0:00:02 > 0:00:12This programme contains some strong language, scenes which some viewers may find disturbing and scenes of a sexual nature.
0:00:15 > 0:00:17DISTANT EXPLOSIONS
0:00:17 > 0:00:18HE RETCHES
0:00:18 > 0:00:21EXPLOSION NEARBY
0:00:25 > 0:00:27Never even used the bloody thing.
0:00:31 > 0:00:32Good luck.
0:00:33 > 0:00:36EXPLOSIONS CONTINUE
0:00:43 > 0:00:44Oh, God.
0:00:54 > 0:00:56Fix bayonets!
0:00:57 > 0:01:00Fix bayonets!
0:01:02 > 0:01:05Ready, men?
0:01:10 > 0:01:12THEY YELL
0:01:12 > 0:01:15GUNSHOTS
0:01:31 > 0:01:33HEAVY BREATHING
0:01:37 > 0:01:38Halt!
0:02:16 > 0:02:18Come on!
0:02:20 > 0:02:22Come on!
0:02:26 > 0:02:28HE CHUCKLES
0:02:30 > 0:02:32Kill me!
0:03:43 > 0:03:44Whoa! Whoa! Whoa!
0:03:44 > 0:03:47HORSE NEIGHS >
0:03:47 > 0:03:49Easy, girl. Easy!
0:03:49 > 0:03:53I think we should get rid of her, Mr Gerald. She's uncontrollable.
0:03:53 > 0:03:55Nothing is uncontrollable.
0:03:55 > 0:03:57It's just a matter of will.
0:04:00 > 0:04:02I'll tame her.
0:04:05 > 0:04:06How's your father, sir?
0:04:06 > 0:04:11I hope you don't mind me asking, but is he any better?
0:04:11 > 0:04:13He's alive, Mr Sutton.
0:04:13 > 0:04:15Or he was when I left him half an hour ago.
0:04:15 > 0:04:18I've no doubt he'll hang on for my sister's wedding.
0:04:18 > 0:04:20He's paying for it, after all.
0:04:42 > 0:04:44FOOTSTEPS APPROACH, DOOR OPENS >
0:04:46 > 0:04:48Gudrun. What are you doing?
0:04:48 > 0:04:50I have a train to catch.
0:04:50 > 0:04:53- But the opening? - Will be a triumph.
0:04:53 > 0:04:56Really, Maurice. The exhibits are ready,
0:04:56 > 0:04:58the gallery looks wonderful.
0:04:58 > 0:05:03- Mightn't we at least go for a drink? The Pompadour's...- I don't go in there, Maurice. You know that.
0:05:03 > 0:05:05It's full of frauds.
0:05:09 > 0:05:12Anyway, I'm expected.
0:05:12 > 0:05:14And I mustn't disappoint.
0:05:25 > 0:05:28For goodness' sake, Gerald. Sit still.
0:05:28 > 0:05:30He does it deliberately. He knows I hate waiting.
0:05:30 > 0:05:33- He's got a wooden leg.- He could hop.
0:05:33 > 0:05:36Gerald, it's a night out at the theatre.
0:05:36 > 0:05:39- It's Hamlet - it's not torture. - Well, we'll see about that, won't we?
0:05:43 > 0:05:45CHILDREN SING # Ring a ring o'roses
0:05:45 > 0:05:48# A pocket full of posies
0:05:48 > 0:05:52# Atishoo, atishoo, we all fall down. #
0:05:54 > 0:05:56BABY CRIES
0:06:09 > 0:06:12I was surprised when you said you were coming home.
0:06:13 > 0:06:15Well, I was bored. That's all.
0:06:17 > 0:06:21I wanted to see if the situation was merely geographical.
0:06:21 > 0:06:24Such a long time, this last one, though.
0:06:24 > 0:06:26I think we'd rather given up on you.
0:06:28 > 0:06:31What happened, Prune?
0:06:31 > 0:06:33Nothing happened.
0:06:33 > 0:06:38Nothing at all. I was becoming an artist and...
0:06:38 > 0:06:40And surviving a war. Like everybody else.
0:06:42 > 0:06:44Well, you're here now.
0:06:44 > 0:06:47That's the main thing. C'est bon!
0:06:56 > 0:06:58What a moaner.
0:06:58 > 0:07:02I was going to wave my handkerchief halfway. Hope they'd take me out and shoot me.
0:07:02 > 0:07:06- I know you only say it to irritate me.- Let's go and have supper - rescue the evening.
0:07:06 > 0:07:07Just let me say hello.
0:07:09 > 0:07:12Well, don't expect me to lie on your behalf. I won't pretend I enjoyed it.
0:07:12 > 0:07:14Relation or otherwise.
0:07:16 > 0:07:18- Rupert.- Hello, Sam!
0:07:18 > 0:07:21How good of you to come.
0:07:21 > 0:07:22Not at all. It was wonderful.
0:07:22 > 0:07:24Samantha, this is Gerald Crich.
0:07:25 > 0:07:28- Pleased to meet you, Mr Crich. - And I you.
0:07:29 > 0:07:30Excellent.
0:07:30 > 0:07:32Best I've seen.
0:07:32 > 0:07:35SHE CHUCKLES
0:07:44 > 0:07:46Mm!
0:07:46 > 0:07:47Oysters.
0:07:47 > 0:07:51In Nottingham. Apparently it's the most landlocked place in the country.
0:07:51 > 0:07:54If Gerald wants something he usually gets it.
0:07:54 > 0:07:57How do you two know each other, then? Did you fight together?
0:07:57 > 0:08:00Hard to say. I tended to keep my eyes shut most of the time.
0:08:00 > 0:08:02He won a medal.
0:08:02 > 0:08:04We knew each other before the war.
0:08:04 > 0:08:08Then we took up again after I resigned my commission.
0:08:08 > 0:08:11I worked as a nurse at Dover. Did Rupert tell you?
0:08:11 > 0:08:15You know, he was incredibly vague about his...theatrical cousin.
0:08:17 > 0:08:20Especially in certain key areas. SHE GIGGLES
0:08:29 > 0:08:31I don't normally do this.
0:08:33 > 0:08:36Never kid a kidder.
0:09:19 > 0:09:21This is a nice surprise.
0:09:28 > 0:09:30I need a change.
0:09:31 > 0:09:34I can't walk through town like this.
0:10:00 > 0:10:04Listen, you couldn't do me a favour, could you?
0:10:04 > 0:10:07I left in a bit of a hurry this morning.
0:10:07 > 0:10:10- I didn't have time to give anything. - Money?
0:10:10 > 0:10:13What else? RUPERT SCOFFS >
0:10:13 > 0:10:18- Sam won't want money. She... - I think I'd rather close the account all the same.
0:10:18 > 0:10:20- £10, say.- No!
0:10:20 > 0:10:22No. Do your own dirty work.
0:10:29 > 0:10:34I'm merely trying to behave like a gentleman, Rupert.
0:10:34 > 0:10:37Maintain a...
0:10:37 > 0:10:40- few standards.- Christ, Gerald!
0:10:41 > 0:10:44Where have you been for the past four years?
0:10:46 > 0:10:48The old ideas are as dead as nails.
0:10:48 > 0:10:52We must find a new way of existing.
0:10:54 > 0:10:57Rupert, I want you to drop some money off for me,
0:10:57 > 0:10:59not open a bloody vein.
0:10:59 > 0:11:01What do you live for?
0:11:02 > 0:11:06- To make things go, to move forwards. - Still?!
0:11:06 > 0:11:09Oh! And you would have us go backwards, would you?
0:11:09 > 0:11:13Or sideways, perhaps? I mean, one never knows with you, Rupert.
0:11:13 > 0:11:16You've revoked God, you've revoked humanity -
0:11:16 > 0:11:20- should the bunnies be quaking now? I mean, what the bloody hell's left? - Love!
0:11:24 > 0:11:26The more I think about it, it's...
0:11:26 > 0:11:29so blindingly obvious. Love is...
0:11:29 > 0:11:33the antithesis of death - of negation.
0:11:33 > 0:11:36It's the purest positive form.
0:11:36 > 0:11:41And it is meant to be the centre and core of our lives.
0:11:41 > 0:11:44Meaningful union.
0:11:44 > 0:11:48With a member of the opposite sex.
0:11:48 > 0:11:49As nature intended.
0:11:50 > 0:11:55That has to be the be-all and end-all of our existence and anything else...
0:11:55 > 0:11:57Meaningless...
0:11:57 > 0:12:01sating of a body - a corrupt body - which rots.
0:12:01 > 0:12:05Rupert, I slept with the woman - I didn't fuck her in the grave!
0:12:08 > 0:12:13Besides which, when it comes to behaving correctly with a lady,
0:12:13 > 0:12:16perhaps you should take a little look in the mirror.
0:12:16 > 0:12:20You're not exactly blemish-free there yourself, are you?
0:12:31 > 0:12:33- Saddle her up. - But Mr Gerald. She's not ready.
0:12:33 > 0:12:35- Just do it.- Yes, sir.
0:12:59 > 0:13:01< TRAIN WHISTLE BLOWS
0:13:09 > 0:13:10Good day.
0:13:11 > 0:13:13Gerald Crich. And you are?
0:13:14 > 0:13:16Gudrun Brangwen.
0:13:17 > 0:13:20Our schoolteacher's sister.
0:13:20 > 0:13:22The artist.
0:13:22 > 0:13:25You should really let her back until the train has passed.
0:13:25 > 0:13:26She's fine.
0:13:30 > 0:13:33- You're hurting her. - I'm teaching her.
0:13:33 > 0:13:36- She doesn't like it!- I don't care.
0:13:38 > 0:13:40Hurry up!
0:13:41 > 0:13:44- You've made her bleed. - Miss Brangwen, she is no use to me
0:13:44 > 0:13:48if she shies and whinnies every time she hears a train. In addition,
0:13:48 > 0:13:52you must understand that deep down, she wants to be ridden.
0:13:52 > 0:13:53That's how horses are.
0:13:53 > 0:13:55They have two wills.
0:13:55 > 0:13:58With the one, they want to be wild and free.
0:13:58 > 0:14:02But with the other, they want to put themselves in the human power completely.
0:14:02 > 0:14:03And that is a fact of life.
0:14:07 > 0:14:10Oh, aren't you a proud man, Mr Crich!
0:14:10 > 0:14:13Aren't you a proud man!
0:14:31 > 0:14:32Prune, there you are.
0:14:32 > 0:14:34- Hello.- Ooh, may I?
0:14:40 > 0:14:44I can't settle. I'm out of my rhythm.
0:14:44 > 0:14:45I'll walk home with you.
0:14:45 > 0:14:48I'm not going. There's a wedding.
0:14:48 > 0:14:50Father's playing, I...
0:14:50 > 0:14:53I thought I'd like to hear how he sounds.
0:14:54 > 0:14:58- All right! Rupert Birkin will be there. It's a chance to see him. - Really?
0:14:58 > 0:15:02- Prune, I've told you - we are friends, nothing more.- Of course.
0:15:06 > 0:15:08Try not to look quite so famished.
0:15:09 > 0:15:13There! There's Rupert Birkin in the green.
0:15:13 > 0:15:15That's Rupert Birkin?
0:15:16 > 0:15:20Oh! I'm sorry - in your letters, you...
0:15:20 > 0:15:22I just thought there'd be more of him.
0:15:24 > 0:15:26That's Hermione Roddice.
0:15:26 > 0:15:28Come. There's nothing more to see.
0:15:28 > 0:15:30Winnie!
0:15:36 > 0:15:39Miss Brangwen. I thought it was you.
0:15:39 > 0:15:40- How do you do?- Very well, thank you.
0:15:40 > 0:15:43And your sister. How nice to see you again.
0:15:43 > 0:15:47- Er...?- We bumped into each other, this morning.
0:15:47 > 0:15:51You should have come into the church. There was room at the back.
0:15:51 > 0:15:55Well, I did not mean to come at all but Ursula wanted to hear our father play.
0:15:55 > 0:15:58It was first class. As ever.
0:15:59 > 0:16:01Rupert, don't slink off. Miss...
0:16:01 > 0:16:04- Miss Brangwen is here.- Really... - Nonsense!
0:16:04 > 0:16:07He'd be mortified to think he missed you.
0:16:07 > 0:16:09- Rupert.- We did wave.
0:16:09 > 0:16:11I was just about to say so.
0:16:11 > 0:16:14Well, that's a start.
0:16:14 > 0:16:16Do you know Miss Brangwen's sister?
0:16:16 > 0:16:21- No, I think you'd moved to London before...- You are Gudrun Brangwen?
0:16:21 > 0:16:24I have two of your pieces.
0:16:24 > 0:16:27- Hermione Roddice.- Oh! How nice.
0:16:27 > 0:16:33Whenever I see Miss Brangwen, I always remind her what a talented sister she has.
0:16:33 > 0:16:37You must bring your genius to see me at Breadalby.
0:16:37 > 0:16:41Of course, we're hugely proud of what Ursula has achieved, too, at the school.
0:16:41 > 0:16:43How do you two know each other?
0:16:43 > 0:16:45Oh, We had a row this morning.
0:16:45 > 0:16:48But it's all forgotten now.
0:16:48 > 0:16:50How is the animal?
0:16:57 > 0:16:59Gudrun. What is the matter?
0:16:59 > 0:17:01What do you think?
0:17:01 > 0:17:06Crich. Behaving as if he owns the very ground upon which I walk.
0:17:06 > 0:17:08Well, he does, for the most part.
0:17:08 > 0:17:12"Room at the back." In the public pews - how dare he?
0:17:19 > 0:17:21'Father...
0:17:21 > 0:17:22'I was thinking -
0:17:22 > 0:17:27'Do you suppose Winnie might benefit from some extra tuition?
0:17:27 > 0:17:33'She seems to have a particular talent for drawing.
0:17:33 > 0:17:34'Perhaps we should...'
0:17:34 > 0:17:38encourage her rather more in that direction.
0:17:40 > 0:17:41I think it's...
0:17:41 > 0:17:46I think it's an excellent idea, Gerald. Do you have anyone in mind?
0:17:46 > 0:17:48I think there may be someone.
0:17:51 > 0:17:53Leave it to me.
0:17:56 > 0:17:59Sorry. Sorry. Didn't mean to alarm you.
0:17:59 > 0:18:00You didn't.
0:18:02 > 0:18:04Oh, it's so dark.
0:18:05 > 0:18:07I think it's going to rain.
0:18:09 > 0:18:12The children don't return until tomorrow.
0:18:12 > 0:18:14Yes, I know, I, er...
0:18:14 > 0:18:17I'm not here officially.
0:18:17 > 0:18:20I...thought I ought to come.
0:18:21 > 0:18:27Seeing you at the church the other day, I realised I hadn't been in touch for some time and...
0:18:27 > 0:18:32I didn't want you to think that I was behaving...improperly with you.
0:18:33 > 0:18:35Rupert!
0:18:35 > 0:18:36It IS you.
0:18:36 > 0:18:39Hermione. What are you doing here?
0:18:39 > 0:18:42Well, I was driving. I saw your car.
0:18:44 > 0:18:46SHE CHUCKLES
0:18:46 > 0:18:49Miss Brangwen.
0:18:49 > 0:18:51Twice in as many days.
0:18:51 > 0:18:54- How delightful.- Hermione.
0:18:54 > 0:18:55Do remind your sister, won't you?
0:18:55 > 0:18:58My, er...invitation.
0:19:00 > 0:19:04I do so want to discuss her work, Rupert.
0:19:04 > 0:19:08It's full of a primitive passion. I think that you would really...
0:19:08 > 0:19:10I'm well aware of Miss Branwgen's oeuvre. Thank you.
0:19:13 > 0:19:16I will call again when term has started.
0:19:17 > 0:19:21Though, as I say, everything here seems exemplary.
0:19:21 > 0:19:24Is it, though, Rupert?
0:19:24 > 0:19:27Is Miss Brangwen really helping our children?
0:19:28 > 0:19:31She teaches them to understand the flower -
0:19:31 > 0:19:35to know all its functions and its biology -
0:19:35 > 0:19:40but in so doing, doesn't she condemn them to miss the most important thing of all...
0:19:40 > 0:19:43the flower's essential scent?
0:19:47 > 0:19:50Knowing is everything to you, Hermione.
0:19:50 > 0:19:55- It is all your life.- You must leave Miss Brangwen alone, Rupert.
0:19:55 > 0:19:56She will want her tea.
0:19:56 > 0:20:00She cannot sit around listening to your theories all day.
0:20:09 > 0:20:11Please...
0:20:11 > 0:20:13don't take any notice of her.
0:20:16 > 0:20:18What you do here is wonderful.
0:20:32 > 0:20:35Mr Birkin.
0:20:35 > 0:20:36- Rupert!- Yes?
0:20:36 > 0:20:39- Is there something the matter?- Yes.
0:20:39 > 0:20:41Yes, there is.
0:20:41 > 0:20:43I'm confused, I confess.
0:20:43 > 0:20:45You see...
0:20:45 > 0:20:48we've known each other for some time now -
0:20:48 > 0:20:50especially since I broke off my engagement - and...
0:20:50 > 0:20:53we have become friends, I think.
0:20:53 > 0:20:55You certainly treat me warmly.
0:20:55 > 0:20:59More than you might a friend, I suspect, and yet...
0:20:59 > 0:21:03That is all we are - friends. Still.
0:21:03 > 0:21:07And people have started to comment.
0:21:07 > 0:21:09They wonder at our relationship and I defend it...
0:21:12 > 0:21:15But what do you want of me, Mr Birkin?
0:21:16 > 0:21:18I don't understand.
0:21:48 > 0:21:50Winnie, this is Miss Brangwen.
0:21:50 > 0:21:53- How do you do?- I'll leave you to get to know each other.
0:21:56 > 0:21:57So...
0:21:59 > 0:22:03- ..how shall we begin? - We can draw Bismarck!- Bismarck?
0:22:03 > 0:22:04He's through there.
0:22:07 > 0:22:09Mr Crich.
0:22:13 > 0:22:14I'm here.
0:22:23 > 0:22:24See? He looks so splendid.
0:22:24 > 0:22:26He's almost as big as a lion.
0:22:26 > 0:22:30- Shall we take him out? - He's a fearful kicker.
0:22:30 > 0:22:32We'll try, shall we?
0:22:33 > 0:22:36Come on. There we go...
0:22:36 > 0:22:39- Ooh... Ow! Ow!- You should get one of the men to do that for you.
0:22:39 > 0:22:42- Bismarck! You're behaving terribly. - Oh, you...
0:22:47 > 0:22:50I know these beggars of old.
0:22:50 > 0:22:52- He's not hurt, is he?- No.
0:22:53 > 0:22:56But he ought to be.
0:22:57 > 0:23:02- They do scratch so, don't they? - Oh, how vile. Mine's nothing...
0:23:13 > 0:23:15What a devil.
0:23:22 > 0:23:24I love the water.
0:23:24 > 0:23:28Well, you know we may treat it as our own from now on.
0:23:28 > 0:23:33I wonder if dear Gerald holds the rest of his employees in the same regard.
0:23:33 > 0:23:37- I do think he's quite in awe of me. - SHE CHUCKLES
0:23:37 > 0:23:39It's...rather wonderful.
0:23:40 > 0:23:42I hope you don't encourage him.
0:23:42 > 0:23:44Oh, Ursula, Gerald's a man.
0:23:44 > 0:23:46They think it's their right to have you.
0:23:46 > 0:23:49You don't need to encourage them.
0:24:06 > 0:24:09So tired... Very tired...
0:24:09 > 0:24:11Just...
0:24:11 > 0:24:13concentrate on getting better.
0:24:14 > 0:24:16Look to the long game.
0:24:28 > 0:24:29Did you have many men?
0:24:29 > 0:24:32- What?- In London. I...
0:24:33 > 0:24:37You seem to have grown up such a lot and...sometimes in your letters...
0:24:37 > 0:24:39Ursula! Really.
0:24:39 > 0:24:41I'm curious. I'm not...
0:24:44 > 0:24:48I have so little experience, you see. Apart from Anton.
0:24:48 > 0:24:50That's your own business.
0:24:50 > 0:24:53Do you think love needs sex?
0:24:53 > 0:24:54That is why I ask.
0:24:56 > 0:24:58What?
0:24:59 > 0:25:01I mean... when you are in love, and there is
0:25:01 > 0:25:07a physical relationship, I know that sex must burn at the very core of it.
0:25:07 > 0:25:09I just wonder whether...
0:25:09 > 0:25:15in the way that some can seem to have sex totally outside of love and enjoy it...
0:25:15 > 0:25:20can others, perhaps, find love outside of sex?
0:25:20 > 0:25:22Where does sex fit...
0:25:22 > 0:25:25in relation to love, do you think?
0:25:26 > 0:25:27Sex is power.
0:25:30 > 0:25:33It's where we have power, and...
0:25:33 > 0:25:36- beyond that I don't go. - BIRDS SQUAWK AND FLUTTER
0:25:38 > 0:25:43Huh! You see? You're a man, you want to do a thing, you do it.
0:25:43 > 0:25:45Seriously, Gudrun.
0:25:46 > 0:25:48The men I've slept with in town,
0:25:48 > 0:25:53the Bohemian crowd, they're Bohemian because they can afford to be.
0:25:53 > 0:25:55They're rich and they're lazy and they're spoilt and...
0:25:58 > 0:26:00..sex is all they're good for.
0:26:02 > 0:26:05Love's never really an issue. So I...
0:26:05 > 0:26:08don't trouble myself with thoughts of it.
0:26:08 > 0:26:12- GUDRUN GASPS - Winifred! I'm late for our lesson.
0:26:16 > 0:26:18'Right.
0:26:18 > 0:26:20'Music...'
0:26:20 > 0:26:22and...
0:26:22 > 0:26:24cigarettes.
0:26:24 > 0:26:25LAUGHTER AND MUSIC
0:26:25 > 0:26:28No more witticisms, please. I shall commit murder.
0:26:28 > 0:26:30I think you'd get away with it.
0:26:30 > 0:26:32No-one would blame you.
0:26:34 > 0:26:37(He keeps staring at me.)
0:26:38 > 0:26:40That's good, surely?
0:26:44 > 0:26:47- Salsie!- Sorry, I'm late.
0:26:47 > 0:26:50This is my brother, everyone.
0:26:50 > 0:26:52Just down from The Lords.
0:26:52 > 0:26:54Have you met my driver?
0:26:54 > 0:26:57My God, Gerald! Are you all right?
0:26:57 > 0:27:00Don't indulge him. He could've waited for Roberts. Let him fix it.
0:27:00 > 0:27:03- I did fix it!- Mmmm.
0:27:05 > 0:27:06Allow me.
0:27:14 > 0:27:16I'm sorry, is it not clean?
0:27:16 > 0:27:18It's fine.
0:27:18 > 0:27:20Thank you.
0:27:21 > 0:27:24Forgive me. HE POURS
0:27:24 > 0:27:27- I didn't expect to see you here. - Oh, I do apologise.
0:27:30 > 0:27:32It's my artistic bent, you see.
0:27:32 > 0:27:35It gets me into the poshest of places.
0:27:41 > 0:27:44I'm going for a walk.
0:27:44 > 0:27:46Will you come with me?
0:27:46 > 0:27:50Ursula. Don't speak. Just listen to me, please.
0:27:50 > 0:27:54- Please, don't doubt my feelings for you.- Rupert!
0:27:57 > 0:27:59I need to see you.
0:27:59 > 0:28:03- Actually, I'm rather busy. - It won't wait...I'm afraid.
0:28:04 > 0:28:06I really must insist.
0:28:18 > 0:28:20- Are you ready?- Yes.
0:28:20 > 0:28:23- Yes. A walk would be good. - WHOOPING
0:28:24 > 0:28:25Come on.
0:28:32 > 0:28:34It's beautiful.
0:28:34 > 0:28:36And worth the money?
0:28:38 > 0:28:40If you have it, yes. It's a first edition.
0:28:40 > 0:28:42Well, I've bought it for you.
0:28:43 > 0:28:46- Hermione, please...
0:28:46 > 0:28:47What?
0:28:50 > 0:28:53I had hoped that we could remain friends, but I see now...
0:28:53 > 0:28:55I know she is my rival.
0:28:57 > 0:28:59Miss Brrrrangwen.
0:28:59 > 0:29:01She is not your rival.
0:29:01 > 0:29:07- No-one is your rival because there is nothing between us, you and me. - SHE LAUGHS
0:29:07 > 0:29:10How plain must I be? We are done, Hermione.
0:29:11 > 0:29:12And yet here you are.
0:29:12 > 0:29:15You asked me to look at a book.
0:29:15 > 0:29:19Isn't there always...a reason?
0:29:20 > 0:29:21I'm leaving.
0:29:21 > 0:29:23No!
0:29:27 > 0:29:29Kiss me.
0:29:29 > 0:29:30What?
0:29:31 > 0:29:33- Kiss me.- What? Stop it.
0:29:33 > 0:29:36Stop it! Stop it!
0:29:36 > 0:29:39Why would you do that, of all things?
0:29:39 > 0:29:44We are dead in the ground! Don't...dig the corpse up.
0:29:56 > 0:29:57No, you don't.
0:29:57 > 0:29:59I don't let you.
0:30:16 > 0:30:19JAZZ PLAYS IN DISTANCE
0:31:00 > 0:31:04Oh, it's so much more magical at night.
0:31:04 > 0:31:06Let's bathe.
0:31:07 > 0:31:09- But we haven't any costumes. - Oh, Gudrun!
0:31:09 > 0:31:12THEY SQUEAL
0:31:22 > 0:31:27Oh, I do sometimes entertain fantasies of being utterly kept, you know.
0:31:27 > 0:31:31- Having this sort of thing on tap. - You'd be bored witless in a week.
0:31:31 > 0:31:33That's why the rich all intermarry.
0:31:33 > 0:31:35You are too cruel.
0:31:37 > 0:31:40It's why you behave as you do with Gerald Crich, isn't it?
0:31:40 > 0:31:43The rich can't be universally dismissed.
0:31:43 > 0:31:45Some of them are just like us.
0:31:45 > 0:31:47They bleed, too, Gudrun.
0:31:47 > 0:31:50Oh, yes, Gerald Crich has suffered much!
0:31:51 > 0:31:54He lost his brother.
0:31:55 > 0:31:57What? When?
0:31:57 > 0:32:02Mother told me. He was killed. When they were both quite young.
0:32:02 > 0:32:04No-one knows the details.
0:32:04 > 0:32:07Apparently the whole town was gossiping about it.
0:32:07 > 0:32:10I think it all got hushed up, in truth. My point being...
0:32:10 > 0:32:15he is quite worthy of your attention, if you only thought fit to give it.
0:32:15 > 0:32:17Let's get out.
0:32:17 > 0:32:19I'm cold.
0:32:25 > 0:32:29# You are my honey, honeysuckle
0:32:29 > 0:32:34# I am the bee
0:32:34 > 0:32:39# I'd like to sip the honey sweet
0:32:39 > 0:32:42# From those red lips, you see
0:32:44 > 0:32:49# I love you dearly, dear And I want...
0:32:49 > 0:32:51I wish I could draw you.
0:32:53 > 0:32:55Sorry. I...
0:32:55 > 0:32:58It's all right, I was... I was miles away.
0:33:08 > 0:33:11COWS LOW
0:33:17 > 0:33:19I'm sure they won't do anything.
0:33:19 > 0:33:22Careful.
0:33:28 > 0:33:30Hue! Hi-ee! Hi-ee! Hi-ee!!
0:33:32 > 0:33:34What do you think you're doing?
0:33:34 > 0:33:39- Why have you come?- You were so long, you... It's not safe.
0:33:39 > 0:33:43The bull gored one of the farmer's cows to death the other day.
0:33:43 > 0:33:44What do I care of that?
0:33:47 > 0:33:50What do you care?
0:33:50 > 0:33:52Of his cattle?
0:33:52 > 0:33:56Nothing. I imagine. Have you any idea how much money they are worth?
0:33:56 > 0:34:00- Money. You've been waiting for this moment, haven't you? To feel safe. - What are you talking about?
0:34:00 > 0:34:06Since you invited me to Shortlands, you've wanted me in this position! I'm your equal, Gerald Crich.
0:34:06 > 0:34:07You have struck the first blow.
0:34:07 > 0:34:10And I shall strike the last.
0:34:12 > 0:34:15It's no good being angry with me.
0:34:15 > 0:34:17It is you who makes me behave like this.
0:34:18 > 0:34:20I'm not angry with you.
0:35:02 > 0:35:03Miss Brangwen.
0:35:03 > 0:35:06I wasn't sure you were in today.
0:35:08 > 0:35:10Couldn't you see me from the attic?
0:35:11 > 0:35:14The line of sight was perfect for me.
0:35:17 > 0:35:21You were away all of yesterday. That's why I was uncertain.
0:35:21 > 0:35:24Indeed.
0:35:24 > 0:35:26I feared a cold.
0:35:26 > 0:35:28But it seems I'm quite well...
0:35:28 > 0:35:30Was there anything the matter?
0:35:30 > 0:35:32Would you...
0:35:32 > 0:35:34care to join me for dinner this evening?
0:35:37 > 0:35:39I should be delighted if you would.
0:35:42 > 0:35:44Of course.
0:35:57 > 0:36:02- Ursula.- Oh, my God!- I knew you came this way back from school.
0:36:02 > 0:36:04- What happened?- Oh...
0:36:04 > 0:36:06It's nothing. I fell.
0:36:06 > 0:36:11- Where have you been? You disappeared from the party. - I want you to be with me!
0:36:11 > 0:36:15You asked me what I wanted from you. And, erm, that's it.
0:36:15 > 0:36:18It's over between me and Hermione.
0:36:18 > 0:36:24Finally. I want you to be with me.
0:36:24 > 0:36:30But...it's not love that I offer you.
0:36:30 > 0:36:33Well, not in the usual sense.
0:36:33 > 0:36:37Nor do I want it returned in that form either.
0:36:37 > 0:36:38Do you understand?
0:36:42 > 0:36:45That you don't love me? Except in some...
0:36:45 > 0:36:49- strange, obscure way which requires a lot of hand wringing.- No...
0:36:49 > 0:36:52Do you find me good-looking, even?
0:36:52 > 0:36:56- Or attractive? - It's not a question of looks!
0:36:56 > 0:36:59I want a woman that I don't see.
0:36:59 > 0:37:01I want...
0:37:01 > 0:37:05a union where nothing that is already known applies!
0:37:06 > 0:37:08You think I'm raving, don't you?
0:37:08 > 0:37:12Bash on the bonce and then the ramblings start.
0:37:12 > 0:37:15I'm done with this world, Ursula.
0:37:17 > 0:37:20It's let me down.
0:37:20 > 0:37:21God and man.
0:37:23 > 0:37:25Now I want to explore...
0:37:25 > 0:37:27another way of living...
0:37:27 > 0:37:32And what do you hope to find at the end of this great...
0:37:32 > 0:37:34expedition of yours?
0:37:37 > 0:37:38Peace.
0:37:42 > 0:37:44A lasting peace.
0:38:43 > 0:38:45Do you always dress for dinner?
0:38:46 > 0:38:49I believe in good manners.
0:38:51 > 0:38:54Then I apologise if I'm lowering the tone somewhat.
0:38:56 > 0:38:57Of course, if you'd warned me.
0:38:57 > 0:39:00Miss Brangwen...
0:39:00 > 0:39:03why do you tease me so?
0:39:03 > 0:39:05I don't care what you wear.
0:39:05 > 0:39:09I do care that you haven't spoken a single word of the other night.
0:39:11 > 0:39:14You talk to me of good manners, Mr Crich?
0:39:14 > 0:39:16It happened.
0:39:18 > 0:39:24And it was delightful. And now we move on.
0:39:28 > 0:39:30KNOCK ON DOOR
0:39:32 > 0:39:35Dr Oxley is leaving, Sir.
0:39:42 > 0:39:44Excuse me.
0:40:07 > 0:40:08Oh, Gerald.
0:40:08 > 0:40:11What is it?
0:40:11 > 0:40:12Yes.
0:40:12 > 0:40:15Sorry.
0:40:15 > 0:40:18- The doctor wanted to get off. - What did he say?
0:40:18 > 0:40:20There was some medicine.
0:40:20 > 0:40:22New medicine.
0:40:22 > 0:40:24Yes. You told me.
0:40:24 > 0:40:26Right...
0:40:26 > 0:40:28But it hasn't worked.
0:40:28 > 0:40:30Was always a long shot.
0:40:30 > 0:40:33So, that's it.
0:40:33 > 0:40:36More or less.
0:40:36 > 0:40:39Just have to wait now.
0:40:39 > 0:40:40Continue to wait.
0:40:44 > 0:40:47- What are you doing?- I must go.
0:40:47 > 0:40:49And...
0:40:51 > 0:40:54Yes. You should be alone anyway.
0:40:54 > 0:40:57- Let me drive you. - No, I... No, I'd rather walk.
0:40:57 > 0:40:59Then I'll walk with you.
0:41:02 > 0:41:06It's so strange, in our old age, we become like children again...
0:41:08 > 0:41:11That's how Father is now.
0:41:11 > 0:41:12I'm everything to him...
0:41:14 > 0:41:17he could be my son.
0:41:20 > 0:41:22You mustn't give up hope.
0:41:22 > 0:41:26In our family... once anything goes wrong, it can never be put right again.
0:41:29 > 0:41:31You know I killed my brother?
0:41:31 > 0:41:33Oh, er...
0:41:33 > 0:41:37Ursula said that there was an accident when...
0:41:37 > 0:41:39When you were both very little.
0:41:39 > 0:41:40I shot him.
0:41:44 > 0:41:47We found a gun... in the gamekeeper's lodge.
0:41:47 > 0:41:50We played with it, as boys do.
0:41:53 > 0:41:55It went off.
0:41:57 > 0:41:59And I killed him.
0:42:09 > 0:42:10Gerald.
0:42:10 > 0:42:12Gerald.
0:42:19 > 0:42:21TRAIN HORN BLASTS
0:42:40 > 0:42:42Oh! Ah.
0:43:47 > 0:43:52- Ursula... - You didn't think to tell me?- What?
0:43:52 > 0:43:54I went to your Nottingham townhouse.
0:43:54 > 0:43:58- They said you no longer resided there.- Oh, well!
0:43:58 > 0:43:59It was to be a surprise.
0:44:01 > 0:44:04So...don't you think it wonderful?
0:44:04 > 0:44:07And it's not only the rooms I've given up.
0:44:07 > 0:44:09But my job, too...
0:44:09 > 0:44:12I've some savings I can draw on and...
0:44:12 > 0:44:16I want to write. Perhaps I'll be able to sell that.
0:44:16 > 0:44:18What matters is...
0:44:18 > 0:44:20finding one's own way, Ursula...
0:44:20 > 0:44:22Refusing to conform. Hm?
0:44:22 > 0:44:24Rupert?
0:44:26 > 0:44:28Oh! She's just arrived.
0:44:28 > 0:44:29Rupert...
0:44:31 > 0:44:33Where do you want this?
0:44:33 > 0:44:35Er, just one minute...
0:44:35 > 0:44:38She came to apologise.
0:44:38 > 0:44:39- Take me home.- Ursula.
0:44:41 > 0:44:44- Ursula.- Take me home!
0:45:07 > 0:45:09I ran into her.
0:45:09 > 0:45:12In town. She was contrite.
0:45:12 > 0:45:16And to show it, she thought she might help you re-arrange your furniture?
0:45:16 > 0:45:19I was being decent. Why must I hate her?
0:45:19 > 0:45:22She tried to bludgeon you to death.
0:45:22 > 0:45:24If you weren't so jealous you'd understand.
0:45:24 > 0:45:27Jealous!? Of Hermione Roddice?
0:45:27 > 0:45:30She is nothing to me. Not that... It is you I despise.
0:45:30 > 0:45:32And your lies!
0:45:32 > 0:45:35You're like a dog who must return to his own vomit.
0:45:35 > 0:45:38- You're a fool.- Yes! I am a fool.
0:45:38 > 0:45:41And thank God for it. I'm too big a fool to swallow your cleverness.
0:45:41 > 0:45:43So go to your soul mate.
0:45:43 > 0:45:46Since I am common and fleshly, aren't I?
0:45:46 > 0:45:50- What?- I lust after physical things.
0:45:50 > 0:45:53- I showed you my love and you were repulsed!- Afternoon.
0:45:56 > 0:45:58- No.- Yes.
0:45:58 > 0:46:01I would have done it, Rupert. There, in the church yard.
0:46:01 > 0:46:03I wanted to do it, sex.
0:46:03 > 0:46:06Because sex is important to me and I am not ashamed to say so.
0:46:06 > 0:46:11I wanted to be with you as I understand it.
0:46:11 > 0:46:14- Except, when you felt my need, you pulled away.- No.
0:46:14 > 0:46:17- You did! It turned your stomach! - It did not! It did not.
0:46:21 > 0:46:22Forgive me, I...
0:46:25 > 0:46:26I don't know...
0:46:29 > 0:46:34I don't know how... I don't know how I should live any more.
0:46:37 > 0:46:41Every, single breath comes with such
0:46:41 > 0:46:43responsibility now.
0:46:45 > 0:46:47It's something of a burden.
0:46:47 > 0:46:50All the more reason not to hide away.
0:46:50 > 0:46:52To engage fully.
0:46:55 > 0:46:57Life is savage, Rupert.
0:46:57 > 0:47:01Or it is not life at all.
0:47:05 > 0:47:08HE SOBS
0:48:09 > 0:48:11Letter for you, Mr Crich.
0:48:11 > 0:48:13Thank you, Albert.
0:48:24 > 0:48:26TRAIN WHISTLES
0:48:33 > 0:48:34Gerald!
0:48:39 > 0:48:41There! Can't expect to move into a new place
0:48:41 > 0:48:44without a few house warming presents, can you?
0:48:44 > 0:48:45What?
0:48:45 > 0:48:49- What are you doing? - I came to see you.
0:48:49 > 0:48:52Gerald, you're not yourself despite any avowals to the contrary.
0:48:53 > 0:48:57LAUGHS: Good old Rupert. Like a mind-reader sometimes.
0:48:57 > 0:49:01All right. I want you to come to Africa with me.
0:49:01 > 0:49:04- Africa?- I've bought a mine!
0:49:04 > 0:49:07Diamonds this time. Got it off a German chap, believe it or not.
0:49:07 > 0:49:09I need to go and see it. So...
0:49:09 > 0:49:10Your father...
0:49:11 > 0:49:14Of course... I don't mean right away, go, but... soon, I think.
0:49:16 > 0:49:20And obviously, from your point of view, there'll be no cost. I'll...
0:49:20 > 0:49:22Why! Why would I just leave?
0:49:22 > 0:49:23Why wouldn't you?!
0:49:23 > 0:49:26There's...
0:49:26 > 0:49:28There's Ursula.
0:49:28 > 0:49:33She and I seem to have found a decent understanding lately.
0:49:33 > 0:49:35Even better! I hoped she'd come.
0:49:35 > 0:49:38- In fact, I've already...- Gerald!
0:49:38 > 0:49:40Tell me the truth, Gerald.
0:49:40 > 0:49:45All this, this trouble and expense. What's the real reason?
0:49:46 > 0:49:48I want Gudrun to accompany me.
0:49:51 > 0:49:55- And I think if her sister and you... - What?
0:49:55 > 0:49:59I haven't actually been able to ask her myself.
0:49:59 > 0:50:02She's in London, she took off.
0:50:02 > 0:50:05She's uncertain of me, I think.
0:50:05 > 0:50:08But I do know that if she were to spend some proper time with me,
0:50:08 > 0:50:10then she'd see that I'm serious.
0:50:10 > 0:50:12About Gudrun?
0:50:12 > 0:50:14You're serious about her?
0:50:16 > 0:50:18I enjoy her company.
0:50:18 > 0:50:21- We've become close. - But she's not your sort at all.
0:50:21 > 0:50:23What do you mean "my sort"?
0:50:23 > 0:50:25Look, I bought you a bloody pineapple.
0:50:25 > 0:50:28- I'm expecting some support over this! - Yes, but...
0:50:28 > 0:50:30It's not love though.
0:50:30 > 0:50:32What?
0:50:32 > 0:50:34You're not in love with her?
0:50:35 > 0:50:38Why do you say that?
0:50:38 > 0:50:40I mean... Why do you assume?
0:50:40 > 0:50:44Well, I assume because, as I'm sure you'd be the first to admit,
0:50:44 > 0:50:48it is sex which usually binds you to a woman.
0:50:48 > 0:50:50And I can only say that for Gudrun, I do have feelings.
0:50:50 > 0:50:54Oh, I'm sure you have feelings, Gerald.
0:50:54 > 0:50:57But where do they start? And where do they end? Hmmm?
0:50:57 > 0:51:00All the same, the four of us.
0:51:00 > 0:51:03On an adventure. I think it would be a wonderful tonic, don't you?
0:52:10 > 0:52:13No.
0:52:16 > 0:52:19You must...
0:52:19 > 0:52:23You must put it down.
0:52:24 > 0:52:28You must put it down.
0:52:29 > 0:52:32Be careful.
0:52:37 > 0:52:41No. Father!
0:52:41 > 0:52:44Father, I've had words!
0:52:44 > 0:52:48Father, please! Father, please!
0:53:23 > 0:53:24GUNSHOT!
0:53:34 > 0:53:38I want you to write a letter to Miss Brangwen.
0:53:39 > 0:53:43Tell her to come back, immediately.
0:53:43 > 0:53:46Say that you're sick.
0:53:46 > 0:53:51But she is already here. She called this afternoon.
0:53:51 > 0:53:55My lessons resume tomorrow.
0:53:59 > 0:54:01DOOR OPENS
0:54:12 > 0:54:13Jesus!
0:54:13 > 0:54:17Jesus!
0:54:19 > 0:54:20Is he...?
0:54:47 > 0:54:49There.
0:54:49 > 0:54:50He looks better now.
0:54:50 > 0:54:52I'll give you a minute.
0:55:09 > 0:55:14HE BREATHES DEEPLY
0:55:29 > 0:55:32HE WHIMPERS
0:55:32 > 0:55:37HE WAILS
0:57:00 > 0:57:01Why have you come?
0:57:01 > 0:57:03Because I must.
0:57:06 > 0:57:08Why do you ask?
0:57:10 > 0:57:13I must ask.
0:58:08 > 0:58:10Slow down. You're going to kill me.
0:58:10 > 0:58:14There's a rather lovely simplicity to Gerald, isn't there?
0:58:14 > 0:58:15He's a doer. He'll tell anyone that!
0:58:15 > 0:58:19Oh, sweets.
0:58:19 > 0:58:24I would like a pennyworth of those, please.
0:58:24 > 0:58:26Hurry up!
0:58:26 > 0:58:31For goodness sake! It's going in two minutes. You need to get on board.
0:58:31 > 0:58:34- And where are you going? - To get some cigarettes and a paper.
0:58:34 > 0:58:37SHE CHUCKLES
0:58:37 > 0:58:42- Rupert! Gerald.- Samantha!
0:58:44 > 0:58:46- How are you?- Very well, I...
0:58:46 > 0:58:48I came to see Rupert off.
0:58:48 > 0:58:51SHE WHISPERS
0:58:51 > 0:58:52WHISTLE BLOWS
0:58:52 > 0:58:55Prune! Give me a hand with my case, will you?
0:58:55 > 0:58:58WHISTLE BLOWS
0:59:13 > 0:59:15God, what a mess.
0:59:55 > 0:59:57It's a different world.
0:59:57 > 1:00:00My God, Gerry.
1:00:00 > 1:00:03- You've done it now. - Do we have to ride?
1:00:03 > 1:00:05After a journey like that? I want to stretch my legs a little.
1:00:05 > 1:00:09By all means, Rupert. It's 120 degrees.
1:00:10 > 1:00:14You take Shank's. I'll take the pony.
1:00:16 > 1:00:18It's about two hours, apparently.
1:00:53 > 1:00:56I've reached my place, Gerald!
1:00:56 > 1:01:02- Finally.- Our place. You've reached our place.
1:01:32 > 1:01:34What? What?
1:01:34 > 1:01:38I don't have to. Every time.
1:01:40 > 1:01:43But I want to.
1:01:54 > 1:01:56The settlers just went.
1:01:56 > 1:02:00As soon as the next haul of diamonds or gold was discovered,
1:02:00 > 1:02:02they just upped and offed.
1:02:02 > 1:02:05Why couldn't they be satisfied?
1:02:05 > 1:02:07Because people never are.
1:02:14 > 1:02:17SHOUTING AND LAUGHTER
1:02:17 > 1:02:19MUSIC PLAYS
1:02:27 > 1:02:29What did I do wrong?
1:02:48 > 1:02:52WHISTLES AND APPLAUSE
1:02:52 > 1:02:54Encore!
1:03:00 > 1:03:03See? A question...
1:03:12 > 1:03:15MUSIC STARTS UP AGAIN
1:03:15 > 1:03:19- Ah! Come on. Let's try again.- OK.
1:03:21 > 1:03:24Gluttons! HE LAUGHS
1:03:29 > 1:03:30What?
1:03:30 > 1:03:36You've convinced me, finally. I surrender to my heritage.
1:03:36 > 1:03:41To the visceral, sodden, Midlands and their dirty, dirty, men.
1:03:48 > 1:03:52MAN CLEARS HIS THROAT
1:03:52 > 1:03:55They are getting it, your friends, the Schuhplattern.
1:03:55 > 1:03:57Bless you!
1:03:57 > 1:04:00I mean the dance. That is its name, Schuhplattern.
1:04:00 > 1:04:03Bloody exhausting, that's what we'd call it in England.
1:04:03 > 1:04:06- Gerald Crich.- I'm Wolfgang Loerke.
1:04:06 > 1:04:08- And I'm...- Gudrun Brangwen.
1:04:08 > 1:04:11I saw your name in the register. I am an artist, too.
1:04:11 > 1:04:14Your work is in Berlin.
1:04:14 > 1:04:18- No!- A private collection in the Altes Museum.
1:04:18 > 1:04:21Good heavens...
1:04:24 > 1:04:27Please, sit down.
1:04:27 > 1:04:31So. which one...
1:04:31 > 1:04:34The Altes Museum. A private collection on loan.
1:04:34 > 1:04:39Mein Herr? My niece would be most pleased to dance with you.
1:04:39 > 1:04:42Ah, I see.
1:04:42 > 1:04:44Isn't her English very good?
1:04:44 > 1:04:46My English is perfect.
1:04:46 > 1:04:50But one would hate to give the impression that German girls
1:04:50 > 1:04:52do not know how to behave in polite company.
1:04:52 > 1:04:56In that case, the pleasure is all mine.
1:05:01 > 1:05:04The young woman is, how do you say it?
1:05:06 > 1:05:08She is Von Bluuten.
1:05:08 > 1:05:11It's, er, like a lady.
1:05:11 > 1:05:14From one of the oldest families in Bavaria.
1:05:42 > 1:05:45THEY MOAN AND GRUNT
1:06:07 > 1:06:10- Rupert.- Hmm?
1:06:10 > 1:06:15We have something, don't we?
1:06:18 > 1:06:21What?
1:06:21 > 1:06:25How can you say that? We love each other.
1:06:25 > 1:06:27We can go anywhere.
1:06:27 > 1:06:34We can do anything. We make our own rules.
1:06:36 > 1:06:39Yes, of course.
1:06:49 > 1:06:52Gerald, what a fine game you played tonight.
1:06:52 > 1:06:54- Hmm?- Isn't she in love with you?- What?
1:06:54 > 1:06:56That girl, what was her name?
1:06:56 > 1:06:59- The one you danced with? - God knows. She was, er...
1:06:59 > 1:07:01I assure you, I addressed her quite formally all night.
1:07:01 > 1:07:03Well, it obviously did the trick.
1:07:06 > 1:07:08Gudrun. I don't...
1:07:08 > 1:07:14I can picture her, Gerald, even now, lying there, overwhelmed with love for you.
1:07:14 > 1:07:17It really was too shameful, the way you swept her off her feet.
1:07:17 > 1:07:22- That was the Schuhplattern. - It's not a criticism.
1:07:23 > 1:07:26It's just an observation.
1:07:28 > 1:07:29She was very confident.
1:07:29 > 1:07:32On the other hand, it would make a perfect marriage.
1:07:33 > 1:07:36The upper classes uniting across Europe.
1:07:36 > 1:07:38Stop it.
1:07:40 > 1:07:42For God's sake, what's the matter with you?
1:07:42 > 1:07:45Tell me you weren't hard when you held her against you...
1:07:45 > 1:07:47and I'll cease this instant.
1:07:56 > 1:07:58Race you.
1:08:18 > 1:08:20See!
1:08:20 > 1:08:23- What?- You're done.
1:08:23 > 1:08:24You've no strength.
1:08:34 > 1:08:35Whoo-hoo!
1:08:35 > 1:08:37Winner!
1:08:42 > 1:08:44See - you're as weak as a baby.
1:08:44 > 1:08:47What are you talking about?
1:08:51 > 1:08:54- The walls aren't terribly thick, you know, Gerald.- What?
1:08:55 > 1:08:57The night-time, since you got here.
1:08:57 > 1:09:00No wonder you're tired.
1:09:03 > 1:09:07And I'm the only one indulging in that particular pleasure, am I?
1:09:07 > 1:09:08I suspect you're the only one
1:09:08 > 1:09:12- who's been indulging in it quite so vigorously.- Enough!
1:09:12 > 1:09:14What? Ah.
1:09:15 > 1:09:18- All the...fucking time! - What are you talking about?!
1:09:18 > 1:09:24You never fucking stop! Sex is what brings a man to a woman.
1:09:24 > 1:09:25What?
1:09:31 > 1:09:34- But that doesn't mean... - What are you talking about?
1:09:34 > 1:09:39..meaningful union... that you speak of.
1:09:47 > 1:09:50That happens... That happens...
1:09:52 > 1:09:54..once the ardour is played out.
1:09:59 > 1:10:02Love is special!
1:10:03 > 1:10:04You're right.
1:10:06 > 1:10:08I do know that.
1:10:09 > 1:10:11Where sex is...
1:10:11 > 1:10:15earth and sea and water and air.
1:10:15 > 1:10:16It's commonplace.
1:10:20 > 1:10:22As long as we admit it.
1:10:23 > 1:10:26That it makes machines of all of us for a while...
1:10:26 > 1:10:33then we pass through it to the other side where you sit so proudly...
1:10:33 > 1:10:35I know about love!
1:10:35 > 1:10:38Don't fucking lecture me!
1:11:08 > 1:11:10Love, come and have some food.
1:11:11 > 1:11:12I want to finish this.
1:11:12 > 1:11:16Prune, you must have something. You'll make yourself ill.
1:11:16 > 1:11:18A drink at least.
1:11:42 > 1:11:45It's very good. It's a local dish.
1:11:47 > 1:11:49Curry.
1:11:55 > 1:11:58God, this place is wonderful!
1:11:58 > 1:12:00I could live here forever.
1:12:01 > 1:12:04- You should, then.- Just like that?
1:12:05 > 1:12:10Why not? If you desire something, you should make it happen.
1:12:10 > 1:12:14There speaks a man who has wanted for nothing his entire life.
1:12:21 > 1:12:23I'm going.
1:12:23 > 1:12:25- What?- You're right.
1:12:25 > 1:12:28- I'm here to get things done.- It's too hot now! Don't be ridiculous.
1:12:28 > 1:12:30Gerald!
1:12:31 > 1:12:32Wait!
1:12:39 > 1:12:43I know I've made you like this.
1:12:43 > 1:12:44But I have to be.
1:12:44 > 1:12:46Perhaps if you weren't so...
1:12:46 > 1:12:48I have to be true to myself...
1:12:48 > 1:12:51And Rupert's right. You come from a different world.
1:12:51 > 1:12:53What?
1:12:55 > 1:12:58The rules that you apply to living are... They're yours.
1:12:58 > 1:13:01They're yours alone, and I can't be with somebody like that.
1:13:03 > 1:13:05I think we should have separate rooms.
1:13:06 > 1:13:08What are you talking about? This is...
1:13:08 > 1:13:11You can say that you need a dressing room. Or I am ill.
1:13:11 > 1:13:15Gudrun, this is nonsense.
1:13:15 > 1:13:18All over some dance.
1:13:19 > 1:13:22I don't give two ha'pennies for the bloody girl!
1:13:23 > 1:13:27- She is nothing to me.- She's not the point. It's your whole attitude.
1:13:27 > 1:13:29It's who you are.
1:13:29 > 1:13:33If you face facts, Gerald... Please be sensible.
1:13:33 > 1:13:36It's best to stop this now before...
1:13:36 > 1:13:37before it becomes serious.
1:13:39 > 1:13:40- Before?- What?
1:13:40 > 1:13:44- Jesus!- I took pity on you because of the dreadful state you were in.
1:13:46 > 1:13:48It was never love.
1:13:50 > 1:13:52You don't think you love me, do you?
1:13:52 > 1:13:54Not really.
1:13:56 > 1:13:59It's always been perfectly clear what this relationship's about.
1:14:02 > 1:14:03I...
1:14:06 > 1:14:09I feel strongly for you.
1:14:10 > 1:14:12And that's not the same thing, is it?
1:14:15 > 1:14:17Not really.
1:14:17 > 1:14:19Not proper love.
1:14:19 > 1:14:22Because you don't feel like that, do you?
1:14:22 > 1:14:24And you never will. You'll...
1:14:26 > 1:14:30You'll never love me as a man should.
1:14:30 > 1:14:31Because you're not capable.
1:14:33 > 1:14:36Of loving me like that. Are you?
1:14:40 > 1:14:42No.
1:14:44 > 1:14:45Well, then...
1:14:47 > 1:14:50Let's be kind to ourselves. We should be friends.
1:14:52 > 1:14:53And nothing more.
1:15:04 > 1:15:07Gerald is like the richest food in the world. He's...
1:15:07 > 1:15:11He's delicious at first, but he's deadening finally.
1:15:11 > 1:15:13It's lack of subtlety.
1:15:13 > 1:15:15- Gudrun!- It's best that we're honest about these things.
1:15:17 > 1:15:20Life's too short for compromise.
1:15:21 > 1:15:23Now, if you'll excuse me...
1:15:23 > 1:15:24I'm ravenous.
1:16:06 > 1:16:07Jesus!
1:16:08 > 1:16:11What happened to you?
1:16:11 > 1:16:14My beautiful companion...
1:16:17 > 1:16:19..prefers the company of some...
1:16:19 > 1:16:22hideous portrait pedlar.
1:16:24 > 1:16:27And I am getting drunk. That's it.
1:16:27 > 1:16:31For God's sake, Gerald. Pull yourself to together. Go and talk to her.
1:16:34 > 1:16:35What are you doing?
1:16:37 > 1:16:40I'm giving this young woman the eye.
1:16:41 > 1:16:45Couldn't you just take her outside and ride her
1:16:45 > 1:16:49until the sweat sat in puddles on her collarbone?
1:16:51 > 1:16:52I could.
1:16:54 > 1:16:55I could.
1:16:59 > 1:17:01GUDRUN LAUGHS
1:17:01 > 1:17:03I do like her, though.
1:17:30 > 1:17:32You'll write?
1:17:32 > 1:17:33Of course.
1:17:36 > 1:17:38You really must go?
1:17:38 > 1:17:40We must. I think Rupert's right.
1:17:40 > 1:17:42We're not helping.
1:17:44 > 1:17:46And you will manage here with Gerald?
1:17:48 > 1:17:51Perhaps not together.
1:17:51 > 1:17:52But we'll manage.
1:17:55 > 1:17:57I want you to have these.
1:18:00 > 1:18:02Sweets for my sweet.
1:18:04 > 1:18:08The most beautiful things I possess...
1:18:08 > 1:18:12for the most beautiful woman I know.
1:18:14 > 1:18:16Come with us.
1:18:16 > 1:18:18We could travel together.
1:18:18 > 1:18:19No. I'm perfectly fine.
1:18:19 > 1:18:22- You shouldn't stay. You say that, but you're not.- Really.
1:18:22 > 1:18:25Really, I am.
1:18:25 > 1:18:27You're pretending.
1:18:27 > 1:18:29You never tell the truth, ever,
1:18:29 > 1:18:33where it concerns your heart, and it will be the end of you!
1:18:33 > 1:18:37And you do. You always tell the truth. And you always have.
1:18:39 > 1:18:41And I've been so envious of that all my life.
1:18:44 > 1:18:45I daren't love him.
1:18:49 > 1:18:50Gerald is...
1:18:50 > 1:18:53He's a hundred men. He's a thousand men.
1:18:58 > 1:19:00How can I keep him?
1:19:00 > 1:19:03Prune, no. You...
1:19:03 > 1:19:04Ursula...
1:19:04 > 1:19:06- Please, come.- No. Go.
1:19:06 > 1:19:08Go.
1:20:04 > 1:20:06Ah... I forgot my wash bag.
1:20:10 > 1:20:13Does this mean you'll be coming for dinner this evening?
1:20:13 > 1:20:15No. I shouldn't think so.
1:20:23 > 1:20:26Do you wish to humiliate me?
1:20:26 > 1:20:28Isn't it enough that...
1:20:32 > 1:20:36Mightn't we at least keep up the appearance of civility?
1:20:36 > 1:20:38I'm being perfectly civil, Gerald.
1:20:38 > 1:20:40It's you who's rapidly forgetting his manners.
1:20:44 > 1:20:47- What are you doing? - I'm getting ready.
1:21:11 > 1:21:13That's your way, isn't it?
1:21:14 > 1:21:17You are confronted by a problem and you overcome it, don't you?
1:21:19 > 1:21:22You just have to grasp the nature and then you bring to pass
1:21:22 > 1:21:26the inevitable conclusion, at the colliery or in the war.
1:21:26 > 1:21:30You make order out of chaos by imposing your will, don't you?
1:21:35 > 1:21:37Well...
1:21:38 > 1:21:40..not with me.
1:21:41 > 1:21:43I bow to no man.
1:21:44 > 1:21:46I said I'd strike the last blow.
1:21:50 > 1:21:52- And I will.- Why him? Hmmm?
1:21:52 > 1:21:54Why the vermin?
1:21:54 > 1:21:57- Don't be ridiculous. - It's clear you want him, not me.
1:21:57 > 1:21:58That's what this is about.
1:22:03 > 1:22:05I want nothing of him!
1:22:08 > 1:22:11Why do men reduce everything to a matter of sex?
1:22:11 > 1:22:14Because everything IS a matter of sex!
1:22:20 > 1:22:22I'll make my own way to England.
1:22:24 > 1:22:26And I'm leaving on Friday.
1:22:29 > 1:22:31If it's to England that I go...
1:22:39 > 1:22:40Let me go!
1:23:24 > 1:23:27You are... You are going away, then?
1:23:27 > 1:23:30Yes.
1:23:33 > 1:23:34Day after tomorrow.
1:23:34 > 1:23:36- Where?- I don't know.
1:23:37 > 1:23:40You won't tell me where you will go?
1:23:40 > 1:23:41Really, I don't know.
1:23:41 > 1:23:43Maria!
1:23:43 > 1:23:45You come like a ghost.
1:23:51 > 1:23:53Some schnapps?
1:23:53 > 1:23:58Perhaps the lady would care for another sip?
1:23:59 > 1:24:00Gerald!
1:24:00 > 1:24:02Gerald!
1:24:02 > 1:24:04Stop it!
1:24:04 > 1:24:07Stop it! Stop it!
1:24:08 > 1:24:09Stop it.
1:24:12 > 1:24:14Gaaahh!
1:24:14 > 1:24:15Uh...
1:25:51 > 1:25:53Oh, Gudrun.
1:26:14 > 1:26:16I loved him so much.
1:26:16 > 1:26:17I know...
1:26:17 > 1:26:19I...
1:26:19 > 1:26:20I know.
1:26:20 > 1:26:23SHE WAILS
1:27:02 > 1:27:04Oh, God!
1:27:27 > 1:27:30SOBBING
1:28:41 > 1:28:42I'm sorry.
1:28:46 > 1:28:47I'm sorry.
1:28:50 > 1:28:52I've had enough.
1:28:58 > 1:28:59I want to go to sleep.
1:29:46 > 1:29:50Subtitles by Red Bee Media Ltd
1:29:50 > 1:29:54E-mail subtitling@bbc.co.uk