 0:24:06The man who designed it -
0:24:06 > 0:24:09Nicolas Frumkin.
0:24:09 > 0:24:11What kind of biometrics? I mean, what level?
0:24:11 > 0:24:14Every entry needs voice print, palm print, iris recognition,
0:24:14 > 0:24:16by him and him alone.
0:24:16 > 0:24:20OK. Then I know exactly what you need to do.
0:24:28 > 0:24:30Oh, hey!
0:24:30 > 0:24:34- AMERICAN ACCENT:- Oh, my gosh, look at her! She is a beauty.
0:24:34 > 0:24:36- Yeah.- Oh! Hey, baby! - Don't I know you?
0:24:36 > 0:24:40- I swear we've met before. You're, um...- I'm Nicolas.- That's right!
0:24:40 > 0:24:44- Nicolas Jackson, isn't it? - No, Nicolas Frumkin.- Yeah, yeah.
0:24:44 > 0:24:46'I think we've met...'
0:24:46 > 0:24:49Nicolas Frumkin. Nicolas Frumkin. Nicolas Frumkin.
0:24:49 > 0:24:51My name's John Smith.
0:24:51 > 0:24:55Your baby is just so amazing. She is just awesome!
0:24:55 > 0:24:59- She's a keeper, isn't she?- Do you mind holding that for me? Thank you.
0:25:05 > 0:25:08Look at you! Wow.
0:25:08 > 0:25:12- I'll take that off you.- Doesn't she remind you of our little girl?
0:25:12 > 0:25:16- Oh, you should see her! - We'd better be moving along. It's lunch hour, so...
0:25:16 > 0:25:18- Oh, there she is.- Her name is
0:25:18 > 0:25:22- Sally Anne Louise Matilda...Jane. We couldn't choose!- No!
0:25:22 > 0:25:25- She's beautiful.- Thank you. Look at her little face!
0:25:28 > 0:25:30Got it.
0:25:32 > 0:25:35- So, it was awesome meeting you. Just super good.- Yeah, you too.
0:25:35 > 0:25:38- See you around. - Sure thing, hot diggity!
0:25:38 > 0:25:40See you later. Take care.
0:25:40 > 0:25:43- You are so never doing that accent again.- I am mortified.
0:25:43 > 0:25:45I'm absolutely mortified!
0:25:47 > 0:25:50- I thought you had a system! - We did have a system. It fell apart.
0:25:50 > 0:25:53St Helen's and Open Brook sent all patients here at the same time.
0:25:53 > 0:25:56- We can't even move them upstairs. - Why not?
0:25:56 > 0:25:59No electricity. This building's been abandoned for 20 years.
0:25:59 > 0:26:02- There's patients from Conniston Drive...- That's a hospice!
0:26:02 > 0:26:06The hospices are closing down but their intake is still sick.
0:26:06 > 0:26:10- They sent them without asking? - You know how long it takes to process one patient?
0:26:10 > 0:26:12Imagine what we're dealing with! ..Hey!
0:26:13 > 0:26:17- The public's not allowed inside. - Look, just take him. Take him!
0:26:17 > 0:26:19That's his books, his pills, and he likes that old sweater.
0:26:19 > 0:26:23- You can't just dump him here with us.- Yeah? I'm sick of it!
0:26:23 > 0:26:26I'm sick of his piss, his smell. All he eats, he throws up.
0:26:26 > 0:26:29Am I supposed to look after him forever? I'm not doing it!
0:26:29 > 0:26:32- I tried, but I can't, OK? - But...but you can't! Ma'am!
0:26:32 > 0:26:34BABY CRIES
0:26:34 > 0:26:39Oh! That hallway...should be empty.
0:26:39 > 0:26:43Go and fetch Mr Holland. This is disgraceful!
0:26:43 > 0:26:45Doctor, help! Help!
0:26:45 > 0:26:47PATIENTS COUGH
0:26:47 > 0:26:51Hey, why don't we get masks?
0:26:51 > 0:26:54I know. I'm sorry, but we haven't got our procedures right yet.
0:26:54 > 0:26:58- Just give us a little more time. - I don't want to lie next to these...
0:26:58 > 0:27:03- They're like corpses.- I'm sorry, but they aren't actually dead.
0:27:03 > 0:27:06- What if they're infectious? - Can't you take the baby outside?
0:27:06 > 0:27:11It's not safe in here! They keep talking about disease.
0:27:11 > 0:27:13- Is she yours? - I don't know who she is!
0:27:13 > 0:27:16She's not my problem. She was just left there.
0:27:16 > 0:27:18No-one's checked on her in 20 minutes.
0:27:18 > 0:27:21- It's not my job.- For God's sake! There's no paperwork with that baby!
0:27:21 > 0:27:24There's no ID! This is ridiculous!
0:27:24 > 0:27:27Find Sally Richter. Tell her it's an emergency.
0:27:27 > 0:27:30Tell her I say so - Dr Juarez, City General.
0:27:35 > 0:27:38Look at this! And we're calling it a sterile area?
0:27:38 > 0:27:40Teething troubles.
0:27:40 > 0:27:44- The transfer itself seems to be working on the whole. - Until we get cholera.
0:27:44 > 0:27:47Dr Juarez, I told you, this is a temporary measure.
0:27:47 > 0:27:50- Then? What happens next? - I'm not at liberty to say.
0:27:50 > 0:27:52- I am on the medical panel! - One of the panels.
0:27:52 > 0:27:55One of the many panels. One of 15 in DC alone.
0:27:55 > 0:28:00- I guarantee plans are being made and we'll make...- No, that's not fair,
0:28:00 > 0:28:03ladies and gentlemen. The slogan "Dead Is Dead"
0:28:03 > 0:28:05is hardly appropriate on hospital grounds.
0:28:05 > 0:28:08But this project demonstrates the bold thinking
0:28:08 > 0:28:10that we need in America.
0:28:10 > 0:28:13Behind me, we have people in the right place.
0:28:13 > 0:28:14It's as simple as that.
0:28:14 > 0:28:17People in the right place. Behind those doors,
0:28:17 > 0:28:20they pose no danger to society.
0:28:20 > 0:28:22Over here!
0:28:27 > 0:28:30- Tiny little problem. - Those cameras were here for me.
0:28:30 > 0:28:34I know. It's just a timing malfunction, that's all.
0:28:34 > 0:28:37The moment I lose my platform, I get thrown back to the mob.
0:28:37 > 0:28:38I'm not doing that.
0:28:38 > 0:28:41Do you hear me? I'm never going back.
0:28:41 > 0:28:44So, if you don't want me angry with you, Missy,
0:28:44 > 0:28:46if you don't want PhiCorp
0:28:46 > 0:28:48angry with you, you're going put this right.
0:28:48 > 0:28:51- Is that understood? - Perfectly.
0:28:54 > 0:28:57- REPORTER:- 'The words of Ellis Hartley Monroe,
0:28:57 > 0:29:01'a philosophy which is now sweeping around the country.
0:29:01 > 0:29:05'She's put drug campaigners such as Oswald Danes in the shade
0:29:05 > 0:29:08'as her popularity soars. The Dead Is Dead campaign...'
0:29:08 > 0:29:11This is why I need your pledges and support.
0:29:11 > 0:29:14Not for me, but for the greater good.
0:29:14 > 0:29:17Because I want to fund a programme nationwide
0:29:17 > 0:29:20that rebuilds our wonderful cities,
0:29:20 > 0:29:24that zones them to redistribute the population
0:29:24 > 0:29:27in accordance with the miracle. This would be a new America,
0:29:27 > 0:29:30a new world,
0:29:30 > 0:29:33a new heaven. Now, it seems to me we've relied too much
0:29:33 > 0:29:37on the pharmaceutical companies, or as I call them, drug dealers.
0:29:37 > 0:29:42Companies like PhiCorp profit off disaster, and I think that's wrong.
0:29:42 > 0:29:44ALL: Oswald!
0:29:44 > 0:29:45Oswald!
0:29:48 > 0:29:51- WOMAN:- He's going in, Mrs Monroe. Why don't you?
0:29:52 > 0:29:57We'll keep these doors closed because this must be hygienic.
0:29:57 > 0:30:01See? Very hygienic.
0:30:02 > 0:30:05Brave man. I wouldn't go in there.
0:30:05 > 0:30:07Do you know who that is?
0:30:07 > 0:30:10I think that they are scared of you.
0:30:11 > 0:30:14But not me.
0:30:14 > 0:30:17I'm not scared of you.
0:30:17 > 0:30:20How... After all, how could I be?
0:30:20 > 0:30:22Because we're the same.
0:30:22 > 0:30:26Yes, we are. I am just the same as you.
0:30:26 > 0:30:29- I'm so cold!- Oh, it's all right.
0:30:29 > 0:30:32Of course, of course. Here, hang on.
0:30:32 > 0:30:34Just a moment, please.
0:30:34 > 0:30:36There we go.
0:30:36 > 0:30:38Everything will be fine.
0:30:38 > 0:30:41There, how is that?
0:30:41 > 0:30:43- ALL:- Oswald! Oswald!
0:30:43 > 0:30:44Oswald!
0:30:44 > 0:30:46You've been abandoned, all of you.
0:30:46 > 0:30:50You're the unwanted, and there are people out there
0:30:50 > 0:30:53who are preaching
0:30:53 > 0:30:56all sorts of dangerous lies about you.
0:30:56 > 0:31:00And who is out there talking on your behalf?
0:31:00 > 0:31:01Hmm?
0:31:01 > 0:31:04I'm here to tell you...
0:31:05 > 0:31:06..I will.
0:31:06 > 0:31:08I promise, I will.
0:31:08 > 0:31:09Because you need help.
0:31:09 > 0:31:14You need food. And you need security.
0:31:14 > 0:31:18And I swear to you, I will not rest
0:31:18 > 0:31:21until those things are given to you.
0:31:21 > 0:31:22And I will help you.
0:31:22 > 0:31:24- Bless you.- Yes, and you.
0:31:24 > 0:31:27I'm here to help.
0:31:27 > 0:31:28I will help all of you.
0:31:28 > 0:31:31Yes, join with me now.
0:31:31 > 0:31:35And I can understand your pain, all of you.
0:31:35 > 0:31:38I understand it because I have suffered the same as you.
0:31:38 > 0:31:41I still recognise you behind that mask!
0:31:41 > 0:31:44- You bastard!- That's OK.
0:31:44 > 0:31:48No, that's fine. I understand, sir.
0:31:49 > 0:31:52I will not hide.
0:31:52 > 0:31:56I have come in here to stand beside you
0:31:56 > 0:31:58and I am proud of that, sir.
0:31:59 > 0:32:03I will not hide my face.
0:32:05 > 0:32:07REPORTERS CLAMOUR
0:32:09 > 0:32:13But we're the same.
0:32:13 > 0:32:14Don't you see?
0:32:14 > 0:32:16I was supposed to die.
0:32:16 > 0:32:20I was abandoned and I was faithless.
0:32:20 > 0:32:22And I was lost.
0:32:22 > 0:32:25But look at me.
0:32:25 > 0:32:29Look at me! I mean, after the miracle...
0:32:29 > 0:32:30I have risen.
0:32:30 > 0:32:34Oh-ho! I have risen
0:32:34 > 0:32:37with unending life.
0:32:37 > 0:32:39And I can promise all of you
0:32:39 > 0:32:42that same rapture.
0:32:42 > 0:32:45- ALL:- Oswald! Oswald!
0:32:45 > 0:32:48Please, whoever you are,
0:32:48 > 0:32:51this child's been abandoned. Can't you get her some help?
0:32:51 > 0:32:53Oh, poor little thing!
0:32:53 > 0:32:57Of course. You see, she's fine now.
0:32:59 > 0:33:00Dead is not dead.
0:33:00 > 0:33:03No, not any more.
0:33:03 > 0:33:04Life is life.
0:33:04 > 0:33:07Aw, look at her!
0:33:07 > 0:33:10And I can promise you, with all my heart,
0:33:10 > 0:33:15this little girl will live forever
0:33:15 > 0:33:20and ever, and ever, and ever!
0:33:20 > 0:33:21Oswald!
0:33:21 > 0:33:23Listen, clear the damn schedule.
0:33:23 > 0:33:25It is Oswald 24/7 from here on out.
0:33:25 > 0:33:28- Dr Juarez!- This is disgusting.
0:33:28 > 0:33:29I know!
0:33:29 > 0:33:31ALL: Oswald! Oswald!
0:33:31 > 0:33:35If you think I'm sharing a camera with that man...!
0:33:35 > 0:33:37What the hell am I paying you for?
0:33:37 > 0:33:40Get a hold of Fox, tell them I'm heading for New York.
0:33:44 > 0:33:47Hotel, then airport.
0:33:49 > 0:33:52No, hotel first, then I need to see Mr Coulidge.
0:33:52 > 0:33:56Can you find his address? It's in the book.
0:33:57 > 0:33:59This coffee tastes kind of weird.
0:34:43 > 0:34:44What do you want?
0:34:45 > 0:34:47What's your name, sir?
0:34:49 > 0:34:51- I'll give you money! - I just need your name.
0:34:51 > 0:34:55- Nice and clear, if you could. - Frumkin.
0:34:55 > 0:34:58Nicolas Frumkin.
0:34:58 > 0:35:03There's an organisation, Mr Frumkin, called Torchwood.
0:35:03 > 0:35:06Now, I'm only telling you this so you know who's to blame.
0:35:06 > 0:35:10Torchwood is about to access your secure site,
0:35:10 > 0:35:14which means I also need access using your biometrics.
0:35:14 > 0:35:17I can tell you how to get in.
0:35:17 > 0:35:18There's a code.
0:35:18 > 0:35:21No, there's not.
0:35:21 > 0:35:22There is.
0:35:22 > 0:35:25I swear to you, there's a code that you can use to...
0:35:25 > 0:35:29Shh, shh, shh. I'm afraid I studied all the specifications.
0:35:29 > 0:35:32The protocol's quite clear.
0:35:32 > 0:35:37I need the biometrics of poor Nicolas Frumkin.
0:35:39 > 0:35:42Which means, firstly, your voice.
0:35:43 > 0:35:45Consider that done.
0:35:45 > 0:35:47And then...
0:35:47 > 0:35:48Please.
0:35:50 > 0:35:52Please don't. Please.
0:35:52 > 0:35:55It's your system, which means it's your fault.
0:35:55 > 0:35:58Because the next thing I need is the palm of your hand,
0:35:58 > 0:36:01and then one of your eyes, but just one.
0:36:01 > 0:36:02No!
0:36:02 > 0:36:05Don't worry, no-one dies.
0:36:06 > 0:36:08HE SCREAMS
0:36:20 > 0:36:21Whoo!
0:36:28 > 0:36:30Everything online?
0:36:30 > 0:36:32Yeah. Good signal.
0:36:32 > 0:36:36Those two clowns should be in position. I'll go check that 105 access.
0:36:36 > 0:36:39I should be running this operation, not going to check the road.
0:36:44 > 0:36:46DIALLING TONE
0:36:46 > 0:36:48'Social services.'
0:36:48 > 0:36:50Hi. Yes, I'm calling from FBI police liaison.
0:36:50 > 0:36:54I was given this number by Susan Malpass.
0:36:54 > 0:36:57I just need to check some details on...
0:36:57 > 0:37:00let me see, the name's Drummond.
0:37:00 > 0:37:02Sarah Drummond, King Sovereign Road.
0:37:02 > 0:37:06I've got it right here. Children - Alice, seven, and Melanie, eight.
0:37:06 > 0:37:08That's it.
0:37:08 > 0:37:10We're just chasing an update.
0:37:10 > 0:37:11They're in the system now.
0:37:11 > 0:37:13Right.
0:37:13 > 0:37:16- I'm sorry, what does that mean? - 'It'll take a few days.'
0:37:16 > 0:37:20They'll stay at Brayden Long Heights until we can find them foster homes.
0:37:20 > 0:37:24- We'll try and keep them together. It shouldn't be too much of a problem.- I'm sorry...
0:37:24 > 0:37:29- Are you saying they've been removed from the home? - That's right. This morning at 8am.
0:37:29 > 0:37:32- You said you were going to work with the family.- 'We tried.'
0:37:32 > 0:37:35But it wasn't considered safe and the mother's been admitted for psych.
0:37:35 > 0:37:37She what?
0:37:37 > 0:37:43She's been under observation in the psych ward under the care of a Dr... Where is it?
0:37:43 > 0:37:48..Dr Cottesloe, that's it. No report on file yet.
0:37:48 > 0:37:51Should be something in tomorrow, the next couple of days.
0:37:51 > 0:37:53What happened? How did she end up like that?
0:37:53 > 0:37:56- What did you say your name was? - Where is she?
0:37:56 > 0:37:58Where is she now?
0:37:58 > 0:38:00I'm sorry, who are you exactly?
0:38:00 > 0:38:03- 'Can I ask what's the reason for this call?' - PHONE BEEPS
0:38:03 > 0:38:05OK... OK, OK.
0:38:06 > 0:38:09Access is fine.
0:38:09 > 0:38:12OK, let's see those two do their stuff.
0:38:26 > 0:38:29OK, here we go. Good luck.
0:38:29 > 0:38:31SHE CHUCKLES
0:38:31 > 0:38:33HE SIGHS
0:38:33 > 0:38:35- What is wrong with "good luck"? - It's kids' stuff.
0:38:35 > 0:38:37Torchwood keeps treating this like it's a game.
0:38:37 > 0:38:39- PHONE BEEPS - Are we interrupting you?
0:38:39 > 0:38:41Who could be sending you messages right now?
0:38:41 > 0:38:45- It's just this thing. It's personal. - No-one should have that number.
0:38:45 > 0:38:47Shh, shh, we're in.
0:38:50 > 0:38:51- Hi.- Can I help you?
0:38:51 > 0:38:54- Yes, I'm here for the training sessions.- Your name?
0:38:54 > 0:38:56Yvonne Pallister.
0:38:56 > 0:38:58International Sales.
0:39:02 > 0:39:06Only problem is, I don't see any training going on today.
0:39:06 > 0:39:10I got an e-mail last night from Lorraine in Human Resources.
0:39:10 > 0:39:13- I'll call them.- OK.
0:39:16 > 0:39:20PhiCorp Human Resources. This is Lorraine. How may I help you?
0:39:20 > 0:39:22Yeah, I have an Yvonne Pallister down here.
0:39:22 > 0:39:27- She says there's some kind of training. - Yes. Send her right up. Floor 21.
0:39:27 > 0:39:30OK.
0:39:30 > 0:39:32- Floor 21. Go on up.- Thank you.
0:39:41 > 0:39:43Hold up, hold up! Who are you?
0:39:43 > 0:39:44Delivery.
0:39:44 > 0:39:48- I don't have anything on my schedule.- It says Human Resources.
0:39:57 > 0:39:58Human Resources.
0:39:58 > 0:40:02Our document shredder had crapped out. We had to rush a new one.
0:40:02 > 0:40:04Send it on up.
0:40:04 > 0:40:06Sure thing.
0:40:07 > 0:40:09Go on up.
0:40:09 > 0:40:11- Need some help?- No, I'm good.
0:40:18 > 0:40:20What's wrong with you?
0:40:20 > 0:40:21Nothing.
0:40:28 > 0:40:32- Hello, handsome. Love the uniform. - Ditto.
0:40:33 > 0:40:35- Come on.- Oh, hold on.
0:40:35 > 0:40:40Whoever wears heels to work is heroic. Why do women put up with these things?
0:40:40 > 0:40:43The Fire Department's response time is 12 minutes.
0:40:43 > 0:40:46When they arrive, Esther'll direct them to the 14th floor.
0:40:46 > 0:40:51That should buy us another five minutes before they check other floors. Let's go, mistress.
0:41:02 > 0:41:04FIRE ALARM BLARES
0:41:04 > 0:41:06Fire on the 14th.
0:41:13 > 0:41:15'Please exit the building.'
0:41:26 > 0:41:29'Please state your full name.'
0:41:29 > 0:41:31'Nicolas Frumkin.'
0:41:31 > 0:41:35'Please place your right hand on the sensors as indicated.
0:41:35 > 0:41:38'Please look closely at the circle below.'
0:41:38 > 0:41:41Iris in five.
0:41:46 > 0:41:48'Access granted.'
0:41:48 > 0:41:50I never thought that would work.
0:41:50 > 0:41:52'Welcome back, Nicolas.'
0:41:57 > 0:42:00- They're in.- Good.
0:42:01 > 0:42:03You want to tell me what's wrong?
0:42:03 > 0:42:05My sister.
0:42:08 > 0:42:10Child Protective Services...
0:42:13 > 0:42:15..they took her kids.
0:42:15 > 0:42:17And they've got your number?
0:42:17 > 0:42:20- No, I set up a relay. It's anonymous, OK?- All right.
0:42:20 > 0:42:24And if you really want me to be heartless, Rex, I'm the one that reported her.
0:42:24 > 0:42:25Happy now?
0:42:27 > 0:42:29Server 113.
0:42:30 > 0:42:32Little bastard.
0:42:37 > 0:42:39PHONE BEEPS
0:42:43 > 0:42:44Now she's on the telephone?!
0:42:44 > 0:42:47- What the hell is wrong with you people?- Yeah, Anwen all right?
0:42:47 > 0:42:50She's fine. She's at home.
0:42:50 > 0:42:54- I know you're busy. I was just phoning about your dad.- Is he OK? - He's fine. Same as ever, no change.
0:42:54 > 0:42:59I just saw him, he sends his love. But I did what you said and made a fuss about getting him moved.
0:42:59 > 0:43:03I'm a bit busy, sweetheart. Just tell me, can you get him out of there?
0:43:03 > 0:43:05Yes, I can. Shall I go ahead?
0:43:05 > 0:43:06Oh, I love you. I love you.
0:43:06 > 0:43:10I love you. I love you. Just do it and leave me alone.
0:43:10 > 0:43:13Oh, and give Anwen a big kiss. OK? Bye.
0:43:33 > 0:43:35- Good luck.- OK, go.
0:43:43 > 0:43:49- Reattach 655-321.- But still, it must have been tough, though.
0:43:49 > 0:43:51There's nothing else I could've done.
0:43:51 > 0:43:55She wouldn't even let me see them. She had the house all barricaded up.
0:43:55 > 0:43:59- Wait, you saw the house? - Well, yeah.
0:43:59 > 0:44:02You went by the house? What if you were followed?
0:44:02 > 0:44:04Oh, my God, you're such an idiot.
0:44:04 > 0:44:06I'm doing my job, OK?
0:44:06 > 0:44:09And then 322 to 340.
0:44:09 > 0:44:12You've compromised the security of the entire mission!
0:44:12 > 0:44:13Come on!
0:44:15 > 0:44:17322.
0:44:20 > 0:44:22One more. 324.
0:44:29 > 0:44:31- I've lost her. - What the hell just happened?
0:44:35 > 0:44:36Gwen.
0:44:36 > 0:44:40Output from the I5s goes dead without consciousness.
0:44:40 > 0:44:44- Oh, so she's unconscious now? - I don't know.- I warned you!
0:45:04 > 0:45:05Gwen!
0:45:05 > 0:45:08Can you hear me?
0:45:08 > 0:45:11- 'Are you all right?'- It's back. ..Oh, no.
0:45:11 > 0:45:13'Can you hear me?'
0:45:13 > 0:45:14Who did this, Gwen?
0:45:14 > 0:45:19- Oh, no, no. Please, God.- Goddamn it! This is all your fault!
0:45:31 > 0:45:34Come on! Esther, can you override this elevator?
0:45:34 > 0:45:37I can't. The Fire Department's closed the whole thing down.
0:45:39 > 0:45:40OK.
0:45:40 > 0:45:45Rex, it's 33 floors. That's 66 flights of stairs, and you've got a ruptured chest.
0:45:45 > 0:45:48Oh, man. Good luck.
0:45:49 > 0:45:52- Ah! Ah!- Jack!
0:45:52 > 0:45:55- You OK?- Yeah. What happened?- I did.
0:46:01 > 0:46:02I'm so sorry.
0:46:05 > 0:46:08- Who the hell are you? - Names aren't important right now.
0:46:08 > 0:46:12- Oh, great, he's cryptic. - What do you want?
0:46:12 > 0:46:14Well, clearly, you dead.
0:46:14 > 0:46:17Then why am I still alive?
0:46:17 > 0:46:18That's the point.
0:46:21 > 0:46:27It's got to be said, Miracle Day's hardly been advantageous for those in my line of work,
0:46:27 > 0:46:28the day the killing stopped.
0:46:28 > 0:46:32But I can't tell you, Jack, how wonderful it is,
0:46:32 > 0:46:37how truly wonderful it is, to meet somebody who's mortal.
0:46:37 > 0:46:42- It's my Holy Grail.- If he's the only one that can die then it's in your interest to keep him alive.
0:46:42 > 0:46:46That's exactly what I'm doing. Haven't you noticed the absence of killing?
0:46:46 > 0:46:48Because this captain...
0:46:51 > 0:46:52..fascinates me.
0:46:59 > 0:47:03I've been paid to eradicate him, but that only makes me wonder why.
0:47:03 > 0:47:06- What makes you so different? - I don't know.
0:47:06 > 0:47:09And yet you're the only one left, the only true human.
0:47:09 > 0:47:12If I knew, I would tell you.
0:47:12 > 0:47:15I'm trying to find out the same thing myself.
0:47:23 > 0:47:25Yes, I know. Thank you.
0:47:27 > 0:47:28Who employs you?
0:47:28 > 0:47:30Don't you have any idea, Jack?
0:47:30 > 0:47:33They told me it was a very long time ago.
0:47:33 > 0:47:36- Don't you remember?- Who?
0:47:36 > 0:47:38Who told you that?
0:47:42 > 0:47:44This would be so simple in the old days.
0:47:48 > 0:47:49Tell me what I want...
0:47:50 > 0:47:53- Oh!- ..or I'll slit her throat.
0:47:53 > 0:47:55SHE PANTS IN FEAR
0:47:55 > 0:47:58I keep wondering during these miraculous days, would it be better or worse
0:47:58 > 0:48:02knowing that her pain will last forever?
0:48:02 > 0:48:03I think better.
0:48:04 > 0:48:09- Leave her alone! - Then tell me!- I don't know.
0:48:21 > 0:48:24You're very special to them, Jack.
0:48:24 > 0:48:27They trust me enough to tell me that. But I hear rumours...
0:48:27 > 0:48:30of miracles yet to come, of a new society
0:48:30 > 0:48:34being forged here on Earth, and I'd like to guarantee my place.
0:48:34 > 0:48:35So, tell me...
0:48:37 > 0:48:39..what did you give them so long ago?
0:48:39 > 0:48:41When?
0:48:45 > 0:48:46Tell me who's employing you.
0:48:49 > 0:48:52You'll never stop them, for this...
0:48:54 > 0:48:56..is who they certainly are.
0:48:56 > 0:48:58They are everywhere.
0:49:03 > 0:49:05Shit.
0:49:06 > 0:49:08They are always.
0:49:08 > 0:49:10They are no-one.
0:49:19 > 0:49:22They have been waiting for such a long time.
0:49:24 > 0:49:26Searching the world...
0:49:27 > 0:49:28..for a specific geography.
0:49:28 > 0:49:30What the hell does that mean?
0:49:30 > 0:49:32That means that they've found it.
0:49:36 > 0:49:40- And they've made it magnificent. - SHOUTS:- Who are they?!
0:49:40 > 0:49:42They once had names.
0:49:42 > 0:49:45Long ago. And those names...
0:50:02 > 0:50:05Oh... Argh, shit.
0:50:13 > 0:50:15He was just about to tell us.
0:50:16 > 0:50:18Thanks?
0:50:18 > 0:50:21Anybody? Thanks?
0:50:21 > 0:50:24And you shot him in the throat.
0:50:24 > 0:50:25Well, dead is dead.
0:50:30 > 0:50:36It's such an unfortunate phrase, "dead is dead". It's coarse.
0:50:36 > 0:50:38I know, as a survivor, it's hurtful.
0:50:38 > 0:50:44The last thing that we need right now is a campaign that's going to empower the mob.
0:50:44 > 0:50:48The words of Oswald Danes are quickly becoming a worldwide phenomena.
0:50:48 > 0:50:52Today the story of Danes and the abandoned child truly went viral.
0:50:52 > 0:50:54HE SPEAKS JAPANESE
0:50:54 > 0:50:57SHE SPEAKS SPANISH
0:51:00 > 0:51:02As the White House stays silent,
0:51:02 > 0:51:05we ask is Oswald Danes now becoming the voice of the people?
0:51:05 > 0:51:09Is he the one true representative of this miracle age?
0:51:09 > 0:51:13You are trending like never before, you clever bastard.
0:51:13 > 0:51:17You make it all sound planned. I was just trying to help those unfortunate souls.
0:51:17 > 0:51:21Well, it's working. Guess what they're calling you in France.
0:51:21 > 0:51:23The Sainted Danes.
0:51:23 > 0:51:24That's almost blasphemous.
0:51:24 > 0:51:27And now you're a definite for the Miracle Rally.
0:51:27 > 0:51:29Flights are booked to Los Angeles.
0:51:29 > 0:51:33They want you to speak from the stage, and guess who you're replacing?
0:51:33 > 0:51:36- Ellis Hartley Monroe?- Ellis Hartley Monroe! She must be livid!
0:51:36 > 0:51:39We contacted the office of Ellis Hartley Monroe,
0:51:39 > 0:51:40asking for a response,
0:51:40 > 0:51:43but they told us Mrs Monroe will not be making any statements
0:51:43 > 0:51:45for the foreseeable future.
0:51:55 > 0:51:58'Mrs Monroe? We'd like to apologise.
0:51:58 > 0:52:01'We're really very, very sorry about this.
0:52:01 > 0:52:05'Indeed, we'd like to imagine if time and tides had flown in a different way
0:52:05 > 0:52:08'we could have almost been friends.
0:52:08 > 0:52:11'I hope that's some consolation at the end.
0:52:15 > 0:52:18'The truth of it is, we liked your message, Mrs Monroe.
0:52:18 > 0:52:19'We liked your style.
0:52:19 > 0:52:24'But we already have Oswald Danes. We don't need another.
0:52:24 > 0:52:29'And certain aspects of your strategy were revealing our hand just a little too soon.
0:52:31 > 0:52:36'And we have been planning this so carefully for such a long time.
0:52:39 > 0:52:41'Because we are everywhere.
0:52:41 > 0:52:43'We are always.
0:52:45 > 0:52:49'We are no-one. And soon, the families will rise.'
0:53:14 > 0:53:16Anything yet?
0:53:16 > 0:53:18It's going to take days, weeks.
0:53:18 > 0:53:21But I'm rushing through a primary sift for basic patterns.
0:53:21 > 0:53:22- Good morning.- Yeah.
0:53:22 > 0:53:26- Thanks again for saving my ass yesterday.- I was saving her ass.
0:53:26 > 0:53:28You were just gravy.
0:53:28 > 0:53:31- I'm sorry I made such a mess of it. - That was your final warning.
0:53:31 > 0:53:35You give it any more thought? That maniac said it was someone you knew.
0:53:35 > 0:53:41- Not that easy when you've lived thousands of years.- Going to keep talking that shit, huh?- Got it.
0:53:41 > 0:53:44First basic pattern. Land prices.
0:53:44 > 0:53:46Estimates dating back years
0:53:46 > 0:53:51and they're all linked to these construction plans.
0:53:51 > 0:53:52Plans for what?
0:53:52 > 0:53:57They're calling them overflow camps for all the patients in ICU.
0:53:57 > 0:54:01Looks like PhiCorp's taking charge of them, like they own them.
0:54:01 > 0:54:04Sold some kind of strategy to the UN.
0:54:04 > 0:54:06PhiCorp and whoever else is behind them.
0:54:06 > 0:54:09- But what the hell are they up to? - I bet it ain't good.
0:54:09 > 0:54:10- PHONE BEEPS - Bollocks! Bollocks!
0:54:10 > 0:54:13I am so sorry. I've been so busy, I didn't ring you back.
0:54:13 > 0:54:17But I'm going call you back in half an hour, and that is a promise.
0:54:17 > 0:54:21Calm down! Don't worry. I'm phoning with good news. It's about your dad.
0:54:21 > 0:54:25- What is it? What's happened? - I said it's good news. Now, stop and listen, you daft thing.
0:54:25 > 0:54:30- I've got him onto that scheme, top of the list.- What scheme?- Government's stepped in to prop up the NHS.
0:54:30 > 0:54:36- They're spending millions. They're building these sort of camps to help people.- Overflow camps?
0:54:36 > 0:54:38That's it. I got your dad inside the South Wales site.
0:54:38 > 0:54:44OK, Rhys, listen to me. Do not let them go. Do not let them take my father. I haven't time to explain.
0:54:44 > 0:54:47- Just...just bloody move.- They just moved him out.- Then stop them, OK?
0:54:47 > 0:54:50This is bloody PhiCorp, Rhys, and they are up to something.
0:54:55 > 0:54:57Move! Don't let them go!
0:54:57 > 0:55:00Just get him back. Get him back now!
0:55:05 > 0:55:07Gwen,
0:55:07 > 0:55:08it's too late.
0:55:08 > 0:55:10They've got my dad, Jack.
0:55:11 > 0:55:13They've got my dad.
0:55:20 > 0:55:22If anyone ever hears this,
0:55:22 > 0:55:24we thought we knew what we were doing,
0:55:24 > 0:55:29all of us, this new Torchwood team.
0:55:29 > 0:55:35We thought we knew what was happening with PhiCorp and America and my dad and everything.
0:55:35 > 0:55:37And then we discovered the truth.
0:55:37 > 0:55:42Because then we found out what was really happening,
0:55:42 > 0:55:46what this miracle really means.
0:55:46 > 0:55:47And now it's too late.
0:55:47 > 0:55:49We can't stop it.
0:55:49 > 0:55:53It's happening across the whole wide world.
0:55:54 > 0:55:55God help us all.
0:55:59 > 0:56:01And I am sorry, Dad.
0:56:57 > 0:57:01Subtitles By Red Bee Media Ltd
0:57:01 > 0:57:04E-mail subtitling@bbc.co.uk