Walk the Line

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0:00:02 > 0:00:03Who the hell is this?

0:00:03 > 0:00:05WPC Annie Taylor. Good to meet you, Sergeant.

0:00:05 > 0:00:07And er...Sergeant Swift?

0:00:07 > 0:00:10Honestly, he makes me laugh all day long.

0:00:10 > 0:00:13Well of course he does, he's madly in love with you!

0:00:13 > 0:00:14He's what?

0:00:14 > 0:00:18Perkins, how come Taylor's at your desk?

0:00:18 > 0:00:20She just took it, Sarge.

0:00:20 > 0:00:22And you'll be announcing your retirement soon, of course.

0:00:22 > 0:00:24And why would I do that?

0:00:24 > 0:00:25We had an agreement.

0:00:25 > 0:00:27I'm sorry what agreement?

0:00:27 > 0:00:31You know perfectly well, after what happened with WPC Dawson.

0:00:31 > 0:00:33Or perhaps on occasion, Mrs Briggs,

0:00:33 > 0:00:37you could wear something new and enticing to bed.

0:00:37 > 0:00:40You are a normal, healthy married couple.

0:00:40 > 0:00:43You can enjoy yourselves as much as you like.

0:01:05 > 0:01:06Taylor.

0:01:06 > 0:01:08A neighbour telephoned reported it in.

0:01:08 > 0:01:10Said she heard shouting and a man scream.

0:01:10 > 0:01:11Did she see anyone go in or out?

0:01:11 > 0:01:13- No, sir.- Any idea who lives here?

0:01:13 > 0:01:16- It's Brigadier Morris and his wife. - THE Brigadier Morris?

0:01:16 > 0:01:18From the fundraiser the other night, yes, sir.

0:01:18 > 0:01:19And you haven't been inside?

0:01:19 > 0:01:22Sergeant Swift ordered me to wait for a male officer to arrive.

0:01:22 > 0:01:23HE CHUCKLES

0:01:23 > 0:01:24Shall we?

0:01:26 > 0:01:28DOOR CREAKS

0:01:31 > 0:01:33Hello?

0:01:33 > 0:01:35Police. Anybody here?

0:01:35 > 0:01:38WHIMPERING IN DISTANCE

0:01:43 > 0:01:45WHIMPERING GETS LOUDER

0:01:48 > 0:01:51It's all right. You're safe now.

0:01:51 > 0:01:52You're safe now. It's OK.

0:01:55 > 0:01:56Can you tell us what happened?

0:01:56 > 0:01:58He was...waiting for us.

0:01:58 > 0:02:00Is he still here?

0:02:00 > 0:02:02I don't know....

0:02:02 > 0:02:04Leave me.

0:02:04 > 0:02:05Graham.

0:02:05 > 0:02:06Your husband?

0:02:06 > 0:02:07Where is he?

0:02:07 > 0:02:09- VOICE BREAKING:- The cellar.

0:02:10 > 0:02:12SHE SOBS

0:02:21 > 0:02:24Hello?

0:02:24 > 0:02:25Brinford Police.

0:02:45 > 0:02:46Brigadier Morris.

0:02:50 > 0:02:52(Brigadier Morris?)

0:03:22 > 0:03:23GUN FIRES

0:03:29 > 0:03:31SCREAMING

0:03:33 > 0:03:35EXHAUST SPLUTTERS

0:03:39 > 0:03:43I bet I could blow it all day and not get anything out of it.

0:03:44 > 0:03:45It's all in the lips.

0:03:47 > 0:03:51Oh, Sergeant, Mrs Fenton rang, says you forgot your...sarnies.

0:03:57 > 0:03:59HE PLAYS DANNY BOY

0:04:38 > 0:04:39Wow!

0:04:39 > 0:04:41What other hidden talents do you have?

0:04:41 > 0:04:42HE CHUCKLES

0:04:42 > 0:04:44Well, actually quite a few.

0:04:44 > 0:04:45Perkins!

0:04:45 > 0:04:47All done, Sarge.

0:04:47 > 0:04:50Oh, yes. Lovely job you've done there.

0:04:50 > 0:04:51What's this?

0:04:51 > 0:04:53The sarge is reviving the station band.

0:04:53 > 0:04:56And you're going to be the first to sign up.

0:04:56 > 0:04:58It's going to be a real boost for morale.

0:04:58 > 0:05:01- It's going to be fun. - What are you doing?

0:05:01 > 0:05:03"The new Doris Day",

0:05:03 > 0:05:05that's what they called me at the Butlins talent show.

0:05:05 > 0:05:07Yes.

0:05:07 > 0:05:08I'm sure that you were very good.

0:05:08 > 0:05:10Very good, but...?

0:05:10 > 0:05:15Number one - you're not a serving police officer.

0:05:15 > 0:05:18I'm sure you can turn a blind eye... for me.

0:05:18 > 0:05:19Course he can.

0:05:19 > 0:05:24Number two...you're a woman.

0:05:26 > 0:05:28Well, you haven't complained about that before!

0:05:28 > 0:05:29Sorry.

0:05:30 > 0:05:31It's out of my hands.

0:05:31 > 0:05:35Sergeant, I need these checked for fingerprints. It's urgent.

0:05:36 > 0:05:38I'll take care of it, Inspector.

0:05:40 > 0:05:41A tooth.

0:05:43 > 0:05:44Is it a murder then?

0:05:44 > 0:05:46Why would you think that?

0:05:46 > 0:05:49Pliers, covered in blood. Urgent fingerprint test.

0:05:49 > 0:05:51You ever thought about joining CID?

0:05:51 > 0:05:53Maybe, one day...

0:05:53 > 0:05:55But in the meantime, number three beat is missing its constable.

0:05:55 > 0:05:57Yes, Sarge. On my way.

0:05:57 > 0:06:00- Perkins.- Sarge?- Not so fast.

0:06:00 > 0:06:02I'm coming with you.

0:06:03 > 0:06:04Has there been a complaint?

0:06:04 > 0:06:07No. Just time you got some proper training.

0:06:14 > 0:06:15Susie.

0:06:17 > 0:06:18Susie?

0:06:23 > 0:06:27So twice daily you want to do the cafes.

0:06:27 > 0:06:28See who's hanging about.

0:06:30 > 0:06:32These places are like honey pots for all sorts.

0:06:32 > 0:06:34What can I get you?

0:06:34 > 0:06:36Coffee for me, and he'll have...?

0:06:39 > 0:06:42Perkins...what do you fancy?

0:06:42 > 0:06:45As if that isn't a stupid question.

0:06:45 > 0:06:48A er...tea, a tea. Ta.

0:06:48 > 0:06:50Coming up.

0:06:50 > 0:06:53Never knew you had such exotic tastes.

0:06:53 > 0:06:55- Don't know what you're talking about.- Yeah, right.

0:06:55 > 0:06:57Anyway, you want to aim a bit higher.

0:06:57 > 0:07:00Once you get your stripes, you'll be beating the ladies off

0:07:00 > 0:07:02with your truncheon.

0:07:02 > 0:07:03Me? A sergeant.

0:07:03 > 0:07:04Why not?

0:07:04 > 0:07:08Coffee....and a tea.

0:07:08 > 0:07:09Lovely.

0:07:09 > 0:07:10Thank you.

0:07:10 > 0:07:12How much...?

0:07:12 > 0:07:15Oh, dear. You have got a lot to learn.

0:07:16 > 0:07:17Tell him, Bab.

0:07:17 > 0:07:20On the house. Orders from the boss.

0:07:23 > 0:07:26Legit businesses like having a copper around.

0:07:26 > 0:07:28Find it reassuring.

0:07:28 > 0:07:31If they want to show their appreciation with a free cuppa,

0:07:31 > 0:07:34well, it would be impolite to refuse, wouldn't it?

0:07:34 > 0:07:36When you put it like that...

0:07:37 > 0:07:38Oi, sweetheart.

0:07:40 > 0:07:43My name is not Bab, or sweetheart.

0:07:43 > 0:07:45It's Gloria.

0:07:45 > 0:07:48Well, Gloria...

0:07:48 > 0:07:51my pal here's got something he wants to ask you?

0:07:51 > 0:07:53And what might that be?

0:07:54 > 0:07:56I...er..w..w...

0:07:56 > 0:07:58Where are your toilets?

0:07:58 > 0:08:00Out the back. First left.

0:08:04 > 0:08:07Hey, where's me doughnut?

0:08:20 > 0:08:22Appalling.

0:08:22 > 0:08:24A man fights for his country, survives the war,

0:08:24 > 0:08:26only to be murdered in his own home.

0:08:26 > 0:08:28Tortured first.

0:08:28 > 0:08:31Looked like he'd been worked on for some time.

0:08:31 > 0:08:33Was anything missing from the house?

0:08:33 > 0:08:36We'll have to wait for Mrs Morris to make a full statement.

0:08:36 > 0:08:38There is the matter of her jewellery, sir.

0:08:38 > 0:08:39What's that, Taylor?

0:08:39 > 0:08:41Mrs Morris - she was wearing pearl earrings, a diamond ring,

0:08:41 > 0:08:45- all untouched.- Which would appear to rule out robbery as a motive.

0:08:45 > 0:08:48Can she identify her assailant?

0:08:48 > 0:08:49His face was hidden.

0:08:49 > 0:08:53- All she can say is that he was strong, determined.- Right.

0:08:53 > 0:08:56Well, nothing will bring her husband back.

0:08:56 > 0:08:58Catching his killer may give her some peace.

0:09:01 > 0:09:04Have you ever seen anything like this before?

0:09:05 > 0:09:07Where do you start?

0:09:08 > 0:09:10Well, we do have one suspect.

0:09:10 > 0:09:12The man who squared up to Brigadier Morris

0:09:12 > 0:09:14at the beauty pageant.

0:09:14 > 0:09:15William Sheppard?

0:09:15 > 0:09:17He clearly has a grudge against him.

0:09:17 > 0:09:19But he's not a murderer, he's a friend of my father's.

0:09:19 > 0:09:22They served together during the war. Special Operations.

0:09:22 > 0:09:24So he's been trained to kill?

0:09:24 > 0:09:28The enemy, not his commanding officer. He's a good man.

0:09:28 > 0:09:31And yet he drunkenly attacked another man in public.

0:09:31 > 0:09:34Well, I've never seen him be violent before.

0:09:34 > 0:09:36Well, I still need to eliminate him as a suspect.

0:09:37 > 0:09:40You know where he lives?

0:09:40 > 0:09:41Then let's go.

0:09:48 > 0:09:49Detective Inspector Sawyer,

0:09:49 > 0:09:52- can you confirm Brigadier Morris was murdered?- Inspector!

0:09:52 > 0:09:54- Do you have any suspects?- Inspector!

0:09:57 > 0:09:59How did he die? At least tell us that.

0:09:59 > 0:10:00Inspector!

0:10:06 > 0:10:08A pint of Best please. And one for him.

0:10:08 > 0:10:10What? On duty?

0:10:10 > 0:10:11Give him some pop.

0:10:13 > 0:10:14Sid.

0:10:14 > 0:10:16Wally! Long time.

0:10:18 > 0:10:20- Pint?- Aye, thanks. Ta.

0:10:21 > 0:10:23I popped in the station.

0:10:23 > 0:10:24Said you were on number three,

0:10:24 > 0:10:26I hoped I'd find you in your old watering hole.

0:10:26 > 0:10:28Wally King. Tommy Perkins.

0:10:29 > 0:10:32Look at that fresh face, eh? Eh?!

0:10:32 > 0:10:33Eager expression, eh?

0:10:33 > 0:10:35Reminds me of someone.

0:10:36 > 0:10:38Wally was my sergeant when I joined up.

0:10:38 > 0:10:39Move!

0:10:43 > 0:10:45Happy days, eh?

0:10:47 > 0:10:49Happy days.

0:10:50 > 0:10:52Sid...

0:10:52 > 0:10:54I'm in a spot of bother.

0:10:54 > 0:10:56What kind of bother?

0:10:56 > 0:10:58He's OK.

0:10:58 > 0:11:01You know I'm a night watchman. Army stores.

0:11:01 > 0:11:02Buchanan Lane?

0:11:04 > 0:11:09Yeah, these last few weeks, stock's been walking.

0:11:09 > 0:11:11Carton of fags, box of tea.

0:11:11 > 0:11:13Nothing serious.

0:11:13 > 0:11:15Until last night.

0:11:15 > 0:11:19Ten whole crates, swiped from right under my nose.

0:11:19 > 0:11:20How?

0:11:20 > 0:11:21I must have nodded off.

0:11:21 > 0:11:23You'd think I'd be used to nights,

0:11:23 > 0:11:26but I can't keep my eyes open.

0:11:26 > 0:11:27Crates of what?

0:11:27 > 0:11:29Tinned salmon. Canadian. It's top quality.

0:11:29 > 0:11:32- Worth a pretty penny, then? - A couple of hundred quid.

0:11:32 > 0:11:33HE WHISTLES

0:11:33 > 0:11:35I haven't told my boss.

0:11:35 > 0:11:37He won't know it's gone till the end of the week

0:11:37 > 0:11:40when it's being shipped out.

0:11:40 > 0:11:41So you need it back by then?

0:11:41 > 0:11:43Or I'm out of a job.

0:11:43 > 0:11:44And that would be it.

0:11:45 > 0:11:48Everything's gone to pot since Gladys...

0:11:49 > 0:11:54On her deathbed, I swore I'd look after Pru,

0:11:54 > 0:11:56but if I can't earn...

0:11:56 > 0:11:58Leave it with me.

0:11:59 > 0:12:02Thanks, Sid. Knew I could rely on you.

0:12:02 > 0:12:03Perkins.

0:12:09 > 0:12:12So, what did they get up to, this Special Operations unit?

0:12:12 > 0:12:14My dad never speaks about the war.

0:12:14 > 0:12:16He says it's not for a woman's ears.

0:12:23 > 0:12:25Do your duty, boys.

0:12:25 > 0:12:27Mr Sheppard, it's the police.

0:12:29 > 0:12:31For King and country.

0:12:31 > 0:12:32Come to the door.

0:12:32 > 0:12:35King and country!

0:12:35 > 0:12:37Stay here, make sure he doesn't bolt.

0:12:48 > 0:12:49Mr Sheppard?

0:12:55 > 0:12:57Knew you'd come for me one day.

0:12:57 > 0:12:58I'm DI Harry Sawyer.

0:12:58 > 0:13:00You can't run forever.

0:13:00 > 0:13:01Put the gun down.

0:13:01 > 0:13:04Why couldn't you leave me alone?

0:13:04 > 0:13:06Haven't I paid enough?

0:13:06 > 0:13:08- William. - Taylor, stay where you are.

0:13:08 > 0:13:11William, it's me, Annie.

0:13:13 > 0:13:15Annie.

0:13:15 > 0:13:16What are you...?

0:13:16 > 0:13:17Why don't you give me the gun?

0:13:24 > 0:13:26That's it.

0:13:29 > 0:13:30Thank you.

0:13:34 > 0:13:37Yes, sir, no, sir, three bags full, sir.

0:13:37 > 0:13:39William Sheppard, I am arresting you

0:13:39 > 0:13:41on suspicion of the murder of Brigadier Morris.

0:13:41 > 0:13:44You are not obliged to say anything unless you choose to do so,

0:13:44 > 0:13:46but what you say will be taken down

0:13:46 > 0:13:47and may be used as evidence against you.

0:13:47 > 0:13:50Sooner or later...

0:13:50 > 0:13:52we all have to pay.

0:13:53 > 0:13:54Come on.

0:14:04 > 0:14:07All right, Fletcher. Cell number two.

0:14:07 > 0:14:08Come on.

0:14:08 > 0:14:11Now that's what I like to see - decisive action, a quick arrest.

0:14:11 > 0:14:13Has he confessed?

0:14:13 > 0:14:16No, not yet, but he'll be more co-operative once he sobers up.

0:14:16 > 0:14:18- Good work, Inspector. - Thank you, sir.

0:14:20 > 0:14:23Perkins, just the man.

0:14:23 > 0:14:24Sir?

0:14:24 > 0:14:26My car, filthy state.

0:14:26 > 0:14:29Find a bucket and sponge, wash it down for me.

0:14:31 > 0:14:32Well, what are you waiting for?

0:14:35 > 0:14:36Sir.

0:14:39 > 0:14:42All right to take this to the prisoner, Sergeant?

0:14:42 > 0:14:43He'll need more than that to clear his head.

0:14:43 > 0:14:46Constable Taylor, already making a good impression.

0:14:46 > 0:14:50- Sir?- The arrest of that degenerate, Clifford Starkey.

0:14:50 > 0:14:53Your father was a fine officer.

0:14:53 > 0:14:55I have high hopes for you.

0:14:55 > 0:14:56Thank you, sir.

0:14:56 > 0:14:59All right, Taylor. Back to your duties.

0:15:02 > 0:15:05Don't forget to polish the chrome, Constable.

0:15:10 > 0:15:12A quiet word...sir.

0:15:29 > 0:15:31I won't let you do this again.

0:15:31 > 0:15:32Do what exactly?

0:15:32 > 0:15:34I gave you a chance to go quietly.

0:15:34 > 0:15:37You could be enjoying your retirement right now.

0:15:37 > 0:15:40Slippers and a pipe in front of the fire?

0:15:40 > 0:15:41Not my style.

0:15:43 > 0:15:45If I get so much as a whiff

0:15:45 > 0:15:47that you've been up to your tricks again...

0:15:47 > 0:15:50Really, Briggs, you're letting your imagination get the better of you.

0:15:50 > 0:15:54Next time, I'll make sure the whole world knows exactly what you are.

0:15:56 > 0:15:58Do I make myself clear?

0:15:58 > 0:15:59Perfectly.

0:16:01 > 0:16:02Good.

0:16:09 > 0:16:13An officer who puts his troops before himself.

0:16:13 > 0:16:14How admirable.

0:16:34 > 0:16:37Decorated war hero...

0:16:37 > 0:16:40now he's all over the front page.

0:16:40 > 0:16:43Poor Margaret. Terrorised in her own home.

0:16:43 > 0:16:45Bravest soldier I ever served with.

0:16:47 > 0:16:49Was he William's commanding officer too?

0:16:52 > 0:16:54Where were you stationed?

0:16:54 > 0:16:55Annie.

0:16:55 > 0:16:57Why are you interrogating me?

0:16:57 > 0:17:00Thought you'd be better off trying to find who did this.

0:17:00 > 0:17:01Who's leading the case?

0:17:01 > 0:17:03DI Sawyer.

0:17:03 > 0:17:06Have they found a murder weapon? The got any suspects?

0:17:06 > 0:17:07SHE CLEARS HER THROAT

0:17:07 > 0:17:08I couldn't say.

0:17:08 > 0:17:10No, of course.

0:17:11 > 0:17:14I'm sorry, you've got your own duties.

0:17:14 > 0:17:17All those lost little kiddies are not going to find themselves.

0:17:17 > 0:17:19Just as well that you're not involved.

0:17:19 > 0:17:21- And why's that? - More tea?

0:17:23 > 0:17:25I spent 20 years dealing with the terrible things

0:17:25 > 0:17:28that one human being can do to another.

0:17:28 > 0:17:30A man can handle it.

0:17:30 > 0:17:31It's not for a woman.

0:17:31 > 0:17:33- And what about Mum? - Leave me out of this, love.

0:17:33 > 0:17:35She worked in munitions.

0:17:35 > 0:17:37That was far more dangerous than anything I do.

0:17:37 > 0:17:41Those were different, desperate times,

0:17:41 > 0:17:42but now they're over.

0:17:42 > 0:17:44She's back home where she belongs.

0:17:47 > 0:17:48Mum made her choice.

0:17:49 > 0:17:52Wearing this uniform was mine.

0:17:58 > 0:18:00DOOR OPENS

0:18:00 > 0:18:01DOOR SLAMS SHUT

0:18:06 > 0:18:08- Dr Jones' syrup of figs. - BELL RINGS

0:18:08 > 0:18:10If that don't get him moving, nothing will.

0:18:10 > 0:18:12- Thank you very much. - Sergeant Fenton, always a pleasure.

0:18:12 > 0:18:14Sorry, missus, early closing.

0:18:14 > 0:18:16- Charming! - There's no need for that, Sergeant.

0:18:16 > 0:18:17The Frys are my best customers.

0:18:17 > 0:18:20Welcome to Aladdin's cave,

0:18:20 > 0:18:21where, if you say the magic words,

0:18:21 > 0:18:25Mr Clarke with furnish you with anything your heart desires.

0:18:25 > 0:18:27As long as it's fallen off the back of a lorry.

0:18:27 > 0:18:28Storeroom.

0:18:28 > 0:18:30What? Why?

0:18:30 > 0:18:31What you looking for?

0:18:31 > 0:18:32Tinned salmon.

0:18:32 > 0:18:35I've got some lovely pilchards.

0:18:35 > 0:18:36Hey!

0:18:39 > 0:18:41Stolen army supplies.

0:18:41 > 0:18:43Robbing the food from our brave boys' mouths?

0:18:43 > 0:18:46You know that's something I'd never be a part of.

0:18:46 > 0:18:49Ronnie, you would sell your old ma's glass eye

0:18:49 > 0:18:52if you thought you could turn a quick profit.

0:18:52 > 0:18:53You know what, Sergeant Fenton?

0:18:53 > 0:18:56I won't take offence cos I can see how especially hot and bothered

0:18:56 > 0:18:58you are about this filched fish.

0:18:59 > 0:19:01- TOMMY:- There's nothing there, Sarge.

0:19:01 > 0:19:04Just to prove there are no hard feelings, I'll put the word out.

0:19:04 > 0:19:06Soon as I hear anything, I'll be straight on the telephone.

0:19:06 > 0:19:08Yeah, course you will. BELL RINGS

0:19:21 > 0:19:23Sergeant Swift.

0:19:23 > 0:19:25Miss Nightingale.

0:19:25 > 0:19:27Have you come to your senses?

0:19:27 > 0:19:29I was about to ask you the same.

0:19:29 > 0:19:32So what if Constable Taylor wanted to join your precious band?

0:19:32 > 0:19:35- Oh... - She is a serving police officer.

0:19:35 > 0:19:37- Yes, but the rules... - Are meant to be broken.

0:19:38 > 0:19:43Being in a band requires discipline, concentration, no...

0:19:46 > 0:19:48No distractions.

0:19:50 > 0:19:54Now, I hope that's the final word on the matter.

0:20:03 > 0:20:07Where were you at approximately 11 o'clock yesterday morning?

0:20:10 > 0:20:12Were you in Moorgate Road?

0:20:14 > 0:20:18You know who lives in Moorgate Road, don't you?

0:20:18 > 0:20:19Brigadier Morris.

0:20:21 > 0:20:26Sheppard, William, Lance Corporal. 5096701.

0:20:26 > 0:20:29That's not going to wash here.

0:20:29 > 0:20:30The war's long over.

0:20:32 > 0:20:35I found your commanding officer lying in a pool of his own blood.

0:20:36 > 0:20:38Did you kill him?

0:20:40 > 0:20:47Sheppard, William, Lance Corporal! 5096701!

0:20:53 > 0:20:54Don't you trust me?

0:20:54 > 0:20:56You know I do.

0:20:56 > 0:20:58Then what's the problem?

0:20:58 > 0:21:00I just thought we'd have enough by now.

0:21:00 > 0:21:03You can't buy a new future with a few farthings.

0:21:06 > 0:21:08I want to be with you...forever.

0:21:11 > 0:21:12But if you're having second thoughts...

0:21:12 > 0:21:14No, Marty. Never.

0:21:31 > 0:21:32Another dead end.

0:21:32 > 0:21:34No salmon, but these chips are lovely.

0:21:34 > 0:21:37Everything tastes better when it's free.

0:21:40 > 0:21:41Pru?

0:21:43 > 0:21:45Where's the fire?

0:21:45 > 0:21:47He's got to get back to work.

0:21:47 > 0:21:49So your dad knows all about lover boy, then?

0:21:49 > 0:21:51Course he does.

0:21:53 > 0:21:55Please don't say anything. I'll tell him,

0:21:55 > 0:21:58but let me choose my moment.

0:21:58 > 0:21:59Please.

0:22:00 > 0:22:01Mind you do, though.

0:22:01 > 0:22:03You're the best, Uncle Sidney.

0:22:06 > 0:22:09Step lively, then. This fish won't find itself.

0:22:09 > 0:22:10Whatever you say, Uncle Sidney.

0:22:12 > 0:22:15You're meant to be working, not stuffing your face.

0:22:24 > 0:22:25At first I put it down to the booze,

0:22:25 > 0:22:29I mean he had downed a bottle of single malt,

0:22:29 > 0:22:32but this is something else.

0:22:32 > 0:22:35Well, I've seen plenty of servicemen whose nerves have been shattered.

0:22:35 > 0:22:38But is it his nerves or his guilty conscience?

0:22:40 > 0:22:41So...next step?

0:22:43 > 0:22:45Give him a couple of hours in the cells, then have another crack.

0:22:45 > 0:22:48I'm sorry, sir, but I don't think that's going to help.

0:22:48 > 0:22:49Taylor?

0:22:49 > 0:22:51The William Sheppard I saw in the interview room

0:22:51 > 0:22:53is not the man I've known for 20 years.

0:22:53 > 0:22:56The man I know is kind, gentle.

0:22:56 > 0:22:59Yeah, he was gentle when he hit me with that Luger.

0:22:59 > 0:23:01- He clearly wasn't in his right mind. - Or he knew we were onto him.

0:23:01 > 0:23:03I think he needs medical help.

0:23:03 > 0:23:06I'm sorry, Constable, I didn't realise you were a trained doctor.

0:23:06 > 0:23:08No, no, no, no, Taylor's right.

0:23:08 > 0:23:10Any confession you get out of Sheppard in his condition

0:23:10 > 0:23:12risks being inadmissible.

0:23:12 > 0:23:15No more questioning until you've got professional advice

0:23:15 > 0:23:17as to his state of mind.

0:23:17 > 0:23:18Sir.

0:23:27 > 0:23:29You going to give us a hand, or what?

0:23:29 > 0:23:30You never said it was army supplies.

0:23:30 > 0:23:32- What difference does that make? - It's too hot.

0:23:32 > 0:23:34It's going to fly off your shelves.

0:23:34 > 0:23:36I've had a visit from the law already.

0:23:36 > 0:23:38What? When?

0:23:38 > 0:23:39Get it out of here.

0:23:41 > 0:23:44Find some other mug who'll take it off your hands.

0:23:48 > 0:23:49We had a deal.

0:23:49 > 0:23:53Yes, but I ain't going down for a few tins of salmon.

0:23:57 > 0:23:59Your loss.

0:23:59 > 0:24:02I've got plenty more buyers lined up.

0:24:02 > 0:24:05- Eh, what about my £5 deposit? - You can whistle for it.

0:24:05 > 0:24:08What? This isn't the way business is done.

0:24:10 > 0:24:11Out the way, Grandad.

0:24:25 > 0:24:29Inspector Sawyer? Dr Robert Ellis.

0:24:29 > 0:24:30Thank you for agreeing to help.

0:24:30 > 0:24:32That's what we're here for at Edmund Hall -

0:24:32 > 0:24:34offering peace and calm to the troubled mind.

0:24:34 > 0:24:37Listen, all I care about is that he is fit enough to be interviewed.

0:24:37 > 0:24:39We'll take good care of him.

0:24:40 > 0:24:42Can you tell me your name?

0:24:44 > 0:24:47It's William. William Sheppard.

0:24:47 > 0:24:48Hello, William.

0:24:49 > 0:24:51It's OK. It's all right.

0:24:51 > 0:24:54These people are going to look after you.

0:24:54 > 0:24:55Nurse!

0:24:56 > 0:24:58Nurse Hartley, Thorazine please.

0:25:00 > 0:25:01Don't hurt him!

0:25:01 > 0:25:02Shhhh, it's all right.

0:25:02 > 0:25:04WILLIAM STRUGGLES

0:25:04 > 0:25:06- Prepare D wing. - Yes, Doctor.

0:25:08 > 0:25:10Observations every ten minutes.

0:25:10 > 0:25:11Yes, Doctor.

0:25:12 > 0:25:15You've brought him to the right place, Inspector.

0:25:15 > 0:25:17It would help if you could tell me the nature of your interest in him.

0:25:17 > 0:25:19He's a suspect in a murder case.

0:25:19 > 0:25:22- The one that's in today's newspaper? - Just...

0:25:22 > 0:25:25- let me know as soon as he's well enough to be questioned.- Of course.

0:25:26 > 0:25:27We'll look after him.

0:25:33 > 0:25:35About earlier. Sorry.

0:25:36 > 0:25:38Course I want your goods. They're top quality.

0:25:38 > 0:25:40I was a mug to lose my rag.

0:25:40 > 0:25:43If you still want to do business, the money's here.

0:25:43 > 0:25:45It's just a case of how soon can you deliver?

0:25:47 > 0:25:51Sir...Inspector Sawyer, if I've done something wrong...

0:25:51 > 0:25:53I needed to re-interview Sheppard.

0:25:53 > 0:25:55Your interference has prevented that.

0:25:55 > 0:25:57The chief inspector agreed with me.

0:25:57 > 0:26:00Yes, and seeing the state Sheppard's in now, you were clearly right.

0:26:00 > 0:26:04- So?- So you should have spoken to me about it in private,

0:26:04 > 0:26:07not questioned my judgment in front of Briggs.

0:26:07 > 0:26:08Sorry, sir.

0:26:11 > 0:26:13- TO HERSELF:- You and your stupid big mouth!

0:26:14 > 0:26:17Shouldn't we telephone in? Get more officers here.

0:26:17 > 0:26:20I think we can handle this by ourselves, don't you?

0:26:22 > 0:26:25Well, what are you waiting for?

0:26:25 > 0:26:26Sarge?

0:26:26 > 0:26:29Go on, it's your arrest if you want it?

0:26:30 > 0:26:31Thanks, Sarge.

0:26:35 > 0:26:37Afternoon.

0:26:37 > 0:26:39Constable.

0:26:39 > 0:26:40What's in the back?

0:26:40 > 0:26:43Nothing. A few tools, spare tyre.

0:26:43 > 0:26:45So you won't mind if I have a look?

0:26:45 > 0:26:46Actually, I need to be somewhere.

0:26:46 > 0:26:48Are you refusing to open the doors, sir?

0:26:48 > 0:26:49You're going to make me late.

0:26:49 > 0:26:50Keys.

0:26:59 > 0:27:00Do him.

0:27:13 > 0:27:15Keys!

0:27:15 > 0:27:16Give me the keys.

0:27:16 > 0:27:18TOMMY GROANS

0:27:18 > 0:27:22Ain't you going to do something? Your lad's getting a right pasting.

0:27:26 > 0:27:27Get off him!

0:27:31 > 0:27:32Resist now!

0:27:34 > 0:27:35Stay there.

0:27:36 > 0:27:38Perkins... Perkins!

0:27:41 > 0:27:42Let's have a look at you.

0:27:43 > 0:27:45You'll live.

0:27:47 > 0:27:48Go and make them arrests.

0:27:50 > 0:27:53And don't forget the caution.

0:27:53 > 0:27:54DOG BARKS

0:27:56 > 0:27:58Ready for your signature, sir. PHONE RINGS

0:28:00 > 0:28:03Chief Inspector Briggs' office.

0:28:03 > 0:28:05Oh, hello, Mrs Briggs. I'll put you through.

0:28:07 > 0:28:08What? Me?

0:28:10 > 0:28:13I do have to pop out to the post office later.

0:28:13 > 0:28:17Don't suppose that anyone would miss me for an extra ten minutes.

0:28:19 > 0:28:20Bye, then.

0:28:24 > 0:28:27Salmon's all here, Sarge.

0:28:27 > 0:28:28Good.

0:28:28 > 0:28:30What about the driver?

0:28:31 > 0:28:34I've put the alert out, but if he's got any sense he'll keep on running.

0:29:26 > 0:29:27KNOCK AT DOOR

0:29:27 > 0:29:28PRU: Marty?

0:29:28 > 0:29:29Marty, it's me.

0:29:37 > 0:29:40- What you doing here? - We've got to go. Today. Now.

0:29:40 > 0:29:41Calm down. What's happened?

0:29:41 > 0:29:43Dad's been talking to the police.

0:29:43 > 0:29:44What?

0:29:44 > 0:29:48It's OK. We just have to move our plans forward.

0:29:48 > 0:29:49You've got the money?

0:29:49 > 0:29:51Not all of it, no...

0:29:51 > 0:29:54This is no good. You need to go back.

0:29:54 > 0:29:55It's too late.

0:29:55 > 0:29:57Dad'll realise I've gone. DOOR OPENS IN DISTANCE

0:29:57 > 0:29:58What do we do?

0:29:58 > 0:29:59DOOR OPENS

0:30:01 > 0:30:04Well, well, isn't this a pretty picture?

0:30:04 > 0:30:05Lost something?

0:30:08 > 0:30:11I need advice from someone experienced,

0:30:11 > 0:30:12a woman of the world.

0:30:14 > 0:30:15OK...

0:30:15 > 0:30:18I need to do something with...

0:30:18 > 0:30:21myself. My looks.

0:30:21 > 0:30:23You want fashion tips?

0:30:23 > 0:30:25But you've got loads more style than me.

0:30:25 > 0:30:28I need to know what I'm doing wrong.

0:30:28 > 0:30:30I have to make myself more...

0:30:30 > 0:30:32attractive, more...

0:30:33 > 0:30:37..desirable...in the bedroom.

0:30:37 > 0:30:41Mrs Briggs, he's my boss.

0:30:41 > 0:30:43I take his messages, type his letters.

0:30:43 > 0:30:45I shouldn't be talking about his private life.

0:30:45 > 0:30:47I've seen the way men look at you.

0:30:50 > 0:30:52I want Walter to look at me in the same way.

0:30:52 > 0:30:55Please, Susie, you're my only hope.

0:30:59 > 0:31:00OK.

0:31:02 > 0:31:03Let's talk lingerie.

0:31:05 > 0:31:07Hasn't your poor dad been through enough?

0:31:07 > 0:31:08He's fishing. He knows nothing.

0:31:08 > 0:31:11I know we've got enough to charge you with theft.

0:31:11 > 0:31:13Get your hands out of your pockets.

0:31:17 > 0:31:1820 quid.

0:31:18 > 0:31:20Where'd you get that kind of money?

0:31:20 > 0:31:22Bloke in a pub paid me to drive the van.

0:31:22 > 0:31:23I didn't know the stuff was swiped.

0:31:23 > 0:31:25And it's just a coincidence

0:31:25 > 0:31:27that you're courting the night watchman's daughter?

0:31:27 > 0:31:29And you can't prove otherwise.

0:31:29 > 0:31:30Don't hurt him.

0:31:35 > 0:31:37How did you two lovebirds meet?

0:31:37 > 0:31:38Rackham's.

0:31:38 > 0:31:41I was buying dad some socks for his birthday.

0:31:41 > 0:31:43Marty works in the stockroom.

0:31:43 > 0:31:44He asked me to go to the pictures.

0:31:44 > 0:31:47And was that before or after he knew your dad was guarding

0:31:47 > 0:31:50thousands of pounds worth of stock?

0:31:50 > 0:31:52Come on, Pru.

0:31:52 > 0:31:53Open your eyes.

0:31:53 > 0:31:56- He loves me.- He's used you.

0:31:56 > 0:31:58He's the best thing that ever happened to me.

0:31:58 > 0:31:59Sarge.

0:31:59 > 0:32:01Off on your holidays are you?

0:32:01 > 0:32:02That against the law now, is it?

0:32:02 > 0:32:06You don't understand. If I stay here it's like drowning.

0:32:06 > 0:32:09You've got a roof over your head, and you've got food on the table.

0:32:09 > 0:32:11What more do you want?

0:32:11 > 0:32:12A life of my own.

0:32:12 > 0:32:14Liverpool to New York. One way.

0:32:14 > 0:32:16That's private property.

0:32:16 > 0:32:17SID: So that's the plan is it?

0:32:17 > 0:32:21Steal enough to fund your little adventure across the pond.

0:32:22 > 0:32:26It doesn't matter that you're leaving your father here to take the blame.

0:32:27 > 0:32:29This is only for one...

0:32:29 > 0:32:31and I see two suitcases.

0:32:32 > 0:32:34Not going to leave her behind, are you, Marty?

0:32:34 > 0:32:36Hey?

0:32:36 > 0:32:38After everything she's done for you?

0:32:38 > 0:32:40It's a mistake.

0:32:40 > 0:32:42Marty?

0:32:42 > 0:32:44Where's my ticket?

0:32:44 > 0:32:46I was going to tell you.

0:32:46 > 0:32:47Tell me what?

0:32:47 > 0:32:50I thought I'd go over first. Set us up.

0:32:50 > 0:32:52Get a nice apartment.

0:32:52 > 0:32:54Then I'd send for you.

0:32:55 > 0:32:58You know it's all been for us.

0:33:04 > 0:33:06Pru, don't.

0:33:06 > 0:33:08- What are these? - Baby, I'm sorry.

0:33:08 > 0:33:10- Sleeping pills. - I didn't mean it.

0:33:10 > 0:33:12I've been putting them in Dad's cocoa.

0:33:12 > 0:33:13Shut up, you stupid cow!

0:33:22 > 0:33:25I don't know how I'm ever going to thank you.

0:33:26 > 0:33:27Pru?

0:33:29 > 0:33:30What's going on?

0:33:30 > 0:33:31Sid?

0:33:31 > 0:33:33She's not been arrested.

0:33:33 > 0:33:36Arrested? Why would she be arrested?

0:33:36 > 0:33:39The report's going to say that she was led astray,

0:33:39 > 0:33:41coerced into helping him.

0:33:41 > 0:33:42Hold on.

0:33:42 > 0:33:44You don't...you can't...

0:33:44 > 0:33:46She's been putting these in your work flask.

0:33:46 > 0:33:47Sleeping pills.

0:33:47 > 0:33:49That's why you've been nodding off.

0:33:49 > 0:33:52It's a good thing your mother can't see you now.

0:33:53 > 0:33:54Inside, now.

0:34:06 > 0:34:08Are you sure this is going to help?

0:34:08 > 0:34:09I grew up in a house full of boys.

0:34:09 > 0:34:12Trust me, this will take the swelling down.

0:34:12 > 0:34:14And this will prevent your poor mother having a heart attack

0:34:14 > 0:34:16when you walk through the door.

0:34:16 > 0:34:20So this is what you get after a day on the beat with Sergeant Fenton?

0:34:20 > 0:34:22What you all fussing him for?

0:34:22 > 0:34:24No wonder the lad needs toughening up.

0:34:24 > 0:34:25And where are your bruises?

0:34:27 > 0:34:29You written up your arrest report yet?

0:34:29 > 0:34:30I was about to...

0:34:30 > 0:34:31Well, jump to it, then!

0:34:40 > 0:34:42So ballistics confirms that the bullet recovered

0:34:42 > 0:34:46from the Brigadier's body was from a British revolver.

0:34:46 > 0:34:47Yes, sir.

0:34:47 > 0:34:49But Sheppard had a German Luger.

0:34:49 > 0:34:51Probably a war souvenir.

0:34:51 > 0:34:55The press, the chief constable, everyone's watching.

0:34:55 > 0:34:57You can't afford any mistakes.

0:34:57 > 0:34:59- Not on this one. - Sir.

0:35:01 > 0:35:04- So, William Sheppard's in the clear? - No.

0:35:04 > 0:35:05He could have more than one gun -

0:35:05 > 0:35:08it just means we haven't found the murder weapon yet.

0:35:08 > 0:35:09Cup of tea, Chief Inspector?

0:35:09 > 0:35:10Thank you.

0:35:10 > 0:35:13I put an extra sugar lump in. To keep your strength up.

0:35:14 > 0:35:15Right.

0:35:18 > 0:35:20- Keep me informed, will you? - Sir.

0:35:21 > 0:35:24If there's anything I can do -

0:35:24 > 0:35:26type up reports, knock on doors.

0:35:26 > 0:35:27- PHONE RINGS - DI Sawyer.

0:35:28 > 0:35:31Dr Ellis. Is Sheppard ready to be interviewed?

0:35:33 > 0:35:35What do you mean, "he's escaped"?

0:35:35 > 0:35:37How is that even possible?

0:35:37 > 0:35:39Well, have you searched the grounds?

0:35:39 > 0:35:41You said he was in a secure...

0:35:41 > 0:35:44No, of course.

0:35:44 > 0:35:46If you would be so kind as to let me know

0:35:46 > 0:35:48when there are any developments?

0:35:48 > 0:35:50Thank you, Doctor.

0:35:52 > 0:35:53William's escaped?

0:35:53 > 0:35:55And whose wonderful idea was it

0:35:55 > 0:35:57to put him in there in the first place?

0:35:58 > 0:36:00Sorry I'm late, Sarge.

0:36:00 > 0:36:01I'm glad you could join us.

0:36:01 > 0:36:03Where's your instrument?

0:36:04 > 0:36:07Who do you think you are, Lonnie, blooming, Donegan?

0:36:07 > 0:36:08Skiffle's all the rage, Sarge.

0:36:08 > 0:36:12There's no place for it in a traditional police band.

0:36:12 > 0:36:13What am I supposed to play?

0:36:15 > 0:36:16Go on.

0:36:18 > 0:36:19Right, turn to page ten.

0:36:19 > 0:36:23I thought we'd start with one of my favourites - Danny Boy.

0:36:29 > 0:36:32One, two, three...

0:36:32 > 0:36:35THEY PLAY DANNY BOY

0:36:41 > 0:36:44# From glen to glen

0:36:44 > 0:36:48# And down the mountain side

0:36:50 > 0:36:53# The summer's gone

0:36:53 > 0:36:58# And all the roses falling

0:36:58 > 0:37:05# It's you, it's you must go and I must bide

0:37:06 > 0:37:09# Oh, Danny boy

0:37:09 > 0:37:13# Oh, Danny boy, I love you so. #

0:37:16 > 0:37:18Have you had a bang to the head, woman?

0:37:18 > 0:37:19What?

0:37:19 > 0:37:20Ten tins of Spam?

0:37:20 > 0:37:22They're emergency provisions.

0:37:22 > 0:37:24For what?

0:37:24 > 0:37:27You'll thank me when the Russians drop their bombs.

0:37:27 > 0:37:29Mr Taylor?

0:37:29 > 0:37:30Who's asking?

0:37:30 > 0:37:33David Meyer, Birmingham Chronicle.

0:37:33 > 0:37:36I understand that you served under Brigadier Morris?

0:37:36 > 0:37:37Yes. Fine officer.

0:37:37 > 0:37:39Respected by all his men.

0:37:39 > 0:37:41- Even Lance Corporal Sheppard? - William?

0:37:41 > 0:37:42What's he got to do with anything?

0:37:42 > 0:37:44- He's been arrested? - For what?

0:37:45 > 0:37:46For the murder?

0:37:46 > 0:37:48No. You must have got your wires crossed.

0:37:48 > 0:37:51Then why was he arguing with Brigadier Morris the other night?

0:37:51 > 0:37:53He was letting off steam, that's all.

0:37:53 > 0:37:55He's a gentle man.

0:37:55 > 0:37:56That your husband had to restrain

0:37:56 > 0:37:58from attacking his old commanding officer.

0:37:58 > 0:38:00What's your editor's name?

0:38:00 > 0:38:01Do you know if Sheppard has a gun?

0:38:01 > 0:38:03If you print any of these sordid lies,

0:38:03 > 0:38:05I'll do your rag for defamation of character!

0:38:05 > 0:38:08What's going on?

0:38:08 > 0:38:09You again.

0:38:09 > 0:38:11He says that William's been arrested.

0:38:11 > 0:38:13Tell him he's got it wrong.

0:38:15 > 0:38:16Annie?

0:38:16 > 0:38:18Time to leave.

0:38:18 > 0:38:20Has Sheppard been charged?

0:38:20 > 0:38:22Can you at least confirm there are no other suspects?

0:38:22 > 0:38:24Get lost or get arrested.

0:38:24 > 0:38:26Your choice.

0:38:33 > 0:38:35When were you going to tell me?

0:38:35 > 0:38:36I couldn't.

0:38:36 > 0:38:38Because you didn't know he'd been arrested?

0:38:38 > 0:38:40I was there when it happened.

0:38:40 > 0:38:43So you were waiting for me to read about it in the paper?

0:38:43 > 0:38:45I wanted to tell you...

0:38:45 > 0:38:47It's police business.

0:38:47 > 0:38:48I'm your father.

0:38:48 > 0:38:51And I can't share police information with a civilian.

0:39:02 > 0:39:04Perkins.

0:39:04 > 0:39:06What's this?

0:39:06 > 0:39:08Little thank you from Wally King.

0:39:08 > 0:39:10What am I supposed to do with it?

0:39:10 > 0:39:12Enjoy it.

0:39:12 > 0:39:13It's not that I'm not grateful, Sarge...

0:39:13 > 0:39:16It's no different than a free bag of chips or cup of tea.

0:39:19 > 0:39:21SHE HUMS DANNY BOY

0:39:24 > 0:39:26I don't care what it takes -

0:39:26 > 0:39:28beg, bribe or blackmail -

0:39:28 > 0:39:31I'll do everything in my power to obtain special permission

0:39:31 > 0:39:33for you to be the first female civilian

0:39:33 > 0:39:35to ever, ever join a police band.

0:39:36 > 0:39:38Will that make you happy?

0:39:38 > 0:39:40Thank you...but no.

0:39:40 > 0:39:42What?!

0:39:42 > 0:39:43I just wanted to be asked.

0:39:45 > 0:39:49You are, by far the most maddening, exasperating,

0:39:49 > 0:39:52vexatious woman I have ever met.

0:39:52 > 0:39:53And I adore you!

0:40:04 > 0:40:05Susie Nightingale...

0:40:07 > 0:40:09..will you do me the honour of walking out with me?

0:40:26 > 0:40:27SHE SCREAMS

0:40:32 > 0:40:33MAN SCREAMS

0:40:33 > 0:40:35SHE SCREAMS HYSTERICALLY

0:40:38 > 0:40:39Iris?

0:40:39 > 0:40:41A man. A man, that way.

0:40:41 > 0:40:42Search the building...

0:40:42 > 0:40:44and the grounds.

0:40:44 > 0:40:45Who was it?

0:40:46 > 0:40:48Iris?

0:40:48 > 0:40:49The Brigadier must have talked.

0:40:59 > 0:41:01PHONE RINGS

0:41:05 > 0:41:06Hello?

0:41:06 > 0:41:08- SUSIE:- 'He's on his way home. Good luck.'

0:41:08 > 0:41:09Thank you.

0:41:18 > 0:41:20All right?

0:41:21 > 0:41:23You deserve a pint after today.

0:41:24 > 0:41:26I think I should just head home.

0:41:30 > 0:41:31What are you doing?

0:41:31 > 0:41:34I don't need your perks to do my job properly.

0:41:34 > 0:41:35What job?

0:41:35 > 0:41:38You won't last five minutes if you don't play the game.

0:41:41 > 0:41:43Well, if it's all the same to you,

0:41:43 > 0:41:46I'll stick to doing it my way.

0:41:46 > 0:41:48MUSIC: Walk The Line by Johnny Cash

0:41:48 > 0:41:52# I keep a close watch on this heart of mine

0:41:52 > 0:41:56# I keep my eyes wide open all the time

0:41:56 > 0:42:01# I keep the ends out for the tie that binds

0:42:01 > 0:42:03# Because you're mine

0:42:03 > 0:42:04# I walk the line

0:42:14 > 0:42:18# I find it very, very easy to be true

0:42:18 > 0:42:22# I find myself alone when each day is through... #

0:42:22 > 0:42:23SHE SOBS

0:42:23 > 0:42:26# Yes, I'll admit that I'm a fool for you... #

0:42:27 > 0:42:30All I'm saying, Carl, is you can't expect the whole world

0:42:30 > 0:42:31to change overnight.

0:42:31 > 0:42:34Who's talking about overnight?

0:42:34 > 0:42:36My lifetime would be good enough.

0:42:38 > 0:42:39Same time tomorrow?

0:42:41 > 0:42:43I don't know, I...

0:42:43 > 0:42:44No, it's OK.

0:42:44 > 0:42:46I understand.

0:42:47 > 0:42:49Just try if you can.

0:42:50 > 0:42:55# And happiness I've known proves that it's right

0:42:55 > 0:42:57# Because you're mine

0:42:57 > 0:42:59# I walk the line

0:43:10 > 0:43:14# You've got a way to keep me on your side

0:43:14 > 0:43:18# You give me cause for love that I can't hide

0:43:18 > 0:43:23# For you, I know I'd even try to turn the tide

0:43:23 > 0:43:25# Because you're mine

0:43:25 > 0:43:27# I walk the line. #