0:00:04 > 0:00:09Tartan means we must be in Scotland. Do you fancy doing a bit of shopping?
0:00:09 > 0:00:12Then let's go bargain hunting!
0:00:38 > 0:00:41Three items, ?300,
0:00:41 > 0:00:43one hour, piece of cake?
0:00:43 > 0:00:46Huh! That's what you think!
0:00:46 > 0:00:50Let's find out how easy our teams are going to find it today.
0:00:50 > 0:00:53Our venue is the Edinburgh Antiques and Collectors Fair
0:00:53 > 0:00:58where Nick Hall quite literally has his hands full with the Reds - lucky fellow!
0:00:58 > 0:01:03What are we looking for now? There's Poole Pottery... For more bargains!
0:01:03 > 0:01:08And so are the Blues with help from the ever inquisitive Jeremy Lamond.
0:01:08 > 0:01:10Could you squeeze it down?
0:01:11 > 0:01:15Hey! Then we head west to auction in Glasgow
0:01:15 > 0:01:18where Anita Manning is ready to sell, sell, sell!
0:01:18 > 0:01:22?140... First, let's meet the teams.
0:01:23 > 0:01:27Well, hello, everyone and welcome. Thank you. Hello, Tim.
0:01:27 > 0:01:30So, Irene, what was it that brought you two together?
0:01:30 > 0:01:36Well, eight years ago, I moved into the street that Sandra was already living in.
0:01:36 > 0:01:39We instantly became friends and so it goes on.
0:01:39 > 0:01:41And you go off on holiday together?
0:01:41 > 0:01:47Yes. One night, we had a bit too much wine and decided we'd go to America and we did.
0:01:47 > 0:01:51We're doing the same this year. We're off to Los Angeles in June
0:01:51 > 0:01:55and really looking forward to it, aren't we? Yeah.
0:01:55 > 0:02:00You go as two couples, you go with your husbands? We allow our husbands to go as well, yes.
0:02:00 > 0:02:05We're very kind. And you also like to do a bit of twittering, don't you?
0:02:05 > 0:02:09Or is it tweeting? It's twittering. It's twittering.
0:02:09 > 0:02:15I'm a bird-watcher. In Peebles, where I stay, we have an osprey centre and I volunteer at that.
0:02:15 > 0:02:19The public come along and they see the ospreys live on camera.
0:02:19 > 0:02:25I tell them all about ospreys and I just really love it. It's a wonderful hobby.
0:02:25 > 0:02:30Has that always been your job? No, no. I was an auxiliary nurse before.
0:02:30 > 0:02:32Sadly, I was medically retired.
0:02:32 > 0:02:38And looking very well on it. Thank you. And looking forward to your lovely holiday. Very much so, yes.
0:02:38 > 0:02:42Sandra, do you also work as a nurse? Yes, I work as an auxiliary nurse.
0:02:42 > 0:02:46I have done for 25 years, but I'm retiring soon.
0:02:46 > 0:02:51I'm getting a new little grandchild and I'm in a community choir,
0:02:51 > 0:02:55so I want to be able to go off with them. We're going off to New York.
0:02:55 > 0:02:59Are you? We'll sing in the British Memorial Garden in Central Park.
0:02:59 > 0:03:03Are you representing Scotland? Yeah. Lovely.
0:03:03 > 0:03:07How is it going to pan out between the two of you today on Bargain Hunt?
0:03:07 > 0:03:14We're not sure. We're going to wait and see what's there and just depend on our expert quite a lot.
0:03:14 > 0:03:18Are you? We're looking forward to the challenge. Good luck. Thank you.
0:03:18 > 0:03:22Now for the Blues, are you quaking in your boots? Yes. Yes, we are.
0:03:22 > 0:03:26So, Anne-Marie, tell me how you two teamed up.
0:03:26 > 0:03:29I think I met Fiona in a pram at some point
0:03:29 > 0:03:32because this is my little sister.
0:03:32 > 0:03:35Oh, how sweet! Very sweet.
0:03:35 > 0:03:39But you do all sorts of things together, you two sisters? We do.
0:03:39 > 0:03:42Like the girls, we go on holiday together.
0:03:42 > 0:03:45We go to auctions.
0:03:45 > 0:03:49And we do antique fairs periodically, antique shops, that kind of thing.
0:03:49 > 0:03:53What do you do for a living? I work just over the fence at the airport.
0:03:53 > 0:03:56What do you do there? Customer service.
0:03:56 > 0:04:02Keeping everybody happy? Yes, and checking people in, getting them on and off planes safely.
0:04:02 > 0:04:08I'm fortunate enough to be able to meet some famous people. Can't talk about them. No, quite.
0:04:08 > 0:04:11Now, Fiona, you have a similar high-flying job.
0:04:11 > 0:04:13Yes, I'm a dinner lady.
0:04:14 > 0:04:18I'm a cook supervisor in school meals.
0:04:18 > 0:04:24How long have you been doing it? 15 years. 13 years in a primary school and two years in a secondary school.
0:04:24 > 0:04:27Is it a big school? It is. About 1,200 pupils in it.
0:04:27 > 0:04:32Is it really? Yes. That is quite a cooking task. It is.
0:04:32 > 0:04:34What's your plan of action today?
0:04:35 > 0:04:39To make as much profit as we can. Because we're going to Shanghai.
0:04:39 > 0:04:42What, on the profits? Yes, absolutely.
0:04:42 > 0:04:46Shanghai is an awfully long way away.
0:04:46 > 0:04:49Have you worked out what it's going to cost you?
0:04:49 > 0:04:55Why do you want to go to Shanghai, you two gigglers? We have a younger sister in Shanghai.
0:04:55 > 0:04:59Really? You're well spread out, your lovely family, aren't you? Hmm.
0:04:59 > 0:05:02OK, so it's Shanghai or bust. Yes. That's it.
0:05:02 > 0:05:06Now, the money moment. Here's your ?300. ?300 apiece.
0:05:06 > 0:05:08Thank you. Oh, like that!
0:05:08 > 0:05:14Anyway, you know the rules, your experts await and off you go and very, very good luck!
0:05:14 > 0:05:18Look at that, all girls, and so jolly!
0:05:18 > 0:05:24And what more could our well-travelled, jolly teams want than some well-rounded advice?
0:05:24 > 0:05:28We've got ?300 and three things to buy.
0:05:28 > 0:05:32I imagine you two are good shoppers. Oh, yeah. I love shopping.
0:05:32 > 0:05:36I like small silver things. Small silver? Yes, small silver.
0:05:36 > 0:05:41There's plenty of that. I quite like art glass and something that's Lalique-esque.
0:05:41 > 0:05:46It's going to be a breeze. Come on, let's shop. Let's go. Let's shop.
0:05:46 > 0:05:50Shall we start? Thank you. Thank you.
0:05:50 > 0:05:54Fasten your seatbelts, folks. We have lift-off.
0:05:54 > 0:05:57We're on the clock. Just dive in anywhere.
0:05:57 > 0:06:01I wonder what bargains our jet-setting ladies will alight on?
0:06:03 > 0:06:08Silver shell salts. Quite pretty, aren't they? Yeah, they are quite nice.
0:06:08 > 0:06:13Are they marked silver? They look as if they are. There's no hallmark.
0:06:13 > 0:06:16They've got to be silver really to make money.
0:06:16 > 0:06:19Don't buy plate because it's not a good seller.
0:06:19 > 0:06:23But oh, dear, that's exactly what the Reds are eyeing up.
0:06:23 > 0:06:26That's got a real look about it. That's lovely.
0:06:26 > 0:06:33You can just about make out some writing. If you breathe on it, you'll see the lettering come up.
0:06:33 > 0:06:38Uh-huh. Yes, Goldsmiths. Goldsmiths Silversmiths Company, Regent Street, London.
0:06:38 > 0:06:42Top makers of fine silver and silver plate. It's got a nice look to it.
0:06:42 > 0:06:46It's part of a tea set. The milk jug and sugar bowl are missing.
0:06:46 > 0:06:51Silver plate at auction can struggle and we've got two out of three bits missing.
0:06:51 > 0:06:54We'll leave it just now and maybe come back. Yeah.
0:06:54 > 0:06:56So silver plate's off the menu for now.
0:06:56 > 0:07:01Back over to the Blues who have spotted something frightfully funky.
0:07:01 > 0:07:08It's a contemporary Poole vase, Manhattan shape, made in the last ten years or so.
0:07:08 > 0:07:12It's the sort of thing that would fit into any modern environment.
0:07:12 > 0:07:17I've always liked Poole. I like that too. It's a collectable of the future, isn't it? Yes.
0:07:17 > 0:07:23Whilst at the moment at auction, it may not fire on four cylinders, certainly in time, it will.
0:07:23 > 0:07:27And I think it's just a nice vase, isn't it? It's beautiful.
0:07:27 > 0:07:31It's by a recognised maker. Look at all these lovely glazes.
0:07:31 > 0:07:38You've got a matt finish. You've got this shimmering emerald green here, that bright orange.
0:07:38 > 0:07:41It's all combined in this modern contemporary shape.
0:07:41 > 0:07:45It's a lovely vase. What's the best you could do for this?
0:07:45 > 0:07:48I can do 60 on that. 60...
0:07:48 > 0:07:52Yeah, I'm happy with that. Yeah? Are you happy with that? Yeah.
0:07:52 > 0:07:54Great. Thank you. Thanks very much.
0:07:54 > 0:07:59So a colourful first purchase by our smiling sisters in blue.
0:08:01 > 0:08:03Art Deco. It's nice.
0:08:03 > 0:08:08A bit of 1930s Bakelite. Bakelite is collectable, isn't it? Yeah.
0:08:08 > 0:08:12It's high time our Reds took a step in the right direction. Come on!
0:08:12 > 0:08:14Now, this is what I was after.
0:08:14 > 0:08:19Walking sticks? Yeah, I really like walking sticks. Yeah...
0:08:19 > 0:08:24Would this be silver? Yeah, this would be a little silver collar.
0:08:24 > 0:08:28You've got the original owner's initials on it, RAM. Quite discreet.
0:08:28 > 0:08:33It is. There should be a little hallmark there. There's a set of hallmarks there.
0:08:33 > 0:08:37Can you see where it was made? Let me just get the glass on there.
0:08:37 > 0:08:41Oh, it's London. Oh. So the silver was hallmarked in London.
0:08:41 > 0:08:44It looks to me to be probably Edwardian.
0:08:44 > 0:08:50The actual cane itself, do you know what it's made of? Mahogany? Rosewood. Rosewood. Oh, right.
0:08:50 > 0:08:52?50 on it. That's a bit much.
0:08:52 > 0:08:57If you could get that down to ?30 or ?40... 30, yeah. 30 or 40. Right.
0:08:57 > 0:09:01You'll have a chance at auction. People do collect sticks.
0:09:01 > 0:09:03I could go to 40.
0:09:03 > 0:09:06You couldn't go to 35?
0:09:06 > 0:09:0838 and that's my lowest. 38.
0:09:08 > 0:09:14It's not expensive. I think we should go for that. I really wanted to buy a walking stick. You did.
0:09:14 > 0:09:19I said that before I came. You've made her day. Thank you very much.
0:09:19 > 0:09:23Who says you can't get the staff these days?
0:09:23 > 0:09:29What are we looking for now? There's Poole Pottery here. We're looking for more bargains. OK.
0:09:29 > 0:09:33I like that cane. Are you pleased with that? I am. It's a great thing.
0:09:33 > 0:09:36More of that. OK. Come on. Right, come on.
0:09:36 > 0:09:40Uncovering those hidden bargains can take a bit of detective work.
0:09:40 > 0:09:46MUSIC: "The Pink Panther Theme" Luckily for the Blues, "Inspecteur" Lamond is on 'and.
0:09:48 > 0:09:52That's ?295, so that's going back on the table.
0:09:57 > 0:10:02It's a bit soft there and I think it's just been a bit restored there.
0:10:02 > 0:10:05But one mystery is proving difficult to solve.
0:10:05 > 0:10:07Do we know what it is?
0:10:09 > 0:10:12Isn't that wacky? It's not a candlestick, is it?
0:10:14 > 0:10:18What is it? I've no idea. It's something my wife got, eh?
0:10:18 > 0:10:22It's just bizarre. It might take some sort of bottle.
0:10:22 > 0:10:24It's quite heavy.
0:10:24 > 0:10:28It could be an elaborate paperweight with a clip for notes.
0:10:28 > 0:10:30I can't think what else it could be.
0:10:30 > 0:10:32Hunting interest? I like it.
0:10:32 > 0:10:38Do you like that? I don't know what it is. I do like it. It's completely bizarre. Very quirky.
0:10:38 > 0:10:42It's got a bit of damage at the top. You have to take that into account.
0:10:42 > 0:10:45But for someone who likes hunting and wants...
0:10:45 > 0:10:49I can't think of anything more than a desk weight at the moment.
0:10:49 > 0:10:54You might be right about a bottle inside, but it's heavy enough to keep papers down.
0:10:54 > 0:10:58There's a clip on the top, there's a memo pad. Yes.
0:10:58 > 0:11:04And I think that would appeal to the quirky side of the auction market, really. ?35...
0:11:04 > 0:11:10What do you think? We'll think about it. Do you want to come back to it? Yeah. It might be gone. I know.
0:11:10 > 0:11:12It might be gone. You think?
0:11:12 > 0:11:15Poole Pottery. Delphis range.
0:11:15 > 0:11:211970s. It went up and up in value a few years ago. It's coming down. And it kind of dropped again.
0:11:23 > 0:11:29That's a cracking bit of Keith Murray pottery. It's in really good condition. Good size, nice colour.
0:11:29 > 0:11:31Oh! It's a nice price as well!
0:11:31 > 0:11:34?400. It's ?400.
0:11:34 > 0:11:37Fantastic. Beautiful. Sorry, it's beyond us.
0:11:37 > 0:11:39Yes, moving on, please, Reds.
0:11:42 > 0:11:45Should the Blues have walked off without that boot?
0:11:45 > 0:11:51What's the worst that can happen? What if we try and get it for 20? Cos it's a bit damaged. OK.
0:11:56 > 0:11:59What was your best price on that?
0:11:59 > 0:12:0125. 25. 25?
0:12:01 > 0:12:05Yes, OK. Yeah? Could you squeeze it down?
0:12:05 > 0:12:07It's a bit wrecked at the top.
0:12:07 > 0:12:0822.
0:12:08 > 0:12:10- Thank you. - You're welcome.
0:12:10 > 0:12:12Thank you very much. Thank you.
0:12:12 > 0:12:15It's cheap, but what is it?
0:12:18 > 0:12:24It's lovely to be in Scotland and, not surprisingly, because we're north of the border,
0:12:24 > 0:12:27it's an opportunity of finding some Scottish pictures.
0:12:28 > 0:12:31Look how glorious that is!
0:12:31 > 0:12:33We've got a fellow in a skiff,
0:12:33 > 0:12:37poling his way up a river.
0:12:37 > 0:12:40Underneath, you can just about make out
0:12:40 > 0:12:44"Cleve Mill on the Thames",
0:12:44 > 0:12:49and then the signature, "J Douglas, 1890".
0:12:49 > 0:12:56One thing you have to remember about the River Thames at the end of the 19th century
0:12:56 > 0:12:58is an author called Jerome K Jerome.
0:12:58 > 0:13:03Because Jerome K Jerome wrote a book Three Men In A Boat
0:13:03 > 0:13:06which was published in 1889,
0:13:06 > 0:13:10the story of a boat trip he took up a stretch of the Thames
0:13:10 > 0:13:15from Sunbury-on-Thames to Oxford.
0:13:15 > 0:13:20Little did he know that that travelogue that was both humorous and an easy read
0:13:20 > 0:13:23would become wildly popular.
0:13:23 > 0:13:27Here we have the Dundee artist James Douglas,
0:13:27 > 0:13:30taking his trip up the Thames
0:13:30 > 0:13:34the year after Three Men In A Boat was published,
0:13:34 > 0:13:40and recording the scene outside this famous mill in watercolour.
0:13:40 > 0:13:45And he's done the most phenomenally beautiful job.
0:13:45 > 0:13:50If we look at the other watercolour, we have another Thames-side mill.
0:13:50 > 0:13:56Douglas, in the same year, has travelled a little further up the River Thames
0:13:56 > 0:13:58as far as Streatley Mill.
0:13:58 > 0:14:01In short, they're exquisite.
0:14:01 > 0:14:04What are they worth?
0:14:04 > 0:14:09Well, the two could be bought here in Edinburgh in the fair a long way from the Thames
0:14:09 > 0:14:11for ?45.
0:14:11 > 0:14:14Now, is that expensive?
0:14:14 > 0:14:17I don't think so. Do you?
0:14:21 > 0:14:25This Highland Stoneware here... ?45 would be the best price.
0:14:25 > 0:14:30What we need to know is if there will be avid collectors at the auction.
0:14:30 > 0:14:33If you don't know that, it's a big risk you're taking.
0:14:34 > 0:14:38It's a very niche market, so it is a risk to buy it.
0:14:38 > 0:14:43But Ruskin Lustre like this is quite sought after at the right sort of money.
0:14:43 > 0:14:47After all this risky business, have the Reds found a safer bet?
0:14:50 > 0:14:56How much is that? Well, at the moment, it's ?110. Right. It's what we call an apprentice chest.
0:14:56 > 0:15:00Uh-huh. The cabinet-maker would have made something like this
0:15:00 > 0:15:06to show the cabinet-making firm what level he's at before he's allowed to make the real-size things.
0:15:06 > 0:15:09It looks like it's an Edwardian chest.
0:15:09 > 0:15:15The really expensive ones are Georgian and Victorian ones will sell exceptionally well.
0:15:15 > 0:15:20This is slightly later, I would think maybe about 1900, 1910.
0:15:20 > 0:15:24The handles are very much in the Art Nouveau style of that period.
0:15:24 > 0:15:29The drawer linings are nice and solid. They've got a good thickness of timber there,
0:15:29 > 0:15:32again a sign of the quality.
0:15:32 > 0:15:36Nice, original French polish on there. I like the handles.
0:15:36 > 0:15:38It's rather nice.
0:15:38 > 0:15:43What would be the best price on this? What's the best price? 90?
0:15:43 > 0:15:46We were thinking, and say "no" if you want to,
0:15:46 > 0:15:49about 60. No. No.
0:15:49 > 0:15:53She was a bit quick then. She was. She had her mind made up.
0:15:53 > 0:15:5660? We could do it for 70. 70.
0:15:56 > 0:16:01?70... What do you think? I don't think that's a bad deal - ?70. No. I like that.
0:16:01 > 0:16:07I think we should go for that. You don't get much furniture for 70 quid. We'll go for it.
0:16:07 > 0:16:13It's up to you. Yeah. We'll go for that. Are you sure? Yeah. ?70. You've got yourselves a chest. OK.
0:16:13 > 0:16:18Well done, Reds. Item number two is already winging its way to the auction.
0:16:20 > 0:16:25Two things bought in 24 minutes and how much have we spent?
0:16:25 > 0:16:2838 and 70 - ?108. ?108. ?108.
0:16:28 > 0:16:33So we've got 36 minutes... To saunter around. And all that money left.
0:16:33 > 0:16:37Come on, let's have a nice leisurely stroll, shall we? Yes, yes.
0:16:37 > 0:16:40This is easy really, isn't it? It's a doddle.
0:16:40 > 0:16:42I call that tempting fate!
0:16:44 > 0:16:48Tudric pewter enamel. A spill vase, I suppose you'd call it.
0:16:48 > 0:16:50It's about 1905. Mm-hm.
0:16:50 > 0:16:53Designed by Archibald Knox for Liberty.
0:16:53 > 0:16:59There is a bit of unevenness around here. Has that been cut off? I think it's been cut off at the top.
0:16:59 > 0:17:01It's a bit sharp.
0:17:01 > 0:17:06Both teams are after their last buy, but who will find it first?
0:17:07 > 0:17:09It is a bit brown. Yeah. Right.
0:17:09 > 0:17:13Royal Doulton. That is nice.
0:17:16 > 0:17:18Look what I've found.
0:17:18 > 0:17:21Glasgow School Arts and Crafts metalware.
0:17:21 > 0:17:26Isn't that stunning? Looks like Rennie Mackintosh. It's got that look. It's really nice.
0:17:26 > 0:17:31It's about the time he would have been influencing metalware of that period,
0:17:31 > 0:17:34so it's got a lot going for it.
0:17:34 > 0:17:39We're going to a good auction in the middle of Glasgow. We have Anita on the rostrum.
0:17:39 > 0:17:43You couldn't find a better venue to sell something like this. How much?
0:17:43 > 0:17:48I just had a chat with the stall-holder. He's asking 140.
0:17:48 > 0:17:52140 is a lot. It's a fair whack of money, but it's a lot of object.
0:17:52 > 0:17:58You're right. If you're going to sell it, Glasgow is the place to sell it. That's what I thought.
0:17:58 > 0:18:01Anita would do her best, I'm sure.
0:18:01 > 0:18:05140, is that...? Honestly, 140 is a pretty good price.
0:18:05 > 0:18:07The best I could do is 140.
0:18:07 > 0:18:13If these two lovely ladies pushed ?120 cash in your hand, would you say "no"?
0:18:13 > 0:18:17I'd say "no". Could you say "no" to that? I would. What about 130?
0:18:17 > 0:18:19I'll do it for 135 and it's yours.
0:18:19 > 0:18:24135 is going to be the death on it. It's up to you. Let's go for it.
0:18:25 > 0:18:28We'll go for it then. Yes, we'll go for it.
0:18:28 > 0:18:32Go for it? Are you sure? Excellent. 135. 135. Thank you very much.
0:18:32 > 0:18:36That's what I like - a bit of derring-do.
0:18:36 > 0:18:38Well done, Reds.
0:18:38 > 0:18:42Well, it all started with the rosewood walking cane.
0:18:42 > 0:18:45That was Irene's favourite for ?38.
0:18:45 > 0:18:49Then they were drawn to the apprentice chest for 70.
0:18:50 > 0:18:53And finally, they blew the big bucks
0:18:53 > 0:18:57on the Arts and Crafts tray at ?135.
0:18:57 > 0:19:03How are you, girls? We're fine. Very happy. Have you had a nice time? A wonderful time.
0:19:03 > 0:19:05What did you spend all round?
0:19:05 > 0:19:08?243. ?243...
0:19:08 > 0:19:13So I will want 57 of leftover lolly, please. That's right. I've got it in my pocket.
0:19:13 > 0:19:18Which is your favourite piece? I think the apprentice chest is the favourite piece.
0:19:18 > 0:19:24Is that going to bring the biggest profit? Hopefully. Either that or the walking cane.
0:19:24 > 0:19:27We bought a walking cane as well, so one of these.
0:19:27 > 0:19:31A little touch goes across to Nicholas. Thank you very much.
0:19:31 > 0:19:33Any inspiration on your wander round?
0:19:33 > 0:19:38I'm going to find something to dazzle Anita with, get her onside.
0:19:38 > 0:19:41Yes, the cunning Anita. That's our next thrill, isn't it?
0:19:41 > 0:19:48We'll get her on board. Yeah, definitely. Off to Glasgow for the auction. Go and have a cup of tea.
0:19:48 > 0:19:51'Time for a tea? That'll make the Blues jealous!
0:19:51 > 0:19:55'They've still got another item to find. Hurry up then, Blues.'
0:19:55 > 0:20:01Where are we going? We're looking for glass or... There's glass over there.
0:20:02 > 0:20:06Scratched. Mm-hm. The market will be a bit ambivalent to that.
0:20:09 > 0:20:12Hmm, Anne-Marie did fancy a bit of French glass.
0:20:12 > 0:20:14What's this?
0:20:14 > 0:20:17That's Lalique-esque.
0:20:17 > 0:20:19Let's see. It's signed on the edge.
0:20:19 > 0:20:23"Vallon." It's a bit of French art glass.
0:20:23 > 0:20:26And what are these? They look to me like cherries.
0:20:26 > 0:20:29Yeah, 1930s. It's '30s, is it? Yeah.
0:20:29 > 0:20:33You like your French pressed glass, don't you? I really do.
0:20:33 > 0:20:35I covet a piece of Lalique.
0:20:35 > 0:20:39I don't think we can afford Lalique. We can't afford it, no.
0:20:39 > 0:20:42But it's a nice, artist's signed bowl.
0:20:42 > 0:20:48?45. What do you think? Yeah, I like that. You both like that? Are you quite happy to get that?
0:20:48 > 0:20:51Yes. What could you do this for?
0:20:51 > 0:20:54We could take it down to 35 for you.
0:20:54 > 0:20:57Bring it down a wee bit? Any more than 35?
0:20:57 > 0:20:5934. LAUGHTER
0:20:59 > 0:21:05Go for it. Yes, we'll take it at 34. Thank you very much. Thank you.
0:21:05 > 0:21:08Ladies, that pound might make all the difference.
0:21:08 > 0:21:14They've bagged their items. Just as well because time's up.
0:21:16 > 0:21:19Anne-Marie and Fiona went for a splash of colour
0:21:19 > 0:21:22with their first item - a Poole vase for ?60.
0:21:22 > 0:21:25They took their second purchase in their stride
0:21:25 > 0:21:28with this novelty hunting boot for 22.
0:21:28 > 0:21:32And the French glass bowl completed their shop at ?34.
0:21:34 > 0:21:36So you spent how much?
0:21:36 > 0:21:38A hundred and... 116.
0:21:38 > 0:21:43You spent 116. I would like, please, 184 of leftover lolly.
0:21:43 > 0:21:48Look at that, clutching that all... 180 and 4. Very good. 184, Jeremy.
0:21:48 > 0:21:53Lovely. Which is a good old whack of money. Had a good time, girls?
0:21:53 > 0:21:58Wonderful. You can relax now and have a cup of coffee and you've got a challenge.
0:21:58 > 0:22:01Go and find an excellent bonus buy. Good luck, Jeremy.
0:22:01 > 0:22:07Meanwhile, we're heading off to the Borders to a glorious house called Traquair.
0:22:11 > 0:22:15Situated in the Scottish Borders near Peebles,
0:22:15 > 0:22:21Traquair House was originally a hunting lodge for the Kings and Queens of Scotland.
0:22:22 > 0:22:28Since 1491, the house has been owned and lived in by the descendants of the Stuart family
0:22:28 > 0:22:34who always remained fiercely loyal to the Scottish crown and the Catholic cause.
0:22:34 > 0:22:38So when following the Catholic faith was strictly against the law,
0:22:38 > 0:22:41the only solution was to worship in secret.
0:22:43 > 0:22:47And tucked away here on the top floor of Traquair
0:22:47 > 0:22:53is a room that's called to this day the Priest's Room.
0:22:53 > 0:22:57This is where the priest who would be in residence
0:22:57 > 0:23:03to be able to administer to the spiritual needs of the family actually lived,
0:23:03 > 0:23:09tucked away out of sight and out of mind of any visitors.
0:23:09 > 0:23:13He, of course, cooped up in this little space,
0:23:13 > 0:23:17would have had his bodily needs that he needed to tend to,
0:23:17 > 0:23:22and hence in the corner of the room, we've got this tiny space
0:23:22 > 0:23:25which is called the "garde-robe",
0:23:25 > 0:23:30a word from which we derive the word "wardrobe",
0:23:30 > 0:23:32a space for hanging clothes,
0:23:32 > 0:23:37but for him, he also had his lavatorial facilities in here.
0:23:38 > 0:23:45And it was thought that having all that smelly business going on in your clothes storage space
0:23:45 > 0:23:49meant that it would deter the moths.
0:23:49 > 0:23:52Anyway, we'll shut that up.
0:23:52 > 0:23:55On the other side of this interesting room
0:23:55 > 0:23:59is what in the old days would have looked like a plain cupboard.
0:23:59 > 0:24:04The cupboard doors have been removed and essentially glazed,
0:24:04 > 0:24:08so that the tourists today can look at the treasures within.
0:24:10 > 0:24:16Essentially, all these objects relate to the family's Catholic past.
0:24:17 > 0:24:20But when the priest lived up here,
0:24:20 > 0:24:24this cupboard also functioned as the altar itself
0:24:24 > 0:24:29from which he would have administered the Eucharist.
0:24:29 > 0:24:33And an object which would have been used on the altar is this thing
0:24:33 > 0:24:36which is called a monstrance,
0:24:36 > 0:24:41a word that's derived from the Latin and French "to display clearly".
0:24:41 > 0:24:46And for the Catholics, they would want to display in their monstrance
0:24:46 > 0:24:51either a holy relic or part of the host.
0:24:51 > 0:24:56This particular example dates from the third quarter of the 17th century.
0:24:56 > 0:25:00It's made of solid silver, but it's unmarked.
0:25:00 > 0:25:07That's because it's thought the maker didn't want to be identified with the Catholic cause.
0:25:08 > 0:25:12And next to that again is another cupboard door
0:25:12 > 0:25:16that reveals what looks like a bit of a bookcase,
0:25:16 > 0:25:20but if you look carefully, at the back, there's a doorknob,
0:25:20 > 0:25:22a secret doorway which leads...
0:25:22 > 0:25:24MIMICS DOOR CREAKING
0:25:24 > 0:25:27..to the priest's bolthole.
0:25:29 > 0:25:31Ooh, ah! Look at this!
0:25:31 > 0:25:36Imagine the priest fleeing down here away from the authorities,
0:25:36 > 0:25:42and at the bottom of this staircase was a doorway which led to the Tweed itself,
0:25:42 > 0:25:48before it was diverted, where there would be a boat and he could make a speedy escape.
0:25:50 > 0:25:57A huge mob attacked this house in 1688 when James II was deposed.
0:25:57 > 0:26:02They ransacked the place and removed all manner of Popish objects.
0:26:09 > 0:26:12Life continued to be difficult for Catholics
0:26:12 > 0:26:19until the passage of the Catholic Emancipation Act in 1829
0:26:19 > 0:26:23which permitted Catholics once more to worship in public.
0:26:23 > 0:26:28But still they were prevented from serving in government,
0:26:28 > 0:26:33joining the armed forces and even attending university.
0:26:35 > 0:26:40This space had been used as a store and then a billiard room
0:26:40 > 0:26:44and was finally converted into the Catholic chapel we see today.
0:26:46 > 0:26:52Well, the atmosphere at Traquair is serene, open and relaxed.
0:26:52 > 0:26:58Let's hope that the same conditions prevail today over at our auction in Glasgow.
0:27:06 > 0:27:13We've travelled from east to west and pulled up in Glasgow. What could be nicer, at Great Western Auctions,
0:27:13 > 0:27:16than to be with Anita Manning? Good morning. Good morning.
0:27:16 > 0:27:22Lovely to be here. Now, first up for the Reds is this rosewood walking cane.
0:27:22 > 0:27:25Walking sticks are always popular at auction.
0:27:25 > 0:27:31Yes, people like to collect them because there is such a huge variety of styles in the handle.
0:27:31 > 0:27:39This one is quite a plain handle, but the lovely patterns in the wood are helping that along. I like it.
0:27:39 > 0:27:44So how much do you think then? 20 to 40. OK, ?38 paid. Right.
0:27:44 > 0:27:47I expect they'll get a nice profit on that.
0:27:47 > 0:27:50Next up is the so-called apprentice piece.
0:27:50 > 0:27:54It does look nice and these little items are popular.
0:27:54 > 0:27:58They're very functional as you can put your wee bits and pieces in them.
0:27:58 > 0:28:01Not a bad wee piece, but not the best that we can see.
0:28:01 > 0:28:05It's clean, useful and perfectly genuine. How much?
0:28:05 > 0:28:1160 to 80. Fine, they paid ?70. Yeah. That's all right. They could make a profit on it. It's spot-on.
0:28:11 > 0:28:15We've got a spot-on cane, a spot-on wee chest of drawers.
0:28:15 > 0:28:19What about this hopefully Glasgow piece of hammered-out brass?
0:28:19 > 0:28:26Yes, well, the buyers in Glasgow, in the west of Scotland, really love this type of item.
0:28:26 > 0:28:30And it very often is of high quality,
0:28:30 > 0:28:33so this will be well-fancied. How much do you think?
0:28:33 > 0:28:39I've put 70 to 100 on it and I think I might have been a wee bit mean on that.
0:28:39 > 0:28:43On the other hand, it could be a "come and buy me" estimate.
0:28:43 > 0:28:46It needs to be because 135 was paid.
0:28:46 > 0:28:48OK. They might get there.
0:28:48 > 0:28:51We won't get depressed too early. No.
0:28:51 > 0:28:54But we will go and have a look at the bonus buy.
0:28:54 > 0:28:59Sandra and Irene, you had ?57 of leftover lolly which you gave to Nick. Yeah.
0:28:59 > 0:29:04What did you buy, Nick? I didn't spend the lot, but it is full of eastern promise.
0:29:04 > 0:29:08That's rather nice. A bit different, isn't it? Yeah, I like that.
0:29:08 > 0:29:14It's bronze. It's nice. Kashmiri, I think, or that region certainly.
0:29:14 > 0:29:17It's a nice little collector's piece.
0:29:17 > 0:29:22I like that. The decoration caught my eye as well. It's quite nicely worked.
0:29:22 > 0:29:25Yeah, I think that's quite impressive.
0:29:25 > 0:29:28How much did you spend on it, Nick? ?45.
0:29:28 > 0:29:33I would hope we would make maybe ?20, ?25 out of it, I would hope.
0:29:33 > 0:29:38All right. I could live with that. Good. I could cope with that. You might have to!
0:29:38 > 0:29:41Thank you. Yes...
0:29:41 > 0:29:44OK, well, think on those treasured comments
0:29:44 > 0:29:50because right now for the audience at home, let's find out what the auctioneer thinks about Nick's pot.
0:29:50 > 0:29:55So, Anita, a little pot. You just play your pipe and out comes a cobra.
0:29:55 > 0:29:59This is what I particularly like about this little pot.
0:29:59 > 0:30:02We have two or three snakes entwining the pot
0:30:02 > 0:30:06and this little snake here forming a handle.
0:30:06 > 0:30:10So it's one charmer to another, really, isn't it, Anita?
0:30:10 > 0:30:13I think you've got it in three!
0:30:13 > 0:30:16So how much then, Anita? 30 to 50.
0:30:16 > 0:30:22?45 paid by Nick Hall. I think he's paid the right amount. I think it's got some style.
0:30:22 > 0:30:26It could do all right. That's it for the Reds. Now for the Blues...
0:30:26 > 0:30:29Their first item is the Poole pot,
0:30:29 > 0:30:32so-called Manhattan pattern.
0:30:32 > 0:30:34Any good, Anita?
0:30:34 > 0:30:39The thing about Poole is they always had good designers designing their pots.
0:30:39 > 0:30:42I love the flamboyance of the colours that they use.
0:30:42 > 0:30:47I think that it should do reasonably well, despite the fact that it's not all that old.
0:30:47 > 0:30:51How much then? 40 to 60 on this pot. ?60 paid.
0:30:51 > 0:30:54They're just about on the edge.
0:30:54 > 0:30:59Next is this oddball hunting boot paperweight-cum-inkwell
0:30:59 > 0:31:03which is seriously strange. I know, but it's good fun. Yeah.
0:31:03 > 0:31:06And people like novelty items.
0:31:06 > 0:31:10I don't know how well it will go in a busy urban area like Glasgow
0:31:10 > 0:31:14because not a lot of hunting goes on there.
0:31:14 > 0:31:19How much? 30 to 50. ?22 paid. They paid a modest amount for that. I think that's quite clever.
0:31:19 > 0:31:24Now we've got the Lalique look-alike that looks like Sabino,
0:31:24 > 0:31:28but is in fact by Vallon. Yes, yes. Any good?
0:31:28 > 0:31:31It's a poor man's Lalique,
0:31:31 > 0:31:37but at the same point it's expressing an Art Deco look which is popular with the buyers.
0:31:37 > 0:31:40I particularly like this cherry design.
0:31:40 > 0:31:43I think it's very, very appealing. How much?
0:31:43 > 0:31:47It's 60 to 100. That's amazing because they only paid ?34.
0:31:47 > 0:31:50Good. That was a seriously good buy.
0:31:50 > 0:31:56That's exciting. They probably won't need their bonus buy, but let's go and have a look at it anyway.
0:31:56 > 0:32:01Well then, girls, are you happy? Yes. You look very happy, as well you ought to.
0:32:01 > 0:32:05You gave Jeremy ?184 of leftover lolly.
0:32:05 > 0:32:08Jeremy, what did you spend it on?
0:32:08 > 0:32:12What do you think? Let me see it. Where do you think it's come from?
0:32:12 > 0:32:14India? Absolutely right.
0:32:14 > 0:32:19This is something that would have been brought back and used on a desk
0:32:19 > 0:32:22to keep your papers in and put your pens on.
0:32:22 > 0:32:26It's called Sadeli work and it's very intricately done.
0:32:26 > 0:32:28How much did you pay for it, Jeremy? 45.
0:32:28 > 0:32:34Do you think we'll get a profit out of it? I think on a good day for all that work,
0:32:34 > 0:32:37you should be getting ?60 to ?100 for it easily.
0:32:37 > 0:32:39Mm-hm. But let's see what happens.
0:32:39 > 0:32:42Anyway, let the great marketplace decide.
0:32:42 > 0:32:45But right now, for the audience at home,
0:32:45 > 0:32:50let's find out what the auctioneer thinks about Jeremy's Indian encrier.
0:32:50 > 0:32:53Well, this is handsome, isn't it? Yes, yes.
0:32:53 > 0:32:57It's a little Anglo-Indian box here
0:32:57 > 0:33:02with lots of very intricate carving here
0:33:02 > 0:33:05and this marvellous mosaic work round here.
0:33:05 > 0:33:09A little desk stand. It would look lovely on a desk
0:33:09 > 0:33:14and we've got a little drawer here which is rather sweet as well. Yeah.
0:33:14 > 0:33:19It is an amazing amount of work. We're missing two inkwells. Yes. How much then?
0:33:19 > 0:33:24?40 to ?60. ?45 paid by Jeremy. Who knows? It could really take off.
0:33:24 > 0:33:26I'll do my very, very best.
0:33:26 > 0:33:28As usual, Anita. Thank you.
0:33:37 > 0:33:40So, girls, how are you feeling? I'm a bit nervous.
0:33:40 > 0:33:46I think I'll never be able to walk along Peebles High Street again after this. Will you not? No.
0:33:46 > 0:33:49Unless you give me a bag for my head.
0:33:49 > 0:33:52Come on! It isn't as bad as all that, is it? It is.
0:33:52 > 0:33:58Your rosewood cane is splendid. I'm not so hot on the apprentice's chest, but Anita loved it.
0:33:58 > 0:34:02And the Arts and Crafts tray is pure Glasgow.
0:34:02 > 0:34:06It really is. You couldn't be selling it in a better place.
0:34:06 > 0:34:10So all in all, I am predicting that you will be marginally in profit.
0:34:10 > 0:34:14Here we go. It's a tapering walking cane with the silver collar.
0:34:14 > 0:34:17Rosewood, ladies and gentlemen.
0:34:17 > 0:34:20Johnson Matthey and Company of London.
0:34:20 > 0:34:22This is a stick of quality.
0:34:22 > 0:34:27Can we say ?80? We should at least say ?80.
0:34:27 > 0:34:2980? 60?
0:34:29 > 0:34:34Start me at ?20 for the rosewood cane? ?20? 20 bid.
0:34:34 > 0:34:37Any advance on 20? 25.
0:34:37 > 0:34:40That can't be right. 30. 35. ?35.
0:34:40 > 0:34:44Come on. Come on, more than that. Any advance on 35?
0:34:44 > 0:34:46Any advance on 35? 35...
0:34:46 > 0:34:51That is disappointing. I'm really sorry, girls. ?35 is minus ?3.
0:34:51 > 0:34:57Lot 125, a lovely little apprentice piece, ladies and gentlemen.
0:34:57 > 0:34:59A little miniature chest of drawers.
0:34:59 > 0:35:02100 surely?
0:35:02 > 0:35:04?50 then? 50 bid. 60.
0:35:04 > 0:35:0770. Very good. 80. ?80.
0:35:07 > 0:35:09With you, sir, at ?80.
0:35:09 > 0:35:13You're in profit. Any advance on ?80? I told you you would be.
0:35:13 > 0:35:16All done at ?80? ?80... ?80 is plus 10.
0:35:16 > 0:35:20You are overall plus ?7. That is a good position to be in
0:35:20 > 0:35:22as we come to this belting tray.
0:35:22 > 0:35:25Ladies and gentlemen, this is a superb example
0:35:25 > 0:35:31of the Arts and Crafts work done in Glasgow in the 1920s
0:35:31 > 0:35:33and 1930s.
0:35:33 > 0:35:36?200? 150?
0:35:36 > 0:35:38Start me at ?100?
0:35:38 > 0:35:40100?
0:35:40 > 0:35:43100 bid.
0:35:43 > 0:35:45Yes! 100 bid. 110.
0:35:45 > 0:35:48120. 130. 140.
0:35:48 > 0:35:52Yes! ?140... You're in profit just. Don't stop there.
0:35:52 > 0:35:56140. Any advance on 140?
0:35:56 > 0:35:58140...
0:35:58 > 0:36:02Yes, very good, girls. Well done. You are plus ?12.
0:36:02 > 0:36:05Oh, wow! You're going home with money. We are.
0:36:05 > 0:36:10Absolutely marvellous. Sandra will be delighted. You can walk with your heads high now.
0:36:10 > 0:36:16What are you going to do about this bonus buy? We'll stick with the profit that we've got.
0:36:16 > 0:36:20Stick with your ?12 profit? That'll be fine. Will it? Yeah.
0:36:20 > 0:36:24You won't be too annoyed if the Kashmir pot makes ?60 or ?80?
0:36:24 > 0:36:30No. Yes, I will! Yes, you will. This is the rough bit about this, isn't it? We'll bank our profit.
0:36:30 > 0:36:34You're going to park it? Yeah. Let's see what it makes anyway.
0:36:34 > 0:36:40Lot 130, this is a 19th century, Kashmiri bronze pot.
0:36:40 > 0:36:44Have we made the wrong decision? A beautiful little bronze pot. ?150?
0:36:44 > 0:36:47100?
0:36:47 > 0:36:49?50 surely, ladies and gentlemen?
0:36:49 > 0:36:5130 then?
0:36:51 > 0:36:5330 bid.
0:36:53 > 0:36:5530. 40. 50.
0:36:55 > 0:37:00?50... We're in profit. With the gentleman at ?50... Not in profit!
0:37:00 > 0:37:03The Kashmiri pot, ?50. With you, sir...
0:37:03 > 0:37:06No more bids, please! ?50...
0:37:06 > 0:37:09?50, well played. Beautifully sold.
0:37:09 > 0:37:11That would have been plus ?5.
0:37:11 > 0:37:15?12 and ?17 is not much difference. As it is, it's plus ?12.
0:37:15 > 0:37:21I think you've done very well. Thank you. Well done. Thank you. I think you've been brave about this.
0:37:32 > 0:37:35How are you feeling, Fifi? Nervous.
0:37:35 > 0:37:41What have you got to be nervous about, babe? The boot. The boot? Yes. She's never liked the boot.
0:37:41 > 0:37:44Here we go then. Here comes the Poole.
0:37:44 > 0:37:48143 is this contemporary Poole vase, ladies and gentlemen.
0:37:48 > 0:37:52This is one of the antiques of the future.
0:37:52 > 0:37:55Can we say ?150?
0:37:55 > 0:37:58100? ?50?
0:37:58 > 0:38:01?20? 20... ?20?
0:38:01 > 0:38:0420 with you, sir. 20. 30.
0:38:04 > 0:38:06Any advance on 30?
0:38:06 > 0:38:0940. 50.
0:38:09 > 0:38:1150... ?50.
0:38:11 > 0:38:14With you, sir, at ?50.
0:38:14 > 0:38:18Any advance on ?50? ?50...
0:38:18 > 0:38:20Bad luck. That's minus ?10.
0:38:20 > 0:38:23It could have been worse. It could have been 30.
0:38:23 > 0:38:27Here comes your paperweight. Your old boot!
0:38:27 > 0:38:31It's this little leather paperweight
0:38:31 > 0:38:33in the form of a riding boot.
0:38:33 > 0:38:38Any horsey people in the room? This is the perfect paperweight.
0:38:38 > 0:38:42A little collectable. Giddy-up! Can we say ?80 for the paperweight?
0:38:42 > 0:38:45?80? 80? 60?
0:38:45 > 0:38:47Start me at ?20?
0:38:47 > 0:38:49?20? ?20 surely?
0:38:49 > 0:38:53?20? ?10 then? Come on. 10 bid.
0:38:53 > 0:38:56Come on. Any advance on 10? Come on.
0:38:56 > 0:38:5815. 20.
0:38:58 > 0:39:02Any advance on 20? Any advance on ?20? All done at ?20?
0:39:02 > 0:39:05?20... GAVEL BANGS
0:39:05 > 0:39:07?20. That is minus ?2.
0:39:07 > 0:39:09That's not so swift.
0:39:09 > 0:39:11Lot 145...
0:39:11 > 0:39:15This is going to claw it all back. Here's the money.
0:39:15 > 0:39:18Opalescent glass bowl decorated with cherries and leaves.
0:39:18 > 0:39:21A beautiful piece of Art Deco.
0:39:21 > 0:39:24I'm holding two bids on the books
0:39:24 > 0:39:28and I can start the bidding at ?30.
0:39:28 > 0:39:30I have two bids on the books. Tension.
0:39:30 > 0:39:33?30. 40.
0:39:33 > 0:39:3550.
0:39:35 > 0:39:37?50.
0:39:37 > 0:39:3860.
0:39:38 > 0:39:4360 for the Art Deco opalescent bowl. Oh, girls! 60.
0:39:43 > 0:39:4470.
0:39:44 > 0:39:4680.
0:39:46 > 0:39:48?80.
0:39:48 > 0:39:5085 with me. 90.
0:39:50 > 0:39:5490 on the floor. I'm out at ?90.
0:39:54 > 0:39:58It's 90 on the floor. Any advance on ?90?
0:39:58 > 0:40:02All done at ?90? ?90...
0:40:02 > 0:40:06Yes! Would that be ?56? I think that would be ?56.
0:40:06 > 0:40:09I don't believe that, girls. ?56!
0:40:09 > 0:40:13That makes it 54...plus 44 overall.
0:40:13 > 0:40:18You have been rescued from the depths of despair and you now have ?44 in your back pocket.
0:40:18 > 0:40:22Isn't that good? It's good. You must be chuffed at that. Yes.
0:40:22 > 0:40:26What are you going to do about this old Indian desk job?
0:40:26 > 0:40:30Will you park your ?44 of profit or risk it and go with the desk?
0:40:30 > 0:40:34We'll stick with our 44, Fiona? Yes. Are you sure? Yes.
0:40:34 > 0:40:38The girls are not going to do it, but we're going to sell it anyway.
0:40:38 > 0:40:42Lot 149 is the Anglo-Indian,
0:40:42 > 0:40:45two-handled desk stand with drawer.
0:40:45 > 0:40:4919th century, ladies and gentlemen. ?80?
0:40:49 > 0:40:5280? 60? Start me at ?20?
0:40:52 > 0:40:5620 bid. Any... 25.
0:40:56 > 0:40:5830. 35.
0:40:58 > 0:41:0040. ?40.
0:41:02 > 0:41:06It's on the floor at 40. Any advance on ?40?
0:41:06 > 0:41:09All done at ?40? ?40...
0:41:09 > 0:41:11?40. Good move, girls.
0:41:11 > 0:41:15Well played. Minus ?5 on that, but you stuck to your 44,
0:41:15 > 0:41:17which is absolutely brilliant,
0:41:17 > 0:41:24which means you will be going home with folding money. Now, ?44 should and ought to be a winning score.
0:41:24 > 0:41:28But don't say a word to the Reds. Right. Promise. Promise? Mm-hm.
0:41:35 > 0:41:38Have you been chatting at all? No.
0:41:38 > 0:41:44Not at all, no. I have to tell you that both teams are walking home with a profit.
0:41:44 > 0:41:46That's the similarity. That's good.
0:41:46 > 0:41:50And the team that marginally are behind today are the Reds.
0:41:50 > 0:41:52Aw! Aw!
0:41:52 > 0:41:55Steady progress... Hello, here we go!
0:41:55 > 0:42:01Steady progress, that's what I call it... Oh, well! ..took you forward to your ?12.
0:42:01 > 0:42:08There you go, Sandra. That's ten of them and a couple of smackers. Thank you. That's ?6 each. Wow!
0:42:08 > 0:42:13You were worried about not being able to go out into your locality if you did badly
0:42:13 > 0:42:17and look how brilliantly it's turned out. Thanks to Nick. Bless you.
0:42:17 > 0:42:20You didn't go with the bonus buy which is regretful
0:42:20 > 0:42:24because Nick's bonus buy would have made you another ?5 note,
0:42:24 > 0:42:28but it is terribly difficult to gauge these things. Yeah.
0:42:28 > 0:42:32Did you have a good time? A great time. We've loved every minute.
0:42:32 > 0:42:35But the victors who win by taking home ?44...
0:42:35 > 0:42:39Oh, yeah! Take that lot then. That's very good, Fiona.
0:42:39 > 0:42:43There's your 40 and here comes some more loose change.
0:42:43 > 0:42:50Entirely made up by the very jammy result, if you don't mind me saying, on your Art Deco opalescent bowl.
0:42:50 > 0:42:55You must be really chuffed. I'm really pleased. For that thing to make ?90 was jolly good.
0:42:55 > 0:42:59Excellent auctioneering. Lovely Scottish folk.
0:42:59 > 0:43:01We have had such a super programme.
0:43:01 > 0:43:04Join us soon for some more bargain hunting, yes? Yes!
0:43:20 > 0:43:24Subtitles by Subtext for Red Bee Media Ltd 2011
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