0:00:02 > 0:00:04Rudy, I won't let them hurt you any more. I promise.
0:00:04 > 0:00:06I'm granting you leave to come back before me on Wednesday morning
0:00:06 > 0:00:09to argue about whether or not your client is competent to die.
0:00:09 > 0:00:1220 years ago, a man died in police custody,
0:00:12 > 0:00:16and we have been prevented from getting to the truth of how he died,
0:00:16 > 0:00:18and this is his mother.
0:00:20 > 0:00:23The only issue is why they were in that cell together.
0:00:23 > 0:00:26That's down to me.
0:00:26 > 0:00:30There's a new witness - scared and careful.
0:00:30 > 0:00:32Jimmy, who the hell is this?
0:00:34 > 0:00:37I know every man and woman that was in that police station
0:00:37 > 0:00:38when Michael died.
0:00:38 > 0:00:39I'd know if it was one of them.
0:00:39 > 0:00:41Somebody who wasn't in the police station.
0:00:41 > 0:00:44Undercover officers - they're invisible.
0:00:45 > 0:00:47Welcome to Oxford.
0:00:47 > 0:00:48Hello, Nick.
0:00:48 > 0:00:49You're the witness.
0:00:52 > 0:00:55I can give you the name of the witness in exchange
0:00:55 > 0:00:57for you letting me go.
0:00:57 > 0:01:00Abigail Strickland - she was there that night.
0:01:00 > 0:01:01She saw it all.
0:01:01 > 0:01:03- You killed her.- No, I didn't...
0:01:03 > 0:01:05You gave her up.
0:01:10 > 0:01:13It's over. I'm telling her everything.
0:01:13 > 0:01:15There's something I have to tell you.
0:01:15 > 0:01:17- SHE CHOKES - Maya? Maya?!
0:01:17 > 0:01:21This programme contains some strong language
0:01:21 > 0:01:24Breathe, Maya. Breathe, breathe, breathe.
0:01:24 > 0:01:25Hey, hey, hey.
0:01:25 > 0:01:27OK. Come on. Come on.
0:01:27 > 0:01:29OK, OK, OK.
0:01:30 > 0:01:32Breathe, breathe, Maya. Breathe, breathe.
0:01:32 > 0:01:34Oh, my... Come on, Maya, breathe.
0:01:34 > 0:01:37Hey, hey. All right, all right. OK. OK. OK. OK.
0:01:37 > 0:01:40No, no, no, no, no. Maya.
0:01:40 > 0:01:42Oh, God. Oh, come on. Come on, baby, please.
0:01:42 > 0:01:45Breathe, breathe, breathe! Please, breathe.
0:01:46 > 0:01:48Oh, God, come on.
0:01:48 > 0:01:51- No! - SHE EXHALES
0:01:51 > 0:01:55- SHE GROANS - All right.
0:01:55 > 0:01:57OK, OK, OK, OK...
0:02:00 > 0:02:02CHAIR SCRAPES
0:02:02 > 0:02:03OK, sweetheart.
0:02:03 > 0:02:06All right, babe. Easy. Easy, now. Easy.
0:02:15 > 0:02:16Is it true?
0:02:18 > 0:02:19What?
0:02:22 > 0:02:25Is it true?
0:02:25 > 0:02:27I'm sorry, babe, I don't understand.
0:02:27 > 0:02:30This is our family.
0:02:30 > 0:02:33This is our life.
0:02:33 > 0:02:35Maya, you've had some kind of seizure and you...
0:02:35 > 0:02:38Get off! Who is it?
0:02:38 > 0:02:40- Maya. What are you doing? - Who is she?
0:02:40 > 0:02:42Who are you...? I can't even say it.
0:02:42 > 0:02:44- I can't even say it... - SHE SOBS
0:02:48 > 0:02:49Oh...
0:02:49 > 0:02:52Babes, where are you...? Where are you getting this from?
0:02:52 > 0:02:53Oh, no, no.
0:02:53 > 0:02:55No, YOU do not ask questions.
0:02:55 > 0:02:58OK, look, it isn't true, then. Whatever you may have heard...
0:02:58 > 0:03:01No, no, no, you're turning it around. You're making it about me
0:03:01 > 0:03:04- and I will not have you make it... - Listen, I haven't done anything.
0:03:04 > 0:03:07Now, where the hell are you getting this from?
0:03:07 > 0:03:08Oxford.
0:03:08 > 0:03:10What, Clem?
0:03:10 > 0:03:11No.
0:03:13 > 0:03:16- Well, then, who told you...? - Told me what?
0:03:16 > 0:03:18Maya, I am not some lying copper in a witness box,
0:03:18 > 0:03:19do not cross-examine me.
0:03:19 > 0:03:22Told me what, Nick?
0:03:24 > 0:03:25Is this Julia?
0:03:32 > 0:03:34HE SIGHS
0:03:34 > 0:03:38OK, OK, I understand it. I get what's happening here.
0:03:38 > 0:03:40What, what, what, what, what, what, what?
0:03:40 > 0:03:43All right, look, I...
0:03:43 > 0:03:45I saw somebody in Oxford.
0:03:46 > 0:03:48"Saw"? What do you mean "saw"?
0:03:48 > 0:03:50Look, I wasn't going to tell you...
0:03:50 > 0:03:51Why?
0:03:51 > 0:03:53She's in real trouble.
0:03:53 > 0:03:54She? Who is she?
0:03:54 > 0:03:57She... She's from Wheen Hall.
0:03:59 > 0:04:02The care home?
0:04:02 > 0:04:05Yeah. She found me.
0:04:05 > 0:04:07After 35 years, she tracked me down.
0:04:09 > 0:04:12- Julia said she saw you kissing. - MAYA SOBS
0:04:12 > 0:04:14No, look, Maya, when...
0:04:14 > 0:04:17When we were saying goodbye, I gave her a hug,
0:04:17 > 0:04:19cos she really, really needed it,
0:04:19 > 0:04:22and then she kissed me.
0:04:22 > 0:04:23It felt better not to tell you.
0:04:23 > 0:04:27- Why? Why?!- Because, because my life begins with you.
0:04:29 > 0:04:31I don't want to go back to my past.
0:04:31 > 0:04:33DOOR OPENS
0:04:33 > 0:04:34Can I come in, now?
0:04:39 > 0:04:40What's wrong, Mummy?
0:04:40 > 0:04:43- Erm, Mum... Mum's, erm...- OK?
0:04:43 > 0:04:45Mum had some kind of seizure, OK?
0:04:45 > 0:04:48- SHE SOBS - She doesn't really remember it.
0:04:48 > 0:04:51It's just something that makes your brain go fizzy for a minute.
0:04:51 > 0:04:53- Is she all right now?- Yeah, yeah, yeah, she's all right now.
0:04:56 > 0:04:59I thought you were dying.
0:04:59 > 0:05:00It's OK.
0:05:06 > 0:05:08What's happened?
0:05:08 > 0:05:09Mum had a fit.
0:05:09 > 0:05:12She's OK, but I'm going to take her to A&E.
0:05:12 > 0:05:14Then who's going to drive me to the party?
0:05:14 > 0:05:16She had a fit, Ella.
0:05:16 > 0:05:17It's in Crouch End.
0:05:17 > 0:05:19So get the bus.
0:05:19 > 0:05:21- Then I'll miss the pre-drinks.- Ella...
0:05:21 > 0:05:22Then it won't be fun, obviously,
0:05:22 > 0:05:25because everyone else will be drunk and I won't be.
0:05:25 > 0:05:28This is a nightmare. It's an absolute nightmare.
0:05:28 > 0:05:30Dad will take you.
0:05:30 > 0:05:32You can't be alone.
0:05:32 > 0:05:33Yes, I can.
0:05:41 > 0:05:44DOOR SLAMS
0:05:56 > 0:05:57Thanks.
0:05:59 > 0:06:03MACHINE RUMBLES
0:06:06 > 0:06:10MACHINE GROWS LOUDER
0:06:19 > 0:06:20Confess.
0:06:20 > 0:06:23- What? Why? Why would I...? - Don't fight me.
0:06:23 > 0:06:25Accept what I say -
0:06:25 > 0:06:27tell your wife you've been having an affair.
0:06:27 > 0:06:29No, I need to know why I would do such a thing.
0:06:29 > 0:06:31The journalist, what's her name?
0:06:31 > 0:06:32What do you want to know for?
0:06:32 > 0:06:34The name.
0:06:36 > 0:06:38Julia Redhead. Why?
0:06:39 > 0:06:43A confession is a controlled explosion.
0:06:43 > 0:06:47The bomb goes off, but on our terms.
0:06:47 > 0:06:49The journalist won't dig deeper - nobody will -
0:06:49 > 0:06:52because private pain is private.
0:06:52 > 0:06:55The story stops -
0:06:55 > 0:06:58nobody looks for the bigger story beneath the surface.
0:07:00 > 0:07:02Oh, God. God, the children...
0:07:04 > 0:07:05Do they have to know?
0:07:05 > 0:07:07Maya is the most honest person I've ever met.
0:07:07 > 0:07:10Asking her not to tell the children would be like...
0:07:10 > 0:07:13A little courage, now, is all I'm asking.
0:07:13 > 0:07:17No, no, no. You're asking me to put this - us - before my family.
0:07:18 > 0:07:20I'm trying to protect your family.
0:07:22 > 0:07:25Do you want them to know who you really are?
0:07:34 > 0:07:36HE EXHALES
0:07:43 > 0:07:46Socrates was wrong -
0:07:46 > 0:07:48the unexamined life is the only way.
0:07:50 > 0:07:53It's why we do what we do - this job -
0:07:53 > 0:07:56so men can throw sticks into ponds for their dogs
0:07:56 > 0:07:59and never think about what's beneath the surface.
0:07:59 > 0:08:00Good boy. Good boy.
0:08:00 > 0:08:03DOG BARKS
0:08:03 > 0:08:06The pursuit of truth isn't always the best idea.
0:08:10 > 0:08:14OK. OK.
0:08:16 > 0:08:18What kind of affair?
0:08:18 > 0:08:20You're the writer.
0:08:21 > 0:08:24You've been writing this character for 20 years.
0:08:26 > 0:08:29Who would Nick Johnson betray his wife for?
0:08:36 > 0:08:39We really need the scan to work out what's going on in your brain.
0:08:39 > 0:08:42We can give you headphones for music. You could wear a blindfold.
0:08:42 > 0:08:44It isn't claustrophobia.
0:08:44 > 0:08:45Can you tell me what it is?
0:08:49 > 0:08:52They...
0:08:52 > 0:08:56They put you on a...
0:08:56 > 0:08:58It is just like that.
0:09:02 > 0:09:06I'm a lawyer and I have a client they're trying to kill,
0:09:06 > 0:09:10who's strapped to a gurney in a prison in Louisiana.
0:09:15 > 0:09:18I'd be very reluctant to prescribe drugs without knowing more about...
0:09:18 > 0:09:20Do they slow you down?
0:09:20 > 0:09:22A little. They can make you a bit fuzzy.
0:09:22 > 0:09:25- Fuzzy?- Tired, low energy.
0:09:25 > 0:09:27What if I don't take the medication?
0:09:27 > 0:09:30If this is epilepsy, there's a risk of cluster seizures -
0:09:30 > 0:09:31three or four in a row and...
0:09:31 > 0:09:36I'm going to Louisiana on Monday and I have to be really focused.
0:09:36 > 0:09:38You could die. That can happen.
0:09:42 > 0:09:45I have to take that risk.
0:09:45 > 0:09:47I have to stay sharp.
0:09:48 > 0:09:50Is your partner here?
0:09:51 > 0:09:53No.
0:09:55 > 0:09:57You shouldn't be alone.
0:09:57 > 0:09:59Well, I am.
0:10:15 > 0:10:18BELL CHIMES
0:10:18 > 0:10:20ENGINE PURRS
0:10:27 > 0:10:30ENGINE STOPS
0:10:33 > 0:10:35SIREN WAILS
0:10:35 > 0:10:36Are you in love with her?
0:10:36 > 0:10:38No. No, of course not.
0:10:38 > 0:10:39Of course not?
0:10:39 > 0:10:42No, I mean, you know, she's great and all that, but...
0:10:42 > 0:10:44That's what I'm saying.
0:10:44 > 0:10:45But that's all.
0:10:47 > 0:10:49- Your feelings are under control?- Yeah.
0:10:50 > 0:10:52Nick...
0:10:54 > 0:10:55..there's a tipping point.
0:10:57 > 0:10:59Don't tip.
0:11:18 > 0:11:21He took so much care,
0:11:21 > 0:11:23our new witness,
0:11:23 > 0:11:25and then he didn't show.
0:11:25 > 0:11:27Maybe he's a crank?
0:11:29 > 0:11:30No.
0:11:31 > 0:11:3420 years at the Criminal Bar,
0:11:34 > 0:11:37looking people in the eye across a courtroom, you get a...
0:11:37 > 0:11:40A feel for who is genuine and who isn't.
0:11:47 > 0:11:52So, if he's not a crank,
0:11:52 > 0:11:56and he took all those precautions
0:11:56 > 0:11:57and he didn't show up...
0:11:57 > 0:11:59It's because he's scared.
0:11:59 > 0:12:02How would he know to be scared?
0:12:03 > 0:12:05What are you thinking?
0:12:05 > 0:12:08I'm thinking we were close.
0:12:08 > 0:12:12I'm thinking we were about to blow it open.
0:12:12 > 0:12:13So?
0:12:13 > 0:12:14So they got to him.
0:12:19 > 0:12:21You'd better be careful, Neame.
0:12:21 > 0:12:24I am a dangerous woman to be around.
0:12:26 > 0:12:28Where's Rose?
0:12:28 > 0:12:29He left the police force.
0:12:29 > 0:12:32Yes, yes, where is he?
0:12:32 > 0:12:34I'll find him.
0:12:34 > 0:12:35Good.
0:12:37 > 0:12:39Why Rose?
0:12:39 > 0:12:41Well, he's left the police force -
0:12:41 > 0:12:44maybe he's learned to think for himself.
0:12:47 > 0:12:50DOOR OPENS
0:12:50 > 0:12:52DOOR CLOSES
0:12:52 > 0:12:54SHE SIGHS
0:13:11 > 0:13:14Dad? Is it Dan?
0:13:14 > 0:13:17I thought you should hear it face-to-face.
0:13:17 > 0:13:18Oh, you're really scaring me...
0:13:18 > 0:13:20It's about Mum.
0:13:22 > 0:13:23Epilepsy?
0:13:23 > 0:13:28Yeah, and she's just carrying on as if nothing's happened.
0:13:28 > 0:13:30You know Mum.
0:13:30 > 0:13:33So, what do we do?
0:13:33 > 0:13:35I need time with her.
0:13:35 > 0:13:38One night - just the two of us.
0:13:38 > 0:13:40Dan and Ella can sleep on my floor.
0:13:40 > 0:13:43- Yeah, I know it's a lot to ask... - It's fine.
0:13:43 > 0:13:46It's... It's what families are for.
0:13:46 > 0:13:48We'll get through this, Dad.
0:13:51 > 0:13:53- HE MUTTERS:- Julia Redhead.
0:14:00 > 0:14:02Julia Redhead.
0:14:08 > 0:14:10PHONE RINGS
0:14:11 > 0:14:13'Julia Redhead.'
0:14:43 > 0:14:47Isn't life a bit short for local papers?
0:14:47 > 0:14:49There was a Newfoundland dog in Newquay who was, like,
0:14:49 > 0:14:51a lifeguard dog or something,
0:14:51 > 0:14:54and The Cornishman had pictures of him on a surfboard.
0:14:54 > 0:14:56Anyway, we missed it.
0:14:56 > 0:14:58It ran for weeks and we didn't pick it up.
0:14:58 > 0:15:00Our editor has a Newfoundland.
0:15:00 > 0:15:03Right. Whatever happened to finding stories by being there, huh?
0:15:32 > 0:15:34Maya, it's Julia.
0:15:34 > 0:15:36Can you call me as soon as you get this?
0:15:40 > 0:15:42- I found Rose...- Oh, great.
0:15:42 > 0:15:44..in Kent.
0:15:44 > 0:15:45So, when am I seeing him?
0:15:45 > 0:15:47Tomorrow at 11.
0:15:47 > 0:15:49Oh, and the Minister for Justice wants to see you.
0:15:49 > 0:15:51Tell him I'm busy.
0:15:51 > 0:15:52He's here.
0:15:55 > 0:15:57Minister, hello.
0:15:57 > 0:15:59Thank you.
0:15:59 > 0:16:00Can we sit down somewhere?
0:16:00 > 0:16:02I'm running really late.
0:16:02 > 0:16:03I'm the Minister.
0:16:03 > 0:16:06Fantastic. Can you walk and talk at the same time?
0:16:06 > 0:16:09Anything you do has to weigh very carefully
0:16:09 > 0:16:10whether it's in the national interest.
0:16:10 > 0:16:12No, it doesn't. It has to weigh very carefully
0:16:12 > 0:16:15whether it's in the public interest. Quite different.
0:16:15 > 0:16:17Now you've finished clearing your throat,
0:16:17 > 0:16:19- can you tell me why you're here? - I'm here to help you.
0:16:19 > 0:16:21What with?
0:16:21 > 0:16:23The press have got hold of you not being here -
0:16:23 > 0:16:25taxpayers' money, public office,
0:16:25 > 0:16:27buggers off to America to represent a vicious killer
0:16:27 > 0:16:31when she should be looking after the victims of crime here.
0:16:31 > 0:16:32What press?
0:16:32 > 0:16:33John Corrigan.
0:16:33 > 0:16:35- Who told him?- We can have a word.
0:16:35 > 0:16:36Who told him?
0:16:37 > 0:16:40Right, you put it in there so now you can take it out
0:16:40 > 0:16:42and I am supposed to be grateful? What do you want?
0:16:42 > 0:16:45The end of the road is nigh for Rudy Jones.
0:16:45 > 0:16:47Sorry, that sounds a little biblical,
0:16:47 > 0:16:48but it's a question of clemency -
0:16:48 > 0:16:50an appeal to the State Governor, maybe the President.
0:16:50 > 0:16:52Now we'd do what we can.
0:16:52 > 0:16:55What, in exchange for me staying at home and shutting up?
0:16:55 > 0:16:58Diplomacy is usually more effective when there's less noise.
0:16:58 > 0:16:59What are you frightened of?
0:16:59 > 0:17:00I'm just doing my job.
0:17:00 > 0:17:03But here you are making all this noise,
0:17:03 > 0:17:05and that is hypocrisy, and out of character.
0:17:05 > 0:17:07- So I have to wonder... - What is your answer?
0:17:09 > 0:17:11Do you know your way out?
0:17:20 > 0:17:22Minister.
0:17:22 > 0:17:25- I hope you know what you're doing...- Of course.
0:17:25 > 0:17:27..because I'm seriously starting to doubt it.
0:17:27 > 0:17:29Hold your nerve and we'll be fine. Trust me.
0:17:29 > 0:17:32But it's not your job to tell the State Department in Washington
0:17:32 > 0:17:34we've appointed a Chief Prosecutor
0:17:34 > 0:17:36who doesn't listen to anything we say.
0:17:36 > 0:17:39Relax, she's not joining up any of the dots.
0:17:54 > 0:17:57ELEVATOR CHIMES AND DOORS OPEN
0:17:58 > 0:18:00How did you get on with the Minister?
0:18:00 > 0:18:02Oh, fine.
0:18:03 > 0:18:05I'm sorry to have missed him.
0:18:06 > 0:18:07Do you know each other?
0:18:07 > 0:18:09No.
0:18:09 > 0:18:12Oh, next time I'll introduce you, cos I think you'd get along.
0:18:12 > 0:18:13Oh, great.
0:18:32 > 0:18:34What are you doing?
0:18:34 > 0:18:36The House of Windsor wants a sacrificial lamb -
0:18:36 > 0:18:38or a pound of flesh.
0:18:38 > 0:18:39Why?
0:18:39 > 0:18:41The thing we all know and can't say -
0:18:41 > 0:18:43I've got pretty close to finding a way of saying it.
0:18:43 > 0:18:44Their people felt it,
0:18:44 > 0:18:46- so they spoke to our people. - PHONE RINGS
0:18:46 > 0:18:48Hello.
0:18:48 > 0:18:49Yep.
0:18:51 > 0:18:52He wants to see me.
0:18:57 > 0:18:59- KNOCK AT DOOR - Come in.
0:19:02 > 0:19:03Sit down.
0:19:07 > 0:19:09Congratulations,
0:19:09 > 0:19:12as of today you're the Daily Metro's new royal correspondent.
0:19:14 > 0:19:16What?
0:19:16 > 0:19:18I'm not interested in the royal family.
0:19:18 > 0:19:21That's why you've got the job. Your hands are clean.
0:19:25 > 0:19:27Well, can I finish what I'm doing?
0:19:27 > 0:19:28What is it?
0:19:30 > 0:19:31Nothing.
0:19:31 > 0:19:35The royals won't leave you time for anything else. Believe me.
0:19:41 > 0:19:43SHE SIGHS
0:19:47 > 0:19:49DOOR OPENS AND CLOSES
0:19:55 > 0:19:57Did you help her?
0:19:59 > 0:20:01You said you helped her.
0:20:02 > 0:20:04Every night since she was seven, she's been...
0:20:04 > 0:20:07- What does she look like? - Look, I don't want to get into..
0:20:07 > 0:20:09- I'd like to know what she... - Listen to me!
0:20:09 > 0:20:12Sorry, I'm sorry, listen to me, please.
0:20:12 > 0:20:14Here it is, all right. This is... This is it.
0:20:20 > 0:20:23She was seven.
0:20:23 > 0:20:24They used to wake her up at night
0:20:24 > 0:20:27because they liked her all bleary and sleepy.
0:20:29 > 0:20:30For years afterwards,
0:20:30 > 0:20:33she was never quite sure whether she was awake or asleep.
0:20:39 > 0:20:43She was abused every night for four years
0:20:43 > 0:20:47and there have been times when she wasn't sure whether she'd dreamt it.
0:20:47 > 0:20:49Wheen Hall?
0:20:52 > 0:20:54We went to the police.
0:20:56 > 0:21:00We went up to this beat copper on a day out in Bournemouth.
0:21:00 > 0:21:04We were in twos and holding hands, and she just...
0:21:04 > 0:21:06She just told him.
0:21:09 > 0:21:12They needn't have worried - nothing ever came of it -
0:21:12 > 0:21:14but they punished us anyway.
0:21:14 > 0:21:16They wanted to make us understand
0:21:16 > 0:21:19that asking for help would make life unliveable.
0:21:19 > 0:21:21What did they do?
0:21:23 > 0:21:25They...
0:21:29 > 0:21:33They locked us in a cellar for nine nights.
0:21:35 > 0:21:38Just the two of us and my Action Man.
0:21:43 > 0:21:46We found a jar of, erm...
0:21:48 > 0:21:52..Marmite, a box of these jars of Marmite down there,
0:21:52 > 0:21:54and three bottles of apple brandy.
0:21:58 > 0:22:01After two nights,
0:22:01 > 0:22:04we had to start eating the Marmite,
0:22:04 > 0:22:08which made us incredibly thirsty - you know, the salt -
0:22:08 > 0:22:10so we drank the brandy.
0:22:12 > 0:22:16So not only were we frightened and guilty -
0:22:16 > 0:22:19we felt incredibly guilty -
0:22:19 > 0:22:22we were drunk.
0:22:22 > 0:22:27Eight years old, dark cellar,
0:22:27 > 0:22:29drunk...
0:22:31 > 0:22:34You've never said.
0:22:34 > 0:22:37I wanted to keep that out of our lives.
0:22:37 > 0:22:39Just...
0:22:39 > 0:22:41I thought it might be too much.
0:22:54 > 0:22:57That wasn't the first time I'd seen her, in Oxford.
0:23:05 > 0:23:09When was the first?
0:23:09 > 0:23:11A few months ago.
0:23:13 > 0:23:15How often?
0:23:15 > 0:23:17I couldn't say no.
0:23:17 > 0:23:19I couldn't.
0:23:19 > 0:23:22She said those nights in the cellar were the only time she felt safe -
0:23:22 > 0:23:26nine nights when nobody came to get her.
0:23:26 > 0:23:29We... We had to hug each other to stay warm,
0:23:29 > 0:23:34and I suppose she wanted more warmth from me.
0:23:34 > 0:23:37It would have killed her to say no.
0:23:37 > 0:23:40How many times?
0:23:40 > 0:23:42Just a few times.
0:23:45 > 0:23:47In our house?
0:23:47 > 0:23:49Maya...
0:23:49 > 0:23:56Did you sleep with her in our house?
0:24:08 > 0:24:10Oh...
0:24:17 > 0:24:21MAYA SOBS
0:24:28 > 0:24:31SHE GROANS
0:24:31 > 0:24:34SHE EXHALES
0:24:44 > 0:24:46NICK SCREAMS
0:24:51 > 0:24:55FOOTSTEPS THUD
0:25:24 > 0:25:27- Hi, can I get a brandy, please? - Yeah.- Thanks.
0:25:40 > 0:25:43- MAN SNIFFS - Brandy.
0:25:43 > 0:25:47SHE GASPS Oh, Jesus Christ, Brady.
0:25:47 > 0:25:48What are you doing here?
0:25:48 > 0:25:50- Looking for a job.- Thanks.
0:25:50 > 0:25:52- Make that two, please. Thank you.- Sure.
0:25:55 > 0:25:58Her name is Abigail Strickland.
0:25:58 > 0:25:59How do you know?
0:25:59 > 0:26:00Two phone calls.
0:26:00 > 0:26:02Who did you call?
0:26:02 > 0:26:05No, don't worry. Like I said, I'm good.
0:26:05 > 0:26:06The dark arts, eh?
0:26:06 > 0:26:09I am the independent journalism the liberal establishment
0:26:09 > 0:26:12wants to regulate to death.
0:26:12 > 0:26:14Who did you call?
0:26:14 > 0:26:17You really need me, don't you?
0:26:20 > 0:26:22SHE SIGHS
0:26:30 > 0:26:33HE BREATHES HEAVILY
0:26:33 > 0:26:35DOG BARKS FROM OUTSIDE
0:26:40 > 0:26:42Maya?
0:26:47 > 0:26:49Maya?
0:26:50 > 0:26:51Maya?
0:26:51 > 0:26:54DOG BARKS
0:26:59 > 0:27:02- Maya? - DOG BARKS
0:27:04 > 0:27:07DOG BARKS
0:27:07 > 0:27:09Hey, Rocco, shh-shh-shh.
0:27:12 > 0:27:16DOG BARKS
0:27:16 > 0:27:18DOG BARKS AGAIN
0:27:20 > 0:27:23HE PANTS
0:27:40 > 0:27:41Maya!
0:28:00 > 0:28:02Maya!
0:28:04 > 0:28:05MAYA!
0:28:22 > 0:28:24Hey.
0:28:25 > 0:28:27Oh, God. Hey.
0:28:31 > 0:28:33Hey, hey, come on.
0:28:43 > 0:28:44Remember the children.
0:28:44 > 0:28:47Oh, don't flatter yourself.
0:28:47 > 0:28:49You didn't bring a towel.
0:28:51 > 0:28:54You went to sleep.
0:28:54 > 0:28:56Look, I've done a terrible thing.
0:28:56 > 0:28:58Hit me all you like - I deserve it -
0:28:58 > 0:29:00but don't destroy the lives of our children.
0:29:00 > 0:29:01It's you that's done that.
0:29:01 > 0:29:03No, it's your choice now.
0:29:04 > 0:29:06You bastard.
0:29:11 > 0:29:13Come on, we should get you home.
0:29:13 > 0:29:14I want to be on my own.
0:29:14 > 0:29:16I am not leaving you on your own.
0:29:17 > 0:29:18I love you.
0:29:18 > 0:29:20Oh, really?
0:29:22 > 0:29:24What was the equation?
0:29:26 > 0:29:28"I feel so sorry for this woman, I...
0:29:28 > 0:29:30"I think I'll sleep with her,
0:29:30 > 0:29:34"and I'll just put my wife and my children aside for a few months."
0:29:37 > 0:29:40I watched you sleep last night -
0:29:40 > 0:29:42a good, deep sleep.
0:29:43 > 0:29:45And I thought,
0:29:45 > 0:29:50"Wow, after all these years,
0:29:50 > 0:29:53"I'm really not sure I know who you are."
0:29:56 > 0:29:58Tell me you were just going for a swim.
0:30:12 > 0:30:14HE SIGHS
0:31:10 > 0:31:12Mummy.
0:31:23 > 0:31:27Erm, is there a trigger?
0:31:28 > 0:31:31Is epilepsy brought on by something?
0:31:31 > 0:31:33Like what?
0:31:33 > 0:31:36Erm, like, Rudy, maybe.
0:31:36 > 0:31:38Is it Rudy, Mum?
0:31:38 > 0:31:39No.
0:31:39 > 0:31:42- Because he's going to live, isn't he?- I hope so.
0:31:42 > 0:31:45But, then, why are you sad?
0:31:45 > 0:31:47I missed you.
0:31:56 > 0:31:59You smell like pond.
0:31:59 > 0:32:01Did you go swimming?
0:32:02 > 0:32:04Mum?
0:32:04 > 0:32:06Yes. I went swimming.
0:32:08 > 0:32:09Did Dad go with you?
0:32:09 > 0:32:12No. No, he didn't.
0:32:12 > 0:32:15Dad, she could have drowned.
0:32:15 > 0:32:18You just need to start looking after her better.
0:32:23 > 0:32:24Dad.
0:32:28 > 0:32:29Daddy, come on.
0:32:36 > 0:32:37Properly.
0:32:56 > 0:32:58I want to show you something...
0:32:58 > 0:33:00You should go with her to Louisiana.
0:33:00 > 0:33:01She wouldn't want that.
0:33:01 > 0:33:03Well, why not?
0:33:03 > 0:33:05She doesn't want it defining who she is.
0:33:05 > 0:33:08She is a brilliant woman at the top of her game,
0:33:08 > 0:33:11who happens to have epilepsy.
0:33:11 > 0:33:13It's not her whole life.
0:33:13 > 0:33:15Are you all right, Dad?
0:33:15 > 0:33:17I'm fine.
0:33:54 > 0:33:56- Nick.- Mm-hmm.
0:33:56 > 0:33:58There's something I need to talk to you about.
0:33:58 > 0:34:00Oh, well, actually, me too.
0:34:00 > 0:34:01What?
0:34:01 > 0:34:03Well, mine's a really big thing, so...
0:34:03 > 0:34:04You go ahead.
0:34:04 > 0:34:08OK, erm, right, well...
0:34:08 > 0:34:11I've thought really carefully about this, right?
0:34:11 > 0:34:15Erm, it's that, I just... I don't think she feels safe.
0:34:17 > 0:34:19- Sorry?- Mrs Antwi.
0:34:19 > 0:34:22- Oh.- And I think that's something that we could maybe help with.
0:34:22 > 0:34:23What do you mean?
0:34:23 > 0:34:28I mean, I was thinking maybe she should come and live here, with us,
0:34:28 > 0:34:31because then she would feel safer
0:34:31 > 0:34:33and, more importantly,
0:34:33 > 0:34:36then she could start to grieve for her dead son.
0:34:39 > 0:34:41I just...
0:34:41 > 0:34:44I'm sorry, what was it you wanted to talk to me about?
0:34:45 > 0:34:48DOORBELL RINGS
0:34:48 > 0:34:51Ah, that's... I told her to come over.
0:34:51 > 0:34:55- Because, because, I said that we had to talk about it, right?- OK.
0:34:55 > 0:34:58But, then I also said that we wouldn't take that long.
0:34:58 > 0:34:59I'll just go and...
0:34:59 > 0:35:01I can't leave the room without giving you one of these
0:35:01 > 0:35:03because you're too cute.
0:35:03 > 0:35:05All right, I'm going. Excuse me.
0:35:08 > 0:35:10Hello, Mrs A. Yeah, come on up. I'll buzz you in.
0:35:10 > 0:35:12That smells so delicious.
0:35:12 > 0:35:14It better had -
0:35:14 > 0:35:19chicken and dumpling soup has been in my family for 27,000 years.
0:35:19 > 0:35:20Was it one of Michael's favourites?
0:35:20 > 0:35:23No. Best thing about him dying?
0:35:23 > 0:35:26No more vegetarian foods.
0:35:26 > 0:35:28Where did I go wrong?
0:35:28 > 0:35:30Know this, children -
0:35:30 > 0:35:33I will teach the new arrival how to eat meat and love it.
0:35:33 > 0:35:36I will baby-sit your baby into everything
0:35:36 > 0:35:38that is fine and good in the world.
0:35:41 > 0:35:43What? Maya, are you...?
0:35:43 > 0:35:45Are you...?
0:35:51 > 0:35:53Oh, my God.
0:35:53 > 0:35:56Oh, my God, babe, babe, babe. That's amazing!
0:35:56 > 0:35:59- Oh, baby! - MAYA SHRIEKS WITH JOY
0:36:01 > 0:36:04To new life.
0:36:04 > 0:36:06And to absent friends.
0:36:14 > 0:36:18Did I tell you about when we first came to England?
0:36:18 > 0:36:21I could have strangled that boy, I tell you.
0:36:21 > 0:36:22Weed.
0:36:22 > 0:36:24- Drugs?- Hidden in his shoe.
0:36:24 > 0:36:25Oh, my God.
0:36:25 > 0:36:29Only, he didn't tell me, because he knew I'd go crazy with him.
0:36:29 > 0:36:33So we landed at Heathrow and customs pulled us over.
0:36:33 > 0:36:36I threw one big hissy fit.
0:36:36 > 0:36:38"Why us?
0:36:38 > 0:36:40"Do I look like a drug dealer?"
0:36:40 > 0:36:42There was a big white family coming through behind us,
0:36:42 > 0:36:45all clean with combed hair, and I was yelling,
0:36:45 > 0:36:50"Look at them - they look like fancy-dress drug dealers to me.
0:36:50 > 0:36:54"Why don't you stop and search the Von Trapp family?"
0:36:57 > 0:37:00So what... What happened?
0:37:00 > 0:37:04The young man searching my suitcase stopped dead.
0:37:04 > 0:37:07For about ten seconds, he remained frozen,
0:37:07 > 0:37:09with his hands inside my suitcase.
0:37:11 > 0:37:13Everybody stopped.
0:37:13 > 0:37:15They all looked at him.
0:37:15 > 0:37:17A grenade?
0:37:17 > 0:37:19A bomb?
0:37:19 > 0:37:20Well, what was it?
0:37:20 > 0:37:23- My dildo! - MAYA SHRIEKS
0:37:23 > 0:37:25Oh. Oh.
0:37:25 > 0:37:28I can never unhear that now.
0:37:28 > 0:37:30Nah. No, no...
0:37:30 > 0:37:32And they... They all cracked up -
0:37:32 > 0:37:34all the customs people -
0:37:34 > 0:37:36when he pulled it out.
0:37:36 > 0:37:38It was one big joke
0:37:38 > 0:37:41and suddenly they forgot about the rest of the search.
0:37:41 > 0:37:44They never got around to searching Michael.
0:37:44 > 0:37:46Then he told me what was in his shoe -
0:37:46 > 0:37:49I nearly took him right back to customs.
0:37:53 > 0:37:55It wasn't much.
0:37:57 > 0:38:02It was just enough for a smoke with some friends.
0:38:09 > 0:38:15Erm, the word is that Peter Mackie is going to plead to manslaughter.
0:38:17 > 0:38:19It's not enough.
0:38:19 > 0:38:21Nowhere near enough, I know.
0:38:21 > 0:38:25I promise I will get full justice for Michael.
0:38:30 > 0:38:33Then you will have to change the world, child.
0:38:38 > 0:38:42SHE EXHALES
0:38:42 > 0:38:45SIREN WAILS
0:38:49 > 0:38:50Hello.
0:38:50 > 0:38:52Julia, what are you doing?
0:38:52 > 0:38:54You haven't been answering my calls.
0:38:57 > 0:38:59What's this?
0:38:59 > 0:39:01That's the woman I saw with Nick.
0:39:05 > 0:39:07Oh, my God.
0:39:07 > 0:39:10Sorry.
0:39:10 > 0:39:13Her life and...now this?
0:39:13 > 0:39:16What life?
0:39:16 > 0:39:19Erm, she and Nick, they...
0:39:19 > 0:39:23They shared a... A mutual past.
0:39:23 > 0:39:26He doesn't know she's dead?
0:39:26 > 0:39:29I don't think so.
0:39:29 > 0:39:30What past?
0:39:30 > 0:39:34Erm, he didn't want me to tell anyone.
0:39:34 > 0:39:38They were in a children's home together. It wasn't a good place.
0:39:38 > 0:39:40I don't know her name.
0:39:40 > 0:39:41I couldn't...
0:39:41 > 0:39:43I couldn't bear for him to say it out.
0:39:45 > 0:39:48Abigail Strickland.
0:39:48 > 0:39:50Why do you know that?
0:39:50 > 0:39:52Why are you doing this?
0:39:52 > 0:39:53For you.
0:39:53 > 0:39:55- Yeah, we're dealing with it, Julia.- Are you?
0:39:55 > 0:39:59Look, this is the hardest thing I have ever done,
0:39:59 > 0:40:04and I could do with your support and not your...
0:40:04 > 0:40:07Whatever the fuck it is you're doing.
0:40:07 > 0:40:09- Are you trying to hurt us? Huh? - Oh, come on.
0:40:09 > 0:40:12Is this some kind of weird guilt over Michael?
0:40:12 > 0:40:15Listen, I know her name but nothing else about her,
0:40:15 > 0:40:17because everywhere I look - blanks.
0:40:17 > 0:40:20PNC, DVLA, banks, phone companies,
0:40:20 > 0:40:22Inland Revenue - nothing.
0:40:22 > 0:40:26She didn't exist, this woman. Why not?
0:40:26 > 0:40:28She was trying to escape her past.
0:40:30 > 0:40:32What are you scared of finding?
0:40:52 > 0:40:54Wheen Hall? Yes.
0:40:54 > 0:40:58Oh, no, no, I wanted to find out about someone who was a resident...
0:40:58 > 0:41:00Her name is Abigail Strickland.
0:41:00 > 0:41:05Erm, she would have been with you in the, erm... The mid-1980s.
0:41:05 > 0:41:08My name? Sorry. Yeah, it's PC Daniels.
0:41:08 > 0:41:10No, no, they don't say WPC any more.
0:41:15 > 0:41:18She wasn't there?
0:41:18 > 0:41:20Definitely not?
0:41:22 > 0:41:24Thank you.
0:41:48 > 0:41:49Where have you been?
0:41:49 > 0:41:51Working on something.
0:41:51 > 0:41:52Yeah, what?
0:41:52 > 0:41:54Kate's bad hair day - there's a great photograph.
0:41:54 > 0:41:56So what's to do?
0:41:56 > 0:41:57The history of her hair -
0:41:57 > 0:41:59I want to make it more than just a one-off hair story.
0:41:59 > 0:42:01I don't like it.
0:42:01 > 0:42:02Why is that?
0:42:02 > 0:42:04We love her.
0:42:04 > 0:42:07Don't fuck with the story of our love by fucking with her hair.
0:42:07 > 0:42:08Well, it's an affectionate piece.
0:42:08 > 0:42:11I feel that, in her role as a modern princess,
0:42:11 > 0:42:13she represents all of us women.
0:42:13 > 0:42:16If Kate can get through a bad hair day, we all can.
0:42:16 > 0:42:18She's an inspiration.
0:42:18 > 0:42:19They all are,
0:42:19 > 0:42:23and they deserve all of your attention - all of the time.
0:42:34 > 0:42:36DOOR CLOSES
0:43:01 > 0:43:05You left the Met in 1997.
0:43:05 > 0:43:06Yeah.
0:43:06 > 0:43:09That was... That was right after Michael Antwi died.
0:43:09 > 0:43:10LAUGHTER
0:43:10 > 0:43:11ANIMALS BLEAT
0:43:11 > 0:43:13They love it here.
0:43:13 > 0:43:15We bus them in from Lambeth.
0:43:15 > 0:43:17They get three days of country life.
0:43:17 > 0:43:19I mean, they really love it.
0:43:20 > 0:43:24You've come a long way.
0:43:24 > 0:43:26Why do you assume police officers can't be decent people?
0:43:26 > 0:43:30I'm sorry. You're right. I blame Stephen Lawrence.
0:43:33 > 0:43:34Why are you here now?
0:43:37 > 0:43:38I think you know why.
0:43:41 > 0:43:43You've found her, haven't you?
0:43:46 > 0:43:49Does that mean it's all starting up again?
0:43:51 > 0:43:53Did you find her or did she come to you?
0:43:55 > 0:43:58I can't tell you that.
0:44:03 > 0:44:04What did she say?
0:44:08 > 0:44:10You know what she said.
0:44:12 > 0:44:14It was an accident.
0:44:14 > 0:44:17It doesn't fit your world view, but it was.
0:44:19 > 0:44:21No crime scene created.
0:44:21 > 0:44:23No... No clothing taken for forensics,
0:44:23 > 0:44:25disappearing CCTV tapes,
0:44:25 > 0:44:28no witness statements taken from any police officer
0:44:28 > 0:44:30because you were all too upset to write...
0:44:30 > 0:44:34Really? Whose world view is that?
0:44:34 > 0:44:37I was really, really upset.
0:44:37 > 0:44:40Yes.
0:44:40 > 0:44:42And the others?
0:44:46 > 0:44:48It's taken a lot of work to get this going.
0:44:50 > 0:44:52Is this penance?
0:44:53 > 0:44:55I'm not religious.
0:44:55 > 0:44:57Conscience, then?
0:44:57 > 0:44:59Have you seen the others?
0:45:00 > 0:45:01No.
0:45:03 > 0:45:05And Mackie...
0:45:05 > 0:45:06How is he?
0:45:08 > 0:45:10Why do you care about Peter Mackie?
0:45:14 > 0:45:16They've done all right, haven't they?
0:45:16 > 0:45:17The others.
0:45:19 > 0:45:24I think you want it to start again.
0:45:24 > 0:45:25Deep down.
0:45:31 > 0:45:35I prefer conscience to guilt.
0:45:35 > 0:45:38Guilt corrodes, conscience...
0:45:38 > 0:45:41Corrects.
0:45:41 > 0:45:43Civilizes.
0:45:54 > 0:45:56I'll tell you one thing.
0:45:59 > 0:46:02Whatever any of them try and say now,
0:46:02 > 0:46:05Abigail Strickland was a good police officer.
0:46:46 > 0:46:47DOOR SLAMS
0:46:58 > 0:47:00Yeah.
0:47:00 > 0:47:02Yes, I understand, yeah.
0:47:04 > 0:47:05No, no.
0:47:05 > 0:47:08I know, I know.
0:47:08 > 0:47:12Look, because I love her and I love my family.
0:47:12 > 0:47:14I've been trying to help you, but...
0:47:14 > 0:47:17Look, Wheen Hall was a very long time ago, OK?
0:47:17 > 0:47:19We... We were just kids. We can't use that as an excuse.
0:47:19 > 0:47:21Yes, yes, this is goodbye.
0:47:21 > 0:47:23I'm sorry.
0:47:43 > 0:47:47SHE EXHALES
0:48:03 > 0:48:05Can I help?
0:48:05 > 0:48:07Are you looking for a family member?
0:48:07 > 0:48:09Yes.
0:48:09 > 0:48:11Is it a lost family member?
0:48:11 > 0:48:13Erm, yeah. Yeah, that's right.
0:48:13 > 0:48:17You should probably check the register of deaths, just in case.
0:48:17 > 0:48:19It can save a lot of time and effort.
0:48:19 > 0:48:21It takes a couple of days.
0:48:21 > 0:48:22Erm, what's the name?
0:48:22 > 0:48:25Nicholas...
0:48:25 > 0:48:27Johnson.
0:48:29 > 0:48:31And the date of birth?
0:48:31 > 0:48:36The third of the 11th, '71.
0:48:36 > 0:48:38And your number?
0:48:38 > 0:48:4207700900692.
0:48:43 > 0:48:46- Erm, so... So what happens? - I'll give you a call on Tuesday.
0:48:46 > 0:48:49- I should have an answer for you. - Thank you.
0:49:06 > 0:49:10- Nick.- Huh?- Dad.- Yeah.
0:49:10 > 0:49:13What happens on mile five of your run?
0:49:13 > 0:49:16- Er, what do you mean? - Your watch says you stop.
0:49:17 > 0:49:20- Yeah.- Every time?
0:49:20 > 0:49:22Yeah, erm, press-ups.
0:49:23 > 0:49:25You know, something I saw the BMF guys do,
0:49:25 > 0:49:28and I thought, you know, looks like a good idea.
0:49:28 > 0:49:31But it says you stop for seven or eight minutes sometimes.
0:49:31 > 0:49:33Yeah.
0:49:35 > 0:49:37That's amazing.
0:49:37 > 0:49:40- Can you show me, please? - Erm, not right now, Dan.
0:49:40 > 0:49:43- Oh, please, Dad.- Show him. - Daddy, please!- Not right now!
0:50:28 > 0:50:29I've can't find my charger!
0:50:29 > 0:50:31I'll bring mine, it's the same.
0:50:31 > 0:50:33What you talking about?
0:50:33 > 0:50:35I'm coming with you -
0:50:35 > 0:50:36to Louisiana.
0:50:36 > 0:50:40- You don't have to do that. - Yes, I do.
0:51:40 > 0:51:43See the curl?
0:51:43 > 0:51:45Boing!
0:51:47 > 0:51:52Oh, we don't mind if you cry.
0:51:52 > 0:51:54We don't mind, do we?
0:51:54 > 0:51:56We don't mind.
0:51:56 > 0:51:58Hmm?
0:51:58 > 0:52:00Clemency.
0:52:02 > 0:52:06- What do you think? Clemency, Clem?- Yeah, yeah.
0:52:10 > 0:52:12Hello, Clem.
0:52:15 > 0:52:16I can't carry on.
0:52:18 > 0:52:19We'll get you out.
0:52:20 > 0:52:24- Australia. - What are you talking about?
0:52:24 > 0:52:28A disappearance brought on by the relived trauma of your childhood.
0:52:29 > 0:52:32It's all got too much for you, hasn't it?
0:52:32 > 0:52:36- I love her. - Sure, and that can't be.
0:52:39 > 0:52:42We have a baby.
0:52:42 > 0:52:44Her name is Clem.
0:52:44 > 0:52:46She has a name.
0:52:48 > 0:52:50Australia? What, are you mad, mate?
0:52:50 > 0:52:53I love Maya and I will not carry on betraying her.
0:52:55 > 0:52:58Sorry, what was that thing you said? There's a tipping point?
0:52:58 > 0:53:01Well, with all my heart and my soul, I have tipped.
0:53:43 > 0:53:45GATE ALARM BLARES
0:53:48 > 0:53:50GATE ALARM BLARES
0:54:02 > 0:54:05GATE ALARM BLARES
0:54:09 > 0:54:11- Hi, Mark.- Hi.
0:54:11 > 0:54:14- How's he doing?- Better.- That's good.
0:54:14 > 0:54:17They're nursing him back to health so that they can kill him.
0:54:17 > 0:54:20Oh, this is Mark Ambrose, Clem.
0:54:20 > 0:54:22- Nice to meet you.- Hi.
0:54:22 > 0:54:25So they won't give him the meds he needs for the seizures
0:54:25 > 0:54:28because that'd lower his competence and make our chances better.
0:54:28 > 0:54:32That's why they've got him back here from the real hospital.
0:54:32 > 0:54:36The prison controls his competence level, they get to execute him.
0:54:37 > 0:54:41- GATE ALARM BLARES - You ready?
0:54:52 > 0:54:54GROANING
0:55:03 > 0:55:08Jack McDonald - doctor from the Louisiana Competence Commission.
0:55:08 > 0:55:11Hippocrates is spinning in his grave.
0:55:11 > 0:55:13Has he been drinking?
0:55:13 > 0:55:16He keeps a bottle in his car.
0:55:16 > 0:55:20- Well, shouldn't we tell someone about that?- Leave him be.
0:55:20 > 0:55:21- But, Mum, he's...- It's OK.- No.
0:55:25 > 0:55:26Morning.
0:55:33 > 0:55:34Come on.
0:55:47 > 0:55:50Clemency Johnson,
0:55:50 > 0:55:52this is Rudy Jones.
0:55:57 > 0:55:58Hello.
0:56:01 > 0:56:03It's so good to finally meet you.
0:56:12 > 0:56:15MOBILE RINGS
0:56:21 > 0:56:23Hello?
0:56:23 > 0:56:25Yes, thanks for calling me back.
0:56:25 > 0:56:27So, erm...
0:56:28 > 0:56:30Nick. Nicholas...
0:56:30 > 0:56:32Nicholas Johnson. OK.
0:56:42 > 0:56:43Oh.
0:56:43 > 0:56:45No, no, no. I mean, no, no, no.
0:56:45 > 0:56:50That's... That's OK. So when would he...?
0:56:52 > 0:56:54So...
0:56:54 > 0:56:57He'd... He'd have...?
0:56:57 > 0:57:00He... He would have been...?
0:57:01 > 0:57:04He would have been eight when he died?
0:57:06 > 0:57:08You haven't...? Have you ever...?
0:57:08 > 0:57:10Do you ever get this wrong?
0:57:10 > 0:57:11Oh, no.
0:57:13 > 0:57:15No, yes. Thank you.
0:57:15 > 0:57:17Thank you. Bye.
0:57:24 > 0:57:25Are you all right, Mum?
0:57:27 > 0:57:29This isn't easy, is it?
0:57:29 > 0:57:32- I love you.- I love you too.
0:57:34 > 0:57:36I love you too.