0:00:02 > 0:00:08This programme contains some violent scenes and some strong language
0:00:11 > 0:00:14Something's up.
0:00:16 > 0:00:17BIRDS CALL UNCEASINGLY
0:00:48 > 0:00:50We can't do this.
0:00:50 > 0:00:52Tie it up.
0:01:01 > 0:01:03I can't, this isn't right.
0:01:03 > 0:01:05Just do it.
0:01:05 > 0:01:06I'm not doing it.
0:01:09 > 0:01:11- Jacobsen!- Get off!
0:01:32 > 0:01:35# Tram wires
0:01:35 > 0:01:40# Across northern skies
0:01:40 > 0:01:44# Cut my blue heart in two
0:01:46 > 0:01:48# My knuckles bleed
0:01:48 > 0:01:53# Down the tattered street
0:01:53 > 0:01:57# On a door that shouldn't be
0:01:57 > 0:02:01# In front of me. #
0:02:43 > 0:02:46TROLLEY APPROACHES
0:02:46 > 0:02:47- Morning.- Excuse me.
0:02:54 > 0:02:55PHONE RINGS
0:02:56 > 0:02:59(Sorry, sorry.)
0:03:02 > 0:03:05(Wallander.)
0:03:05 > 0:03:06No, I was awake.
0:03:24 > 0:03:26CHILDREN CHATTER
0:03:32 > 0:03:34- Sir.- Thanks.
0:03:46 > 0:03:50Whoever shot them did them a kindness.
0:03:50 > 0:03:52The mouths were burnt out with chemicals.
0:03:52 > 0:03:54Destroyed the tongue and the gums.
0:03:54 > 0:03:57And their fingers have been broken.
0:03:57 > 0:03:58When did they die?
0:03:58 > 0:04:01Well, it's hard to tell, with the sun and the gulls.
0:04:01 > 0:04:03A few days.
0:04:43 > 0:04:46They're mafia tattoos, aren't they?
0:04:46 > 0:04:48- Russian.- Yeah.
0:04:48 > 0:04:52The buildings are from the town where they'll be based.
0:04:52 > 0:04:54You recognise any of them?
0:04:54 > 0:04:57I don't know. Could be anywhere east of the Baltic.
0:05:00 > 0:05:04All OK? Other than this?
0:05:04 > 0:05:05Fine. Fine.
0:05:05 > 0:05:08Don't give yourself a hard time about what happened.
0:05:12 > 0:05:14How is she? Ann-Britt?
0:05:14 > 0:05:18Fine. You... you should speak to her consultant.
0:05:19 > 0:05:20Um...
0:05:22 > 0:05:26She's not awake.
0:05:30 > 0:05:31She's alive.
0:05:34 > 0:05:37So, I sent the tattoo photos out through Europol.
0:05:37 > 0:05:39Didn't want to scare them with the faces.
0:05:39 > 0:05:41They're Russian tattoos.
0:05:41 > 0:05:44Yeah, Russian tattoos, but the bodies are from Latvia.
0:05:44 > 0:05:46That's where Riga is, right?
0:05:46 > 0:05:47Yeah, let me see.
0:05:47 > 0:05:51Let's get everyone together, then.
0:05:51 > 0:05:54So is there a detective from Riga on his way?
0:06:35 > 0:06:37Kurt Wallander?
0:06:37 > 0:06:38Yeah.
0:06:38 > 0:06:40Karlis Liepa.
0:06:40 > 0:06:42We're this way.
0:06:48 > 0:06:51The roses are initiation symbols for the gang.
0:06:52 > 0:06:55Gravestones are the time they've spent in prison.
0:06:58 > 0:07:00They mourn for the lost time.
0:07:00 > 0:07:02Do you know who they are?
0:07:02 > 0:07:05I couldn't read the dates on the gravestones.
0:07:05 > 0:07:09It was '06 to '08, the first body.
0:07:09 > 0:07:11'02 to '08, the other one.
0:07:11 > 0:07:13Who are they?
0:07:21 > 0:07:23You didn't send me photos of the faces.
0:07:26 > 0:07:27No.
0:08:10 > 0:08:14It was sulphuric acid. Concentrated. It's industrial.
0:08:14 > 0:08:17They dilute it to fill up car batteries.
0:08:38 > 0:08:40This one is called Kalns.
0:08:41 > 0:08:43That's Leja.
0:08:46 > 0:08:50They were captains in a gang called Radnieciba.
0:08:50 > 0:08:51Ethnic Russians.
0:08:51 > 0:08:54They both left Ventspils in a boat seven nights ago.
0:08:54 > 0:08:56How do you know them?
0:09:06 > 0:09:07Where's the raft? Can I see that?
0:09:09 > 0:09:10Sure.
0:09:20 > 0:09:21Thank you.
0:09:27 > 0:09:31The raft itself is about 25 years old.
0:09:31 > 0:09:35Made in Yugoslavia, they were exported mainly in Eastern Europe.
0:09:36 > 0:09:38We took photos obviously.
0:09:39 > 0:09:41Good.
0:09:43 > 0:09:45Then you can give me copies.
0:09:48 > 0:09:50What do you make of it?
0:09:53 > 0:09:55Did you talk to the newspapers about this?
0:09:55 > 0:09:57- No, we didn't.- OK.
0:09:57 > 0:09:59Why d'you want to know?
0:10:02 > 0:10:04Do you have a fax machine?
0:10:04 > 0:10:06Yeah.
0:10:06 > 0:10:08I'd like to use it.
0:10:09 > 0:10:11It's just back down the corridor.
0:10:24 > 0:10:26Did this go?
0:10:26 > 0:10:28Who did you send it to?
0:10:28 > 0:10:32My superiors. Did this go?
0:10:32 > 0:10:35Yes, yes, it went.
0:10:35 > 0:10:38Good. Very good.
0:10:38 > 0:10:42I could drink a beer now, do you want to come?
0:10:42 > 0:10:44No, I want you to tell me what you know.
0:10:46 > 0:10:48I think it was an accident it landed here.
0:10:48 > 0:10:50Your job is finished, Kurt. Let's go for a beer.
0:10:50 > 0:10:52I'm not sending those bodies back
0:10:52 > 0:10:54until we know what we're dealing with here in Sweden.
0:10:54 > 0:10:56Understood?
0:10:57 > 0:11:02Fine. Keep the bodies. Nobody mourns these men.
0:11:02 > 0:11:06- PHONE RINGS - Excuse me. ..Yeah, Wallander.
0:11:06 > 0:11:09'I've got some information on the dead men in the life raft.
0:11:09 > 0:11:11'I'll be on the east quay at Simirishamn.
0:11:11 > 0:11:13'An hour and a half. Keep it quiet.'
0:11:13 > 0:11:15Who...?
0:11:19 > 0:11:21Enjoy your beer.
0:12:19 > 0:12:24I saw the raft. It's marked. 2.25pm, the 12th. Drifting south.
0:12:24 > 0:12:27So why didn't you tow it in?
0:12:28 > 0:12:30I saw what was inside it.
0:12:32 > 0:12:35And you'd be a fisherman?
0:12:35 > 0:12:36Yeah.
0:12:36 > 0:12:38So why all this intrigue, then?
0:12:40 > 0:12:42What are you doing?
0:12:42 > 0:12:44POLICE SIRENS
0:12:44 > 0:12:45Er, hey...
0:12:50 > 0:12:52OK, OK, just...
0:12:53 > 0:12:55POLICE SIRENS WAIL
0:13:01 > 0:13:02MOTOR STARTS
0:13:06 > 0:13:08PHONE RINGS
0:13:10 > 0:13:12- Yeah? - 'Kurt, we've been broken into.
0:13:12 > 0:13:15'The raft had cocaine'
0:13:15 > 0:13:18hidden in the base. It was shredded.
0:13:18 > 0:13:20'We were set up.'
0:13:20 > 0:13:22It was a diversion.
0:13:22 > 0:13:24Right, thanks.
0:13:36 > 0:13:37Major!
0:13:40 > 0:13:42Oh, come...
0:13:52 > 0:13:54Hello.
0:14:16 > 0:14:19Who took the drugs from the raft?
0:14:21 > 0:14:23They're gone?
0:14:23 > 0:14:26Yeah, and I think that you knew that they were there
0:14:26 > 0:14:27and I think you knew that they'd go.
0:14:27 > 0:14:31So please tell me what's happening, because I'm not beyond arresting you.
0:14:31 > 0:14:34Fine, go ahead. Arrest me.
0:14:34 > 0:14:39Please. Ten years in a nice Swedish prison.
0:14:39 > 0:14:41That would be just great for me.
0:14:41 > 0:14:43This is the last time I'm going to ask.
0:14:43 > 0:14:50These men, these boys, they had their mouths burnt,
0:14:50 > 0:14:55burnt like that, because they'd been talking -
0:14:55 > 0:14:57to me, my informants. It's, er...
0:15:00 > 0:15:03..it's my fault, Kurt,
0:15:03 > 0:15:06my fault.
0:15:06 > 0:15:10You can't.... You can't start thinking like that.
0:15:10 > 0:15:14It's the fault of whoever poured acid on them.
0:15:22 > 0:15:25Come on. Come on. I'll make you something to eat.
0:15:57 > 0:15:59That was a nice dinner.
0:15:59 > 0:16:00Thanks, you're welcome.
0:16:02 > 0:16:05Are you sure you want another one of those?
0:16:05 > 0:16:06Yeah.
0:16:11 > 0:16:13- Cheers.- Cheers.
0:16:13 > 0:16:16Your wife won't mind me smoking?
0:16:16 > 0:16:20I think it's pretty obvious by now, Karlis, that I don't have a wife.
0:16:22 > 0:16:24It's not easy to be a policeman and be married.
0:16:24 > 0:16:27It's not easy to be anybody and be married.
0:16:27 > 0:16:29Not easy to be anybody and be...whatever.
0:16:29 > 0:16:32Will you tell me who that fax you sent actually went to?
0:16:41 > 0:16:44I sent it, I hoped it wouldn't get into the wrong hands.
0:16:44 > 0:16:45But obviously, it did.
0:16:45 > 0:16:49And whose hands were the wrong hands?
0:16:51 > 0:16:55The man who tortured them...maybe.
0:16:55 > 0:16:58You think you know who that is?
0:16:58 > 0:17:00No, not really.
0:17:00 > 0:17:04No, not really until I go back.
0:17:04 > 0:17:05Is he with the same gang?
0:17:07 > 0:17:11You ever been responsible for someone else's pain, like that?
0:17:13 > 0:17:16You ever been the man to blame for something like that
0:17:16 > 0:17:17happening to someone?
0:17:19 > 0:17:22I have to know about it, Karlis. This is a drugs route into Sweden.
0:17:22 > 0:17:25The bodies washed up on our territory.
0:17:25 > 0:17:26I can't let this go.
0:17:26 > 0:17:29I don't know anything for definite until I go back.
0:17:29 > 0:17:31But you have a theory.
0:17:31 > 0:17:32I have a theory.
0:17:32 > 0:17:35Yeah. We work on theories. We share them.
0:17:39 > 0:17:41This is my theory.
0:17:41 > 0:17:44I think I got myself too involved.
0:17:44 > 0:17:48Yeah, but you have protection, yeah? The police have protection?
0:17:50 > 0:17:52In Latvia?
0:17:52 > 0:17:54No, Kurt.
0:17:54 > 0:17:58Well, now, I mean, we can try to help on our side,
0:17:58 > 0:18:01even if you're in trouble, you should know that.
0:18:07 > 0:18:11Hey, enough. You should stay here tonight.
0:18:11 > 0:18:15We'll talk about it in the morning. I'll get some bedclothes for you.
0:18:17 > 0:18:22Nice place to hide the drugs, Kurt, wasn't it?
0:18:22 > 0:18:28If I was hiding something, I would hide it in plain sight.
0:18:32 > 0:18:33Is this OK for you?
0:18:35 > 0:18:37Oh, there you go, present for you.
0:18:37 > 0:18:41We give them to all official visitors. I've got stacks of them.
0:18:41 > 0:18:43Enjoy. All right?
0:18:43 > 0:18:45- Yeah.- Right.
0:18:47 > 0:18:49Thanks, Kurt.
0:18:49 > 0:18:51- Yeah. Night-night.- Night.
0:18:58 > 0:19:01HE CLEARS HIS THROAT
0:19:07 > 0:19:09CAMERA BEEPS
0:19:49 > 0:19:50Karlis?
0:20:07 > 0:20:09HE LAUGHS
0:20:16 > 0:20:18THE SELTZER FIZZES
0:20:40 > 0:20:42DOG PANTS
0:20:53 > 0:20:56So let's assume the drugs were meant to come here,
0:20:56 > 0:20:59presumably from Latvia, or from Ventspils the Major said,
0:20:59 > 0:21:02there was somebody in Sweden on the receiving end,
0:21:02 > 0:21:06who knew enough and had enough personnel ruthless enough,
0:21:06 > 0:21:09determined enough just to come and take them.
0:21:09 > 0:21:11Who do you think that man on the causeway was?
0:21:11 > 0:21:15Do you know, I think...my instinct is that he was just a fisherman.
0:21:15 > 0:21:19He was in way over his head. He looked scared.
0:21:19 > 0:21:20D'you mind if Kurt and I just...?
0:21:22 > 0:21:24- We'll do this later.- Sure.
0:21:29 > 0:21:33I've just had a call from Riga.
0:21:33 > 0:21:35I'm sorry. Major Liepa is dead.
0:21:35 > 0:21:38He was murdered there last night.
0:21:38 > 0:21:42The Riga Police, they'd like you to go out to help with the...
0:21:42 > 0:21:45- Right. Yes.- We can handle it over the phone you don't have to go...
0:21:45 > 0:21:50No, I'll go. I'll go. It's important.
0:21:50 > 0:21:52- I'd like to help.- OK, good.
0:22:07 > 0:22:09AIRPORT ANNOUNCEMENTS ON PA SYSTEM
0:22:20 > 0:22:23Colonel Wallander.
0:22:28 > 0:22:31I'm Sergeant Zids. Welcome to Riga.
0:22:51 > 0:22:54Where are we going?
0:22:54 > 0:22:57- Major Leipa's funeral.- Now?
0:23:12 > 0:23:14Here we are, Colonel.
0:23:19 > 0:23:22Down there.
0:23:41 > 0:23:43FUNERAL SERMON IN LATVIAN
0:24:39 > 0:24:43- Thanks for coming. - I'm very sorry about the Major.
0:24:43 > 0:24:46This is Colonel Murnieks. We were Karlis' superiors.
0:24:46 > 0:24:49Myself and Colonel Putnis need to interrogate you
0:24:49 > 0:24:52- as quickly as possible, if you can.- Sure.
0:24:52 > 0:24:55I never lost one officer, in 27 years of duty,
0:24:55 > 0:24:57not even during independence.
0:24:58 > 0:25:02Mrs Liepa. This is the Colonel from Sweden.
0:25:02 > 0:25:04He's going to help us.
0:25:04 > 0:25:05Baiba.
0:25:05 > 0:25:09Kurt. I'm very, very sorry about your husband.
0:25:09 > 0:25:10HE SPEAKS IN LATVIAN
0:25:11 > 0:25:14You gave him a book... about Sweden.
0:25:14 > 0:25:16Yes, that's right.
0:25:16 > 0:25:18He liked it very much.
0:25:23 > 0:25:26Widows are very beautiful.
0:25:27 > 0:25:28Shall we go?
0:25:44 > 0:25:48Just after 11pm, the Major got a phone call on his landline.
0:25:48 > 0:25:52He told his wife he'd been called in to police headquarters.
0:25:52 > 0:25:54The call didn't come from us.
0:25:54 > 0:25:56He was investigating gangs?
0:25:56 > 0:25:59He was undercover drugs squad,
0:25:59 > 0:26:02mostly the new heroin and cocaine routes.
0:26:02 > 0:26:06He was very experienced. We didn't stand over his shoulder.
0:26:06 > 0:26:08I wonder if you had the feeling
0:26:08 > 0:26:10that the Major was holding something back from you?
0:26:10 > 0:26:14I'm sad to say he didn't tell us he was going to Sweden
0:26:14 > 0:26:15until he got there.
0:26:15 > 0:26:19No, I didn't feel he was holding anything back.
0:26:20 > 0:26:22Some children found him here.
0:26:25 > 0:26:28His body was still warm.
0:26:31 > 0:26:33He'd been shot through the back of the head, around 6am.
0:26:37 > 0:26:40Had he been tortured?
0:26:45 > 0:26:47Does his wife know?
0:26:48 > 0:26:51She didn't see the corpse.
0:27:12 > 0:27:14We assume there's a connection
0:27:14 > 0:27:17between whatever Karlis was working on and his killing.
0:27:17 > 0:27:20But, as I said, he'd been keeping us at arm's length. It's hard to know.
0:27:20 > 0:27:25Did he have the same injuries as the men who were killed on the raft?
0:27:25 > 0:27:29We don't know about their injuries. We haven't seen their bodies.
0:27:29 > 0:27:31But you've seen the initial report?
0:27:31 > 0:27:33All Major Liepa's case notes are gone.
0:27:33 > 0:27:35No, I'm not talking about his case notes.
0:27:35 > 0:27:37I mean his initial report, the fax he sent you from Sweden.
0:27:37 > 0:27:40What fax? Did you get a fax?
0:27:40 > 0:27:41I didn't get anything from him.
0:27:41 > 0:27:45Well, I saw him send it on Friday afternoon
0:27:45 > 0:27:47to his superiors, he said.
0:27:48 > 0:27:52OK. We'll check our call register.
0:27:53 > 0:27:55Here is where he worked.
0:28:00 > 0:28:02This has been searched, yes?
0:28:02 > 0:28:05For his case notes. Yes.
0:28:06 > 0:28:10And you're certain that he actually had case notes on paper?
0:28:10 > 0:28:13Yes. He did all his reports longhand.
0:28:13 > 0:28:15He didn't like computers. He was suspicious of them.
0:28:15 > 0:28:19And his wife has said he often brought his case notes home
0:28:19 > 0:28:22to work on there, which is completely against our protocols.
0:28:22 > 0:28:28I just have the Swedish file, just our notes, that's all.
0:28:28 > 0:28:29Here.
0:28:38 > 0:28:41These are the same killers.
0:28:41 > 0:28:42They are the same injuries.
0:28:44 > 0:28:48They are gang captains. Radnieciba.
0:28:48 > 0:28:49THEY SPEAK IN LATVIAN
0:28:52 > 0:28:54Thanks.
0:28:54 > 0:28:56This is great, Colonel. Thanks.
0:28:56 > 0:29:00So, Sergeant Zids can take you to the hotel. We'll call you.
0:29:00 > 0:29:01OK.
0:29:04 > 0:29:05BELLS CHIME
0:29:11 > 0:29:12They were the Major's superiors?
0:29:12 > 0:29:17Yeah. Putnis is an asshole. He has rules.
0:29:17 > 0:29:21You can't tell jokes about sex or black people.
0:29:21 > 0:29:23And Murnieks?
0:29:23 > 0:29:27Murnieks is my boss. Ethnic Russian.
0:29:27 > 0:29:30Pretty much the only ex-KGB left.
0:29:30 > 0:29:33Different kind of asshole.
0:29:37 > 0:29:40You heard of the Radnieciba gang?
0:29:40 > 0:29:42No, Colonel.
0:29:50 > 0:29:52Thank you.
0:29:56 > 0:29:57Yeah, Stefan,
0:29:57 > 0:30:01could you chase down some faxes that went from us to Latvia
0:30:01 > 0:30:04on Friday afternoon, around three, er, three-thirty?
0:30:04 > 0:30:08What I'm after is the names and addresses of the recipients.
0:30:08 > 0:30:11Can we trace that just from the fax numbers?
0:30:11 > 0:30:14'Yeah, if I go through Europol.
0:30:14 > 0:30:17'It always takes at least a day.
0:30:17 > 0:30:21'I've just been to visit Ann-Britt. She looks much better.'
0:30:23 > 0:30:29And how we doing on the men who took the drugs out of the raft?
0:30:29 > 0:30:33'Um, looking through boatyards. Around Lomma.'
0:30:33 > 0:30:37OK. Soon as you can with the faxes, yeah? Thanks.
0:30:57 > 0:30:59Mr Eckers?
0:30:59 > 0:31:01Me? No, not me. Sorry.
0:31:03 > 0:31:06Who are you ?
0:31:06 > 0:31:08Kurt.
0:31:08 > 0:31:09German?
0:31:09 > 0:31:11Swedish.
0:31:11 > 0:31:12Married, Kurt?
0:31:15 > 0:31:17No, but I've got a daughter about your age.
0:31:20 > 0:31:22Do you have anything planned for tonight?
0:31:27 > 0:31:31It never gets dark here this time of year.
0:31:34 > 0:31:37I wouldn't want to deprive Mr Eckers.
0:31:50 > 0:31:52Thank you.
0:32:16 > 0:32:17BELLS CHIME
0:33:06 > 0:33:08KNOCK ON DOOR
0:33:11 > 0:33:13POUNDING ON DOOR
0:33:18 > 0:33:20POUNDING CONTINUES
0:33:24 > 0:33:25They're making an arrest.
0:33:27 > 0:33:29Right.
0:33:32 > 0:33:35MUSIC PLAYS: Musu Soli by Gustavo
0:33:50 > 0:33:52- This way?- Yes, Colonel.
0:33:54 > 0:33:57SHOUTING IN LATVIAN
0:33:58 > 0:34:00DOGS BARK
0:34:00 > 0:34:01MAN SHOUTS
0:34:01 > 0:34:05- Sorry for the early start this morning. You sleep OK? - Er, fine, yeah.
0:34:05 > 0:34:06MEN SHOUT
0:34:06 > 0:34:08THEY BATTER IN THE DOOR
0:34:10 > 0:34:12SHOUTING AND CHILDREN CRYING
0:34:25 > 0:34:28SHOUTING AND CRYING CONTINUES
0:34:35 > 0:34:37We can go in.
0:34:43 > 0:34:46- Are they the same gang?- Yes.
0:34:46 > 0:34:49Do you think they killed Kalns and Leja?
0:34:49 > 0:34:51If they didn't, then they certainly know who did.
0:34:51 > 0:34:53You think they killed the Major too?
0:34:53 > 0:34:55Torturers have signatures.
0:34:58 > 0:34:59These people aren't children.
0:34:59 > 0:35:01No, but that child was a child -
0:35:01 > 0:35:03the one that was crying its eyes out.
0:35:03 > 0:35:05How do you do it in Sweden?
0:35:05 > 0:35:08You wake them up with a cup of coffee and a piece of cake?
0:35:08 > 0:35:11This is salted cabbage juice.
0:35:11 > 0:35:14It's extremely good if you've had a drink too many.
0:35:14 > 0:35:18- Did they have the Major's case notes, the men at the flat?- No.
0:35:18 > 0:35:20Was one of those guns the weapon that killed him?
0:35:20 > 0:35:23Karlis was shot with a handgun, not an assault rifle.
0:35:23 > 0:35:26It's ongoing, Kurt.
0:35:26 > 0:35:29We're rounding up every member of the gang we can find.
0:35:29 > 0:35:32- So what about the fax?- I'm still waiting to hear about that.
0:35:32 > 0:35:34I want to interrogate Karlis' wife again.
0:35:34 > 0:35:37We've spoken to her before. She's holding something back.
0:35:37 > 0:35:38Like what?
0:35:38 > 0:35:42I think she knows where the papers are. We should go and see her.
0:35:42 > 0:35:44- Er...- Come with me.
0:35:44 > 0:35:48You might think of something that I had forgotten. Let's go.
0:35:58 > 0:36:00DOORBELL RINGS
0:36:04 > 0:36:07HE SPEAKS IN LATVIAN
0:36:24 > 0:36:28I asked her if there was anywhere where the case notes might be
0:36:28 > 0:36:32- that she might have forgotten. - And I said that there isn't.
0:36:32 > 0:36:34I think the Colonel might have some other questions for you.
0:36:34 > 0:36:36I'm not a Colonel.
0:36:36 > 0:36:40I didn't know he'd gone to Sweden. He came home.
0:36:40 > 0:36:41We talked.
0:36:41 > 0:36:44He said nothing about his work or what happened there.
0:36:45 > 0:36:47I was going to bed when he had a call.
0:36:47 > 0:36:50He told me he had to go to the station.
0:36:50 > 0:36:51I didn't see any of his papers.
0:36:51 > 0:36:54Fine. I understand.
0:36:54 > 0:36:56The last I heard of my husband
0:36:56 > 0:36:58was him calling through the bathroom door,
0:36:58 > 0:37:00"See you later."
0:37:00 > 0:37:03That was the last thing!
0:37:20 > 0:37:22Good. Thank you, we'll talk again.
0:37:53 > 0:37:56MOBILE PHONE RINGS
0:37:56 > 0:37:58Yeah?
0:37:58 > 0:38:01'So, there are three fax numbers. The first two are Latvian police.
0:38:01 > 0:38:03'Two Colonels, Putnis and Murnieks.
0:38:06 > 0:38:09'And the last fax went to a man called Upitis.
0:38:09 > 0:38:11'He's a journalist.'
0:38:11 > 0:38:13Right. Thanks, Stefan.
0:38:13 > 0:38:15'I'll speak to you soon.'
0:38:16 > 0:38:20Colonel. You need a ride to the hotel?
0:38:20 > 0:38:23No, I need some fresh air, so I'm going to walk, thanks.
0:38:42 > 0:38:46Excuse me, do you remember the woman I was speaking to last night?
0:38:46 > 0:38:49- Grey, silk dress... - No, sorry, sorry.
0:38:49 > 0:38:52..butterflies on it. She was a well-presented, attractive woman.
0:38:52 > 0:38:54Mr Eckers?
0:39:01 > 0:39:03We need to be quick. My name is Inese.
0:39:23 > 0:39:25You haven't got long, OK?
0:39:29 > 0:39:31Get in the car, please.
0:39:31 > 0:39:34I thought I was coming to meet with Baiba Liepa.
0:39:34 > 0:39:36She's being watched. Get in the car.
0:39:36 > 0:39:38Listen. I'd just like to see her, OK?
0:39:38 > 0:39:41- My name's Sergei Upitis. Please. - The journalist?
0:39:41 > 0:39:43Yeah.
0:39:43 > 0:39:45The Major sent you a fax the day before he died.
0:39:45 > 0:39:48Look, I write about political corruption, OK,
0:39:48 > 0:39:51between gangs, police, politicians.
0:39:51 > 0:39:54Karlis used to talk to me, he gave me information.
0:39:54 > 0:39:56Then he broke off.
0:39:57 > 0:40:00Last week, I got this fax with two dead bodies
0:40:00 > 0:40:01and a life raft in Sweden,
0:40:01 > 0:40:03and then two days after, Baiba calls me to say he's dead.
0:40:03 > 0:40:06- Why was I sent that fax? - You tell me.
0:40:06 > 0:40:09He thought somebody high up in his department
0:40:09 > 0:40:12might be involved with Radnieciba.
0:40:12 > 0:40:14Did you see his case notes?
0:40:14 > 0:40:16Do you know where they are?
0:40:16 > 0:40:18People are asking me a lot of questions,
0:40:18 > 0:40:21and people are lying to me, so I'll talk to the Major's wife.
0:40:21 > 0:40:26No, they've killed three men in the last ten days.
0:40:26 > 0:40:28They're asking questions
0:40:28 > 0:40:30because they think you know something, Colonel.
0:40:30 > 0:40:32They'll be watching you too, listening to your calls.
0:40:32 > 0:40:34Let's talk. We've got ten more minutes.
0:40:34 > 0:40:36You get the girl for ten more minutes.
0:40:36 > 0:40:37I'm an old man in a hurry.
0:40:48 > 0:40:52Inese, Baiba sent me that note. She must want to speak to me.
0:40:56 > 0:40:59Go to the St Francis Church tomorrow night at eight.
0:40:59 > 0:41:01I'll see what I can do.
0:41:09 > 0:41:12SPEAKER INTERFERENCE
0:41:13 > 0:41:15INTERFERENCE CONTINUES
0:42:40 > 0:42:43No, sorry I just need one minute with him.
0:42:43 > 0:42:46Colonel Murnieks, there's a microphone in my alarm clock at the hotel.
0:42:46 > 0:42:49There's also a man in a grey suit who's been watching me
0:42:49 > 0:42:51the last two nights. I will not accept this.
0:42:51 > 0:42:55You think this is us? It's against the law.
0:42:55 > 0:42:57Why in hell would I spy on you?
0:42:57 > 0:42:59- What's the problem? - My hotel room's being bugged.
0:42:59 > 0:43:01HE SNIGGERS
0:43:01 > 0:43:04Oh, it's funny, is it? You two got the faxes. I checked.
0:43:04 > 0:43:06So, what's happening with the two men you arrested?
0:43:06 > 0:43:09And I would appreciate the truth. What's going on?
0:43:09 > 0:43:12The inquiry's continuing, Colonel.
0:43:13 > 0:43:16Tell me your room number, I'll retrieve the microphone,
0:43:16 > 0:43:18give it to the forensics department.
0:43:18 > 0:43:22The gangs have that kind of talent, to spy.
0:43:22 > 0:43:24A lot of ex-KGB went into the gangs.
0:43:26 > 0:43:29I stayed in law enforcement.
0:43:36 > 0:43:38Colonel!
0:44:44 > 0:44:45DOG BARKS
0:44:51 > 0:44:53DOG BARKS
0:45:03 > 0:45:05A CAN RATTLES
0:45:43 > 0:45:45A SPEEDING VEHICLE APPROACHES
0:46:22 > 0:46:26A PIANO PLAYS
0:46:26 > 0:46:29MUSIC: "Melanholiskais Valsis"
0:47:23 > 0:47:26- Hi.- Hello. I think we should keep walking.
0:47:33 > 0:47:35Somebody thinks one of us knows something.
0:47:35 > 0:47:38All I know is that Karlis and me,
0:47:38 > 0:47:40we'd stopped talking
0:47:40 > 0:47:42about anything important,
0:47:42 > 0:47:44not for a long time.
0:47:44 > 0:47:46Do you know what he was doing?
0:47:46 > 0:47:48No, not really.
0:47:48 > 0:47:49Do you have any theory?
0:47:51 > 0:47:54I know he sent a fax to three people when he was in Sweden.
0:47:54 > 0:47:57That's about the only piece of information I can keep track of.
0:47:57 > 0:48:01I think that he sent it deliberately to...to provoke something,
0:48:01 > 0:48:04to nudge someone into showing himself.
0:48:04 > 0:48:07Murnieks and Putnis both say they didn't get any fax,
0:48:07 > 0:48:09but somebody in the police department definitely did,
0:48:09 > 0:48:10and someone called Sergei Upitis.
0:48:10 > 0:48:14No, Sergei's a friend of us both.
0:48:14 > 0:48:18Putnis and Murnieks have interrogated me, over and over.
0:48:18 > 0:48:23They wanted to know where Karlis' notes are. Why?
0:48:23 > 0:48:24I...
0:48:24 > 0:48:28If you think that he would have hidden his notes,
0:48:28 > 0:48:31I can help you try and find them.
0:48:31 > 0:48:37Come back with me, then, but we'd better go separately.
0:49:55 > 0:49:57CLASSICAL MUSIC PLAYS
0:51:00 > 0:51:03We can talk here.
0:51:07 > 0:51:09It's this one.
0:51:25 > 0:51:27Skol?
0:51:27 > 0:51:29Skol.
0:51:39 > 0:51:41He said you were good at your job.
0:51:44 > 0:51:48Sometimes I am not very good at anything else.
0:51:51 > 0:51:54Why is he dead?
0:51:55 > 0:51:57Why does that mean I'm being followed?
0:52:01 > 0:52:03Why did he keep secrets?
0:52:06 > 0:52:09He was probably just trying to protect you.
0:52:09 > 0:52:12He stopped speaking to me.
0:52:12 > 0:52:17I don't know if he was with a woman, if he was with criminals!
0:52:19 > 0:52:23You think he gave me so much grief, just to protect me?
0:52:25 > 0:52:28It's bred in us, I'm afraid - policemen.
0:52:30 > 0:52:31Skol.
0:52:32 > 0:52:35MOBILE PHONE RINGS
0:52:37 > 0:52:40Wallander.
0:52:40 > 0:52:42'This is Colonel Putnis. Where are you?'
0:52:43 > 0:52:46I'm just walking.
0:52:46 > 0:52:50We have the man who killed Karlis. It's a journalist.
0:52:50 > 0:52:53'He tricked the Major out of his apartment.
0:52:53 > 0:52:59'He tortured and shot him. His name is Upitis.'
0:52:59 > 0:53:00HE HANGS UP PHONE
0:53:00 > 0:53:01Kurt?
0:53:01 > 0:53:03They've just arrested Upitis.
0:53:03 > 0:53:05For what?
0:53:05 > 0:53:07Killing Karlis.
0:53:07 > 0:53:11He didn't do it. He didn't.
0:53:11 > 0:53:14The gun was hidden behind the toilet in his house.
0:53:14 > 0:53:16The Major's blood was in his car.
0:53:16 > 0:53:18It's the gun that killed the Major.
0:53:18 > 0:53:22And it is the phone that he used to call the Major out of the house.
0:53:22 > 0:53:24So how did you get to him?
0:53:24 > 0:53:26His name came up in an interrogation.
0:53:26 > 0:53:28Of who? The men you arrested at that flat?
0:53:28 > 0:53:32Some of their associates. It's been a long night.
0:53:32 > 0:53:35But we've done well. Let's go for a drink.
0:53:35 > 0:53:37Come on. He was a journalist. He wasn't a gang member.
0:53:37 > 0:53:39With links to the gangs. Contacts.
0:53:39 > 0:53:42We've been suspicious of him before now.
0:53:42 > 0:53:46Yeah, but now he starts torturing people, starts killing people?
0:53:46 > 0:53:50He was having an affair with Liepa's wife.
0:53:52 > 0:53:54So did he have the Major's case notes?
0:53:54 > 0:53:57I mean, that's what everyone's after, isn't it?
0:53:57 > 0:54:00It's no longer relevant. We have the man who killed him.
0:54:00 > 0:54:02This case is closed.
0:54:05 > 0:54:06ALARM RINGS
0:54:14 > 0:54:15MEN SHOUT
0:54:41 > 0:54:44You left a suspect in there with his belt!
0:54:44 > 0:54:45Colonel.
0:54:45 > 0:54:48I'm not a Colonel!
0:54:50 > 0:54:52We don't have Colonels.
0:55:19 > 0:55:21Upitis is dead.
0:55:21 > 0:55:23SHE GASPS
0:55:24 > 0:55:29They say that he shot Karlis.
0:55:29 > 0:55:34They say that he killed himself. They've closed the case.
0:55:37 > 0:55:39Would he kill himself?
0:55:39 > 0:55:41No.
0:55:41 > 0:55:47Do you think there's any possibility he killed Karlis?
0:55:47 > 0:55:48- No.- He was your lover.
0:55:48 > 0:55:51Yes, at one time.
0:55:51 > 0:55:53Yeah, and you should have told me.
0:55:53 > 0:55:56- Why is it your business? Is it any of your business at all?- Well...
0:55:56 > 0:56:00They're not going to be looking for any papers now. They closed the case.
0:56:00 > 0:56:02- If I...- Don't tell me my lover is dead
0:56:02 > 0:56:03and then interrogate me about it!
0:56:03 > 0:56:06- You don't know any...- I'm sorry.
0:56:06 > 0:56:09- I can't... Look, I could stay here. - No.
0:56:09 > 0:56:12You can go. I want you to leave.
0:56:12 > 0:56:15- We both know there's something. They're lying.- It's over.
0:56:15 > 0:56:17Thank you so very much.
0:56:17 > 0:56:19I don't need your help.
0:56:25 > 0:56:26DOOR SLAMS SHUT
0:56:45 > 0:56:47MOBILE PHONE BUZZES
0:56:52 > 0:56:55'You have one new message.'
0:56:55 > 0:56:56'Kurt. This is Stefan.
0:56:56 > 0:57:00'Um, you've had a call from a girl called Inese in Riga.
0:57:00 > 0:57:03'She says it's important, can you call her back?
0:57:03 > 0:57:05'I've texted you her number.'
0:57:21 > 0:57:23Come on.
0:57:30 > 0:57:34Go on, then, in you go. Go on! Go on! Go on!
0:57:38 > 0:57:40HE SIGHS
0:58:29 > 0:58:34- Hello.- Inese? It's Kurt. I've founds Karlis's case notes.
0:58:34 > 0:58:36Baiba's gone missing.
0:58:36 > 0:58:41Has...has she been arrested?
0:58:41 > 0:58:45'I can't find out. Her flat's been searched.'
0:58:45 > 0:58:47Kurt, please, can you come back?
0:58:47 > 0:58:49Yes, I will.
0:59:09 > 0:59:12I can't believe this is happening.
0:59:12 > 0:59:16I didn't grow up with this kind of thing, not like Baiba.
0:59:16 > 0:59:19- This isn't part of my life. - How do you know her?
0:59:19 > 0:59:21She's my cousin.
0:59:21 > 0:59:24She used to look after me when I was little.
0:59:24 > 0:59:26The family didn't like it that she married a policeman.
0:59:26 > 0:59:31I liked Karlis. Do you think she's dead?
0:59:31 > 0:59:34No, and I'm going to make sure whoever wants this gets it.
0:59:34 > 0:59:36Stop this madness.
0:59:40 > 0:59:44Excuse me. My old room, please. 207.
0:59:44 > 0:59:45SHE SPEAKS IN LATVIAN
0:59:47 > 0:59:49- Good.- Thank you.
0:59:55 > 1:00:00This is Kurt Wallander. I have Major Liepa's case notes.
1:00:00 > 1:00:02CLOCK SMASHES
1:00:06 > 1:00:08PHONE RINGS
1:00:08 > 1:00:10Wallander.
1:00:10 > 1:00:13We'll pick you up in the hotel lobby. Bring the file.
1:00:13 > 1:00:17Not until I've seen Baiba Liepa, not till I've seen she's OK.
1:00:17 > 1:00:1820 minutes.
1:00:31 > 1:00:33HE SIGHS
1:00:49 > 1:00:51DOOR OPENS
1:01:09 > 1:01:12THEY SPEAK IN RUSSIAN
1:01:39 > 1:01:42DOOR SLAMS SHUT
1:01:42 > 1:01:43BANGING
1:01:43 > 1:01:45Who's there?
1:01:47 > 1:01:48Baiba!
1:01:51 > 1:01:54- Kurt?- Are you OK?
1:01:54 > 1:01:57- Oh, God, Kurt!- You're OK?- I'm OK. - I got the case notes.
1:01:57 > 1:01:59Why didn't you go back? I wanted you to leave.
1:01:59 > 1:02:02I went. I found the case notes at home. Karlis left them for me.
1:02:02 > 1:02:04He left them on purpose in case something happened.
1:02:04 > 1:02:07You're an idiot, Kurt. You'd been safe... DOOR SHUTS
1:02:14 > 1:02:16Where is it?
1:02:16 > 1:02:19We both walk out safe, then you can have your file.
1:02:19 > 1:02:22Where are Liepa's papers?
1:02:22 > 1:02:24Look, I don't know. I don't know.
1:02:24 > 1:02:27Listen, I didn't come here knowing anything. They're with someone else.
1:02:27 > 1:02:29They know where they are.
1:02:29 > 1:02:31No! Look, we go to Latdale Market.
1:02:31 > 1:02:34They'll call my phone at four o'clock, they'll give you more details.
1:02:34 > 1:02:37Anyone else answers it, those papers will go straight to the press,
1:02:37 > 1:02:41to Europol, to the President's office.
1:02:41 > 1:02:43- ACID HISSES, SHE SCREAMS - No! Leave her!
1:02:46 > 1:02:47Get them out! Get them out!
1:03:12 > 1:03:13Where is it?
1:03:13 > 1:03:16They call my phone. You let us go, I hand you the phone,
1:03:16 > 1:03:18and they tell you exactly where Liepa's papers are.
1:03:18 > 1:03:20Then I have no guarantee. You stay here. Both of you.
1:03:20 > 1:03:22You can go if you like. She stays here.
1:03:22 > 1:03:24Look, who are you working for?
1:03:24 > 1:03:27- PEOPLE SCREAM - Please.
1:03:28 > 1:03:30- MOBILE PHONE RINGS - Answer your phone.
1:03:33 > 1:03:36- Yeah?- 'It's Inese, I left it on the old camera stall.'- Yeah.
1:03:36 > 1:03:38'Third aisle on the left.'
1:03:38 > 1:03:40- OK.- 'Next to the one that sells locks and old phones.'- OK.
1:03:40 > 1:03:44- Where is it? - OK. It's there, it's there.
1:03:46 > 1:03:49There!
1:03:50 > 1:03:51- This?- Yeah.
1:03:57 > 1:03:58What the hell is this?
1:03:58 > 1:04:01- You can send this out to millions of people.- I can't.
1:04:01 > 1:04:05- I don't know how to do it.- There are copies!- He didn't have a computer!
1:04:05 > 1:04:08- Whoever left this here has read it! - No. Nobody knows what's on there.
1:04:08 > 1:04:09- Where's the original?!- I-II...
1:04:09 > 1:04:11HE CRUSHES THE CAMERA
1:04:13 > 1:04:18Get down, get down, get down. Down, Baiba, down!
1:04:25 > 1:04:29Baiba. Go, go, go! Careful.
1:04:31 > 1:04:34Go right! Go right!
1:04:49 > 1:04:53Let's try the Swedish Embassy, we'll be safe there.
1:05:14 > 1:05:16Oh, quick, here, here.
1:05:16 > 1:05:17Murnieks.
1:05:21 > 1:05:23We need to get out of Riga.
1:06:53 > 1:06:54HE LOCKS THE DOOR
1:07:23 > 1:07:25We should talk.
1:07:26 > 1:07:29I don't know how big this is.
1:07:29 > 1:07:33I don't know if it was just Zids and the gang, or...
1:07:35 > 1:07:37Who was it that your husband trusted,
1:07:37 > 1:07:39out of the Colonels?
1:07:39 > 1:07:41Murnieks.
1:07:43 > 1:07:45Well, whoever called him the night that he died,
1:07:45 > 1:07:49and got him out of the house without making him suspicious,
1:07:49 > 1:07:52he must have trusted the voice.
1:07:56 > 1:07:59Did you have anywhere else you used to go? You and Karlis?
1:07:59 > 1:08:00Somewhere special?
1:08:00 > 1:08:06My father's house in Ventspils. Then we just had our flat.
1:08:06 > 1:08:08Otherwise, I was at the music academy,
1:08:08 > 1:08:10he was at the police headquarters.
1:08:11 > 1:08:15Could he have hidden it inside police HQ?
1:08:15 > 1:08:17Yes.
1:08:17 > 1:08:18Really?
1:08:20 > 1:08:25He would do that. He would find it funny. Make him laugh.
1:08:25 > 1:08:28Hide it in plain sight. He said that.
1:08:28 > 1:08:32That was pretty much the last thing he said to me.
1:08:33 > 1:08:36Where would you hide it there in plain sight?
1:08:36 > 1:08:38Where would you hide case notes?
1:08:39 > 1:08:40The archive.
1:08:42 > 1:08:44There is an archive in the basement.
1:08:44 > 1:08:46It goes back to the KGB days.
1:08:46 > 1:08:50He used to say it was a record of every atrocity committed in Latvia.
1:08:50 > 1:08:53He used to tease me there was a file...about me.
1:08:53 > 1:08:55About you?
1:08:55 > 1:08:58I was in the freedom movement before the revolution.
1:08:58 > 1:09:00I was arrested a few times.
1:09:00 > 1:09:02If we ever used to have an argument, he would say,
1:09:02 > 1:09:05"It's all going in the file."
1:09:08 > 1:09:12It's there. It's in my file.
1:09:19 > 1:09:21We have to go back.
1:09:22 > 1:09:25This thing isn't going to end until someone gets hold of those papers.
1:09:28 > 1:09:31You're not going to be safe. We need to go back.
1:09:33 > 1:09:36I'm sorry.
1:09:44 > 1:09:48He said that you'd seen what that stuff did.
1:09:50 > 1:09:55Zids said that you had seen what the acid did to whom?
1:09:58 > 1:10:00To Karlis?
1:11:25 > 1:11:27It's him.
1:11:30 > 1:11:33Leo. Leo.
1:11:33 > 1:11:34Baiba.
1:11:34 > 1:11:36We have to get into police headquarters.
1:11:38 > 1:11:40Well, go.
1:11:41 > 1:11:45No, it's the archive. Karlis left some papers there.
1:11:45 > 1:11:47Leo, please!
1:11:50 > 1:11:52Him?
1:11:52 > 1:11:53Yes.
1:11:53 > 1:11:55OK.
1:11:55 > 1:11:58Thank you. I'll come back here in an hour.
1:11:58 > 1:12:01- What if you don't?- Call Putnis.
1:12:01 > 1:12:04Sir, you are under arrest.
1:12:30 > 1:12:34Karlis was my best friend. Do you know who killed him?
1:12:34 > 1:12:36I think so.
1:12:36 > 1:12:38- Someone here?- Maybe.
1:12:41 > 1:12:43I'll take you through the drunk tank.
1:12:47 > 1:12:48HE SPEAKS IN LATVIAN
1:12:58 > 1:13:02The archive is two levels down in the basement.
1:13:02 > 1:13:04How's it organised?
1:13:04 > 1:13:06- DOG BARKS - It's OK, it's OK.
1:13:06 > 1:13:08Every row is a letter.
1:13:08 > 1:13:14Six sections - crimes, suspects, politicals, and some others.
1:13:14 > 1:13:16It's in Russian.
1:13:16 > 1:13:23You need to get through the door at the end of the corridor.
1:13:23 > 1:13:25You won't have long.
1:13:25 > 1:13:28I need you to write Baiba Liepa.
1:13:33 > 1:13:35GROANING
1:13:38 > 1:13:41Thank you.
1:13:45 > 1:13:48I should have looked out for my friend better.
1:14:04 > 1:14:06THEY SPEAK IN LATVIAN
1:14:19 > 1:14:21DOG GROWLS
1:14:33 > 1:14:36CONVERSATION FADES
1:17:50 > 1:17:52TROLLEY APPROACHES
1:19:18 > 1:19:20DOOR OPENS
1:19:20 > 1:19:21TROLLEY APPROACHES
1:19:39 > 1:19:42HE CRIES OUT
1:19:46 > 1:19:48FIRE ALARM RINGS
1:20:24 > 1:20:26Kurt.
1:20:26 > 1:20:28I've got it. I got it.
1:20:28 > 1:20:30I called Putnis.
1:20:35 > 1:20:37POLICE SIRENS WAIL
1:20:49 > 1:20:55Kurt. I must say, you're a very difficult person to protect.
1:20:55 > 1:20:59I wish you'd talked to me before. Are those the Major's papers?
1:20:59 > 1:21:02Yes.
1:21:02 > 1:21:04It would have been a lot easier if you'd trusted me.
1:21:04 > 1:21:06Murnieks?
1:21:06 > 1:21:11And Sergeant Zids. I never got the fax the Major sent.
1:21:11 > 1:21:13They made sure.
1:21:13 > 1:21:16Then they put Upitis out of the way,
1:21:16 > 1:21:20then there would have only been you, her, and me, in time.
1:21:20 > 1:21:22Where are they?
1:21:22 > 1:21:24Well, Zids is in hospital.
1:21:26 > 1:21:29I think when I have the Major's papers, I...
1:21:29 > 1:21:31It's enough to arrest Murnieks.
1:21:35 > 1:21:38- It is the original?- Yeah.
1:21:43 > 1:21:44What do you mean the original?
1:21:44 > 1:21:48You mean, rather than a copy on a digital camera?
1:21:48 > 1:21:49I didn't tell you about that.
1:21:56 > 1:21:58Don't! Don't!
1:22:05 > 1:22:07GUNSHOT
1:22:07 > 1:22:09SCREAMING
1:22:18 > 1:22:20Baiba!
1:22:20 > 1:22:22Baiba.
1:22:26 > 1:22:29Baiba.
1:22:29 > 1:22:30(Put the gun down.)
1:23:45 > 1:23:49I was born in Riga, my parents were Russian.
1:23:50 > 1:23:55But I served Latvia my whole life.
1:23:57 > 1:24:02Since freedom, I can't vote. I get an alien's passport.
1:24:05 > 1:24:08That's how they treat the Russians in Latvia.
1:24:08 > 1:24:10What did the case notes say?
1:24:10 > 1:24:15Someone in my department was in charge with Radnieciba,
1:24:15 > 1:24:17organising drugs,
1:24:17 > 1:24:19probably Zids.
1:24:19 > 1:24:22But as Major Liepa goes along,
1:24:22 > 1:24:25he seems to find it harder and harder to believe
1:24:25 > 1:24:27there's not someone higher up.
1:24:31 > 1:24:35Putnis did receive the fax.
1:24:38 > 1:24:43He and Zids put Upitis in suspicion, and killed him.
1:24:45 > 1:24:51I couldn't have moved on either of them without evidence.
1:24:53 > 1:24:56How long were you following us?
1:24:57 > 1:24:59Some time.
1:25:42 > 1:25:45His suit fits you well.
1:25:45 > 1:25:46Yeah.
1:25:49 > 1:25:55Karlis was so nice when he came back from you.
1:25:56 > 1:25:59It was like I had him home again.
1:26:10 > 1:26:13I don't know which, er... Thanks.
1:26:14 > 1:26:18- Here.- Thank you.
1:26:19 > 1:26:23Why don't you come to Sweden sometime?
1:26:25 > 1:26:28Is it as nice as it looks in the book?
1:26:28 > 1:26:30Yeah, it can be, midsummer.
1:26:33 > 1:26:35I'm not going to be coming back, am I?
1:26:35 > 1:26:37I mean, I could come back, if...
1:26:38 > 1:26:41Today's been nice.
1:26:41 > 1:26:44We've been to a cemetery.
1:26:51 > 1:26:53When is your flight?
1:26:54 > 1:26:56It's tomorrow.
1:27:52 > 1:27:55WATER RUNS
1:28:11 > 1:28:16# Oh, whisper me words
1:28:16 > 1:28:21# In the shape of a bay
1:28:21 > 1:28:25# Shelter my love
1:28:25 > 1:28:31# From the wind and the waves
1:29:03 > 1:29:06Subtitles by Red Bee Media Ltd
1:29:19 > 1:29:22# Oh, whisper me words... #