0:00:02 > 0:00:04Brigadier Morris, the man fights for his country,
0:00:04 > 0:00:06survives the war, only to be murdered in his own home.
0:00:06 > 0:00:09William Sheppard, I'm arresting you on suspicion of the murder
0:00:09 > 0:00:10of Brigadier Morris.
0:00:10 > 0:00:14Sooner or later, we all have to pay.
0:00:14 > 0:00:16The William Sheppard I saw in that interview room
0:00:16 > 0:00:19is not the man I've known for 20 years. He needs medical help.
0:00:19 > 0:00:21William's escaped?
0:00:21 > 0:00:24And whose wonderful idea was it to put him in there in the first place?
0:00:24 > 0:00:26I don't need your perks to do my job properly.
0:00:26 > 0:00:29You won't last five minutes if you don't play the game.
0:00:29 > 0:00:31Well, if it's all the same to you,
0:00:31 > 0:00:33I'll stick to doing it my way.
0:00:35 > 0:00:41Next time, I'll make sure the whole world knows exactly what you are.
0:00:41 > 0:00:45An officer who puts his troops before himself,
0:00:45 > 0:00:47how admirable.
0:01:11 > 0:01:14I should have come home earlier last night. I'm sorry.
0:01:14 > 0:01:16I'll make it up to you.
0:01:16 > 0:01:18Where were you?
0:01:18 > 0:01:20At work.
0:01:20 > 0:01:22You know I've got a lot on.
0:01:22 > 0:01:25- It's easier to get things done when the office is quiet.- That's a lie.
0:01:25 > 0:01:28- I'm sorry.- You left at six o'clock.
0:01:28 > 0:01:31You told Susie you'd be going straight home.
0:01:32 > 0:01:34All right. I...should have said.
0:01:37 > 0:01:39- I went to the pub.- Who with?
0:01:39 > 0:01:40No-one. I was alone.
0:01:40 > 0:01:45- Then why lie about it?- Because I didn't want you to worry.
0:01:45 > 0:01:48The truth is, I've been drinking more than I should lately,
0:01:48 > 0:01:52and I know how you feel about that, with your father and everything.
0:01:52 > 0:01:55Don't you dare bring that up so you don't have to admit what's been going on.
0:01:55 > 0:01:59- What are you talking about?- You were with another woman, weren't you?
0:01:59 > 0:02:01- No...- That's why you don't want to touch me.
0:02:01 > 0:02:06Don't say that. Of course I want to touch you.
0:02:06 > 0:02:09Charlotte, please, don't talk like this.
0:02:09 > 0:02:12You're perfect. You're everything I want.
0:02:12 > 0:02:15Why would I even look at another woman?
0:02:17 > 0:02:21I know I haven't been much of a husband lately.
0:02:21 > 0:02:24I've been so busy at work...
0:02:24 > 0:02:26It's not fair on you,
0:02:26 > 0:02:28I am so sorry.
0:02:31 > 0:02:33We can try again?
0:02:33 > 0:02:34Tonight.
0:02:54 > 0:02:57This just came for you. Postmark USA.
0:02:57 > 0:02:59Thank you, Sergeant Swift.
0:03:05 > 0:03:08Have you had a chance to think about what I asked yesterday?
0:03:08 > 0:03:09Yesterday?
0:03:10 > 0:03:12You know...
0:03:13 > 0:03:14Well, I asked if...
0:03:16 > 0:03:18Will you go on a date with me?
0:03:18 > 0:03:19Oh, that.
0:03:22 > 0:03:24- I'd love to.- Really?
0:03:24 > 0:03:25HE LAUGHS
0:03:25 > 0:03:27Smashing!
0:03:28 > 0:03:31Well, that's just...
0:03:31 > 0:03:33- Thank you.- Aren't you forgetting something?
0:03:35 > 0:03:36When?
0:03:36 > 0:03:39Oh! Um. How about tonight?
0:03:39 > 0:03:41That doesn't give a girl much time.
0:03:41 > 0:03:43No, you're right, I'm sorry.
0:03:43 > 0:03:45But I like a man who's decisive.
0:03:45 > 0:03:47Oh, you do?
0:03:47 > 0:03:49Well, good.
0:03:49 > 0:03:52Tonight it is, then. I'll pick you up at seven.
0:03:52 > 0:03:54I'll look forward to it.
0:04:00 > 0:04:02Any closer to finding him, sir?
0:04:04 > 0:04:08No, men like Sheppard know how to disappear. They were trained to.
0:04:08 > 0:04:11Nobody really disappears though, do they, sir?
0:04:11 > 0:04:13I mean, there's always a trail.
0:04:13 > 0:04:15Where would you start looking?
0:04:15 > 0:04:19I suppose I'd want to know exactly what he was trained for and why.
0:04:19 > 0:04:21It might help us...
0:04:21 > 0:04:24I mean, you, predict his next move.
0:04:24 > 0:04:27OK. Tell you what, why don't you contact the War Office?
0:04:27 > 0:04:30See if you can access his military records.
0:04:30 > 0:04:31Me, sir?
0:04:31 > 0:04:33It's your lead.
0:04:35 > 0:04:37You don't mind if I borrow him for a while, do you, Sergeant?
0:04:37 > 0:04:39Keep him for all I care.
0:04:41 > 0:04:42Sarge.
0:04:43 > 0:04:46Oh, and Perkins, try to get Brigadier Morris' record too.
0:04:46 > 0:04:48Yes, sir.
0:04:48 > 0:04:51Hello, War Office, Whitehall, please.
0:04:53 > 0:04:54DI Sawyer.
0:04:56 > 0:04:57When was this?
0:04:59 > 0:05:02We'll be there as soon as we can.
0:05:02 > 0:05:04- Taylor.- Sir?- There was an assault on a nurse
0:05:04 > 0:05:07at Edmund Hall Psychiatric Hospital late last night.
0:05:07 > 0:05:09She says it was William Sheppard.
0:05:31 > 0:05:37I managed to reach some scissors and I stabbed him.
0:05:37 > 0:05:39He let go, so I screamed.
0:05:39 > 0:05:41Do you remember where you wounded him?
0:05:41 > 0:05:44- On his hand.- Did he say anything to you?
0:05:44 > 0:05:46No.
0:05:46 > 0:05:49After I screamed, he heard others and he ran.
0:05:49 > 0:05:52- But you're certain it was William Sheppard?- Yes.
0:05:52 > 0:05:54I saw him clearly.
0:05:54 > 0:05:56You said it was dark.
0:05:56 > 0:05:59You were frightened.
0:05:59 > 0:06:01It was him, without a doubt.
0:06:01 > 0:06:03But he had already escaped.
0:06:03 > 0:06:06Why risk coming back just to attack you?
0:06:06 > 0:06:08If you understood psychosis, you'd know that violence
0:06:08 > 0:06:10and irrationality go hand in hand.
0:06:10 > 0:06:11We don't doubt that, Doctor.
0:06:11 > 0:06:15Find him, Inspector, before he harms anyone else.
0:06:22 > 0:06:24TINKLE OF BELL
0:06:24 > 0:06:25SHOPKEEPER: Thank you.
0:06:32 > 0:06:34SHOPKEEPER: Thank you very much.
0:06:44 > 0:06:48Good job in there, Taylor. Always helpful to antagonise the victim.
0:06:48 > 0:06:51- Sir, I was just being thorough. - No, you were looking for holes in her statement
0:06:51 > 0:06:53because you don't want to believe it's true.
0:06:53 > 0:06:56Maybe I don't. Is that so bad?
0:06:56 > 0:07:00Look, I just don't believe that he would harm a woman, sir.
0:07:00 > 0:07:03This is a man who read me bedtime stories.
0:07:03 > 0:07:06He built us a treehouse at the bottom of the garden one summer.
0:07:06 > 0:07:10Yes, yes, he was a soldier, so was everyone, so were you.
0:07:10 > 0:07:13It doesn't change who you are inside, does it?
0:07:13 > 0:07:14And I just...
0:07:16 > 0:07:18Sir, are you even listening to me?
0:07:18 > 0:07:19Hmm?
0:07:19 > 0:07:23Yes, yes, yes, the trees in the summer.
0:07:23 > 0:07:24What?
0:07:24 > 0:07:26I'm making a serious point here
0:07:26 > 0:07:29but obviously you've got other things on your mind.
0:07:29 > 0:07:31- Are you a little jealous?- No.
0:07:31 > 0:07:34No, I just don't want Sheppard to get blamed for something
0:07:34 > 0:07:36- he didn't do.- OK, enough.
0:07:36 > 0:07:39I don't care how nice he was to you when you were a child.
0:07:39 > 0:07:44People change, they snap. Sometimes they just lose their minds.
0:07:44 > 0:07:47You need to keep your personal feelings out of this, Taylor,
0:07:47 > 0:07:48or you're no good to me.
0:07:52 > 0:07:54TILL BELL
0:07:56 > 0:07:57No good?
0:07:57 > 0:07:58I'm not sure.
0:07:58 > 0:08:00Yeah, it can be a little dry.
0:08:00 > 0:08:06- Try the 1910 edition. It's a better translation.- Oh, thanks.
0:08:06 > 0:08:07I'm pretty new to all this.
0:08:07 > 0:08:10Well, Marx is a good place to start.
0:08:10 > 0:08:12Have we met somewhere before?
0:08:13 > 0:08:15No, no, I don't think so.
0:08:15 > 0:08:18I work for Austin, are you on the assembly line?
0:08:18 > 0:08:19No, no. I'm a writer.
0:08:19 > 0:08:21Really? What do you write?
0:08:21 > 0:08:24Articles mostly, for the Daily Worker.
0:08:24 > 0:08:26Well, that and some very bad poems.
0:08:27 > 0:08:30Maybe I could interview you some time.
0:08:30 > 0:08:32What are conditions like on the factory floor?
0:08:32 > 0:08:35Well, I'm reading this, aren't I?
0:08:35 > 0:08:38If you're interested, there's a meeting coming up.
0:08:38 > 0:08:42Eight o'clock, Radleigh Community Centre, last Friday of every month.
0:08:42 > 0:08:43Maybe I'll see you there.
0:08:43 > 0:08:45Maybe you will. Nice meeting you.
0:08:48 > 0:08:51What's your name, by the way?
0:08:51 > 0:08:53I'll look out for your articles.
0:08:53 > 0:08:55It's Carl Saunders.
0:08:55 > 0:08:57- Thank you.- Thank you.
0:08:57 > 0:08:59Has Sheppard confessed to the murders?
0:08:59 > 0:09:03Have you charged him yet? At least tell me that, please?
0:09:03 > 0:09:05What's your name again?
0:09:05 > 0:09:07David Meyer. Birmingham Chronicle.
0:09:07 > 0:09:10OK, David Meyer. Have you got your little notepad?
0:09:10 > 0:09:11Excellent.
0:09:11 > 0:09:14Brinford Police don't comment on any ongoing investigation.
0:09:14 > 0:09:17If the Birmingham Chronicle want to keep abreast of changes,
0:09:17 > 0:09:20they can damn well wait until we're ready to release a statement.
0:09:20 > 0:09:21Now, go away.
0:09:24 > 0:09:25Thank you.
0:09:25 > 0:09:29Oh! Rumour has it a certain sergeant finally asked you out.
0:09:29 > 0:09:32He did! I'm off to get my nails done,
0:09:32 > 0:09:33then straight home to get ready.
0:09:33 > 0:09:35Have a nice time
0:09:35 > 0:09:38- and I want all the details tomorrow. - SHE GIGGLES
0:09:40 > 0:09:43As you all know, William Sheppard absconded
0:09:43 > 0:09:46from Edmund Hall Psychiatric Hospital yesterday evening.
0:09:46 > 0:09:50He's since been identified in the assault of a nurse on the premises.
0:09:50 > 0:09:52They failed to apprehend him and he's still at large.
0:09:52 > 0:09:55If you see this man, call for backup -
0:09:55 > 0:09:57he may be armed and is to be considered extremely dangerous.
0:09:57 > 0:10:01- PHONE RINGS - Thank you, Detective.
0:10:01 > 0:10:02Fenton.
0:10:04 > 0:10:06Yes, sir.
0:10:08 > 0:10:10Of course.
0:10:11 > 0:10:13I'll see you there.
0:10:14 > 0:10:16- All right, there you go. - How'd you get on?
0:10:16 > 0:10:21I didn't, sir. Sheppard and Morris' service records are sealed.
0:10:21 > 0:10:24I told them what it was for but they still refused.
0:10:24 > 0:10:25Sorry, sir.
0:10:25 > 0:10:29Don't be. If a door's locked, we'll find another way in.
0:10:29 > 0:10:32It's a pity the army couldn't protect Brigadier Morris the same way
0:10:32 > 0:10:34they do their service records.
0:10:44 > 0:10:46You're back early. Not at work today?
0:10:46 > 0:10:49No, Mrs Logan. Things to do.
0:10:49 > 0:10:51Been to the Post Office, I see.
0:10:51 > 0:10:53Yes. Ta-ra then.
0:10:53 > 0:10:56You haven't seen Patches anywhere, have you?
0:10:56 > 0:10:58No, Mrs Logan, but if I do I'll let you know.
0:10:58 > 0:11:00Something's not right.
0:11:00 > 0:11:02Mrs Goodwin in number 27
0:11:02 > 0:11:05said her cat's been missing for over a week.
0:11:05 > 0:11:08And it's no coincidence that Chinese restaurant's just opened up
0:11:08 > 0:11:12- down the street.- What do you mean? - What do you think I mean?
0:11:12 > 0:11:13They eat them, you know.
0:11:13 > 0:11:15They do not.
0:11:15 > 0:11:16You shouldn't say such things.
0:11:16 > 0:11:19Have you seen their menu in the window?
0:11:19 > 0:11:21All full of nasty foreign letters.
0:11:21 > 0:11:24"Meat Dishes," it says.
0:11:24 > 0:11:26Not chicken, not beef -
0:11:26 > 0:11:30just, "meat". It's enough to turn your stomach.
0:11:30 > 0:11:32You may laugh, but there's been nothing but trouble
0:11:32 > 0:11:35since all these foreigners been coming here.
0:11:35 > 0:11:37Burglaries right on this street!
0:11:39 > 0:11:41MUSIC: Londonderry Air (Traditional)
0:11:47 > 0:11:50Right, once more from the top, eh?
0:11:50 > 0:11:53One, two, three...
0:11:53 > 0:11:55MUSIC CONTINUES
0:12:05 > 0:12:08And then the chorus comes in again and... Well, you get the idea.
0:12:08 > 0:12:12Excellent! Well done, everybody. Same time tomorrow, yes?
0:12:12 > 0:12:14Sarge, wait a minute.
0:12:14 > 0:12:19- There'll be cymbals in the next one, Tommy, I promise.- No, I just wanted to say, good luck for tonight.
0:12:19 > 0:12:21I just thought I'd get home, you know - spruce myself up.
0:12:21 > 0:12:23- Bit of aftershave. - Present her with some posies
0:12:23 > 0:12:25- and then it's off to Ming Woo's. - Ming what's?
0:12:25 > 0:12:27Ming Woo's - a Chinese restaurant.
0:12:27 > 0:12:31Where better to woo a woman than Ming Woo's? Eh?
0:12:40 > 0:12:43Take it up with your mother, it was her idea.
0:12:43 > 0:12:48So, if a bomb were to drop, we'd all be stuck down here together?
0:12:50 > 0:12:52I think I'll take my chances outside.
0:12:52 > 0:12:54Is there a reason for this visit,
0:12:54 > 0:12:58or are shifts getting shorter these days?
0:12:58 > 0:13:01- I wanted to talk to you. - We talk at dinner.
0:13:01 > 0:13:05Just you and me - and we don't talk at dinner. You talk,
0:13:05 > 0:13:08- me and Mum just... - Annie, get to the point.
0:13:10 > 0:13:13I know you're upset with me.
0:13:13 > 0:13:16- What I said about you being a civilian...- Oh.
0:13:16 > 0:13:18You were right.
0:13:18 > 0:13:20It's over.
0:13:20 > 0:13:22Time to move on.
0:13:22 > 0:13:24That doesn't mean that I don't still need you.
0:13:24 > 0:13:28Dad, I'm in the middle of this case, but...
0:13:28 > 0:13:31it feels like I'm on the outside.
0:13:31 > 0:13:33If I just knew what you knew...
0:13:33 > 0:13:36Then what? You'd be better at your job?
0:13:36 > 0:13:38It doesn't work like that.
0:13:40 > 0:13:44Right now, I'm the only one who believes William's innocent
0:13:44 > 0:13:46but I need more to go on than just my gut.
0:13:50 > 0:13:53If you won't do it for me, at least do it for him.
0:13:53 > 0:13:54Do what?
0:13:57 > 0:13:59Something happened in the war, didn't it?
0:14:02 > 0:14:04Please, Dad, I need to know.
0:14:13 > 0:14:15Oh.
0:14:18 > 0:14:19Oh, yeah.
0:14:21 > 0:14:23Eee!
0:14:23 > 0:14:25MUSIC: Ooby Dooby by Roy Orbison
0:14:25 > 0:14:26# Hey baby, jump over here
0:14:26 > 0:14:28# When you do the ooby dooby, I just gotta be near
0:14:28 > 0:14:34# Ooby dooby, ooby dooby, ooby dooby, ooby dooby
0:14:34 > 0:14:36# Ooby dooby, dooby, dooby, dooby, dooby
0:14:36 > 0:14:39# Dooby do-wah, do-wah, do-wah
0:14:39 > 0:14:42# Well, you wriggle to the left, you wriggle to the right
0:14:42 > 0:14:44# You do the ooby dooby with all of your might
0:14:44 > 0:14:50# Ooby dooby, ooby dooby, ooby dooby, ooby dooby
0:14:50 > 0:14:52# Ooby dooby, dooby, dooby, dooby, dooby
0:14:52 > 0:14:55# Dooby do-wah, do-wah, do-wah... #
0:14:55 > 0:14:57MUSIC CONTINUES
0:15:11 > 0:15:13PATCHES MEOWS
0:15:17 > 0:15:18Oh.
0:15:23 > 0:15:27How long have you been sitting there, Patches?
0:15:27 > 0:15:29Come on, come on.
0:15:29 > 0:15:31Let's get you home, prove you're not in a chop suey.
0:15:31 > 0:15:33DOOR SLAMS No.
0:15:33 > 0:15:34No!
0:15:34 > 0:15:37No, no, no, no, no!
0:15:38 > 0:15:40Oh, no!
0:15:47 > 0:15:50No names, no specifics.
0:15:50 > 0:15:51Agreed?
0:16:04 > 0:16:06We were trained to go behind enemy lines.
0:16:08 > 0:16:13Sabotage mostly, cutting lines of communication.
0:16:15 > 0:16:18Our German was passable
0:16:18 > 0:16:22but it would have fooled no-one if we'd been captured,
0:16:22 > 0:16:26so Brigadier Morris, he taught us to become invisible more or less.
0:16:28 > 0:16:29It kept us alive.
0:16:32 > 0:16:36There was a lot of blood on our hands.
0:16:36 > 0:16:40I don't mean combat, somehow it's...
0:16:40 > 0:16:42It's easier there.
0:16:42 > 0:16:48I'm talking about witnesses who'd turn us in, destroy the mission.
0:16:48 > 0:16:50Civilians who got caught up in...
0:16:54 > 0:16:57It was a brutal time, Annie,
0:16:57 > 0:17:01but it was the only way to win and we had to win.
0:17:04 > 0:17:07We were there, you know, when they liberated the death camps.
0:17:11 > 0:17:13I never knew men could do such things.
0:17:17 > 0:17:19It helped - at least, after -
0:17:19 > 0:17:23to know that we were on the right side...
0:17:23 > 0:17:25but William,
0:17:25 > 0:17:27he never learnt to live again.
0:17:29 > 0:17:31He started drinking.
0:17:31 > 0:17:33His fiancee broke it off.
0:17:34 > 0:17:36He could have been happy.
0:17:37 > 0:17:39But he let it all fall away...
0:17:41 > 0:17:43..including his friends.
0:17:43 > 0:17:45Apart from me, of course.
0:17:45 > 0:17:47And the Brigadier?
0:17:48 > 0:17:50Well, they were never exactly friends
0:17:50 > 0:17:52but there was respect, you know.
0:17:52 > 0:17:58Until one day, they fell out about something. I never knew what.
0:17:58 > 0:18:02- Can you guess?- Something to do with a mission they'd stayed behind for,
0:18:02 > 0:18:03just the two of them.
0:18:03 > 0:18:06I knew better than to ask what it was.
0:18:06 > 0:18:09They were the sort of men that would take their secrets to the grave.
0:18:11 > 0:18:13Morris certainly did.
0:18:14 > 0:18:15As far as we know....
0:18:17 > 0:18:20..he was...tortured before he died.
0:18:22 > 0:18:25We think the killer may have needed information.
0:18:27 > 0:18:30Do you have any idea what it could have been?
0:18:31 > 0:18:33No, I don't.
0:18:34 > 0:18:36I've told you everything I know.
0:18:44 > 0:18:45Thank you, Dad.
0:18:52 > 0:18:54JAUNTY MUSIC PLAYS
0:19:00 > 0:19:02PATCHES MEOWS
0:19:02 > 0:19:05HE WHISTLES AND HUMS
0:19:06 > 0:19:08PATCHES MEOWS
0:19:20 > 0:19:21PATCHES MEOWS
0:19:35 > 0:19:38PATCHES PURRS AND MEOWS
0:19:46 > 0:19:47Susie?
0:19:51 > 0:19:52Susie!
0:20:25 > 0:20:26Thank you, sir. Goodbye.
0:20:45 > 0:20:48That's for you.
0:20:48 > 0:20:49- Ta.- Shall we?
0:20:56 > 0:20:57Usual, please.
0:21:05 > 0:21:07I spoke to my father today.
0:21:07 > 0:21:09And?
0:21:09 > 0:21:12It's as I thought, sir, he doesn't know anything
0:21:12 > 0:21:16but I'm more certain than ever that the answers are buried in the past.
0:21:16 > 0:21:19Something Morris and Sheppard did that only they knew about.
0:21:19 > 0:21:21Like what?
0:21:21 > 0:21:23A secret mission.
0:21:24 > 0:21:28Whatever it was, Sheppard couldn't live with it.
0:21:28 > 0:21:30It destroyed his life, drove him to drink.
0:21:32 > 0:21:34And got Morris killed.
0:21:36 > 0:21:39What was it Sheppard said?
0:21:39 > 0:21:41Sooner or later, everyone's got to pay.
0:21:44 > 0:21:47So we're back at square one.
0:21:47 > 0:21:50Everything hinges on finding Sheppard.
0:21:50 > 0:21:53Sorry to interrupt, sir. We just got a call from a lady -
0:21:53 > 0:21:55a burglar's breaking into the house next door.
0:21:55 > 0:21:57- Can you deal with her while I check it out?- Yeah.
0:22:33 > 0:22:36POLICE SIREN
0:22:36 > 0:22:38Help, somebody!
0:22:38 > 0:22:41About time, he could have murdered her by now!
0:22:41 > 0:22:44- So is this your neighbour's house? - Yes, she lives alone.
0:22:44 > 0:22:47I heard her shouting for help and when I went out the back
0:22:47 > 0:22:49I saw someone climbing in through the kitchen window.
0:22:49 > 0:22:51< Help! Somebody!
0:22:51 > 0:22:53- See?- OK, everybody...- Oh!
0:22:53 > 0:22:55Oscar, stop that!
0:22:55 > 0:22:57He wants to be a reporter.
0:22:57 > 0:23:01- Everybody stay here and I'll check round the back.- OK.
0:23:01 > 0:23:03- Oscar, Oscar!- I'll get him.
0:23:14 > 0:23:16Looks like he's stuck.
0:23:16 > 0:23:17What's he wearing?
0:23:18 > 0:23:20Some sort of disguise?
0:23:20 > 0:23:23What does it matter? Do something.
0:23:23 > 0:23:26OK. Everyone stay here.
0:23:26 > 0:23:29Right, you, the game's up.
0:23:29 > 0:23:31I'm a policeman.
0:23:31 > 0:23:32Tommy?
0:23:33 > 0:23:35- Miss Nightingale?- Yes!
0:23:35 > 0:23:38Please help me. I'm wedged in.
0:23:38 > 0:23:41What on earth are you doing climbing through your own window?
0:23:41 > 0:23:45If you must know, I got locked out trying to catch your stupid cat.
0:23:45 > 0:23:49- Patches is alive? - All right, everyone...
0:23:49 > 0:23:51Oh! Do you mind?
0:23:51 > 0:23:54As you can see, it's all just been a big misunderstanding,
0:23:54 > 0:23:55so you can all move along now.
0:23:55 > 0:23:58Taylor...
0:23:58 > 0:23:59help me pull her out.
0:24:01 > 0:24:04Surely we should push her in? I mean, she still needs to get inside.
0:24:04 > 0:24:07- I could kick the door down. - Don't you dare!
0:24:07 > 0:24:09OK, well, then we're going to have to push.
0:24:09 > 0:24:11You ready?
0:24:12 > 0:24:14Oh!
0:24:16 > 0:24:17Oh.
0:24:23 > 0:24:26All right, fun's over, everyone. Back to your homes now.
0:24:26 > 0:24:28Go on.
0:24:30 > 0:24:32How's the new WPC coming along?
0:24:32 > 0:24:34Chip off the old block?
0:24:34 > 0:24:36Hard to say.
0:24:36 > 0:24:39Sergeant Taylor was born with a stick up his backside.
0:24:39 > 0:24:41She's not as uptight,
0:24:41 > 0:24:45but she acts as if she can wear his stripes without earning them.
0:24:45 > 0:24:47- Same again?- Mmm.
0:24:47 > 0:24:49I should be going.
0:24:50 > 0:24:53My wife,
0:24:53 > 0:24:55she worries, since the shooting.
0:24:55 > 0:24:58Understandable. Nasty business.
0:24:58 > 0:25:00Yes, sir.
0:25:02 > 0:25:04Is there something you wanted?
0:25:04 > 0:25:08I'm careful about who I ask for favours.
0:25:08 > 0:25:09Of course.
0:25:09 > 0:25:11I need you to check a name for me.
0:25:11 > 0:25:14Off the record, it's for personal reasons.
0:25:14 > 0:25:16No need to involve anybody else.
0:25:19 > 0:25:20Carl Saunders.
0:25:22 > 0:25:23Who is he?
0:25:23 > 0:25:25Communist sympathiser.
0:25:25 > 0:25:29Let's just say he's consorting with people he shouldn't.
0:25:29 > 0:25:33If there's dirt on him, find it.
0:25:33 > 0:25:35I'll make it worth your while.
0:25:45 > 0:25:49What is that - a rain coat?
0:25:49 > 0:25:50A slim suit.
0:25:52 > 0:25:55I was trying to look perfect for my date.
0:25:55 > 0:25:57Where's Sergeant Swift?
0:25:57 > 0:25:59I hid from him and he left.
0:25:59 > 0:26:02Now he thinks I stood him up and everything's ruined.
0:26:02 > 0:26:04Where do you think he might be?
0:26:04 > 0:26:06Er, he was going to take her to Ming Woo's,
0:26:06 > 0:26:09but I doubt he's there now. He could be in the Tavern.
0:26:09 > 0:26:11Good, good, we can still salvage this.
0:26:11 > 0:26:14Right, you find Sergeant Swift and get him in that restaurant.
0:26:14 > 0:26:15- But...- Go!
0:26:18 > 0:26:20Does my hair look all right?
0:26:23 > 0:26:24JAUNTY MUSIC
0:26:41 > 0:26:43You all right, Sarge?
0:26:43 > 0:26:46I didn't expect to see you here.
0:26:46 > 0:26:49Well...
0:26:49 > 0:26:51that makes two of us.
0:26:51 > 0:26:54What happened to your date with Miss Nightingale?
0:26:55 > 0:26:56There was no date.
0:26:59 > 0:27:00Why would there be?
0:27:01 > 0:27:05Why would a woman like Susie want me?
0:27:05 > 0:27:07She liked you enough to say yes, didn't she?
0:27:07 > 0:27:10I'm sure she wouldn't just stand you up.
0:27:10 > 0:27:13I said I'd pick her up at seven.
0:27:13 > 0:27:14She wasn't there.
0:27:15 > 0:27:17I'd say that's pretty clear.
0:27:17 > 0:27:19Wait a minute, you went to her house?
0:27:19 > 0:27:20That's normally how it works, son.
0:27:20 > 0:27:23But I heard her say she was going straight to the restaurant.
0:27:23 > 0:27:27Well, you couldn't have done, I never said where I was taking her.
0:27:27 > 0:27:29Yes, but you told me
0:27:29 > 0:27:32and I mentioned it to WPC Taylor,
0:27:32 > 0:27:35who must have told Miss Nightingale, which is why she got it in her head
0:27:35 > 0:27:36that she was meeting you there.
0:27:36 > 0:27:39- But why would she... - It doesn't matter why, Sarge!
0:27:39 > 0:27:42The point is, she's probably sitting in Ming Woo's right now
0:27:42 > 0:27:44- wondering where you are. - What time is it?
0:27:44 > 0:27:45Well, it's ten to eight.
0:27:52 > 0:27:54Oh, damn!
0:27:54 > 0:27:55Oh!
0:28:00 > 0:28:01Hold on, hold on!
0:28:01 > 0:28:03There.
0:28:04 > 0:28:07Look, wait - I could give you a lift.
0:28:10 > 0:28:12Go get her, Sarge.
0:28:12 > 0:28:14It would have been booked under the name Swift.
0:28:14 > 0:28:17- Do you still have the table? - I'll have a look.- Thank you.
0:28:17 > 0:28:19How do I look?
0:28:19 > 0:28:21Just lovely.
0:28:21 > 0:28:23- Now, breathe. - SHE LAUGHS
0:28:23 > 0:28:25If you'd like to follow me.
0:28:28 > 0:28:29Thank you.
0:28:32 > 0:28:33Thank you.
0:28:36 > 0:28:38Oh.
0:28:38 > 0:28:41Susie, I'm so sorry I'm late.
0:28:41 > 0:28:45- I thought we were supposed to... - It doesn't natter - matter.
0:28:46 > 0:28:48- I'm just glad you're here.- Oh.
0:28:52 > 0:28:53Erm, here.
0:29:00 > 0:29:01Ooh - crackers.
0:29:05 > 0:29:07Thank you.
0:29:07 > 0:29:08Thank you.
0:29:28 > 0:29:31MAN COUGHS
0:29:35 > 0:29:37Hello again.
0:29:37 > 0:29:39If you're here to see Dr Ellis, I'm afraid he's out today.
0:29:39 > 0:29:41Actually, I came here to see you.
0:29:41 > 0:29:44Me? How can I help?
0:29:44 > 0:29:47I was wondering if you'd let me take a look
0:29:47 > 0:29:49at William Sheppard's psychiatric records.
0:29:49 > 0:29:52- The patients' files are confidential.- The thing is,
0:29:52 > 0:29:55I really need to know if he has a history of violence.
0:29:55 > 0:29:57It would really help our investigation
0:29:57 > 0:29:59if I knew anything more about him.
0:29:59 > 0:30:00MAN SCREAMS IN DISTANCE
0:30:00 > 0:30:03- I'm sorry, I really can't.- Come on.
0:30:03 > 0:30:04Just a quick peek.
0:30:06 > 0:30:08I won't tell anyone if you don't.
0:30:33 > 0:30:36What did William Sheppard seem like to you when he was here?
0:30:36 > 0:30:39It's hard to tell, he was sedated most of the time.
0:30:40 > 0:30:42- To be honest...- Shh.
0:30:48 > 0:30:50Sorry. What were you saying?
0:30:50 > 0:30:54I was saying, I was surprised he was able to break out of here -
0:30:54 > 0:30:57he couldn't lift his own head up most of the time.
0:30:57 > 0:30:59Maybe he was faking.
0:30:59 > 0:31:02I mean, he had it in him to attack Nurse Hartley.
0:31:02 > 0:31:04I saw the man who attacked her.
0:31:06 > 0:31:08- What?- I was right next door.
0:31:08 > 0:31:10After I heard her scream, I saw him running down the corridor
0:31:10 > 0:31:13and if you ask me, he looked nothing like Sheppard.
0:31:13 > 0:31:17- Why didn't you say anything? - Because she's my boss.
0:31:17 > 0:31:19And you're sure it was somebody different?
0:31:19 > 0:31:22- Pretty sure.- Can you describe him?
0:31:22 > 0:31:25Medium build, dark hair and much younger -
0:31:25 > 0:31:27I'd say early twenties.
0:31:34 > 0:31:36- What's going on?- Look at this.
0:31:36 > 0:31:38Has Sergeant Swift seen it yet?
0:31:38 > 0:31:40He certainly has.
0:31:42 > 0:31:45It's always nice to discover you've been lied to.
0:31:45 > 0:31:48Actually, Sarge, if you think about it, it's quite flattering.
0:31:48 > 0:31:51Well, Susie only hid from you because she wasn't looking her best.
0:31:51 > 0:31:54That worked out well for her, didn't it?
0:31:54 > 0:31:57Well, she can't find out about this, it'll kill her.
0:31:57 > 0:32:01Not a word to Miss Nightingale, understood?
0:32:01 > 0:32:04No jokes, no funny looks. If she gets wind of this,
0:32:04 > 0:32:06you've got me to answer to, right?
0:32:06 > 0:32:08But what if she sees it in the paper, Sarge?
0:32:17 > 0:32:19There's not much here.
0:32:19 > 0:32:21Sorry, that's all we have.
0:32:24 > 0:32:28"Recommended for the Petra Project," what is that?
0:32:28 > 0:32:31If they knew I were talking to you, I'd lose my job.
0:32:31 > 0:32:35I won't tell them how I found out. Please, this could really help.
0:32:36 > 0:32:40All I know is patients selected for the Petra Project disappear,
0:32:40 > 0:32:42sometimes for weeks at a time.
0:32:42 > 0:32:45No-one knows where they're taken, but when they come back,
0:32:45 > 0:32:48- they're different.- Different - how?
0:32:48 > 0:32:49I mean, worse than before.
0:32:49 > 0:32:53Sometimes they just scream and scream.
0:32:53 > 0:32:56Everybody knows Dr Ellis is a brilliant man. It's not my place to question him.
0:32:58 > 0:32:59Petra Project.
0:33:02 > 0:33:03Thank you.
0:33:11 > 0:33:13You have something for me?
0:33:13 > 0:33:17Carl Saunders - I knew I'd heard the name before.
0:33:17 > 0:33:21Couple of weeks back, we picked him up on a raid in a queer pub.
0:33:21 > 0:33:25I wanted to charge the whole lot of 'em but Briggs said to let them walk.
0:33:25 > 0:33:27- I see.- That's his only arrest.
0:33:27 > 0:33:31I could do some digging, look into his past.
0:33:31 > 0:33:34Thank you, Sergeant, that won't be necessary.
0:33:34 > 0:33:35I have what I need.
0:33:42 > 0:33:44Thank you, Vicky.
0:33:44 > 0:33:48Could you do me one last, tiny favour? Would you call me
0:33:48 > 0:33:50- when Dr Ellis comes back?- Sure.
0:33:50 > 0:33:52May I?
0:33:52 > 0:33:55This is my...direct number.
0:33:57 > 0:34:00Call me any time if I don't call you first.
0:34:02 > 0:34:05- Oh, my God, that's him. - Who?
0:34:05 > 0:34:07The man who attacked Nurse Hartley.
0:34:07 > 0:34:09David Meyer - stop!
0:34:09 > 0:34:11Stop, police!
0:34:21 > 0:34:22CAR HORNS
0:34:33 > 0:34:35Stop, stop!
0:35:00 > 0:35:01Stop, police!
0:35:01 > 0:35:02Oi!
0:35:02 > 0:35:04Oi, what are you doing? Get off me.
0:35:04 > 0:35:05Come back, he's stolen my bike!
0:35:05 > 0:35:07David!
0:35:09 > 0:35:10DOG BARKS
0:35:10 > 0:35:12MAN SIGHS
0:35:13 > 0:35:15I think I've got them all, Sarge.
0:35:15 > 0:35:18Good. Chuck them in the incinerator or something. Go.
0:35:20 > 0:35:24Thanks - again - for dinner last night.
0:35:24 > 0:35:26I had such a lovely time.
0:35:26 > 0:35:28So did I.
0:35:28 > 0:35:30Wasn't that restaurant magical?
0:35:30 > 0:35:31All those lanterns.
0:35:31 > 0:35:33Yes - lanterns.
0:35:33 > 0:35:37Hey, I fancy a cup of tea. Shall we?
0:35:37 > 0:35:41It was the perfect setting...
0:35:41 > 0:35:44for a perfect evening.
0:35:44 > 0:35:46Well... SHE LAUGHS
0:35:46 > 0:35:48..apart from the flying spring roll.
0:35:48 > 0:35:50THEY LAUGH
0:35:52 > 0:35:55Those chopsticks certainly take some getting used to.
0:35:55 > 0:35:57Shall we? How about that tea?
0:35:57 > 0:35:59Susie, Susie!
0:35:59 > 0:36:02- Well, well, well. - HE LAUGHS
0:36:02 > 0:36:06You never told me there was a full moon out last night, girl.
0:36:06 > 0:36:08Excuse me?
0:36:08 > 0:36:11What's that thing you're wearing, eh?
0:36:11 > 0:36:14Looks like a space suit!
0:36:14 > 0:36:16HE LAUGHS
0:36:18 > 0:36:19Susie...
0:36:23 > 0:36:26One of these days, I'm going to knock that smile off your face.
0:36:33 > 0:36:34Susie?
0:36:36 > 0:36:37Susie?
0:36:39 > 0:36:41She won't come out, Sarge.
0:36:50 > 0:36:53Susie? It's John.
0:36:53 > 0:36:54Please go away.
0:36:57 > 0:36:59It's not so bad, really.
0:36:59 > 0:37:02You can't even see your face in the picture.
0:37:05 > 0:37:07Anyway,
0:37:07 > 0:37:09it'll be chip wrapping by tomorrow.
0:37:10 > 0:37:13At least the story had a happy ending -
0:37:13 > 0:37:15Mrs Logan got reunited with her cat.
0:37:17 > 0:37:19I hate Mrs Logan.
0:37:19 > 0:37:22She told the paper that I looked like a fat burglar
0:37:22 > 0:37:26and all because I bought that stupid slim suit that doesn't even work -
0:37:26 > 0:37:28I'm not one bit thinner.
0:37:28 > 0:37:30I don't want you to be thinner.
0:37:33 > 0:37:34Susie...
0:37:35 > 0:37:37..you're perfect the way you are.
0:37:39 > 0:37:42When I saw you in that restaurant last night,
0:37:42 > 0:37:45I couldn't believe it was me you were waiting for.
0:37:49 > 0:37:52I fell for you
0:37:52 > 0:37:55the very first moment I laid eyes on you.
0:37:55 > 0:38:00You're the most beautiful woman in the world
0:38:00 > 0:38:03and I know I don't have much to offer you, Susie...
0:38:19 > 0:38:20You're early.
0:38:23 > 0:38:26I can't stay long.
0:38:26 > 0:38:27What's happened?
0:38:29 > 0:38:31It's Charlotte, she...
0:38:31 > 0:38:32suspects something.
0:38:34 > 0:38:37I had to lie to her face this morning.
0:38:37 > 0:38:39Did she believe you?
0:38:39 > 0:38:41I don't know...
0:38:43 > 0:38:45But this can't go on.
0:38:45 > 0:38:47It's getting too dangerous.
0:38:50 > 0:38:54- Do you want to cool it for a while? - No, Carl,
0:38:54 > 0:38:56didn't you hear me?
0:38:56 > 0:38:58We have to end this now.
0:38:58 > 0:39:01No, don't say that.
0:39:01 > 0:39:05It's all the sneaking around, I can't stand it.
0:39:06 > 0:39:09- Walt, I...- No, please don't, just...
0:39:11 > 0:39:13She deserves better.
0:39:13 > 0:39:16I have to at least try to make things work.
0:39:16 > 0:39:19We work - you and me.
0:39:19 > 0:39:22You're going to throw that away over some sham marriage?
0:39:22 > 0:39:23It's not a sham.
0:39:31 > 0:39:33I do love her.
0:39:33 > 0:39:34Not like you love me.
0:39:41 > 0:39:42I'm so sorry.
0:39:42 > 0:39:45Just wait, please...
0:39:51 > 0:39:52I'll stay away.
0:39:54 > 0:39:56I'll do whatever you want but...
0:39:58 > 0:39:59..don't go yet.
0:40:01 > 0:40:03Not yet.
0:40:27 > 0:40:30I just spoke to our friends at the Birmingham Chronicle.
0:40:30 > 0:40:33- And did you find David Meyer? - He never worked there.
0:40:33 > 0:40:37- What?- They've never heard of him.
0:40:37 > 0:40:39Well, who do you think he is then?
0:40:39 > 0:40:41I think he's our new main suspect.
0:40:41 > 0:40:42PHONE RINGS
0:40:43 > 0:40:44Fenton.
0:40:44 > 0:40:47How would you like to get that arrest after all, Sergeant?
0:40:47 > 0:40:49On a charge that'll stick this time.
0:40:49 > 0:40:50I'm listening.
0:40:50 > 0:40:52Brewer Street, above Preedy & Sons.
0:40:52 > 0:40:54Soon as you can.
0:40:54 > 0:40:55Thank you, sir.
0:40:59 > 0:41:02Perkins, get Fletch and come with me.
0:41:02 > 0:41:03Move it!
0:41:14 > 0:41:16FOOTSTEPS NEARBY
0:41:17 > 0:41:19Who's there?
0:41:20 > 0:41:22I said show yourself.
0:41:27 > 0:41:28Gabriel?
0:41:28 > 0:41:30David.
0:41:32 > 0:41:34What are you doing here?
0:41:34 > 0:41:36How did you find me?
0:41:36 > 0:41:39I've been following your movements for some time.
0:41:39 > 0:41:41- Why?- To make sure the job gets done right.
0:41:45 > 0:41:46Tell me you...
0:41:47 > 0:41:49You killed Brigadier Morris?
0:41:52 > 0:41:53He got what he deserved.
0:41:53 > 0:41:55That wasn't for you to decide.
0:41:55 > 0:41:57Do you have any idea what you've done?
0:41:57 > 0:42:00Something you didn't have the guts to do yourself.
0:42:10 > 0:42:13FOOTSTEPS APPROACH
0:42:13 > 0:42:14Police, stay where you are!
0:42:20 > 0:42:21Get dressed.
0:42:33 > 0:42:35Time's up.
0:42:39 > 0:42:43I am arresting you for committing an act of gross indecency
0:42:43 > 0:42:44with another male person.
0:42:46 > 0:42:50You are not obliged to say anything unless you wish to do so
0:42:50 > 0:42:54but what you say will be taken down and may be given in evidence.
0:42:57 > 0:42:59Sir.
0:43:35 > 0:43:37POLICE SIREN