0:00:03 > 0:00:06Today we've come north of the border.
0:00:06 > 0:00:08We're in Scotland! Ooh, goody!
0:00:08 > 0:00:12Let's go bargain hunting! Ock aye!
0:00:42 > 0:00:45Here at the Royal Highland Showground,
0:00:45 > 0:00:47our teams have got a mission
0:00:47 > 0:00:51and that is to find those hidden gems
0:00:51 > 0:00:56that they can convert into a profit later at auction.
0:00:56 > 0:00:59So, let's go and find them, shall we?
0:00:59 > 0:01:07- 'Leading those teams today, David Barby, with the steady Eddie Reds.' - It doesn't quite fit.
0:01:07 > 0:01:11'And Charles Hanson taking it to the wire with the Blues.'
0:01:11 > 0:01:13Let's go, quick.
0:01:16 > 0:01:21'And I head to East London to the home of designer William Morris.'
0:01:23 > 0:01:26Jamie, how do you two boys know each other?
0:01:26 > 0:01:29Well, we both go to the University of St Andrews.
0:01:29 > 0:01:32We met on the first night that we were at the university.
0:01:32 > 0:01:36We spent a lot of time making cocktails
0:01:36 > 0:01:39- and ever since then... - And every night since.
0:01:39 > 0:01:43- Jamie, what are you studying? - I study astrophysics.
0:01:43 > 0:01:45- Ah.- I'm in my third year.
0:01:45 > 0:01:50That's brilliant. I know a heck of a lot about astrophysics. No, seriously, tell us about it.
0:01:50 > 0:01:53Well, I spend a lot of time looking through a telescope.
0:01:53 > 0:01:59I basically study physics but with stars and planets and everything attached with that.
0:01:59 > 0:02:04- And have you ever discovered anything unbelievable in your stargazing?- Sadly not.
0:02:04 > 0:02:06- But there's always hope.- There is.
0:02:06 > 0:02:09- Jim, you're also a student at St Andrews.- Yep.
0:02:09 > 0:02:12- Do you stargaze, too? - No, I read books. I'm a historian.
0:02:12 > 0:02:16Oh, are you? I understand a bit about... What's your favourite period?
0:02:16 > 0:02:22Probably the medieval period, cos everything's changing from the Roman period and it's not quite modern
0:02:22 > 0:02:25and it's a lot more interesting, a lot more funny stories.
0:02:25 > 0:02:30- And it's long enough ago to be able to discover some new material, too. - Yep.- Good.
0:02:30 > 0:02:35- You want to be the next Michael Wood.- That's the dream.
0:02:35 > 0:02:40- I'd quite like to spread the glorious word of history. - Yeah, why not? I have a dream.
0:02:40 > 0:02:43Why not? Good for you.
0:02:43 > 0:02:47And how are you both intending to beat the opposition?
0:02:47 > 0:02:54Well, we've talked it over. I think we're going to buy a few smaller things, maybe one big buy.
0:02:54 > 0:02:57- You are going to blow it all, though?- Spend big to win big.
0:02:57 > 0:02:59We'll see how you get on. Good luck.
0:02:59 > 0:03:03Now, you two girls were destined to meet, is that right, Sarah?
0:03:03 > 0:03:07That's one way of putting it. We knew each other on and off for years
0:03:07 > 0:03:10and then when we started becoming friends,
0:03:10 > 0:03:14we realised that we'd actually passed each other so many times
0:03:14 > 0:03:18growing up at school with hockey matches or athletics meetings and we just didn't know it.
0:03:18 > 0:03:23- But you were at different schools. - Different schools, different circle of friends,
0:03:23 > 0:03:25but we just met in passing.
0:03:25 > 0:03:28You're in a pretty creative job, Sarah.
0:03:28 > 0:03:33- Yes, I make costumes for theatre and film and I'm also a makeup artist. - Are you?- Yes.
0:03:33 > 0:03:36And what sort of period of fabric design do you really like?
0:03:36 > 0:03:39Arts & Crafts things or 20s?
0:03:39 > 0:03:44In terms of costume and clothing, 30s and 40s couture I love. The craftsmanship.
0:03:44 > 0:03:47It's got to have the label for you?
0:03:47 > 0:03:49To be worth it, yeah, it kind of does.
0:03:49 > 0:03:53- It's a disease, though. Everywhere you go...- Oh, God, I know.
0:03:53 > 0:03:57- Tracy, you're also an artist, aren't you?- Yes.
0:03:57 > 0:04:01I paint landscapes, mainly very moody skyscapes,
0:04:01 > 0:04:05- but my work tends to be very large. - Does it?- Yeah.
0:04:05 > 0:04:08What do you do when you're not painting to blow off steam?
0:04:08 > 0:04:13- Erm, I used to practise karate, so I did that for 17 years.- Did you?
0:04:13 > 0:04:16- How did you get on with it? - I absolutely loved it.
0:04:16 > 0:04:19- Just addicted to it. - What sort of level are you at?
0:04:19 > 0:04:21- I got to a black belt. - Black belt karate.
0:04:21 > 0:04:23So you're not to be tangled with, are you?
0:04:23 > 0:04:28- Well, I'm fit enough to run away really fast. - THEY LAUGH
0:04:28 > 0:04:30Yeah, well, that's fantastic.
0:04:30 > 0:04:34What's your tactical game plan today? How are you going to beat the youthful boys?
0:04:34 > 0:04:39- We thought we'd spend it all, really. - Blow the lot.- Blow the lot.
0:04:39 > 0:04:42That sounds fun. Now the money moment. Here you go, girls and boys.
0:04:42 > 0:04:48£300 a piece. You know the rules. Your experts await and off you go and very, very, very good luck.
0:04:49 > 0:04:52Black belt karate, eh? No mucking about there.
0:04:53 > 0:04:56'And no mucking about here, either. We're off.'
0:04:56 > 0:05:01Tracy and Sarah, this is it, this is where dreams are made.
0:05:01 > 0:05:03What are you going to seek out here?
0:05:03 > 0:05:08Probably things like militaria cos they are to do with history so hopefully I know a bit about that.
0:05:08 > 0:05:12- Possibly some jewellery. - Yes.- Silver-based jewellery.
0:05:12 > 0:05:15Astrophysics, what's at an antique fair for you?
0:05:15 > 0:05:18I'm quite interested in old measuring devices.
0:05:18 > 0:05:20The clock is ticking!
0:05:20 > 0:05:22Is that the sort of thing that'd get you excited?
0:05:24 > 0:05:28- Don't be afraid to touch.- OK. - Don't be afraid to handle.
0:05:29 > 0:05:31I quite like these bracelets.
0:05:31 > 0:05:35- Here we go. The base comes out.- OK.
0:05:35 > 0:05:40- Good man. Presentation is everything. - Absolutely!- That is great quality.
0:05:40 > 0:05:42That is lovely. It's pretty, it really is.
0:05:42 > 0:05:45What's the weight like, Tracy? That's very important.
0:05:45 > 0:05:48It's quite light. Very light.
0:05:48 > 0:05:52- Why don't you try it on? - I'll try it on.- Do you wear gold?
0:05:52 > 0:05:56Sometimes. I'm more of a silver girl, but I do sometimes wear gold.
0:05:56 > 0:05:59Look at that. That is lovely.
0:05:59 > 0:06:01What are the stones?
0:06:01 > 0:06:04- Yeah, what are the stones? - Are they sapphires?
0:06:04 > 0:06:11- Yes, they're sapphires.- I love this design. It's very much Greek filigree style of Neo-Renaissance.
0:06:11 > 0:06:16It's what you'd perhaps see in Ancient Greece. It's gorgeous. The weight's quite nice.
0:06:16 > 0:06:20- When was it made?- I would've thought... How old is it, sir? 1910?
0:06:20 > 0:06:26I would've said about 1900, 1905, something like that.
0:06:28 > 0:06:31I think we'll have a quick look round, look around a bit more.
0:06:31 > 0:06:34- Exactly. - Tempting as it is, we can't just...
0:06:34 > 0:06:38- We have the whole hour. We've only had ten minutes.- Exactly.
0:06:38 > 0:06:42- Right, OK.- Life is too short. - Let's keep going.- Definitely.
0:06:44 > 0:06:46'Onwards and upwards!'
0:06:50 > 0:06:54- I like this, Jim. - That painting?- Yeah.
0:06:54 > 0:06:59- What are you looking at? - The painting.- The painting down here is quite nice.
0:06:59 > 0:07:02- Er...- The still life.- A still life.
0:07:02 > 0:07:04Is this something that appeals?
0:07:04 > 0:07:06Looks quite nice. It's not bad for 15 bob.
0:07:06 > 0:07:08Er, £15, actually.
0:07:08 > 0:07:12THEY LAUGH
0:07:12 > 0:07:16- I think that's quite good. - Does the name mean anything?
0:07:16 > 0:07:19- Er...- I assume not.
0:07:19 > 0:07:21Freda Fisher.
0:07:21 > 0:07:24- Never heard of her. - What does this say?
0:07:25 > 0:07:28It's the date here.
0:07:28 > 0:07:309/5/27.
0:07:30 > 0:07:32It's quite an old piece.
0:07:32 > 0:07:36- I don't think that's too bad. - I don't think so. I think it's quite nice.
0:07:36 > 0:07:39You go over there and have a look at it from a distance.
0:07:40 > 0:07:43- I'd have that hanging up.- Yeah.
0:07:43 > 0:07:45We could get it for less than 15 quid, as well.
0:07:45 > 0:07:49Yeah, we could see if we could knock it down.
0:07:49 > 0:07:53- Tidy little profit on it, maybe. - You both like it?- Yeah.- Yeah.
0:07:53 > 0:07:55- THEY LAUGH - I think it's quite nice.
0:07:55 > 0:07:59Right, let's see who the dealer is. Hold that for a second.
0:08:00 > 0:08:04Hello! How are you? How nice to see you!
0:08:04 > 0:08:07- If we can get it for less than 15... - He'll take a fiver for it.
0:08:07 > 0:08:09- That sounds like a good deal. - Yes. £5.
0:08:09 > 0:08:12- Yeah.- OK? - It can't be less than £5, can it?
0:08:12 > 0:08:16'Good start, boys. One still life in the bag.'
0:08:16 > 0:08:20I love your dog. Is the dog for sale at all?
0:08:22 > 0:08:26- HE BLOWS MOUTHPIECE - I think you've got to have the knack to play it.
0:08:26 > 0:08:31Isn't that a sweet little toast rack? Look at that. Birmingham, 1941.
0:08:31 > 0:08:33- £30. Isn't that sweet? - It's just lovely.
0:08:33 > 0:08:37- Isn't it? Really nice. - What's the price on it?- 30.
0:08:37 > 0:08:41- 27? - £27. I mean, that is so reasonable.
0:08:41 > 0:08:45- There's not a great margin... - I quite like that, actually. Nice and simple.- It is.
0:08:45 > 0:08:50I mean, it's not going to... This is more your thing, isn't it? A pencil.
0:08:50 > 0:08:55- Hey-hey!- Look at that. We have got a Birmingham pencil from 1915.
0:08:56 > 0:08:59- It's really badly split. - Oh, yes, it has.
0:08:59 > 0:09:03I think they are really reasonable
0:09:03 > 0:09:09and we might make on that toast rack, if it's £27, we might make 10.
0:09:09 > 0:09:12- There's that bracelet.- Exactly!
0:09:12 > 0:09:17So that could always be the next buy from the bracelet, cos it's nice and reasonable.
0:09:17 > 0:09:22- We still have money left.- Exactly. - Yes, OK. Thank you very much.
0:09:22 > 0:09:26'So, two in theory equals none in practice.'
0:09:27 > 0:09:31- Quite heavy.- This is a carpet bowl.
0:09:31 > 0:09:34- It's slightly like what you were going on about.- Yeah.
0:09:34 > 0:09:38- It is quite nice.- What's the best you can do on that, sir?
0:09:38 > 0:09:41- £35.- Would you do 30 on it?
0:09:41 > 0:09:45- Er, I'll take 30, yeah.- 30?
0:09:45 > 0:09:49- How much do you think that would make?- I think it's a fun piece, actually.- It is.
0:09:49 > 0:09:52It's quite decorative and it's 19th century.
0:09:52 > 0:09:56- You could see it in a bowl.- What do you think?- Let's have a look.
0:09:56 > 0:10:02It's quite cool. Quite fun. But what would someone use it for nowadays?
0:10:02 > 0:10:05- Decorative. - You would have a wooden bowl
0:10:05 > 0:10:09- and you would have a collection of these, all different colours. - It's quite nice.
0:10:09 > 0:10:12And it's just the fact that it's Scottish pottery.
0:10:12 > 0:10:17- I quite like that.- £30 is quite good. You got him down £20.
0:10:17 > 0:10:21Yeah, I'm happy to get that. Or do you want to come back? I'm not fussed.
0:10:21 > 0:10:25- No, I quite like that. - Let's take it. Let's be decisive.
0:10:25 > 0:10:27Ohh!
0:10:27 > 0:10:30'Not totally bowled over with that, boys.
0:10:30 > 0:10:33'But come over here. I've found something that might appeal to Jamie.'
0:10:33 > 0:10:38Do you like it? Well, what is it, for a kick off?
0:10:38 > 0:10:43If you look, running around the top you can see the ends of individual staves.
0:10:43 > 0:10:49And if I turn it upside down, there they are again, look. Rather easier to see.
0:10:49 > 0:10:52Cos this thing is of coopered construction.
0:10:52 > 0:10:57Exactly the same way that a cooper would make a barrel,
0:10:57 > 0:11:01they also made this peculiar object.
0:11:01 > 0:11:07But unlike a barrel, which is more or less the same diameter at the top and the bottom,
0:11:07 > 0:11:11this fellow is a broad diameter at the bottom and narrow dimensions at the top.
0:11:13 > 0:11:16What it is is a dry measure.
0:11:16 > 0:11:22And this thing could've been used for measuring rice or peas or beans or flour.
0:11:22 > 0:11:28You'd go to the grocer, he'd measure out a measure of your peas or beans in this
0:11:28 > 0:11:30and then tip it into your shopping basket.
0:11:30 > 0:11:33So it's quite a rare object.
0:11:33 > 0:11:38What's it worth? Well, here on a stand it could be yours for £50.
0:11:38 > 0:11:41What might it make somewhere else?
0:11:41 > 0:11:45Oh, I could see it perhaps making £100 to £150.
0:11:45 > 0:11:48So there's value still in this thing.
0:11:49 > 0:11:52Anyway, I've got the measure of it.
0:11:56 > 0:11:59I'd love to see my wife wearing this. It's really attractive.
0:11:59 > 0:12:02- THEY LAUGH - No, it is. Don't you like it?
0:12:02 > 0:12:05- Erm...- It's very feminine, isn't it? - It's incredibly girly.
0:12:05 > 0:12:09- Very feminine.- It's lovely and soft. - Beautifully soft.
0:12:09 > 0:12:11- Yep.- Right.- We'll think about it.
0:12:11 > 0:12:15I can't believe we've bought two objects and you're both in agreement.
0:12:15 > 0:12:18So now, we've spent so little, we've got to spend mega-bucks.
0:12:18 > 0:12:22'Don't worry too much, David. The girls haven't spent anything yet.'
0:12:22 > 0:12:28It's very pretty with the lovely fiery opal. Probably nine-carat gold.
0:12:28 > 0:12:32- Can we see the wee stick pin, please?- It's here! - Can we take it out?
0:12:32 > 0:12:35Thanks.
0:12:36 > 0:12:38That's pretty. What do you think?
0:12:38 > 0:12:42What decade are we talking? I think we're talking... Have a guess.
0:12:42 > 0:12:46I'd say the early 20th century.
0:12:46 > 0:12:51Yeah, I would say 1890, 1910, that two-decade span.
0:12:51 > 0:12:55- Yeah. I quite like that.- It's pretty.- I think it's very pretty.
0:12:55 > 0:12:58- How much is the pin, please?- £40.
0:12:58 > 0:13:03- £40. There we go. What do you think, Sarah?- I think it's really pretty.
0:13:03 > 0:13:07- I think it's a very reasonable price, £40, for what it is.- Yeah.
0:13:07 > 0:13:10- It's a good price. - Go and try and buy an opal for £40.
0:13:10 > 0:13:13- He's quite right.- What's that? - If you try and buy that opal,
0:13:13 > 0:13:16it would cost you £40. You've got gold with it, as well.
0:13:16 > 0:13:21- We need a minute's confab.- We're still thinking about the bracelet.
0:13:21 > 0:13:24Yeah, we are. We're perhaps buying too many bits of jewellery,
0:13:24 > 0:13:26we're not spreading our bets.
0:13:26 > 0:13:29We like it very much so we'll think about it, OK?
0:13:29 > 0:13:35- Think about it?- Yep, that's fine. - Thank you.- Steer me away from the jewellery, it's all I'm looking at.
0:13:35 > 0:13:38'Oh, stop thinking! Start spending!'
0:13:38 > 0:13:43- OK, I think it's the bracelet, the pin and something for £20.- Yes.
0:13:43 > 0:13:48- I agree.- Unless we can get the bracelet for a little bit less. - Let's go, come on. Quick.
0:13:48 > 0:13:53'Finally, a decision! And they're all on the run.'
0:13:53 > 0:13:55Look at them running.
0:14:01 > 0:14:04- It's still there. - Yes, it's still there.- Ah.
0:14:04 > 0:14:09Hello again. We're back. May we look at the bracelet again, sir? We need to buy it, actually.
0:14:09 > 0:14:14This could be your route to profit.
0:14:14 > 0:14:17Now, sir, the absolute best was?
0:14:17 > 0:14:22- 230.- It is 230.- 230.
0:14:22 > 0:14:25- This is all our budget on one item. - Yeah.- Almost.
0:14:25 > 0:14:30- We've got to do it. We've only got five minutes to go. We'll take it. Thanks.- Thank you very much.
0:14:30 > 0:14:32'Carlos - so masterful!'
0:14:32 > 0:14:35Right, hold on just a mo.
0:14:36 > 0:14:39You'll have to take it out, James.
0:14:42 > 0:14:47- What does it say? - Presented to Mr M McPherson
0:14:47 > 0:14:50by his friend D Campbell, 1855.
0:14:50 > 0:14:52That's rather nice, isn't it?
0:14:55 > 0:14:58OK, it's Birmingham, 1847.
0:14:58 > 0:15:01- It's rather a high price at 275.- Mm.
0:15:01 > 0:15:05Perhaps we can get him down. Hi, there.
0:15:05 > 0:15:08- What's your best price on this? - The best price on it...
0:15:08 > 0:15:14I've got 275. The really, really best would be 225.
0:15:14 > 0:15:18- 225?- Yeah, I can't come anywhere off that.
0:15:18 > 0:15:20- Hm.- What do you think?
0:15:20 > 0:15:24I bought it at an auction and it was very expensive.
0:15:24 > 0:15:29It wasn't expensive. It was a good auction house.
0:15:29 > 0:15:31THEY LAUGH
0:15:31 > 0:15:34I'd like to see it just tucked under the 200.
0:15:34 > 0:15:37210 and that's final. Shake and it's sold.
0:15:37 > 0:15:40- 200.- 210.
0:15:40 > 0:15:44I think it's touch and go but I think it's a very nice box.
0:15:45 > 0:15:49- Not even a pound less?- No way! I know you'll get a profit out of it.
0:15:49 > 0:15:54- I think we should go for it. - Do you think?- Yeah. - You're not enthusiastic.
0:15:54 > 0:15:56I'm so enthusiastic! Yes! I'm enthusiastic.
0:15:56 > 0:16:01How can you possibly make a living in this game? You're prepared to make no commitment.
0:16:03 > 0:16:06We'll do a loop up here, come back this way
0:16:06 > 0:16:09- and then we'll make some decisions, OK?- OK.- That's a plan.
0:16:09 > 0:16:12'Oh! Now you have a plan!'
0:16:12 > 0:16:15- Charles, Charles, over here!- Hello.
0:16:15 > 0:16:18- Don't ask me.- Oh, fine, OK.
0:16:18 > 0:16:24Well, it's just our luck. The stall holder isn't here. We could be in trouble!
0:16:24 > 0:16:28- Can I have a word? - Can you come back?- Is that John?
0:16:28 > 0:16:31Hello, John. It's Charles Hanson.
0:16:31 > 0:16:34I'm just by your stick pin in the cabinet.
0:16:34 > 0:16:38OK, thanks for your help. I'll pass you back. It is 40.
0:16:38 > 0:16:40So I'll just see what my team say.
0:16:42 > 0:16:43Sarah!
0:16:45 > 0:16:48Tracy!
0:16:48 > 0:16:51It's £40, take it or leave it.
0:16:51 > 0:16:55It's £40. We've spend two thirds. That leaves us £30 left over.
0:16:55 > 0:16:57- Yep. We need to get something for £20.- Exactly.
0:16:57 > 0:17:01So I think, you like the pin, we'll buy it for £40.
0:17:01 > 0:17:05- OK? That's great. - She'd have to give us this for £20.
0:17:05 > 0:17:08- £20 for the rather beautiful...- Yep.
0:17:08 > 0:17:12It's lovely, it's worth between £25 and £35.
0:17:12 > 0:17:15The size is very sweet. It could make 40, OK?
0:17:15 > 0:17:17We have 60 seconds to go. 59.
0:17:17 > 0:17:21- 15. No, 25.- 25?
0:17:21 > 0:17:24- 25.- 40 seconds to go.
0:17:24 > 0:17:27- All right?- Yes, please, we'll take it.- 40 seconds to go.
0:17:27 > 0:17:30- Thank you!- Sorry for pressuring you.
0:17:30 > 0:17:32Have you bought it?
0:17:32 > 0:17:35'Girls, you were almost toast!'
0:17:35 > 0:17:41- RADIO STATIC - 'This is the news from the BBC. Your time is up.'
0:17:42 > 0:17:46'The Red Team bought a still life for a fiver.
0:17:47 > 0:17:51'David kept the spending low with a Fife pottery ball.
0:17:53 > 0:17:58'And finally, they went for broke with a £210 silver box.'
0:18:00 > 0:18:04- No, maybe.- Yes.- That's just the question I'm going to ask.
0:18:04 > 0:18:09- Which piece is going to bring the biggest profit?- The painting. - Painting.- You reckon?- Yes.
0:18:09 > 0:18:11- For £5, you can't go wrong. - Can't go wrong.
0:18:11 > 0:18:15All right, fine. And which is your favourite piece?
0:18:15 > 0:18:18Er, I'd say the painting. I do like it.
0:18:18 > 0:18:21- Although the ball is quite interesting.- I quite like the ball.
0:18:21 > 0:18:25- And the silver box, obviously. - You really are hedging your bets.
0:18:25 > 0:18:27- THEY LAUGH - How much did you spend?
0:18:27 > 0:18:32- 245.- 245. - £55 of leftover lolly, please.
0:18:32 > 0:18:35There we go. That's a reasonable amount, isn't it, £55?
0:18:35 > 0:18:40- Money to play with.- Jolly good. What do you know about astrophysics
0:18:40 > 0:18:43- as a result of this encounter? - Very little.
0:18:43 > 0:18:47And after today's conversation, nowt.
0:18:47 > 0:18:51- Thank you very much, David. Anyway, you've had a great time. - Yes.- Good luck.
0:18:51 > 0:18:55Why don't we remind ourselves what the Blue Team bought, eh?
0:18:55 > 0:19:00'The girls agonised for ages before making a mad dash
0:19:00 > 0:19:02'for a gold bracelet.
0:19:04 > 0:19:07'An opal and gold pin.
0:19:09 > 0:19:13'And in the dying seconds, a £25 silver toast rack.'
0:19:14 > 0:19:16It was a rollercoaster and I rode it well.
0:19:16 > 0:19:19THEY LAUGH
0:19:19 > 0:19:23- Listen, how much did you spend? - In total, £295.
0:19:23 > 0:19:26That is what you call a master, £295.
0:19:26 > 0:19:29I'm so pleased about that!
0:19:29 > 0:19:33- So, £5 of leftover lolly, please. - Yes.- Sarah's got it.
0:19:33 > 0:19:35Thank you. Nice Scottish wee £5 note.
0:19:35 > 0:19:40- Not much for you, is it? - It's very hard to find things for £5 at antique fairs.
0:19:40 > 0:19:44- You'll get a bag of sweets. - There's sweets. I like sweets.
0:19:44 > 0:19:47But I can't buy sweets. Something hopefully to tempt you, though.
0:19:47 > 0:19:51Yeah. But they won't be expecting anything too much, Charles.
0:19:51 > 0:19:55What I want to know, Tracy, is which is your favourite piece?
0:19:55 > 0:19:58- Oh, it's the bracelet.- The bracelet is your favourite.- Uh-huh.
0:19:58 > 0:20:03- Sarah, what's your favourite? - It has to be the toast rack for cuteness value.
0:20:03 > 0:20:06OK. Which piece is going to bring the biggest profit?
0:20:06 > 0:20:09- The bracelet. - The bracelet. Yes, the bracelet.
0:20:09 > 0:20:13- Is it? OK, fine. We are of one mind. - We are.- Indeed.
0:20:13 > 0:20:17- I'm glad you've had a nice time. - It's been great fun. - Very exciting shop.
0:20:17 > 0:20:20I think you should go and have a quick lie down.
0:20:20 > 0:20:24Meanwhile, we're heading off to somewhere really special.
0:20:29 > 0:20:33Believe it or not, here in the middle of Walthamstow
0:20:33 > 0:20:36is William Morris's house.
0:20:36 > 0:20:42He, in concert with Dante Gabriel Rossetti and Edward Burne-Jones,
0:20:42 > 0:20:48founded in 1861 the firm that was to become Morris & Co
0:20:48 > 0:20:52that was to have, and continues to have to this day,
0:20:52 > 0:20:57a lasting influence on our attitudes to interior decoration.
0:21:11 > 0:21:17William Morris is probably best known today for his wallpaper designs
0:21:17 > 0:21:21simply because those original designs are reproduced
0:21:21 > 0:21:24and you can go and buy rolls and rolls of it yourself.
0:21:24 > 0:21:31The techniques, however, have changed in the ensuing 100 to 150 years.
0:21:31 > 0:21:36Here we've got an original Morris paper called Larkspur
0:21:36 > 0:21:39and here we've got an original printing block.
0:21:39 > 0:21:44The idea being that the flat surface on the top is inked
0:21:44 > 0:21:47and then the block is picked up, turned over
0:21:47 > 0:21:50and thumped on a piece of paper.
0:21:50 > 0:21:53Imagine the number of times you have to print out the block
0:21:53 > 0:21:57and thump it onto a continuous length of paper
0:21:57 > 0:22:00to make up one single roll.
0:22:00 > 0:22:04Then you think about the number of rolls you'd need to wallpaper a room
0:22:04 > 0:22:10and you get to see the scale of this hand-blocked wallpaper operation.
0:22:10 > 0:22:15But if you think this is an extraordinary and complicated process,
0:22:15 > 0:22:17just come and have a look at this lot.
0:22:25 > 0:22:28How gorgeous are these?
0:22:28 > 0:22:32Here we have the genius of Morris applying himself to
0:22:32 > 0:22:36an interest in tile production in the 1870s.
0:22:36 > 0:22:42On the far side here, you can see the original Morris design.
0:22:42 > 0:22:48You've got his rough sketch on paper of this organic design.
0:22:48 > 0:22:51But this half have been watercoloured by him
0:22:51 > 0:22:55with these bright colours as an indication of what he's trying to achieve
0:22:55 > 0:22:58and then squared it up,
0:22:58 > 0:23:01making a series of squares over the whole design
0:23:01 > 0:23:06that is then transferred to the tile decorator.
0:23:06 > 0:23:13Here we've got a production from William Morris's friend and business associate, William De Morgan.
0:23:13 > 0:23:18De Morgan has taken Morris's design from the cartoon
0:23:18 > 0:23:22and has translated it onto ceramic.
0:23:22 > 0:23:28And having fired it in the kiln, a second firing with the lead glaze on the top,
0:23:28 > 0:23:34and then framing it up, and hey presto, you've made yourself a magnificent work of art.
0:23:35 > 0:23:40Having written various books and manuscripts himself,
0:23:40 > 0:23:45it was not much of a leap for Morris to get involved in the printing process,
0:23:45 > 0:23:50which he did in 1890 when he set up the Kelmscott Press in Hammersmith
0:23:50 > 0:23:56with an ideal and that was to follow the tradition and methods
0:23:56 > 0:24:01as closely as possible of medieval book printing.
0:24:01 > 0:24:07Here we've got what is considered to be the epitome of perfection
0:24:07 > 0:24:10from the Kelmscott Press, the 1896 edition
0:24:10 > 0:24:13of Chaucer's works.
0:24:13 > 0:24:20Described by some people as being the most beautiful book in the world.
0:24:20 > 0:24:26But the big question today is, of course, will our teams over at the auction be brought to book or not?
0:24:33 > 0:24:36Well, well, well, have we got a treat today!
0:24:36 > 0:24:39Cos it's Great Western Auctions with Anita Manning.
0:24:39 > 0:24:42- How exciting. Anita.- Welcome, Tim. - Thanks for having us.
0:24:42 > 0:24:49Now, Jamie and Jim, their first item is this so-called Glasgow School wee oil on canvas. Any good?
0:24:49 > 0:24:52Well, it does have a certain quality
0:24:52 > 0:24:59and it's my belief that it was done by perhaps a young woman, Freda,
0:24:59 > 0:25:03- at the Glasgow School of Art. - You reckon?- Has some talent.
0:25:03 > 0:25:08So do you give her six out of ten? Is that what she would've got?
0:25:08 > 0:25:13- Er, well, perhaps a wee bit more than that.- Yeah. How much?
0:25:13 > 0:25:16I would say somewhere between £25 and £40.
0:25:16 > 0:25:21- I say, she's top of the class. They paid £5 for it. - Oh, that was a good buy!
0:25:21 > 0:25:27It was a good buy. So if you can get anything like that, they would be over the moon and jumping for joy!
0:25:27 > 0:25:31Now, continuing our Scottish theme, we've got the carpet bowl,
0:25:31 > 0:25:36that nice green and pink splodgy carpet bowl. Tell us about that.
0:25:36 > 0:25:42It's 19th century. It's Fife Pottery, which went on to become the Wemyss Pottery
0:25:42 > 0:25:47And we can see the greens which Wemyss used in this carpet bowl.
0:25:47 > 0:25:51If we had a set of them, they'd be worth a lot of money.
0:25:51 > 0:25:55- Yeah.- We just have one. But people will like it because it is the Fife Pottery
0:25:55 > 0:25:59and a little bit of history of east coast pottery.
0:25:59 > 0:26:03- How much money-wise?- £20, £30.
0:26:03 > 0:26:07OK, £30 they paid, so they're not so far off.
0:26:07 > 0:26:11Moving on, we've got this nice little snuff box. Engine-turned top.
0:26:11 > 0:26:13It's the inscription that's interesting.
0:26:13 > 0:26:16I found the inscription very interesting.
0:26:16 > 0:26:21It was presented to someone who was going to work
0:26:21 > 0:26:24or had a high position in McCorquodale's.
0:26:24 > 0:26:27McCorquodale's was a firm of publishers and printers,
0:26:27 > 0:26:34started in Liverpool but came to Glasgow in the mid-1850s.
0:26:34 > 0:26:37They were big in Glasgow,
0:26:37 > 0:26:44- so this has been a gift to someone of some prestige.- We're in Glasgow
0:26:44 > 0:26:47and you're going to sell it. That's all very fortunate, isn't it?
0:26:47 > 0:26:49How much do you think it's worth?
0:26:49 > 0:26:56I've estimated £120 to £180, but I would hope it would go towards the top estimate, if not more.
0:26:56 > 0:27:01Well, it needs to do a tad more, because they paid 210. They may have overpaid a bit.
0:27:01 > 0:27:06That may scupper their chances, in which case, they'll need their bonus buy so let's have a look at it.
0:27:08 > 0:27:13Well, the viewing's started. Jamie, Jim, this is the bonus buy moment.
0:27:13 > 0:27:18What did David Barby spend your £55 of leftover lolly on? David.
0:27:18 > 0:27:23Well, nothing particularly masculine. Something quite small and very delicate,
0:27:23 > 0:27:28but this is the beginning of the sort of 20th century Scottish school
0:27:28 > 0:27:33and we have these Celtic knots all the way round, Hamilton & Inches, the maker,
0:27:33 > 0:27:35and it is a Scottish piece of silver.
0:27:35 > 0:27:39- Did you spend the whole 55 on it? - No. £40.
0:27:39 > 0:27:43- I think that's exquisite. - Great.- Yeah.
0:27:43 > 0:27:46I mean, would it be something you'd go out and shop for, Jamie?
0:27:46 > 0:27:52- Personally, no, but more silver, why not? - THEY LAUGH
0:27:52 > 0:27:55You don't pick it now, but for the audience at home,
0:27:55 > 0:27:59let's find out what Anita thinks about David's little box.
0:27:59 > 0:28:03- So, Anita, what about that? Isn't that pretty? - It's a lovely little box
0:28:03 > 0:28:07and it's made by a very good Scottish maker, Hamilton & Inches.
0:28:07 > 0:28:11And I love this Celtic knot decoration here
0:28:11 > 0:28:16- and this sweet little acorn. - Yes. What do you think you might use it for?
0:28:16 > 0:28:19Well, it's been brought in as a comfit box
0:28:19 > 0:28:22for your sweeties, your tiny little sweeties.
0:28:22 > 0:28:26I think you'd use it for odorising a room.
0:28:26 > 0:28:31Put a little bit of solid perfume in it. Then it would come out through the pierced top.
0:28:31 > 0:28:38- I can't think of anything else. - It would be a sweet little addition to your dressing table set
0:28:38 > 0:28:42- for little bits and pieces. - It's a charming wee thing. How much? - £40 to £60.
0:28:42 > 0:28:48Brilliant. £40. It's a cunning buy from that cunning maestro David Barby.
0:28:48 > 0:28:52That's it for the Reds. Now for the Blues, Tracy and Sarah.
0:28:52 > 0:28:57Their first item is the so-called Greek revival wee bracelet.
0:28:57 > 0:29:01A typical Victorian piece.
0:29:01 > 0:29:04It's very, very nice with the little sapphires.
0:29:04 > 0:29:12It's in perfect condition. I doubt that this little bracelet ever graced a lady's wrist
0:29:12 > 0:29:18and I think that it might be a very nice addition to someone's collection of Victorian jewellery.
0:29:18 > 0:29:22The box doesn't do it any favours at all.
0:29:22 > 0:29:25- But it's a nice item. - How much, then?
0:29:25 > 0:29:28- £200 to £300.- They paid £230 so they're spot on with that.
0:29:28 > 0:29:34I don't know whether you're finding it, but there's a lot more interest in period jewellery these days.
0:29:34 > 0:29:40- And I'm pleased to see that. - Yeah. And anything with any style, and that is stylish. Excellent.
0:29:40 > 0:29:44Now, Tracy went with the opal-mounted stick pin.
0:29:44 > 0:29:47- Mm-hm.- Any good? - Quite a simple item
0:29:47 > 0:29:53but when we're looking at opals, what we want to see is lots of fire, lots of colour in it.
0:29:53 > 0:29:58And it's not too bad. Mounted in 9-carat gold.
0:29:58 > 0:30:02In its original box. So quite a nice little item.
0:30:02 > 0:30:07- How much?- £30 to £50.- £40 paid, so they're slap-bang in the middle. I think they'll get away with that.
0:30:07 > 0:30:12What about that sweet little breakfast tray toast rack?
0:30:12 > 0:30:18That's just one person sitting in bed, the maid brings in your breakfast on a tray
0:30:18 > 0:30:22- and you've got your four slices. - Yeah, I think it's sweet.
0:30:22 > 0:30:25Anything miniature, of course it is appealing.
0:30:25 > 0:30:29This little thing, silver, hallmarked, it's got everything going for it.
0:30:29 > 0:30:32- How much?- £25 to £40.- £25 paid.
0:30:32 > 0:30:39So, they seem to have paid the right price, more or less, on each of their items. That's a relief.
0:30:39 > 0:30:41So, technically, they won't need their bonus buy,
0:30:41 > 0:30:44but we're going to go and have a look at it anyway.
0:30:44 > 0:30:50Now, Sarah and Tracy, you spent a magnificent £295.
0:30:50 > 0:30:54You gave the boy £5 to find you a suitable bonus buy.
0:30:54 > 0:30:59- Charles, what did you find? - Tim, it was so hard. I was looking for a long, long time
0:30:59 > 0:31:03- and they say small is beautiful. Are you ready?- Yes.- Here it is.- OK.
0:31:04 > 0:31:08- It's that small!- What it is is this.
0:31:08 > 0:31:10- Oh!- Oh! THEY LAUGH
0:31:10 > 0:31:14You are stylish, attractive ladies
0:31:14 > 0:31:17and I thought, "Well, here it is".
0:31:17 > 0:31:21It's 1960s, Parisian in style.
0:31:21 > 0:31:23- How much did you spend, Charles? - The full £5?
0:31:23 > 0:31:29It cost me £5 and the key word, importantly, what's emerging all the time is vintage.
0:31:29 > 0:31:34It's in really good condition, actually. It doesn't look like it's been worn a lot at all.
0:31:34 > 0:31:36What's your prediction of profit, Charles?
0:31:36 > 0:31:40I could see this dress doubling up.
0:31:40 > 0:31:43- £10, that is.- And on a really good day, a bit more.
0:31:43 > 0:31:48- Maybe £20.- We'll see how the Glasgow West End appreciate it, though.- Yes.
0:31:48 > 0:31:52Right. Well, hold that thought, girls. You don't decide right now.
0:31:52 > 0:31:59But for the viewers at home, let's find out how our lady auctioneer feels about Charles's frock.
0:32:00 > 0:32:04Well, this is a turn up, isn't it? Meet my friend.
0:32:04 > 0:32:07I'm not quite sure when this bird was built. Was it 1950s?
0:32:07 > 0:32:101960s, 1970s.
0:32:10 > 0:32:15- The thing about this dress is it was a designer dress.- Yes.
0:32:15 > 0:32:21It was made by Global who were a firm who had their designs made in Paris
0:32:21 > 0:32:26but they were manufactured in Hong Kong
0:32:26 > 0:32:29and they are reputed to have supplied dresses
0:32:29 > 0:32:34for the tall and curvaceous figure.
0:32:34 > 0:32:36- SHE LAUGHS - Oh, I'll go along with that.
0:32:36 > 0:32:42- SHE LAUGHS - What's it worth? - I've put £30 to £50 onto that dress.
0:32:42 > 0:32:44I might have been a wee bit generous.
0:32:44 > 0:32:49Well, Carlos Hanson, who I don't believe is a great frock fancier,
0:32:49 > 0:32:53although you never know in the privacy of his own home,
0:32:53 > 0:32:56- paid a £5 note for this. - Oh, well, that's a good buy.
0:32:56 > 0:33:01It's got to make a couple of quid at least profit, maybe more.
0:33:01 > 0:33:07Thank you very much, Anita. All will be revealed in a moment. All right, darling?
0:33:16 > 0:33:19- OK, Jamie, Jim, how are you feeling? - Excited.- Excited.
0:33:19 > 0:33:24- Did you have your Weetabix this morning?- Yeah, I did, actually. - I had Rice Krispies.- Oh.
0:33:24 > 0:33:28It's quite a nervous moment. Are you feeling a bit nervous?
0:33:28 > 0:33:30- Nervous excitement.- Is it?- Yeah.
0:33:30 > 0:33:34- How many sales have you been to in your life, Jamie?- Not one.
0:33:34 > 0:33:37So, first up is your painting. Here it comes.
0:33:37 > 0:33:41It's an oil still life. Scottish School, ladies and gentlemen.
0:33:41 > 0:33:43Start me at 20.
0:33:43 > 0:33:4820 surely. 20 bid. With you, sir, at 20.
0:33:48 > 0:33:5030. 30.
0:33:50 > 0:33:5240. 50.
0:33:52 > 0:33:5660. 70. £70.
0:33:57 > 0:34:01£70. All done at £70? £70.
0:34:01 > 0:34:04£70 is plus-65 and you've started.
0:34:04 > 0:34:09Plus £65. That's pretty good, isn't it? Next up is the ball.
0:34:09 > 0:34:11Start me at £20.
0:34:11 > 0:34:1420 bid. Any advance on 20?
0:34:14 > 0:34:16Any advance on £20?
0:34:16 > 0:34:19- Look out, there.- 30.
0:34:19 > 0:34:2130.
0:34:21 > 0:34:24£30. With you, madam, at £30.
0:34:24 > 0:34:27All done at £30? £30.
0:34:27 > 0:34:30Well done, David, wiped its face.
0:34:30 > 0:34:34- No shame in that. - This is the big one.- Just.- Yes.
0:34:34 > 0:34:40Start me at 200 for the Edward Smith snuff box.
0:34:40 > 0:34:42Not a dicky bird.
0:34:42 > 0:34:46100, then. 100 bid.
0:34:46 > 0:34:49100 bid. 110. 120.
0:34:49 > 0:34:53130. 140. 150. 160.
0:34:53 > 0:34:58£160. 160.
0:34:59 > 0:35:02170. 180.
0:35:02 > 0:35:05190. 200.
0:35:05 > 0:35:08£200. Any advance on 200?
0:35:08 > 0:35:11- You're nearly there, boys. - Any advance on 200?
0:35:11 > 0:35:14All done at 200? 200.
0:35:14 > 0:35:18Bad luck. Minus £10, but she tried really hard for you.
0:35:18 > 0:35:22So you're minus £10. You're still plus £55, lads!
0:35:22 > 0:35:26So what are we going to do about the Hamilton & Inches box?
0:35:26 > 0:35:30Do you want to park your £55, which is a substantial profit,
0:35:30 > 0:35:33and congratulations, or are you going to risk it?
0:35:33 > 0:35:37I never thought we'd make a profit. I never thought in a million years we would.
0:35:37 > 0:35:41- I kind of want to keep it safe. - I reckon it could do quite well, though.
0:35:41 > 0:35:45What would we prefer, 55 or... We'd still be in profit.
0:35:45 > 0:35:49- He paid £40, David, on that box. - OK, we'll go for it.
0:35:49 > 0:35:52- It was a good box.- Go for it. - You've gone with the bonus buy.
0:35:52 > 0:35:55Let's hope this is a no-brainer. Here it comes.
0:35:55 > 0:36:01189 is the Edwardian Scottish silver comfit box.
0:36:01 > 0:36:03Start me at 30. 30 bid.
0:36:03 > 0:36:0530 bid. Any advance on 30?
0:36:05 > 0:36:0840. 50.
0:36:08 > 0:36:1060.
0:36:10 > 0:36:12With you, madam, at £60.
0:36:12 > 0:36:1570, fresh bidder. 70. 80.
0:36:15 > 0:36:20- £80.- Come on, one more go. - With you, madam, at £80.
0:36:20 > 0:36:24Any advance on £80? All done at £80? £80.
0:36:24 > 0:36:27Well done, David.
0:36:27 > 0:36:29You've doubled your money. Well done.
0:36:29 > 0:36:32That is plus-40. Aren't you glad you went with it?
0:36:32 > 0:36:35That gives you plus £95
0:36:35 > 0:36:39- to take away and drink. - THEY LAUGH
0:36:39 > 0:36:43No, seriously, you've got £95. Great. Don't say a word to the Blues.
0:36:48 > 0:36:52Now, Tracy and Sarah, you been chatting to the Reds at all?
0:36:53 > 0:36:56- Those naughty boys? - About everything except the auction.
0:36:56 > 0:37:00- Aha! Good. So you don't know where they're up to?- No. No idea.
0:37:00 > 0:37:04And we don't want you to because if you knew what their score was,
0:37:04 > 0:37:06it might affect whether you take the bonus buy or not.
0:37:06 > 0:37:09That's the only reason we keep you separate
0:37:09 > 0:37:12and don't like you chatting about where you stand on the scores.
0:37:12 > 0:37:19And so first up, girls, is the Byzantine revival gold and sapphire-mounted bracelet.
0:37:19 > 0:37:22Here it comes. Take it away, Anita!
0:37:22 > 0:37:26And I can start the bidding at £180.
0:37:26 > 0:37:29Yes. This is a good point to start.
0:37:29 > 0:37:31220. 250.
0:37:31 > 0:37:34- You're in profit.- 280.
0:37:34 > 0:37:36- 300.- Girls!- 320.
0:37:36 > 0:37:38340.
0:37:38 > 0:37:42350 with me. The bid's on the books at 350.
0:37:42 > 0:37:46360. I'm out.
0:37:46 > 0:37:48£360.
0:37:48 > 0:37:51Any advance on 360?
0:37:51 > 0:37:54370, fresh bidder. 380.
0:37:55 > 0:37:57380.
0:37:57 > 0:38:02Any advance on 380? All done at 380? 380.
0:38:02 > 0:38:05That is plus £150.
0:38:05 > 0:38:09£150 up! £150 profit!
0:38:09 > 0:38:11That's so cool!
0:38:11 > 0:38:16Now, next up is the stick pin. Keep a straight face.
0:38:16 > 0:38:20Start me at £20. £20. 20 bid.
0:38:20 > 0:38:2320 with the lady. 20. 30.
0:38:23 > 0:38:26- 40.- Yes, 40. We're even.- £40.
0:38:26 > 0:38:31It's with the lady at £40. Any advance on £40?
0:38:31 > 0:38:33Any advance on £40? £40.
0:38:33 > 0:38:36Wiped its face. That's OK.
0:38:36 > 0:38:39- You've preserved your £150. - Happy with that.
0:38:39 > 0:38:41- Now your toast rack, Carlos.- Yes.
0:38:41 > 0:38:44Start me at £20. £20.
0:38:44 > 0:38:47£20. 20 bid.
0:38:47 > 0:38:51- 30. 40.- Well done.- 40 with you, sir.
0:38:51 > 0:38:55With you, sir, at £40. Any advance on £40?
0:38:55 > 0:38:58All done at £40? £40.
0:38:58 > 0:39:01£40 is plus-15. Well done, Charles.
0:39:01 > 0:39:04Which gives you £165, girls.
0:39:04 > 0:39:09Well done, that's all I can say, Tracy. That is a magnificent achievement. Well done, Charles.
0:39:09 > 0:39:11- So are we going with the frock for a fiver?- Oh, God, yeah.
0:39:11 > 0:39:15- Oh, yes!- Hell, yes!
0:39:15 > 0:39:17What can we say?
0:39:17 > 0:39:20- £2,000? - THEY LAUGH
0:39:22 > 0:39:24£20?
0:39:25 > 0:39:27£20. 20 bid.
0:39:27 > 0:39:3030 on the phone. 35.
0:39:31 > 0:39:3340. 45.
0:39:33 > 0:39:3650. 55.
0:39:36 > 0:39:38- There's a frenzy going on.- 60.
0:39:38 > 0:39:41£60 on the phone.
0:39:41 > 0:39:44There will be a tall, curvaceous lady
0:39:44 > 0:39:47on the other end of that phone.
0:39:47 > 0:39:51- Is it a man? - THEY LAUGH
0:39:52 > 0:39:56£60 on the phone. 60 on the phone.
0:39:56 > 0:39:59All done at £60? £60.
0:39:59 > 0:40:02- Well done, Anita! - Well done!- Fantastic!
0:40:02 > 0:40:04I think we should have a round of applause for Anita.
0:40:04 > 0:40:07APPLAUSE
0:40:07 > 0:40:09Well done, Anita.
0:40:09 > 0:40:12That's what you call quality auctioneering, isn't it?
0:40:12 > 0:40:14Well done, girl. That is plus £55 on that.
0:40:14 > 0:40:175 and 5 is 10. Yes, that's 6, 7.
0:40:17 > 0:40:22That is 100. £220, isn't it?
0:40:22 > 0:40:25- 220?- 220, it is. - THEY LAUGH
0:40:25 > 0:40:29220. It is plus-220.
0:40:29 > 0:40:32- That's ridiculous! - What do you mean it's ridiculous?
0:40:32 > 0:40:35- I don't believe it! - Are you pleased with that or not?
0:40:35 > 0:40:38- No.- No, not really. - Could've made more. - Oh, yes, could've made more
0:40:38 > 0:40:41- That's a pretty good result. - Not half! It's brilliant!
0:40:41 > 0:40:45I make that 100 notes each that you will be walking away with.
0:40:45 > 0:40:48The big thing now is, don't say a word to the Reds,
0:40:48 > 0:40:51go out looking a bit serious and all will be revealed in a moment.
0:40:56 > 0:40:59- What I want to know is, have you been chatting?- ALL: No.
0:40:59 > 0:41:02- Comparing profits or losses? - Not at all.
0:41:02 > 0:41:09Well, I can reveal that both teams are in profit today, which in itself is an extraordinary event,
0:41:09 > 0:41:11so congratulations all and sundry.
0:41:11 > 0:41:14And I regret to say that the team that has made a bit less profit
0:41:14 > 0:41:18- happens to be the Reds.- Aww!- Yay!
0:41:18 > 0:41:23But don't feel too badly about it. You are going home with £95
0:41:23 > 0:41:26of folding money, which is quite a lot, isn't it?
0:41:26 > 0:41:30- Mm.- Happy with that. - Mm! "Mm!" he says!
0:41:30 > 0:41:36£65 off that Glasgow School picture which they paid £5 for!
0:41:36 > 0:41:42A profit of £65 on £5 should be an inspiration to bargain hunters worldwide.
0:41:42 > 0:41:46Very good performance and your £95 is well earned. Well done, chaps.
0:41:46 > 0:41:51But you've got a long way to go to get the girls' profit of £220!
0:41:51 > 0:41:56£220 these chickens are going to go wandering off with. How about that?
0:41:56 > 0:42:04£220. £150 on the bracelet, which is quite a good hit, isn't it?
0:42:04 > 0:42:09Then you got £55 profit on the £5 gold lame dress!
0:42:09 > 0:42:12I don't believe it!
0:42:12 > 0:42:16We've had so much fun with the frock, but it's been great. £220.
0:42:16 > 0:42:19In fact, you're so close to this tremendous victory
0:42:19 > 0:42:24that you do deserve the award of our golden gavel,
0:42:24 > 0:42:26which is very rarely presented
0:42:26 > 0:42:30and it goes to a team that has made a profit on all three of their items.
0:42:30 > 0:42:34You made a profit on two items and had a wiped face, which is as close as you can get,
0:42:34 > 0:42:36so you deserve this award, so there you are.
0:42:36 > 0:42:40Please take our award with our love, wear it with pride.
0:42:40 > 0:42:45They're worth a lot on the black market, there are very few about.
0:42:45 > 0:42:48We've had a super show. Join us soon for some more bargain hunting, yes?
0:42:48 > 0:42:50ALL: Yes!
0:42:52 > 0:42:56Subtitles by Red Bee Media Ltd
0:42:56 > 0:43:00E-mail subtitling@bbc.co.uk
0:43:00 > 0:43:00.