0:00:02 > 0:00:03Do you love murder mystery?
0:00:03 > 0:00:06Know the difference between solid evidence and a red herring?
0:00:06 > 0:00:08Have you got what it takes to catch a killer?
0:00:08 > 0:00:13Welcome to the TV show with only one question - whodunnit?
0:00:28 > 0:00:30Welcome to Armchair Detectives,
0:00:30 > 0:00:34the show were these 15 murder mystery enthusiasts will try
0:00:34 > 0:00:37and solve a deadly crime by the end of today's programme.
0:00:37 > 0:00:40Our amateur sleuths are placed at the centre of a fictional
0:00:40 > 0:00:42investigation set in Mortcliff,
0:00:42 > 0:00:47a sleepy village with a serious homicide problem.
0:00:47 > 0:00:49They'll watch the drama play out
0:00:49 > 0:00:51as Mortcliff's top coppers spring into action.
0:00:51 > 0:00:56There they are - lead investigator DI Knight, DC Slater,
0:00:56 > 0:00:59and their scene-of-crime officer, Simmons.
0:00:59 > 0:01:02They look like they can take care of themselves, don't they?
0:01:02 > 0:01:04Before we head to Mortcliff for the first time,
0:01:04 > 0:01:07let's meet our armchair detectives.
0:01:07 > 0:01:09Hello, armchair detectives.
0:01:09 > 0:01:11- ALL:- Hello! - SUSAN LAUGHS
0:01:11 > 0:01:14Are you all ready to solve some crime?
0:01:14 > 0:01:18- Oh, yes!- My word, they're champing at the bit.
0:01:18 > 0:01:21Well, only three of you play each day, so take your armchairs,
0:01:21 > 0:01:24Roger, Kathryn and Wisdom, come on up.
0:01:24 > 0:01:27APPLAUSE
0:01:29 > 0:01:30Welcome.
0:01:30 > 0:01:32- Kathryn...- Hello.- ..when you're
0:01:32 > 0:01:34not an armchair detective, what do you do for a living?
0:01:34 > 0:01:37I'm a recently retired librarian.
0:01:37 > 0:01:39Lovely. What's your favourite detective in fiction?
0:01:39 > 0:01:42- Lord Peter Wimsey. - Oh, I love Lord Peter Wimsey.
0:01:42 > 0:01:47It's said that he was Dorothy Sayers' ideal man.
0:01:47 > 0:01:48He was my ideal husband, Kathryn,
0:01:48 > 0:01:51which is why I've turned out the way I am, cos he's not real.
0:01:51 > 0:01:54LAUGHTER
0:01:54 > 0:01:57Roger, what do you do when you're not being an armchair detective?
0:01:57 > 0:02:00I write murder mystery novels.
0:02:00 > 0:02:03Oh, well, that's handy, isn't it?
0:02:05 > 0:02:08So, do you think that's going to help you out today, by any chance?
0:02:08 > 0:02:09Well, I sincerely hope so,
0:02:09 > 0:02:11otherwise I'm going to shoot myself right in the foot.
0:02:11 > 0:02:13Well, good luck, Roger.
0:02:13 > 0:02:16Wisdom, what do you do when you're not being an armchair detective?
0:02:16 > 0:02:19When I'm not being an armchair detective, I'm at work.
0:02:19 > 0:02:20- Mm-hm.- I'm a children's entertainer.
0:02:20 > 0:02:24I make balloons and do magic.
0:02:24 > 0:02:26I'm quite excited by that.
0:02:26 > 0:02:28So, armchair detectives,
0:02:28 > 0:02:31which ever one of you correctly guesses the killer will get
0:02:31 > 0:02:34their hands on one of these -
0:02:34 > 0:02:38our very own golden magnifying glass trophy.
0:02:38 > 0:02:39- AUDIENCE:- Ooh!
0:02:39 > 0:02:42Now, I'll be trying to solve the crime with you at home
0:02:42 > 0:02:46as we go along, too, so I'm as invested as you are in this.
0:02:46 > 0:02:49It's time for Round One, the Crime Scene.
0:02:49 > 0:02:50Knight and Slater meets Simmons,
0:02:50 > 0:02:54who tells them all they need to know about today's victim.
0:02:54 > 0:02:57Notepads at the ready, and you at home.
0:02:57 > 0:03:02For the first time ever, let's head over to a very windy Mortcliff.
0:03:10 > 0:03:13Patricia Frint, sir, local artist,
0:03:13 > 0:03:15known for her seascapes and harbour scenes.
0:03:16 > 0:03:19- You all right, sir?- Never better.
0:03:19 > 0:03:21Hello, Simmons. Anything concrete yet?
0:03:21 > 0:03:24Red dots in the victim's eyes, water in her lungs
0:03:24 > 0:03:27and a thin red line around her neck.
0:03:27 > 0:03:29- Strangulation?- It looks that way.
0:03:29 > 0:03:33Not sure yet if the cause of death is strangulation, though, or drowning.
0:03:33 > 0:03:35Can't tell you the exact time of death, either.
0:03:35 > 0:03:37She's been immersed in water.
0:03:37 > 0:03:40Roughly, though, I'd say sometime yesterday afternoon.
0:03:40 > 0:03:42- Is that the victim's phone?- Yeah.
0:03:42 > 0:03:44We found it on the body.
0:03:44 > 0:03:47Salt water's a device killer, though. We'll send it off
0:03:47 > 0:03:50for analysis in case there's anything we can retrieve.
0:03:52 > 0:03:55The owner of the boat, Bob Tanzer,
0:03:55 > 0:03:58he found Patricia tangled up in a net.
0:03:58 > 0:04:02He's pretty distraught. He knew her.
0:04:02 > 0:04:03Where is he now?
0:04:03 > 0:04:05Said he was heading off to the fishmonger's.
0:04:07 > 0:04:10- Thanks.- Cheers, Simmons.- See you.
0:04:20 > 0:04:22Janine.
0:04:22 > 0:04:24Oh, hiya, Bob.
0:04:26 > 0:04:28Have you heard about Patricia?
0:04:28 > 0:04:31- Darren said she was caught in your net.- Yeah.
0:04:31 > 0:04:33Gave me the fright of me life.
0:04:34 > 0:04:38Obviously, we stopped fishing after what happened, so...
0:04:39 > 0:04:41I've nothing to deliver, I'm sorry.
0:04:41 > 0:04:44No bother. I wasn't expecting it.
0:04:46 > 0:04:48Can I help you?
0:04:48 > 0:04:50DI Knight. This is DC Slater.
0:04:50 > 0:04:53Did either of you know Patricia Frint?
0:04:54 > 0:04:58Really well. She used to be a close friend.
0:04:58 > 0:05:00Do you know if she was married?
0:05:00 > 0:05:03Um, she didn't trust men much.
0:05:03 > 0:05:04I don't know why.
0:05:06 > 0:05:08Any idea why anyone would want her dead?
0:05:15 > 0:05:17Unrequited love.
0:05:18 > 0:05:20- With Patricia?- Mm-hm.
0:05:21 > 0:05:23Everybody liked Patricia.
0:05:24 > 0:05:27You know, one of her paintings was stolen from the gallery yesterday?
0:05:27 > 0:05:30The exhibition only just opened there.
0:05:30 > 0:05:33Bob's pretty cut up about that, too. He was planning to buy it.
0:05:36 > 0:05:38Thank you very much.
0:05:38 > 0:05:39We'll be in touch.
0:05:46 > 0:05:48Well, there we go.
0:05:48 > 0:05:52Lots of information in that first film.
0:05:52 > 0:05:54Kathryn didn't stop writing.
0:05:54 > 0:05:58At one point, I wanted to shout, "Look up, Kathryn, look at it!"
0:05:58 > 0:06:02The young lady behind the fishmonger's slab
0:06:02 > 0:06:03was not telling the truth.
0:06:03 > 0:06:05That's exactly what I was about to say.
0:06:05 > 0:06:09I think she's protecting somebody or something in regard to that.
0:06:09 > 0:06:12Bob genuinely does feel distraught,
0:06:12 > 0:06:14but at the same time, that could be an act.
0:06:14 > 0:06:16Let's just go over the facts.
0:06:16 > 0:06:20Today, we are investigating the death of Patricia Frint.
0:06:20 > 0:06:24Patricia was 40 years old and an artist.
0:06:24 > 0:06:26Prior to this, she was an accountant.
0:06:26 > 0:06:28Patricia was single.
0:06:28 > 0:06:32The cause of death is suspected drowning or strangulation.
0:06:32 > 0:06:36And the time of death is still under investigation,
0:06:36 > 0:06:41although the body may have been in the water from Thursday afternoon.
0:06:41 > 0:06:45She doesn't seem like somebody who would want to cause any trouble.
0:06:45 > 0:06:47So, yeah, for somebody to do that,
0:06:47 > 0:06:49they must have had a specific vendetta,
0:06:49 > 0:06:51or she's done something specifically to that person.
0:06:51 > 0:06:53Kathryn, what do you think about Patricia?
0:06:53 > 0:06:57Red dots in the eyes - that's strangulation.
0:06:57 > 0:07:00- It would be a petechial haemorrhage. - A petechial haemorrhage, yes.
0:07:00 > 0:07:03I've got a qualification in forensic medicine.
0:07:03 > 0:07:06Look at me now. So... LAUGHTER
0:07:06 > 0:07:12I'm intrigued by the remark about unrequited love.
0:07:12 > 0:07:13- Yes.- Yes.
0:07:13 > 0:07:16Well, the suspects so far, armchair detectives,
0:07:16 > 0:07:20are Bob Tanzer, fisherman,
0:07:20 > 0:07:24and Janine Hanks, the fishmonger.
0:07:24 > 0:07:28Bob would have to be a highly incompetent murderer if he actually
0:07:28 > 0:07:32wanged somebody off the quayside and then managed to get them
0:07:32 > 0:07:34snagged up in his own nets.
0:07:34 > 0:07:36Interesting.
0:07:36 > 0:07:37OK, guys, in each round
0:07:37 > 0:07:42you'll get to interrogate a piece of evidence more closely.
0:07:42 > 0:07:45So, this is a photo from the Art Lovers Gallery opening night of
0:07:45 > 0:07:47Patricia's exhibition.
0:07:47 > 0:07:51This picture features some of the people who were present
0:07:51 > 0:07:52at the exhibition.
0:07:52 > 0:07:55And in this picture is a painting of Patricia's,
0:07:55 > 0:07:58and there is a close-up here to give you some more details.
0:07:58 > 0:08:03Talk me through anything that immediately jumps out at you. Roger?
0:08:03 > 0:08:06Is that Bob's boat?
0:08:06 > 0:08:08Is that the painting that Bob wanted to buy?
0:08:08 > 0:08:10These are all good questions.
0:08:10 > 0:08:12They could obviously do more than one thing with the boat,
0:08:12 > 0:08:14but it's clearly a fishing boat.
0:08:14 > 0:08:19So why are they lifting on or off a great crate?
0:08:19 > 0:08:23OK, guys, it's time for Round Two - Last Movements.
0:08:23 > 0:08:27We'll start piecing together Patricia Frint's final days,
0:08:27 > 0:08:29what she did and who she saw.
0:08:29 > 0:08:33Armchair detectives, notepads at the ready.
0:08:33 > 0:08:34Let's head back to Mortcliff.
0:08:53 > 0:08:56- I have the paperwork ready if you'd like to read it.- Yeah, thank you.
0:08:56 > 0:08:57Thanks for that.
0:08:57 > 0:08:59PHONE BEEPS
0:09:07 > 0:09:09- Popular lady. - SHE SNIGGERS
0:09:10 > 0:09:12Harassed, more like.
0:09:12 > 0:09:14- Right, is this it?- Yep.
0:09:16 > 0:09:18Has the family settled?
0:09:18 > 0:09:21- Settled and tanned. Can't wait to see them.- Hm.
0:09:24 > 0:09:26You belong in this gallery, Patricia, you really do.
0:09:27 > 0:09:29Yep.
0:09:30 > 0:09:32Yep, I think it suits me.
0:09:38 > 0:09:39It's your best collection yet.
0:09:39 > 0:09:42- Oh, well done!- Thank you so much.
0:09:42 > 0:09:44- Jan...- No.- ..I am so, so sorry. - So sorry.
0:09:44 > 0:09:48Look, this is your day so let's enjoy it, eh?
0:09:48 > 0:09:52- There's been a lot of interest, Patricia.- See, I told you!- Oh, God.
0:09:53 > 0:09:57- Congratulations. Seriously. - Thank you.
0:09:57 > 0:09:59She needs to mingle.
0:09:59 > 0:10:01Lovely work, Patsy.
0:10:01 > 0:10:03Patricia.
0:10:04 > 0:10:06The one at the window, 600 quid?
0:10:08 > 0:10:09I'm sorry?
0:10:09 > 0:10:10I'm serious.
0:10:10 > 0:10:13700 quid, that's what I'd pay for it.
0:10:13 > 0:10:15You can't even afford to paint your boat, Bob!
0:10:15 > 0:10:17Look, the exhibition is up all month,
0:10:17 > 0:10:20why don't you come and talk to me in a couple of weeks?
0:10:20 > 0:10:23Why won't you sell it to me? My money not good enough for you?
0:10:23 > 0:10:25Sensitive, much.
0:10:25 > 0:10:27- Shut your mouth!- What?
0:10:27 > 0:10:30I'm not going to sell anything to you now.
0:10:30 > 0:10:33- You'll regret this. - You need to back off, pal.
0:10:33 > 0:10:35I'm not your pal.
0:10:37 > 0:10:39You can't behave like that in here.
0:10:40 > 0:10:43And take your bling with you. You're a rude prat.
0:10:46 > 0:10:49- You OK? - Oh, just, Bob, leave me alone!
0:10:57 > 0:11:00- RADIO:- 'We interrupt this programme to bring you breaking news.
0:11:00 > 0:11:02'Mortcliff's Art Lover Gallery
0:11:02 > 0:11:04'has been the target of an overnight raid.
0:11:04 > 0:11:07'The police have confirmed that the premises were burgled
0:11:07 > 0:11:10'and a painting by local artist Patricia Frint was stolen.
0:11:10 > 0:11:12'No other items were removed from the gallery.'
0:11:18 > 0:11:19ENGINE STARTS
0:11:21 > 0:11:22TYRES SCREECH
0:11:22 > 0:11:24CAR DOOR CLOSES
0:11:31 > 0:11:34MUFFLED INDISTINCT SPEECH
0:11:35 > 0:11:38GLASS SMASHES, OBJECTS CLANG
0:11:52 > 0:11:54Well!
0:11:54 > 0:11:56There's more drama happening there than in the ladies toilets in a
0:11:56 > 0:11:59nightclub on a Saturday night.
0:11:59 > 0:12:02There's a lot of competition for that painting, isn't there?
0:12:02 > 0:12:04- Isn't there!- There's a lot of people want to get their hands on it.
0:12:04 > 0:12:05Yes.
0:12:05 > 0:12:09I was trying to get straight what I... What we just saw.
0:12:09 > 0:12:13She's parked on the harbour-side, and she hears, presumably,
0:12:13 > 0:12:16the local radio saying there's been a burglary.
0:12:16 > 0:12:17She runs there.
0:12:17 > 0:12:21That was when something happens to her, that she is attacked in there.
0:12:21 > 0:12:23Wisdom, what do you think?
0:12:23 > 0:12:28Mr Treadwell, what does he make his money in? What does he do?
0:12:28 > 0:12:30- And why did he want that painting so badly?- Mm-hm.
0:12:30 > 0:12:35Cos, Bob, if that painting is Bob's boat, understandable.
0:12:35 > 0:12:39But at the same time, with Mr Treadwell, I don't know
0:12:39 > 0:12:41what his motive is, I don't know what his angle is.
0:12:41 > 0:12:44Well, I'll tell you, let's take another look at the suspects board
0:12:44 > 0:12:45and start piecing all of this together.
0:12:45 > 0:12:48You've got Bob Tanzer, fisherman.
0:12:48 > 0:12:50Janine Hanks, the fishmonger.
0:12:50 > 0:12:52And from the exhibition opening photograph,
0:12:52 > 0:12:56we now know that is Jeffrey Fraser, who's the gallery owner,
0:12:56 > 0:13:01and we also have Darren Treadwell, who is an importer.
0:13:01 > 0:13:04- Importer?- Yes. I saw you go, "Hmm!"
0:13:04 > 0:13:06That's got flashing yellow lights,
0:13:06 > 0:13:07you know, import, export,
0:13:07 > 0:13:09- covers a multitude of sins.- It does.
0:13:09 > 0:13:13That painting may have had a specific delivery which he
0:13:13 > 0:13:15- didn't want people to see.- Yeah.
0:13:15 > 0:13:17So that's the reason why he wants to buy it.
0:13:17 > 0:13:19He doesn't want that to get into the wrong hands.
0:13:19 > 0:13:21- Yeah, that could be an interesting course of enquiry.- OK.
0:13:21 > 0:13:24Well, I've given you a piece of evidence already.
0:13:24 > 0:13:27Now is your chance to pick another one from the following list.
0:13:27 > 0:13:31Decide amongst yourselves, as a group, which one you fancy.
0:13:31 > 0:13:34We've got the paperwork from Jeffrey's desk.
0:13:34 > 0:13:36Or Darren's watch.
0:13:36 > 0:13:41And finally, pictures of the gallery break-in.
0:13:41 > 0:13:44Yeah, I'm not sure we'd get anything from Darren's watch at this stage.
0:13:44 > 0:13:46I don't think we do.
0:13:46 > 0:13:47It could be a fake watch,
0:13:47 > 0:13:50which basically makes him look like, oh, he's got money.
0:13:50 > 0:13:53I was sort of vaguely going towards the gallery break-in.
0:13:53 > 0:13:56It's possible we could tell whether it was an inside job.
0:13:56 > 0:13:58- If you want to go with that, I'm happy to fall in with you.- Oh.
0:13:58 > 0:14:01You will have a chance to look at some of the evidence later.
0:14:01 > 0:14:02This is not your only chance.
0:14:02 > 0:14:04It's just your first piece of evidence.
0:14:04 > 0:14:06So which one do you want to go for?
0:14:06 > 0:14:08I'd want to go for the pictures of the break-in, I think.
0:14:08 > 0:14:11- Yeah, I'll go with Kathryn on that. - Happy with that?- Yeah.- OK.
0:14:11 > 0:14:15You have gone for pictures of the gallery break-in.
0:14:15 > 0:14:16And I can tell you,
0:14:16 > 0:14:22they're photographs which Jeffrey Fraser took on his phone.
0:14:22 > 0:14:25You've got the empty easel there.
0:14:25 > 0:14:28You've got some form of twine.
0:14:28 > 0:14:31And that's the door, and you can see the marks on the door.
0:14:31 > 0:14:34So that's the gallery break-in.
0:14:34 > 0:14:36I've seen jimmied doors before, and generally,
0:14:36 > 0:14:39they look a bit more jimmied than that.
0:14:39 > 0:14:43- It doesn't look...- Forced. - ..forced, to me, that door.- Right.
0:14:43 > 0:14:48He could have taken those at any time, it could have been set up.
0:14:48 > 0:14:52Well, armchair detectives, it's time to lock in your prime suspect.
0:14:52 > 0:14:56Who do you think is most likely to be the killer so far?
0:14:56 > 0:14:58What I need you to do is write that name down
0:14:58 > 0:15:02in your detective notepads now.
0:15:17 > 0:15:21OK. So, tell me who is your prime suspect and why, Roger?
0:15:21 > 0:15:25On the evidence we have so far, I'm thinking about Jeffrey.
0:15:25 > 0:15:31- Jeffrey?- I think we have something of an inside job going on.
0:15:31 > 0:15:33OK. Kathryn?
0:15:33 > 0:15:35I've gone for Darren.
0:15:35 > 0:15:39There's something odd about the crate, and the boat.
0:15:39 > 0:15:41OK. Wisdom?
0:15:41 > 0:15:43I've also gone for Darren.
0:15:43 > 0:15:48He just seems too shady, and too overly aggressive
0:15:48 > 0:15:50for somebody who's just met for the first time.
0:15:50 > 0:15:52They are our suspects so far.
0:15:52 > 0:15:54We've got Jeffrey, and two Darrens.
0:15:54 > 0:15:56Let's see if that changes throughout the show.
0:15:56 > 0:15:59It's on to Round Three now, the Police Interviews.
0:15:59 > 0:16:03Knight and Slater have called in all four suspects for questioning.
0:16:03 > 0:16:06Who's hiding secrets, and who can we trust?
0:16:06 > 0:16:09Notepads at the ready. It's off to Mortcliff Police Station.
0:16:21 > 0:16:23We've known each other for a long time.
0:16:23 > 0:16:25Around ten years or so, I'd say.
0:16:26 > 0:16:30My shop wasn't doing that well, so I'd asked Patricia for a loan.
0:16:30 > 0:16:32But she refused.
0:16:32 > 0:16:35She said she didn't have any spare cash,
0:16:35 > 0:16:37which I found hard to believe.
0:16:37 > 0:16:41And the day of the murder,
0:16:41 > 0:16:43can you account for your whereabouts?
0:16:43 > 0:16:45I was in the shop all day, same as always.
0:16:45 > 0:16:50Patricia sent me a text saying that perhaps she could lend me the money
0:16:50 > 0:16:51after all, that we should meet up.
0:16:53 > 0:16:54That was the last I ever heard of her.
0:16:56 > 0:16:58Thank you very much.
0:16:58 > 0:17:01Just need...air.
0:17:01 > 0:17:02Sir?
0:17:04 > 0:17:08For the record, DI Knight has left the room, I'm sorry.
0:17:10 > 0:17:15Can you tell us about the opening of Patricia's exhibition?
0:17:15 > 0:17:17I don't know which was worse -
0:17:17 > 0:17:21Darren and his obnoxiousness, or Bob and his obsequiousness.
0:17:21 > 0:17:23I think they both drove Patricia mad.
0:17:23 > 0:17:26Anyway, she refused to sell her painting,
0:17:26 > 0:17:28and Darren stormed off in a huff.
0:17:28 > 0:17:32When was the last time you saw or heard from Patricia?
0:17:32 > 0:17:38She sent me a text to say that she was concerned about the burglary,
0:17:38 > 0:17:41and she was having second thoughts about buying the gallery.
0:17:41 > 0:17:45Um, I sent her a message back saying, "Come in and have a chat."
0:17:45 > 0:17:48She came in, she was still undecided, she left,
0:17:48 > 0:17:49and that was the last time I saw her.
0:17:51 > 0:17:53I was in love with her.
0:17:53 > 0:17:55I'm not ashamed to say it.
0:17:56 > 0:17:59But she'd been hurt...
0:17:59 > 0:18:00..badly.
0:18:01 > 0:18:04She'd fallen in love with a man, a fraudster,
0:18:04 > 0:18:07he embezzled all her money and ended up in prison.
0:18:09 > 0:18:10It made her mistrustful.
0:18:12 > 0:18:14And Patricia told you all of this?
0:18:14 > 0:18:15She didn't need to.
0:18:17 > 0:18:22This tells me everything I need to know.
0:18:24 > 0:18:26Oh...
0:18:26 > 0:18:27..I'm psychic, you see.
0:18:29 > 0:18:31Right.
0:18:31 > 0:18:34We have data on Patricia's mobile phone.
0:18:34 > 0:18:36You sent her a lot of messages - almost four a day.
0:18:36 > 0:18:39I just wanted her to know that she wasn't alone in this world.
0:18:42 > 0:18:45Clearly, Patricia didn't see things the same way.
0:18:45 > 0:18:48- You were harassing her. - I was in love with her.
0:18:48 > 0:18:49Why would I harass her?
0:18:51 > 0:18:53When was the last time you heard from Patricia?
0:18:54 > 0:18:56I saw her at her exhibition.
0:18:56 > 0:19:01I sent her the text the next day, and then I went fishing.
0:19:01 > 0:19:05She responded, I think, that afternoon, but I didn't get it
0:19:05 > 0:19:08till the following morning when I got signal back at the harbour.
0:19:09 > 0:19:10What did she say?
0:19:13 > 0:19:14She was quite aggressive.
0:19:15 > 0:19:17Not like her usual self.
0:19:19 > 0:19:21Well...
0:19:21 > 0:19:22..maybe I crossed the line.
0:19:26 > 0:19:29- Is that everything?- That's all for now, you're free to go.
0:19:30 > 0:19:31Hm.
0:19:38 > 0:19:40Can you smell the harbour, sir?
0:19:40 > 0:19:42- Just get me a coffee, please. - Yes, sir.
0:19:48 > 0:19:52You are an art collector, Mr Treadwell?
0:19:52 > 0:19:55Uh, yes, I've collected for years.
0:19:55 > 0:19:57Patricia has a real talent.
0:19:57 > 0:20:00I love her style and colour.
0:20:00 > 0:20:01Indeed.
0:20:02 > 0:20:06Which artist would you say her style reminds you of?
0:20:09 > 0:20:12Jackson Pollock, definitely.
0:20:13 > 0:20:15Doesn't he just do splashes?
0:20:17 > 0:20:20He does...everything, really.
0:20:21 > 0:20:25So, Patricia didn't want to sell you her painting.
0:20:25 > 0:20:26Why was that?
0:20:27 > 0:20:30She had some story about wanting to sell the entire collection,
0:20:30 > 0:20:32which is absolute rubbish.
0:20:32 > 0:20:36No-one in Mortcliff was going to buy an entire collection.
0:20:36 > 0:20:38No-one's got walls large enough.
0:20:38 > 0:20:40Besides, I was offering her big money.
0:20:44 > 0:20:47That's a...nice watch.
0:20:47 > 0:20:48Looks expensive.
0:20:50 > 0:20:52Yes, it is.
0:20:52 > 0:20:55And it's telling me I'm wasting my time in here, so get on with it!
0:20:56 > 0:20:59Where were you on the afternoon of the murder, Mr Treadwell?
0:20:59 > 0:21:01Working.
0:21:01 > 0:21:04And then...I had some chores to do.
0:21:05 > 0:21:07Can anyone verify that?
0:21:08 > 0:21:09Of course.
0:21:14 > 0:21:16- Well, now.- Ooh.
0:21:16 > 0:21:21Lots and lots of information from the police interviews.
0:21:21 > 0:21:25I'm looking at the fishmonger.
0:21:25 > 0:21:29Janine asked to borrow money, and Patricia said no.
0:21:29 > 0:21:31Why would that cause you to get very angry and say things
0:21:31 > 0:21:34that could potentially break up a ten-year friendship?
0:21:34 > 0:21:38Mm-hm. Clearly, something has gone on between the two of them.
0:21:38 > 0:21:40Kathryn, what do you think?
0:21:40 > 0:21:43- Mr Fraser...- Mm-hm.
0:21:43 > 0:21:47..said he had a phone call from the victim,
0:21:47 > 0:21:51to say she was concerned about the burglary.
0:21:51 > 0:21:55But we saw her hear about it, in the car.
0:21:55 > 0:21:58We then saw her going straight into the gallery.
0:21:58 > 0:22:03So, either he's telling lies, or he knows something about what happened.
0:22:03 > 0:22:08The fact that she had been defrauded of all her money at some point,
0:22:08 > 0:22:14um, but yet, she was talking about buying the gallery.
0:22:14 > 0:22:17That's not something you can do for tuppence.
0:22:17 > 0:22:22OK, guys. Once again, you can pick a piece of evidence to help you out.
0:22:22 > 0:22:24And we've added a new one to the list.
0:22:24 > 0:22:29We now have the paperwork from Jeffrey's desk,
0:22:29 > 0:22:30Darren's watch,
0:22:30 > 0:22:32or this new piece of evidence -
0:22:32 > 0:22:36text messages found on Patricia's phone.
0:22:36 > 0:22:38Paperwork?
0:22:38 > 0:22:40That's what I think.
0:22:40 > 0:22:44She read it, then she put it back on the desk, she didn't sign it.
0:22:44 > 0:22:47- Yeah. Yeah, I think the paperwork this time.- Paperwork.
0:22:47 > 0:22:49Yeah, I'm happy to go with that.
0:22:49 > 0:22:52OK. So, you've chosen the paperwork from Jeffrey's desk.
0:22:52 > 0:22:54And it's an agreement for the sale
0:22:54 > 0:22:56of a business between Jeffrey Fraser
0:22:56 > 0:22:57and Patricia Frint.
0:22:57 > 0:23:01And we've got a Post-it there, saying, "For you to sign."
0:23:03 > 0:23:06- But we were told she'd pulled out of that.- Yeah.
0:23:06 > 0:23:09- But she...- So, it didn't happen.
0:23:09 > 0:23:13On the other hand, you don't persuade somebody that they've made
0:23:13 > 0:23:17a mistake, and really ought to buy your gallery, by strangling them.
0:23:17 > 0:23:20He may have had some financial difficulties himself.
0:23:21 > 0:23:23Would killing her cure them?
0:23:23 > 0:23:27Killing her, rid of the body, taking her paintings, and then
0:23:27 > 0:23:29selling them somewhere else?
0:23:29 > 0:23:33This definitely shows that there was an intention from at least one party
0:23:33 > 0:23:35to buy and sell the business.
0:23:35 > 0:23:39Armchair detectives, write down who your
0:23:39 > 0:23:41prime suspect is...
0:23:41 > 0:23:42..now.
0:23:57 > 0:24:00OK, so let's see who you've picked.
0:24:00 > 0:24:04Roger, last time you picked Jeffrey.
0:24:04 > 0:24:05Have you changed your mind?
0:24:05 > 0:24:07I haven't.
0:24:07 > 0:24:14It's more a case of absence of clear motives from the other suspects
0:24:14 > 0:24:19- that hasn't enabled me to rule him out yet.- OK.
0:24:20 > 0:24:23Kathryn, last time you went for Darren.
0:24:23 > 0:24:24Have you changed your mind?
0:24:24 > 0:24:27- Yes.- Who have you gone for this time?
0:24:27 > 0:24:28The gallery owner.
0:24:28 > 0:24:31- Jeffrey.- Jeffrey. - So you've gone for Jeffrey as well.
0:24:31 > 0:24:35It's the lie he told when he said he'd had a phone call from Patricia,
0:24:35 > 0:24:37and that's a pretty serious thing to have told a lie about.
0:24:37 > 0:24:41And, Wisdom, last time your prime suspect was Darren.
0:24:41 > 0:24:43- Have you changed your mind?- Yeah.
0:24:43 > 0:24:46- Who have you gone for? - I've gone for Bob.
0:24:46 > 0:24:51- Why Bob?- He's got the strength, he also has the motive.
0:24:51 > 0:24:53Excellent theories from all of you.
0:24:53 > 0:24:57Now it's time for round four - Dig Deeper.
0:24:57 > 0:25:02Let's see what Patricia Frint was doing two weeks before her death.
0:25:36 > 0:25:39Why paint a truck and a crate on a dock?
0:25:41 > 0:25:43Why not?
0:25:43 > 0:25:45It's not very artsy.
0:25:45 > 0:25:48No, but it is authentic.
0:25:49 > 0:25:50200.
0:25:52 > 0:25:53I'm sorry.
0:25:55 > 0:25:57Needs to be higher? 400.
0:25:58 > 0:26:00And I'll pay you cash.
0:26:00 > 0:26:03I'm very flattered, but this is a...
0:26:04 > 0:26:06This is actually going to be part of an exhibition.
0:26:08 > 0:26:09What's all this?
0:26:11 > 0:26:14Huh! Is that me?
0:26:16 > 0:26:19Could be anyone, really. Don't get your hopes up.
0:26:19 > 0:26:20I'm serious.
0:26:21 > 0:26:23If you're thinking of selling,
0:26:23 > 0:26:24I'll be willing to buy.
0:26:31 > 0:26:33This is not what you think, Bob.
0:26:36 > 0:26:37I can wait...
0:26:38 > 0:26:42..until you've sorted out your age and your pain.
0:26:44 > 0:26:46I'll be here always.
0:26:46 > 0:26:48I want you to leave me alone.
0:26:50 > 0:26:51You put me in your painting.
0:26:51 > 0:26:54There's a figure of a man in the painting.
0:26:55 > 0:26:58If you were not off-loading the crate, and somebody else was,
0:26:58 > 0:27:02I'd have put him in it. It's a male figure, nothing else.
0:27:04 > 0:27:07I want you to stop bothering me, Bob. Please!
0:27:07 > 0:27:08I mean it.
0:27:18 > 0:27:21MURMURING
0:27:21 > 0:27:23I agree.
0:27:23 > 0:27:28I agree. The murmurs from the armchair detectives.
0:27:28 > 0:27:32So you wanted to know a little bit more about Darren.
0:27:32 > 0:27:34- He's desperate to buy that painting. - Isn't he just?
0:27:34 > 0:27:37- He is.- He really wants that painting.
0:27:37 > 0:27:39He's got money to burn.
0:27:39 > 0:27:41Two people are basically flinging around money for it,
0:27:41 > 0:27:43but she's still not selling it.
0:27:43 > 0:27:44She won't sell it to them.
0:27:44 > 0:27:48- Yes.- She won't sell to them, that's the point.
0:27:48 > 0:27:50It's the fact that we heard this, "off-loading the crate".
0:27:50 > 0:27:52Cos it's not obvious.
0:27:52 > 0:27:54That crate was on Bob's boat,
0:27:54 > 0:27:58so one presumes that Bob must've known what was in it.
0:27:58 > 0:28:01- Yes. It's not what you would expect. - No.
0:28:01 > 0:28:03Well, let's take a look at the suspect board.
0:28:03 > 0:28:06And I can tell you now, that is all of your suspects.
0:28:06 > 0:28:07What are you thinking?
0:28:07 > 0:28:11It's only Jeffrey at the moment where there's an unexplained lie.
0:28:11 > 0:28:15He said that she found him about the picture, or behind the gallery,
0:28:15 > 0:28:17when we know she didn't.
0:28:17 > 0:28:20OK, guys, it's time for you to pick your evidence.
0:28:20 > 0:28:22You can have Darren's watch,
0:28:22 > 0:28:26you can have the text messages found on Patricia's phone,
0:28:26 > 0:28:32and the new item of evidence, the crate's shipping manifest.
0:28:32 > 0:28:35- Oh!- Ah!
0:28:35 > 0:28:37I'm assuming that we're all thinking the same thing.
0:28:37 > 0:28:40- The manifest of the crate? - I'm thinking the manifest.
0:28:40 > 0:28:44- There we go.- Done. - Quickest discussion in history.
0:28:44 > 0:28:47You've chosen the crate's manifest.
0:28:47 > 0:28:51The origin port is Shantou, China.
0:28:51 > 0:28:56It's apparently containing 450 cartons of one-litre orange juice.
0:28:56 > 0:29:01Do people normally import cartons
0:29:01 > 0:29:05of orange juice by fishing boat?
0:29:05 > 0:29:09I mean, I haven't really seen that happen a lot before, Roger.
0:29:09 > 0:29:15So we have, I suspect, a fake manifest.
0:29:15 > 0:29:17- Yeah.- I think that's completely bogus.
0:29:17 > 0:29:18From China?
0:29:18 > 0:29:24450 - either you'd import a ship full of containers of orange juice,
0:29:24 > 0:29:27you wouldn't have just one little crate on a fishing boat.
0:29:27 > 0:29:29Unless he's bought it wholesale.
0:29:31 > 0:29:36- No.- It's full of watches from an unspecified source, isn't it?
0:29:36 > 0:29:39- What do you think...?- Watches, fake watches from China -
0:29:39 > 0:29:43that, I believe. 450 cartons of one-litre orange juice, no!
0:29:43 > 0:29:48- From China.- That has certainly put the cat among the pigeons, though.
0:29:48 > 0:29:52But, guys, it's time to pick your prime suspect again.
0:29:52 > 0:29:56Write down your prime suspect now.
0:30:02 > 0:30:06You can have Bob, Janine, Jeffrey or Darren.
0:30:06 > 0:30:08Who's your prime suspect?
0:30:09 > 0:30:14Roger, last time, your prime suspect was Jeffrey.
0:30:14 > 0:30:17- Have you changed your mind? - I have, I'm not going to...
0:30:17 > 0:30:19Oh, Roger!
0:30:19 > 0:30:21I'm looking at Darren now.
0:30:21 > 0:30:24Right, it was Jeffrey Jeffrey, now you've gone for Darren.
0:30:24 > 0:30:26- Yeah.- What change your mind? - Orange Juice-gate.
0:30:26 > 0:30:28Orange Juice-gate.
0:30:28 > 0:30:30OK. Kathryn?
0:30:30 > 0:30:33Last time, your prime suspect was Jeffrey.
0:30:33 > 0:30:37- Have you changed your mind? - No, I'm sticking with Jeffrey.- OK.
0:30:37 > 0:30:43- I think... I still find his lying about the phone call compelling. - That phone call,
0:30:43 > 0:30:45- you can't let that go, can you, Kathryn?- No.
0:30:45 > 0:30:49Wisdom, last time, you went for Bob. Have you changed your mind?
0:30:49 > 0:30:51- Nope.- Still with Bob.
0:30:51 > 0:30:54Still with Bob. In the last exchange that they had,
0:30:54 > 0:30:57what I got from Bob is if no-one can have...
0:30:57 > 0:31:00If I can't have you, no-one can.
0:31:00 > 0:31:03So you think it's a romantic kind of crime of passion.
0:31:03 > 0:31:05- Yeah.- OK.
0:31:05 > 0:31:07Well, we are hurtling towards closing this case,
0:31:07 > 0:31:11it's round five, the Final Clues.
0:31:15 > 0:31:17So that's for today's stuff, is it?
0:31:18 > 0:31:20Right.
0:31:20 > 0:31:24And these, the orange juice, are in these crates.
0:31:24 > 0:31:25OK. That's interesting.
0:31:25 > 0:31:27MAN MUMBLES
0:31:27 > 0:31:32- Yeah, thank you, thank you very much.- No problem.- Cheers.
0:31:32 > 0:31:35All right, sir? How was the dentist appointment?
0:31:35 > 0:31:39- Painful.- Oh, I did tell you to cut down on those fizzy drinks, huh?
0:31:39 > 0:31:42- So what's new?- Well, I just spoke to the harbour master
0:31:42 > 0:31:45and he told me that Bob usually collects a small shipping container
0:31:45 > 0:31:47once a month from Edinburgh.
0:31:47 > 0:31:48So he's not just a fisherman.
0:31:48 > 0:31:50No, apparently not.
0:31:50 > 0:31:52The pick-up is for Darren, it comes from China,
0:31:52 > 0:31:54Bob collects it from Edinburgh.
0:31:54 > 0:31:57Maybe Darren does it to give Bob a bit of extra work.
0:31:57 > 0:31:59So on the day that Patricia...
0:31:59 > 0:32:01- What's her surname?- Frint.
0:32:01 > 0:32:03On the day that Patricia Frint's body is found,
0:32:03 > 0:32:06- he hasn't done any fishing at all. - No.
0:32:06 > 0:32:07Here's the manifest, sir.
0:32:10 > 0:32:12450 litres of orange juice.
0:32:13 > 0:32:16Yeah, that's quite a lot of orange juice, isn't it?
0:32:16 > 0:32:19Orange juice from China though? That doesn't seem right.
0:32:19 > 0:32:21Yeah, he says the crate's usually full of the stuff.
0:32:21 > 0:32:25All right, genius, how much does that crate hold?
0:32:25 > 0:32:27Er, well...
0:32:30 > 0:32:34Why was Patricia found in Bob's net if he wasn't fishing?
0:32:34 > 0:32:37Indeed. And what else was in that crate?
0:32:38 > 0:32:40PHONE BUZZES
0:32:42 > 0:32:43Simmons.
0:32:43 > 0:32:47Knight. The red spots we identified in Patricia's eyes
0:32:47 > 0:32:49were caused by haemorrhaging.
0:32:49 > 0:32:52So the cause of death was strangulation.
0:32:52 > 0:32:55Correct. She was strangled before she was dumped in the sea.
0:32:55 > 0:32:57The water in her lungs is there
0:32:57 > 0:33:00from being in the ocean for about 12 hours.
0:33:00 > 0:33:03Oh, and another thing, we've done the analysis on Patricia's mobile.
0:33:03 > 0:33:06Bob sent all of his from the docks,
0:33:06 > 0:33:08Jeffrey sent all of his from the gallery,
0:33:08 > 0:33:11and Patricia sent all of hers from home.
0:33:11 > 0:33:12Thank you.
0:33:12 > 0:33:15Any chance you could pick up some fish for me?
0:33:15 > 0:33:19Er, sorry, Simmons, we've just left the docks.
0:33:19 > 0:33:21Oh, OK.
0:33:23 > 0:33:26It's just an allergy, sir, it's nothing yo be ashamed of.
0:33:26 > 0:33:28It's not an allergy.
0:33:35 > 0:33:37KNOCK AT DOOR
0:33:43 > 0:33:45Ah, Mr Treadwell.
0:33:45 > 0:33:47Your secretary kindly let us in.
0:33:47 > 0:33:48Nice frame.
0:33:51 > 0:33:52It's not what it looks like.
0:33:52 > 0:33:54Isn't it?
0:33:54 > 0:33:55I...
0:33:55 > 0:33:57just wanted the frame.
0:33:57 > 0:34:02I was happy to pay for the painting, but Patricia wouldn't have it.
0:34:02 > 0:34:05And you think that's a good enough reason for burglary, do you?
0:34:06 > 0:34:09Where is the painting, Mr Treadwell?
0:34:10 > 0:34:11I disposed of it.
0:34:14 > 0:34:16Well, we'll be handing that over to our colleagues.
0:34:18 > 0:34:20I think we've got everything we need.
0:34:28 > 0:34:32Well... Roger practically gave himself a standing ovation there
0:34:32 > 0:34:33when he saw the watches.
0:34:36 > 0:34:40Roger...do you think that might have been what was in the crates, Roger?
0:34:40 > 0:34:43I think it's a racing certainty.
0:34:43 > 0:34:49- Yes.- I don't think that one crate of Chinese watches
0:34:49 > 0:34:52is going to be something to kill for.
0:34:52 > 0:34:55- I really don't.- But then, in saying that,
0:34:55 > 0:34:57he probably didn't want people to know
0:34:57 > 0:34:58that the watches came from China,
0:34:58 > 0:35:02- that the watches he was selling other people were fake.- True.
0:35:02 > 0:35:04But obviously Patricia, on that day,
0:35:04 > 0:35:06is doing a painting of the crate coming through.
0:35:06 > 0:35:10OK, so, let's pick your final piece of evidence.
0:35:10 > 0:35:13You have just two pieces of evidence left to choose from.
0:35:13 > 0:35:16You'll only seen one before you make your final accusation.
0:35:16 > 0:35:19So, can have either Darren's watch
0:35:19 > 0:35:23or the text messages found on Patricia's phone.
0:35:23 > 0:35:24Why the watch?
0:35:24 > 0:35:28He just grabbed a nice-looking watch from his new consignment.
0:35:28 > 0:35:30I'd like to see those text messages.
0:35:30 > 0:35:32- Yes.- Yes.- You need a consensus.
0:35:32 > 0:35:34Wisdom? The consensus is text messages.
0:35:34 > 0:35:36- Are you OK with that?- No, but...
0:35:36 > 0:35:39Great. So we're watching the...
0:35:39 > 0:35:43After tests on Patricia's phone, we've recovered text messages
0:35:43 > 0:35:47to and from Jeffrey, Bob and Janine.
0:35:47 > 0:35:49Here's the first one.
0:35:58 > 0:36:00Next set. Jeffrey.
0:36:09 > 0:36:11Next one. Janine.
0:36:17 > 0:36:21So three sets of text messages - Jeffrey, Bob and Janine.
0:36:21 > 0:36:27Doesn't that suggest that the reason why Janine has the money
0:36:27 > 0:36:29is that she's decided not to buy the gallery?
0:36:31 > 0:36:32And also...
0:36:34 > 0:36:35..the text in the middle.
0:36:35 > 0:36:37I'm in the gallery cleaning up.
0:36:37 > 0:36:39Why is he cleaning up a crime scene?
0:36:39 > 0:36:41- He can't know. - Why would he say that?
0:36:41 > 0:36:44What about the Bob text messages?
0:36:44 > 0:36:46I don't see murder in that.
0:36:46 > 0:36:47I do.
0:36:48 > 0:36:53- Yeah.- But this, I'm afraid, armchair detectives, is the big moment.
0:36:53 > 0:36:55You've seen most of the evidence.
0:36:55 > 0:36:57You've met all of the suspects.
0:36:57 > 0:37:00And you're about to make your final accusation for the chance of winning
0:37:00 > 0:37:03the golden magnifying glass trophy.
0:37:03 > 0:37:05Hurray!
0:37:05 > 0:37:08I need you to write down who you're accusing.
0:37:08 > 0:37:11And you at home, who's your prime suspect?
0:37:11 > 0:37:12Write it down as well.
0:37:12 > 0:37:15It's time to answer the only question that matters.
0:37:15 > 0:37:16Whodunnit?
0:37:31 > 0:37:37OK, time's up. Armchair detectives, please put your pens down.
0:37:37 > 0:37:40Let's find out who you've accused.
0:37:40 > 0:37:44Roger, who are you accusing?
0:37:44 > 0:37:45Janine.
0:37:45 > 0:37:48What? Where did that come from, Roger?
0:37:48 > 0:37:51The two women have been friends for a long time.
0:37:51 > 0:37:54It's cooled, it's warmed.
0:37:54 > 0:37:56We don't know the nature of it
0:37:56 > 0:38:00or the nature of it that Janine would wish it to be.
0:38:00 > 0:38:02Kathryn?
0:38:02 > 0:38:03Who do you accuse?
0:38:03 > 0:38:05I'm sticking with Jeffrey.
0:38:05 > 0:38:09Jeffrey? Because of the phone call, Kathryn?
0:38:10 > 0:38:12It was you brought it up this time.
0:38:12 > 0:38:13LAUGHTER
0:38:13 > 0:38:16Oh, it's like a cup of tea with my mum. It's brilliant.
0:38:16 > 0:38:18You brought it up, Susan.
0:38:18 > 0:38:24It's something about the sum of money that the corpse finds
0:38:24 > 0:38:27that she's going to have and she can lend to her friend,
0:38:27 > 0:38:29that she's not going to buy the gallery
0:38:29 > 0:38:31- and I think that's what's ticked him off.- OK.
0:38:31 > 0:38:33Wisdom, who are you accusing?
0:38:33 > 0:38:34- Bob.- Bob?
0:38:34 > 0:38:36- I'm going to stick with him. - Because?
0:38:36 > 0:38:39The whole creepy, stalker-y, text messaging whole
0:38:39 > 0:38:42concern of just want to make sure you're OK.
0:38:42 > 0:38:44You're sending four text messages to her a day.
0:38:44 > 0:38:47OK. Well, before we go to Mortcliff for the answer,
0:38:47 > 0:38:50there's one final piece of evidence left hanging on the board.
0:38:50 > 0:38:52Darren's watch.
0:38:53 > 0:38:55Spot anything there at all?
0:38:55 > 0:38:57Bolex.
0:38:57 > 0:38:59Does it change your mind about anything?
0:38:59 > 0:39:01- Nah.- No? OK.
0:39:01 > 0:39:05So, what really happened in today's story, Watercolour Crime?
0:39:05 > 0:39:08Who killed Patricia Frint?
0:39:08 > 0:39:10Let's find out whodunnit.
0:39:17 > 0:39:20That was an expensive watch he was wearing.
0:39:22 > 0:39:25And he had several still in their boxes on his desk.
0:39:25 > 0:39:26Hmm.
0:39:27 > 0:39:30- Why several?- He was smuggling them, wasn't he?
0:39:30 > 0:39:32Most definitely so.
0:39:34 > 0:39:38So, he needed the painting to get rid of all the evidence.
0:39:40 > 0:39:43Certainly went to extraordinary lengths.
0:39:45 > 0:39:48He did have an alibi, though, according to his secretary.
0:39:48 > 0:39:49Hmm.
0:39:51 > 0:39:53According to Simmons' report,
0:39:53 > 0:39:58Patricia was strangled with thin, but strong string.
0:39:58 > 0:40:01String strong enough to hang a painting.
0:40:02 > 0:40:04I like your thinking, Slater.
0:40:04 > 0:40:06Thank you, sir.
0:40:07 > 0:40:09Have a look at this for me, sir.
0:40:11 > 0:40:14Look at the last message Patricia sent to Bob.
0:40:17 > 0:40:19Bob did say it was harsh.
0:40:19 > 0:40:22But look at the way Patricia sends her messages to other people.
0:40:22 > 0:40:24Here's one to Janine.
0:40:27 > 0:40:30- What's your thinking?- Well, Patricia was old-school, right?
0:40:30 > 0:40:32She didn't abbreviate.
0:40:33 > 0:40:36When Bob said she didn't seem herself in her last text message,
0:40:36 > 0:40:39that's because it wasn't actually her sending the text.
0:40:39 > 0:40:41It was Jeffrey.
0:40:45 > 0:40:47- Why do you need me? - I don't know, sir.
0:40:47 > 0:40:48I really don't.
0:40:53 > 0:40:56Why did you strangle Patricia Frint?
0:40:56 > 0:40:59- That's ludicrous.- Is it?
0:40:59 > 0:41:02Patricia Frint said Bob sends her a text message
0:41:02 > 0:41:05telling him to leave her alone at about three o'clock.
0:41:05 > 0:41:08You should be talking to Bob, not me.
0:41:08 > 0:41:11The only problem is Patricia was already dead by then,
0:41:11 > 0:41:14meaning she couldn't have sent the text message.
0:41:15 > 0:41:18You had the means and the opportunity.
0:41:18 > 0:41:20We know that, after the burglary,
0:41:20 > 0:41:23Patricia was having second thoughts about buying the gallery.
0:41:23 > 0:41:27- That's your fault! That's your fault!- Why is it my fault...?
0:41:27 > 0:41:29- SLATER:- 'Patricia came to tell you as much.
0:41:29 > 0:41:32'You did your best to persuade her to buy,
0:41:32 > 0:41:34'that the theft was a one-off.
0:41:34 > 0:41:36'But she was insistent.'
0:41:36 > 0:41:39..End of contract, end of conversation.
0:41:39 > 0:41:40Goodbye.
0:41:45 > 0:41:49We are confiscating your car in order to search for Patricia's DNA.
0:41:51 > 0:41:52You drove your car to Patricia's house
0:41:52 > 0:41:55and then sent a message from her phone
0:41:55 > 0:41:58believing that the location of her phone made a difference.
0:42:00 > 0:42:01You waited for nightfall
0:42:01 > 0:42:04before you threw Patricia's body into the water.
0:42:07 > 0:42:11My son, he'd asked me to go and live with him and his family in Spain.
0:42:12 > 0:42:17Selling the gallery was the only way I could afford it.
0:42:17 > 0:42:21Patricia Frint, she led me on.
0:42:21 > 0:42:25That's no justification for strangling her, Mr Fraser.
0:42:25 > 0:42:28I'm arresting you for the murder of Patricia Frint.
0:42:33 > 0:42:35Congratulations, Kathryn.
0:42:35 > 0:42:38You picked the killer and are today's winner
0:42:38 > 0:42:41and get your first golden magnifying glass trophy.
0:42:41 > 0:42:43Give her a huge round of applause.
0:42:43 > 0:42:47- Thank you.- Wisdom, you don't look very happy at me.
0:42:47 > 0:42:48It's not my fault.
0:42:48 > 0:42:52Roger, I mean, I love you picking Janine out of nowhere
0:42:52 > 0:42:55at the end there. I enjoyed that.
0:42:55 > 0:42:58So, that's all from Armchair Detectives.
0:42:58 > 0:43:01Tomorrow we'll will see Knight and Slater get their hands dirty
0:43:01 > 0:43:03at an inventor's workshop. And remember...
0:43:03 > 0:43:07..no-one gets away with murder in Mortcliff.
0:43:07 > 0:43:08Goodbye.