0:00:23 > 0:00:25- No. - GUNSHOT
0:00:28 > 0:00:29Argh!
0:00:29 > 0:00:32COMMOTION
0:00:32 > 0:00:34Angelo. No!
0:00:34 > 0:00:38I'm so sorry, Jack. In the future are we together?
0:00:38 > 0:00:41We can't be cos one day you're going to die and I won't.
0:00:41 > 0:00:44Then we forget the future and we make a promise.
0:00:44 > 0:00:46I'm sorry, Angelo.
0:00:46 > 0:00:49This is the story of my life.
0:00:49 > 0:00:52Captain Harkness, the last mortal man.
0:00:52 > 0:00:57You'll want to come with me, because I can take you to the one man who knows how the miracle began.
0:00:57 > 0:01:00- Who's that?- Angelo.
0:01:00 > 0:01:02Angelo Colasanto.
0:01:24 > 0:01:27They're with me. They've agreed to leave their weapons behind.
0:01:27 > 0:01:30- But Esther's going to stay outside. - Why? What for?
0:01:30 > 0:01:33She's going to keep an open relay to a hard drive back in Los Angeles.
0:01:33 > 0:01:36If we go through those doors and disappear, we have a record.
0:01:36 > 0:01:38OK? So tell your goons to leave her alone.
0:01:38 > 0:01:40Come on, Angelo's inside.
0:01:47 > 0:01:51He talked about you all the time, Jack. His immortal man in old New York. He never forgot.
0:01:51 > 0:01:55You telling me the whole world got screwed because two gay guys had a hissy fit?
0:01:55 > 0:01:58- Rex, get back in your cave. - Come on, give me a break.
0:01:58 > 0:02:01You inspired him. You proved immortality was possible.
0:02:01 > 0:02:06And he devoted the rest of his life to finding out how to live forever.
0:02:06 > 0:02:08And he did it?
0:02:08 > 0:02:10He's still alive? He's still young?
0:02:10 > 0:02:12Oh, yes, he's still alive.
0:02:14 > 0:02:17Angelo Colasanto is still very much alive,
0:02:17 > 0:02:20but he's not young.
0:02:20 > 0:02:25My grandfather waited all this time to live forever.
0:02:25 > 0:02:27And his wish came true...
0:02:31 > 0:02:32..too late.
0:03:03 > 0:03:07- What's wrong with him? - At his age, just about everything.
0:03:07 > 0:03:09You can leave us alone, thanks.
0:03:09 > 0:03:11Of course, ma'am.
0:03:14 > 0:03:16What happened to your eye?
0:03:18 > 0:03:20I was just born with it.
0:03:25 > 0:03:28- It's him.- You must be horrified.
0:03:28 > 0:03:31- Why would you say that? - He's grown so old.
0:03:31 > 0:03:34That's how I see the whole world.
0:03:34 > 0:03:36He's still young compared to me.
0:03:36 > 0:03:37This is for Esther.
0:03:37 > 0:03:39Keeping an open line to make sure we're all safe.
0:03:39 > 0:03:43After everything I've heard about Torchwood technology,
0:03:43 > 0:03:45you're going to rely on an open handset?
0:03:45 > 0:03:49Yeah well, we had to leave LA in a hurry - thanks to someone I could mention.
0:03:49 > 0:03:52'Anyway, what the hell's going on with the stock market?'
0:03:52 > 0:03:54They're falling.
0:03:54 > 0:03:57It's been inevitable ever since miracle day,
0:03:57 > 0:03:59which I reckon is part of the plan.
0:03:59 > 0:04:01So you put a gun to my daughter's head for this?!
0:04:01 > 0:04:04- Your revenge on Jack? - We weren't trying to hurt you.
0:04:04 > 0:04:08I was carrying out my grandfather's final wish...
0:04:08 > 0:04:10- to keep you safe. - So you don't want him dead?
0:04:10 > 0:04:13- You were protecting me? - Hell of a way of going about it.
0:04:13 > 0:04:17There's a crucial distinction. My grandfather cared for you, I don't.
0:04:17 > 0:04:19You might be important in some way we've yet to work out.
0:04:19 > 0:04:22'So it's best to keep you intact.'
0:04:22 > 0:04:25But that's as far as the sentiment goes.
0:04:25 > 0:04:27So why the hell, you know...
0:04:28 > 0:04:30Bollocks. Start again.
0:04:30 > 0:04:32Any chance of a drink?
0:04:32 > 0:04:35'I could murder a pint of bitter right now.'
0:04:35 > 0:04:38Thanks, Gwen. I'll have a vodka.
0:04:47 > 0:04:51These are all of you. Some of these are...
0:04:51 > 0:04:53That's Torchwood.
0:04:53 > 0:04:56That's Cardiff.
0:04:56 > 0:04:58When was that?
0:04:58 > 0:05:00- The '70s.- A moustache?
0:05:00 > 0:05:02My God, Jack.
0:05:02 > 0:05:07- He watched you for decades. - But he never made contact.
0:05:07 > 0:05:10You may not be ashamed of being old,
0:05:10 > 0:05:14- but he was. - Hold on now. He didn't cause this?
0:05:14 > 0:05:16Angelo didn't cause the miracle?
0:05:16 > 0:05:19No, he lived this long through natural means.
0:05:19 > 0:05:23He kept his body at a temperature two degrees below normal.
0:05:23 > 0:05:27He controlled his caloric intake, kept his blood pressure below 110.
0:05:27 > 0:05:29- Does that work?- Oh, yes.
0:05:29 > 0:05:31Prolonging life is simple.
0:05:31 > 0:05:35But no-one's worked out how to make a profit at it, so it's not advertised.
0:05:35 > 0:05:37And the whole time he was looking for immortality?
0:05:37 > 0:05:44It's not as impossible as it sounds. You are not the only remarkable thing on this earth, Jack.
0:05:45 > 0:05:48Consider the jellyfish.
0:05:48 > 0:05:51The species turritopsis nutricula is considered to be immortal.
0:05:51 > 0:05:55Its cells undergo a process called transdifferentiation.
0:05:55 > 0:05:59Quite simply, it can revert to a younger state, and grow old again.
0:05:59 > 0:06:01And then repeat, without limit.
0:06:01 > 0:06:07It's possible there are individual jellyfish upon this planet
0:06:07 > 0:06:10that have existed for thousands and thousands of years.
0:06:10 > 0:06:12I'm not as special as I thought.
0:06:12 > 0:06:16You never were. Even within the human body, cancer cells are immortal.
0:06:16 > 0:06:21Stem cells, in theory they can divide forever.
0:06:21 > 0:06:25And this is the research that Angelo investigated.
0:06:25 > 0:06:29- Well, they all did, because my grandfather wasn't alone. - Who were the others?
0:06:29 > 0:06:36Well, the story says that it started with three men, each representing a different family.
0:06:36 > 0:06:43And when you were being murdered over and over again, these three men came to witness your resurrection.
0:06:45 > 0:06:46I saw them.
0:06:49 > 0:06:51They made a deal.
0:06:59 > 0:07:02They formed an alliance to purchase the power of resurrection.
0:07:02 > 0:07:09- And when you escaped, the three families swore that they'd find the gift again.- What were their names?
0:07:09 > 0:07:14The Ablemarch family, the Costerdane family and the Frines.
0:07:14 > 0:07:17Ablemarch, Costerdane, Frines.
0:07:17 > 0:07:19Did you get that? Ablemarch, Costerdane and...
0:07:19 > 0:07:21'Is "Coster" with a T E R?'
0:07:21 > 0:07:23Is "Coster" with a T-E-R? Yeah, T-E-R. And...
0:07:23 > 0:07:26'Spell "Frines".'
0:07:26 > 0:07:30- Could you spell Frines?- F-R-I-N-E-S.
0:07:30 > 0:07:32F-R-I-N-E-S.
0:07:32 > 0:07:36Trace 'em. I want you to find every member of those three families.
0:07:36 > 0:07:38Rex, this is nine decades later.
0:07:38 > 0:07:42Look, I don't care if it's 500,000 people. I want you to find them all...now.
0:07:46 > 0:07:48So what happened then?
0:07:48 > 0:07:501928... What did they do next?
0:07:50 > 0:07:52They lost Jack, but they still had his blood.
0:07:52 > 0:07:55No, no, no...
0:07:59 > 0:08:01No!
0:08:01 > 0:08:05I thought they were draining it away, but they were collecting it.
0:08:05 > 0:08:08- They just had to figure out how to use it.- But that doesn't work.
0:08:08 > 0:08:11There's nothing special about my blood in itself.
0:08:11 > 0:08:12That's not what made me immortal.
0:08:12 > 0:08:16- Then why would the three families want to kill you?- I don't know.
0:08:16 > 0:08:20Whatever they were planning, my grandfather wasn't included.
0:08:20 > 0:08:23I think they considered him inappropriate.
0:08:23 > 0:08:25What's inappropriate?
0:08:25 > 0:08:29He loved a man. He did go on to have a family of his own,
0:08:29 > 0:08:33and I think he loved my grandmother very much, but he never lied about you, Jack.
0:08:33 > 0:08:39And I think that Ablemarch, Costerdane and Frines
0:08:39 > 0:08:44found that a little unfortunate.
0:08:44 > 0:08:48As a result, Angelo was forced to watch them from afar.
0:08:48 > 0:08:49Made enough money by the looks of it.
0:08:49 > 0:08:54Well, Jack told him enough to navigate his way through the 20th century and make a profit.
0:08:54 > 0:08:57But what did these families do to the world?
0:08:57 > 0:08:59They started in Manhattan.
0:08:59 > 0:09:0280 years later the whole of the planet becomes immortal.
0:09:02 > 0:09:06- And I become mortal. - In 1998 we intercepted a message.
0:09:06 > 0:09:09It was just one word - "Blessing".
0:09:11 > 0:09:12'We've heard about the Blessing.'
0:09:12 > 0:09:17They found it. Whatever the Blessing is, the three families found it.
0:09:17 > 0:09:19Now it's time that we found them.
0:09:19 > 0:09:21Esther, you got any news for us?
0:09:21 > 0:09:22'This is plain weird.'
0:09:22 > 0:09:26There's no-one called Ablemarch or Costerdane or Frines.
0:09:26 > 0:09:31I mean, literally there's no such names. There's nothing. It's blank. They don't exist.
0:09:35 > 0:09:38'Esther? Esther?'
0:09:39 > 0:09:42Esther? I think there's trouble.
0:09:47 > 0:09:51- How long till Shapiro gets here? - He was out of the airport right behind us.
0:09:51 > 0:09:53We got maybe five minutes till the CIA descends.
0:09:53 > 0:09:55Five minutes should be enough. Bring her.
0:09:55 > 0:09:59We've got to finish this before the rest of the CIA arrives.
0:09:59 > 0:10:01What is it, Rex? What's happening?
0:10:01 > 0:10:05- Tell us where we can find the three families.- You never will. That's the point.
0:10:05 > 0:10:08They came out of New York with the motivation of keeping this secret.
0:10:08 > 0:10:12- Where's the best place to hide yourself? In plain sight. - Nobody move!
0:10:12 > 0:10:14- This is the CIA.- Stay where you are.
0:10:14 > 0:10:16That's an order. You, with the others.
0:10:16 > 0:10:18- Hey.- Matheson, don't try anything.
0:10:18 > 0:10:22We are arresting all of you for violations of the miracle security act.
0:10:22 > 0:10:27This is the same as treason now, folks. And I want a word with Rex.
0:10:27 > 0:10:30- Right now. Secure him. - Who the hell are you?- Don't move.
0:10:30 > 0:10:33- That's your last warning. - That's Brian Friedkin.
0:10:33 > 0:10:37- Of course it's Friedkin. If anyone's working for the three families, it's him.- That's enough!
0:10:37 > 0:10:42We may have to end this with an unfortunate number of Category 1s. Get him out. Take him out.
0:10:42 > 0:10:44- You're not taking him.- Back down.
0:10:44 > 0:10:46- No, you're not.- Back down!
0:10:46 > 0:10:48- No, you're not.- Back down! - OK. OK, it's all right.
0:10:48 > 0:10:51Well, they've just taken Rex. All right.
0:10:51 > 0:10:53- OK?- OK. Fine. Right.
0:10:56 > 0:11:00- They're not legitimate CIA.- Done.
0:11:05 > 0:11:09All right. Go out and keep watch for the squad.
0:11:09 > 0:11:12Leave me alone with him.
0:11:12 > 0:11:15This is going to have to be quick.
0:11:15 > 0:11:17- Shapiro's arriving any minute. - Right. Right, I get it.
0:11:17 > 0:11:22- You have to dispose of me before the CIA finds out what you're up to. - How did you find us?
0:11:22 > 0:11:29Ten hours ago Rex made a phone call to the brother of Dr Vera Juarez expressing his condolences.
0:11:29 > 0:11:31We've been tracking his phone ever since.
0:11:31 > 0:11:34I knew you'd make a mistake in the end. It's funny though.
0:11:34 > 0:11:37I never thought that sympathy would draw you out.
0:11:37 > 0:11:41Now all I've got to do is say that you attacked me and then I pulled my gun.
0:11:41 > 0:11:46I wonder which spot is memories or personality.
0:11:46 > 0:11:48Here, please feel free to piss yourself.
0:11:50 > 0:11:53Why is Friedkin inside? Who put him in the field?
0:11:53 > 0:11:56Rex Matheson was his division, sir. He feels responsible.
0:11:56 > 0:11:58Yeah, well, he should have waited for me, the fat ass.
0:11:58 > 0:12:02It doesn't make sense. I mean, Rex? He'd know they'd be tracing him.
0:12:02 > 0:12:05- How much did the families pay you? - It wasn't about the money.
0:12:05 > 0:12:06You can't escape them.
0:12:06 > 0:12:09The families don't just pay me. They own me.
0:12:09 > 0:12:13- Who did that?- They are everywhere. They are always.- What's it doing?
0:12:13 > 0:12:16- They are no-one. - And they are listening.- What?
0:12:18 > 0:12:20Oh, Friedkin, I'm so glad you mentioned money.
0:12:20 > 0:12:22That's going to transmit beautifully.
0:12:22 > 0:12:25What do you mean transmit? Transmit from where?
0:12:26 > 0:12:30You're not wearing a wire, we already checked.
0:12:30 > 0:12:31Ha! He stole them.
0:12:32 > 0:12:35Mr Shapiro you've got a confession from Brian Friedkin live on the air.
0:12:35 > 0:12:38- You're lying.- Oh, yeah?
0:12:38 > 0:12:41You know, you should read more. Check the Torchwood file, OK?
0:12:41 > 0:12:45I-five technology transmitting from a contact lens camera?
0:12:45 > 0:12:50Yeah, see once my heart rate hits 120, that's the signal to transmit
0:12:50 > 0:12:54the image on every frequency and on every monitor within 100 feet.
0:12:54 > 0:12:57- You planned this.- Mmm.
0:12:57 > 0:13:01I used my phone on purpose. I was just waiting until Torchwood got enough information.
0:13:01 > 0:13:03But, then, the Colasantos, they showed their hand.
0:13:03 > 0:13:09So I needed to get back inside, which meant laying a trap for you.
0:13:09 > 0:13:13It's over, Friedkin.
0:13:13 > 0:13:15It's over.
0:13:15 > 0:13:16And you're no killer.
0:13:16 > 0:13:19Agent Friedkin, show yourself!
0:13:19 > 0:13:21- Good job.- Thank you.
0:13:22 > 0:13:24Very good job.
0:13:40 > 0:13:43Mr Shapiro, sir, tell me something...
0:13:43 > 0:13:48All that time I was on the run, did you think I was a traitor?
0:13:48 > 0:13:53There was evidence, woven through your records, going back ten years or more.
0:13:53 > 0:13:56Whoever these people are, they're a lot smarter than Friedkin.
0:13:56 > 0:14:03- They're operating on all sorts of different levels.- Yeah, but now we've got them on the run.- Maybe.
0:14:03 > 0:14:05So let's start from the beginning.
0:14:05 > 0:14:10- Exactly what is going on? OK, let's see where we are. - Er, hold on a minute, mate.
0:14:10 > 0:14:14Rex, look, I need to know, did you plan this whole thing from the start?
0:14:14 > 0:14:18- No, I improvised when the Colasanto people appeared. - You could have warned us.
0:14:18 > 0:14:24People seem to be talking over me, which is fascinating and rare and forbidden. I'll come back to you.
0:14:24 > 0:14:27First of all, we're going to deal with this Colasanto woman.
0:14:27 > 0:14:31- The granddaughter Olivia. Have I got that right?- Yes, and as far as I'm aware,
0:14:31 > 0:14:36the CIA does not have the authority to operate on American soil.
0:14:36 > 0:14:37- Get her out of here. - This is my property.
0:14:37 > 0:14:42Take her to the safe house. Tell her to line up her lawyers, so I can piss on them long and hard.
0:14:42 > 0:14:44So these are the Torchwood clowns?
0:14:44 > 0:14:48Torchwood did more to piece this together than the entire CIA!
0:14:48 > 0:14:49You're that English girl, Cooper.
0:14:49 > 0:14:52- Have I got that right?- No, I'm not English and I'm not a girl.
0:14:52 > 0:14:56Gwen, this is Allen Shapiro. Don't. Really, don't.
0:14:56 > 0:15:02- Well, he's not scaring me. Hello. - I am sick of her already. Can we deport her? Let's deport her.
0:15:02 > 0:15:06- Hey, hey, hey, leave her alone. - Don't you dare. Don't you dare.
0:15:06 > 0:15:11Hold on. Sir, with all due respect, Gwen Cooper has proven herself to be extremely useful.
0:15:11 > 0:15:14- I think it's worth keeping her on our side. - Did you sleep with her?- Pardon me?!
0:15:14 > 0:15:18- No sir, I did not.- Because most women that bitter, you've slept with.
0:15:21 > 0:15:22Did you make that mistake?
0:15:22 > 0:15:24No.
0:15:24 > 0:15:26No, sir, I did not.
0:15:26 > 0:15:29Esther Drummond. Rex said you did a good job out in the field.
0:15:29 > 0:15:34- Thank you, sir. - In my opinion you deserted your post. I'm docking your pay.
0:15:34 > 0:15:37And what is it with you, "Red Baron"? You got Snoopy up your ass?
0:15:37 > 0:15:41- Hee-hee, that's funny.- While you're wasting time, Mr Shapiro,
0:15:41 > 0:15:46we've got the names of the people who are responsible for causing the miracle. I suggest we get to work.
0:15:46 > 0:15:51- Torchwood is going to work for the CIA?- I think the CIA can work for Torchwood, if you're lucky.
0:15:53 > 0:15:55We've got a plane ready and waiting 20 minutes away.
0:15:55 > 0:15:59The sooner we pool our resources, the sooner we can end this thing.
0:15:59 > 0:16:02- Let's go. Everybody out.- What about him? We've got a very sick man here.
0:16:02 > 0:16:07Didn't you read the news? Nobody dies. There's a nurse around here. You got two minutes.
0:16:07 > 0:16:09Don't leave them alone.
0:16:17 > 0:16:24- Jack, did we just join the CIA? - I think we did.- Hmm.- Hmm.
0:16:27 > 0:16:31Take that fat ass traitor to the airport and put him in cargo.
0:16:35 > 0:16:37God help you.
0:16:37 > 0:16:40The families aren't kind to people who let them down.
0:16:40 > 0:16:43- I did a lot of good.- Sure.
0:16:43 > 0:16:48All I'm going to be remembered for is this.
0:16:48 > 0:16:53But there were times when I stopped them, when I said no to the families.
0:16:53 > 0:16:57There were so many times that I said no.
0:16:59 > 0:17:01I wish I could say no now.
0:17:03 > 0:17:06- What are you doing?- It's all about the family in the end.
0:17:06 > 0:17:09- They said that they would get mine unless...- No, no!- No, no, please!
0:17:13 > 0:17:15What the hell was that?
0:17:17 > 0:17:18What happened?
0:17:18 > 0:17:21- Oh, my God.- Who was in there?
0:17:21 > 0:17:24Friedkin, Colasanto. I don't know how many others.
0:17:24 > 0:17:27- Goddamn it.- Shit.
0:17:30 > 0:17:33MACHINE BLEEPS
0:17:56 > 0:17:59More bloodshed.
0:18:03 > 0:18:06All these years later and my life hasn't changed.
0:18:12 > 0:18:14I can't believe you were watching me.
0:18:16 > 0:18:18Maybe you said hello.
0:18:18 > 0:18:23Some old man asking me directions and I just...
0:18:23 > 0:18:25looked right through you.
0:18:31 > 0:18:33Did you see him?
0:18:34 > 0:18:36Did you see Ianto?
0:18:41 > 0:18:43You'd have liked him.
0:18:45 > 0:18:46Or maybe not.
0:18:49 > 0:18:52You'd have been jealous.
0:19:03 > 0:19:05Got to go.
0:19:05 > 0:19:07Work to do.
0:19:14 > 0:19:18I'll take care of you. I promise.
0:19:20 > 0:19:23I could travel this whole wide world...
0:19:24 > 0:19:28..but where would I find another man like you?
0:19:34 > 0:19:36See you later, old man.
0:19:42 > 0:19:45MACHINES BLEEP FURIOUSLY
0:19:45 > 0:19:49What's the point of that?
0:19:49 > 0:19:52BLEEPING CONTINUES
0:19:53 > 0:19:57He's sick, I know. Tell me something new.
0:20:00 > 0:20:02Shut up!
0:20:02 > 0:20:07You want to tell whoever made this stuff dying's not quite the same any more?
0:20:08 > 0:20:11Oh, how do I?
0:20:13 > 0:20:15MACHINES STOP BLEEPING
0:20:16 > 0:20:17That's better.
0:20:19 > 0:20:21Kind of cruel though.
0:20:21 > 0:20:23Angelo...
0:20:25 > 0:20:28Even if your heart stops,
0:20:28 > 0:20:30you go on living nowadays.
0:20:38 > 0:20:41Like I said, I've got to go.
0:20:55 > 0:20:56No way.
0:21:00 > 0:21:02That's impossible.
0:21:05 > 0:21:09How the hell did you do this?
0:21:17 > 0:21:20I've got a man dying here! Do you hear me?
0:21:22 > 0:21:26- Someone's dying! - Jack, what's happening?
0:21:26 > 0:21:30- He's dead. He died. Angelo died right in front of me. - OK. Just think about it, Jack.
0:21:30 > 0:21:32- He can't die.- This man's dead. We've got to help him.
0:21:32 > 0:21:36Get away from the bed. Clear the area. That's an order. All right, come on, step back.
0:21:36 > 0:21:38Clear the bed. We have an emergency.
0:21:38 > 0:21:43Stand back. You, do what you can. This man is either dying or dead.
0:21:43 > 0:21:46Jack, just let the medical staff take a look at him, OK?
0:21:46 > 0:21:49He can't be dead. It's impossible. Nobody can die. He's just category one.
0:21:49 > 0:21:51I scanned him. He's gone.
0:21:52 > 0:21:56But is it everyone? I mean, did the world just change back?
0:21:56 > 0:21:58And, if so, what happens to me? Hmm?
0:21:58 > 0:22:00I was supposed to die.
0:22:01 > 0:22:05You, tell Langley to go online, check the hospitals, check with everyone,
0:22:05 > 0:22:09cos if he's dying, who else is dead? Matter of fact, just come with me. Excuse me.
0:22:11 > 0:22:13He's dead!
0:22:43 > 0:22:44How?
0:22:46 > 0:22:48Only him, no-one else.
0:22:48 > 0:22:51The only man in the whole wide world to die.
0:22:51 > 0:22:54The miracle continues minus Mr Colasanto.
0:22:54 > 0:22:56So how did he do it?
0:23:03 > 0:23:06We've taken the body for autopsy. Any idea what we'll find?
0:23:06 > 0:23:07I don't know.
0:23:07 > 0:23:09- We should go.- No, no, no, no.
0:23:10 > 0:23:15- Nobody is leaving. This house is secure.- It's not a crime scene. - Are you sure about that?
0:23:15 > 0:23:18Dying of old age can now be considered a crime.
0:23:18 > 0:23:20Something happened here,
0:23:20 > 0:23:24and we are going to search this place for every last bit of information.
0:23:24 > 0:23:28And nobody is going to leave until we know exactly what happened.
0:23:29 > 0:23:32So you can stay just where you are, Captain.
0:23:47 > 0:23:49I'm sorry.
0:23:51 > 0:23:52Yeah.
0:23:54 > 0:23:57And you really don't know what happened to him?
0:24:00 > 0:24:02What is it, Jack?
0:24:04 > 0:24:07Come on, what's wrong? Are we in trouble?
0:24:09 > 0:24:10Yes.
0:24:10 > 0:24:12We're in trouble because he died?
0:24:14 > 0:24:16Yeah.
0:24:16 > 0:24:18But why?
0:24:23 > 0:24:25Well, Brian Friedkin's a category one,
0:24:25 > 0:24:29the economy's going into a freefall, and one man died.
0:24:29 > 0:24:31So, how was your day?
0:24:31 > 0:24:33Welcome back, Rex. It was quiet without you.
0:24:33 > 0:24:37But there's nothing else happening worldwide. Colasanto is the only death.
0:24:37 > 0:24:40We're trying to keep it secret, but you have the only corpse on earth.
0:24:40 > 0:24:43How do you think it happened? Was it some kind of drug?
0:24:43 > 0:24:46- What makes him different? - Still waiting for the results.
0:24:46 > 0:24:49Well, if he found a way to die, then we need to find it quickly.
0:24:49 > 0:24:53Past two hours, Greece and Ireland have declared bankruptcy, and Spain is going under.
0:24:53 > 0:24:57- They'll take the European Union down.- Let's investigate this from the day it began
0:24:57 > 0:25:03- with the three families. Esther? - I've sent you their names, Costerdane, Ablemarch, Frines.
0:25:03 > 0:25:07- I've looked. There's no-one with these last names. - There has to be. They're names.
0:25:07 > 0:25:10- What names aren't names?- These names.
0:25:10 > 0:25:14According to every site I can think of, the names never existed.
0:25:14 > 0:25:19It's happened before. After the Second World War, all the Hitlers disappeared from the phone book.
0:25:19 > 0:25:23Change your name, go back and erase passport records, birth certificates.
0:25:23 > 0:25:28- Do that for decades and you're buried in the fabric of the world. - There's got to be a paper trail.
0:25:28 > 0:25:30Oh, I was born for this.
0:25:30 > 0:25:32All right, we've got Manhattan 1928.
0:25:32 > 0:25:36Let's check churches, schools, Western Union. I'll get the full division on this.
0:25:36 > 0:25:41If these people bought or sold or joined anything, it's got to be on paper somewhere.
0:25:41 > 0:25:43- People always miss something. - All right.
0:25:43 > 0:25:45Noah, sidebar. I got something for you.
0:25:45 > 0:25:47Hey, remember the Vivaldi inheritance in 2004?
0:25:47 > 0:25:50Follow that pathway, cos it worked in the end.
0:25:50 > 0:25:52Cross-reference it with the word "Blessing."
0:25:52 > 0:25:55Make "Blessing" a filter.
0:25:55 > 0:25:58Yup. Hey, I've gathered some information for you.
0:25:58 > 0:26:00It's your sister.
0:26:02 > 0:26:04Is she all right?
0:26:04 > 0:26:07She's OK. She's under psych observation.
0:26:07 > 0:26:09- In the high security wing. - Oh, my God.
0:26:09 > 0:26:12I told them you work for the government to get her some extra care, you know?
0:26:12 > 0:26:14Thank you.
0:26:14 > 0:26:19- Thanks.- Yeah well, don't tell anyone. Bad for my image. I'll send you the details.
0:26:19 > 0:26:23- You're making a personal call, Drummond?- No. Sorry, sir.
0:26:23 > 0:26:24Is that Mr Shapiro?
0:26:24 > 0:26:27You tell him, "Yes, it's personal. It's important.
0:26:27 > 0:26:30And yes, his wife called. And I sent her flowers on his behalf."
0:26:30 > 0:26:32Charlotte Wills. Bane of my life.
0:26:32 > 0:26:35Try hitting Phicorp with an official disclosure.
0:26:35 > 0:26:38And I got one more thing for you, Oswald Danes.
0:26:38 > 0:26:41We're eyeballing him now, but not under close surveillance. Why?
0:26:41 > 0:26:45Harkness watches him, his instincts are good. He says if we're watching Danes,
0:26:45 > 0:26:48then the three families are, too. I want you to get someone in there.
0:26:48 > 0:26:52I'm on it right now. It says here that Oswald sold out Cowboy Stadium.
0:26:52 > 0:26:55- He's in Dallas. - He's playing a stadium?
0:26:55 > 0:26:57He's preaching hellfire and salvation,
0:26:57 > 0:27:01which makes him the most popular man in the world right now.
0:27:03 > 0:27:07I'm trying to set up a joint appearance for you with Madison Weakly.
0:27:07 > 0:27:09She's the bisected bride.
0:27:09 > 0:27:13You know, car accident sheared off everything below the bikini line.
0:27:13 > 0:27:15Got married a week later propped up on a box.
0:27:15 > 0:27:19Basically, she's made up of positive thinking and colostomy bags.
0:27:19 > 0:27:22Anyway, they were thinking you and she could share the spotlight
0:27:22 > 0:27:24if they could manage a two-shot, obviously.
0:27:24 > 0:27:29Next, I've got you these essays by John Maynard Keynes.
0:27:29 > 0:27:32You've got interviews about fixing the economy tomorrow.
0:27:32 > 0:27:36Just call for more deregulation and a resumption of burning.
0:27:36 > 0:27:37Now, we've got this.
0:27:37 > 0:27:38LOUD MUSIC STARTS
0:27:38 > 0:27:42It's a request to speak to the Committee on Health and Immortality.
0:27:42 > 0:27:44# Riding down Sunset
0:27:44 > 0:27:45# Santa Monica too... #
0:27:45 > 0:27:46Oswald?
0:27:46 > 0:27:49# Over to the valley... #
0:27:49 > 0:27:50What do you think? Yes, or no?
0:27:50 > 0:27:51MUSIC CONTINUES
0:27:51 > 0:27:54If you could turn that down?
0:27:54 > 0:27:57All right, I'm going to need a reply by Friday night
0:27:57 > 0:27:58or they'll ask someone else.
0:27:58 > 0:28:02I said, they'll ask someone else.
0:28:02 > 0:28:06Please, Oswald, I'm just trying to finish the day. Could you turn the music down?
0:28:06 > 0:28:07MUSIC STOPS
0:28:07 > 0:28:09Get me a girl.
0:28:10 > 0:28:11How old?
0:28:12 > 0:28:14Legal age.
0:28:15 > 0:28:16Seriously?
0:28:16 > 0:28:20I've made a new life for myself, a new chance
0:28:20 > 0:28:22with new tastes.
0:28:22 > 0:28:25So I want a woman.
0:28:25 > 0:28:27Now get me one.
0:28:27 > 0:28:29A redhead.
0:28:29 > 0:28:30MUSIC RESUMES
0:28:30 > 0:28:32# Jumping like a Jack-in-the-box
0:28:32 > 0:28:34# Cruising in the big bowl
0:28:34 > 0:28:36# For a burger and some fries
0:28:36 > 0:28:39# All the cool cats gather round
0:28:39 > 0:28:41# They want to go for a ride
0:28:41 > 0:28:44# in a stretch Cadillac... #
0:28:44 > 0:28:45Hi there.
0:28:46 > 0:28:49I'm sorry, but you're Jilly Kitzinger, right?
0:28:49 > 0:28:52- I'm sorry. I don't have time...- No, here, let me help you with this...
0:28:52 > 0:28:54All this stuff. I will take this.
0:28:54 > 0:28:57I will take that. That's better.
0:29:05 > 0:29:08So my name is Shawnie Yamaguchi,
0:29:08 > 0:29:11and I'm on that internship from Harrigan Knights PR,
0:29:11 > 0:29:16and they said you are so busy and overworked and I figured, well, you know, learn from the best.
0:29:16 > 0:29:19I don't need an intern. Thank you.
0:29:19 > 0:29:22I'm sure. But this isn't the latest model.
0:29:22 > 0:29:25And I can get you the prototype, if you want.
0:29:25 > 0:29:28And you really need to get 4G. I got a contact in the store.
0:29:28 > 0:29:30And that is an awful lot of reading.
0:29:30 > 0:29:32And I am free all night.
0:29:34 > 0:29:36Shawnie Yamaguchi?
0:29:36 > 0:29:37That is correct.
0:29:37 > 0:29:39Go get me a sandwich,
0:29:39 > 0:29:43tomato and Swiss on sourdough.
0:29:43 > 0:29:45See how well you cope with that.
0:29:45 > 0:29:47And then you can find me a prostitute.
0:29:47 > 0:29:50I'm sorry?
0:29:50 > 0:29:53- Start with the sandwich.- Certainly.
0:29:53 > 0:29:57I don't mean to be rude, but I don't know how you put up with him.
0:29:59 > 0:30:01Oh...
0:30:01 > 0:30:03I won't have to. Not for much longer.
0:30:03 > 0:30:05I'm sorry, what do you mean?
0:30:05 > 0:30:07Never mind. Off you go.
0:30:23 > 0:30:25Danes and Kitzinger.
0:30:25 > 0:30:27Shawnie's in.
0:30:29 > 0:30:32Told you I'd come back, didn't I?
0:30:33 > 0:30:35Just give me till tomorrow and I'll come see you, OK?
0:30:35 > 0:30:38Did you fix things?
0:30:38 > 0:30:40You said you were going to fix them.
0:30:40 > 0:30:42Not yet.
0:30:42 > 0:30:44'Still trying.'
0:30:45 > 0:30:47Doctor said you'd been good today.
0:30:47 > 0:30:49- 'She sounded nice.'- Yeah.
0:30:49 > 0:30:51She is, yeah.
0:30:52 > 0:30:55Hey, when I get back we'll go to the promenade together,
0:30:55 > 0:30:57just you and me.
0:30:57 > 0:30:59Would you like that?
0:31:00 > 0:31:01I suppose.
0:31:02 > 0:31:05We keep talking about the miracle like it's a bad thing,
0:31:05 > 0:31:08'but we forget about the good side,'
0:31:08 > 0:31:11all the years we're going to have...
0:31:12 > 0:31:14..together. That's good, isn't it?
0:31:14 > 0:31:16They said you reported me.
0:31:17 > 0:31:19Who said that?
0:31:19 > 0:31:21Is it true?
0:31:22 > 0:31:24I had to.
0:31:26 > 0:31:27For your own good.
0:31:27 > 0:31:29I know.
0:31:29 > 0:31:31I get that, yeah.
0:31:33 > 0:31:35That's why I know you'll understand.
0:31:37 > 0:31:39- 'I want to volunteer.'- For what?
0:31:39 > 0:31:42Category one.
0:31:47 > 0:31:48Sarah...
0:31:50 > 0:31:54..you can't volunteer. Category one is...
0:31:55 > 0:31:57'..it's a medical condition.'
0:31:58 > 0:31:59You can't choose it.
0:31:59 > 0:32:01People do.
0:32:01 > 0:32:03Online, there's thousands of us.
0:32:05 > 0:32:08This whole world's changed, Esther.
0:32:08 > 0:32:10'This body...
0:32:10 > 0:32:12'is without a soul.'
0:32:13 > 0:32:15Don't say that.
0:32:16 > 0:32:19What about the girls? Think about the girls.
0:32:19 > 0:32:22I've put them on the list, too.
0:32:22 > 0:32:25'Sometimes I wonder what keeps us from falling straight through the earth'
0:32:25 > 0:32:28to the other side of the world.
0:32:32 > 0:32:34(Oh, God.)
0:32:38 > 0:32:39Damn it.
0:32:49 > 0:32:52- You OK?- Fine.
0:32:52 > 0:32:55Time out, I think, Drummond.
0:32:55 > 0:32:57No, sir. Not at all.
0:32:57 > 0:33:01We need to find out how that man died and fix this stinking world.
0:33:01 > 0:33:03Thank you, sir.
0:33:06 > 0:33:09I can't tell you. I don't trust the phones these days.
0:33:09 > 0:33:13And we've got these family people everywhere. And Jack's just as bad.
0:33:13 > 0:33:16Honestly, you should see him right now, Rhys. He's sulking.
0:33:16 > 0:33:18Why? What's he doing now?
0:33:18 > 0:33:21Oh, don't tell me. Did he get another bruise?
0:33:21 > 0:33:24- Who's that?- Jack, her boss.
0:33:24 > 0:33:28Well, you tell her from me, I had a gun held to my head.
0:33:28 > 0:33:31My life was in danger,
0:33:31 > 0:33:35and her father's, right inside our own house.
0:33:35 > 0:33:38'And all because of her.'
0:33:38 > 0:33:41So you tell her, don't give up.
0:33:43 > 0:33:47Go get the bastards, whatever it takes.
0:33:47 > 0:33:48Tell her yourself.
0:33:48 > 0:33:50No.
0:33:50 > 0:33:53I'm watching TV.
0:33:53 > 0:33:56- She says go get 'em.- Yeah, I heard.
0:33:56 > 0:33:59So, what about Jack then?
0:33:59 > 0:34:03Oh, he's doing that old thing, keeping secrets. Won't tell me.
0:34:03 > 0:34:05Will you?
0:34:05 > 0:34:06Hmm?
0:34:06 > 0:34:08God knows what's going on. What time is it there?
0:34:08 > 0:34:11Ah, it's almost eight. The telly's been on all night.
0:34:11 > 0:34:15They said there'll be a run on the banks. Like a Lehman Brothers' thing.
0:34:15 > 0:34:20- It's the pensions.- Aye. Pensions go bankrupt cos of the miracle, that starts a domino effect
0:34:20 > 0:34:23'cos it's all been on a knife edge since 2008.'
0:34:23 > 0:34:25They said the best advice is to invest in gold.
0:34:25 > 0:34:27There we are, we'll be fine.
0:34:27 > 0:34:30- Thank God for my vast reserves, eh? - How's dad?
0:34:30 > 0:34:32(She's asking how dad is.)
0:34:32 > 0:34:34(Tell her the truth.)
0:34:34 > 0:34:36Not so good, Gwen.
0:34:36 > 0:34:38Is he conscious?
0:34:38 > 0:34:39Not so much, no.
0:34:39 > 0:34:43The trouble is, we can't get a doctor in cos they'll classify him category one.
0:34:43 > 0:34:47And them ovens are still there. They're only closed cos of the protests.
0:34:47 > 0:34:50They said if we get a recession, it's classic isolation policy.
0:34:50 > 0:34:54- Given our lack of resources the camps will open again. - Like someone planned it.
0:34:54 > 0:34:56Yeah. But does that include 2008 as well?
0:34:56 > 0:35:01- I mean, you know, was that part of the plan? A first stage?- Could be.
0:35:01 > 0:35:03I think we've been manipulated for decades.
0:35:03 > 0:35:05Yeah, but what for?
0:35:05 > 0:35:08- I mean, where's it all heading? - 'I don't know.'
0:35:08 > 0:35:11It's not like the old days with Torchwood. I mean...
0:35:11 > 0:35:14'we knew what we were fighting there. But this,'
0:35:14 > 0:35:17this is like the whole world is changing
0:35:17 > 0:35:20and we're just so tiny.
0:35:20 > 0:35:22God, I wish you'd come home.
0:35:22 > 0:35:24Not yet, sweetheart.
0:35:24 > 0:35:26But soon.
0:35:26 > 0:35:28Soon.
0:35:30 > 0:35:31(OK.)
0:35:37 > 0:35:38FLOORBOARD SQUEAKS
0:35:40 > 0:35:42TAPS FOOT
0:35:42 > 0:35:43What are you doing?
0:35:45 > 0:35:48You seen this? Maybe it's the floor.
0:35:48 > 0:35:49What do you mean?
0:35:50 > 0:35:53We're going through evidence like Angelo's body did something.
0:35:53 > 0:35:56But the only strange thing with this room is the floor.
0:35:56 > 0:35:58I knew something was bugging me.
0:35:58 > 0:36:01Look, the bed's on a sort of platform.
0:36:01 > 0:36:02Esther, don't. Just leave it.
0:36:02 > 0:36:05But it's not part of the original design. It can't be.
0:36:05 > 0:36:07Esther, seriously. Listen to me.
0:36:07 > 0:36:10Don't say another word. Just leave it.
0:36:10 > 0:36:12Jack?
0:36:15 > 0:36:17It's the floor.
0:36:17 > 0:36:19Esther, stop, right now.
0:36:21 > 0:36:25- HE CHUCKLES - This is a hell of a lot better than nicotine gum, let me tell you.
0:36:25 > 0:36:28You know what the rumour is from Washington? If cancer cells
0:36:28 > 0:36:32are immortal, then the miracle switched them around and made them just plain mortal.
0:36:32 > 0:36:37They're keeping it quiet in case there's an outbreak of spontaneous joy. I mean, we can't have that.
0:36:37 > 0:36:39But it means we've got nothing to worry about.
0:36:39 > 0:36:43We can smoke our way into the next Great Depression.
0:36:51 > 0:36:52Now...
0:36:54 > 0:36:58Somebody want to tell me what's going on between you three?
0:36:58 > 0:37:00Nothing.
0:37:10 > 0:37:16I'm sorry, Jack... But we're trying to figure out how Angelo Colasanto died.
0:37:16 > 0:37:18I think there's something under the floor.
0:37:34 > 0:37:37OK, people, thank you very much. Leave the room immediately.
0:37:37 > 0:37:39Good work.
0:37:40 > 0:37:41Wait for my call.
0:37:41 > 0:37:43- Captain Harkness, what is that? - No idea.
0:37:43 > 0:37:47Jack, tell us what it is, cos if you could hear my sister
0:37:47 > 0:37:51- volunteering to be categorised, you would help.- If he says he doesn't know, he doesn't know, OK?
0:37:51 > 0:37:53I've read the Torchwood file. Are those materials extraterrestrial?
0:37:53 > 0:37:57I said he doesn't know. Now get out of his face.
0:37:57 > 0:38:01The file also says that Cooper and Harkness inevitably form an alliance
0:38:01 > 0:38:05and the best results can be achieved by separating them.
0:38:05 > 0:38:07OK, get her out of here. And I mean it this time.
0:38:07 > 0:38:11Deport her. She's no longer welcome in the United States.
0:38:11 > 0:38:15- Get her out of the country. - Don't touch me.- Leave her alone. - Oh, you have something to say?
0:38:15 > 0:38:17Please. No? Well,
0:38:17 > 0:38:21I'm sorry, Miss Cooper, but from this moment on, Torchwood is defunct.
0:38:21 > 0:38:24You will be removed from American soil immediately.
0:38:24 > 0:38:26And God help Great Britain.
0:38:26 > 0:38:28With me. Don't cause trouble.
0:38:28 > 0:38:29Jack. I'll find you, all right?
0:38:29 > 0:38:33- Sir, you've got to reconsider this.- You can't do this.- Then talk.
0:38:33 > 0:38:35By all means, start talking.
0:38:35 > 0:38:38The CIA doesn't have any authority over me. You're not deporting me!
0:38:38 > 0:38:41I'm coming back!
0:38:41 > 0:38:42Still got nothing to say?
0:38:42 > 0:38:46Then you won't mind if we dig this thing up and take it back for analysis.
0:38:46 > 0:38:47You can't.
0:38:47 > 0:38:50I'm sorry, OK? You can't touch it.
0:38:50 > 0:38:51Oh, he speaks at last.
0:38:51 > 0:38:54Jack, come on. What the hell is it?
0:38:54 > 0:38:57- Some sort of transmitter. - OK, what does it do?
0:38:57 > 0:38:59Well, it mostly proves my theory that
0:38:59 > 0:39:02immortality is caused by some kind of Morphic Field.
0:39:02 > 0:39:05- Wait a minute. You know what's causing the miracle?- No,
0:39:05 > 0:39:09saying it's a Morphic Field is as vague as saying it's radiation.
0:39:09 > 0:39:13I still don't know how, where or what is creating it.
0:39:13 > 0:39:18So it transmits what, some sort of field that cancels out the first one so Angelo could die?
0:39:18 > 0:39:20- And where did he get it? - I don't know everything.
0:39:20 > 0:39:22- How big is this field? The whole house?- Smaller.
0:39:22 > 0:39:24About the size of that panel.
0:39:24 > 0:39:30So we would be able to stop the miracle if we could create a field as big as what, the whole planet?
0:39:30 > 0:39:33No, you need a structure like this panel as big as the whole planet.
0:39:33 > 0:39:36Well, I'm sure we'll be able to replicate its effects.
0:39:36 > 0:39:39Don't touch it, seriously. That's a proper null field.
0:39:39 > 0:39:43You change the dynamic and it could nullify everything, even life.
0:39:43 > 0:39:46- Well, then you need to make it safe. - I am not an expert.
0:39:46 > 0:39:49You're the closest thing we've got. Now make it safe.
0:39:49 > 0:39:51And then we'll take this thing back to Langley.
0:39:57 > 0:39:59KNOCK ON DOOR
0:40:09 > 0:40:12Mr Danes.
0:40:12 > 0:40:16My name is Claire. Or whatever you want it to be.
0:40:16 > 0:40:21Now, I did have to adopt a dress code in order to get through hotel security.
0:40:21 > 0:40:27You know how that is. But I have clothes in my bag if you'd like. Schoolgirl outfit maybe?
0:40:27 > 0:40:28There won't be any need for that.
0:40:28 > 0:40:31OK. Well, it's not about the clothes, anyway.
0:40:31 > 0:40:36SHE GIGGLES I can act all kinds of innocent.
0:40:36 > 0:40:37Whatever you want.
0:40:37 > 0:40:39I was very clear I don't want that.
0:40:39 > 0:40:42- Not at all.- What do you want?
0:40:44 > 0:40:47I suppose...we could talk a little.
0:40:47 > 0:40:50- Would you like a drink? - And then what?
0:40:50 > 0:40:53I need to know exactly what we're doing tonight.
0:40:54 > 0:40:57Maybe we could have dinner...
0:40:57 > 0:40:59on room service.
0:40:59 > 0:41:02I'm sorry, you mean like a date?
0:41:05 > 0:41:07If you want.
0:41:08 > 0:41:11Mr Danes, I do know who you are.
0:41:11 > 0:41:13I mean, from your trial.
0:41:15 > 0:41:18Except that's not everything that I am. Don't presume to know me.
0:41:18 > 0:41:22I am capable of much more than my reputation.
0:41:22 > 0:41:24So you want to date me?
0:41:25 > 0:41:27To begin with.
0:41:28 > 0:41:33Oh, my God. So would that be like your first date ever?
0:41:33 > 0:41:35SHE GIGGLES
0:41:36 > 0:41:39I said don't presume.
0:41:40 > 0:41:42We could have a drink.
0:41:42 > 0:41:45Maybe a fine wine,
0:41:45 > 0:41:46civilised people,
0:41:46 > 0:41:48adult company.
0:41:48 > 0:41:50Actually...no.
0:41:50 > 0:41:52If you don't mind, I think I'd like to go.
0:41:53 > 0:41:55But I do mind. I'm paying.
0:41:55 > 0:41:57Mr Danes, the thing is,
0:41:57 > 0:42:00I could cope with this if it meant shoving my face in the dirt. I'm used to that.
0:42:00 > 0:42:05But if you want us to pretend that you're normal,
0:42:05 > 0:42:08- no way. No.- No, no, look...
0:42:08 > 0:42:13- Don't, sir. Please don't do that. - All I'm asking for is your company. That's all. Just your company.
0:42:13 > 0:42:16Well, I think I should warn you that girls my age fight back.
0:42:16 > 0:42:21- You know that already though, don't you? That's why you prefer kids in the first...- Stop!
0:42:21 > 0:42:22Don't you dare!
0:42:28 > 0:42:32If you want to be a changed man, you're running out of time.
0:42:32 > 0:42:36The way I heard it, you've been classified a Category 0.
0:42:38 > 0:42:40What's Category 0?
0:42:40 > 0:42:44Oh, that day will come.
0:42:44 > 0:42:46Category 0 is you.
0:42:54 > 0:42:56KNOCK ON DOOR
0:43:06 > 0:43:09- What's Category 0?- What's...
0:43:09 > 0:43:11the what?
0:43:11 > 0:43:13What's Category 0?
0:43:13 > 0:43:15And why does my whore know about it?
0:43:15 > 0:43:17Ah, clever girl. Well,
0:43:17 > 0:43:20that's what you get for employing someone who sleeps with senators.
0:43:20 > 0:43:24- She's been listening.- Tell me, what's Category 0?- Look, Oswald,
0:43:24 > 0:43:28did you really think it would never come to an end, your freedom?
0:43:28 > 0:43:31There's an emergency mandate being passed through congress
0:43:31 > 0:43:34defining a new Category 0, meaning people who have
0:43:34 > 0:43:38earned themselves a place in the ovens for moral reasons.
0:43:38 > 0:43:41- They want to burn me alive?- Oswald, you were always sentenced to death.
0:43:41 > 0:43:44What you had was a wonderful delay.
0:43:44 > 0:43:47And now it's time for that adventure to come to an end.
0:43:47 > 0:43:48But...
0:43:51 > 0:43:54- ..people love me. - Television loves you.
0:43:54 > 0:43:56It's a different thing.
0:43:56 > 0:43:58They can't kill me.
0:43:58 > 0:43:59Not yet. I haven't found them.
0:43:59 > 0:44:02- Haven't found who? - How long have you known about this?
0:44:02 > 0:44:04How long have you known?
0:44:04 > 0:44:06- How long have you known?- Oswald...
0:44:10 > 0:44:13SHE SCREAMS
0:44:19 > 0:44:21I'll have you arrested for this!
0:44:21 > 0:44:23Brand new charges!
0:44:26 > 0:44:29They're going to reopen those ovens and you're going in!
0:44:29 > 0:44:33You run, Oswald! Run as fast as you can!
0:44:33 > 0:44:37You've got the most famous face on the planet. Where will you hide?!
0:44:38 > 0:44:41Where are you going to go, Oswald? What are you going to do?
0:44:47 > 0:44:51Esther, can you come here for a second?
0:44:51 > 0:44:53Uh, and Rex.
0:44:53 > 0:44:56I need you to hold these pattern blocks in place.
0:44:56 > 0:44:58All right, which ones?
0:44:58 > 0:45:04- There. Put your hands on the panel. - Jack, I'm really sorry about this, but I didn't know.
0:45:04 > 0:45:09Yeah, now listen to me quickly. I've broadened the transmission so it's nullifying sound waves.
0:45:09 > 0:45:14No-one outside the field can hear us.
0:45:14 > 0:45:15So make yourself look busy,
0:45:15 > 0:45:20just stay where you are and no-one can hear what we're saying.
0:45:20 > 0:45:22What are you talking about?
0:45:22 > 0:45:25They're right there. Hey, you can hear me, right?
0:45:25 > 0:45:28- Hey!- Would you turn around and not look at him?
0:45:28 > 0:45:30They can't hear us?
0:45:30 > 0:45:31It's a null field.
0:45:31 > 0:45:34No, no way.
0:45:34 > 0:45:36Rex, don't attract attention.
0:45:36 > 0:45:40All right. Esther, I want you to count to 100 out loud.
0:45:40 > 0:45:42All right? Just keep counting.
0:45:42 > 0:45:44Go ahead, go.
0:45:44 > 0:45:47One, two, three,
0:45:47 > 0:45:50four, five, six...
0:45:50 > 0:45:52VOICE MUTED
0:45:56 > 0:46:00Excuse me. Sorry about that. Just check that medical record, OK?
0:46:02 > 0:46:06- ..30, 31, 32...- Holy shit. This is insane.- They can still see us.
0:46:06 > 0:46:10Keep your heads down facing away like you're concentrating, OK?
0:46:10 > 0:46:11This thing is real.
0:46:13 > 0:46:18- How does it work?- I can't tell you. That's the point. Just listen to me.
0:46:18 > 0:46:21I knew this stuff the second I saw it. Yes, it's alien technology.
0:46:21 > 0:46:26The only examples of it on earth were in the Torchwood hub.
0:46:26 > 0:46:29They were buried in the ruins.
0:46:29 > 0:46:31But Angelo had people watching.
0:46:31 > 0:46:33He must have salvaged it knowing the miracle was coming.
0:46:33 > 0:46:36So what did he do? Trigger it with your DNA or something?
0:46:36 > 0:46:39Maybe that was revenge or maybe giving me a clue.
0:46:39 > 0:46:43But there's only one course of action left now.
0:46:43 > 0:46:46- You have to get me out of here. - Are you crazy?
0:46:46 > 0:46:48Turn your head.
0:46:48 > 0:46:53Jack, listen to me. The CIA is not the enemy. That's why I brought them in.
0:46:53 > 0:46:55Don't you understand? You don't...
0:46:58 > 0:46:59Be calm...
0:47:01 > 0:47:04Look, you don't need to run any more, OK?
0:47:04 > 0:47:07- We can protect you.- There's a reason why Torchwood was secret.
0:47:07 > 0:47:09We kept things hidden from the human race.
0:47:09 > 0:47:14This technology is a science the world should never know.
0:47:16 > 0:47:17How can you know that?
0:47:17 > 0:47:21I know, Esther, because I've seen the future.
0:47:23 > 0:47:28I've walked the future world and breathed its air.
0:47:29 > 0:47:33And this technology would send it to damnation.
0:47:33 > 0:47:36Just imagine the stealth technology of a null field
0:47:36 > 0:47:44hiding bombs, hiding planes, shielding one side from radiation while the other side burns.
0:47:44 > 0:47:46This thing would be the end of us.
0:47:46 > 0:47:49This timeline would be terminal.
0:47:51 > 0:47:55- He's right.- Whose side are you on?
0:47:55 > 0:47:57Even if the government...
0:47:57 > 0:48:01even if the government had this one panel
0:48:01 > 0:48:04and they put people inside and they died, it's the same thing as the ovens.
0:48:04 > 0:48:08It's control over life and death and we've seen that that doesn't work.
0:48:08 > 0:48:11But you trust me, don't you? Both of you?
0:48:11 > 0:48:13After all we've done?
0:48:13 > 0:48:17Please, I'm begging you, get me out of here.
0:48:17 > 0:48:19Look, this is the alpha plate.
0:48:19 > 0:48:21Without it, this is just a bunch of metal.
0:48:21 > 0:48:24You've got to get me and the plate away from this house.
0:48:26 > 0:48:29Jack, listen to me. We can't, OK? We are the CIA
0:48:29 > 0:48:31and this is a genuine CIA operation.
0:48:31 > 0:48:34This is history, Rex. This is everything.
0:48:34 > 0:48:37Please, get me out.
0:48:48 > 0:48:50- MUTED:- Please.
0:48:55 > 0:48:58- I think you should call the police. - This is bigger than the police.
0:48:58 > 0:49:03I'm organising a press conference. I'll say that Oswald Danes is on the run with all his old appetites.
0:49:03 > 0:49:07It'll be the biggest witch hunt this country's ever seen. Oh...
0:49:07 > 0:49:08um...
0:49:08 > 0:49:12Shawnie, can you give us a second? This is a friend of mine...
0:49:12 > 0:49:14I think.
0:49:17 > 0:49:20- What are you doing here? - I'm here to warn you.
0:49:20 > 0:49:22You're being watched by a CIA field agent.
0:49:22 > 0:49:25Me? Don't be ridiculous.
0:49:27 > 0:49:28Oh!
0:49:32 > 0:49:33GUNSHOT
0:49:36 > 0:49:40And secondly, you're being considered for a promotion.
0:49:40 > 0:49:43- You just shot her. - Does a promotion sound interesting?
0:49:43 > 0:49:46- She was CIA? - I need you to focus, Miss Kitzinger.
0:49:46 > 0:49:48How would you react to a promotion?
0:49:48 > 0:49:51- With Phicorp? - Oh, we're way above Phicorp.
0:49:51 > 0:49:55- Then, who are you? - We're family business.
0:49:55 > 0:49:57Interested?
0:49:59 > 0:50:00Yes.
0:50:00 > 0:50:03- Yes.- Well, then, that completes the interview.
0:50:05 > 0:50:08- And we'd better leave. - Where are we going?- A long way away.
0:50:08 > 0:50:11I have her. She's with us now.
0:50:11 > 0:50:14Thanks. Good news.
0:50:14 > 0:50:19Catholic churches love records. There's tons of this stuff.
0:50:19 > 0:50:21Sorry, am I interrupting?
0:50:21 > 0:50:23Oh, no, it was just a family thing, that's all.
0:50:23 > 0:50:25All right, let's get started.
0:50:25 > 0:50:26The whole world is depending on us.
0:50:32 > 0:50:34Hey, Jack,
0:50:34 > 0:50:36Shapiro wants to see you.
0:50:36 > 0:50:37Yeah.
0:50:37 > 0:50:39Wait a minute. You might want to grab your coat.
0:50:39 > 0:50:42- He's outside by the forensics vehicle.- Thanks.
0:50:46 > 0:50:51- Thank you. - Yeah, just shut up. Now listen,
0:50:51 > 0:50:52this is the story.
0:50:52 > 0:50:55Jack knocked him out, held us at gunpoint and stole a car, OK?
0:50:55 > 0:50:57All right, come on.
0:50:57 > 0:51:01- You're not coming with me? - We can't. That's why we've got to keep our faces out of this.
0:51:01 > 0:51:04I'm sorry, Jack. But the CIA has a chance of solving this thing now.
0:51:04 > 0:51:07- They need me and Esther. We can help. - There's a courtyard this way.
0:51:08 > 0:51:10Listen. There'll be a guard on the gate.
0:51:10 > 0:51:14I'll tell him that Shapiro authorised a car. Just keep your head down.
0:51:14 > 0:51:17- Go, go, go.- Which one is it? - I don't know. They're all the same. Just chirp the thing.
0:51:17 > 0:51:19BEEP Hey, stop! I said stop.
0:51:19 > 0:51:21GUNSHOT
0:51:21 > 0:51:22Jack!
0:51:26 > 0:51:28Stay where you are!
0:51:28 > 0:51:30He saw me. Rex, he saw me.
0:51:30 > 0:51:32- Come on, Jack.- Rex, he saw me.
0:51:32 > 0:51:35I know. You can't stay. You definitely cannot stay.
0:51:35 > 0:51:38Someone's going to have to go with him. Jack, get in there.
0:51:38 > 0:51:39Come with us.
0:51:39 > 0:51:41I can't. Look after him, Esther.
0:51:41 > 0:51:46- My sister.- I know, but someone will have heard that shot. Now go.- Rex, you've got blood.
0:51:46 > 0:51:49It's my heart, OK? Just go. It's my heart. Go! Go!
0:51:49 > 0:51:50TYRES SKID
0:52:00 > 0:52:02- RADIO:- 'It's morning in America.
0:52:02 > 0:52:06'It's morning across the western world and the banks are closing down.
0:52:06 > 0:52:08'It's a disaster of almost biblical proportions.'
0:52:08 > 0:52:10Jack, you still with me?
0:52:10 > 0:52:13'Some say the concept of money itself is under threat. The Euro has exacerbated the financial crisis...'
0:52:13 > 0:52:15Jack? Can you hear me?
0:52:15 > 0:52:19'..encouraging some countries to behave as recklessly as the banks themselves...'
0:52:37 > 0:52:41Oh, my God... I don't...I don't know where to go.
0:52:41 > 0:52:43Jack, please. Please say something.
0:52:43 > 0:52:46Oh, my God, I don't know what to do!
0:52:47 > 0:52:49Jack...
0:52:51 > 0:52:53Oh, my God.
0:52:53 > 0:52:54I don't know what to do.
0:52:59 > 0:53:05I have reason to suspect you may be illegally harbouring an unsupported Category One deceased person.
0:53:05 > 0:53:07You've been invited to Shanghai.
0:53:07 > 0:53:09The families want to meet you...
0:53:09 > 0:53:11in person.
0:53:11 > 0:53:14I'm rather jealous. They're taking you to the Blessing.
0:53:41 > 0:53:45You're scared. Your skin's a little too tight.
0:53:45 > 0:53:50There's something just out of the corner of your eye you can't quite see. Hmm?
0:54:04 > 0:54:07Subtitles by Red Bee Media Ltd
0:54:07 > 0:54:11E-mail subtitling@bbc.co.uk