0:00:20 > 0:00:24APPLAUSE
0:00:30 > 0:00:32Thank you.
0:00:33 > 0:00:36Thank you very much. I would like... Thank you.
0:00:38 > 0:00:42May I say, thank you for coming and thank you for watching.
0:00:43 > 0:00:45My name is James Bond.
0:00:45 > 0:00:47LAUGHTER
0:00:47 > 0:00:52Smith & Western, eh? You've had your six. Well, anyway...
0:00:54 > 0:00:57He's too attractive, I don't believe him anyway.
0:00:57 > 0:01:00Actually, I know it sounds a little ludicrous to introduce oneself,
0:01:00 > 0:01:04particularly after the BBC has spent so much money to let you know
0:01:04 > 0:01:08that I'm on but I think I have to, I have a psychological problem.
0:01:10 > 0:01:11My name is Sammy Davis Jr
0:01:11 > 0:01:15and the reason, really, is later on in the show I take off my jacket,
0:01:15 > 0:01:17see, and I just sing with my shirt and my pants
0:01:17 > 0:01:21and sometimes people confuse me with Harry Belafonte.
0:01:28 > 0:01:32"I really can't tell one from another, you know. They all look alike."
0:01:32 > 0:01:36LAUGHTER AND APPLAUSE
0:01:36 > 0:01:39I would like for you to meet at this time,
0:01:39 > 0:01:42a gentleman who has been with me on all my trips to London.
0:01:42 > 0:01:45He's been with my family, musically, for about six years.
0:01:45 > 0:01:47I feel that he is one of the most
0:01:47 > 0:01:49outstanding drummers in our business.
0:01:49 > 0:01:53In fact, he's out standing, now, waiting to come on. However...
0:01:53 > 0:01:55"Oh, that was rather droll, Sam."
0:01:59 > 0:02:01His name is Michael Silver
0:02:01 > 0:02:04and I'd like for you to meet him. Here we go.
0:02:04 > 0:02:07Come closer.
0:02:08 > 0:02:11One, two, three, four...
0:02:21 > 0:02:26# I've got you under my skin
0:02:28 > 0:02:36# Yes, I've got you deep in the heart of me
0:02:36 > 0:02:43# So deep in my heart that you're really a part of me
0:02:43 > 0:02:50# I've got you under my skin
0:02:50 > 0:02:57# I've tried so, not to give in
0:02:57 > 0:03:02# I said to myself, "This affair never would go so well"
0:03:04 > 0:03:07# But darling, why should I resist?
0:03:08 > 0:03:11# When, my baby, you know darn well
0:03:12 > 0:03:19# I've got you, got you under my skin
0:03:19 > 0:03:23# I'd sacrifice anything, come what might
0:03:23 > 0:03:26# For the sake of having you near
0:03:26 > 0:03:30# In spite of that voice that comes in the night
0:03:30 > 0:03:33# Says these words in my ear
0:03:33 > 0:03:40# "Don't you know, little fool, you never can win?
0:03:40 > 0:03:47# "Use your mentality, wake up to reality"
0:03:47 > 0:03:52# But each time I do, just the thought of you makes me stop
0:03:52 > 0:03:55# Before I begin
0:03:55 > 0:03:59# I've got you under my skin
0:04:01 > 0:04:06# Like the beat, beat, beat of the tom-tom
0:04:06 > 0:04:08# When the jungle shadows fall
0:04:08 > 0:04:12# And like the tick-tick-tock of the stately clock
0:04:12 > 0:04:16# As it leans against the wall
0:04:16 > 0:04:19# Like the drip, drip, drip of the raindrop
0:04:19 > 0:04:23# When the summer shower is through
0:04:23 > 0:04:27# There is a voice that's within me that keeps repeating
0:04:27 > 0:04:29# You, you, you
0:04:29 > 0:04:37# Night and day, you are the one
0:04:37 > 0:04:43# Only you beneath the moon and under the sun
0:04:45 > 0:04:49# Whether near to me or far, my dear
0:04:49 > 0:04:53# It doesn't matter where you are, my dear
0:04:53 > 0:05:00# I think of you night and day, day and night
0:05:02 > 0:05:05# Under the hide of me
0:05:06 > 0:05:13# There's an, oh, such a hungry yearning, burning inside of me
0:05:13 > 0:05:18# And this torment will never be through
0:05:18 > 0:05:22# Till you let me spend my life making love to you
0:05:22 > 0:05:26# Day and night, night and day
0:05:27 > 0:05:32# Wherever you go, I'll be following you
0:05:35 > 0:05:40# Wherever you are, I want to be there too
0:05:42 > 0:05:48# By the old Moulmein Pagoda, looking eastward to the sea
0:05:49 > 0:05:56# There's a Burmese bird awaiting, and I think she's got eyes for me
0:05:56 > 0:06:03# But my sails are in the moonlight but it's there I want to be
0:06:03 > 0:06:10# So, come you back, you British soldiers, come you back to Mandalay!
0:06:10 > 0:06:15# Come you back to Mandalay!
0:06:17 > 0:06:24# On the road to paradise, where the old Flotilla lay
0:06:24 > 0:06:32# Can't you hear them paddles chunkin' from Rangoon to Mandalay?
0:06:32 > 0:06:39# On the road to Mandalay, where the flyin' fishes play
0:06:39 > 0:06:45# And the dawn comes up like thunder over China
0:06:46 > 0:06:49# Across the bay
0:06:49 > 0:06:55# That is why I would sacrifice anything, come what might
0:06:55 > 0:06:57# For the sake of having you near
0:06:57 > 0:07:01# In spite of that voice that comes in the night
0:07:01 > 0:07:04# Says these words in my ear
0:07:04 > 0:07:10# "Don't you know, little schmool, you never can win?
0:07:11 > 0:07:17# "Use your mentality, where is your reality?"
0:07:19 > 0:07:23# But each time I do, just the thought of you makes me stop
0:07:23 > 0:07:28# Before I begin, didn't I tell you that I've got you
0:07:28 > 0:07:30# I've got you under my skin
0:07:33 > 0:07:36# And I like you, I like you under my skin
0:07:39 > 0:07:42- # And I've got...- I've got to stop taking those pills,
0:07:42 > 0:07:44that's all there is to it.
0:07:46 > 0:07:49# Oh, I've got you
0:07:49 > 0:07:53# Lord knows that I've got you
0:07:53 > 0:07:58# Yes, I've got you
0:07:58 > 0:08:06# Under my skin. #
0:08:17 > 0:08:20Thank you. Thank you very much.
0:08:20 > 0:08:22The drummer's name is Michael Silver.
0:08:22 > 0:08:25Michael, come down here and take a bow, big daddy.
0:08:30 > 0:08:32Take a big one, baby.
0:08:34 > 0:08:36Just wonderful.
0:08:37 > 0:08:40You played very well tonight.
0:08:41 > 0:08:45But I wish the next time we do a show together like this, on TV,
0:08:45 > 0:08:47don't send any messages, would you?
0:08:47 > 0:08:50LAUGHTER
0:08:53 > 0:08:56I would like to do a Rodgers and Hart song for you. Terence...
0:09:02 > 0:09:10# You're my funny Valentine
0:09:12 > 0:09:18# Sweet comic Valentine
0:09:20 > 0:09:30# You make me smile with my heart
0:09:33 > 0:09:37# Your looks are laughable
0:09:38 > 0:09:43# Unphotographable
0:09:44 > 0:09:54# Yet you're my favourite work of art
0:09:57 > 0:10:03# Is your figure less than Greek?
0:10:05 > 0:10:13# Is your mouth a little weak
0:10:13 > 0:10:22# When you open it to speak?
0:10:25 > 0:10:29# Are you smart?
0:10:29 > 0:10:36# Well, don't change
0:10:37 > 0:10:40# A hair for me
0:10:42 > 0:10:48# Not if you care for me
0:10:48 > 0:10:54# Stay, little Valentine
0:10:54 > 0:11:02# Stay
0:11:05 > 0:11:13# Each day is Valentine's
0:11:18 > 0:11:24# Day
0:11:27 > 0:11:30APPLAUSE
0:11:30 > 0:11:36Thank you. Thank you, Terry. Just one of them. Thank you there.
0:11:36 > 0:11:38You know...
0:11:41 > 0:11:43Ta. Erm...
0:11:43 > 0:11:45There are, when you start to do a show like this,
0:11:45 > 0:11:48one where you want to do some of the things you've
0:11:48 > 0:11:49never done on television,
0:11:49 > 0:11:52as soon as the announcement comes out in the papers,
0:11:52 > 0:11:55invariably, you get people who write you and write notes about it.
0:11:55 > 0:11:57Where they have all the things that I had requested.
0:11:57 > 0:12:01I got a letter from a young man I imagine must be about seven or
0:12:01 > 0:12:05eight years old and he said, "I am interested in fast draw
0:12:05 > 0:12:08"and I understand that you do Westerns and all of that,
0:12:08 > 0:12:13"and you do with the gun, so, on your show for BBC, would you explain
0:12:13 > 0:12:15"a little bit about it and let me see it?"
0:12:15 > 0:12:19So, for you, Michael, I'm going to do it.
0:12:19 > 0:12:21LAUGHTER
0:12:37 > 0:12:42This is the standard holster for fast draw, Mike.
0:12:43 > 0:12:49And this is a cord that ties around to keep your gun in the right place.
0:12:49 > 0:12:53Making sure that it's at a proper length so that you can
0:12:53 > 0:12:54get it out easy.
0:12:54 > 0:13:01# As I walked out in the streets of Laredo
0:13:01 > 0:13:08# As I walked out in Laredo, one day
0:13:08 > 0:13:12# I spied a young cowboy
0:13:12 > 0:13:16# Wrapped up in white linen
0:13:16 > 0:13:19APPLAUSE
0:13:21 > 0:13:24Shucks, I wouldn't put it on unless I was good at it.
0:13:24 > 0:13:27LAUGHTER AND APPLAUSE
0:13:35 > 0:13:39I told you cats you'd laugh at that.
0:13:39 > 0:13:40# Wrapped up in white linen
0:13:40 > 0:13:43# And cold as the clay
0:13:43 > 0:13:45Now, the single action part is quite simple.
0:13:45 > 0:13:48Single action means unless you have the modern revolver,
0:13:48 > 0:13:51they can fire this way, by just pressing the trigger, with
0:13:51 > 0:13:54an old-fashioned Western gun, you had to cock the gun first and then fire.
0:13:54 > 0:13:57So that, in essence, when you go for the fast draw the gun is
0:13:57 > 0:14:01actually cocked while it's in the holster, like so.
0:14:01 > 0:14:03See, it's cocked here, you pull out and then fire.
0:14:03 > 0:14:07Of course, you must be careful, Michael, that when you do this you don't do that.
0:14:07 > 0:14:10COMIC DRUM ROLL
0:14:10 > 0:14:13Or you'll find out immediately why Chester walks with a limp.
0:14:13 > 0:14:15LAUGHTER
0:14:15 > 0:14:17Now, we want to see if...
0:14:18 > 0:14:21We want to see if we can get a couple of fast ones off
0:14:21 > 0:14:25but I would only like to say that attitude is most important.
0:14:25 > 0:14:28I brought these along, Michael, just in case, never know.
0:14:30 > 0:14:33When Mosley might show up, you never know.
0:14:40 > 0:14:43You must be careful to get the proper attitude, you see,
0:14:43 > 0:14:46because you've got to walk tall, get the proper stance.
0:14:46 > 0:14:49Because Jerry Lewis, for instance, he's never done Westerns
0:14:49 > 0:14:51because that would be a little ludicrous.
0:14:51 > 0:14:54Can you imagine Jerry Lewis as a Sheriff, walking and saying,
0:14:54 > 0:14:58"Hello there, how are you?
0:14:58 > 0:15:02"I am the Sheriff of the town, la-da-da da-da."
0:15:04 > 0:15:07LAUGHTER AND APPLAUSE
0:15:12 > 0:15:14GUNSHOT
0:15:22 > 0:15:28DRUM ROLL
0:15:33 > 0:15:37APPLAUSE
0:15:53 > 0:15:56Thank you. You know what we haven't done yet, Terry?
0:15:56 > 0:15:59We haven't done anything that's really sort of old-fashioned,
0:15:59 > 0:16:01variety, vaudeville stuff.
0:16:01 > 0:16:03Let's do one number like that.
0:16:03 > 0:16:07I think I have my vaudeville prop back here. Yes, here we go.
0:16:07 > 0:16:12No man worth his union card would be caught without one of these.
0:16:12 > 0:16:14LAUGHTER
0:16:16 > 0:16:23# Me and my shadow
0:16:26 > 0:16:30# Strolling down the avenue
0:16:35 > 0:16:39# Me and my shadow
0:16:39 > 0:16:42LAUGHTER
0:16:42 > 0:16:46# No-one I can tell my troubles to
0:16:48 > 0:16:50You've gone too far this time, Sir Percy!
0:16:50 > 0:16:52LAUGHTER
0:16:52 > 0:16:57# When it's 12 o'clock, I just simply climb the stairs
0:16:57 > 0:17:01# I never, never, never, never knock
0:17:01 > 0:17:08# Because there ain't going to be nobody up there but
0:17:08 > 0:17:12# Me and my...
0:17:12 > 0:17:15# I said, me and my shadow
0:17:15 > 0:17:19# All alone and feeling blue
0:17:19 > 0:17:21DING
0:17:21 > 0:17:23LAUGHTER
0:17:23 > 0:17:27TAP DANCING SHOES CLINKING
0:17:35 > 0:17:39Two, four, six, eight, we don't want to integrate.
0:17:39 > 0:17:42LAUGHTER
0:18:30 > 0:18:35RAPID CLINKING
0:19:08 > 0:19:12ACOUSTIC GUITAR STRUMMING
0:19:26 > 0:19:28LAUGHTER
0:19:33 > 0:19:39SAMMY SINGS IN BROKEN SPANISH
0:19:47 > 0:19:49- BAND:- Ole! Ole!
0:19:49 > 0:19:51All right, all right, enough already.
0:19:51 > 0:19:53LAUGHTER
0:19:53 > 0:19:56SAMMY SINGS IN BROKEN SPANISH
0:20:28 > 0:20:33TAP DANCING SHOES CLINKING
0:20:42 > 0:20:44LAUGHTER
0:21:16 > 0:21:21# And when it's 12 o'clock, I climb the stairs
0:21:23 > 0:21:28# I never knock, cos there's nobody there
0:21:28 > 0:21:36# But the landlord, me and my, my little shadow
0:21:36 > 0:21:40# I'm all alone and feeling
0:21:40 > 0:21:44# All alone and feeling
0:21:44 > 0:21:47# All alone and feeling blue
0:21:50 > 0:21:55APPLAUSE
0:22:04 > 0:22:05I must say...
0:22:06 > 0:22:09..that hats have always been important to me,
0:22:09 > 0:22:13going back to the days of vaudeville and so forth, with my family in America.
0:22:13 > 0:22:17But also to a lot of performers, I think, hats have been important.
0:22:17 > 0:22:19For instance, when you take a man like Fred Astaire,
0:22:19 > 0:22:22he has a big thing with hats, always dances with hats
0:22:22 > 0:22:26and to see Fred Astaire walking down the street is something else, watch.
0:22:41 > 0:22:45APPLAUSE
0:22:49 > 0:22:51# It's quarter to three
0:22:52 > 0:22:54# There's no-one in the place
0:22:56 > 0:22:59# Except you and me
0:23:01 > 0:23:04# So, set 'em up, Joe
0:23:05 > 0:23:08# Got little story
0:23:08 > 0:23:11# You ought to know
0:23:11 > 0:23:15LAUGHTER
0:23:15 > 0:23:21Hi. Now, you take, the same song, same hat, different attitude.
0:23:21 > 0:23:25The hat has become important for this man, too. Mr Frank Sinatra.
0:23:25 > 0:23:28APPLAUSE
0:23:38 > 0:23:41LAUGHTER
0:23:47 > 0:23:48Good evening.
0:23:53 > 0:23:56# It's quarter to three
0:23:56 > 0:23:59# There's no-one in the place
0:23:59 > 0:24:03# Except you and me
0:24:05 > 0:24:07# Set 'em up, Joe
0:24:09 > 0:24:15# Got a little story you ought to know
0:24:17 > 0:24:21# I'm drinking, my friend
0:24:23 > 0:24:28# To the end of a brief episode
0:24:29 > 0:24:34# So, make it one for my baby
0:24:34 > 0:24:38# And one more for the road
0:24:41 > 0:24:45# The long, long road
0:24:47 > 0:24:52# The long, long road
0:24:52 > 0:24:56APPLAUSE
0:24:56 > 0:24:59I'll tell you what, let's keep the hat on
0:24:59 > 0:25:02and shape it into the styles of various favourites
0:25:02 > 0:25:05who favoured hats. The Humphrey Bogart hat.
0:25:19 > 0:25:20It's quarter to three.
0:25:23 > 0:25:26There's no-one in the place except you and me, blue eyes.
0:25:30 > 0:25:31So, stick 'em up, Joe.
0:25:34 > 0:25:36The Cary Grant hat.
0:25:41 > 0:25:44You've got the routine.
0:25:44 > 0:25:47I would appreciate it if you would do something to that machine,
0:25:47 > 0:25:49I really would.
0:25:49 > 0:25:53I mean, after all, what do you think I am, a Coca-Cola drinker?
0:25:53 > 0:25:58I'm feeling so sad, wish you'd make the music kind of
0:25:58 > 0:26:01bassy and glad, yes, how about that.
0:26:03 > 0:26:06Now, of course, there are other actors who don't
0:26:06 > 0:26:10depend on a hat or anything like that.
0:26:10 > 0:26:13They have their hair askew, things like that, going for them.
0:26:13 > 0:26:14I beg your pardon.
0:26:14 > 0:26:17Young man, may I present this to you on behalf of the BBC?
0:26:17 > 0:26:18LAUGHTER
0:26:18 > 0:26:21For the wonderful job you've been doing.
0:26:23 > 0:26:25Like Marlon Brando.
0:26:30 > 0:26:31LAUGHTER
0:26:34 > 0:26:35Uh...
0:26:35 > 0:26:37LAUGHTER
0:26:37 > 0:26:39Uh, that's how it goes, you know.
0:26:41 > 0:26:42I endure...
0:26:43 > 0:26:45LAUGHTER
0:26:45 > 0:26:48Look, when I talk to you, I want you to look at me, all right?
0:26:50 > 0:26:52I'm feeling so sad, you know.
0:26:52 > 0:26:53We should make music, erm...
0:26:53 > 0:26:56I don't know what you've got but I think I've got it.
0:26:56 > 0:26:59LAUGHTER AND APPLAUSE
0:26:59 > 0:27:02And of course, there always... Thank you.
0:27:02 > 0:27:05There's always my friend, Mr Dean Martin.
0:27:05 > 0:27:07Would you hold this for me, please? It's a set.
0:27:19 > 0:27:21Which way is the audience, pally?
0:27:26 > 0:27:29# That's how it goes
0:27:29 > 0:27:33# Joe, I know you're getting anxious to close
0:27:35 > 0:27:36# Oh, yeah
0:27:38 > 0:27:41# Thanks for the cheer
0:27:41 > 0:27:44# Hope you didn't mind my bending your ear
0:27:48 > 0:27:52LAUGHTER AND APPLAUSE
0:27:54 > 0:27:56# Must be drowned
0:27:56 > 0:28:00# Or soon, it's going to explode
0:28:00 > 0:28:04# So, make it one for my baby
0:28:04 > 0:28:08# And a whole case for the road
0:28:11 > 0:28:15# The long
0:28:16 > 0:28:20# Don't you know I'm here for the long, long
0:28:22 > 0:28:23# Yeah
0:28:23 > 0:28:25# The long road
0:28:27 > 0:28:34# The long, long road. #
0:28:37 > 0:28:39APPLAUSE
0:28:44 > 0:28:48I just want to say that we were running...
0:28:48 > 0:28:50I know, you don't have to show me the wrist. I've seen it.
0:28:50 > 0:28:54I know exactly what it means. It means I'm going off the air, right?
0:28:54 > 0:28:57I just want to say... I've got time to say good night, haven't I?
0:28:57 > 0:28:58What do you mean?
0:28:58 > 0:28:59LAUGHTER
0:28:59 > 0:29:01I just want to say... Hey!
0:29:01 > 0:29:05How about this, right? What are you going to do if I decide to stay?
0:29:05 > 0:29:08LAUGHTER AND APPLAUSE
0:29:08 > 0:29:09What about that?
0:29:09 > 0:29:11APPLAUSE
0:29:17 > 0:29:19That's it, pal of mine.
0:29:20 > 0:29:24That's it. Get out Birth Of The Blues, Terry, if you will.
0:29:24 > 0:29:26Don't look at your watch. Just get out Birth Of The Blues.
0:29:26 > 0:29:28LAUGHTER
0:29:28 > 0:29:29What are they going to do?
0:29:29 > 0:29:32Perry Mason you know about. He wins every case. You know he does.
0:29:32 > 0:29:34What are you starting this rumour for?
0:29:34 > 0:29:36I'm here once in every two years.
0:29:36 > 0:29:37APPLAUSE
0:29:37 > 0:29:41Don't worry... Terry, don't worry about it. Do as I say.
0:29:41 > 0:29:43You'll play the number. That's it.
0:29:43 > 0:29:46What are they going to do, go like this, you're off?
0:29:46 > 0:29:47LAUGHTER
0:29:47 > 0:29:52# They heard the breeze
0:29:52 > 0:29:54# Through the trees
0:29:54 > 0:29:58# Singing weird melodies
0:29:58 > 0:30:00# And they named that
0:30:00 > 0:30:02Yeah!
0:30:02 > 0:30:06# Just the start of the blues
0:30:09 > 0:30:11# Then from a jail
0:30:11 > 0:30:12# There came a wail
0:30:12 > 0:30:17# From a down-heart and frail
0:30:17 > 0:30:19# And they played that
0:30:20 > 0:30:24# As a part of the blues
0:30:26 > 0:30:28# Now from a whip-poor-will
0:30:28 > 0:30:30# High on a hill
0:30:30 > 0:30:34# They took a new note
0:30:35 > 0:30:38# And they pushed it through a horn
0:30:38 > 0:30:43# Until it was worn into a blue note
0:30:45 > 0:30:49# You gotta believe me, they nursed it
0:30:49 > 0:30:51# And they rehearsed it
0:30:51 > 0:30:55# And then, then they gave out the news
0:30:55 > 0:30:58# That the South Land
0:30:59 > 0:31:03# Really gave birth to the blues
0:31:05 > 0:31:07# From a whip-poor-will
0:31:07 > 0:31:10Everybody, clap hands in time. Come on.
0:31:10 > 0:31:12# They grabbed a new note
0:31:14 > 0:31:17# And they pushed it through a horn
0:31:17 > 0:31:22# Until it was worn into a blue note
0:31:23 > 0:31:27# Oh, everybody, they nursed it
0:31:27 > 0:31:29# They rehearsed it
0:31:30 > 0:31:34# And when they were ready, they gave out the news
0:31:34 > 0:31:37# That the South Land
0:31:39 > 0:31:43# Gave birth to the blues
0:31:43 > 0:31:45Oh!
0:31:45 > 0:31:47# They nursed it
0:31:47 > 0:31:48# Rehearsed it
0:31:48 > 0:31:51# And gave out the news
0:31:51 > 0:31:54# That that old South Land
0:31:54 > 0:31:59# Gave birth to the blues. #
0:32:07 > 0:32:10APPLAUSE
0:32:11 > 0:32:13Thank you. I thank you.
0:32:15 > 0:32:17Thank you very much, ladies and gentlemen.
0:32:27 > 0:32:29Thank you very much.
0:32:29 > 0:32:33I can't find words to thank all of the chums and buddies
0:32:33 > 0:32:36who came in from the profession tonight into the studio
0:32:36 > 0:32:38to see the show. And all of you nice people.
0:32:38 > 0:32:41Particularly, you nice people at home who are watching us
0:32:41 > 0:32:43from your homes for this brief time.
0:32:43 > 0:32:48I particularly would like to thank the entire crew here at the BBC.
0:32:48 > 0:32:52I have never worked in my entire life with a nicer bunch of guys.
0:32:52 > 0:32:55Terry Rosen, of course, and all the guys in the band.
0:32:55 > 0:32:57Always my continued thanks.
0:32:57 > 0:33:00And I'd also like to thank my producer,
0:33:00 > 0:33:04Mr Dennis Main Wilson for doing so nice by me.
0:33:04 > 0:33:08Till we meet again, may I simply leave you like this.
0:33:08 > 0:33:11I wish for you what I would wish for my family and myself,
0:33:11 > 0:33:13that is that we can all understand each other
0:33:13 > 0:33:16a little better in the near future as human beings
0:33:16 > 0:33:19and that we might have the privilege of then raising our children
0:33:19 > 0:33:22in a peaceful world. Until we meet again, thank you and God bless.
0:33:22 > 0:33:24APPLAUSE
0:33:29 > 0:33:32Oh, my goodness gracious... To your health!
0:33:33 > 0:33:37I'm going to keep drinking to your health until I ruin my own!
0:33:37 > 0:33:39LAUGHTER
0:33:41 > 0:33:43All right. Everybody up!
0:33:49 > 0:33:52Well, I guess it just isn't your day, young man. I would like...
0:33:52 > 0:33:53LAUGHTER
0:33:55 > 0:34:00We're switching into a sweater here because it's a little proppy
0:34:00 > 0:34:05and gives a chance to sort of set the mood more or less
0:34:05 > 0:34:07for this next thing. There.
0:34:09 > 0:34:12Oh, my goodness gracious. Here we go. This is a...
0:34:13 > 0:34:17There we are. This was given to me by Andy Williams. I would like...
0:34:17 > 0:34:18LAUGHTER
0:34:18 > 0:34:20He has tonnes of these things!
0:34:20 > 0:34:25This is a number in which I'd like to feature, my guy.
0:34:26 > 0:34:27My bongoist.
0:34:27 > 0:34:30A gentleman who's been with me for quite a number of years.
0:34:30 > 0:34:34His name is Johnny Mendoza. He's featured in this next number.
0:34:36 > 0:34:39Spotlight on Johnny. Go!
0:34:52 > 0:34:55# When you're a Jet, you're a Jet all the way
0:34:55 > 0:34:58# From your first cigarette to your last dying day
0:34:58 > 0:35:01# When you're a Jet, if the spit hits the fan
0:35:01 > 0:35:04# You got brothers around, you're a family man
0:35:05 > 0:35:07# You're never alone, you're never disconnected
0:35:07 > 0:35:10# You're home with your own, when company's expected,
0:35:10 > 0:35:11# You're a Jet
0:35:11 > 0:35:14# You're a Jet, you're the smoothest kind of cat
0:35:14 > 0:35:15# You're a Jet
0:35:15 > 0:35:19So don't be late, Tony. We'll be expecting you at the gym, huh?
0:35:20 > 0:35:2209.30. Tomorrow night. Be on time.
0:35:22 > 0:35:24And walk tall, man.
0:35:24 > 0:35:26You're a Jet.
0:35:32 > 0:35:37# There's a place for us
0:35:38 > 0:35:42# Somewhere, a place for us
0:35:43 > 0:35:47# Take my hand and I'll lead you there
0:35:48 > 0:35:51# Hold my hand and I'll take you there
0:35:52 > 0:35:57# Somewhere, somehow
0:35:57 > 0:36:02# I know a new dawn is breaking
0:36:02 > 0:36:06# It will be ours for the taking
0:36:06 > 0:36:09# For the taking
0:36:09 > 0:36:12# Breeze it, buzz it, easy does it
0:36:12 > 0:36:14# Stay loose, boy
0:36:14 > 0:36:17# You got a rocket in your pocket
0:36:17 > 0:36:20# Stay coolly cool, boy
0:36:20 > 0:36:21# Go, man, go... Pow!
0:36:23 > 0:36:25# But not like a crazy schoolboy
0:36:27 > 0:36:30# Just play it cool, boy
0:36:31 > 0:36:34Real cool. Real cool.
0:36:34 > 0:36:37# And you'll have a ball in America
0:36:37 > 0:36:39# You'll give your all in America
0:36:39 > 0:36:41# But nobody knows in America
0:36:41 > 0:36:46# Puerto Ricos in America
0:36:58 > 0:37:02# Tonight, tonight, I'll meet my love tonight
0:37:03 > 0:37:08# Tonight there will be our shining stars
0:37:08 > 0:37:11# Tonight the world is filled with music
0:37:12 > 0:37:15# The world is full of laughter
0:37:15 > 0:37:17# It's better than all right
0:37:17 > 0:37:20# So, moon, shine bright
0:37:20 > 0:37:26# And make this wondrous day wondrous bright
0:37:27 > 0:37:32# Tonight
0:37:35 > 0:37:41# The most beautiful sound I ever heard
0:37:43 > 0:37:44# Maria
0:37:44 > 0:37:45# Maria, Maria
0:37:45 > 0:37:47# Maria
0:37:49 > 0:37:55# All the sounds of the earth in a single word
0:37:56 > 0:37:59# Maria
0:37:59 > 0:38:01# Maria, Maria
0:38:01 > 0:38:03# Maria
0:38:05 > 0:38:08# Maria
0:38:08 > 0:38:13# I just kissed a girl named Maria
0:38:14 > 0:38:21# And suddenly that name will never be the same to me
0:38:21 > 0:38:23# Maria
0:38:23 > 0:38:24# Say it loud!
0:38:24 > 0:38:27# And there's music playing
0:38:32 > 0:38:34# Say it soft
0:38:37 > 0:38:41# And it's almost like praying
0:38:43 > 0:38:47# Maria
0:38:47 > 0:38:53# I'll never stop saying
0:38:53 > 0:38:59# Maria
0:39:00 > 0:39:09# The most beautiful sound I've ever heard
0:39:12 > 0:39:21# Maria. #
0:39:22 > 0:39:24APPLAUSE
0:39:34 > 0:39:38Mr Johnny Mendoza, ladies and gentlemen.
0:39:38 > 0:39:39Come over here, Jonno.
0:39:45 > 0:39:49Isn't he wonderful, ladies and gentlemen? Magnificent is the word.
0:39:49 > 0:39:51APPLAUSE CONTINUES
0:39:58 > 0:40:01Boy, I tell you, it's nice to be in this business.
0:40:02 > 0:40:05It is, to be exposed to guys like that.
0:40:05 > 0:40:07You really made it, baby.
0:40:07 > 0:40:09No jazz. Chips down.
0:40:10 > 0:40:11That's it.
0:40:13 > 0:40:15I hope you don't mind this, ladies and gentlemen.
0:40:15 > 0:40:17Those of you who are at home watching the show,
0:40:17 > 0:40:19which I hope you will be watching...
0:40:21 > 0:40:25..you know that it's a relaxing thing to sit down.
0:40:28 > 0:40:33When I was young, I used to say, "Don't ever show me you're tired."
0:40:35 > 0:40:39Er, but I'm old now and I've got to show you and that's it!
0:40:39 > 0:40:41LAUGHTER
0:40:41 > 0:40:44One of the nicest things about, you know,
0:40:44 > 0:40:47being with the BBC is being in the same identical studio
0:40:47 > 0:40:51for part two as we were in part one working with 90% of the same crew
0:40:51 > 0:40:55and, of course, the same guy, Dennis Main, Dame Main Woody.
0:40:55 > 0:40:57LAUGHTER
0:40:59 > 0:41:01APPLAUSE
0:41:02 > 0:41:05Being my producer and my other self.
0:41:07 > 0:41:10I must tell you, I must explain why I said that, so you'll know.
0:41:10 > 0:41:12His name is Dennis Main Wilson.
0:41:12 > 0:41:14But a long time ago when we first met
0:41:14 > 0:41:16and we started talking about part one,
0:41:16 > 0:41:19I called him Dame Main Woody, you see?
0:41:19 > 0:41:21And it sort of stuck.
0:41:21 > 0:41:23And everybody around the BBC now goes,
0:41:23 > 0:41:25"Oh, here comes Dame Main Woody."
0:41:25 > 0:41:26LAUGHTER
0:41:26 > 0:41:27And he goes... Grrrr!
0:41:27 > 0:41:28LAUGHTER
0:41:28 > 0:41:31It's all right from them chaps from the colonies
0:41:31 > 0:41:33but I don't have to take it from my own kind!
0:41:33 > 0:41:34LAUGHTER
0:41:37 > 0:41:39I asked if I could...
0:41:40 > 0:41:43..do something, an ad-lib section.
0:41:43 > 0:41:47Meaning, really, to ad-lib. Not to know what's planned.
0:41:47 > 0:41:50Agreed, we've rehearsed what I might think might be
0:41:50 > 0:41:53a couple of the songs you might ask for, or little bits.
0:41:53 > 0:41:57But I asked all the people if I could do eight or nine minutes
0:41:57 > 0:42:01with anything that the audience here at the theatre would ask to do.
0:42:02 > 0:42:04And I have no idea what they're going to ask for.
0:42:04 > 0:42:06I swear to you, it is legit.
0:42:08 > 0:42:10And I think we might have some fun.
0:42:10 > 0:42:13It'll be interesting.
0:42:13 > 0:42:16The first guy that asks me to sing Marching Through Georgia,
0:42:16 > 0:42:18he's in a lot of trouble, I tell you that.
0:42:18 > 0:42:19LAUGHTER
0:42:22 > 0:42:24Cos I ain't going there either, you know?
0:42:24 > 0:42:26LAUGHTER
0:42:26 > 0:42:29But if there are any requests that you'd like to hear,
0:42:29 > 0:42:32any of you nice folks? If we can do it, if we know... What?
0:42:32 > 0:42:33Once In A Lifetime, please.
0:42:33 > 0:42:37Once In A Lifetime? We have a request for Once In A Lifetime, George.
0:42:37 > 0:42:38All right. What?
0:42:38 > 0:42:40AUDIENCE SHOUTS REQUESTS
0:42:43 > 0:42:44All right.
0:42:45 > 0:42:47Uh-huh.
0:42:47 > 0:42:49Yes, that's wonderful.
0:42:49 > 0:42:52We've got enough now to go into a whole series here.
0:42:52 > 0:42:53LAUGHTER
0:42:54 > 0:42:57I think we got a pretty good cross-section.
0:42:57 > 0:43:00- Let's do Once In A Lifetime. - Thank you!
0:43:00 > 0:43:02And er... My pleasure.
0:43:02 > 0:43:05Then we'll do a little bit of What Kind Of Fool.
0:43:05 > 0:43:06And erm...
0:43:06 > 0:43:08AUDIENCE SHOUTS MORE REQUESTS
0:43:08 > 0:43:11OK, I'll tell you what we'll do. A Lot Of Living, too, we'll do.
0:43:11 > 0:43:14We'll do them all. We've got time. We'll do them all.
0:43:14 > 0:43:18PIRATE ACCENT: Ah... Ah, me fine buckers!
0:43:18 > 0:43:20LAUGHTER
0:43:20 > 0:43:25I know where there's more gold than any man Jack here has ever seen.
0:43:25 > 0:43:27Come along with Long John.
0:43:29 > 0:43:30LAUGHTER
0:43:30 > 0:43:32For those of you at home,
0:43:32 > 0:43:34can we get a shot of the band looking for this music?
0:43:34 > 0:43:36LAUGHTER
0:43:37 > 0:43:40APPLAUSE
0:43:40 > 0:43:41It's like John Ford's...
0:43:41 > 0:43:45It's like seeing a sneak preview of John Ford's production of the Search.
0:43:45 > 0:43:46LAUGHTER
0:43:46 > 0:43:49Why did he have to call that one? What number is that?
0:43:49 > 0:43:51I'll tell you what we'll do.
0:43:51 > 0:43:54While we're waiting for the number things, can we... This is...
0:43:54 > 0:43:56Please excuse us, but it is ad-lib.
0:43:56 > 0:43:59Could you get to the piano, George, and play a little of All The Way?
0:43:59 > 0:44:02Because we had a request for that.
0:44:02 > 0:44:04And then we'll do just Once In A Lifetime.
0:44:06 > 0:44:08# When somebody loves you
0:44:08 > 0:44:12# It's no good unless she loves you
0:44:12 > 0:44:15# All the way
0:44:17 > 0:44:20# Happy to be near you
0:44:21 > 0:44:25# When you need someone to cheer you
0:44:25 > 0:44:29# All the way
0:44:30 > 0:44:32Tony Bennett.
0:44:32 > 0:44:35# Toilet, toilet
0:44:35 > 0:44:37# Then the toil is twiz
0:44:37 > 0:44:39LAUGHTER
0:44:39 > 0:44:41# That's how it's gotta feel
0:44:43 > 0:44:46It's Frank's song. So we should do a Frank.
0:44:46 > 0:44:51# Deeper than the deep blue seas
0:44:51 > 0:44:54# That's how deep it goes
0:44:54 > 0:45:00# If it's real
0:45:00 > 0:45:01Frankie Laine.
0:45:01 > 0:45:05# When somebody needs you
0:45:05 > 0:45:08# It's no good unless he needs you
0:45:08 > 0:45:11# All the way
0:45:11 > 0:45:12APPLAUSE
0:45:12 > 0:45:15# Through the good or lean years
0:45:16 > 0:45:18LAUGHTER
0:45:19 > 0:45:20# Come what may
0:45:20 > 0:45:22A little Dean, of course.
0:45:22 > 0:45:24# Who knows...
0:45:24 > 0:45:26LAUGHTER
0:45:26 > 0:45:28# Where the road will lead us
0:45:30 > 0:45:33# Oh, yeah, only a fool
0:45:35 > 0:45:37# Would say
0:45:37 > 0:45:38Me.
0:45:39 > 0:45:41LAUGHTER
0:45:41 > 0:45:43# And if you let me love you
0:45:43 > 0:45:45# It's for sure I'm going to love you
0:45:46 > 0:45:53# All the way
0:45:54 > 0:46:05# All the way. #
0:46:11 > 0:46:12I hope you liked that.
0:46:16 > 0:46:18Thank you.
0:46:20 > 0:46:25# Just once in a lifetime
0:46:28 > 0:46:31# A man knows a moment
0:46:34 > 0:46:37# One wonderful moment
0:46:37 > 0:46:42# When fate takes his hand
0:46:43 > 0:46:50# And this is my moment, my once in a lifetime
0:46:50 > 0:46:54# When I can explore new and exciting lands
0:46:56 > 0:47:01# For once in my lifetime I feel like a giant
0:47:01 > 0:47:03# I soar like an eagle
0:47:03 > 0:47:05# As though I have wings
0:47:05 > 0:47:09# For this is my moment
0:47:09 > 0:47:11# My destiny's called me
0:47:11 > 0:47:15# So, lady, once in a lifetime
0:47:15 > 0:47:20# I'd like to do good things
0:47:21 > 0:47:27# Just once in a lifetime
0:47:27 > 0:47:33# A man knows a moment
0:47:33 > 0:47:37# One fabulous moment
0:47:38 > 0:47:45# When fate takes his hand
0:47:45 > 0:47:51# And this is my moment
0:47:51 > 0:47:57# My once in a lifetime when I can explore new and exciting lands
0:47:59 > 0:48:04# For once in my lifetime I feel like a giant
0:48:04 > 0:48:08# I soar like an eagle, just as though I have wings
0:48:08 > 0:48:10# Boy, this is my moment
0:48:10 > 0:48:13# My destiny's told me
0:48:13 > 0:48:17# Oh, it may be just once in a lifetime
0:48:17 > 0:48:21# I'm gonna do
0:48:21 > 0:48:25# Great
0:48:26 > 0:48:31# Things. #
0:48:32 > 0:48:34APPLAUSE
0:48:40 > 0:48:42The band, ladies and gentlemen...
0:48:44 > 0:48:45That's for you, baby. Thank you.
0:48:47 > 0:48:50Do What Kind Of Fool. We've got to do a little bit of What Kind Of Fool.
0:48:50 > 0:48:53What Kind Of Fool. A little piano.
0:48:53 > 0:48:57And, George, if you can, have the guys come in on the second half.
0:48:57 > 0:48:59It's a turnaround thing, you know?
0:48:59 > 0:49:01Maybe something like that, OK?
0:49:01 > 0:49:03Are you having trouble, Bubby?
0:49:03 > 0:49:05LAUGHTER
0:49:05 > 0:49:06He's looking...
0:49:07 > 0:49:10That's it, right here. Here. That's it.
0:49:12 > 0:49:15The BBC pays out good money for this!
0:49:15 > 0:49:16LAUGHTER
0:49:16 > 0:49:18And if they only knew, I'd do it for just fun.
0:49:18 > 0:49:19LAUGHTER
0:49:19 > 0:49:20Don't you tell nobody!
0:49:20 > 0:49:22LAUGHTER
0:49:22 > 0:49:24# What kind of fool am I
0:49:26 > 0:49:28# Who never fell in love?
0:49:29 > 0:49:34# It seems that I'm the only one
0:49:34 > 0:49:37# That I have been thinking of
0:49:37 > 0:49:40# What kind of man is this
0:49:40 > 0:49:43# That could not see
0:49:43 > 0:49:48# What could be seen by almost
0:49:48 > 0:49:52# Everyone
0:49:52 > 0:49:55# But me?
0:49:56 > 0:49:59# What kind of lips are these
0:50:01 > 0:50:04# That lie with every kiss?
0:50:06 > 0:50:07# Let...
0:50:07 > 0:50:09I hope it's one of ours! LAUGHTER
0:50:09 > 0:50:12# That whispered empty words of love
0:50:14 > 0:50:16It's not me, sir. It's the box over there.
0:50:17 > 0:50:20# That left me alone like this
0:50:21 > 0:50:25# Why can't I fall in love
0:50:25 > 0:50:29# Like any other man?
0:50:29 > 0:50:34# And maybe then I'll know
0:50:34 > 0:50:40# What kind of fool
0:50:40 > 0:50:46# I am
0:50:48 > 0:50:54# What kind of clown am I?
0:50:56 > 0:50:59# What do I know of life?
0:51:02 > 0:51:04# Why can't I cast away
0:51:06 > 0:51:10# This mask of play and then live my life?
0:51:12 > 0:51:20# Why can't I fall in love?
0:51:20 > 0:51:26# I don't give a damn
0:51:26 > 0:51:31# And maybe then I'll know
0:51:31 > 0:51:36# What kind of fool
0:51:37 > 0:51:44# Am I. #
0:51:45 > 0:51:47APPLAUSE
0:51:50 > 0:51:51Thank you.
0:51:51 > 0:51:53You were wonderful there.
0:51:56 > 0:51:57Thank you.
0:52:04 > 0:52:06All right.
0:52:06 > 0:52:07This is one I'm putting in
0:52:07 > 0:52:10because I don't get a chance to do this very often.
0:52:10 > 0:52:11I'm requesting it!
0:52:11 > 0:52:13LAUGHTER
0:52:13 > 0:52:15Well, I hope these pains go away...
0:52:15 > 0:52:16LAUGHTER
0:52:16 > 0:52:20Are you ready? Look out, we're going to swing with this one.
0:52:32 > 0:52:36# That old black magic has me in its spell
0:52:36 > 0:52:39# That old black magic that you weave so well
0:52:39 > 0:52:42# Those icy fingers up and down my spine
0:52:42 > 0:52:45# The same old witchcraft when your eyes meet mine
0:52:45 > 0:52:48# That same old tingle that I feel inside
0:52:48 > 0:52:50# Then that elevator starts its ride
0:52:50 > 0:52:52# And down and down and down I go,
0:52:52 > 0:52:54# And around and around and a cha-cha-cha
0:52:54 > 0:52:57# Like the leaf that's caught in the tide
0:52:57 > 0:52:59# I should stay away but what can I do?
0:52:59 > 0:53:02# I hear your name, and I'm aflame
0:53:03 > 0:53:05# A flame with such a burning desire
0:53:05 > 0:53:07# That only your kiss
0:53:09 > 0:53:10# Can put out the fire
0:53:10 > 0:53:12# You're the lover, you're the lover, you're the lover, you're the lover
0:53:12 > 0:53:13# I have waited for
0:53:13 > 0:53:16# You're the girl, you're the chick, you're the one that I was created for
0:53:16 > 0:53:19# And every time your lips meet mine
0:53:20 > 0:53:21# Down I go
0:53:21 > 0:53:23# All around I go
0:53:23 > 0:53:25# Like a leaf, a leaf that's caught in the tide
0:53:25 > 0:53:28# I should stay away, but what can I do?
0:53:28 > 0:53:32# I hear your name and I'm aflame
0:53:32 > 0:53:35# A flame with such a burning desire
0:53:35 > 0:53:38# That only your kiss, kiss, kiss can put out that fire
0:53:38 > 0:53:42# Cos you're the lover, lover, lover that I have waited for
0:53:42 > 0:53:45# You're the one, you're the babe that I was created for
0:53:45 > 0:53:47# And every time your lips meet mine
0:53:47 > 0:53:50# Well, you ain't nothing but a hound dog
0:53:50 > 0:53:51# You ain't nothing but a hound dog
0:53:51 > 0:53:53# In a spin, man, can I dig that spin I'm in
0:53:53 > 0:53:55# Rumba like a tromba
0:53:55 > 0:53:57# Old black magic called
0:53:57 > 0:53:58# You're a dirty robber
0:53:58 > 0:53:59# Old black magic called
0:53:59 > 0:54:01# Oooh-oh stay in the car
0:54:01 > 0:54:03# Old black magic called...
0:54:07 > 0:54:09Yeah.
0:54:09 > 0:54:10SAMMY SCATS
0:54:15 > 0:54:18# Way down among Brazilians, coffee beans grow by the billions
0:54:18 > 0:54:21# And they've got to have those extra cups to fill
0:54:21 > 0:54:24# They've got an awful lot of coffee in Brazil
0:54:26 > 0:54:30# You can't get cherry soda cos they've got to fill that quota
0:54:30 > 0:54:32# And the way things are I'm hip they never will
0:54:32 > 0:54:37# They've got an awful lot of coffee in Brazil
0:54:37 > 0:54:40# No tea or tomato juice
0:54:40 > 0:54:43# You ain't never gonna see any other kind of juice
0:54:43 > 0:54:47# For the planters down in Santos all cry, "No, no, no"
0:54:47 > 0:54:50# A politician's daughter was accused of snatching water
0:54:50 > 0:54:53# And was fined a great big 50 dollar bill
0:54:53 > 0:54:56# They've got an awful lot of coffee, bags and bags of coffee
0:54:56 > 0:55:00# They've got a lot of coffee in Brazil
0:55:00 > 0:55:04# Brazil
0:55:05 > 0:55:08# She gets too hungry for dinner at eight
0:55:08 > 0:55:11# She adores the theatre but never comes late
0:55:11 > 0:55:14# And she will never argue with the person that she hates
0:55:14 > 0:55:16# And that is why the lady is a...
0:55:18 > 0:55:22# She likes the free, fresh wind in her wig
0:55:22 > 0:55:24# There's nothing she don't dig
0:55:24 > 0:55:26# She's a swinger, a humdinger
0:55:26 > 0:55:29# She's all alone when she lowers her lamp
0:55:29 > 0:55:30# That's why the lady
0:55:30 > 0:55:32# That's why the lady
0:55:32 > 0:55:36# That's why the lady is a tramp
0:55:36 > 0:55:38# A tramp
0:55:38 > 0:55:39# Oh, a tramp
0:55:39 > 0:55:42# I've got to leave you, I've got to go
0:55:43 > 0:55:45# This is the end of my show
0:55:45 > 0:55:48# May I thank you, one and all
0:55:48 > 0:55:51# For making this evening a ball?
0:55:51 > 0:55:52Oh, one more thing.
0:55:54 > 0:55:57# If you are having a party and you don't know who to bring
0:55:57 > 0:56:00# If you are having a party and you need someone to sing
0:56:00 > 0:56:02# Don't go to strangers, come to me
0:56:04 > 0:56:07# Cos I will sing absolutely free
0:56:07 > 0:56:08# Don't go to Matt Monro
0:56:08 > 0:56:10# Don't go to Al Capone
0:56:10 > 0:56:11# Don't go to Tony Newley
0:56:11 > 0:56:13# Don't go to Frank Sinatra
0:56:13 > 0:56:14# Don't go to the Beatles
0:56:14 > 0:56:17The Beatles? All right, you can go to them.
0:56:17 > 0:56:19# Don't go to anybody else but me
0:56:19 > 0:56:23# And remember my name
0:56:23 > 0:56:26# Please, remember my name
0:56:26 > 0:56:28# My name is Sammy Davis
0:56:28 > 0:56:29# My name is Sammy Davis
0:56:29 > 0:56:31# My name is Sammy Davis
0:56:31 > 0:56:32# My name is Sammy Davis
0:56:32 > 0:56:34# My name is Sammy Davis
0:56:34 > 0:56:36APPLAUSE
0:56:55 > 0:56:56George Rhodes.
0:57:01 > 0:57:03And the greatest band. Thank you, guys.
0:57:03 > 0:57:04APPLAUSE
0:57:04 > 0:57:06Michael Silva and Johnny Mendoza.
0:57:06 > 0:57:08Good old Joe. I thank you.
0:57:12 > 0:57:14Oh, I've got time.
0:57:14 > 0:57:17There was a number that we did last time.
0:57:17 > 0:57:20That we didn't do, I beg your pardon, last time that was scheduled to do.
0:57:20 > 0:57:22We got hung up into doing other things.
0:57:22 > 0:57:25And there's never really enough time to spend.
0:57:25 > 0:57:28But there's a serious number that I wanted to do that is about...
0:57:28 > 0:57:30What is it?
0:57:33 > 0:57:36Bit far for a message from Lionel Blair, isn't it?
0:57:36 > 0:57:37LAUGHTER
0:57:40 > 0:57:43"Perry Mason is waiting."
0:57:43 > 0:57:44LAUGHTER
0:57:58 > 0:58:00Bye.
0:58:00 > 0:58:02APPLAUSE