0:00:02 > 0:00:05You can't win trying to save people like me. We have to go big.
0:00:05 > 0:00:07Do you hear me, Maya?
0:00:07 > 0:00:10You don't understand what they're doing there.
0:00:10 > 0:00:11He's not dead?
0:00:11 > 0:00:14There is a drug in there.
0:00:14 > 0:00:16- The doctor says... - Enough. Call it, Judge.
0:00:18 > 0:00:19Hey, Mummy's home!
0:00:19 > 0:00:23This programme contains some violent scenes.
0:00:23 > 0:00:28- No girlfriend?- I don't know, Dad, haven't found the right woman.
0:00:28 > 0:00:31It's Dr Elliott, I'm afraid I've got bad news.
0:00:31 > 0:00:34I had another call from the Attorney General's office,
0:00:34 > 0:00:36they want you to interview.
0:00:36 > 0:00:38Why d'you think in a million years
0:00:38 > 0:00:41I'd want to be Director of Public Prosecutions?
0:00:41 > 0:00:43Michael Antwi. There's a new witness.
0:00:43 > 0:00:45It's been 20 years.
0:00:45 > 0:00:47We have shared history.
0:00:47 > 0:00:50- Michael Antwi.- There is a perfect storm coming.
0:00:50 > 0:00:53We just want you to share with us what she's thinking.
0:01:07 > 0:01:08You remember Carter?
0:01:08 > 0:01:11Welcome back, Detective Sergeant.
0:01:23 > 0:01:26Brogues? Brogues or heels?
0:01:26 > 0:01:27- BOTH:- Heels.
0:01:27 > 0:01:30Lippy or no lippy?
0:01:30 > 0:01:31- BOTH:- Lippy.
0:01:31 > 0:01:35RADIO IS ON
0:01:38 > 0:01:40- How do I look?- Great.
0:01:40 > 0:01:43- Ella?- Great.- I don't trust you, you always say that.
0:01:43 > 0:01:46If you find you look terrible, they'll never give you the job
0:01:46 > 0:01:49- in a million years because you look like a hideous old hag.- Thank you.
0:01:51 > 0:01:53Love you.
0:01:53 > 0:01:56Mwah! Mwah!
0:01:56 > 0:01:59- Oh, thank you.- Good luck.
0:02:03 > 0:02:04- Go, Mum.- Leave.
0:02:04 > 0:02:07THEY LAUGH
0:02:07 > 0:02:09- Good luck.- Good luck.
0:02:14 > 0:02:16DOOR SHUTS
0:02:55 > 0:02:58I want you to know you can talk about any of part of your life with me.
0:03:01 > 0:03:03Which life?
0:03:04 > 0:03:05That's the point.
0:03:05 > 0:03:08It's all one to me, I know everything.
0:03:08 > 0:03:11You can talk about your father, for instance.
0:03:14 > 0:03:16It was simple and very moving.
0:03:16 > 0:03:17What was?
0:03:18 > 0:03:20His funeral.
0:03:20 > 0:03:23We thought you should be represented.
0:03:23 > 0:03:24You were there?
0:03:27 > 0:03:28Here.
0:03:40 > 0:03:41Your father's ashes.
0:03:47 > 0:03:49Who was at the funeral?
0:03:49 > 0:03:51Friends and neighbours.
0:03:51 > 0:03:53And lots of nurses.
0:03:53 > 0:03:55NICK CHUCKLES
0:03:56 > 0:03:59- Was there singing?- Yes.
0:03:59 > 0:04:01He was a fine man.
0:04:04 > 0:04:06I'm sorry your children didn't know their grandfather.
0:04:19 > 0:04:22We need to talk about Michael Antwi.
0:04:23 > 0:04:25She doesn't know who it is.
0:04:25 > 0:04:26The witness.
0:04:27 > 0:04:29And she'd tell you if she did?
0:04:29 > 0:04:31We tell each other everything.
0:04:33 > 0:04:35She tells me...everything.
0:04:37 > 0:04:39She's not going to stop, you know.
0:04:40 > 0:04:43She will never give up trying to get justice for Michael.
0:04:45 > 0:04:49- Does anyone know who it is?- Why Michael Antwi after all these years?
0:04:49 > 0:04:50Why the sudden interest?
0:04:54 > 0:04:56You're scared, aren't you?
0:04:58 > 0:05:00She's frightened you all.
0:05:01 > 0:05:04BELL CHIMES
0:05:10 > 0:05:14- Walk with me.- I know what you're going to say.- She can't get this.
0:05:14 > 0:05:17- The AG likes her.- Likes the idea of her.- It's more than that.
0:05:17 > 0:05:20You're not hearing me properly, she cannot get this job.
0:05:20 > 0:05:24- I'm the baby on the panel. - Pick a fight with her.- What?
0:05:24 > 0:05:27Press her buttons - race, sex, class - she'll have a rant
0:05:27 > 0:05:30and then the AG will go off his good idea.
0:05:47 > 0:05:50'She'll come home this evening and tell you all about her interview.'
0:05:50 > 0:05:52Nothing has changed.
0:05:53 > 0:05:55You're the same happy family.
0:05:55 > 0:05:57Think about it.
0:05:58 > 0:06:00With me, you can be yourself.
0:06:26 > 0:06:29- Miss Cobbina.- Good morning.- Morning. - Morning.
0:06:32 > 0:06:3510 years ago, we found out an hour before the press
0:06:35 > 0:06:38that the Attorney General and the Director of Public Prosecutions
0:06:38 > 0:06:41had both been having extramarital affairs.
0:06:41 > 0:06:45The two leading lawyers advising everyone else how to behave
0:06:45 > 0:06:48had become blackmailable overnight.
0:06:48 > 0:06:50We can't allow that to happen again.
0:06:50 > 0:06:55The DPP must be uncorrupted and incorruptible.
0:06:55 > 0:06:58Which is why, I'm afraid...
0:06:58 > 0:07:00this is going to be personal.
0:07:03 > 0:07:05- Tell me about your husband. - What do you want to know?
0:07:05 > 0:07:08- Do you love him?- Yes.
0:07:08 > 0:07:09What do you argue about?
0:07:09 > 0:07:11- We don't.- Really? Nothing?
0:07:11 > 0:07:13Isn't that a bit unusual?
0:07:13 > 0:07:17He had a very ugly childhood. I'm his place of safety.
0:07:17 > 0:07:19What happened to him?
0:07:26 > 0:07:27What are you doing?
0:07:28 > 0:07:30Why don't you ask him yourself?
0:07:30 > 0:07:33RINGING TONE
0:07:35 > 0:07:37PHONE RINGS
0:07:40 > 0:07:43'Hello, it's Nick, I might be writing, but probably not,
0:07:43 > 0:07:44'so please leave a message.'
0:07:44 > 0:07:47Oh, um...hi, it's me.
0:07:47 > 0:07:51Er, they want to know about your unhappy childhood
0:07:51 > 0:07:52and how much you love me,
0:07:52 > 0:07:56so give me a call back and I'll put you on speakerphone. Bye.
0:07:59 > 0:08:02- You've never prosecuted? - No.- Why not?
0:08:02 > 0:08:05I came to the criminal bar to represent the dispossessed
0:08:05 > 0:08:09- and the disadvantaged. - That doesn't include rape victims.
0:08:09 > 0:08:10Or abused children.
0:08:10 > 0:08:12Or victims of racial hatred.
0:08:13 > 0:08:17I have a client on death row in Louisiana called Rudy Jones.
0:08:17 > 0:08:21The last thing he told me before they strapped him
0:08:21 > 0:08:25onto a gurney to try and kill him was that I should go big.
0:08:26 > 0:08:29That's what this is. And why I'm here.
0:08:29 > 0:08:32- That's America.- And it's not prosecuting, what's the relevance?
0:08:32 > 0:08:36Rudy understands what it's like to be a victim and I get it...
0:08:36 > 0:08:39- with victimhood.- How long have you represented him?- 20 years.
0:08:39 > 0:08:44- About the same time as you've been representing the family of Michael Antwi.- Yes, they connect.
0:08:44 > 0:08:46- How?- Michael put me onto Rudy.
0:08:46 > 0:08:49The State killed one and is trying to kill the other.
0:08:49 > 0:08:51Michael Antwi was killed by Peter Mackie.
0:08:51 > 0:08:55The State had nothing to do with it. The case is closed.
0:08:55 > 0:08:58- You'd have to give up both. - I can't do that.
0:08:58 > 0:09:00Are you withdrawing your application?
0:09:00 > 0:09:03It would be a condition of me accepting the job
0:09:03 > 0:09:05that I carry on representing both.
0:09:05 > 0:09:08Sorry, so whose side are you on?
0:09:08 > 0:09:11There you have it. In one sentence.
0:09:11 > 0:09:14Everything that is wrong with public life in the 21st century.
0:09:14 > 0:09:16Holding two things in your head at the same time
0:09:16 > 0:09:20whilst deciding which is right, or both are right, or neither,
0:09:20 > 0:09:23is as good a definition of intelligence as I know.
0:09:23 > 0:09:27Holding one thing in your head at the expense of everything else
0:09:27 > 0:09:29is a definition of politics.
0:09:29 > 0:09:31- Balance, surely.- No, no!
0:09:31 > 0:09:33The opposite.
0:09:33 > 0:09:36Balance sacrifices the pursuit of the one thing
0:09:36 > 0:09:38we should all be after - the truth.
0:09:38 > 0:09:43The journalist who is fearless in his pursuit of balance?
0:09:43 > 0:09:46The DPP who wants to keep everybody happy?
0:09:46 > 0:09:50- Deadly.- All politics is compromise, it's just naive to think otherwise.
0:09:50 > 0:09:53What, it's just as well the DPP is independent of politics.
0:09:53 > 0:09:55You see, I think...
0:09:55 > 0:09:59this can be the last great independent public office left.
0:09:59 > 0:10:01Isn't that what you want?
0:10:01 > 0:10:04Courage, independence?
0:10:04 > 0:10:07Or do you want balance,
0:10:07 > 0:10:10compromise, moral cowardice?
0:10:15 > 0:10:17Hello.
0:10:43 > 0:10:44'You're someone who speaks your mind.
0:10:44 > 0:10:46'He means you're a dangerous woman.'
0:10:46 > 0:10:50- Thank you. - He means how do we feel about that?
0:10:50 > 0:10:54He means that when the tabloids come for you, they take you down.
0:10:54 > 0:10:57They take you round the corner and they kill you.
0:10:57 > 0:11:00And then they kill you again.
0:11:00 > 0:11:02And then they kill your family.
0:11:04 > 0:11:07And then they come back and stamp on your dead bodies.
0:11:07 > 0:11:09What are you saying?
0:11:09 > 0:11:11If you want to make this much noise,
0:11:11 > 0:11:15you'd better not have any skeletons in your cupboard.
0:11:22 > 0:11:26My bet is that everybody else you see for this job
0:11:26 > 0:11:28will give you less of who they are.
0:11:30 > 0:11:32You might...flatter yourselves,
0:11:32 > 0:11:34thinking you have read between the lines
0:11:34 > 0:11:38and that's what is unspoken is somehow more profound
0:11:38 > 0:11:41for being unsaid and all that chilly, English, posh bollocks.
0:11:43 > 0:11:44I think as hard as I can.
0:11:45 > 0:11:51I put all my being into articulating exactly what I think.
0:11:51 > 0:11:55Which is always and without exception my best shot at the truth.
0:11:56 > 0:11:58Which is all anyone can ever give or be.
0:12:00 > 0:12:01Take it or leave it.
0:12:22 > 0:12:24# ..Above and afar
0:12:25 > 0:12:28# Like answers to questions
0:12:28 > 0:12:30# On life
0:12:33 > 0:12:36# Love and the longing to survive... #
0:12:44 > 0:12:46This is what we agreed, right?
0:12:48 > 0:12:51- Oh, Jesus Christ! - It's the amount we talked about.
0:12:51 > 0:12:54- But they upped it, I told you. - We haven't got it, work it.
0:12:54 > 0:12:58Is it you out there, putting your life on the line? What do you think this is?
0:12:58 > 0:13:00Are you saying you can't work it?
0:13:02 > 0:13:05You can't work it, this whole operation falls apart.
0:13:09 > 0:13:10Put it in the bag, genius.
0:13:17 > 0:13:19Yeah, just pull it, pull it tighter.
0:13:19 > 0:13:20- OK, is that there?- More.
0:13:20 > 0:13:23- There we go.- That's it, yeah.- OK.
0:13:25 > 0:13:28How much does it cost to make me look this cheap?
0:13:28 > 0:13:29No price too high.
0:13:31 > 0:13:33- Here, ciggies.- Thanks.
0:13:33 > 0:13:35That's it, just hold still.
0:13:43 > 0:13:48Marks & Spencer's. Fresh orange juice, cherry tomatoes, avocados.
0:13:48 > 0:13:50Sorry.
0:13:50 > 0:13:53- I'm sorry.- It's the difference between living and dying.
0:13:53 > 0:13:55If they frisk you, find that in your pocket,
0:13:55 > 0:13:57it doesn't matter how well I hid your wire.
0:14:00 > 0:14:02Ow, bloody hell!
0:14:03 > 0:14:05I'm running out of space.
0:14:12 > 0:14:13You look terrible.
0:14:13 > 0:14:15Thanks.
0:14:16 > 0:14:18See you on the other side.
0:14:19 > 0:14:21What's the go word?
0:14:21 > 0:14:23- Hallelujah.- Hallelujah it is.
0:14:23 > 0:14:26Listen, don't be shy, get in fast. Noisy and big, yeah?
0:14:29 > 0:14:31- Nervous?- Yeah.
0:14:32 > 0:14:36- Where've you been for the last 24 hours?- Hospital.
0:14:36 > 0:14:38Why?
0:14:38 > 0:14:39It's personal.
0:14:39 > 0:14:41Shit.
0:14:42 > 0:14:45- It's OK, you can do this.- Shit.
0:14:45 > 0:14:47- Right, can we go again? - Yeah, sure.
0:14:50 > 0:14:52Where've you been for the last 24 hours?
0:14:52 > 0:14:55- Hospital.- Why?- It's personal.
0:14:55 > 0:14:56Spill it, bitch!
0:14:56 > 0:14:59I ain't your bitch! And I'll cut anyone who says I am!
0:15:00 > 0:15:02Nice.
0:15:04 > 0:15:06Are you ready?
0:15:22 > 0:15:26Where've you been, man? We can't keep these people waiting.
0:15:37 > 0:15:39I said do this a week ago.
0:15:39 > 0:15:42I'm going to wire your head to this door. Get over there!
0:15:44 > 0:15:46Don't feel it. Is it warm, mate?
0:15:46 > 0:15:49When I say do something, you do it.
0:15:49 > 0:15:52You all right, Ricky?
0:15:52 > 0:15:55- Where've you been?- Hospital.
0:16:10 > 0:16:12Look, it was personal, yeah?
0:16:15 > 0:16:17What is it, a boy?
0:16:20 > 0:16:22I don't know.
0:16:23 > 0:16:25Look, they don't tell you.
0:16:29 > 0:16:31Get this sorted.
0:16:36 > 0:16:39All right, come on. I got you a painkiller.
0:16:39 > 0:16:41Huh?
0:16:45 > 0:16:47Sort her out.
0:16:52 > 0:16:56- It's all right, I shouldn't, not when I'm working.- It's good stuff.
0:16:57 > 0:16:59Hit the pipe.
0:17:00 > 0:17:02- Hit it.- It's clean.
0:17:07 > 0:17:08Go on.
0:17:10 > 0:17:13- What's the matter with you? Go on, take it.- Go on.
0:17:15 > 0:17:16Go on.
0:17:45 > 0:17:47Tell me you love me.
0:17:50 > 0:17:52I love you.
0:17:59 > 0:18:01We need to go.
0:18:36 > 0:18:41'Suspect car has arrived. Four occupants, repeat, four occupants.
0:18:43 > 0:18:46- 'That's what I like to hear.- You've brought all your friends, have you?
0:18:46 > 0:18:49'Well, it's a growing business, isn't it?
0:18:49 > 0:18:53- 'Undercover officer is with them. - Why, what are you worried about?'
0:18:53 > 0:18:55Another UC? He knows about her, right?
0:18:57 > 0:18:59- He knows there are two UCs, right? - He must do.
0:18:59 > 0:19:02- No, not he must do - does he? - 'Where's my gear?
0:19:02 > 0:19:05- 'We'll bring it in when we're happy. - What, you don't trust me?'
0:19:05 > 0:19:08How about I don't trust you? Search these people, man.
0:19:08 > 0:19:10Wait, hold on, bruv.
0:19:10 > 0:19:11- 'I'm not your bruv.' - Who told him?
0:19:11 > 0:19:15Jesus Christ, what's the matter with you people? Does he know her?
0:19:15 > 0:19:16Does he know her?
0:19:16 > 0:19:18Does he know about who?
0:19:19 > 0:19:22This is business and I am frisking you.
0:19:22 > 0:19:25You wouldn't want to do business with me
0:19:25 > 0:19:27unless I was a professional, would you?
0:19:27 > 0:19:28Oh, God.
0:19:28 > 0:19:31- What are we doing?- Right, get him out, abort now.
0:19:31 > 0:19:35- It's too late. It's in play, he's in, she's in.- Our man can handle it.
0:19:35 > 0:19:37She's wearing a wire.
0:19:37 > 0:19:39Sounds like it's about your ego.
0:19:43 > 0:19:45- Whatever.- Right, do it.
0:19:45 > 0:19:47She's dead, he just killed her.
0:19:58 > 0:20:00Don't touch me!
0:20:00 > 0:20:02That's my girl, she's cool.
0:20:02 > 0:20:03- Your girl?- Mm.
0:20:05 > 0:20:06I'll do it myself.
0:20:23 > 0:20:24I know you.
0:20:26 > 0:20:27I've seen you somewhere before.
0:20:27 > 0:20:30- I don't think so. - Kentish Town police station.
0:20:33 > 0:20:35I don't get nicked.
0:20:35 > 0:20:37'I do know you.'
0:20:39 > 0:20:41I've got it, Beaver Club. The Beaver Club.
0:20:54 > 0:20:56Oh, yeah.
0:20:56 > 0:20:58I remember.
0:21:00 > 0:21:01'I remember.'
0:21:01 > 0:21:03She's safe.
0:21:03 > 0:21:04I know her.
0:21:04 > 0:21:08You know her or you KNOW her?
0:21:08 > 0:21:10She hit me on the dancefloor, innit? I had to fight her off.
0:21:10 > 0:21:13- HE LAUGHS - Come on.
0:21:15 > 0:21:16All right.
0:21:16 > 0:21:19What you selling? What you selling?
0:21:21 > 0:21:23It's high-quality gear.
0:21:33 > 0:21:35Round the corner, you and me.
0:21:47 > 0:21:49Why we round here?
0:21:49 > 0:21:51- Didn't want you losing face in front of your people.- What is this?
0:21:51 > 0:21:54The product is a little disappointing.
0:21:54 > 0:21:57When coke first arrived and it was pure, I was there.
0:21:57 > 0:22:01That shit, man, it would make your gums go numb in five seconds,
0:22:01 > 0:22:03the feeling wouldn't come back for an hour, you get me?
0:22:03 > 0:22:06I'm going to have to go back to the first price on this shit.
0:22:06 > 0:22:09- 'The number we talked about. - We'll go somewhere else.
0:22:09 > 0:22:13'All right, well, go for it. But if you are smart right now,'
0:22:13 > 0:22:15you are one step away from an easy life.
0:22:15 > 0:22:19Cos all you need is one buyer you trust absolutely,
0:22:19 > 0:22:23someone who will take all the risks of distribution away from you.
0:22:23 > 0:22:27Come to me, and only me, you can rest easy for ever.
0:22:29 > 0:22:30You know what this is?
0:22:30 > 0:22:33This is the biggest moment of your professional career.
0:22:33 > 0:22:35You feeling lonely, innit?
0:22:35 > 0:22:39All right, call it in, man. Go ahead, Mark's your number one.
0:22:44 > 0:22:46It's me, listen...
0:22:47 > 0:22:49'Yeah, I know, it's your call, bruv.'
0:22:51 > 0:22:54- All right, I'm bored, man, I'm out.- All right!
0:22:59 > 0:23:01- All right.- Are we good?
0:23:02 > 0:23:07I've got this thing, it's about sealing trust.
0:23:07 > 0:23:10My man with the money, you call him in.
0:23:10 > 0:23:12You've got style, brother.
0:23:13 > 0:23:15PHONE RINGS
0:23:17 > 0:23:18Yo.
0:23:18 > 0:23:20'Bring me the money.'
0:23:37 > 0:23:39Here.
0:23:44 > 0:23:46We're good.
0:23:51 > 0:23:53- Hallelujah.- Go, go, go!
0:23:55 > 0:23:57Police! Police! Armed police!
0:23:57 > 0:24:00SHOUTING
0:24:02 > 0:24:04HELICOPTER WHIRRS
0:24:04 > 0:24:05Try to set me up?
0:24:07 > 0:24:08Bastard!
0:24:11 > 0:24:13All right, mate, another one of these.
0:24:13 > 0:24:15And a port.
0:24:20 > 0:24:22We haven't been introduced.
0:24:24 > 0:24:26I hit on you?
0:24:26 > 0:24:29- Well, you're doing it again.- Would you do me a favour?- Are you asking?
0:24:31 > 0:24:33- Cheers.- Cheers.
0:25:04 > 0:25:07- KEYS JANGLE - Come on, out.
0:25:11 > 0:25:16So, Ricky, to charge or not to charge.
0:25:16 > 0:25:18Well, the evidence isn't strong.
0:25:18 > 0:25:21In interview, he said he was just passing and we jumped him.
0:25:21 > 0:25:25He's not on the drugs, the drugs are not on him.
0:25:25 > 0:25:27- They can't get us, son! - Calm down.
0:25:28 > 0:25:30Oi, that's enough!
0:25:30 > 0:25:33Calm down. Take him away.
0:25:35 > 0:25:40It'll be over quick enough. These guys don't hang around.
0:25:43 > 0:25:47We've tails on them. We'll be there, only just not quite in time.
0:25:49 > 0:25:52I'm going to the pub if you fancy a pint.
0:25:59 > 0:26:02Must've been somebody putting us in the frame.
0:26:03 > 0:26:04It looks that way.
0:26:06 > 0:26:08Why did they let you go, Ricky?
0:26:11 > 0:26:13Agh!
0:26:18 > 0:26:20LAUGHTER
0:26:23 > 0:26:25Down.
0:26:30 > 0:26:31I get it, I get it.
0:26:31 > 0:26:33SIRENS WAIL
0:26:35 > 0:26:38Two for the price of one.
0:26:38 > 0:26:41One dead, one in Belmarsh for ever.
0:26:41 > 0:26:43Here's to good, clean justice.
0:26:43 > 0:26:45I'll drink to that. Cheers.
0:26:56 > 0:27:00You are all charged with conspiracy to supply controlled drugs
0:27:00 > 0:27:07of class A, contrary to section 1 of the Criminal Law Act 1977.
0:27:07 > 0:27:10- Are you Mr Trevor Eastman?- Yes.
0:27:10 > 0:27:13- Are you Mr Simon Morton?- Yes.
0:27:13 > 0:27:15Are you Mr...?
0:27:20 > 0:27:24- Are you all right? - Yeah, yeah, good.- Yeah?
0:27:42 > 0:27:43So, a screen?
0:27:43 > 0:27:46- And the judge is friendly?- Hm.
0:27:46 > 0:27:48Oh, good.
0:27:48 > 0:27:50There's some legal argument.
0:27:50 > 0:27:55- What?- Tail-end Charlie, trying it on, she's almost done.
0:27:55 > 0:27:57Who's for tail-end Charlie?
0:27:57 > 0:28:01Basically, the police were doing a drug deal with themselves.
0:28:03 > 0:28:06One of the arrested gang members was released without charge
0:28:06 > 0:28:08and then murdered.
0:28:08 > 0:28:11I can't see a reason for not charging him on the evidence.
0:28:11 > 0:28:15Which leads me to think he must have been an informant, my Lord,
0:28:15 > 0:28:16there was no other explanation.
0:28:16 > 0:28:18But that hasn't been disclosed to us.
0:28:18 > 0:28:22I think he was a grass and the police knew that he'd been blown,
0:28:22 > 0:28:25and rather than spend money on a new identity and a new life,
0:28:25 > 0:28:28they let him walk out the nick to his death.
0:28:28 > 0:28:31But that's all conjecture on my part because it has to be.
0:28:31 > 0:28:33And that's the problem with this prosecution, there is
0:28:33 > 0:28:36no way of me getting any clearer as to what was going on here.
0:28:36 > 0:28:40So far, we've got two police officers working undercover
0:28:40 > 0:28:41and a grass.
0:28:41 > 0:28:44I'm beginning to wonder if those responsible for the entrapment
0:28:44 > 0:28:47outnumber those being entrapped.
0:28:47 > 0:28:50Is there anyone left who isn't not what they say they are?
0:28:50 > 0:28:53It's a miscarriage of justice waiting to happen.
0:28:53 > 0:28:56It's me trying to defend my client with both hands
0:28:56 > 0:28:59tied behind my back and a gag in my mouth, my Lord.
0:28:59 > 0:29:02And the criminal justice system I work in is so much better than that.
0:29:02 > 0:29:05That's very compelling, Miss Cobbina.
0:29:07 > 0:29:09Shit!
0:29:09 > 0:29:12This is shit! And you know it.
0:29:12 > 0:29:14- All right.- Nick.
0:29:14 > 0:29:17This is shit! So they're just going to walk?
0:29:17 > 0:29:19Do they know the risks we take when we go out there?
0:29:19 > 0:29:21Look at this woman, right? Look at this.
0:29:21 > 0:29:23- Don't, don't... - No, no, look at it.
0:29:23 > 0:29:27Look at it. She does this for you and you just...
0:29:29 > 0:29:31Who the hell is she?
0:29:31 > 0:29:33This lawyer, who is she?
0:29:33 > 0:29:35Her name is Maya Cobbina.
0:29:35 > 0:29:37Does she sleep at night?
0:29:45 > 0:29:46Yes!
0:29:52 > 0:29:56One question. Are they guilty? Answer - yes.
0:29:56 > 0:29:58Yes, everybody knows that, their own briefs know that.
0:30:01 > 0:30:02Sorry, sir.
0:30:02 > 0:30:06Look, I'm a police officer. I want it to be better than this.
0:30:10 > 0:30:12Am I out?
0:30:12 > 0:30:13Is that why I'm here?
0:30:15 > 0:30:16Yes.
0:30:17 > 0:30:18You're smart.
0:30:18 > 0:30:20Yeah...
0:30:20 > 0:30:23So I'll bounce back in my new desk job.
0:30:23 > 0:30:26Drugs will always be with us. Drug gangs will always be there.
0:30:26 > 0:30:28I'm sorry, sir, what are you saying?
0:30:28 > 0:30:31Go and build yourself a new life.
0:30:31 > 0:30:33We want you to take a step up.
0:30:37 > 0:30:39Right.
0:30:50 > 0:30:54- Primary school?- Wycombe Street. - First teacher?- Miss Hazel.
0:30:54 > 0:30:57- Age?- 162.
0:30:57 > 0:30:59Well, that's what she told us.
0:31:00 > 0:31:02- Siblings?- No siblings, got none.
0:31:02 > 0:31:04Any distinguishing features?
0:31:04 > 0:31:05Charm, charisma.
0:31:05 > 0:31:07HE LAUGHS
0:31:07 > 0:31:10- And...a-a birthmark.- Where?
0:31:10 > 0:31:11Here.
0:31:13 > 0:31:14There it is.
0:31:14 > 0:31:17Ooh! How did you do that?
0:31:17 > 0:31:19I tattooed it. It stung and all.
0:31:21 > 0:31:23- Your first bike? - I didn't have a bike.
0:31:23 > 0:31:26An early memory?
0:31:26 > 0:31:30I remember the social worker gave me an Action Man
0:31:30 > 0:31:33when they came to take me away.
0:31:33 > 0:31:35My mum was standing at the front door.
0:31:35 > 0:31:37I got in the back of the car.
0:31:38 > 0:31:41The social workers smelt nice.
0:31:41 > 0:31:45His boot came off, the Action Man.
0:31:45 > 0:31:47I bent down to pick it up.
0:31:47 > 0:31:49By the time I looked up again,
0:31:49 > 0:31:51my mum had already gone back inside.
0:31:56 > 0:31:57Full name?
0:31:59 > 0:32:02Nicholas...Johnson.
0:32:02 > 0:32:04I am Nick Johnson.
0:32:04 > 0:32:07Born on 3 November, 1971.
0:32:07 > 0:32:09A Wednesday.
0:32:11 > 0:32:13Nice.
0:32:19 > 0:32:22Job - you need something flexible, unusual hours,
0:32:22 > 0:32:24and something you can do on your own.
0:32:24 > 0:32:26I'm a writer.
0:32:26 > 0:32:28Well, of course you are.
0:32:28 > 0:32:32So, Michael Antwi, 35, political activist - dangerous.
0:32:32 > 0:32:36Get close, make friends, win trust.
0:32:36 > 0:32:38NICK EXHALES
0:32:41 > 0:32:44CHATTER
0:32:52 > 0:32:55OVERLAPPING CONVERSATIONS
0:33:15 > 0:33:18All right, people, round of applause for the speaker.
0:33:26 > 0:33:29I've been in Louisiana, USA.
0:33:29 > 0:33:31I met a man called Rudy Jones.
0:33:31 > 0:33:34He is in prison,
0:33:34 > 0:33:39facing a trial for a murder which he did not commit.
0:33:39 > 0:33:44Is that something which happens in Hackney or Tottenham or Brixton?
0:33:44 > 0:33:47MURMURS OF AGREEMENT
0:33:47 > 0:33:48Why Rudy?
0:33:48 > 0:33:50He is black...
0:33:50 > 0:33:52he is poor...
0:33:52 > 0:33:55and he likes a drink.
0:33:55 > 0:33:58He also has an alibi. But, guess what?
0:33:58 > 0:34:00The alibi witness is black.
0:34:01 > 0:34:05He is poor...and he likes a drink.
0:34:05 > 0:34:08The white cops have been to see him.
0:34:08 > 0:34:13They told him, "We like Rudy for this, and if you help him,
0:34:13 > 0:34:18"we may have to do sweep you up too and charge as an accomplice."
0:34:18 > 0:34:23Nothing like that happens in Hackney or Tottenham or Brixton.
0:34:23 > 0:34:26APPLAUSE
0:34:26 > 0:34:28Should we march again?
0:34:28 > 0:34:34Should we walk down the same streets and sing We Shall Overcome...
0:34:34 > 0:34:38and hand in a list of our names to men who will not read it...
0:34:40 > 0:34:43..men who will never hear our songs of protest...
0:34:43 > 0:34:45who cannot feel our pain?
0:34:45 > 0:34:49Because after decades of singing and polite protest,
0:34:49 > 0:34:52I'm starting to think it might be the time to judge those
0:34:52 > 0:34:55we seek to change - not by the colour of their skin
0:34:55 > 0:34:58but by the content of their character.
0:34:58 > 0:35:00CHEERING AND APPLAUSE
0:35:03 > 0:35:06I ask you this now because I hear a rumbling.
0:35:06 > 0:35:10I hear a long, low note of deep anger.
0:35:10 > 0:35:12Do you hear it?
0:35:12 > 0:35:14- MURMURS OF AGREEMENT - Do you hear it?
0:35:14 > 0:35:16MURMURS OF AGREEMENT
0:35:16 > 0:35:19It is the sound of a black nation rising.
0:35:19 > 0:35:22It has been a long time coming, but it is coming.
0:35:22 > 0:35:26When I look around at you, my sisters and brothers,
0:35:26 > 0:35:28I feel that pain.
0:35:29 > 0:35:33But I also feel the power inside that pain.
0:35:33 > 0:35:35Now...
0:35:35 > 0:35:39now is the moment in our history where we must say,
0:35:39 > 0:35:42as clear as clear can be,
0:35:42 > 0:35:45"If you hurt me, I will hurt you too."
0:35:45 > 0:35:47CHEERING
0:35:49 > 0:35:51If you...
0:35:51 > 0:35:55if you hurt my brother, all of my brothers are coming for you.
0:35:55 > 0:35:57CHEERING AND APPLAUSE
0:35:58 > 0:36:00- No more! - ALL: No more!
0:36:00 > 0:36:02- No more! - No more!
0:36:02 > 0:36:04- No more! - No more!
0:36:04 > 0:36:06- No more! - No more!
0:36:06 > 0:36:07No more, I say.
0:36:07 > 0:36:11No more dreams, no more nightmares,
0:36:11 > 0:36:14for we are no longer asleep.
0:36:14 > 0:36:16In Louisiana, we are wide awake.
0:36:16 > 0:36:19In Hackney and Tottenham and Brixton,
0:36:19 > 0:36:21our consciousness is awoken,
0:36:21 > 0:36:25and in this new dawn, there will be action.
0:36:27 > 0:36:31And the consequence of that action is power for our people.
0:36:31 > 0:36:37And in that power is true freedom.
0:36:37 > 0:36:40The time has come for us to stop asking for our freedom
0:36:40 > 0:36:43and to take it.
0:36:43 > 0:36:47CHEERING AND APPLAUSE
0:36:47 > 0:36:50Take it!
0:36:53 > 0:36:54- QUIETLY:- Thank you.
0:37:11 > 0:37:13Incredibly impressive.
0:37:14 > 0:37:19- Yeah. Fantastic. Do you agree with him?- 100%.
0:37:19 > 0:37:21So you are a danger to society?
0:37:21 > 0:37:23HE CHUCKLES Well...
0:37:26 > 0:37:28So...what do you do?
0:37:30 > 0:37:32Are you chatting me up?
0:37:32 > 0:37:33No, I was...
0:37:33 > 0:37:36- Hey...- No, I'm a lawyer. It's OK, I'm a lawyer.
0:37:36 > 0:37:38Is it all right? All right.
0:37:38 > 0:37:41- Well, what kind?- Crime.- All right.
0:37:41 > 0:37:45- You?- A writer.- Oh.- I'm a writer.
0:37:46 > 0:37:49- What kind of crime?- Legal aid.
0:37:49 > 0:37:50Oh, should I have heard of you something?
0:37:50 > 0:37:53Oh, no. No, sorry. Nick.
0:37:53 > 0:37:55- Nick Johnson.- What kind of writing?
0:37:55 > 0:37:58Crime. SHE LAUGHS
0:37:58 > 0:37:59Yeah, I know.
0:37:59 > 0:38:03- Maya Cobbina.- Miss Cobbina.
0:38:03 > 0:38:05So what is the answer to my question?
0:38:05 > 0:38:06- What, am I chatting you up?- Mm.
0:38:06 > 0:38:09Do you want to see my birthmark?
0:38:09 > 0:38:11This as my boyfriend.
0:38:11 > 0:38:14Ray, this is Nick.
0:38:14 > 0:38:16I'm going to go and talk to Michael.
0:38:16 > 0:38:18What do you want?
0:38:18 > 0:38:22I want to stop waking up every morning and thinking to myself,
0:38:22 > 0:38:25- "Oh, I'm black". - Weren't you listening?
0:38:25 > 0:38:28That's what they want us for do.
0:38:28 > 0:38:32We should be waking up every morning saying the exact opposite.
0:38:32 > 0:38:36- "I'm black. I'm fighting back." - I hear you. Hear you.
0:38:38 > 0:38:40You are a lucky man.
0:38:40 > 0:38:41What?
0:38:45 > 0:38:47So...is she good in court?
0:38:59 > 0:39:00'I think he is angry.'
0:39:00 > 0:39:01'Who?'
0:39:01 > 0:39:04- Nick.- About what?- The police.
0:39:10 > 0:39:13It's good, what you're doing.
0:39:13 > 0:39:14What?
0:39:14 > 0:39:18I know it is not easy being a black UC.
0:39:20 > 0:39:22- I have been working on a good route in.- Who is he?
0:39:22 > 0:39:24She. She is a lawyer.
0:39:24 > 0:39:27- Do you like her? - No.- Does she like you?
0:39:29 > 0:39:30Hmm...
0:39:32 > 0:39:34Then she will want to trust you.
0:39:35 > 0:39:37Yes.
0:39:37 > 0:39:39It is a good route in.
0:39:39 > 0:39:43- GROANING OK, thank you.- Thank you.
0:39:43 > 0:39:47Any other questions?
0:39:47 > 0:39:48Sir?
0:39:48 > 0:39:50What kind of car have you got?
0:39:53 > 0:39:54BMW.
0:39:56 > 0:39:58How many times have you been stopped and searched?
0:39:59 > 0:40:01I'm a police officer.
0:40:01 > 0:40:03Yeah, but what is the answer to my question?
0:40:07 > 0:40:10Seven times this year.
0:40:10 > 0:40:12GASPING
0:40:12 > 0:40:14Excuse me, Officer, what about you?
0:40:16 > 0:40:18I haven't been stopped.
0:40:18 > 0:40:20What, this year?
0:40:22 > 0:40:24Ever.
0:40:24 > 0:40:26EXASPERATED MURMURS
0:40:26 > 0:40:29Have there ever been reasonable grounds for stopping you?
0:40:29 > 0:40:32- No.- Have you ever been arrested as a result of being stopped?
0:40:32 > 0:40:35- No.- So, are you a drug dealer? Did you steal your BMW?
0:40:35 > 0:40:36Very funny.
0:40:36 > 0:40:38How the hell can you afford to pay for a car like that, nigger?
0:40:38 > 0:40:40- LAUGHTER - OK! OK, OK.
0:40:40 > 0:40:44- OK, good joke. - Oh, what, so it's funny?!
0:40:44 > 0:40:45There is something funny about this?
0:40:45 > 0:40:47- What-what kind of a joke is it? - Look...
0:40:47 > 0:40:50Listen, listen, I don't know how you can live with yourself, mate.
0:40:50 > 0:40:52I want to hear you admit it, right here, right now.
0:40:52 > 0:40:55Tell us that the Metropolitan Police Force is racist.
0:40:55 > 0:40:58MURMURS OF AGREEMENT Go on, can you do that?
0:40:58 > 0:41:02Because if you can do that, then maybe we can all start something.
0:41:03 > 0:41:04Go on.
0:41:11 > 0:41:12Thank you. Thank you very much.
0:41:12 > 0:41:14GROANING
0:41:20 > 0:41:23- Drink?- Yeah, man, yeah.
0:41:25 > 0:41:27You had him in there.
0:41:27 > 0:41:29You had him bending down on the table
0:41:29 > 0:41:31with your face right up his arse.
0:41:31 > 0:41:33LAUGHTER
0:41:34 > 0:41:38- Where you learn to talk like that to police?- I write crime novels.
0:41:38 > 0:41:40Is the hero black?
0:41:40 > 0:41:42Sometimes.
0:41:42 > 0:41:46- Black police?- Yeah, sometimes.
0:41:46 > 0:41:48I hate that.
0:41:48 > 0:41:51- What? - When a brother puts the uniform on.
0:41:51 > 0:41:53It's a betrayal.
0:41:53 > 0:41:56It's unforgivable.
0:41:56 > 0:42:00So, Nick, who are you?
0:42:02 > 0:42:03What do you mean?
0:42:04 > 0:42:06Where did you go to school?
0:42:06 > 0:42:08- Tufnell Park.- Oh, yeah?
0:42:08 > 0:42:11I know Tufnell Park. My mum was a TA in a primary school there.
0:42:11 > 0:42:14Yeah, well, not in my school, not in my time.
0:42:14 > 0:42:17Drink up, you are getting behind.
0:42:17 > 0:42:19You lot...
0:42:24 > 0:42:27'Somebody is running a data check on the Nick Johnson.'
0:42:29 > 0:42:31It's not a problem, we don't need to panic.
0:42:32 > 0:42:35An organisation that monitors police action
0:42:35 > 0:42:37is bound to be paranoid about police infiltration.
0:42:37 > 0:42:39Well, they've got that right.
0:42:42 > 0:42:47Did you know, right, that every prisoner in Stokie nick is black?
0:42:47 > 0:42:49What do you think about that?
0:42:51 > 0:42:53We could pull you out if you think you have made a mistake.
0:42:53 > 0:42:55I have made no mistakes.
0:43:33 > 0:43:35In Louisiana today, now,
0:43:35 > 0:43:38you can still see black men in chains working in sugar plantations,
0:43:38 > 0:43:41- Guarded by white horsemen with guns.- Jesus.
0:43:41 > 0:43:44Do you know what they do for jury selection?
0:43:44 > 0:43:47They ask you if you are against the death sentence.
0:43:47 > 0:43:49If the answer is yes - you're out.
0:43:49 > 0:43:52They won't let you serve as a juror.
0:43:52 > 0:43:55- That's terrible.- Rudy Jones.
0:43:55 > 0:43:57He had a drunk idiot who had never worked a captive case before
0:43:57 > 0:43:59defending him.
0:43:59 > 0:44:00He's on death row?
0:44:02 > 0:44:04He has no-one to make his appeal,
0:44:04 > 0:44:06so what are you going to do about it?
0:44:07 > 0:44:09I don't know... What were you trying to say to me?
0:44:09 > 0:44:11I hear you are a very good lawyer.
0:44:15 > 0:44:16It's time.
0:44:29 > 0:44:32OK. See you.
0:44:33 > 0:44:34Michael.
0:44:34 > 0:44:37You are going to need a bodyguard at the march tomorrow.
0:44:37 > 0:44:39- You think?- Yeah.
0:44:39 > 0:44:41The police are a little slow to provide protection
0:44:41 > 0:44:42for mouthy black folk.
0:44:42 > 0:44:43MICHAEL CHUCKLES
0:44:43 > 0:44:45Are you offering?
0:44:45 > 0:44:47- It would be a privilege.- Thank you.
0:44:48 > 0:44:49Stay in...
0:45:02 > 0:45:04PHONE RINGS
0:45:08 > 0:45:10Hello.
0:45:10 > 0:45:13Hey, are you all right?
0:45:14 > 0:45:19Yeah... All... Yeah, I know where it is, I know where it is.
0:45:19 > 0:45:20OK.
0:45:52 > 0:45:55I can't stop.
0:45:55 > 0:45:57I don't know how to stop.
0:45:58 > 0:46:03I don't want to stop. It's everything to me.
0:46:03 > 0:46:06- I'm terrified the top floor is going to find out.- Yeah.
0:46:06 > 0:46:08It's so hard.
0:46:08 > 0:46:12I'm pretending that I'm three people all at once.
0:46:16 > 0:46:18Who am I?
0:46:18 > 0:46:20You're OK, you're all right.
0:46:20 > 0:46:21All right.
0:46:23 > 0:46:24I'm going to help you.
0:46:26 > 0:46:29- All right?- Yeah. - I'm going to help you.- Yeah.
0:46:29 > 0:46:31All right.
0:46:31 > 0:46:33SHE SOBS
0:46:45 > 0:46:48- Who is it? - No. No, I'm not doing this.
0:46:48 > 0:46:51But you've come to me, so you know you have to.
0:46:51 > 0:46:54You have to tell us for everyone's safety.
0:47:00 > 0:47:02All right, but just...
0:47:04 > 0:47:05..don't tell her it was me.
0:47:07 > 0:47:11CHANTING: Our rights! Black rights! Our rights! Black rights!
0:47:21 > 0:47:26- CHANTING:- Coons go home! Coons go home! Coons go home!
0:47:30 > 0:47:33- Our rights!- Black rights! - Our rights!- Black rights!
0:47:33 > 0:47:36- Our rights!- Black rights!
0:47:44 > 0:47:47OVERLAPPING CHANTING
0:47:47 > 0:47:51Kill the coons! Kill the coons! Kill the coons!
0:47:54 > 0:47:55Excuse me, excuse me.
0:47:55 > 0:47:58Why aren't you making arrests? You're just standing there.
0:48:02 > 0:48:03Why aren't you making arrests?
0:48:03 > 0:48:06Threats to kill, or section four or five of the Public Order Act.
0:48:06 > 0:48:09Our rights!
0:48:09 > 0:48:11OVERLAPPING CHANTING
0:48:11 > 0:48:12Are you even listening to me?
0:48:17 > 0:48:19INDISTINCT SHOUTING
0:48:52 > 0:48:54Michael? Michael! Michael!
0:49:11 > 0:49:14SIRENS WAIL
0:49:17 > 0:49:20Listen, I'm undercover. I'm an undercover officer.
0:49:20 > 0:49:21Of course you are, mate.
0:49:24 > 0:49:26Hey, hey, hey, hit me and then let me go.
0:49:26 > 0:49:27Do it.
0:49:30 > 0:49:32Racist pigs!
0:49:42 > 0:49:46- Excuse me. I'm looking for a Michael Antwi.- Sorry, who are you?
0:49:46 > 0:49:49- I'm looking for a Michael Antwi... - I've no idea who he is.
0:49:49 > 0:49:50Are you a solicitor or what?
0:49:50 > 0:49:52No, I'm a legal observer for the march.
0:49:52 > 0:49:54- Look, you've got no status here. - Has he been brought in?
0:49:54 > 0:49:57Look, if you don't leave, I'll have you removed. Out!
0:49:57 > 0:50:01- Michael! Are you all right? - Yeah.- Are you sure?- I'm fine.
0:50:01 > 0:50:02- Out!- Ring me at home!
0:50:07 > 0:50:09CLAMOURING
0:50:16 > 0:50:18SIREN WAILS
0:50:25 > 0:50:26Oi, you! Back!
0:51:05 > 0:51:07You OK?
0:51:15 > 0:51:18- This should be cold. - Oh, thanks. Cheers.
0:51:23 > 0:51:25Who's this?
0:51:25 > 0:51:30Oh, that's my dad. He was a teacher.
0:51:30 > 0:51:33- He looks like a wise soul.- Hmm.
0:51:33 > 0:51:37When I was 12 I bunked off school to march against apartheid.
0:51:37 > 0:51:40The whole of the sixth form and me, this year seven kid,
0:51:40 > 0:51:45like a regimental goat. I didn't feel like a goat, I felt brilliant.
0:51:45 > 0:51:48More importantly, I felt grown-up.
0:51:48 > 0:51:52The police, they held us down this cul-de-sac for six hours -
0:51:52 > 0:51:56no water, no peeing, freezing cold.
0:51:56 > 0:51:59- Oh, God, that's outrageous. - I loved it!
0:51:59 > 0:52:02I was so pleased with my martyrdom I think it warmed me up.
0:52:02 > 0:52:05Ten minutes later when I wet myself, I really wasn't that cold any more.
0:52:05 > 0:52:08SHE CHUCKLES
0:52:08 > 0:52:11Sorry, was that too much information?
0:52:11 > 0:52:13Never.
0:52:17 > 0:52:19You're a good listener.
0:52:26 > 0:52:29I'm sorry, what has this got to do with your dad?
0:52:29 > 0:52:31Oh! Yeah.
0:52:31 > 0:52:33When I came back, he was waiting for me,
0:52:33 > 0:52:36and he said, "You know, I'll support you not going to school,
0:52:36 > 0:52:40"I'll even argue with your head teacher about your right to bunk off
0:52:40 > 0:52:43"on one condition - you tell me what apartheid is."
0:52:43 > 0:52:45I said, "Well, it's, um...
0:52:45 > 0:52:48"it's being horrible to black people."
0:52:50 > 0:52:52"No, it isn't", he said.
0:52:55 > 0:52:59In the silence that followed, I made a vow.
0:52:59 > 0:53:02Don't jerk your knee, know what you're talking about.
0:53:06 > 0:53:08What do your parents do?
0:53:08 > 0:53:09Cocaine.
0:53:10 > 0:53:12Sometimes hash.
0:53:12 > 0:53:16- No...- Yeah, they did.
0:53:16 > 0:53:19Did lots of drugs. They're both long gone now.
0:53:20 > 0:53:22I'm sorry.
0:53:32 > 0:53:33Would you like a bath?
0:53:36 > 0:53:39Em...yeah.
0:53:40 > 0:53:42WATER SLOSHES
0:53:42 > 0:53:44- Maya?- Yes?
0:53:44 > 0:53:46Can I ask you something?
0:53:47 > 0:53:48Yes.
0:53:50 > 0:53:52Can I have a towel?
0:53:52 > 0:53:53MAYA CHUCKLES
0:53:53 > 0:53:55Yeah.
0:54:01 > 0:54:02- There you go. - Thanks.
0:54:09 > 0:54:11Maya?
0:54:15 > 0:54:16Maya?
0:54:40 > 0:54:41I got into bed.
0:55:12 > 0:55:13HE GROANS
0:55:13 > 0:55:16- Sorry.- That's all right.
0:55:46 > 0:55:47INAUDIBLE
0:56:22 > 0:56:25- ALARM BLARES - Jesus Christ!
0:56:35 > 0:56:37ALARM CONTINUES
0:56:47 > 0:56:49Hold it! Hold it.
0:56:49 > 0:56:53Not safe in there. We wait for shields and helmets.
0:56:56 > 0:56:58Go, go. Just get in there. Get him out.
0:57:00 > 0:57:03CLAMOURING
0:57:14 > 0:57:16CLAMOURING CONTINUES
0:57:20 > 0:57:24Stop struggling. Lay still. Stop struggling!
0:57:32 > 0:57:35MUSIC: Visionary Mountains by Joan Armatrading
0:57:35 > 0:57:39# Tonight
0:57:39 > 0:57:41# Tonight... #
0:57:41 > 0:57:43MUSIC FADES
0:57:43 > 0:57:44PHONE RINGS
0:57:52 > 0:57:54Hello.
0:57:56 > 0:57:58Yes. Yes.
0:57:59 > 0:58:00Sure.
0:58:00 > 0:58:02Thank you.
0:58:02 > 0:58:04Thank you, bye.
0:58:11 > 0:58:12I'm going big.