0:00:02 > 0:00:04Janice from accounts has had her stapler stolen.
0:00:04 > 0:00:06IT Malcolm looks guilty, so does Debbie on reception.
0:00:06 > 0:00:08You know where the trail of staples leads,
0:00:08 > 0:00:10and that's why this is the place for you.
0:00:10 > 0:00:16Welcome to the TV show with only one question, whodunnit?
0:00:27 > 0:00:29APPLAUSE
0:00:30 > 0:00:32Hello, this is Armchair Detectives.
0:00:32 > 0:00:3715 murder mystery enthusiasts are ready to solve a fictional crime.
0:00:37 > 0:00:40Our amateur detectives will watch the evidence unfold
0:00:40 > 0:00:42from a case set in Mortcliff,
0:00:42 > 0:00:46the picture-postcard village with a hoard of hardened criminals.
0:00:46 > 0:00:49We'll see the town's diligent police detectives
0:00:49 > 0:00:51sift through all the clues in today's case.
0:00:51 > 0:00:52Here they are.
0:00:52 > 0:00:57DI Knight, DC Slater, and Scene of Crimes Officer Simmons.
0:00:57 > 0:00:59Before we head to Mortcliff for the first time,
0:00:59 > 0:01:01let's meet our Armchair Detectives.
0:01:01 > 0:01:03Hello, Armchair Detectives!
0:01:03 > 0:01:04- ALL:- Hello.
0:01:04 > 0:01:06Oh, they're all ready to go again.
0:01:06 > 0:01:08Only three of you play each day, though.
0:01:08 > 0:01:11So, please, take your armchairs Roger, Gregor, and Laura.
0:01:11 > 0:01:12Come on up!
0:01:12 > 0:01:14CHEERING
0:01:19 > 0:01:22The Armchair Detective guessing the killer correctly will win this,
0:01:22 > 0:01:27the fiercely-contested golden magnifying glass.
0:01:27 > 0:01:29- AUDIENCE:- Woo!
0:01:29 > 0:01:31Not bought from a pound shop!
0:01:31 > 0:01:34This is your final appearance on the show.
0:01:34 > 0:01:37So, can you sum up what it's like being an Armchair Detective
0:01:37 > 0:01:39in three words for me, Roger?
0:01:39 > 0:01:44I would say it is brilliantly challenging fun.
0:01:44 > 0:01:48I would have to go with fantastic, amazing, and argh!
0:01:48 > 0:01:50LAUGHTER
0:01:50 > 0:01:52- Not even a word but I know what you mean.- Yeah.
0:01:52 > 0:01:55It's definitely an adventure. Certainly an experience.
0:01:55 > 0:01:58And it certainly puts a long of things in perspective.
0:01:58 > 0:02:02Oh, beautiful. It's time for round one, the crime scene.
0:02:02 > 0:02:05Knight and Slater meet Simmons at a stunning country house,
0:02:05 > 0:02:06Strath Manor.
0:02:06 > 0:02:08Notepads at the ready.
0:02:08 > 0:02:12For the first time today, let's head over to Mortcliff.
0:02:23 > 0:02:28Strath Manor is the ancestral home of the Laxford family.
0:02:28 > 0:02:31This part of the house was used as a hospital barracks during the war.
0:02:31 > 0:02:33It was bombed in 1941.
0:02:33 > 0:02:35And they've only started renovations now?
0:02:35 > 0:02:38I would have called Homes Under The Hammer, sir.
0:02:38 > 0:02:41Sir Charles has been applying for heritage funding for years,
0:02:41 > 0:02:43but there's all this nonsense nowadays about
0:02:43 > 0:02:45historic homes being undeserving.
0:02:45 > 0:02:47Right.
0:02:47 > 0:02:49When Strath Manor is reserved to its former glory,
0:02:49 > 0:02:53it will be a beacon of beauty as well as offering employment.
0:02:53 > 0:02:55Boo!
0:02:55 > 0:02:58- Don't believe in ghosts do you, Slater?- No. Not at all, sir. Ahem.
0:02:58 > 0:03:00It's time to start.
0:03:01 > 0:03:03Thank you, Mrs Mackenzie.
0:03:03 > 0:03:06Um, I will also need to speak to Lord Laxford.
0:03:06 > 0:03:09He and his family are on their way back from the Cairngorms.
0:03:09 > 0:03:12I see. Thank you.
0:03:17 > 0:03:19Don't tell me you've found Lady Miranda?
0:03:19 > 0:03:22Just through here.
0:03:25 > 0:03:27No way!
0:03:28 > 0:03:30Who is Lady Miranda?
0:03:30 > 0:03:34She's Lord Charles Laxford's wife.
0:03:34 > 0:03:37She went missing 15 years ago. Are you absolutely sure it's her?
0:03:37 > 0:03:41It's a female skeleton of the same age.
0:03:41 > 0:03:44She has an old fracture on her right leg that corresponds with
0:03:44 > 0:03:46a skiing accident on her medical records.
0:03:46 > 0:03:50And...we found this.
0:03:50 > 0:03:52We found it by her left hand.
0:03:52 > 0:03:56We've dusted for prints but I wouldn't hold your breath.
0:03:56 > 0:03:58We've sent her dental records off
0:03:58 > 0:04:03but, judging by her age, I just am 100% sure that this is her.
0:04:04 > 0:04:07Anything else? What about these gas canisters?
0:04:07 > 0:04:10Not sure if they're of any importance yet.
0:04:10 > 0:04:12Although I did notice one's quite badly damaged.
0:04:12 > 0:04:14Could that be what killed her?
0:04:14 > 0:04:16I'll not know until I've run some tests.
0:04:16 > 0:04:19Luckily no-one smoked nearby, sir.
0:04:20 > 0:04:21Indeed.
0:04:22 > 0:04:24Otherwise the Heritage Society would have been looking at
0:04:24 > 0:04:27a full-scale construction from the ground up.
0:04:39 > 0:04:41Could you make sure we get some tea?
0:04:49 > 0:04:55I thought when Jane called, you'd found her in Morocco or...not this.
0:04:58 > 0:04:59She was here all along?
0:05:02 > 0:05:03Just yards away.
0:05:06 > 0:05:07Poor Daniel.
0:05:07 > 0:05:11We'll obviously be investigating all possibilities.
0:05:13 > 0:05:14Of course, um...
0:05:16 > 0:05:22I expect you'll want to know where I was the day she supposedly left.
0:05:23 > 0:05:24Yes, sir.
0:05:24 > 0:05:26I remember it like it was yesterday.
0:05:27 > 0:05:30We were all set to go and visit Aunt Netty.
0:05:31 > 0:05:37She had been unable to meet baby Daniel, and Jemima was ill.
0:05:38 > 0:05:42So, I took Daniel, and Miranda stayed here with her mother.
0:05:44 > 0:05:48You'd best speak to Jemima sooner rather than later.
0:05:48 > 0:05:53She has dementia now, and today was a good day
0:05:53 > 0:05:56but, er, she isn't always so lucid.
0:06:00 > 0:06:04Do you recall the events of the day your daughter went missing?
0:06:04 > 0:06:05Well, of course!
0:06:05 > 0:06:07Well, I was taken ill.
0:06:07 > 0:06:09Miranda kindly looked after me.
0:06:09 > 0:06:11I stayed in bed and read.
0:06:12 > 0:06:13Do you remember which book?
0:06:18 > 0:06:20I read it every night before I retire.
0:06:30 > 0:06:32Ah, it's an invitation.
0:06:33 > 0:06:3616 years ago, that's almost a year before Lady Miranda went missing.
0:06:36 > 0:06:39There's something written on the back.
0:06:39 > 0:06:41Is there? Do read it, dear.
0:06:41 > 0:06:44"Let's just keep this between the two of us."
0:06:47 > 0:06:50Sir. That's what we call a clue.
0:06:51 > 0:06:54Well, there's no fooling you, is there, Slater?!
0:06:56 > 0:06:58LAUGHTER
0:07:00 > 0:07:06Armchair Detectives, we have a cold case on our hands.
0:07:06 > 0:07:10- She's not looking her best, is she?! - No, she's not.
0:07:10 > 0:07:14Although, I think she might have intended to look her best
0:07:14 > 0:07:18because that looked rather a fancy yellow, laced dress.
0:07:18 > 0:07:22And also the rather lovely engagement ring
0:07:22 > 0:07:25- next to her left hand. - Left hand.- Next to her left hand.
0:07:25 > 0:07:27- There were modern gas tanks there. - Yeah.
0:07:27 > 0:07:31I couldn't clearly see what was lying alongside the body.
0:07:31 > 0:07:35- Was it a sword or something similarly shaped?- I couldn't see...
0:07:35 > 0:07:37It looked more like just rubble and things.
0:07:37 > 0:07:39Let me tell you a bit more about the victim
0:07:39 > 0:07:40and we'll talk a bit more.
0:07:40 > 0:07:43Today, we're investigating the death of Lady Miranda
0:07:43 > 0:07:48who was 35 years old when she went missing 15 years ago.
0:07:48 > 0:07:51She was the Lady of Strath Manor.
0:07:51 > 0:07:53Lady Miranda was married and had one child.
0:07:53 > 0:07:57The cause and time of death is currently under investigation.
0:07:57 > 0:07:59So, that's our victim.
0:07:59 > 0:08:02Charles, the previous husband, mentioned the fact that
0:08:02 > 0:08:05the mother was suffering dementia or beginning to.
0:08:05 > 0:08:08Um, so, do we take her at her word she remembers
0:08:08 > 0:08:10she was in bed reading because she was ill?
0:08:10 > 0:08:13Which did kind of coincide with his story, but are we meant to...
0:08:13 > 0:08:17- Miranda stayed behind... - To take care of the mum.
0:08:17 > 0:08:22Or was she taking advantage of the absence of her husband
0:08:22 > 0:08:25- for some reason? - Yes.- Hence the smart frock.
0:08:25 > 0:08:28Who's to say that invite, "Keep it between the two of us"
0:08:28 > 0:08:31was Jemima's? It might have been Miranda's.
0:08:31 > 0:08:33- Two of who? - Yes.- Mm-hm.
0:08:33 > 0:08:35Well, let's have a look at the suspects.
0:08:35 > 0:08:37The suspects so far are
0:08:37 > 0:08:41Lord Charles Laxford, the Lord of Strath Manor,
0:08:41 > 0:08:44Jemima Andrews, mother of Lady Miranda,
0:08:44 > 0:08:48and Judith Mackenzie, the housekeeper of Strath Manor.
0:08:48 > 0:08:50Yeah, it's more about alibis and things at the moment.
0:08:50 > 0:08:54- Yes, it's difficult when it's so far in the past.- Yeah.- Mm-hm.
0:08:54 > 0:08:56But let me try and help you out with a piece of evidence.
0:08:56 > 0:08:59In every round you get to interrogate a piece of evidence,
0:08:59 > 0:09:01and I'm going to start you off with one.
0:09:01 > 0:09:06It is the party invitation found in Jemima's book.
0:09:06 > 0:09:08"Let's just keep this between the two of us."
0:09:08 > 0:09:12And it is "Lord and Lady Laxford invite you to join them
0:09:12 > 0:09:17"at Strath Manor between 5 and 10pm. RSVP."
0:09:18 > 0:09:21And also you can see there the book that it was in.
0:09:21 > 0:09:23Poems of Elizabeth Barrett Browning.
0:09:23 > 0:09:29Well, the invitation is to the party at the manor.
0:09:29 > 0:09:32- At the manor, so, someone else brought it into the house.- Yes.
0:09:32 > 0:09:34What did they say about the date of that invitation, though?
0:09:34 > 0:09:38- Cos she talked about... - It's 16 years, not 15 years.- Yes.
0:09:38 > 0:09:41- So, the year before. - Which could be why
0:09:41 > 0:09:44there could be something going on. Maybe an affair, a possibility.
0:09:44 > 0:09:46- Well, baby Daniel. - Ooh.
0:09:46 > 0:09:49Laura, that's just what I was thinking as well.
0:09:49 > 0:09:51- A year, a year, you say. - I don't have any children
0:09:51 > 0:09:53but I understand there's some distance between things happening
0:09:53 > 0:09:55and things happening!
0:09:55 > 0:09:56LAUGHTER
0:09:57 > 0:10:00So, that's the party invitation.
0:10:00 > 0:10:02It's time now for round two, last movements.
0:10:02 > 0:10:06We'll see what happened to Lady Miranda on the day of her death
0:10:06 > 0:10:0715 years ago.
0:10:07 > 0:10:09It's a flashback. Ooh!
0:10:09 > 0:10:10LAUGHTER
0:10:10 > 0:10:13Notepads at the ready, let's had back to Strath Manor.
0:10:21 > 0:10:25- TV:- And finally, a reminder of today's top stories.
0:10:25 > 0:10:29After seven years of construction, the new bridge has finally opened
0:10:29 > 0:10:30for traffic at Loch Menzies.
0:10:30 > 0:10:32- The outsider Maiden Zet... - DOOR SLAMS
0:10:32 > 0:10:35- ..won the Champion's Hurdle at 66-1. - FOOTSTEPS
0:10:35 > 0:10:37In business news,
0:10:37 > 0:10:40the Financial Times 30 Index had one of its worst...
0:10:42 > 0:10:44- Mummy! - Oh!
0:10:44 > 0:10:47What are you doing creeping around?
0:10:47 > 0:10:49You're going to set fire to something one of these days.
0:10:49 > 0:10:52What are you doing with that?
0:10:52 > 0:10:55- Help! Murder!- Honestly.
0:10:55 > 0:10:57Have you carried on drinking?
0:10:57 > 0:10:59- BOTTLE CLATTERS - Absolutely not.
0:11:00 > 0:11:02Show yourself!
0:11:03 > 0:11:04There's no-one there.
0:11:04 > 0:11:08Too much gin makes you hallucinate. Did you know that, Mummy?
0:11:12 > 0:11:14Into bed, go on.
0:12:06 > 0:12:09Darling, are you there?
0:12:19 > 0:12:20Darling?
0:12:30 > 0:12:31- ALL:- Ooh!
0:12:31 > 0:12:33I always wear my pearls to bed as well!
0:12:34 > 0:12:35Armchair Detectives?
0:12:35 > 0:12:39- It would seem it wasn't a sword, it's the poker.- Yes.- Yes.
0:12:39 > 0:12:42So, there was something potentially beside the body
0:12:42 > 0:12:44and it was the poker she was carrying.
0:12:44 > 0:12:46Whereas I think she was expecting trouble.
0:12:46 > 0:12:50The moment the mother made sounds, she went straight for a weapon.
0:12:50 > 0:12:52Charles was definitely hiding something because he called out
0:12:52 > 0:12:55to find out where the wife was, and then hid an envelope in a drawer.
0:12:55 > 0:12:58- Yes, something happened there, didn't it?- A nice thick...
0:12:58 > 0:13:00- A nice thick envelope.- Mm-hm.- Yeah.
0:13:00 > 0:13:03Did anyone see what time the car drove away?
0:13:03 > 0:13:05- 6.40. - 6.40, thank you.
0:13:05 > 0:13:08- And His Lordship arrived at 7? - 7.20.
0:13:08 > 0:13:107.20, it was 7.20.
0:13:10 > 0:13:13- And was it a different car?- It was the same estate, but I can't tell
0:13:13 > 0:13:17if that was like 12 hours later or if that was just an hour and a bit.
0:13:17 > 0:13:21And then the noise in the hallway,
0:13:21 > 0:13:26but both women heard it, and both women came to find out what it was.
0:13:26 > 0:13:29As always, it's time to pick a piece of evidence from the following.
0:13:29 > 0:13:32We have the forensics on the fireplace poker.
0:13:32 > 0:13:37Or from the cold case file, a forensics report on the candlestick.
0:13:37 > 0:13:42And finally from the cold case file, a police report on the envelope. So?
0:13:42 > 0:13:46The poker, I would love to know if she maybe got a whack at the guy
0:13:46 > 0:13:49or person who attacked her.
0:13:49 > 0:13:52Envelope, I'd love to know what was in that thick envelope.
0:13:52 > 0:13:54But I might have missed the candlesticks.
0:13:54 > 0:13:57- I don't recall... - Well, Mum was holding a candlestick.
0:13:57 > 0:13:58That was a gin bottle.
0:13:58 > 0:14:01No, the gin bottle was picked up, she was lighting her way
0:14:01 > 0:14:02- with the candlestick. - Oh, the candlestick.
0:14:02 > 0:14:06I imagine the poker forensics ought to tell us
0:14:06 > 0:14:09if that was the murder weapon.
0:14:09 > 0:14:14I would like to see the envelope to begin with, just so we can know...
0:14:14 > 0:14:16- Know what he was up to. - ..what he was up to.
0:14:16 > 0:14:21- We'll inevitably return to the poker forensics.- And the candlestick.
0:14:21 > 0:14:24We'll be haunted by the candlesticks for the rest of the game.
0:14:24 > 0:14:26- I'm happy to go with you and the envelope.- Envelope?
0:14:26 > 0:14:28- I'm happy to go with the envelope. - Yeah. Let's see it, then.
0:14:28 > 0:14:32- This is an envelope found 15 years ago...- Right.
0:14:32 > 0:14:34..in the top drawer,
0:14:34 > 0:14:39containing £6,700 in cash, and you can see the denominations there.
0:14:39 > 0:14:43132 £50 notes, three £20 notes, four £10 notes.
0:14:43 > 0:14:45- It's a lot of money. - It's a lot of money.
0:14:45 > 0:14:4715 years ago as well, that would have been a lot of cash.
0:14:47 > 0:14:49Has it come from the bank?
0:14:49 > 0:14:56Does the bank normally issue money in envelopes of that kind, or...?
0:14:56 > 0:14:58Currently, it's the bank of Auntie Netty.
0:14:58 > 0:15:02- Well, yes, that was going to be my follow-up.- Well, yes.
0:15:02 > 0:15:03Has he gone scrounging off the family?
0:15:03 > 0:15:06- Where did this money came from? - That's a very good point, yeah.
0:15:06 > 0:15:08It's time to lock in your prime suspect.
0:15:08 > 0:15:12We have Lord Charles, Jemima, and Judith.
0:15:12 > 0:15:16Please write down who your prime suspect is now.
0:15:22 > 0:15:25Time's up, Armchair Detectives, notepads down.
0:15:25 > 0:15:28So, Roger, tell me who's your prime suspect and why?
0:15:28 > 0:15:31I have at this stage said Jemima
0:15:31 > 0:15:36because I suspect there is hanky-panky going on
0:15:36 > 0:15:41on the part of Miranda and, um,
0:15:41 > 0:15:43Jemima does not approve of this at all.
0:15:43 > 0:15:46Gregor, who's your prime suspect and why?
0:15:46 > 0:15:47I have also gone for Jemima.
0:15:47 > 0:15:49She hallucinates when drinking
0:15:49 > 0:15:53so, it might have been a case of accidental death.
0:15:53 > 0:15:56Laura, who's your prime suspect and why?
0:15:56 > 0:15:59- Well, I've gone for Lord Charles. - Yes.
0:15:59 > 0:16:03Although I am also thinking that it's Jemima.
0:16:03 > 0:16:07- But what put me off was murdering your own daughter.- Yes.
0:16:07 > 0:16:13- But the hallucination thing is... - Mm.- It's cast doubts.- Yes.
0:16:13 > 0:16:16So, in summary, Roger has gone for Jemima,
0:16:16 > 0:16:18Gregor has gone for Jemima,
0:16:18 > 0:16:22and Laura has gone for Lord Charles.
0:16:22 > 0:16:25So, it's on to round three now, the police interviews.
0:16:25 > 0:16:28Knight and Slater decide to ask Lord Laxford
0:16:28 > 0:16:31further questions at Strath Manor.
0:16:31 > 0:16:34Notepads at the ready. Let's go back to Mortcliff.
0:16:47 > 0:16:49I'm sorry about that.
0:16:50 > 0:16:52Here it is.
0:16:52 > 0:16:53I've been going through the police reports
0:16:53 > 0:16:56on your wife's disappearance.
0:16:56 > 0:17:00At the time, there were questions raised
0:17:00 > 0:17:04as to whether the letter she left was authentic.
0:17:05 > 0:17:11I understand you found it a few days after she went missing?
0:17:12 > 0:17:18It's her typewriter, and that's her signature, signed with her pen.
0:17:18 > 0:17:21I bought her a pen the day she disappeared.
0:17:24 > 0:17:26I still have it if you need to do tests.
0:17:28 > 0:17:30Who's Brian?
0:17:32 > 0:17:34Brian Murray.
0:17:34 > 0:17:39He delivered food every week and did a bit of catering if we needed it.
0:17:39 > 0:17:41And you're convinced that she was...
0:17:41 > 0:17:43I knew she was attracted to him.
0:17:43 > 0:17:46She enjoyed cooking.
0:17:46 > 0:17:48They spent a lot of time together,
0:17:48 > 0:17:51especially when I couldn't give her what she needed.
0:17:52 > 0:17:55I loved Miranda, but we had problems.
0:17:56 > 0:18:01I guess, at the time, it made sense to me.
0:18:07 > 0:18:08Brian Murray?
0:18:10 > 0:18:13No, Brian Peters.
0:18:15 > 0:18:16Are you sure?
0:18:17 > 0:18:20You certainly match the description we have.
0:18:22 > 0:18:24Better come inside.
0:18:30 > 0:18:33Do you always keep photographs of people you don't know?
0:18:34 > 0:18:36I do know them.
0:18:37 > 0:18:42So, you are the Brian Murray who used to do catering for them?
0:18:44 > 0:18:45Yes, I am.
0:18:46 > 0:18:49After the old lady threw a meat cleaver at me, I left.
0:18:49 > 0:18:52Sweet old lady Jemima!
0:18:52 > 0:18:54I don't know what she's like now
0:18:54 > 0:18:58but she had a bit of a bad drink problem back then.
0:18:59 > 0:19:01The family were nice enough.
0:19:01 > 0:19:04But when I complained to Lady Miranda, she got angry,
0:19:04 > 0:19:08accused me of all sorts, so, I left.
0:19:08 > 0:19:10Took early retirement and moved here.
0:19:12 > 0:19:15- You changed your name as well? - Not legally.
0:19:16 > 0:19:18Peter is my middle name.
0:19:18 > 0:19:20Never fancied Murray much.
0:19:20 > 0:19:24Would you say you and Miranda Laxford were...close?
0:19:24 > 0:19:26- HE CHUCKLES - No.
0:19:26 > 0:19:27I know what the rumours were.
0:19:27 > 0:19:29What were they?
0:19:29 > 0:19:32That she fancied me.
0:19:32 > 0:19:36I was flattered but there was never anything like that.
0:19:36 > 0:19:37She was a nice lady.
0:19:37 > 0:19:41Had a blind spot where her mother was concerned, though.
0:19:41 > 0:19:44I, mean think about it.
0:19:44 > 0:19:45Would she really want all this
0:19:45 > 0:19:48when she lived up there in that fancy house?
0:19:48 > 0:19:49It's not always about the money.
0:19:49 > 0:19:53She loved him, Lord Charles.
0:19:53 > 0:19:56And he loved her, there was never any doubt about that.
0:19:57 > 0:19:59Why are youse here after all this time?
0:20:02 > 0:20:04Her body was recently discovered.
0:20:07 > 0:20:08How awful.
0:20:10 > 0:20:13Well, if there's anything I can do to help.
0:20:14 > 0:20:19Thank you. We'll be in touch, Mr Murray.
0:20:19 > 0:20:20Mr Peters.
0:20:25 > 0:20:27- Ah.- Very interesting.
0:20:27 > 0:20:30Let me just bring up the suspects board before we talk about it,
0:20:30 > 0:20:32because we've got an extra suspect.
0:20:32 > 0:20:36Brian Murray, a former employee of the victim.
0:20:36 > 0:20:39Let's deal with Lord Charles first of all.
0:20:39 > 0:20:43At first he was looking through the betting slips on the table
0:20:43 > 0:20:46- when he walked into the room.- Yes.
0:20:46 > 0:20:51Which, on the night of Lady Miranda's disappearance,
0:20:51 > 0:20:54she was listening to the radio, which mentioned the horse
0:20:54 > 0:20:58racing was on at the time, which may account for...
0:20:58 > 0:21:00- His winnings.- ..his winnings.
0:21:00 > 0:21:02- Which could be winnings. - Which could be winnings.
0:21:02 > 0:21:07But if he had a bad gambling habit then he might not have always won.
0:21:07 > 0:21:09Precisely.
0:21:09 > 0:21:11- We also have a note. - We also have a note.
0:21:11 > 0:21:14- Yeah. A typed note. - A typed note.
0:21:14 > 0:21:18- Lord Charles says it's her signature.- Yes.
0:21:18 > 0:21:20- Yeah.- Is that so?
0:21:20 > 0:21:24And, Brian, there's something not quite right there.
0:21:24 > 0:21:27Yeah. What's he trying to hide? What's he running away from?
0:21:27 > 0:21:30And what was mentioned in the letter?
0:21:30 > 0:21:33Am I getting a sniff of Lady Chatterley's Lover here?
0:21:34 > 0:21:37His Lordship can't give his wife what she wants.
0:21:37 > 0:21:38She needs.
0:21:38 > 0:21:42And maybe he can't provide the wherewithal for an heir.
0:21:42 > 0:21:43OK.
0:21:43 > 0:21:45Once again you can pick a piece of evidence,
0:21:45 > 0:21:47and we've added a new one to the list.
0:21:47 > 0:21:51So would you like to see the forensics on the fireplace poker?
0:21:51 > 0:21:55From the cold case file, forensics on the candlestick?
0:21:55 > 0:22:00Our new piece of evidence is a photograph of the Laxford
0:22:00 > 0:22:02family taken at Strath Manor.
0:22:02 > 0:22:08So, the questions for here and now, the candlestick is a cold case file.
0:22:08 > 0:22:11Yeah, so for some reason at that time
0:22:11 > 0:22:14they decided to investigate the candlestick.
0:22:14 > 0:22:17- Mm-hm.- Whereas we know the poker was found next to the body.
0:22:17 > 0:22:20So, I'd like to know why they felt it was necessary to do
0:22:20 > 0:22:23a forensics report on the candlesticks at that time.
0:22:23 > 0:22:24Yeah, yeah.
0:22:24 > 0:22:27I should like to see the candlesticks at the moment, I think.
0:22:27 > 0:22:29Colonel Mustard, candlestick.
0:22:29 > 0:22:31- Colonel Mustard, candlestick in the library.- Yes.
0:22:31 > 0:22:36Yes. It's an antique French Second Empire silver candlestick.
0:22:36 > 0:22:40And the prints on it are Miranda's and Jemima's.
0:22:42 > 0:22:48Prints found but nothing else found. No blood, no hair.
0:22:48 > 0:22:50It certainly seems to be quite an old, expensive, antique
0:22:50 > 0:22:52candlestick, doesn't it?
0:22:52 > 0:22:54But it's an old, expensive house.
0:22:54 > 0:22:55It is an old, expensive house.
0:22:55 > 0:22:58- So presumably such things are about the place.- So they just...
0:22:58 > 0:23:01Absolutely. OK, it's prime suspect time again, armchair detectives.
0:23:01 > 0:23:05Lord Charles, Jemima, Judith, or Brian?
0:23:05 > 0:23:09Please write down who your prime suspect is now.
0:23:14 > 0:23:17Notepads down, please, armchair detectives. Time is up.
0:23:17 > 0:23:22So, Roger, last time you picked Jemima. Have you changed your mind?
0:23:22 > 0:23:28I'm still sticking with Jemima for the time being, although I am
0:23:28 > 0:23:32still hanging onto this touch of Lady Chatterley theory.
0:23:32 > 0:23:37Gregor, last time you went for Jemima. Have you changed your mind?
0:23:37 > 0:23:42I have not. To be honest, it's still the same, hallucination, drinking.
0:23:42 > 0:23:44There might be a backstory that we're going to learn
0:23:44 > 0:23:47possibly about the whole baby aspect and whatnot.
0:23:47 > 0:23:51Laura, last time you went for Charles. Have you changed your mind?
0:23:51 > 0:23:53- Not yet. - Oh, right, OK.
0:23:53 > 0:23:59Brian seemed...he seemed sincere in saying that he wasn't
0:23:59 > 0:24:00attracted to Miranda.
0:24:00 > 0:24:04The rumours were that there was something between them,
0:24:04 > 0:24:07but he didn't have much truck with that.
0:24:07 > 0:24:09Suspect round up, then.
0:24:09 > 0:24:11Roger has gone for Jemima, Gregor has gone for Jemima,
0:24:11 > 0:24:14and Laura has gone for Lord Charles.
0:24:14 > 0:24:18So, it's time for round four now, Dig Deeper.
0:24:18 > 0:24:20We'll now discover more details of what
0:24:20 > 0:24:25happened on the day of Lady Miranda's death 15 years ago.
0:24:38 > 0:24:39And for you.
0:24:43 > 0:24:44Oh, I don't deserve you.
0:24:46 > 0:24:47Oh, God.
0:24:47 > 0:24:48Mummy!
0:24:48 > 0:24:51Come on, old chap, let's get you into the car.
0:24:51 > 0:24:56You evil woman! And you, you're not even a real father.
0:24:56 > 0:24:58Jemima.
0:24:59 > 0:25:01Take Daniel out of here, Charles.
0:25:01 > 0:25:03Let me. Let me.
0:25:03 > 0:25:05No, I'm better at dealing with her than you.
0:25:05 > 0:25:07How much have you had to drink?
0:25:07 > 0:25:10Good God, it's only one o'clock in the afternoon.
0:25:10 > 0:25:12She'll be fine with the housekeeper.
0:25:14 > 0:25:16If I can get her to sleep it off then I can try
0:25:16 > 0:25:18and get her to see sense.
0:25:20 > 0:25:23Have a lovely day with Aunt Netty.
0:25:23 > 0:25:26And you better be going, otherwise you'll be late.
0:25:26 > 0:25:30Oh, do you have any cash? I've run out.
0:25:30 > 0:25:32In the hallway dresser drawer.
0:25:36 > 0:25:37What a mess.
0:26:10 > 0:26:11ENGINE STARTS
0:26:27 > 0:26:30The car that drove away in the earlier clip,
0:26:30 > 0:26:33was it the same as his Lordship's car?
0:26:33 > 0:26:34See, I thought it was an estate.
0:26:34 > 0:26:35I thought it wasn't.
0:26:35 > 0:26:39The car was seen going and coming.
0:26:39 > 0:26:43Lady Miranda's just watched him leave at this time.
0:26:43 > 0:26:45- One o'clock.- At one o'clock. - At one o'clock, yeah.
0:26:45 > 0:26:49Cos we saw him...we saw that car departing again at 6.40.
0:26:49 > 0:26:51- And he returned at 7.20. - And he returned at 7,20,
0:26:51 > 0:26:55When he did the thing with the money. Now...
0:26:55 > 0:26:58If Aunt Netty is looking after the baby
0:26:58 > 0:27:03while he's gone to the horse races and then come back.
0:27:03 > 0:27:06Get more money then go back to get the baby.
0:27:06 > 0:27:08Let's have a look at the evidence, see
0:27:08 > 0:27:10if we can help you out a little bit.
0:27:10 > 0:27:13Your choices are either the forensics on the fireplace
0:27:13 > 0:27:16poker, or a photograph of the Laxford family
0:27:16 > 0:27:19taken at Strath Manor, and there's a new item, which is
0:27:19 > 0:27:23from the cold case file, Lady Miranda's goodbye letter.
0:27:24 > 0:27:28If she was testing the pen by signing her name...
0:27:28 > 0:27:29On that bit of paper.
0:27:29 > 0:27:32..and that just conveniently there to be...
0:27:32 > 0:27:33And that's why it was typed.
0:27:33 > 0:27:36I would like confirmation of what that letter contains.
0:27:36 > 0:27:40Yes. Without confirmation of what the letter contains it's easy to
0:27:40 > 0:27:42get caught up in all the new things.
0:27:42 > 0:27:43Yeah, understood.
0:27:43 > 0:27:45I would like to see the poker.
0:27:45 > 0:27:48To see if there was DNA, blood, anything like that.
0:27:48 > 0:27:50- Is that the murder weapon? - Shall we go for the...
0:27:50 > 0:27:52- Poker?- Yeah, I'm... Yeah, poker.
0:27:52 > 0:27:57So it is a robust steel poker from the Netherlands, wrought iron.
0:27:57 > 0:28:01And the prints on it are Miranda Laxford and Charles Laxford.
0:28:03 > 0:28:06She might not have been bashed across the head to
0:28:06 > 0:28:07produce the blood and hair.
0:28:07 > 0:28:11It could have been a soft tissue injury,
0:28:11 > 0:28:14if that was the murder weapon, which...
0:28:14 > 0:28:17Well, we don't actually know the cause of death.
0:28:17 > 0:28:18No, we don't know the cause of death.
0:28:18 > 0:28:19No, we don't. No.
0:28:19 > 0:28:22But the fact you don't know a lot of things doesn't stop us
0:28:22 > 0:28:24from asking you who's your prime suspect?
0:28:24 > 0:28:29It's time to lock in. Lord Charles, Jemima, Judith, and Brian.
0:28:29 > 0:28:32Who is your prime suspect? Write it down in your notebooks now.
0:28:38 > 0:28:41Time's up. Notebooks down, armchair detectives.
0:28:41 > 0:28:45OK, Roger, last time your prime suspect was Jemima.
0:28:45 > 0:28:47Have you changed your mind?
0:28:47 > 0:28:49For the time being, I have.
0:28:49 > 0:28:51Oh, right. Who have you gone for?
0:28:51 > 0:28:52I've gone for Charles.
0:28:52 > 0:28:53Charles, why?
0:28:53 > 0:28:58The Lady Chatterley business, and he's got what he needs,
0:28:58 > 0:29:02which is an heir, and I really want to find out about that letter.
0:29:02 > 0:29:05But she is no longer necessary.
0:29:05 > 0:29:10Disposable wife. Gregor, last time you went for Jemima.
0:29:10 > 0:29:12Have you changed your mind?
0:29:12 > 0:29:13I haven't. I'm sticking.
0:29:13 > 0:29:15You're still sticking?
0:29:15 > 0:29:17Sticking with Mummy for now. There's just something about her.
0:29:17 > 0:29:20Yeah. Laura, last time you went for Charles.
0:29:20 > 0:29:22Who have you gone for this time?
0:29:22 > 0:29:28I've stayed with Charles so far, but I'm still curious about Brian.
0:29:28 > 0:29:33So, in summary, the suspects as we stand are Roger has gone for
0:29:33 > 0:29:37Charles, Gregor has gone for Jemima, and Laura has gone for Charles.
0:29:37 > 0:29:40It's round five, the Final Clues.
0:29:40 > 0:29:42Knight and Slater are still looking for answers
0:29:42 > 0:29:46and have pulled in Lord Laxford and Jemima for questioning.
0:29:46 > 0:29:49This time, they're at the Mortcliff Police Station.
0:29:49 > 0:29:51Who's trying to hide family secrets?
0:29:51 > 0:29:53Notepads at the ready, let's find out.
0:30:05 > 0:30:07So the bulk of the wealth of the estate
0:30:07 > 0:30:09comes from Lady Laxford's family?
0:30:11 > 0:30:14Yes. It's no secret.
0:30:15 > 0:30:18The house is my ancestral home,
0:30:18 > 0:30:22but my father lost a lot of money after the war.
0:30:22 > 0:30:25Seven years after your wife's disappearance you had her
0:30:25 > 0:30:27declared dead.
0:30:28 > 0:30:31It seemed like she was never coming back.
0:30:31 > 0:30:33It was time to move on.
0:30:33 > 0:30:37Bit extreme, don't you think, when you didn't know she was dead?
0:30:37 > 0:30:40It was done on the advice of my solicitor.
0:30:40 > 0:30:45Your wife in her will left the bulk of her money to you and your son.
0:30:46 > 0:30:50Detective, it's common practice for people to make wills...
0:30:51 > 0:30:54..especially when there's a lot of money involved.
0:30:54 > 0:30:57You've sold a lot of assets, though, since your wife disappeared.
0:30:58 > 0:31:01Why didn't you keep on looking for her?
0:31:01 > 0:31:03Isn't that what you lot are supposed to do?
0:31:03 > 0:31:07Sir, last time we met you said you couldn't give Miranda what
0:31:07 > 0:31:08she wanted.
0:31:08 > 0:31:09What did you mean by that?
0:31:14 > 0:31:15I have a condition.
0:31:18 > 0:31:19I'm sterile.
0:31:21 > 0:31:23Which is why, 15 years ago
0:31:23 > 0:31:25when Daniel was born, you had a paternity test done.
0:31:27 > 0:31:28That's none of your business.
0:31:31 > 0:31:36According to the postmortem report, your wife died of a
0:31:36 > 0:31:40"violent, blunt-force trauma to the back of the head."
0:31:42 > 0:31:45Murder, I'm afraid, is very much our business.
0:31:48 > 0:31:54I wanted to be sure. Of course Daniel isn't my biological son.
0:31:55 > 0:32:02Miranda had an affair, it was over. We desperately wanted children.
0:32:02 > 0:32:06We tried IVF, but it didn't work for us.
0:32:09 > 0:32:13I know she loved me, as I loved her.
0:32:17 > 0:32:18Very much.
0:32:20 > 0:32:23Lord Charles, I'm going
0:32:23 > 0:32:27to need your permission to take a DNA sample from Daniel.
0:32:35 > 0:32:38I can't remember much from that time.
0:32:38 > 0:32:42They used to argue about the fact that they couldn't have children,
0:32:42 > 0:32:46and he was desperate to have someone carry on his family name.
0:32:47 > 0:32:50I'm sure you're as virile as an ox.
0:32:51 > 0:32:53Flattery, my lady, will get you everywhere.
0:32:55 > 0:32:59Now, can you remember anything from that night at all?
0:33:01 > 0:33:05I remember hearing a car start up and leave,
0:33:05 > 0:33:07then waking up with rather a sore head.
0:33:07 > 0:33:12I'm not sure why. I got up and looked through my window.
0:33:12 > 0:33:17It felt as though almost immediately the same car came back again.
0:33:18 > 0:33:20But it couldn't have been.
0:33:20 > 0:33:22How come?
0:33:22 > 0:33:25Because the car that came back was Charles.
0:33:25 > 0:33:26DOOR OPENS
0:33:26 > 0:33:29For the record, a uniformed officer has entered the room.
0:33:29 > 0:33:33No more abuse, Madame du Bois. This time I shall defend myself!
0:33:33 > 0:33:36Lady Jemima, everything's all right, she can't hurt you now.
0:33:36 > 0:33:39Please, sit down.
0:33:41 > 0:33:42Sit down.
0:33:47 > 0:33:50I'm so sorry, I don't know what came over me.
0:33:50 > 0:33:51That's all right.
0:33:54 > 0:33:56Do you know why you reacted like that?
0:33:59 > 0:34:02Never trust a woman who wears a yellow dress.
0:34:06 > 0:34:11- Ah.- So, armchair detectives, what do you think?
0:34:11 > 0:34:14- I think I said other facilities, didn't I?- You did, yes.
0:34:14 > 0:34:17Well, I think the other facilities were definitely made
0:34:17 > 0:34:19use of by the family.
0:34:19 > 0:34:20Whose facilities?
0:34:20 > 0:34:21LAUGHTER
0:34:23 > 0:34:25I think they used Brian's facilities.
0:34:25 > 0:34:27Used Brian's facilities.
0:34:28 > 0:34:32So you think that that discussion with Lord Charles is
0:34:32 > 0:34:33confirmation of the theory?
0:34:33 > 0:34:35Well, his facilities weren't working.
0:34:35 > 0:34:37Yes. OK.
0:34:37 > 0:34:41But Charles seemed sincere and honest.
0:34:41 > 0:34:43- I thought that.- And his fingerprints are on the poker,
0:34:43 > 0:34:46- not surprising because it's his poker.- Yeah.
0:34:46 > 0:34:49You've got one more pick before you make your accusation.
0:34:49 > 0:34:52There are just two pieces of evidence left.
0:34:52 > 0:34:55You can have the photograph of the Laxford family taken at
0:34:55 > 0:35:01Strath Manor, or, from the cold case file, Lady Miranda's goodbye letter.
0:35:01 > 0:35:02I'm keen to see the letter.
0:35:02 > 0:35:04Yes, the letter.
0:35:04 > 0:35:06The letter? Let's have a look at Lady Miranda's letter.
0:35:06 > 0:35:08Miranda Laxford.
0:35:08 > 0:35:11"Sorry, I have to be with Brian. Look after our son."
0:35:11 > 0:35:13OK, that's the practice signature.
0:35:13 > 0:35:16- Yeah, the practice signature.- Can I...
0:35:16 > 0:35:19And someone found that and put it through the typewriter.
0:35:19 > 0:35:21..just say that that A looks awfully like a Q.
0:35:21 > 0:35:27I think that's maybe the typing skills of somebody who's not
0:35:27 > 0:35:28terribly focused.
0:35:28 > 0:35:30- A little intoxicated.- OK.
0:35:30 > 0:35:32How does Brian come into this, though?
0:35:32 > 0:35:33What are you thinking about Brian?
0:35:34 > 0:35:40Well, the letter is inferring that Miranda,
0:35:40 > 0:35:44being in love with Brian, wants to go and start a life with him.
0:35:44 > 0:35:48But we already know from the interview that Brian might
0:35:48 > 0:35:50have been convenient.
0:35:50 > 0:35:55Yeah. I mean, that's not a letter, that's an improvisation.
0:35:55 > 0:35:57So you're fairly certain this isn't actually...
0:35:57 > 0:36:00- No. What it...- It's almost like you discovered a scrap of paper with
0:36:00 > 0:36:02somebody's signature on it and then...
0:36:02 > 0:36:05- Then they put it through a typewriter.- And put it through a typewriter, absolutely.
0:36:05 > 0:36:08- Because they couldn't do the handwriting.- That's what it looks like to me.
0:36:08 > 0:36:11Armchair detectives, I'm sorry, the big moment has arrived.
0:36:11 > 0:36:14- No!- You're about to make your final accusation for the chance
0:36:14 > 0:36:17of winning a golden magnifying glass.
0:36:17 > 0:36:22This is your last chance to get your hands on the trophy.
0:36:22 > 0:36:26It's time to answer the only question that matters, whodunnit?
0:36:32 > 0:36:35Notepads down, time's up, armchair detectives.
0:36:35 > 0:36:37Roger, who have you accused and why?
0:36:37 > 0:36:40I've gone back to Jemima.
0:36:40 > 0:36:45She heartily disapproves of her daughter's shenanigans.
0:36:45 > 0:36:48Gregor, who are you accusing and why?
0:36:48 > 0:36:50I have stuck with Jemima.
0:36:52 > 0:36:56Whether she knew what she was doing or not, I'm not sure.
0:36:56 > 0:36:58Laura, who are you accusing and why?
0:36:59 > 0:37:01I have gone to Jemima.
0:37:01 > 0:37:04Jemima. Why?
0:37:04 > 0:37:09Because we're finding out the... The narrative gaps are being
0:37:09 > 0:37:10filled in in the background,
0:37:10 > 0:37:16but the letter suggests somebody who doesn't know about the agreement.
0:37:16 > 0:37:18The gentleman's agreement.
0:37:18 > 0:37:21So in summary, it's a full house.
0:37:21 > 0:37:25Roger, Gregor, and Laura have all gone for Jemima.
0:37:25 > 0:37:28However, there is one piece of evidence left.
0:37:28 > 0:37:29- The photograph.- Oh, yes.
0:37:29 > 0:37:31So let's have a look at the photograph.
0:37:31 > 0:37:33Would it have made a difference or is it a red herring?
0:37:33 > 0:37:37Let's take a look at the photograph of the Laxford family.
0:37:37 > 0:37:41This is the Polaroid picture that was taken on the day of the murder.
0:37:42 > 0:37:44Happy families.
0:37:44 > 0:37:45Cos it is his child.
0:37:46 > 0:37:47Very possibly.
0:37:48 > 0:37:51Let's find out what really happened in today's story,
0:37:51 > 0:37:53What Became Of Miranda?
0:37:53 > 0:37:58Who killed Lady Miranda Laxford? Let's find out whodunnit.
0:38:05 > 0:38:08How many men would raise another man's child?
0:38:08 > 0:38:11Depends on the circumstances.
0:38:11 > 0:38:14I do believe him when he said he loved his wife, though.
0:38:14 > 0:38:17He told us he wasn't jealous,
0:38:17 > 0:38:20but Jemima said they argued about not having children.
0:38:22 > 0:38:24And love can be a motive for murder.
0:38:24 > 0:38:28I just... I can't see him striking her from behind, though,
0:38:28 > 0:38:30feels too last-minute for me.
0:38:30 > 0:38:32Also, if he murdered her in a fit of rage,
0:38:32 > 0:38:35why would he still call Daniel his son when he's not?
0:38:38 > 0:38:40So he didn't go to Aunt Netty's.
0:38:40 > 0:38:42But he did put a bet on the horses.
0:38:42 > 0:38:45And the race track is too far away for him to go there
0:38:45 > 0:38:46and come back again in time.
0:38:50 > 0:38:52Thanks.
0:38:52 > 0:38:55Right, so, Jemima Andrews, drunk at the time,
0:38:55 > 0:38:58but, as we know, prone to outbursts of violence.
0:38:58 > 0:39:00She doesn't trust women in yellow dresses.
0:39:00 > 0:39:02Miranda was wearing a yellow
0:39:02 > 0:39:04dress during the time of her disappearance.
0:39:05 > 0:39:08As for Brian Murray, though,
0:39:08 > 0:39:11she did write a letter saying she was leaving with him.
0:39:11 > 0:39:15You're assuming that it was Lady Miranda that wrote that letter.
0:39:18 > 0:39:21Yeah, true. It was typed, supposed anyone could have written it.
0:39:26 > 0:39:28Full DNA match with Daniel Laxford.
0:39:28 > 0:39:31PHONE RINGS
0:39:35 > 0:39:37- Hello.- Hi, it's Judith from Strath Manor, if you remember.
0:39:37 > 0:39:41Ah, Judith. Yes, of course I remember.
0:39:41 > 0:39:43Someone's at the crime scene.
0:39:43 > 0:39:44I see.
0:39:44 > 0:39:45He doesn't look like an officer.
0:39:45 > 0:39:49We'll be right there. Grab your coat, Slater.
0:39:49 > 0:39:51We're going to see the ghost of Strath Manor.
0:39:57 > 0:40:01Mr Murray, fancy meeting you here.
0:40:02 > 0:40:04I was...
0:40:06 > 0:40:09OK, so I lied to you.
0:40:10 > 0:40:12We did sleep together, but it was only once.
0:40:12 > 0:40:15And you know that once is all it takes, Mr Murray.
0:40:15 > 0:40:20I propose to you that you were suspicious that Daniel was your son.
0:40:21 > 0:40:26That you went to the house to confront Miranda about that fact.
0:40:26 > 0:40:28She denied it and you got angry.
0:40:28 > 0:40:30- No.- Were you blackmailing her?
0:40:30 > 0:40:31Absolutely not.
0:40:31 > 0:40:33Did you want her to leave her husband for you?
0:40:33 > 0:40:35I said nothing like that.
0:40:35 > 0:40:37Or was it the boy?
0:40:37 > 0:40:40The one thing in her life that she really wanted
0:40:40 > 0:40:43and you were going to take him away from her.
0:40:43 > 0:40:46You got into a fight, she called out for help,
0:40:46 > 0:40:49you hit her on the back of the head and then you left.
0:40:54 > 0:40:56I loved her.
0:40:56 > 0:40:59You loved her so much you didn't want her to be with anyone else
0:40:59 > 0:41:01so you killed her.
0:41:01 > 0:41:03But then you couldn't bear the thought of never
0:41:03 > 0:41:07seeing your son again, so you moved close.
0:41:08 > 0:41:12You went downstairs, you found that piece of paper with her
0:41:12 > 0:41:16signature on it, you typed the letter on it and then you left.
0:41:16 > 0:41:17No.
0:41:19 > 0:41:22What are you doing in this section of the house?
0:41:24 > 0:41:26To look for this.
0:41:27 > 0:41:30To prove to you that that crazy old woman killed her daughter.
0:41:31 > 0:41:34If that had been here for 15 years it would be black by now.
0:41:38 > 0:41:42She wanted to stay with him. Pretend Daniel was his son.
0:41:44 > 0:41:46She accused me of trying to get my hands on her money.
0:41:46 > 0:41:49She refused to believe I loved her.
0:41:50 > 0:41:53Brian Murray, I'm arresting you on suspicion of the murder
0:41:53 > 0:41:55of Miranda Laxford.
0:41:57 > 0:41:59Spit it out, Slater.
0:41:59 > 0:42:01Who typed the letter, sir?
0:42:01 > 0:42:05We may never know, but my money's on Jemima.
0:42:08 > 0:42:11I think she wrote it just to put Lord Charles out of his misery.
0:42:13 > 0:42:16And don't forget, she believed her daughter had run off with Brian.
0:42:18 > 0:42:24Mm. Yeah. That's an interesting theory, sir.
0:42:30 > 0:42:33Well, never mind, guys.
0:42:33 > 0:42:36You failed to pick today's killer, which means, Gregor,
0:42:36 > 0:42:40your girlfriend, Toria, will finish with more trophies than you.
0:42:40 > 0:42:41Well done, Toria. Well done.
0:42:45 > 0:42:48Armchair detectives, how many of you got that right?
0:42:48 > 0:42:51Oh, not as many as usual. That was a tough one.
0:42:51 > 0:42:53So that's all from Armchair Detectives.
0:42:53 > 0:42:56Come back tomorrow, as we put our faith in Knight and Slater,
0:42:56 > 0:42:59who try and solve a deadly crime at a church.
0:42:59 > 0:43:05And remember, no-one gets away with murder in Mortcliff. Goodbye.