0:00:00 > 0:00:00- Subtitles
0:00:00 > 0:00:03- Subtitles- - Subtitles
0:00:03 > 0:00:07- Winning one of the main vocal awards - of the National Eisteddfod...
0:00:08 > 0:00:10- ..is a true honour for the Welsh.
0:00:10 > 0:00:13- These competitions - are for every voice...
0:00:13 > 0:00:17- ..but 54 women - have hit the high notes.
0:00:17 > 0:00:20- We are the Divas of the Eisteddfod!
0:00:27 > 0:00:31- # Ahhhh
0:00:31 > 0:00:36- # Je veux vivre, dans le reve... #
0:00:36 > 0:00:40- I've won two major singing - competitions at the Eisteddfod.
0:00:41 > 0:00:46- On the lawns of Tredegar House - at the Newport Eisteddfod in 2004...
0:00:47 > 0:00:52- ..I won the Osborne Roberts Memorial - Prize and became an Eisteddfod diva.
0:00:52 > 0:00:55- It's the Blue Riband - for singers under the age of 25.
0:00:56 > 0:00:59- That Eisteddfod plays - an integral part in my career.
0:01:00 > 0:01:03- It gave me the confidence - to compete and win...
0:01:03 > 0:01:07- ..the Towyn Roberts Scholarship - at the Mold Eisteddfod in 2007.
0:01:07 > 0:01:11- This enabled me to follow a career - as a professional singer.
0:01:12 > 0:01:17- # My faithful heart - is full of love to treasure #
0:01:18 > 0:01:22- I'm not the only one to have had - great opportunities after winning.
0:01:22 > 0:01:27- During the programme, I'll meet - some of the former winners.
0:01:29 > 0:01:33- First, we should put - the competitions into context.
0:01:33 > 0:01:39- Let's ask the former chief executive - of the Eisteddfod, Emyr Jenkins.
0:01:39 > 0:01:43- Until the early 1980s, - the main singing competitions...
0:01:43 > 0:01:47- ..were the David Ellis Memorial - Prize for the over 25s...
0:01:47 > 0:01:51- ..and Osborne Roberts Memorial Prize - for the under 25s.
0:01:51 > 0:01:56- Emyr Jenkins established the Towyn - Roberts Scholarship to fill the gap.
0:01:57 > 0:02:00- The aim of the scholarship - is to help young singers...
0:02:01 > 0:02:06- ..and pay for their training in a - recognized music school or college.
0:02:07 > 0:02:11- At the time, young people - who wanted a professional career...
0:02:11 > 0:02:15- ..did the Eisteddfod circuit - before going to music schools.
0:02:16 > 0:02:21- We wanted these people - to be assisted by the Eisteddfod...
0:02:22 > 0:02:24- ..to further their careers.
0:02:24 > 0:02:29- It called for a 20-minute program - of songs and a panel of judges.
0:02:30 > 0:02:32- One judge stands out from the rest.
0:02:33 > 0:02:36- His loyalty to the competition - was a great help.
0:02:36 > 0:02:38- It's Sir Geraint Evans.
0:02:38 > 0:02:41- He was a great friend - of Towyn Roberts.
0:02:41 > 0:02:46- Towyn Roberts persuaded him - to be a judge in the competition.
0:02:46 > 0:02:50- His name gave the competition - some gravitas.
0:02:50 > 0:02:53- Even if you didn't reach - the stage...
0:02:53 > 0:02:58- ..you still had critique - from a world-famous opera singer.
0:02:58 > 0:03:01- He was so kind - to the young people...
0:03:02 > 0:03:05- ..and always gave - constructive criticism.
0:03:05 > 0:03:08- We were inundated with competitors.
0:03:09 > 0:03:11- The preliminary rounds - took all day...
0:03:11 > 0:03:15- ..as there were so many competitors.
0:03:15 > 0:03:19- Is the purpose of the competition - still as strong?
0:03:19 > 0:03:24- Yes, the demand for a competition - of this kind grows every year.
0:03:24 > 0:03:29- The quality of competitors - is higher than ever before...
0:03:30 > 0:03:33- ..and I hope this competition - has helped that.
0:03:35 > 0:03:38- That gives three main awards.
0:03:38 > 0:03:42- The David Ellis Memorial Prize - or Blue Riband is for the over 25s.
0:03:42 > 0:03:46- There's a panel of judges - for this prize...
0:03:46 > 0:03:51- ..and the Osborne Roberts - Memorial Prize for those under 25.
0:03:52 > 0:03:57- The Towyn Roberts Scholarship is for - those who want to turn professional.
0:03:57 > 0:04:01- The prize of 5,000 - is for vocal training.
0:04:03 > 0:04:08- Eisteddfod winners have always - enjoyed professional careers.
0:04:08 > 0:04:11- One of those is the famous diva, - Leila Megane.
0:04:12 > 0:04:17- Leila Megane was Wales' most famous - singer in the early 20th century.
0:04:17 > 0:04:22- She was born in Bethesda in 1891 - but was raised in Pwllheli.
0:04:22 > 0:04:24- She was born Margaret Jones...
0:04:24 > 0:04:27- ..but after moving - to London and Paris...
0:04:27 > 0:04:32- ..she took Leila Megane as her stage - name and it made her world famous.
0:04:33 > 0:04:38- She's fascinated the singer and - Eisteddfod-winner, Caryl Hughes...
0:04:38 > 0:04:43- ..and former musical director - of Hogia'r Ddwylan, Ilid Anne Jones.
0:04:44 > 0:04:46- She started singing in chapel.
0:04:46 > 0:04:50- The chapel - was her first musical stage.
0:04:50 > 0:04:53- She was one of those singers...
0:04:53 > 0:04:59- ..who could fill every chapel - and hall during that era.
0:04:59 > 0:05:02- She had a unique singing voice...
0:05:03 > 0:05:07- ..and was a mezzo-soprano - or contralto.
0:05:07 > 0:05:12- # All through the night #
0:05:13 > 0:05:16- The National Eisteddfod - was an important factor...
0:05:16 > 0:05:18- ..in the life of Leila Megane.
0:05:19 > 0:05:25- She won first prize - at the Anglesey Eisteddfod in 1910.
0:05:25 > 0:05:31- Osborne Roberts was one - of the judges at that Eisteddfod.
0:05:31 > 0:05:35- Neither thought - that 14 years later...
0:05:35 > 0:05:38- ..they would be husband and wife.
0:05:38 > 0:05:43- Leila Megane also won at the Colwyn - Bay National Eisteddfod in 1910.
0:05:43 > 0:05:46- This brought her into public domain.
0:05:46 > 0:05:49- Her short, but incredible career...
0:05:49 > 0:05:53- ..saw her live in London and Paris - and perform across Europe.
0:05:53 > 0:05:57- She knew Lloyd George and his wife - and mixed in important circles.
0:05:58 > 0:06:02- She was set to travel to America - but the outbreak of World War II...
0:06:02 > 0:06:06- ..forced her and her husband, - to return to Wales.
0:06:06 > 0:06:08- She was very well known in her day.
0:06:08 > 0:06:11- Yes, she was incredibly famous.
0:06:11 > 0:06:15- People such as Nellie Melba - and Adelina Patti knew of her...
0:06:15 > 0:06:18- ..and invited her - to sing at various events.
0:06:19 > 0:06:23- She was the guest singer at the - Proms for eight consecutive years.
0:06:23 > 0:06:27- She also worked with composers - such as Edward Elgar...
0:06:27 > 0:06:32- ..and made the first complete - recording of his work, Sea Pictures.
0:06:32 > 0:06:35- She was an incredible star.
0:06:35 > 0:06:39- This strict-metre stanza - is by D O Jones of Pentrefoelas.
0:06:40 > 0:06:42- It speaks volumes - about Leila Megane.
0:06:42 > 0:06:45- "She shared before the kings
0:06:45 > 0:06:48- "The signs and sounds - of the centuries
0:06:48 > 0:06:51- "To Wales, she was incomparable
0:06:51 > 0:06:53- "She was a magnificent queen"
0:06:54 > 0:06:58- Leila Megane - was last seen in public...
0:06:58 > 0:07:00- ..at a National Eisteddfod.
0:07:01 > 0:07:03- It was in Caernarfon in 1959.
0:07:04 > 0:07:07- A small tent had been set aside - for the singer.
0:07:07 > 0:07:13- Eisteddfod-goers could go inside - to chat with her...
0:07:13 > 0:07:16- ..and meet this singer...
0:07:16 > 0:07:21- ..who was once world-famous - and a true star.
0:07:21 > 0:07:24- # My country #
0:07:25 > 0:07:30- Do you feel that the Eisteddfod - has steered your career?
0:07:30 > 0:07:33- Just like Leila, yourself...
0:07:33 > 0:07:36- ..and many other young, - Welsh singers...
0:07:36 > 0:07:38- ..it was a platform for me.
0:07:39 > 0:07:44- As a young singer, I could compete - and perform on an annual basis.
0:07:44 > 0:07:49- Winning and being successful - in the Towyn Roberts Scholarship...
0:07:49 > 0:07:51- ..was wonderful for my career.
0:07:51 > 0:07:55- It gives you recognition - and puts you on the map...
0:07:55 > 0:07:58- ..which is just what - any young performer needs.
0:07:59 > 0:08:02- Osborne Roberts - was the composer of Y Nefoedd.
0:08:02 > 0:08:07- Yes, Y Nefoedd - was initially composed for her.
0:08:07 > 0:08:12- She performed it - at 10 Downing Street...
0:08:12 > 0:08:16- ..for Lloyd George - and other dignitaries of that time.
0:08:19 > 0:08:25- # When life's long pilgrimage - is past
0:08:25 > 0:08:31- # And we with grief have striven
0:08:31 > 0:08:37- # How soothing to the wounded heart
0:08:37 > 0:08:44- # The healing balm - these words impart
0:08:45 > 0:08:49- # We shall rest
0:08:49 > 0:08:54- # We shall rest
0:08:54 > 0:08:59- # We shall rest
0:09:00 > 0:09:07- # We shall rest in heaven
0:09:14 > 0:09:19- # The name of loved ones - thither gone
0:09:20 > 0:09:25- # Upon our hearts are graven
0:09:25 > 0:09:30- # Who now from every trouble free
0:09:30 > 0:09:38- # No pain, no cross, again shall see
0:09:39 > 0:09:43- # To mar the praise
0:09:44 > 0:09:48- # To mar the praise
0:09:48 > 0:09:53- # To mar the praise
0:09:54 > 0:10:02- # To mar the praise of heaven
0:10:09 > 0:10:15- # When shall the vision - of that place
0:10:15 > 0:10:20- # To this sad heart be given?
0:10:21 > 0:10:27- # O God! my Father, Saviour, Friend!
0:10:27 > 0:10:36- # An ear to this petition lend
0:10:36 > 0:10:41- # Prepare my soul
0:10:41 > 0:10:46- # Prepare my soul
0:10:46 > 0:10:52- # Prepare my soul
0:10:53 > 0:11:03- # Prepare my soul for heaven #
0:11:14 > 0:11:15- .
0:11:17 > 0:11:17- Subtitles
0:11:17 > 0:11:19- Subtitles- - Subtitles
0:11:35 > 0:11:37- In 1948 and 1951...
0:11:38 > 0:11:42- ..the Blue Riband and T Osborne - Roberts Memorial Prize were created.
0:11:42 > 0:11:46- These made singing competitions - more popular....
0:11:46 > 0:11:50- ..and saw the Eisteddfod divas - come into their own.
0:11:50 > 0:11:55- We turn the clock back to 1964 - to the Brangwyn Hall...
0:11:55 > 0:11:58- ..when the Eisteddfod - visited Swansea.
0:11:59 > 0:12:04- Margaret Jones Brynsiencyn won the - Osborne Roberts Memorial Prize...
0:12:04 > 0:12:07- ..and became the popular singer, - Margaret Williams.
0:12:08 > 0:12:13- Winning in the large Eisteddfodau - is the aim of every competitor.
0:12:13 > 0:12:17- The Blue Riband - has to be the pinnacle.
0:12:17 > 0:12:21- How did you get into competing - and going to the Eisteddfod?
0:12:21 > 0:12:23- It was the family.
0:12:23 > 0:12:27- Just like many Welsh families, - singing was everything.
0:12:27 > 0:12:31- I competed at local Eisteddfodau - over the years.
0:12:31 > 0:12:37- I won my first under 18s prize - at the Anglesey Eisteddfod aged 13.
0:12:37 > 0:12:43- Morgan Nicholas said that I should - continue and have vocal training.
0:12:43 > 0:12:47- The training taught me - to sing properly...
0:12:48 > 0:12:51- ..which was so important - at Eisteddfodau.
0:12:51 > 0:12:56- The money from each prize was put - towards lessons in the coming year.
0:12:58 > 0:13:02- You must be so appreciative - of that period.
0:13:02 > 0:13:06- Yes, I'm extremely grateful.
0:13:06 > 0:13:10- If I hadn't competed in those small, - local Eisteddfodau...
0:13:11 > 0:13:14- ..then I don't know - what would have happened.
0:13:16 > 0:13:19- What doors did it open for you - in your career?
0:13:19 > 0:13:21- Oh, many doors.
0:13:22 > 0:13:24- Meredydd Evans had been appointed...
0:13:25 > 0:13:29- ..as the Head - of Light Entertainment...
0:13:29 > 0:13:31- ..in Cardiff in 1964.
0:13:31 > 0:13:35- I was certainly in the right place - at the right time.
0:13:35 > 0:13:37- It opened doors...
0:13:37 > 0:13:42- ..in that everyone who follows the - Eisteddfod in Wales knows your name.
0:13:43 > 0:13:47- It was a natural progression - to enter television...
0:13:47 > 0:13:50- ..so I was there right at the start.
0:13:50 > 0:13:54- # Well, I might as well - tell you the truth as not
0:13:54 > 0:14:01- # O kindest ever - on the face of the land #
0:14:01 > 0:14:05- In those early days, - Meredydd Evans was very eager...
0:14:06 > 0:14:10- ..to get Welsh programmes or - series made in Wales on the network.
0:14:10 > 0:14:15- He worked hard to get programmes - such as Music From The Castles...
0:14:15 > 0:14:18- ..Hob y Deri Dando - and Ryan a Ronnie.
0:14:18 > 0:14:22- I either presented - or sang in those programmes.
0:14:22 > 0:14:25- It opened doors for me.
0:14:25 > 0:14:31- Since that time, S4C has come along - and provided work of all kinds.
0:14:31 > 0:14:36- # We don't know about the love - that brightens the pure eyes
0:14:36 > 0:14:43- # And you're still the one for her #
0:14:43 > 0:14:48- I was lucky to sing in a concert at - the Theatre Royal in Drury Lane...
0:14:49 > 0:14:51- ..in front of Prince Charles.
0:14:51 > 0:14:56- The best thing about that concert - was the other performers.
0:14:56 > 0:15:00- There was Harry Secombe - and Sir John Mills was the host.
0:15:00 > 0:15:04- Ronnie Corbett, - who we lost recently, stood near me.
0:15:04 > 0:15:06- There were many names.
0:15:07 > 0:15:10- The best thing - about being in this industry...
0:15:10 > 0:15:14- ..was meeting these people - who were so famous.
0:15:14 > 0:15:19- Do you still feel the Eisteddfod is - a good foundation for young singers?
0:15:19 > 0:15:25- The Eisteddfod is important - because you're given a critique.
0:15:25 > 0:15:27- It helps you to advance...
0:15:27 > 0:15:31- ..and gives you something to work on - and improve for the future.
0:15:32 > 0:15:34- Does the Eisteddfod have a future?
0:15:35 > 0:15:36- I hope so.
0:15:36 > 0:15:41- I can't imagine Wales - without its Eisteddfod.
0:15:41 > 0:15:43- Who knows what could happen?
0:15:43 > 0:15:48- Whilst we're on this land, - the Eisteddfod will continue...
0:15:48 > 0:15:51- ..and singers - will still be delighted to win.
0:16:00 > 0:16:03- Thirty years after Margaret Williams - won in Swansea...
0:16:04 > 0:16:08- ..Rhian Williams won the - Osborne Roberts Memorial Prize...
0:16:08 > 0:16:11- ..at the Neath National Eisteddfod - in 1994.
0:16:12 > 0:16:16- She won it again - at the Bala Eisteddfod in 1997.
0:16:17 > 0:16:20- She's the only woman - to have achieved this feat twice.
0:16:21 > 0:16:26- # The purest and fairest - to ever exist #
0:16:27 > 0:16:28- It was my ambition.
0:16:29 > 0:16:33- Everyone under 25 who enters - competitions works towards it.
0:16:34 > 0:16:39- It was the pinnacle of - my Eisteddfod career to that point.
0:16:39 > 0:16:43- What was your ambition - as a young singer?
0:16:43 > 0:16:47- I had this idea - of singing professionally.
0:16:48 > 0:16:52- I sang with - the Welsh National Opera Chorus...
0:16:53 > 0:16:57- ..and got a taster of touring - and rehearsing.
0:16:58 > 0:17:01- I realized that it wasn't for me...
0:17:02 > 0:17:07- ..because I'm the sort of person who - likes to know what is coming next.
0:17:07 > 0:17:12- It's great that I can still sing - whilst also working.
0:17:12 > 0:17:18- It's thanks to winning the - Osborne Roberts Memorial Prizes...
0:17:18 > 0:17:23- ..that I've appeared on Noson Lawen - and Dechrau Canu Dechrau Canmol.
0:17:23 > 0:17:27- Soon after - the Osborne Roberts...
0:17:27 > 0:17:30- ..I appeared - on Margaret Williams' series...
0:17:30 > 0:17:33- ..which was one - of my biggest ambitions.
0:17:33 > 0:17:35- I still remember it.
0:17:37 > 0:17:43- # You are a thousand times - more beautiful than the white rose
0:17:43 > 0:17:49- # Or the red rose - on the brow of the hill
0:17:49 > 0:17:56- # Or the proud swan - swimming the lake
0:17:56 > 0:18:02- # My little baby #
0:18:03 > 0:18:07- You now work - with the Harlequin Agency.
0:18:07 > 0:18:09- Is it important for singers...
0:18:09 > 0:18:13- ..to be looked after by someone - who knows the drill?
0:18:14 > 0:18:17- An agent needs to be able to market - their singers.
0:18:17 > 0:18:21- It's important - to know the singer well...
0:18:21 > 0:18:27- ..and be able to sympathize and - understand a professional career.
0:18:27 > 0:18:29- That's what you need.
0:18:30 > 0:18:32- You represent an array of artists.
0:18:32 > 0:18:36- Is it important for them - to experience competitions?
0:18:37 > 0:18:40- The experience of competing - is very valuable.
0:18:41 > 0:18:47- The Welsh are lucky in that we are - raised from a very young age...
0:18:47 > 0:18:49- ..to be comfortable on stage.
0:18:50 > 0:18:55- It gives us solid groundings - and is an excellent experience.
0:18:55 > 0:19:01- Eisteddfodau are valuable to most - who have gone through the system.
0:19:05 > 0:19:10- The Harlequin Agency - represents a number of singers...
0:19:10 > 0:19:14- ..including the great - Eisteddfod divas, Shan Cothi.
0:19:14 > 0:19:18- She's at the BBC in Cardiff - presenting her radio show.
0:19:18 > 0:19:21- I've come to meet her.
0:19:21 > 0:19:26- Shan's career has taken her to all - the stages in Wales, the West End...
0:19:26 > 0:19:28- ..the small screen and radio.
0:19:29 > 0:19:33- Her turning point was winning the - Blue Riband at the 1995 Eisteddfod.
0:19:33 > 0:19:37- She left her role as a music teacher - to become a singer.
0:19:37 > 0:19:40- I'm glad I had those years - of teaching.
0:19:40 > 0:19:46- I loved music, teaching the piano - and singing at Eisteddfodau...
0:19:46 > 0:19:52- ..but I grew in confidence - during those years of teaching.
0:19:52 > 0:19:54- I was a very shy child.
0:19:54 > 0:19:55- You'd never tell!
0:19:56 > 0:19:58- People don't believe me - when I say that.
0:19:59 > 0:20:03- I remember running down the corridor - at school in Lampeter...
0:20:03 > 0:20:07- ..as I was terrified about singing - in the school Eisteddfod.
0:20:07 > 0:20:12- But I sang in the Sixth Form - with friends in the group, Cwlwm.
0:20:12 > 0:20:14- That's where it started.
0:20:14 > 0:20:17- # Over the sea
0:20:17 > 0:20:19- # Over the sea
0:20:19 > 0:20:24- # Are my sighs #
0:20:24 > 0:20:26- I always loved singing...
0:20:26 > 0:20:30- ..but if you asked if I dreamt - of singing professionally...
0:20:31 > 0:20:36- ..then I would have said "No" as I - didn't think it was possible for me.
0:20:36 > 0:20:45- # Who is in my thoughts - every minute #
0:20:46 > 0:20:48- That was very romantic.
0:20:48 > 0:20:52- The wonderful Placido Domingo - with En Aranjuez Con Tu Amor.
0:20:53 > 0:20:58- Why didn't you follow a career - as an opera singing?
0:20:58 > 0:21:02- I got a taster of it - when I taught at Ystalyfera.
0:21:02 > 0:21:05- I did an opera season - at Craig-y-Nos...
0:21:05 > 0:21:10- ..but followed a different path - with The Phantom of the Opera.
0:21:10 > 0:21:13- I didn't realize there was - another world in musicals.
0:21:14 > 0:21:17- It's odd the doors - that opened for me.
0:21:17 > 0:21:24- # Say you want me with you, - here beside you
0:21:24 > 0:21:31- # Anywhere you go, - let me go too... #
0:21:32 > 0:21:35- You've had many experiences - in your career.
0:21:35 > 0:21:38- Is there one moment - that stands out from the rest?
0:21:38 > 0:21:40- There are many!
0:21:40 > 0:21:45- There's the opening night of Phantom - with my friends and parents...
0:21:45 > 0:21:50- ..winning the Blue Riband in 1995 - at the Abergele Eisteddfod...
0:21:50 > 0:21:53- ..and the first Faenol Festival.
0:21:53 > 0:21:58- I was in Phantom but got to sing - with Bryn Terfel and Michael Ball.
0:21:59 > 0:22:01- I'm grateful - for such a varied career.
0:22:01 > 0:22:05- # L'amour
0:22:05 > 0:22:07- # L'amour #
0:22:07 > 0:22:13- The Welsh don't realize the amount - of stage experience that we have.
0:22:14 > 0:22:17- When you study singing in college...
0:22:17 > 0:22:22- ..many students haven't set foot on - a stage in front of an audience...
0:22:22 > 0:22:25- ..not to mention television - and radio.
0:22:25 > 0:22:27- Those things go hand-in-hand.
0:22:27 > 0:22:30- # Je t'aime #
0:22:30 > 0:22:33- The Eisteddfod - has been incredible to me.
0:22:34 > 0:22:39- I'm so grateful to be invited back - to perform on the Eisteddfod stage.
0:22:39 > 0:22:42- I enjoy every opportunity I get...
0:22:42 > 0:22:46- ..to entertain audiences - in Wales and beyond.
0:22:46 > 0:22:48- Thanks to the National Eisteddfod.
0:22:48 > 0:22:50- # Si je taime
0:22:50 > 0:22:55- # Prends garde a toi #
0:23:00 > 0:23:01- .
0:23:03 > 0:23:03- Subtitles
0:23:03 > 0:23:05- Subtitles- - Subtitles
0:23:23 > 0:23:26- The term, diva, - refers to an opera singer.
0:23:26 > 0:23:31- Many Eisteddfod divas - have stepped into this field.
0:23:31 > 0:23:35- The Millennium Centre - is the home of opera in Wales.
0:23:36 > 0:23:41- Carlo Rizzi is often linked - with the Welsh National Opera.
0:23:41 > 0:23:46- The Italian-born conductor became - its musical director in 1992...
0:23:46 > 0:23:50- ..and held the position - for the best part of 15 years.
0:23:50 > 0:23:54- Carlo Rizzi tours the world - but still lives in Wales...
0:23:54 > 0:23:58- ..and thinks highly of our culture.
0:23:59 > 0:24:00- Hello, how are you?
0:24:00 > 0:24:02- Hello, how are you?- - Come stai?
0:24:02 > 0:24:04- Oh, bene.
0:24:04 > 0:24:07- I really enjoy working - with Welsh singers.
0:24:07 > 0:24:12- I think it's important - to help them...
0:24:12 > 0:24:18- ..and support them in their work.
0:24:18 > 0:24:23- Do Welsh singers - differ from other singers?
0:24:23 > 0:24:29- I think the Welsh language - is very important...
0:24:29 > 0:24:34- ..because there's a Welsh accent - in the Welsh language.
0:24:34 > 0:24:37- It's more musical...
0:24:38 > 0:24:41- ..and much clearer - than the English language.
0:24:41 > 0:24:45- This means that Welsh singers - find it easier...
0:24:45 > 0:24:50- ..to sing in other languages - such as Italian.
0:24:51 > 0:24:54- The Welsh National Opera...
0:24:54 > 0:24:58- ..is performing Cavalleria - Rusticana & Pagliacci.
0:24:58 > 0:25:02- The cast is made up - of a lot of Welsh singers.
0:25:02 > 0:25:05- Would the Welsh singing scene - be different...
0:25:06 > 0:25:09- ..if we didn't have the Eisteddfod?
0:25:09 > 0:25:15- I think the Eisteddfod - is more important for singers.
0:25:15 > 0:25:21- Teachers do an incredible job - in the schools...
0:25:21 > 0:25:25- ..to prepare the children - for performances...
0:25:25 > 0:25:29- ..and not just in singing - but in dancing and the arts too.
0:25:29 > 0:25:33- I think that the people of Wales...
0:25:34 > 0:25:38- ..should be very proud - of the National Eisteddfod.
0:25:40 > 0:25:46- Leah-Marian Jones has performed many - times with the Welsh National Opera.
0:25:46 > 0:25:49- At the Rhyl National Eisteddfod - in 1985...
0:25:50 > 0:25:53- ..she won - the Towyn Roberts Scholarship.
0:25:53 > 0:25:57- It helped her to follow - a professional career.
0:25:58 > 0:26:03- She spent eight years at the Royal - Opera House in Covent Garden...
0:26:03 > 0:26:07- ..and played over 30 roles, - which is quite a feat.
0:26:10 > 0:26:13- Today, she combines opera - with concerts and teaching...
0:26:14 > 0:26:16- ..and is a judge for the Eisteddfod.
0:26:16 > 0:26:19- What's the highlight of her career?
0:26:19 > 0:26:23- It's being accepted into the - Royal Opera House in Covent Garden.
0:26:24 > 0:26:27- I could sing the low parts - and high parts.
0:26:27 > 0:26:33- I got the high roles and low roles - so it was ideal for me.
0:26:33 > 0:26:38- It meant that I wasn't stuck - either singing Mozart or Rossini.
0:26:38 > 0:26:44- I remember getting that contract - and walking through the stage door.
0:26:44 > 0:26:48- I felt seven-foot-tall - and fantastic.
0:26:48 > 0:26:50- How did you get into opera?
0:26:50 > 0:26:53- Why choose opera?
0:26:53 > 0:26:56- I was a very shy child - for many years...
0:26:56 > 0:27:01- ..but enjoyed wearing costumes - and being told what to do.
0:27:01 > 0:27:04- The stupider it was, the better!
0:27:05 > 0:27:07- That's where it came from.
0:27:07 > 0:27:10- Do you prefer an opera to concerts?
0:27:10 > 0:27:12- Do you prefer an opera to concerts?- - Yes, I do.
0:27:12 > 0:27:16- When you're in an opera, - you're forced to be someone else.
0:27:17 > 0:27:20- You can hide but also learn things - about yourself.
0:27:20 > 0:27:22- It also helps...
0:27:23 > 0:27:27- ..that you can express yourself - in such a massive way.
0:27:28 > 0:27:30- I've found that it helps me in life.
0:27:31 > 0:27:32- It's like a therapy.
0:27:32 > 0:27:34- It's like a therapy.- - Yes, it is a form of therapy.
0:27:34 > 0:27:39- Do you enjoy being part of a team - when you're in an opera?
0:27:39 > 0:27:41- I love being part of a team.
0:27:42 > 0:27:46- You have six weeks of rehearsals - so you get to know all the cast.
0:27:47 > 0:27:50- I remember one occasion - when Sir Tom Allen was singing.
0:27:51 > 0:27:53- It was an opera by Rossini.
0:27:53 > 0:27:57- There was a pause - and he would do a cadenza.
0:27:57 > 0:28:00- The cadenza was different - every night.
0:28:00 > 0:28:05- I'd do the same one every time - so I'd know I was doing it properly.
0:28:05 > 0:28:10- It was my birthday and he sang, - "ah-ah-ah, ah-ah-ah, ah-ah-ah!"
0:28:11 > 0:28:13- We were all in frozen poses - on the stage...
0:28:14 > 0:28:16- ..whilst he sang Happy Birthday!
0:28:17 > 0:28:18- I was dying to laugh.
0:28:19 > 0:28:23- I couldn't do anything until - I turned away from the audience.
0:28:24 > 0:28:29- Those are the sort of fun things - that you wouldn't get in a concert.
0:28:29 > 0:28:32- I like it when things go wrong too.
0:28:32 > 0:28:36- I remember having - to leave the stage one night...
0:28:36 > 0:28:38- ..to go to the wings to The Book!
0:28:39 > 0:28:42- I had to ask to see my lines - before going back onstage.
0:28:43 > 0:28:45- Nobody knew where I was going.
0:28:45 > 0:28:48- What can you do - when your mind goes blank?
0:28:48 > 0:28:51- # Speaking of love
0:28:51 > 0:28:55- # Speaking of love forces on me - a desire I cannot restrain
0:28:55 > 0:28:57- # Speaking of love
0:28:57 > 0:29:03- # Speaking of love forces on me - a desire I cannot restrain
0:29:03 > 0:29:06- # I no longer know what I am, - what I do
0:29:06 > 0:29:08- # Now I'm all fire, now all ice
0:29:08 > 0:29:11- # Every woman changes my temperature
0:29:11 > 0:29:14- # Every woman - makes my heart beat faster
0:29:14 > 0:29:17- # Every woman - makes my heart beat faster
0:29:17 > 0:29:21- # Every woman - makes my heart beat faster #
0:29:21 > 0:29:24- We bought this house in Sussex.
0:29:25 > 0:29:29- It needed an extension to make room - for a piano but we bought it anyway.
0:29:30 > 0:29:34- I got a phone call - from Andrew O'Neill.
0:29:34 > 0:29:39- He was with S4C at the time and - asked if I wanted to make a series.
0:29:39 > 0:29:40- I said, "Yes, great!"
0:29:41 > 0:29:46- The series helped me to pay for - the foundations of the extension.
0:29:46 > 0:29:51- A year later, we had to work - on the interior of the extension.
0:29:51 > 0:29:54- It had been built - but needed plastering.
0:29:54 > 0:29:57- I had that same phone call - a year later.
0:29:57 > 0:30:01- I was asked to make another - six programmes which was great.
0:30:01 > 0:30:03- It paid for all the plastering!
0:30:06 > 0:30:08- # And the waterfalls are smiling
0:30:08 > 0:30:14- # As they hear the song #
0:30:14 > 0:30:16- APPLAUSE
0:30:17 > 0:30:21- # Make you so rash again! #
0:30:21 > 0:30:25- Another Eisteddfod diva - who has entered the opera world...
0:30:25 > 0:30:27- ..is Eldrydd Cynan Jones.
0:30:27 > 0:30:32- She won the Towyn Roberts - Scholarship at Mold in 1991.
0:30:32 > 0:30:35- What opportunities - did this give Eldrydd?
0:30:35 > 0:30:39- I turned professional - after winning the competition.
0:30:39 > 0:30:44- It led to - the Cardiff Singer of the World...
0:30:44 > 0:30:47- ..and Young Welsh Singer - of the Year.
0:30:47 > 0:30:50- I got to work - with different companies.
0:30:50 > 0:30:55- In 1994, Eldrydd won the - Young Welsh Singer of the Year...
0:30:55 > 0:30:58- ..and got to represent Wales...
0:30:58 > 0:31:01- ..in the Cardiff Singer of the World - in 1995.
0:31:01 > 0:31:04- It was a wonderful experience.
0:31:04 > 0:31:07- # Prima di quest'aurora
0:31:07 > 0:31:12- # Io chiudo stanca... #
0:31:12 > 0:31:17- There was a lot more pressure with - the Cardiff Singer of the World.
0:31:18 > 0:31:21- It's difficult - to represent your country...
0:31:22 > 0:31:25- ..when the competition - is held in that country...
0:31:25 > 0:31:29- ..and you're following - in the footsteps of Bryn Terfel!
0:31:29 > 0:31:34- She lives in Rhosllannerchrugog with - her husband, the tenor Geraint Dodd.
0:31:34 > 0:31:36- Fate brings them together.
0:31:37 > 0:31:40- We've been lucky enough - to perform a lot together.
0:31:40 > 0:31:45- I remember when Geraint was - in Madame Butterfly in Singapore.
0:31:46 > 0:31:49- I was meant to go there - for the final fortnight...
0:31:50 > 0:31:53- ..so I could do - a little bit of shopping.
0:31:53 > 0:31:55- I was only there for two days...
0:31:55 > 0:32:00- ..before the company called me and - asked me to sing from the wings...
0:32:01 > 0:32:03- ..because the soprano was ill.
0:32:03 > 0:32:07- We weren't together onstage - but were singing together.
0:32:08 > 0:32:11- But is the - Eisteddfod stage important?
0:32:11 > 0:32:15- I think the Welsh - are natural-born performers.
0:32:15 > 0:32:20- It starts when we're children - and competing in Eisteddfodau.
0:32:21 > 0:32:24- Everyone knows that the Welsh - are excellent singers.
0:32:25 > 0:32:27- I feel that we're performers...
0:32:27 > 0:32:32- ..who enjoy sharing our singing - and language with the world.
0:32:32 > 0:32:37- I was a judge for the Blue Riband - at the Barry National Eisteddfod...
0:32:38 > 0:32:42- ..but I'd love to judge - the Towyn Roberts Scholarship.
0:32:42 > 0:32:46- There's no better way - to promote that competition...
0:32:47 > 0:32:49- ..than to have - a former winner as a judge...
0:32:50 > 0:32:53- ..who is still - a professional singer.
0:32:54 > 0:32:57- That person - can talk to the competitors...
0:32:57 > 0:33:00- ..about the importance - of the scholarship.
0:33:07 > 0:33:11- It takes many years - to succeed in the world of opera.
0:33:12 > 0:33:16- The young singer, Rhian Lois - has her career ahead of her.
0:33:16 > 0:33:21- # Seraphim and cherubim... #
0:33:22 > 0:33:25- At the National Eisteddfod - in Swansea in 2006...
0:33:25 > 0:33:28- ..Rhian won - the Osborne Roberts Memorial Prize.
0:33:29 > 0:33:32- Those ten years after her victory - have been exciting.
0:33:33 > 0:33:38- I think I fell into the opera world - by pure accident.
0:33:38 > 0:33:43- When I was younger, - I wanted to sing in musicals.
0:33:43 > 0:33:48- I went to the Royal Welsh College - of Music and Drama in Cardiff...
0:33:48 > 0:33:53- ..and my voice developed - into a classical soprano voice.
0:33:53 > 0:33:55- That's how I fell into it.
0:33:55 > 0:33:57- I liked this opera business...
0:33:57 > 0:34:01- ..so went to watch operas - by the Welsh National Opera.
0:34:01 > 0:34:05- I'd go to shows - and dress rehearsals...
0:34:05 > 0:34:09- ..and realized that opera - had so much to offer a person.
0:34:10 > 0:34:13- # Cio che non e piacer #
0:34:13 > 0:34:18- Some people think opera is elitist - and only for the very wealthy...
0:34:18 > 0:34:20- ..but that isn't true.
0:34:21 > 0:34:24- It's theatre and conjures up - an array of emotions.
0:34:25 > 0:34:29- It can touch a person - like no other medium.
0:34:30 > 0:34:31- # Godiamo... #
0:34:32 > 0:34:36- Rhian is still young but - starting to get operatic roles.
0:34:36 > 0:34:39- What about her experiences to date?
0:34:40 > 0:34:44- I'll never forget my debut - with the English National Opera...
0:34:45 > 0:34:49- ..and my debut at the Royal - Opera House in Covent Garden...
0:34:49 > 0:34:50- ..in The Magic Flute.
0:34:50 > 0:34:54- As a young singer, - that was my highlight.
0:34:54 > 0:34:58- That's the pinnacle - for any operatic singer.
0:34:59 > 0:35:01- # Dearest Mother and Fatherland... #
0:35:02 > 0:35:06- It's a totally unique experience - to be on the stage.
0:35:06 > 0:35:12- It's amazing and I wouldn't want to - do anything else because I love it.
0:35:12 > 0:35:16- # To fill, to fill my heart #
0:35:16 > 0:35:20- This is how my time has been spent.
0:35:20 > 0:35:25- At 19, I sang Zerlina and won - the Osborne Roberts Memorial Prize.
0:35:25 > 0:35:28- I'm now playing the whole role - in America.
0:35:28 > 0:35:32- It's just totally amazing!
0:35:32 > 0:35:41- # Dearest Land! #
0:35:48 > 0:35:49- .
0:35:52 > 0:35:52- Subtitles
0:35:52 > 0:35:54- Subtitles- - Subtitles
0:36:09 > 0:36:13- The National Eisteddfod - has visited Cardiff six times...
0:36:13 > 0:36:15- ..but for one diva...
0:36:15 > 0:36:21- ..the 1978 National Eisteddfod - was the pinnacle of her career.
0:36:21 > 0:36:25- During the 1970s...
0:36:25 > 0:36:30- ..Marian Roberts was a regular - on the National Eisteddfod stage.
0:36:30 > 0:36:34- She won the soprano competition - eight consecutive times...
0:36:34 > 0:36:39- ..before winning the Blue Riband - in Cardiff in 1978.
0:36:40 > 0:36:45- Marion and her husband settled on - a Brynsiencyn farm and had a family.
0:36:45 > 0:36:49- She still sings and the Eisteddfod - is close to her heart.
0:36:49 > 0:36:52- How did Marian start singing?
0:36:52 > 0:36:54- There was no television.
0:36:55 > 0:36:59- The chapel was our - only means of entertainment...
0:36:59 > 0:37:04- ..with Sunday School events, - local Eisteddfodau...
0:37:04 > 0:37:06- ..and concerts in the village.
0:37:07 > 0:37:11- I took part in the concerts - that were often on a Sunday night.
0:37:11 > 0:37:17- Mam always heard someone complain - that the Bryngwran lot were back!
0:37:17 > 0:37:20- # I know it's coming
0:37:20 > 0:37:23- # The month of honey #
0:37:23 > 0:37:25- I wanted to study music...
0:37:25 > 0:37:29- ..but left school and started - working in a shop in Llangefni.
0:37:30 > 0:37:33- The Young Farmers - asked me to help them...
0:37:34 > 0:37:38- ..and compete at a Noson Lawen - in Aberystwyth.
0:37:38 > 0:37:43- I went and sang a folk tune - and performed with the choir.
0:37:43 > 0:37:47- There was a lad sitting behind me - making a lot of noise.
0:37:48 > 0:37:50- I thought he was a real idiot!
0:37:50 > 0:37:53- A short time after that...
0:37:53 > 0:37:57- ..I was taking a lot of letters - from my workplace to be posted.
0:37:58 > 0:38:02- And there, stood outside - R R Jones Chemist in Llangefni...
0:38:02 > 0:38:04- ..with a plaster around his leg...
0:38:04 > 0:38:06- ..was that idiot!
0:38:06 > 0:38:09- I stopped - and asked him what had happened.
0:38:09 > 0:38:13- He'd broken his leg - whilst playing football.
0:38:13 > 0:38:17- He said he'd get points - if I went out with him on Saturday.
0:38:17 > 0:38:20- I did go and I've been with him - for 55 years!
0:38:21 > 0:38:23- Yes, we're still together.
0:38:23 > 0:38:26- # The brook of the mountain, - pure and bright #
0:38:27 > 0:38:32- I wasn't ambitious and my marriage - and children were more important.
0:38:32 > 0:38:34- Singing was something on the side.
0:38:34 > 0:38:38- My husband enjoyed coming with me.
0:38:38 > 0:38:41- On the way home - from the National Eisteddfod...
0:38:42 > 0:38:45- ..I'd collect the text - for the following year.
0:38:45 > 0:38:50- After seeing it, I'd decide - to compete and that's what I did.
0:38:51 > 0:38:55- I won every year - in the soprano competition.
0:38:55 > 0:38:58- If someone wanted a soprano - for a concert...
0:38:58 > 0:39:03- ..they'd ask me, the Eisteddfod - winner, so I had a lot of concerts.
0:39:04 > 0:39:05- I was very lucky...
0:39:05 > 0:39:10- ..because these wonderful choirs - started taking me with them...
0:39:10 > 0:39:12- ..to sing all over the world.
0:39:13 > 0:39:14- I've been so lucky.
0:39:14 > 0:39:20- I got to sing in America, - Canada, Australia, New Zealand...
0:39:20 > 0:39:23- ..Singapore and Hong Kong.
0:39:23 > 0:39:26- I've sung everywhere - and even in Nigeria!
0:39:27 > 0:39:30- I've had a lot of highlights - in my life...
0:39:31 > 0:39:36- ..but winning the Blue Riband - and getting a standing ovation...
0:39:36 > 0:39:41- ..with my family in the audience - is one of my greatest moments.
0:39:41 > 0:39:49- # Every time it comes #
0:40:00 > 0:40:04- Many young singers - want to come to London to study.
0:40:04 > 0:40:09- Winning a competition just like - the Towyn Roberts Scholarship...
0:40:09 > 0:40:11- ..helps them cross the bridge...
0:40:12 > 0:40:16- ..and perform on world-famous stages - such as this one!
0:40:18 > 0:40:22- The Royal Albert Hall - is an iconic concert hall.
0:40:22 > 0:40:28- In 2008, I was honoured to be part - of The Night of 1000 Voices.
0:40:28 > 0:40:36- # You'll never walk
0:40:37 > 0:40:45- # Alone #
0:40:46 > 0:40:48- RAPTUOUS APPLAUSE
0:40:52 > 0:40:57- The majority of Eisteddfod divas - remain in the classical world.
0:40:57 > 0:41:02- Rebecca Trehearn has paved her way - to a successful career in musicals.
0:41:02 > 0:41:06- She's currently appearing - in Show Boat in the West End.
0:41:06 > 0:41:10- # He's just my Bill
0:41:11 > 0:41:13- # An ordinary guy #
0:41:14 > 0:41:16- Her West End experience...
0:41:16 > 0:41:20- ..means Rebecca is a regular - at the Eisteddfod concerts.
0:41:20 > 0:41:25- She's grateful for the opportunities - that she's had in Wales.
0:41:25 > 0:41:31- # So comfy and roomy - feels natural to me #
0:41:31 > 0:41:36- I feel very fortunate - to have been raised in Wales.
0:41:36 > 0:41:40- Singing with choirs plays a big part - in your school life.
0:41:40 > 0:41:43- There was also Theatr Fach in Rhyl.
0:41:43 > 0:41:45- It's a children's amateur group.
0:41:46 > 0:41:50- I joined it when I was nine - and did it for years.
0:41:50 > 0:41:55- It taught me the workings - of staging a show.
0:41:55 > 0:41:58- I had so many opportunities - to perform...
0:41:58 > 0:42:02- ..and played Anne Frank - in The Diary of Anne Frank.
0:42:02 > 0:42:04- I was very, very lucky.
0:42:05 > 0:42:09- Did you always want to do musicals - or was opera ever an option?
0:42:10 > 0:42:14- I wasn't really interested - in the classical world...
0:42:14 > 0:42:17- ..and never felt that I have - that kind of voice.
0:42:18 > 0:42:22- I could never be an opera singer - even if I studied it...
0:42:22 > 0:42:26- ..but I've loved musicals - since I was a child.
0:42:26 > 0:42:31- I enjoy the acting and dancing - as much as the singing.
0:42:31 > 0:42:34- I can do all three at the same time - in musicals.
0:42:35 > 0:42:39- # Wh-e-re
0:42:39 > 0:42:48- # Wh-e-re is love? #
0:42:49 > 0:42:53- Tell us about competing - in Wawffactor.
0:42:53 > 0:42:55- It was very interesting.
0:42:55 > 0:42:59- I was invited to compete - in the series...
0:42:59 > 0:43:02- ..and I just thought, "why not?"
0:43:03 > 0:43:05- I never expected to reach the final.
0:43:05 > 0:43:09- It gave me the chance - to sing pop music...
0:43:09 > 0:43:13- ..which I hadn't done - in my years at college...
0:43:13 > 0:43:17- ..and I just wanted to remind Wales - that I was still here!
0:43:17 > 0:43:22- I'd been in London for three years - and hadn't worked in Wales.
0:43:22 > 0:43:30- # Keeps Georgia on my mind
0:43:30 > 0:43:34- # Oh-oh-oh-oh-oh-oh-oh-oh-oh
0:43:35 > 0:43:37- # Just an old sweet song
0:43:37 > 0:43:39- # An old sweet song
0:43:40 > 0:43:45- # Keeps Georgia on my mind
0:43:45 > 0:43:48- # Oh-oh-oh-oh-oh-oh
0:43:49 > 0:43:53- # Oh-oh-oh-oh #
0:43:53 > 0:43:57- What's been your highlight to date?
0:43:57 > 0:43:59- Ghost was fantastic.
0:43:59 > 0:44:04- I was the understudy in London - but took the lead for the tour.
0:44:04 > 0:44:08- We opened in Cardiff - at the Millennium Centre.
0:44:08 > 0:44:10- It was great to bring it home.
0:44:10 > 0:44:16- Since then, I feel I've taken a step - up in terms of the roles I play.
0:44:16 > 0:44:18- It's definitely a highlight.
0:44:18 > 0:44:21- Does everyone at home support you?
0:44:21 > 0:44:26- My family and friends are amazing - and I'm so lucky to have them.
0:44:28 > 0:44:32- Rebecca's career is going - from strength to strength.
0:44:32 > 0:44:34- What about those starting out?
0:44:34 > 0:44:39- Meinir Wyn Roberts has won two - of the main Eisteddfod awards.
0:44:39 > 0:44:43- She's currently studying at the - Royal Academy of Music in London.
0:44:43 > 0:44:46- You were raised - on the Eisteddfod stage.
0:44:47 > 0:44:50- Do you feel competing is important?
0:44:50 > 0:44:54- It wasn't when I started singing - aged eight...
0:44:54 > 0:44:57- ..and I'd get through - to the county final.
0:44:58 > 0:45:02- After that, I had singing lessons - and competed in the Eisteddfod.
0:45:03 > 0:45:09- It wasn't until my GCSEs that - I realized I had a classical voice.
0:45:09 > 0:45:13- Taking that route never - crossed my mind until that time.
0:45:14 > 0:45:16- # I know it's coming
0:45:17 > 0:45:19- # The month of honey #
0:45:19 > 0:45:22- Does your experience of competing...
0:45:22 > 0:45:26- ..put you a step ahead of - the other students in the college?
0:45:26 > 0:45:29- I firmly believe that it does.
0:45:29 > 0:45:32- A lot of people - go to a music college...
0:45:32 > 0:45:35- ..and feel that - they have to be the best.
0:45:35 > 0:45:40- If they're not the best, - they fall to pieces and can't cope.
0:45:41 > 0:45:46- I had experience of coming second - a lot in the Eisteddfod...
0:45:46 > 0:45:50- ..so can shrug it off - and focus on doing better next time.
0:45:51 > 0:45:53- It's a great thing to learn.
0:45:53 > 0:45:57- Would you encourage young people - to compete?
0:45:58 > 0:46:00- Yes, without a shadow of a doubt.
0:46:00 > 0:46:03- The younger, the better.
0:46:03 > 0:46:06- I've judged Eisteddfodau - at primary school level.
0:46:07 > 0:46:10- There's so many of them - and they fear nothing.
0:46:10 > 0:46:13- They sing and look to their mothers - for the words.
0:46:14 > 0:46:15- Nothing fears them.
0:46:15 > 0:46:20- It's brilliant if you can get that - at a young age.
0:46:21 > 0:46:24- What route would you like to take - in your career?
0:46:24 > 0:46:27- Where do you see yourself - in 20 years?
0:46:27 > 0:46:30- I'm starting a course on opera soon.
0:46:30 > 0:46:32- I'll do that for two years...
0:46:32 > 0:46:37- ..to gain experience - of building stamina in a character.
0:46:38 > 0:46:43- Three minutes at an Eisteddfod - is different to a three-hour opera!
0:46:44 > 0:46:48- I'd also like a family one day - but to still enjoy singing.
0:46:51 > 0:46:56- # Ah, glissons en suivant
0:46:56 > 0:47:01- # Le courant fuyant
0:47:01 > 0:47:03- # Dans l'onde fremissante... #
0:47:03 > 0:47:06- This is where I started - as a young diva...
0:47:06 > 0:47:11- ..so it's apt to close the programme - on the lawns of Tredegar House.
0:47:11 > 0:47:14- I've spoken to many - former Eisteddfod divas...
0:47:15 > 0:47:17- ..and we all agree - that the Eisteddfod...
0:47:18 > 0:47:22- ..is the perfect start for those - who want a professional career.
0:47:23 > 0:47:27- It's important that this unique - custom in Wales survives...
0:47:28 > 0:47:32- ..and that the Eisteddfod remains - a platform for our young singers...
0:47:33 > 0:47:35- ..to develop - into world-famous divas!
0:47:36 > 0:47:42- # Ah! descendons
0:47:42 > 0:47:50- # Ensemble! #
0:47:51 > 0:47:53- S4C Subtitles by Tinopolis
0:47:53 > 0:47:54- .